Bruce Wayne’s furniture collection is moody, mysterious and Batman-approved (Batmobile not included)

Carpenters Workshop Gallery in London is hosting 'Run & Hide,' the first solo exhibition for Dutch designer Maarten Baas at their new London space. This exhibition offers a preview of the upcoming major retrospective of Baas's work, titled 'Hide and Seek,' at the Groninger Museum in the Netherlands. The London show highlights four significant collections from the designer's career, showcasing his unique approach to furniture design. One of the featured collections is 'Close Parity,' first unveiled during Dutch Design Week 2016. This collection comprises five furniture pieces that originate from what Baas describes as 'naive sketches.' These initial, childlike drawings are then extruded into three-dimensional forms. The design philosophy behind 'Close Parity' intentionally disregards conventional constraints such as gravity and logistical concerns, allowing the whimsical and irregular lines of the original sketches to be faithfully translated into physical objects. The resulting brass pieces retain the eccentricities and intricate details of the sketches, often appearing as almost impossible, off-balanced, and top-heavy sculptures. To achieve structural stability, heavy counterweights are discreetly incorporated within the pieces. The collection exemplifies a blend of childlike form and logic with meticulous craftsmanship and a sophisticated understanding of materials and physics, as the imperfections of the linework are rendered in pure brass. The exhibition also marks the UK debut of Maarten Baas's 'Carapace' collection. This series draws inspiration from the protective, decorative, or camouflaging shells found on animals like beetles and turtles. First presented at Carpenters Workshop Gallery New York in 2016, the 'Carapace' collection includes a desk, a cabinet, an armchair, and a cupboard, each reflecting the thematic influence of organic shells. Additionally, the show features two of Baas's renowned 'Clay Chairs.' While typically available as an open edition, a special bronze version has been created to commemorate the design's 10th anniversary, adding a unique element to the display. A piece from the designer’s celebrated 'Real Time' collection is also on view. This includes a bronze 'Grandfather Clock,' an early example of Baas’s innovative timekeeping designs. These clocks feature a 12-hour video of a man drawing and erasing the minute and hour hands directly onto the clock face. The 'Real Time' series has garnered significant recognition and is now part of numerous museum collections worldwide. Amsterdam's Schiphol Airport recently commissioned a large-scale version of this clock for its main hall, underscoring its iconic status. Finally, a prominent piece from the 'Smoke' series is included in the exhibition. In this series, furniture pieces are entirely carbonized using a blow-torch, a process that intentionally highlights human intervention and transforms perceived flaws into aesthetic qualities. These designs, which were part of Baas’s graduating show at Design Academy Eindhoven in 2002, have since been acquired by prestigious institutions such as the Victoria & Albert Museum and the Groninger Museum. The 'Run & Hide' exhibition thus offers a comprehensive overview of Maarten Baas's distinctive and critically acclaimed design philosophy. #MaartenBaas #FurnitureDesign #CarpentersWorkshopGallery #Exhibition #CloseParity #CarapaceCollection #RealTime #SmokeSeries #DutchDesign

The increasing prevalence of remote work in recent years has led Amsterdam-based designer Robert van Embricqs to reconsider the conventional desk's impact on a home's aesthetic and functional atmosphere. His objective was to create a piece of furniture that allows users to easily integrate and then discreetly fold away their workspace once work hours conclude. This concept resulted in the now-viral “Flow Wall Desk,” a design that masterfully transitions from a visually engaging art piece to a fully functional desk. The “Flow Wall Desk” is meticulously crafted from warm wood, complemented by durable brass hinges. Its innovative design features a series of flush vertical slats that elegantly twist and unfurl, transforming into a stable tabletop. This small yet robust piece of furniture is engineered to support approximately 40 pounds, making it suitable for typical desktop use. Aesthetically, the desk maintains a minimalist profile, which enhances its ability to blend seamlessly into various interior design schemes. The transformation process itself is a highlight, mimicking the fluid, organic movements often observed in nature, as it shifts from a sleek, wall-mounted relief to an open, functional workspace. Embricqs’ design philosophy centers on integrating functionality with artistic expression, addressing the practical challenges of limited space in modern living environments while maintaining a high standard of aesthetic appeal. The “Flow Wall Desk” exemplifies this approach by offering a dual-purpose item that serves as both a practical workspace during the day and an artistic element that enhances the home environment when not in use. This flexibility is particularly relevant in contemporary homes where spaces often need to adapt to multiple functions throughout the day. The design considers not just the utility of the desk but also its visual contribution to the overall home atmosphere. The desk’s construction utilizes natural materials, primarily wood, which provides warmth and texture, contrasting with the metallic accents of the brass hinges. This material selection contributes to its sophisticated and timeless appeal, allowing it to fit into various home decor styles, from modern minimalist to more traditional settings. The attention to detail in the mechanical transformation system ensures smooth operation and durability, highlighting the blend of craftsmanship and innovative engineering. The desk is not merely a piece of furniture but a kinetic sculpture that changes form and function as needed, embodying a thoughtful response to evolving lifestyle needs. Further information about the “Flow Wall Desk” and other modular designs by Robert van Embricqs, including details on purchasing, can be found in his official online shop. His ongoing work and design inspirations are also regularly shared on his Instagram profile, offering insights into his creative process and future projects. The “Flow Wall Desk” represents a significant contribution to the field of furniture design, showcasing how functional objects can also be dynamic and visually compelling works of art. #Furniture #RobertVanEmbricqs #Woodwork #TransformableDesign #HomeOffice #ModularFurniture #ProductDesign

