Bahamas Sketchbook of ‘Vernacular Architecture’ Launched at Historic Buena Vista Estate

This article showcases a luxurious three-bedroom, three-and-a-half-bathroom condominium located on Tampa’s Bayshore Boulevard. The residence, occupying an entire floor of the Sanctuary at Alexandra Place, was designed to balance modernism with comfort for its owners, Lisa and Philip Stein, who downsized from their Palma Ceia home in 2021. Interior designer Carin Zwiebel of CZ Designs Tampa was responsible for bringing the 3,900-square-foot space to life, emphasizing customizations that maximize the stunning water views through extensive glass walls. Zwiebel's design philosophy centers on creating interiors that are both exquisite and functional. The condominium's design incorporates striking, colorful art pieces strategically placed in custom nooks against white walls. To introduce natural elements, textured stone and wood accent walls were integrated throughout the space. The furnishings include cozy upholstered seating paired with sleek, low-profile tables, contributing to the overall comfort and modern aesthetic. Various chandeliers and unique lighting fixtures were chosen to enhance the home's ambiance, creating a warm and inviting glow. The homeowners express deep satisfaction with the design, describing their residence as calming, peaceful, and a source of happiness. Key areas of the home are highlighted, including the foyer, which features marble inlay mosaic tile flooring by Artistic Tile, a clear table by Michael Dawkins, and wall lights by Sonneman. The kitchen boasts a captivating backlit bar made of Cristallo quartzite, complemented by custom marble and granite countertops, and leather counter stools from RH Modern. The dining area is equipped with a custom table featuring a metal inlay by Altura Furniture and a custom console by Berman Rosetti. Special wall nooks were designed to perfectly accommodate the owners' art collection, ensuring each piece is thoughtfully displayed, such as "The Climber." The office space includes a custom-built desk with fluted wood and painted finishes. This desk also features custom-designed bat holders by YN Design, catering to the owners' baseball memorabilia. The article credits various professionals and companies involved in the project, including Plaza Construction as the builder, Place Architecture as the architect, and Rickie Agapito of AOFOTOS for the photography. Other contributors include Ceramic Matrix and Casale Design Source for flooring and tile, Haven Smart for technology, and Hammerton for lighting, collectively contributing to the sophisticated and personalized environment of the Bayshore Boulevard condominium.

Allyson and Paul Riser, who annually vacation along Highway 30A in Seaside, Florida, embarked on a project to build a family retreat on a narrow, challenging lot in the heart of Seaside. Initially skeptical of the neglected strip of land, which they mistook for overflow parking, the Risers were ultimately convinced by its unparalleled location—catty-corner from Seaside’s town square and a short walk from the beach, offering wide views of the Gulf of Mexico. This prime location was a critical requirement for their large family, consisting of four grown children and a daughter-in-law. To overcome the constraints of the unusual lot size and accommodate their family's needs, the Risers enlisted Seaside architect Ty Nunn and Birmingham interior designer Fran Keenan. Their primary objective was to create sufficient bedrooms and gathering spaces, while Allyson also sought to infuse the new Florida build with the character and timelessness found in the old coastal homes of the South Carolina Lowcountry. Nunn designed a three-story house, one room deep and three rooms wide, with the kitchen and main living area located on the top floor to maximize the exceptional views. Keenan faced the challenge of incorporating the Lowcountry aesthetic, which often features large, low-slung roofs, into a tall three-level structure. A trip to Paris provided an unconventional solution: installing large, pop-out windows in the roof to flood the third-floor living area with natural light, creating a bright and airy space that became the focal point of the home. Inside, Keenan and her colleague Sara Walker curated an interior that reflected the surrounding landscape without resorting to overt beach-themed decor. The color palette, inspired by the blues and greens of the Gulf, features grayish blues, whites, muted turquoise, and faded aqua, fostering a sense of peace and serenity. The light-colored floors were specifically chosen to mimic sand, cleverly concealing any beach sand tracked in by the family. The design incorporated a mix of antique furnishings and architectural details such as wide-wood-paneled walls and detailed casing to give the new house an immediate sense of history and character. Keenan emphasized that using "old things" helps keep a space fresh and unique, breaking away from conventional design norms. The decor was further enhanced by layers of art, including framed textiles and pressed botanicals, adding personal touches and fostering conversation. A notable feature is the stairwell art gallery, filled with over 120 vintage nautical paintings collected from various vendors across the Southeast, including estate sales in Little Rock, making an otherwise functional space a vibrant display of personal history and curated taste. A large coastal landscape painting, discovered at Scott Antique Markets in Atlanta, became a centerpiece in the sons' room, symbolizing a nostalgic piece that could be passed down through generations. Ultimately, the home serves as a cherished gathering place for the Riser family, facilitating connection and creating lasting memories as their children grow. #BeachBungalow #CoastalHome #HomeDesign #InteriorDesign #SeasideFlorida #FamilyRetreat #ArchitecturalInnovation #AntiqueDecor #NauticalArt

