Talking About Interior Design on Hinge Leads to Better Matches—Here’s Why

This article provides insights into interior designers' unspoken advice and expectations for their clients, aiming to foster more successful and less stressful decorating projects. The main points are derived from professionals at Decorating Den Interiors, a collective of design firms across the U.S. The first piece of advice is to manage expectations regarding reality TV design shows. Designers note that these shows often misrepresent the timeline, effort, and true costs involved in a renovation. Camila Gusmao, a designer from Plantation, Florida, emphasizes that while transformations are achievable, the shows fail to convey the extensive design work, material procurement, delivery, fabrication, and installation costs that go beyond the on-screen price tag of items like countertops. This can lead to clients experiencing 'sticker shock' when confronted with real-world project expenses. The second crucial tip is for clients to be upfront and honest about their budget. Donna Rich, owner of DL Rich Designs in Maryland, highlights budget transparency as the most common impediment between clients and designers. Barbara Hayman, from Barbara Hayman Designs in Orlando, Florida, reinforces this by stating that knowing the client's budget, even if unrealistic, allows the designer to explain what is feasible. Designers anticipate educating clients about current costs, especially those who haven't redecorated in years, as prices have significantly increased. Clients often keep their finances private, but designers need this information early to curate projects effectively based on vision and investment level. Thirdly, the article advises against treating a designer as a mere personal shopper. Suzan Wemlinger of Suzan J Designs in Milwaukee explains that her role extends far beyond simply finding specific items a client might have in mind from sources like Pinterest. While client input and inspiration boards are valued, designers contribute their expertise in function, size, and scale to create cohesive and practical designs that cannot be achieved by simply replicating images. She emphasizes that designers possess a unique 'superpower' in transforming spaces comprehensively. Fourth, clients are encouraged to incorporate beloved 'old' items into their new decor. Jan Bertin, owner of Bertin’s Interiors in Alexandria, Virginia, assures clients that designers are open to integrating personal pieces to make a home feel more authentic and happier for its occupants. She shares an anecdote where an old copper tray was transformed into a stunning, perfectly sized coffee table, demonstrating how a professional eye can see new potential in existing furnishings. This approach prioritizes sentimental value and personal connection over completely replacing everything. Finally, the article underscores the importance of trust and cultivating it between clients and designers. Barbara Hayman explains that trust is fundamental to the design process, especially with clients who may be absent for extended periods. This trust extends beyond the design choices to the value the designer brings and the willingness of the client to step outside their comfort zone. Hayman believes that a deep personal understanding of a client's personality, dreams, and fears is where the 'magic happens,' leading to a home that serves as a sanctuary and source of well-being. Openness and vulnerability from the client contribute significantly to achieving truly great and personalized design outcomes. #InteriorDesign #ClientRelationships #BudgetTransparency #DesignExpectations #DecoratingTips #DesignerClientMindMeld #HomeRenovation

The Interior Design's re:Source event in Arizona, held from September 15-17 at the Ritz-Carlton, Dove Mountain, brought together nearly 80 innovative manufacturers and designers to foster lasting and impactful relationships within the design community. The event commenced with Erica Waayenberg, head of research and content development at ThinkLab, presenting crucial insights into the factors influencing client decision-making in design. Waayenberg highlighted that decisions surrounding the built environment are taking longer, attributing this trend to a shift in benchmarks and the involvement of stakeholders with often conflicting priorities. Her data-driven presentation illuminated common pain points in the design process, prompting an interactive discussion among attendees. Participants contributed various solutions, including the need for greater transparency in pricing data and strategies to streamline the overall decision-making process for clients. Throughout the re:Source event, designers and manufacturers engaged in numerous informative, brief meetings, facilitating the exchange of ideas and the discovery of novel products. These professional interactions were complemented by a variety of engaging recreational activities designed to enhance networking and well-being. Attendees participated in sessions such as desk yoga, mala bead-making, and an apothecary workshop, offering creative outlets and opportunities for informal connection. Evenings featured cocktails on the lawn, complete with a powerful telescope for a unique stargazing experience, further fostering a relaxed and convivial atmosphere for networking. This year's re:Source also marked the launch of Metropolis Connect by Metropolis, an initiative that expanded the event's reach by inviting architects and architectural product manufacturers into the mix. This addition created a more diverse and comprehensive platform for creative professionals. Metropolis Connect, which aims to forge meaningful connections between brands and leading architects, is scheduled to co-locate with re:Source again in Fall 2025. John Bergstrom, Director of Business Development for Accurate Lock & Hardware, lauded the quality of the architect attendees, noting their exceptional engagement and keen interest in learning about new products. This sentiment was echoed by many industry attendees who gathered for three days dedicated to strengthening professional ties and advancing their craft. The event successfully facilitated hundreds of meetings between designers and manufacturers, allowing for direct engagement and product exploration under the Arizona sun. The blend of structured professional meetings with mindful and social activities, such as the apothecary workshop and stargazing, created a holistic experience that promoted both business development and personal well-being. The involvement of Metropolis Connect further enriched the event, bringing a broader spectrum of design professionals together. The overall atmosphere was conducive to learning, collaboration, and relationship building, reinforcing the value of such gatherings for the architecture and design community. A significant aspect of the event was its commitment to sustainability, with Material Bank generously offsetting the carbon footprint. The success of the re:Source event was also made possible by the support of numerous partners, including Accurate Lock & Hardware, Andreu World, Arktura, B+N Industries, Chemetal, Craftmade, Davis Furniture, Expormim, FiberBuilt Umbrellas & Cushions, Four Hands, Fyrn, Garden on the Wall, Haworth, Infinity Drain, Kaswell Flooring Systems, Lutron, Mak Studio, Matter Surfaces, Mizetto, Moroso USA, MPS Acoustics, Nichiha Fiber Cement, Oyster Wellness, Parla Design, Perennials and Sutherland, Pure + FreeForm, Regupol, Rockfon, Sancal, Sloan Valve, Turf, Tuuci, Versteel, Williams-Sonoma, Inc. Business to Business, and Yellow Goat Design. These partnerships underscored the collaborative spirit of the event and its dedication to advancing the design industry. #DesignEvent #ClientRelationships #InteriorDesign #ArizonaReSource #DesignManufacturers #ArchitecturalProducts #Networking #IndustryCollaboration #DesignDecisions

The article outlines ten essential traits that contribute to a successful career in interior design, emphasizing that it takes more than just good taste or an innate flair for aesthetics. According to Neal Beckstedt, founder of Neal Beckstedt Studio, successful designers often possess a blend of seemingly opposing characteristics, such as being creative yet practical, free-thinking yet organized, and a good listener yet opinionated. One crucial trait is an appreciation for everyday beauty. Cheryl Luckett, founder of Dwell by Cheryl, highlights that recognizing potential in every space and noticing small details can elevate a room from good to truly special. This deep sense of beauty guides designers in creating functional, inspiring, and joyful spaces. Natural curiosity is another key characteristic. Linda Hayslett of LH.Designs notes that successful designers are often inquisitive about their surroundings, possessing a heightened awareness of how spaces feel and function, and noticing details others might overlook. Developing a discerning eye is also vital. Michelle Gage of Michelle Gage Interiors advises actively seeking opportunities that expand one's visual experience, such as visiting museums, home shops, and traveling, rather than solely relying on social media for inspiration. A defined sense of personal style provides clarity and confidence, enabling designers to create cohesive spaces that clients can trust. However, this style should not be rigid, allowing flexibility to blend expertise with client needs. Strong gut instinct is another trait mentioned, with Amy Studebaker of Amy Studebaker Design explaining that trusting one's intuition in decisions like fabric selection, client interaction, and team building often leads to the right direction. Problem-solving skills and adaptability are critical, as no design project is entirely smooth. Hayslett points out that skilled designers embrace obstacles as creative challenges. Sarah Lederman of Sarah Lederman Interiors adds that a client-centric approach requires openness and willingness to try different methods to achieve diverse client outcomes. A love of learning ensures designers stay current and informed. Lederman shares her continuous effort to educate herself about vintage items, antiques, and new showrooms. Empathy is highlighted by Phil Norman of Norman Design Group as a trait that helps designers understand clients' unspoken needs, distinguishing good designers from others. Furthermore, understanding how elements come together is paramount. Luckett explains that it involves comprehending how colors, textures, and layouts create harmony and emotion, along with a strong grasp of scale, proportion, and flow. Taniya Nayak of Taniya Nayak Design emphasizes the ability to accurately judge scale and size visually. Finally, the ability to communicate a vision is essential. Designers must be able to visualize a room's potential and effectively convey that vision to clients. Sarah Fleischer of SRF Interiors states that confidence in communicating one's design sense and opinions is crucial for project success. Cheri Etchelecu Martin of Cheri Etchelecu Interior Design underscores that strong communication skills are necessary to sometimes push clients beyond their comfort zones and ensure project success. Attention to detail, including small elements like screw finishes or light bulb placement, is also a common trait among skilled designers, often associated with Type A personalities who value precision and control. #InteriorDesign #DesignSkills #CreativeProfessions #HomeDecor #ProblemSolving #ClientRelations #AestheticAppreciation #LifelongLearning #AttentionToDetail

The article discusses the growing trend of using faux materials in home interiors and explains why designers advocate for a return to natural materials. While faux materials such as fake marble countertops, synthetic stone, and vinyl faux wood flooring offer a seemingly more affordable upfront cost, they come with significant drawbacks. These alternatives often lack the durability of their natural counterparts, being prone to damage like chipping and cracking. Beyond aesthetic and longevity concerns, some faux materials, particularly particleboard and certain types of laminate or vinyl flooring, are known to release harmful Volatile Organic Compounds (VOCs), including formaldehyde, which can negatively impact indoor air quality. Home designer and therapist Anita Yokota emphasizes the psychological and physiological benefits of natural materials, noting that their micro-irregularities and tactile depth activate the parasympathetic nervous system, fostering feelings of groundedness and safety. Materials like real wood, stone, linen, and clay offer subtle variations that are absent in synthetic alternatives. Despite the drawbacks, the market for faux materials, such as particleboard used in faux wood furniture, is projected to continue growing, driven by a demand for affordability. However, the article suggests that there are affordable natural alternatives available. For instance, instead of expensive marble or cheap faux replicas for countertops, real wood butcher block offers a natural, more budget-friendly option that also contributes to a soothing interior aesthetic. Similarly, embracing natural fabrics like cotton, linen, or wool for items such as blankets, curtains, and pillows is recommended over synthetic options. For furniture, vintage real wood pieces can be sourced affordably from thrift stores and given a new life through DIY upcycling. Ultimately, the piece advocates for a mindful approach to material selection in home design, prioritizing the long-term benefits of natural materials in terms of durability, aesthetic quality, and positive impact on well-being and indoor air quality, even when initial costs might seem higher than their synthetic counterparts. The ongoing popularity of faux materials is largely attributed to cost-effectiveness, but designers consistently prefer natural options due to their superior qualities and benefits. #InteriorDesign #HomeDecorTrends #NaturalMaterials #FauxMaterials #HomeDesign #SustainableDesign #IndoorAirQuality #MaterialSelection