This article highlights three new home decor boutiques that have recently opened in Southwest Florida, specifically between Sanibel and Naples, in 2025. These shops, celebrated for their distinct styles and community contributions, are recognized for bringing character and purpose to the local retail landscape. The first featured shop is the STARability Home Collection, located in the Naples Design District. This expanded home decor shop is noted for its unique business model, where 100% of its proceeds support programs for adults with intellectual and developmental disabilities. The collection primarily consists of high-end, secondhand finds, meticulously sourced and curated. Anne Fleming, the former general manager of Waterside Shops and a 2024 Gulfshore Life Woman of the Year, played a pivotal role in launching this new location, leveraging her luxury retail expertise and extensive network to secure top-quality donations. These donations include items such as Roche Bobois dining chairs, a John-Richard credenza, Natuzzi leather sectionals, velvet sofas, and vintage books, all maintained in excellent condition. Interior designer Monica Lukas is responsible for arranging these items into polished, showroom-ready vignettes, effectively showcasing the breadth and quality of the inventory, which can sometimes amount to a full house's worth of donations. Next, the article introduces 41 Home & Garden, an interiors-focused extension of Christian Busk’s well-established greenhouse and garden shop, also situated in the Naples Design District. Opened in the fall of 2024, this showroom showcases a blend of character-rich pieces, including Art Deco Donald Deskey originals, midcentury modern silhouettes, and Sicilian ceramics, all presented within a refined and relaxed setting. Christian Busk, known for his nearly 50 years of experience in transforming outdoor spaces, applies his keen eye for design to interiors. He personally curates the collection through extensive travel and estate sale exploration, combining deliberate selections with spontaneous finds. The store's unique appeal stems from this mix of precision and serendipity in its curation, inviting visitors to appreciate each item's story and craftsmanship. Assistant editor Annamarie Simoldoni notes the care evident in Christian’s selections, describing the shop as a thoughtful addition to the local design scene. The third shop is Home by Rachel Pierce, a boutique on Sanibel Island that opened last summer. Founded by Rachel Pierce, an NBC-2 anchor turned artist, the shop embodies a beach-forward aesthetic, earning a strong following for its breezy and well-edited collection. Sandy Stilwell Youngquist, a local restaurateur and Gulfshore Life Community Advisory Board member, highlights this shop as a standout new addition to the island. The interior design of Home by Rachel Pierce features seafoam green upholstery, octopus-patterned pillows, and various shell decor, complemented by curated furnishings sourced by co-owner Lauren Speas. Rachel Pierce actively engages her network of local makers, ensuring the shop remains deeply rooted in Sanibel’s creative community and reflects the natural beauty of the island. Collectively, these three establishments contribute to Southwest Florida’s home decor shopping landscape by offering diverse styles, supporting noble causes, and bringing unique curatorial visions to the forefront. #DesignInspiration #HomeDecor #RetailDebuts #SouthwestFlorida #Shopping #InteriorDesigners #LocalBusinesses #Philanthropy #ArtDeco #MidcenturyModern #CoastalStyle

The article explores the evolution of the Williamsburg brand, which has shifted from merely reproducing 18th-century colonial furniture and decor to creating contemporary pieces inspired by historical archives. Historically, residents of Colonial Williamsburg were influential in American high style, importing trends from prominent 18th-century London cabinetmakers. The restoration efforts initiated by Rev. Dr. W. A. R. Goodwin, John D. Rockefeller, and Abby Aldrich Rockefeller in the late 1920s solidified Williamsburg's reputation as a bastion of American traditional style and helped popularize Colonial Revival-style architecture. The initial Williamsburg brand collections launched in 1936 to meet consumer demand for colonial reproductions. Kiri Franco, Director of Brand and Licensing for Colonial Williamsburg Foundation, highlights the brand's adaptation to modern living, noting that contemporary interpretations often surprise people with their "trend meets tradition" aesthetic, especially in collaborations with licensees like Global Views, Robert Abbey, and Capel. Williamsburg Licensing’s associate director, Liza Gusler, and senior brand designer, Jillian Pyle, emphasize that new product introductions often derive from design elements discovered in the foundation's extensive archives, which house over 70,000 items. These archives provide inspiration for innovative products that bear little resemblance to the original items or traditional reproductions. An example is the Shoe Buckle Mirror from Global Views, inspired by an 18th-century shoe buckle. The process involves curators and designers exploring the archives to find graphics, shapes, or details that can be reinterpreted into new, contemporary designs. In a significant move, Williamsburg introduced its first Designer in Residence, Anthony Baratta, who reimagined the interior of the historic Palmer House (circa 1750) on Duke of Gloucester Street. Baratta, known for his eclectic, all-American, and maximalist style, was invited to furnish and decorate the 18th-century home with a fresh take on Americana. Due to the home's historic designation, structural changes were not permitted, so Baratta focused on paint and furnishings. He utilized a palette of historically accurate primary colors (vermilion, blue, yellow, and green) in various rooms and incorporated a mix of traditional Williamsburg reproduction furniture, contemporary Williamsburg products, and antiques from his personal collection. Baratta’s design approach involved blending different eras and styles. In the living room, he combined a Victorian balloon-back armchair, a Duncan Phyfe-style sofa, and a Chippendale-style wing chair. Accessories included neoclassical-style urns and traditional brass candlesticks. In the dining room, he paired Caskata’s Blue Marble dinnerware, inspired by antique hand-marbled endpapers from the archives, with Mottahedeh’s traditional Imperial Blue dinnerware. The master bedroom featured a brass bed once owned by Gore Vidal, Robert Abbey swing-arm reading lamps, and a metal sculpture from Global Views inspired by 18th-century clock hands. He also layered the walls with contemporary paintings, vintage prints, ship models, and dioramas from his collection alongside reproduction artwork. Baratta's residence at the Palmer House provided an immersive experience, allowing him to create a lived-in feel rather than a period-specific show house. Future plans include another Designer in Residence and new collaborations that extend beyond traditional home interior spaces, showcasing Williamsburg's continued evolution in home design. #HistoricPreservation #HomeDecor #InteriorDesign #HistoricHomes #Williamsburg #AnthonyBaratta #ColonialRevival #DesignEvolution #ProductInnovation