The article delves into the concept of "beige flags" in home design, which are seemingly innocuous or quirky traits that can reveal deeper insights into a person's character and compatibility on a date. While red flags are overt warning signs, beige flags are subtler cues that, according to design experts, can offer significant information about someone's values, personality, and readiness for a relationship. This perspective shifts the focus from judging expensive decor to understanding the underlying implications of a person's living space. Several specific home design elements are highlighted as potential beige flags. For instance, a home with numerous random walls, nooks, and crannies, making it difficult to navigate, might suggest that the homeowner is unreceptive to others in their personal space and possibly not ready for a relationship. Conversely, a room designed with striking symmetry could indicate a person who values balance and compromise, capable of creating a harmonious partnership. The article also touches on homes that appear to be direct replicas of catalog showrooms. While drawing inspiration from catalogs is common, a complete lack of personal style in decor might point to a less creative individual. Interior designer Janette Ewen suggests that such a space might reveal a lack of creativity, while licensed therapist and interior designer Anita Yokota warns that overly trendy spaces can contribute to stress, emphasizing the importance of authenticity for comfort. Another beige flag mentioned is the presence of only one nightstand in a bedroom, particularly if the person lives alone. This could be interpreted as a fear of commitment, suggesting an individual who may not be ready to share their space or their life. A well-worn couch placed directly in front of a TV or gaming system might indicate that gaming takes precedence over other aspects of life, as highlighted by Ewen. While comfort is important, an excessive focus on entertainment without balancing elements in the room could signify a lack of broader interests or social engagement. Blackout curtains are identified as a beige flag that could suggest someone is still in a "party phase," prioritizing sleep convenience, or potentially traveling frequently. An overtly themed home, like a "bachelor pad" with black leather and neon bar signs, might mean the individual is stuck in a past aesthetic, such as a Pinterest board from 2012, according to designer Elissa Hall. The article also discusses the implications of an excessive number of throw pillows, which could signal issues with excessiveness or a preoccupation with aesthetics over practicality. Finally, the absence of books or plants in a home is considered a significant beige flag. Hall expresses concern that a space lacking these elements might indicate a person who is unwilling to change, learn, or grow, as plants represent life and growth, and books represent knowledge and evolution. A home primarily lit by recessed lighting without dimmers or additional lamps is also a beige flag, signaling a lack of focus on creating a relaxing atmosphere, which could be a "mood killer" for dates, as noted by designer Sarah Montgomery. #HomeDecor #DatingAdvice #InteriorDesign #RelationshipCues #PersonalityTraits #LifestyleChoices #DesignPsychology

New York–based designer Shawn Henderson, known for working with celebrities like Will Ferrell and Octavia Spencer, has cultivated a design philosophy centered on context rather than a fixed signature style. His approach, detailed in his monograph "Interiors in Context," emphasizes that interiors should reflect their location, a principle he has applied extensively in his own residences through multiple renovations. Henderson has undertaken four major renovations, including a significant update to his West Village apartment and three transformations of his country home in Hillsdale, New York. His most recent renovation of the country home in 2017 was prompted by a devastating chimney fire that destroyed the kitchen, family room, and screened-in porch. Initially heartbroken, Henderson eventually found an opportunity to expand the property by 1,000 square feet, aiming to increase its value and rekindle his affection for the home after years of living in it and understanding its functional aspects. Henderson shares several key insights derived from his extensive renovation experience. One notable lesson involves the versatile use of brick. In his former Manhattan apartment, he uncovered and embraced exposed brick walls in the bedroom, then extended this material to the kitchen with a full brick backsplash, preferring it over traditional marble or tile. Inspired by this success, he incorporated brick into his country home's kitchen, this time as flooring. However, he cautions against painting floorboards black, citing the constant visibility of dust and footprints as a maintenance challenge. Another unconventional material Henderson champions is cork. His discovery of cork's potential began in his NYC bathroom during a renovation when he temporarily covered a plywood base under the sink with a sheet of cork. This temporary solution proved so aesthetically pleasing that he made it permanent and subsequently adorned the bathroom walls with cork wallpaper, noting the availability of cork upholstery in various colors. This highlights his willingness to experiment with materials in unexpected ways. For those who enjoy a bath but lack space in their bathroom, Henderson suggests an alternative: placing a freestanding tub in the bedroom, ideally near a window with a pleasant view. He emphasizes the privacy of the bedroom as a suitable setting for such a fixture. Furthermore, Henderson advises against over-designing spaces, particularly kitchens, even though they are crucial for potential buyers. He advocates for simplicity and functionality, cautioning against trends like "Walmart-gray kitchen cabinets." Instead, he envisions spaces with understated elegance, such as lime plaster walls, banquettes with bistro tables, and quality pieces like Charlotte Perriand counter stools around an extendable island. His overarching message is that design should be thoughtful and practical, avoiding unnecessary complexities or fleeting trends. #HomeRenovation #InteriorDesign #DesignerInsights #MaterialSelection #HomeDecorTips #PropertyTransformation #ShawnHenderson #ContextualDesign #DesignLessons

Interior designers regularly travel to industry events, antique markets, and design shows outside their local area to gather inspiration, discover new resources, and ensure their work remains fresh and dynamic. This practice is considered essential for keeping up with evolving product libraries and design trends. For instance, Lauren Thorpe of Bonboni Interior Design traveled to Les Puces de Saint-Ouen in Paris to immerse herself in history and diverse cultures, finding inspiration for her projects. Similarly, Kelly Johnson of Kelly Johnson Design emphasizes that exposure to new products and resources is vital for maintaining a dynamic portfolio. Traveling to these events necessitates meticulous planning, especially regarding accommodations, which can book up quickly, sometimes a year in advance, particularly for popular gatherings like High Point Market in North Carolina, as noted by interior designer Marci Marsh. David Deatherage, another interior designer, frequently attends Modernism Week in Palm Springs, California, drawn by its focus on mid-century art and architecture and the opportunity to continuously learn new things. He advises booking tickets for lectures and tours at least a month or two in advance due to high demand. Deatherage particularly appreciates tours of iconic architectural sites, such as the Albert Frey house, which incorporates natural elements like a boulder within its design. These excursions provide designers with fresh perspectives and ideas that might not be available in their immediate geographic area, fostering creativity and innovative approaches to their projects. Logistical considerations are paramount, especially when purchasing items from these events. April Jensen of ADJ Interiors, who frequently visits the Round Top Texas Antique Market, highlights the challenge of transporting large purchases. Dealers at such markets often do not offer shipping services, requiring attendees to arrange for their own transportation, such as renting a box truck or U-Haul. Thorpe faced similar challenges in Paris, initially limiting her purchases to small, portable items that fit in her luggage. However, she discovered that dedicated services exist in Paris's vintage markets to collect tagged furniture and arrange international shipping, a service she plans to utilize for future, larger acquisitions. Designers generally recommend traveling at least once a year, or even quarterly if feasible, to remain abreast of industry developments and broaden their creative horizons. While St. Louis offers a variety of resources, the consensus among these designers is that exploring different cities provides invaluable exposure to diverse histories, architectural styles, and design influences. Deatherage points out the distinct “California vibe” of Palm Springs, with its strong mid-century and Hollywood Regency influences, as an example of how regional differences can spark new ideas not found in the Midwest. Laurie LeBoeuf of Castle Design, reflecting on her experience at Deco-Off in Paris, notes that inspiration comes not only from organized events like lectures and product presentations but also from the city itself—its hotels, restaurants, gardens, and even simple streetscapes. This continuous engagement with external design environments ensures that designers can offer their clients unique and cutting-edge solutions, incorporating elements and trends sourced from a broader, global context. The investment in travel is seen not merely as an expense but as a crucial component of professional development, enriching their design perspectives and capabilities. By actively seeking out diverse experiences and resources, these interior designers ensure their work remains innovative and deeply informed by a wide array of cultural and historical influences, ultimately enhancing the quality and distinctiveness of their projects. #InteriorDesign #DesignInspiration #IndustryEvents #Travel #DesignTrends #ProfessionalDevelopment #MarketResearch #GlobalDesign #CreativeProcess

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Matches Fashion, a prominent online luxury retailer, has expanded its offerings with the launch of its Homewares Studio. This new venture aims to provide a curated selection of designer homewares, mirroring the high-end fashion experience the platform is known for. The initiative comes in response to a growing consumer demand for elevated home aesthetics, driven in part by social media and the desire to create interiors as fashionable as personal wardrobes. The Homewares Studio features a diverse range of products, including throws, cushions, tabletop items, and decorative pieces. It brings together established luxury brands and emerging designers, creating a comprehensive collection for interior design enthusiasts. Among the notable established brands included are Gucci, known for its distinct homewares that inspire complete remodelling fantasies; Maison Margiela; Loewe; and the homewares stalwart Missoni, recognized for its vibrant patterns and textiles. The platform also champions new and exciting talents in the design world. For instance, British designer Luke Edward Hall's ceramic pieces, which serve as canvases for his hand-painted illustrations of classical sculptures, flora, fauna, and bold slogans like “VICTIM OF LOVE,” are featured. Other emerging brands highlighted include Once Milano, offering sophisticated crushed-linen table linens in muted tones; Cire Trudon, specializing in haute parfumerie through its exquisite candles; and Raawii, a Copenhagen-based brand celebrated for its modernist crockery and rich color palettes. Matches Fashion’s approach to its homewares offering mirrors its successful strategy in ready-to-wear fashion: introducing shoppers to exclusive and innovative talents. An example is Kilometre Paris, which presents a collection of embroidered tea towels, cushions, and aprons designed to evoke postcards from exotic destinations, with each piece intricately crafted by region-specific female artisans. The studio also addresses specific trends, such as the popularity of Pendleton blankets, famously featured in Raf Simons’ Calvin Klein 205W39NYC collection for Spring 2018, which are now available for purchase. In addition to these designers, the article highlights a variety of specific items available, such as the Raawii Strom small ceramic jug, Once Milano rectangular crushed-linen tablecloth, L’Objet large Teo vase, Cire Trudon Marie-Antoinette Bust decorative candle, Calvin Klein 205W39NYC x Pendleton wool-cotton saddle blanket, Luke Edward Hall fish-painted ceramic serving platter, La Double J Editions set of two Housewives glasses, Cinnamon Projects Circa Mineral dalmation stone incense burner, Pendleton Fire Legend wool and cotton-blend blanket, Kilometre Paris palm-tree embroidered cotton apron, Maison Margiela embroidered clock, Saved NY cloud-jacquard cashmere blanket, Gucci Herbarium Verde porcelain salad bowl, Anya Hindmarch Anya Smells Washing Powder small scented candle, Missoni Home Ridley zigzag-knit cotton throw, and Perfumer H Ash scented candle. Each item is presented with its price and a direct link to Matches Fashion for purchase. The launch of the Homewares Studio reflects a broader trend of integrating fashion and lifestyle, allowing consumers to extend their personal style into their living spaces. By offering a meticulously chosen range of high-quality, designer home goods, Matches Fashion positions itself as a destination for creating aspirational interiors, reinforcing the idea that home décor is as crucial to personal expression as clothing. The platform encourages consumers to embrace the concept of "dressing for the home you want," turning their living spaces into curated reflections of their desired lifestyles. #MatchesFashion #HomewaresStudio #DesignerHomewares #InteriorDesign #LuxuryLifestyle #HomeDecoration #FashionRetail #EmergingDesigners #HighEndDecor