Filmmaker Gregory Caruso's 727-square-foot Craftsman cottage in Laguna Beach, a registered historical structure dating back to 1917, was recently transformed into a Zen-inspired weekend retreat. Husband-and-wife design duo Scott Jarrell and Kristan Cunningham of Hammer and Spear were tasked with the renovation. Having worked with Caruso on previous projects, the designers were given significant creative freedom after an initial concept presentation. Caruso's primary design inspiration was the Esalen Institute in Big Sur, interpreted through the lens of the 'Mad Men' series finale, which depicted a tranquil California retreat. While initial ideas for tapestries and tie-dye were toned down, the designers incorporated an "overdose of saturated color" to compensate and root the home in the region's artistic culture. The guiding touchstone for the design became the warm, woody California abode of sculptor J.B. Blunk, known for his Japanese-inspired aesthetic. Jarrell and Cunningham incorporated this ethos through elements like a vintage Noguchi lantern, a tatami mat in the sleeping nook, and antique Japanese wood boxes, all contributing to a sense of zen. The renovation emphasized tactful restraint, aiming to maintain original features and salvage existing materials. Swing doors in the hallway were refashioned into pocket doors, and the 105-year-old redwood walls were meticulously restored. The original Douglas fir flooring underwent sanding, staining, and sealing to bring it back to its new condition. The designers chose to keep material new finishes minimal to allow the redwood to dominate the visual narrative. Copper was introduced for new countertops, the kitchen sink and backsplash, and the bathroom countertop and tub deck, all hand-patinated by collaborator Derek Albeck of DDA Projects. The fireplace was adorned with teal handmade tiles, inspired by a puffed-edge Batchelder design. The cottage's classification as "Exceptional" by the Laguna Beach Historical Society presented unique challenges, particularly regarding exterior modifications. Gregory opted to defer exterior overhauls, meaning certain elements, such as the original windows and 1980s or 90s leaded glass panes flanking the fireplace, could not be made more efficient or removed. To address this, Jarrell and Cunningham ingeniously used paper shoji shutters as a workaround. Laguna Construction & Builder served as the contractor for the project. For Caruso, the cottage serves as a welcome escape from city life, suitable for small gatherings or hosting occasional overnight guests. The designers meticulously outfitted the entire home, from linens and bathroom essentials to kitchen gadgets and a vacuum, ensuring it was fully functional and ready for immediate use upon his first visit. This comprehensive approach aimed to provide a complete and seamless experience, ensuring the retreat had everything necessary for a quick weekend getaway, free from any lingering signs of its past, such as the vintage can of Coke found during the remodel. #LagunaBeach #CraftsmanCottage #HomeRenovation #ZenDesign #HistoricalPreservation #InteriorDesign #HammerAndSpear #CaliforniaDesign #WeekendRetreat #FilmmakerHome

In December, New Providence Island in the Bahamas trades the traditional trappings of a white Christmas for a tropical holiday experience, characterized by vibrant colors, ocean breezes, and a distinctive sense of conviviality. This atmosphere is masterfully curated by Amanda Lindroth, a renowned interior designer and hostess, who infuses her holiday celebrations with a unique blend of Bahamian charm and old-world elegance. Lindroth, who moved to New Providence in 1988, found inspiration in the island's lush landscape, historic architecture, and the relaxed sophistication of its expatriate community. Her design firm, Lindroth Design, now with offices in Nassau, Palm Beach, and Charleston, South Carolina, is known for its tropics-influenced old-world aesthetic, featuring whitewashed walls, intricate molding, antique furnishings, and colorful textiles. She has also authored two design books, including "Island Dreaming," which explores her approach to creating intimate and dazzling spaces for clients, particularly holiday homes built with entertaining in mind. Lindroth's personal entertaining style reflects her design philosophy, focusing on sumptuous details and guest comfort. Her gatherings, whether for Christmas dinner or an impromptu shindig, are marked by a sense of joy and an "Amanda magic" that makes them feel both fancy and incredibly fun, never fussy. Her former family home, Hope Hill, served as a romantic backdrop for many such celebrations, remembered for their laid-back joie de vivre rather than just their glamour. Lindroth's approach to hosting was influenced by the grand dinner parties she attended upon first arriving in Nassau, where she observed a formal, English way of entertaining. While she has since updated this formula, it still informs her events, which typically begin with seated cocktails, followed by a formal dinner on the veranda with assigned seating and simple, delicious meals designed to encourage lively conversation. The ambiance is enhanced by 1970s folk rock music, complemented by the natural sounds of the Atlantic, rustling palms, and cicadas. After dinner, guests transition to the living room for an English-style coffee and tea service, often accompanied by nightcaps. Lindroth believes a memorable evening starts before guests arrive, emphasizing details like flung-open doors, dimmed lights, and abundant candles throughout the house. She also ensures ample comfortable seating, a well-stocked bar, and plenty of provisions, having learned that an eight-person gathering can quickly expand. During the holidays, her menu adapts to incorporate local traditions, featuring dishes like pigeon peas and rice, johnnycakes, a spiral ham with pomegranate seeds, and her cook Crimson Roberts's tangy coleslaw made with Bahamian bird peppers. The holiday decor includes a "Clark Griswold bigger-is-better" approach to tree selection, with evergreens shipped from Canada. Family traditions include participating in the island's Christmas golf cart parade and contest, where their Whoville-like enthusiasm has consistently earned them blue ribbons. Another highlight is the annual boat parade, for which the family decorates their thirty-six-foot "Schooner Queen," a restored 1970s fishing boat. For a recent event, a parade floated through New Providence's Old Fort Bay, culminating in an afternoon raft-up with swimming, kayaking, and rosé. The menu for this occasion included a nineteenth-century-inspired shrimp-and-lobster-tail tower with Bahamian spiny lobster and Marie Rose dip, along with iced stone crab claws and local Rum Dum cocktails. The celebration concluded with an alfresco dinner on Old Fort Beach, a historically significant coastline. The table was adorned with Herend china, sterling silver, and candelabras decorated with peppermint-striped tapers and bougainvillea, creating an effect that is both whimsical and lovely, characteristic of Lindroth herself. #Bahamas #CaribbeanHoliday #TropicalEntertaining #AmandaLindrothStyle #InteriorDesign #IslandLiving #BahamianTraditions #HolidayDecor #HostessTips

Shutterstock founder Jon Oringer and his wife Talia embarked on a search for a home in Miami Beach that would align with their vision of a welcoming oasis, distinct from the prevailing aesthetic characterized by aggressive geometrics and glossy surfaces. Their quest led them to a property overlooking Biscayne Bay, which, despite requiring significant renovation, offered an exceptional location and views. To transform this property into their dream home, they enlisted the expertise of AD100 interior designer Kelly Behun, who had previously worked on their Bridgehampton residence. Behun is recognized for her ability to create interiors that blend fanciful elements with refined sophistication, resulting in spaces that are both imaginative and serene. The home’s architectural transformation was initiated by Blaze Makoid of BMA Architects, who softened the exterior’s angularity with bronze and wood accents and introduced a sculptural staircase to enhance the interior’s dynamism. This established a visual language emphasizing fluidity and warmth, a quality the homeowners desired. Behun further collaborated with To Better Days Building, another AD PRO Directory firm, to realize the couple's vision. Within this architectural framework, Behun curated a vibrant collection of pieces from a global network of artisans, combining them with striking art and vintage items. Each room's design is often anchored by a central element, such as a unique lighting fixture or a captivating artwork, which harmonizes the color, pattern, and scale. Contemporary materials like white oak, plush fabrics, and muted metals are employed in sculptural forms, grounding the whimsical elements in an atmosphere of elegance and luxury. The entryway, for instance, features a custom stained glass light fixture by Greek artist Kostas Lambridis, whose design reflects the client's personal narrative. This piece hangs above a Mimi table by Garcé & Dimofski, complemented by Martino Gamper circus stools and a woven chair from Space Available Studio, all echoing the fixture's colors. Similarly, a stained glass fixture by Maarten de Ceulaer commands attention in the dining room, balancing a substantial table by Yabu Pushelberg. In the double-height library, four ceiling pendants by Bennet Schlesinger, inspired by cumulus clouds, playfully disrupt the room's formal upholstered seating arrangements. The lounge is enlivened by a cut-paper collage of dancing women by Heidi Lanino, set against curvaceous furniture by designers like Achille Salvagni and Chris Wolston. For the children’s playroom, a Nuage fixture by Wout Wessemius creates an ethereal ambiance. Beyond individual pieces, foliage plays a crucial role in animating the spaces. Large Alocasia Calidora leaves at the second-floor atrium window add drama to the primary bedroom. Landscape architect Raymond Jungles collaborated on the home's vegetation, including an immense American oil palm at the entryway that helps scale down the property, contributing to a relaxed and comfortable atmosphere despite its grandeur. The overall design achieves a ravishing and rejuvenating effect, perceived as both sublime and sensual by the homeowners. Jon Oringer praised Behun’s capacity to translate their identity into the living space, affirming that the designer successfully delivered a home that is uniquely theirs. #HomeDesign #InteriorDesign #LuxuryHomes #MiamiArchitecture #ContemporaryDesign #CustomFurniture #ArtCollection #LandscapeDesign #ArchitecturalDigest

The article details a residential project by London-based studio Edgley Design, located on the small Caribbean island of Bequia. This house represents a significant departure from the studio's usual urban projects, focusing on adapting to a tropical climate and its unique challenges. The design incorporates influences from Moroccan courtyard houses, known for their cooling effects through internal courtyards, water pools, and strategic shading. The exterior walls are intentionally high, contributing to internal shade and privacy, giving the structure a castellated appearance that is further accentuated by its elevated position overlooking the bay and terraced landscapes. These external walls are rendered, and the floors are made of concrete, while simple horizontal balustrades on the facade are crafted from untreated Ipe wood, designed to weather naturally over time. The main living area of the house features a large hall with five-meter glass doors that open directly onto a pool terrace, creating a continuous indoor-outdoor space. The sleeping quarters are distributed across two sets of 'towers' that are angled off the central courtyard. Each tower houses a bedroom on its upper floor, accessible via a private staircase, with a separate living space located downstairs. This architectural arrangement cleverly delineates public and private zones within the residence, reinforcing the fortress-like aesthetic of the bedroom towers. Additionally, a small guest annexe is situated to the west of the main structure, offering a sheltered terrace with expansive views of the bay. Given the remote location and limited access to main services, particularly infrequent electricity, the house's design prioritizes minimalism and self-sufficiency. Cooling is primarily achieved through natural ventilation, with the layout engineered to channel winds through the house and utilizing glass-less windows. The structural integrity is also a critical aspect, with the concrete core specifically designed to withstand the frequent hurricane-force winds prevalent in the region. This project by Edgley Design showcases a thoughtful integration of traditional architectural principles with modern engineering to create a sustainable and resilient home in a challenging tropical environment. #ResidentialArchitecture #CaribbeanDesign #TropicalClimate #SustainableDesign #EdgleyDesign #BequiaIsland #CourtyardHouse #HurricaneResistant #NaturalVentilation