Kirstin DiMartile, an interior design consultant at Habitat Design Consulting, assists homeowners in making informed decisions about their home improvement projects, ranging from new constructions and renovations to cosmetic upgrades. Her services provide a valuable 'second opinion' that helps clarify large-scale choices like layout and space planning, as well as smaller details concerning finishes, fixtures, and furniture, ultimately ensuring a cohesive and personalized living space. DiMartile emphasizes prioritizing funds to maximize impact and avoid costly mistakes, guiding clients toward a high-end look and optimal functionality that reflects their individual style and needs. DiMartile's client base includes homeowners undertaking projects of varying scales, whether independently or in collaboration with architects and builders. Even those who haven't hired a full-time interior designer can benefit from her expertise. She focuses on three main client types. The first group comprises homeowners aiming to enhance their existing spaces by utilizing current belongings, performing basic renovations, and incorporating affordable upgrades such as new furniture, paint, and lighting. DiMartile offers guidance on how to best integrate existing items, what new pieces to acquire, and suggestions for upgrades and detailing. The second type of client is involved in significant renovations. These individuals, often already working with a builder or architect, seek greater assurance regarding project specifics before construction begins. For them, DiMartile reviews architectural drawings, identifying opportunities to modify floor plans for improved lifestyle accommodation and ensuring that chosen finishes and fixtures create a unified aesthetic consistent with the client's preferences. She acts as a trained professional to help clients visualize their space beyond just floor plans, facilitating confident decision-making. Finally, DiMartile provides crucial support for clients with ongoing renovation or new construction projects. She offers advice on adapting plans due to budgetary constraints or unforeseen site conditions and lends guidance during on-site meetings where quick decisions are often necessary, such as the placement of light switches. Her focus on functionality ensures that choices made contribute to the smooth daily operation of the home. With two decades of experience in design and space planning, encompassing high-end business offices, custom homes, and apartment towers, Kirstin DiMartile has honed her skills in customer service, custom furnishings, and top-tier interior design. Holding a National Council of Interior Design Qualification certification since 2015, she initially founded Habitat Design Studio offering full interior design services and has recently transitioned to specialized consulting with Habitat Design Consulting. Her objective is to transform lives by transforming habitats, believing that a beautiful and highly functional home empowers people to thrive. Homeowners can initiate the process with a free introductory Zoom conversation, followed by an in-person meeting that includes a space tour and a discussion of needs and dilemmas, allowing clients to share their design materials and ask questions. DiMartile then works with them to explore solutions, sketch ideas, and find concept imagery, leaving homeowners with notes and sketches for implementation. She also provides a follow-up call to address any evolving project queries. #InteriorDesign #HomeConsulting #SpacePlanning #HomeRenovation #DesignAdvice #KirstinDiMartile #HabitatDesignConsulting #HomeImprovement

The article presents a curated list of the top ten design stories of 2022, as selected by Wallpaper*'s design editor, Rosa Bertoli. The year marked a significant return of design weeks and events to the global stage, fostering an environment rich with innovation and creativity. The selection encompasses a diverse range of design narratives, from exclusive interviews with prominent figures in the design world to groundbreaking projects and new conceptual spaces. One highlight includes the 2023 horoscopes by Studiopepe, which explored the zodiac signs of renowned 19th and 20th-century designers. Chiara di Pinto and Arianna Lelli Mami of Studiopepe discussed the fascinating connection between astrological traits and the design philosophies of figures like Ludwig Mies van der Rohe (Aries, 'less is more'), Verner Panton (Aquarius, visionary), and Charlotte Perriand (Sagittarius, adventurous). They also noted Ettore Sottsass, a Virgo, whose need for order in everyday life contrasted with the chaos he contained internally, offering a fresh perspective on the geometry in his work. Another significant feature was Kelly Wearstler, a prominent American designer and Wallpaper*'s guest editor for the October 2022 issue. The article delves into her Beverly Hills home, exploring her insights on technology, craft, and her extensive portfolio of interior projects. Wearstler's influence, almost 13 years after being dubbed 'the presiding grande dame of West Coast interior design,' continues to grow, marked by her bold interiors, furniture design ventures, and a substantial social media following. The Tígín Tiny Homes project by Irish social enterprise Common Knowledge presented an alternative to conventional renting solutions. These mobile small homes, whose name means 'small house or cottage' in Gaelic, are designed with thoughtful considerations and eco-conscious materials, making their building information freely accessible. This initiative aims to inspire self-build projects and offer sustainable living options without being a universal housing solution. The article also features an interview with British-Nigerian designer Yinka Ilori, held in his new London studio ahead of his first solo exhibition at the Design Museum. Ilori discussed how traditional Nigerian parables and African fabrics deeply influence his work, emphasizing the power of storytelling as a core element of his creative process. Studio Formafantasma's new Milan studio, located in Assab One, is showcased as a testament to designers Andrea Trimarchi and Simone Farresin's ability to create holistic and aesthetically pleasing designs. The studio, which doubles as an office and home, features bespoke furniture designed to adapt to the post-COVID workspace, reflecting the blurring lines between professional and domestic environments. Collaborations in design are also highlighted, such as the all-season tent developed by Icelandic outerwear brand 66 North and German innovator Heimplanet. This tent, inspired by Icelandic shelters, boasts a geodesic dome structure, inflatable framework, and robust weatherproof materials, designed for extreme conditions and accommodating up to four people. An exclusive interview with Danish designer Bodil Kjær, celebrating her 90th anniversary, sheds light on her philosophy. Kjær, who defines herself not as a furniture designer but as an 'environment designer,' emphasizes solving defined problems with creations that serve as 'elements of architecture,' rigorously considering structure, functionality, and aesthetics. Molteni & C's new pavilion complex in Giussano, designed by creative director Vincent Van Duysen, integrates hospitality into the brand's architectural history. Inspired by Luca Meda and Aldo Rossi’s original showroom, the pavilion serves as a reception, restaurant, and hospitality space, surrounded by gardens, embodying the synergy between architecture and furniture. The Terra Carta Design Lab, founded by King Charles III and Sir Jony Ive, is recognized for its commitment to regenerative design. This initiative champions young designers developing high-impact, low-cost solutions to the climate crisis, emphasizing a shift from merely sustainable practices to restorative ones. Finally, the article explores the growing movement of regenerative design, with architect Michael Pawlyn advocating for a paradigm shift from sustainable practices to actively restoring ecosystems. This approach, which aims for humans to co-evolve with nature, involves nurturing biodiversity and reducing carbon footprints in the production of homes, infrastructure, furniture, and food, emphasizing integration with the web of life rather than separation. #DesignTrends #InteriorDesign #Architecture #DesignInnovation #SustainableDesign #DesignerInterviews #HomeDesign #RegenerativeDesign #LuxuryInteriors