The Knitting Bee Surf House, a project by Commune Design and Feldman Architecture, won the 2020 Best of Year award for Beach House. This 4,500-square-foot residence was conceptualized around the persona of “a professor who surfs,” aiming to create a nuanced and sustainable building that departs from traditional seaside design aesthetics. Jonathan Feldman, founding principal of Feldman Architecture, and Roman Alonso, principal of Commune Design, collaborated on the project. The design deliberately avoids conventional coastal decor elements such as driftwood. Instead, the team prioritized sustainable and locally sourced materials, specifically utilizing rich Monterey cypress timber from Aborica, a Marin County sawyer known for reclaiming and repurposing native Californian wood. This Monterey cypress was used extensively for both exterior cladding and interior finishes, contributing to a cohesive and natural aesthetic throughout the house. Complementary materials include soapstone, concrete, and unlacquered copper and brass. These materials were specifically chosen for their ability to develop a natural patina over time when exposed to the salt air, further enhancing the house's connection to its coastal environment and ensuring a graceful aging process. Commune Design was responsible for the interior design, which is characterized as “polished bohemian.” This style balances intellectual sophistication with a free-spirited feel, creating an environment that is both refined and relaxed. The interior spaces feature a mix of high-end custom pieces, vintage finds, and furniture from renowned designers such as George Nakashima Woodworkers and BDDW. This eclectic approach adds depth and character to the living spaces, reflecting the imagined inhabitant's intellectual yet adventurous spirit. The layout of the house begins with a front courtyard that leads into a great room and kitchen area, forming the central social hub. Beyond this, a back patio provides direct access to ocean views, integrating the natural surroundings into the daily living experience. The upstairs quarters house additional living and sleeping areas, all designed to maximize the stunning ocean vistas. Beyond the residential spaces, the property includes practical amenities such as a garage and a dedicated surfboard workshop, catering directly to the owner’s surfing passion. The project team involved Roman Alonso, Abbey Santamaria, and Sam Spenser from Commune Design, and Jonathan Feldman, Christopher Kurrle, Matt Lindsay, Humbeen Geo, and Leila Bijan Kuehr from Feldman Architecture. #BeachHouse #SustainableDesign #CoastalArchitecture #InteriorDesign #CommuneDesign #FeldmanArchitecture #MontereyCypress #PolishedBohemian #AwardWinningDesign

The article explores Casa Toquilla, a project by Ecuador-based Rama Estudio, which aims to revive vernacular architecture and local construction techniques in the aftermath of a devastating 2016 earthquake. The initiative addresses the displacement of 80 families from the island of Portete in the Province of Esmeralda, who, upon moving to the mainland, lost their connection to traditional building methods, local materials like bamboo, wood, toquilla straw, and kade, and a sense of ownership over their homes. These endemic materials had been stigmatized as low-quality alternatives to modern materials such as zinc plates, blocks, and concrete. Rama Estudio collaborated with the Portete community to develop Casa Toquilla, emphasizing responsible, respectful, and responsive architectural intervention. The project involved an extensive process of understanding site safety concerns, evaluating traditional construction techniques, and utilizing locally available materials. Through community discussions, experiments, and active participation, the architects and residents co-created three prototype houses: Casa Toquilla L, Casa Toquilla M, and Casa Toquilla S. These designs are rooted in sustainable design principles and feature bamboo construction. The housing trilogy comprises prototypes designed to cater to different family sizes, economic capacities, and ease of execution. Casa Toquilla L, the largest at 80 sqm, is a single-floor residence accommodating up to eight people, designed with elderly users and ease of movement in mind. It includes two bedrooms and a common area. Its thermal performance is enhanced by a floor grid for cold air recirculation and pambil screens with mosquito nets. Casa Toquilla M, covering 70 sqm, is a two-story structure for eight members, featuring ample meeting spaces and built on a raised deck to ensure material durability. Casa Toquilla S, the smallest at 60 sqm, optimizes space with an open-plan layout and omits the first-floor balcony present in Casa Toquilla M. A key aspect of Casa Toquilla's uniqueness lies in the integration of technical details into the spatial development. The toquilla straw weave is incorporated directly into the residential architecture, and the roof profile and attic spaces create functional areas on the upper floors. Pambil screens, highly resistant to weather and humidity, enclose the elevations and form the facade. These elements also facilitate cross-ventilation, creating open and comfortable living spaces. The project also included practical training for the local community in bamboo construction and toquilla straw weaving, fostering local labor engagement and knowledge transfer. The houses were treated with various preservation and curing methodologies to assess their durability in a humid and saline coastal environment, with the goal of creating accessible and efficient construction techniques. The initiative has led to the replication of its methodology in three additional homes in the area, demonstrating its potential for wider application and impact. The project serves as an example of humanitarian architecture, showcasing how responsible design can help a displaced community reconnect with its cultural heritage and build a sustainable future. #VernacularArchitecture #Ecuador #RamaEstudio #SustainableDesign #BambooConstruction #ToquillaStraw #CommunityParticipation #PostEarthquakeReconstruction #ResidentialDesign

TAC Taller Alberto Calleja designed Casa Kani Ini, a seaside retreat situated on a 4,500 sqm plot in the El Vigía sector of Puerto Escondido, on the coast of Oaxaca, Mexico. The project aimed to create a comprehensive living space for a family while minimizing environmental impact. To achieve this, the design strategy involved fragmenting the total built area into several strategically distributed independent structures, rather than constructing a single, massive building. This approach ensures enhanced privacy, optimal ventilation, and a stronger connection with the natural landscape. The social and recreational areas of Casa Kani Ini are housed within a continuous nave, which is supported by a mixed structure of wood and concrete. This nave is oriented directly towards the beach and the Pacific Ocean, maximizing views and natural light. It features a single-sloped roof and a flat slab section that supports a rooftop area. This elevated rooftop serves as a contemplative space, offering new perspectives of the surroundings and enriching the visual and sensory experience from a higher vantage point. A central green water courtyard forms the core of the house, acting as a transitional element and a natural distributor between different spaces. This courtyard maintains a sense of openness and fluidity throughout the property while also providing privacy and enhancing natural airflow. The bedrooms and service areas are organized into six independent modules, positioned at the rear of the property in a staggered layout. This arrangement physically isolates the various functions, with these solid volumes connected only by circulation bridges. This fragmentation of the built mass across the site facilitates a harmonious integration with the surrounding natural environment, allowing the architecture to blend seamlessly into its coastal setting. The design of Casa Kani Ini fosters a dynamic interplay between the architectural forms and the natural environment. The strategic placement of independent volumes, combined with the use of natural materials like wood and concrete, contributes to a balanced and respectful intervention in the landscape. The project prioritizes natural ventilation and open spaces, ensuring that the inhabitants can fully experience the coastal setting while enjoying privacy and comfort. The overall scheme reflects a thoughtful consideration of site conditions and client needs, resulting in a retreat that is both functional and deeply connected to its unique Mexican coastal location. #ResidentialArchitecture #SeasideRetreat #MexicanArchitecture #WoodAndConcrete #SustainableDesign #CoastalLiving #ArchitecturalDesign #EnvironmentalIntegration #PrivacyAndOpenness

The location of a home is a fundamental factor that significantly influences its design, both externally and internally. Architectural and interior design decisions are shaped by various elements specific to a region, including climate, susceptibility to natural disasters like hurricanes or earthquakes, and the availability of local construction materials. Regional trends also play a crucial role in ensuring homes are not only functional but also seamlessly integrated into their surrounding environments. Chancey Architecture and Interior Design, a firm with 35 years of experience, has designed residences across diverse geographical locations, from the tropical settings of the Bahamas and Grand Cayman to the mountainous terrains of Colorado, and across states like Ohio and Idaho. This extensive experience has provided the firm with a deep understanding of how regional differences dictate design requirements. The firm emphasizes that a home's location profoundly impacts its design, with Florida presenting its own unique set of design considerations and trends. In Florida, design priorities include natural ventilation, effective shading elements, and energy-efficient air-conditioning systems due to the warm climate. Common building materials in the state vary by architectural style. Southern pine is frequently used in Southern Vernacular and Coastal designs. Mediterranean, Spanish, and Mizner-style homes traditionally feature concrete blocks finished with textured stucco, tile roofs, and Palladian elements that highlight scale, symmetry, and balance. In contrast, Coastal Vernacular designs often incorporate wood siding, expansive porches, and metal roofs. Brick is also prevalent, particularly in historical areas like Hyde Park and South Tampa, and is increasingly seen in modern designs. Designs in mountainous regions, such as Colorado, typically feature wood and timber structures with poured concrete basement walls to prevent water infiltration. Western regions must account for snow loading and thermal heat storage, leading to large open spaces with high, sloping ceilings that complement the rugged natural surroundings. Unlike mountain homes, Florida residences usually do not have basements but instead focus on maximizing outdoor living. This includes integrating sunrooms, convertible spaces with sliding or folding doors for indoor-outdoor flow, strategically placed pools as focal points, large covered outdoor areas, outdoor kitchens, and meticulously planned landscaping. Florida's architectural and interior color palettes are also influenced by regional characteristics. European designs often use warm tones, while Craftsman and timber styles lean towards earthy colors. Modern and tropical influences favor lighter palettes. Interior paint colors in Florida tend to be lighter and airier, creating a sense of spaciousness. For more intimate areas like dining rooms, offices, bedrooms, and powder rooms, richer and more vibrant accent hues are introduced. Blues and greens are particularly popular, as they evoke the natural colors of Florida's landscapes and coastal waters. Sustainable design practices are gaining importance, with a focus on energy efficiency, smart home technology, the use of sustainable materials, and rainwater collection systems. These considerations underscore how companies like Chancey Architecture and Interior Design create homes that are not only aesthetically pleasing but also perfectly adapted to their specific environments.