The article features an interview with interior designer Jennifer Hunter, who shares insights into her career and her approach to traditional design. Hunter's journey into interior design began at a young age, influenced by her family's background in development and real estate. This early exposure led her to pursue a five-year architecture program at the University of Texas at Austin. During her studies, she interned with renowned designer Albert Hadley, who advised her to further her education in American Fine and Decorative Arts at Sotheby's Institute of Art to gain historical knowledge. After completing her master's, she helped establish Harry Heissmann's design office before founding Jennifer Hunter Design four years prior to the interview. Hunter describes her personal design style as traditional yet seen through fresh eyes, characterized by a unique balance of tailored and eclectic, glamorous and relaxed, bold and subtle elements. She expresses enthusiasm for the resurgence of traditional design, believing that classic styles are enduring. She notes that both designers and clients are increasingly drawn to the playful patterns, bolder color palettes, and classic silhouettes inherent in traditional furniture. She acknowledges contemporary trends like "new traditional" and "grand millennial" (or "coastal grandmother") as fun interpretations that incorporate traditional design with a playful twist, and she is relieved to see a shift away from minimalist and sterile aesthetics. When sourcing furniture and decor outside of trade channels, Hunter recommends online platforms and retailers such as Chairish, Serena and Lily, Scout and Nimble, and Annie Selke. For a traditional home, she emphasizes the importance of good "bones," including quality hardware, doors, and moldings. These foundational elements should be complemented by significant pieces such as art, an heirloom case piece, or a vintage Oushak rug, which then inform the rest of the design. Layers can then be added, including floral prints, classic ticking stripes, timeless paint colors, and meaningful accessory items. Looking ahead, Hunter anticipates seeing traditional design trends with a modern edge in the coming year, such as oversized floral patterns or bolder recolorations. She also observes a growing demand for more intricate trims and moldings in renovations and new builds, including multi-piece crown moldings, picture moldings, and paneling. Clients are also requesting these architectural details to be painted in accent colors. Conversely, Hunter predicts that minimalism and monochromatic, "no-color" aesthetics will be phasing out in 2023. She shares her expertise on mixing patterns, explaining that the key lies in balancing color and scale; for instance, a large-scale floral in saturated colors can be effectively paired with a small-scale pinstripe in a more muted tone. Regarding challenges in the interior design industry, Hunter highlights the lingering impact of supply chain issues, which particularly affect new-build and gut renovation projects. While her firm has established reliable vendors, they remain dependent on contractors and their material procurement during construction, necessitating flexibility and adaptability. She expresses particular pride in her Bronxville project, completed during the pandemic, where she successfully created a sophisticated yet family-friendly dream home for clients, integrating vibrant colors and playful patterns. #InteriorDesign #JenniferHunter #TraditionalDesign #HomeDecor #DesignTrends #PatternMixing #SupplyChainIssues

The article discusses ten common interior design mistakes that professionals deliberately avoid in their own homes, emphasizing the importance of creating personalized, functional, and timeless spaces over blindly following trends. Interior designers, unlike many DIY enthusiasts, prioritize authenticity and practicality, opting for curated aesthetics that reflect personal stories rather than fleeting fads. One significant mistake highlighted is perfectly matching furniture sets. Designers like Ryan Saghian and Amy Switzer argue that such perfection can lead to sterile and uninviting spaces. Instead, they advocate for a mix of styles, textures, and eras, believing that a home should feel lived-in and personal, evolving naturally with collected pieces. This approach allows for a certain “rawness” and tension, blending high and low, old and new, and refined finishes with unexpected elements to create a space with soul. Another pitfall is blindly following trends. While social media trends like “Cowboy Core” or “White Lotus Core” gain popularity, experienced designers focus on timeless design. Saghian stresses that a home should tell a personal story, not just reflect current moments. Timeless design, rooted in thoughtful curation and layered textures, creates authentic and lasting spaces, where elements resonate with one’s aesthetic rather than being chosen purely for their popularity. Leather sofas are identified as a poor choice due to their susceptibility to wear and tear, such as peeling and puddling. Designer James Pearse Connelly specifically notes that leather can show scratches easily and feels uncomfortable in hot weather. For homes with children or pets, performance fabrics and commercial-grade furniture are recommended to ensure durability and longevity, prioritizing quality over budget-friendly options that may not last. Neglecting function for aesthetics is another major mistake. Amy Switzer emphasizes that beautiful spaces must also be practical for real life. In a family home, functionality is paramount, as demonstrated by her need for living room furniture that can withstand children’s play. A well-designed home achieves a balance where practicality complements beauty. Skipping personal touches also detracts from a home’s character. Switzer highlights that personal items like art, vintage finds, and sentimental pieces make a space truly unique. Designers incorporate family heirlooms, travel souvenirs, and even professionally framed children’s artwork to infuse a home with individuality and narrative. Open showers without doors or ledges, while trendy, are deemed impractical by Switzer due to discomfort and the risk of water spillage. This points to the need for practical design elements that enhance comfort and prevent inconvenience. Painting walls red is strongly advised against by interior designer Shay Holland. Red is known to overwhelm spaces, raise blood pressure and heart rate, and stimulate appetite, making it unsuitable for creating a relaxing atmosphere. Holland suggests using red sparingly as an accent color if desired. Recliner chairs are considered dated and unattractive due to their bulky nature and space requirements. Holland recommends more visually appealing and versatile alternatives like plush swivel armchairs with ottomans or sofas with chaise lounges, which offer comfort without dominating the room. Wall-mounted nightstands are another avoided item due to their fixed position, which limits flexibility for redecorating. Holland, a minimalist, prefers compact freestanding pieces with storage, allowing for easy rearrangement and adaptation of the bedroom layout. Finally, using satin sheets is discouraged. Holland describes them as “sleazy,” prone to wrinkles and stains, and lacking breathability, leading to discomfort. Organic silk or high thread count sateen (coated cotton) are suggested as luxurious and more practical alternatives that offer similar benefits without the drawbacks of satin. #InteriorDesign #HomeDecor #DesignTrends #HomeImprovement #PersonalizedHome #FunctionalDesign #TimelessDesign #InteriorDesignMistakes #ExpertAdvice