The article details the entryway of the Home on the Bay Project, a custom new build located in the San Francisco Bay Area. This project, a collaboration between Studio McGee, Sausalito Construction, and Holscher Architecture, emphasizes a blend of modern and traditional elements from the moment one enters the home. The entryway features white oak floors, custom-stained wood beams, and ample natural light, establishing the aesthetic that flows throughout the residence. A key design choice in the entryway is the use of repetition, specifically with lanterns, which creates a significant visual statement and sets the overall tone for the home. The layout of the entryway is characterized by a long, narrow hallway, which influenced the selection of elongated furnishings such as a runner and a custom console table. These elements were chosen to complement the spatial dimensions of the area. Styling the console table involved using a large mirror as a central focal point. This was flanked by two lamps to provide balance, and the middle section was filled with various layers and levels of decorative items to add visual interest and depth. The design approach focuses on introducing elements in the entryway that are then echoed and expanded upon in other areas of the home, ensuring a cohesive and integrated design narrative. The project highlights how an entryway can serve as a crucial introductory space, not only welcoming guests but also articulating the design philosophy and material palette that defines the entire home. The integration of modern and traditional styles, along with strategic use of lighting and furniture, contributes to an inviting and aesthetically consistent environment. The collaboration with construction and architecture firms underscores the comprehensive planning involved in creating a bespoke residence. #HomeOnTheBay #EntrywayDesign #InteriorDesign #StudioMcGee #CustomBuild #ModernTraditional #DesignElements #SanFranciscoBayArea #ArchitecturalCollaboration

This Nashville home, initially a speculative build by Build Nashville, transformed into a personalized "Zen Abode" for co-owner Jamie Duncan, drawing inspiration from her experiences in Costa Rica. During the frame stage, Duncan decided to purchase the house, collaborating with interior designer Elena DeSoto while adding her own custom touches. The design prioritizes a blend of modernity and softness, achieved through the careful selection of textures, greenery, and art. Duncan's personal customizations primarily focused on the backyard, where she integrated a sunken fire pit, an outdoor shower, mondo grass, and a cabana. Inside, she introduced beams in the living room and basket lights in both the dining room and stairwell. The overarching inspiration for these elements, and indeed much of the home's aesthetic, stemmed from her profound appreciation for Costa Rica, particularly a luxury resort experience. She sought to replicate the finishes and textures observed there, incorporating details like polycarbonate panels with bamboo reeds in the cabana's skylights and the outdoor shower's design, echoing the resort's architectural features. The home's design philosophy emphasizes a minimal color scheme, which is then enriched by diverse textures to create a welcoming and serene atmosphere. Duncan views texture as a key element, allowing for a modern house to feel soft and organic rather than harsh or cold. This is evident in the juxtaposition of materials such as concrete for showers and floors with solid wood beams in the living room, showcasing a thoughtful layering of different elements. Beyond its architectural and textural considerations, the residence functions as a personal art gallery. Duncan highlights the 27-foot wall in the dining room, specifically designed to showcase a custom piece by local Nashville artist Cory Basil. She maintains a commitment to featuring art exclusively from local Nashville artists or those with whom she has a personal connection, or pieces acquired during her travels. This curated collection further enhances the home's unique character and personal significance. Ultimately, the home serves as Build Nashville's model house, demonstrating to potential clients the possibilities for creating their ideal living spaces. It exemplifies how thoughtful design, personal inspiration, and a focus on texture and natural elements can converge to produce a breathtaking and inviting environment that feels both contemporary and deeply personal. #homeDesign #interiorDesign #nashvilleHomes #costaRicanInfluence #zenLiving #modernSoftness #architecturalDesign #localArt #textureInDesign

Design Miami/ Basel returned for its 13th edition, showcasing a diverse collection of new creative projects, iconic designs, and conceptual interpretations within the design genre. The event, held in the Herzog & de Meuron-designed fairgrounds, featured 43 international galleries representing modern and contemporary design, alongside ten special Curio presentations and large-scale installations, marking a significant celebration of both culture and commerce. This overview highlights several key installations and collections that captured attention. One notable presentation was the ‘(Con)temporary Home’ by Brazilian brand ETEL, designed by Italian architecture firm Superluna. This Collectors Lounge was conceptualized as a domestic environment, enclosed within a steel frame that subtly separated it from the fair's activity. The interior featured a curated mix of contemporary and historical Brazilian design pieces, complemented by photographs from Ruy Teixeira. A significant portion of the furniture offered to guests for relaxation, accompanied by champagne, included pieces by Jorge Zalszupin, honoring the Brazilian master on his 96th birthday. New York gallery Friedman Benda presented Nendo’s 'Watercolour Collection,' a series of 18 pieces designed to evoke the illusion of watercolor paintings on paper. Crafted from folded metal sheets, these objects utilized a special finishing technique to mimic paper, then hand-painted to create a light blue watercolor effect. The collection reimagined traditional furniture forms into abstract compositions, with the paint interacting with the shapes to produce a poetic, illusory quality. Belgian gallery Maniera collaborated with Dutch architect Anne Holtrop to present new works, including furniture, lighting, and accessories. These pieces formed micro-architectures that reflected Holtrop's distinct aesthetic, characterized by his unique sense of shape and material. Maniera's ongoing commitment involves commissioning architects to translate their signature styles into smaller-scale design objects. Design at Large, the annual initiative by Design Miami/ Basel, was curated by photographer François Halard in 2018. Halard explored the enduring impact of design through a series of nine diverse projects from the 20th and 21st centuries. The exhibition featured architectural elements by Jean Prouvé, interiors by Gaetano Pesce for the Dujardin children’s store, and a micro-architecture by RDAI. Halard's curatorial vision aimed to connect past influences with present and future design trends, emphasizing the continuity of ideas in art and design. ‘A New Layer Taiwan,’ presented by Spazio Nobile Gallery, showcased an initiative by the National Taiwanese Craft Research and Development Institute. This project fostered collaborations between Taiwanese craftsmen and international designers. Curator Lise Coirier brought together seven designers who worked with local artisans to produce a range of pieces, including ceramic works by Anton Alvarez and BCXSY, bamboo furniture by Sebastian Herkner and Jin Kuramoto, and lacquer objects by Julie Richoz and Wonmin Park. Olivier van Herpt, an Eindhoven graduate, presented 'Blue and White' for VIVID. This collection highlighted his unique ceramic 3D printing technique, which creates a distinct aesthetic. The series drew inspiration from the Delft tradition of blue porcelain, with cobalt pigment applied by hand before extrusion, resulting in a radial gradient pattern that symbolizes the collaboration between human interaction and machine precision. This project was initially commissioned by the Gemeentemuseum Den Haag. Calvin Klein made its debut at Design Miami/ Basel with an installation featuring Gaetano Pesce’s 'Feltri' chair, designed in 1987 for Cassina. The installation, inspired by a barn, was reinterpreted by creative director Raf Simons using vintage American heirloom quilts from the 19th and 20th centuries. It showcased 100 limited edition numbered chairs, marking a unique cross-disciplinary presentation. Lastly, 'Origins: Design from the Ancient World' was presented by Galerie Chenel and Oscar Humphries. Following his successful Curio installation from the previous year, Humphries, in collaboration with Paris’ Galerie Chenel, displayed Roman design for the first time at a design fair. The collection featured Greco-Roman artifacts, design, and architectural elements from 200 BC to approximately 200 AD, including columns, capitals, urns, and fragmentary sections from interiors and furniture. This exhibition aimed to introduce this material to a new audience and provide a fresh context, demonstrating the fundamental synergy and enduring influence of ancient design on contemporary genres. #DesignMiamiBasel #CollectibleDesign #ContemporaryDesign #DesignExhibition #ArchitecturalDesign #FurnitureDesign #ArtAndDesign #InteriorDesign #Craftsmanship

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation

Barbara Lowenthal, an acclaimed interior designer, shares insights into her career, inspirations, and personal philosophies in a Q&A format. Her journey into design was sparked during childhood walks to Roosevelt Elementary School in Santa Barbara, where she developed a keen interest in residential architecture and interior details. This early fascination eventually led her to pursue certificate coursework through UCSB Professional and Continuing Education, solidifying her path in the design world. In 2005, Lowenthal joined Harrison Design, where she has been instrumental in leading its West Coast office for interiors, contributing to numerous significant projects. Beyond her professional work, Lowenthal has a strong commitment to community and historical preservation. She was a founding member of the boards for both the Pearl Chase Society and the Courthouse Legacy Foundation. Her civic engagement also includes serving as board president of the Museum of Art Docent Council and as a member of Santa Barbara’s historic landmarks and planning commissions. Her contributions to the field and community were recognized in 2015 when she was part of the team that received the city’s Edwards/Plunket Award for exemplary design for the comprehensive remodel of Crocker Row on Garden Street, specifically acknowledging the renovation, restoration, and rehabilitation of a historic structure. Lowenthal draws design inspiration from a wide array of sources, including nature, gardens, fashion, and even city streets, particularly those in Paris. She finds immense satisfaction in the collaborative aspect of her job, working with other professionals to create interiors that genuinely reflect her clients' unique sensibilities. Her ability to design across multiple genres is a highlight of her career, allowing for diverse and engaging projects. Conversely, the administrative burden of paperwork is cited as the least enjoyable part of her profession. When asked about an alternative career path, Lowenthal expresses a desire to be an author, indicating a creative and narrative inclination beyond interior design. Her current state of mind is upbeat, and she defines perfect happiness as sharing dinner with her children and grandchildren, highlighting the importance of family in her life. She prefers not to dwell on fears and considers books, encompassing fiction, nonfiction, and design literature, as her greatest extravagance. Lowenthal views temperance as the most overrated virtue and aspires to play the piano. Her greatest achievement is living life on her own terms, a testament to her independent spirit. Her most treasured possessions are her family and friends, underscoring her appreciation for personal relationships. She admires Stacey Abrams among living individuals and finds heroes in anyone who demonstrates perseverance in the face of disaster or trauma. In her interactions, she values love and support from friends. Lowenthal's favorite fictional character is Aurora from Larry McMurtry’s books, especially *The Evening Star*. When it comes to honesty, she humorously states she only lies to protect the innocent. Her most marked characteristic is her ability to go with the flow, and she frequently uses the phrase “Best Regards.” Her personal motto, “There’s always the next time,” reflects a forward-looking and resilient outlook on life. #InteriorDesign #BarbaraLowenthal #SantaBarbara #Architecture #DesignInspiration #CommunityInvolvement #HistoricPreservation #ProfessionalProfile