The article explores the growing trend of homeowners replicating successful interior design schemes from their previous residences into new ones, arguing that this practice is not a sign of laziness but rather a clever and confident approach to creating a comfortable and personal living space. The author, Nicky Rampley-Clarke, shares her own experience of moving to a Grade II-listed property in the Cotswolds and consciously choosing to duplicate design elements she loved from her previous home. This includes installing the same textural sisal carpet, selecting Cole & Son wallpaper in similar styles (albeit different shades), and even considering reordering the same Soho Home lighting. Her rationale stems from the extensive time and effort previously invested in curating a look that felt warm, timeless, and uniquely ‘them,’ and she sees no reason to abandon a proven formula. This sentiment is echoed by others, including Jodie Hazlewood of @thehouseupstairs, who, while planning her new home in Bristol, identified ‘nine things’ she would definitely repeat. These range from practical luxuries like a hot water tap and ample electrical sockets to larger design choices such as an upstairs sitting room for unwinding and a preference for non-fitted, vintage kitchen furniture over standard units. Hazlewood emphasizes that these repeated elements contribute to comfort and ease, defining what a ‘home’ truly means to her. Similarly, Steph Nicholson of @houseonthecorner_16, moving to Northamptonshire, found herself gravitating towards the same green and red colour scheme she used in her old Cambridgeshire home. She attributes this to her established love for these colours, regardless of trends, and the sustainability aspect of reusing existing furniture and furnishings. Nicholson also highlights the emotional comfort derived from recreating a familiar environment, particularly after a significant life event. Interiors stylist Sam Grigg provides psychological insight into this phenomenon, suggesting that repetition often stems from the sheer exhaustion of decision-making in the face of numerous decorative choices. Once a successful formula is found, people are reluctant to deviate. Grigg also points out that experience over time helps individuals discern what truly ‘feels right.’ Beyond mere practicality, she notes a sentimental attachment to specific colours, fabrics, or patterns that become integral to one's personal story. This creates a visual thread and a sense of continuity that accelerates the process of making a new house feel like home. Ultimately, the article concludes that repeating successful interior designs is not a lack of imagination but a confident act of self-awareness and intentional design, prioritizing comfort, joy, and a deep understanding of one’s personal aesthetic over constantly chasing new trends. #InteriorDesign #HomeDecor #DesignTrends #PersonalStyle #HomeComfort #Renovation #DecoratingTips #SustainableDesign #PsychologyOfDesign

This blog post offers extensive advice from various professionals in the design industry for individuals aspiring to become interior designers. It compiles insights from interior designers, artists, editors, and business owners, covering aspects like inspiration, unique career paths, and valuable career advice. The overarching theme emphasizes passion, continuous learning, and practical experience. Shea McGee, owner of Studio McGee, highlights that her passion for interior design was all-consuming. She advocates for constant evolution, quoting Martha Stewart: "When you're through changing, you're through." Anita Yokota, an interior designer, stylist, and photographer, found inspiration in her architect father and her childhood love for rearranging furniture. Her key advice is to embrace learning curves and appreciate the journey of gaining experience. Joy Cho, founder of Oh Joy!, shares a unique path, starting her design company through freelancing during a career transition. She advises aspiring designers to gain experience through internships, build a portfolio showcasing desired work, and proactively approach companies rather than waiting for job openings. Leanne Ford, designer and host of HGTV's "Restored by The Fords," encourages a "SAY YES!" attitude, urging individuals to take opportunities even if they feel unprepared and to figure things out along the way. She emphasizes kindness and the idea that passion and inherent talent ("IT") are more crucial than formal education in a creative field. Stephanie Watkins, a designer and blogger behind Casa Watkins Living, expresses her lifelong love for creation and using design as an artistic outlet. Her advice is to follow one's passions and take the plunge, asserting that it's never too late to pursue what you love. Sarah Wittenbraker, founder of SARAH WITTENBRAKER INTERIORS, advises starting immediately—asking questions, seeking internships, and building a portfolio. She stresses the importance of understanding the business side of design, including marketing, sales, and bookkeeping, and advocates for running a business with integrity. Tara Oxley, owner of Eugene & Co and Chick’y’s General Store, recounts her candid approach in job interviews and highlights the importance of honesty and resilience. She draws inspiration from Theodore Roosevelt's quote about the "man in the arena," emphasizing that trying and potentially failing is better than never attempting. Nicole Gibbons, an interior designer and TV personality, advises paying dues, being humble, and learning from mistakes. She emphasizes the value of finding a mentor for guidance and support. Corey Damen Jenkins, a principal interior designer, reflects on his lifelong interest in design from a young age. His valuable career advice is to help clients spend money wisely, rather than just save it, which shifts the designer's approach. Duffy Stone, owner of Studio Duffy, emphasizes gaining diverse experience within the industry and actively creating and showcasing work to demonstrate one's style and capabilities. Rebecca Atwood, a designer, artist, and author, found her calling in creating environments and objects. She advises tailoring portfolios to specific companies, putting in extra effort, and not being discouraged if the first job isn't a dream job, as all experiences offer learning opportunities. Robin Wilson, CEO of Robin Wilson Home, was inspired by her family's rental properties and took an unconventional route, pursuing a Master's in Real Estate Finance. She highlights the business aspect of design, stressing the importance of a good attorney, bookkeeper, and cash flow for long-term success. Eddie Lee, owner of Eddie Lee Inc., realized his passion for design by reflecting on childhood interests. He shares a story of landing his first job through a timely encounter and a challenging on-the-job interview. Elaina Sullivan, style editor at Domino Magazine, was inspired by an interior designer friend and discovered her passion for styling and set-building through an internship at Martha Stewart. She encourages aspiring designers to reach out to admired professionals and never give up. Tiffany Brooks, HGTV Host and interior designer, found her calling during a stressful period when she redecorated a model home, which won an award. She advises pricing services according to their worth to establish professional value. Vanessa Deleon, CEO of Vanessa Deleon Associates, developed her design interest working in her family's furniture store. She emphasizes patience, delayed gratification, and the "triple D" model: Drive, Dedication, and Discipline. Claudia Stephenson, Director of Operations at Cultiver, advises having a clear vision of personal style and being authentic. She also suggests starting at the bottom, working for free for inspiring individuals, and treating everyone with respect. Erika Hollinshead Ward, owner of Erika Ward Interiors LLC, leveraged her business education in accounting before fully committing to interior design. Her advice includes building a board of advisors, connecting with peers, working hard, and maintaining a spiritual practice. #InteriorDesign #CareerAdvice #DesignIndustry #CreativeCareers #ProfessionalDevelopment #DesignInspiration #Entrepreneurship #PortfolioBuilding #Networking

Brittny Button, an interior designer and real estate investor, discusses her journey in establishing her own business and her unique design philosophy. Her passion for building, architecture, and design naturally led her to open an interior design firm, where she focuses on transforming spaces. Additionally, she realized a long-held dream by opening Button Atelier, a shop within the Agoura Antique Mart. This venture allows her to showcase and sell her collection of vintage furniture, many of which have been revitalized with new upholstery, alongside a curated selection of decorative accessories. Button's distinctive design aesthetic is deeply rooted in Old World European Classicism, with a particular fondness for Spanish architecture and Art Deco-inspired furniture. Her past projects have garnered significant recognition, being featured in prominent publications such as Architectural Digest, Vogue Living, Homes & Gardens, and Living etc. This acclaim underscores her ability to create aesthetically pleasing and functional living environments. A notable challenge she identifies in her work is the difficulty of assembling a cohesive on-site team, including project managers, contractors, and subcontractors, who fully grasp and align with her design vision. She emphasizes the importance of shared understanding, even suggesting that it is better to disengage from a project if the team is not in sync, to ensure the integrity of the final outcome. Button Atelier is envisioned as an evolving 'workshop' or 'studio,' extending beyond a traditional interior design firm, with various exciting projects anticipated for completion later in the year. When asked about local recommendations, Button suggests visiting the Pacific Design Center in LA to explore new home furnishings. For family outings, she highlights the playground at Malibu Country Mart, often combined with lunch at one of the local restaurants. She also enjoys browsing CB2 Design Shop in Malibu for new arrivals. For unwinding with friends, Soho House and Nobu in the same vicinity are her preferred spots. She acknowledges the significant impact of recent fires on the Malibu area, expressing empathy for affected families and businesses, and offering her design services at free or reduced rates to support those who have suffered losses. Button attributes much of her success and development to the influence of her parents, who fostered her artistic eye from a young age through their shared passion for collecting antiques and architectural history, particularly Art Deco. Accompanying them to flea markets and estate sales instilled in her a joy for discovering and reimagining vintage pieces, a practice she has maintained throughout her life. She recalls acquiring a vintage chandelier and mirror for her bedroom in high school, marking the beginning of her fascination with reclaimed items. Her husband, Jenson Button, is credited as a constant source of support over the past decade, granting her full creative freedom in their home renovation projects and bolstering her confidence in her design capabilities. Her four-year-old daughter, Lenny, also expresses an interest in following in her mother's footsteps, aspiring to design houses. #InteriorDesign #RealEstateInvesting #Entrepreneurship #DesignAesthetics #VintageFurniture #ArchitecturalDesign #SmallBusiness #CreativeProcess

Home remodeling, while popular, significantly strains couples' relationships, with 12% of those in relationships of five years or less reportedly considering separation or divorce during a renovation, according to the 2025 U.S. Houzz Remodeling & Relationship Survey. The survey highlights that the multitude of decisions, budget considerations, and trade-offs inherent in remodeling projects are primary sources of conflict. Marine Sargsyan, a Houzz staff economist, notes that effective communication, compromise, and the use of visualization technologies can help mitigate these disagreements and promote productive collaboration between couples and the professionals they hire. Real estate agents are increasingly positioned as key allies in easing the tension associated with home remodeling. They can play a crucial role by recommending reliable contractors, designers, and remodelers, offering valuable resources to streamline the renovation process. Additionally, agents can provide data on comparable homes in the neighborhood, enabling homeowners to assess the features offered by competing properties. They can also offer insights into renovation trends that yield the highest return on investment (ROI), empowering clients to make well-informed decisions. Resources such as The National Association of REALTORS®’ 2025 Remodeling Impact Report are valuable tools for identifying which home remodeling projects offer the best financial returns at resale. The Houzz study identifies the top sources of conflict during renovations: difficulty adhering to the budget (31%), disagreements over product choices, materials, and finishes (28%), and disputes regarding the project's scope or design (20%). Specific aesthetic decisions, such as paint colors, furniture, and flooring materials, were cited by approximately one-third of couples as common points of contention during a remodel. The study also observed variations in conflict triggers based on relationship duration. Younger couples, together for less than 10 years, frequently argued over furniture selections, while those married for 21 to 30 years often disagreed on flooring. Couples with 30 or more years of marriage most commonly disputed paint colors and flooring choices. To navigate these challenges, couples reported resorting to compromise and increasingly utilizing tools to better visualize the final outcome of their projects. Younger couples demonstrated a higher propensity for compromise, whereas long-term couples (30+ years) were twice as likely to have one partner concede to the other's preferences. Couples indicated that the remodeling process could be less stressful if design and construction professionals offered greater transparency in pricing, maintained clear communication, and provided more accurate timelines. Despite the initial friction, the majority of couples expressed satisfaction upon project completion, reporting that their newly renovated homes contributed to increased comfort, happiness, and reduced stress, emphasizing the importance of successfully reaching the project's end. #HomeRemodeling #RelationshipStress #RealEstateAgents #RenovationConflicts #DesignDecisions #BudgetManagement #HouzzSurvey #PropertyValue #InteriorDesign