Older, a design brand founded by Letizia Caramia and Morten Thuesen, initially focused on revolutionizing hospitality uniforms. The duo, who met at Alexander McQueen, launched Older in 2013 to address what they perceived as a lack of ideology, sustainability, and imagination in the fashion industry. Their unique approach blended their interests in architecture, gastronomy, and wine, leading them to create utilitarian yet stylish uniforms. Older quickly gained recognition for its asymmetric silhouettes, high-quality bespoke bio-cotton fabrics, and meticulous attention to functional details like fastenings and pockets, all while prioritizing sustainability in their design and production processes. Over the years, Older has secured commissions from prominent clients, including Restaurant 108 in Copenhagen, Copenhagen Contemporary, Tate Modern, the Snøhetta-designed Under restaurant, and Massimo Bottura’s Refettorio. A significant project involved designing uniforms and accompanying objects for Olafur Eliasson’s Fjordenhus in Vejle, Denmark. This collaboration, which included textile sculptures and specially engineered napkins, profoundly influenced Caramia and Thuesen, inspiring them to expand their creative scope beyond uniforms. Their recent endeavor is "Wide Eye," a debut furniture and objects collection developed in collaboration with Danish artist Alexander Vinther. The collection reflects the designers' passion for radical Italian movements, such as those of Superstudio and Archizoom, the postmodern aesthetics of Afra and Tobia Scarpa, Carlo Mollino’s craftsmanship, and the Gesamtkunstwerk concepts of Joe and Gianni Colombo. Milanese curator Valentina Ciuffi, known for her work with Nilufar and Alcova, assisted in presenting the collection through an exhibition and a book. Ciuffi lauded Older’s profound understanding of the fashion system, their detached approach from its fast pace, and their impressive architectural sensibilities, noting how they conceptualize garments as wearable architecture. With "Wide Eye," Caramia and Thuesen reversed their initial design philosophy, transforming uniform concepts into sculptural and functional furniture pieces. The collection subtly incorporates references to the human body and clothing. For example, the "Wide Eye" sofa is upholstered in the same washable Limonta nylon fabric used for their uniforms, while the "Zhora" chair features a PVC covering reminiscent of a character from *Blade Runner*. Other pieces, like the "Papi" table, subtly allude to anatomical forms. The designers exhibit a deep commitment to craftsmanship, partnering with emerging artisans like Tuscany-based Francesco Basini Gazzi for their marble pieces and a manufacturer previously associated with Tobia Scarpa for their sofa. They recently relocated from Paris to Milan, establishing a hybrid live-work space that will serve as the backdrop for the "Wide Eye" collection's launch on September 29th. The launch will feature a set designed by curator Joseph Grima, emphasizing raw materials to highlight the furniture's forms. The "Wide Eye" collection also carries a significant pro-European message. Its title is derived from the ancient Greek etymology of "Europe," and a nylon band on the sofa displays the slogan "Wide Eye Wake Up." This political agenda was influenced by the rise of populist parties in the 2019 European elections, prompting the designers to create furniture that advocates for a tolerant, open, and united Europe, aiming to infuse their designs with a conscious and revolutionary spirit. #FurnitureDesign #UniformDesign #SustainableDesign #ItalianRadicals #BladeRunnerInspired #EuropeanArtisanship #MilanDesign #PoliticalDesign #TextileInnovation

New York designer Bec Brittain, known for her sculptural and ethereal lighting creations made from brass and colored glass, recently unveiled her latest exhibition, ‘Strange Days,’ showcasing a return to more tactile materials. The exhibition, a collaborative effort with Alex P White and design duo Material Lust, features Brittain’s ‘Mercury’ installation as its centerpiece. Originally debuted at Design Miami two years prior, ‘Mercury’ has since been in storage and is now being presented in Brittain's newly relocated studio in Manhattan's NoMad neighborhood. ‘Mercury’ (2015) is an all-black design consisting of 35 strands of LED lights intricately woven with obsidian, jasper, and agate beads, culminating in a cascade of leather and suede tassels. Brittain describes this piece as revealing her “dark, moody side.” The installation is configured in a monumental, triangular arrangement, extending from floor to ceiling, creating a captivating and immersive experience within the exhibition space. Brittain personally crafted, knotted, and braided each leather tassel strand, a technique reminiscent of her earlier jewelry collections that featured large knotted rope necklaces and body harnesses, which she playfully termed ‘daytime bondage.’ To complement the atmospheric 'Mercury' installation, Brittain invited friends to contribute works that harmonized with its dark aesthetic. The exhibition includes armchairs by Alex P White, a former lead collaborator with Kelly Behun, and velvet furnishings along with Wicca chic seating from Material Lust. These additions collectively create a mood that is described as decidedly dark and elegant, evoking a sense of pagan spirituality and celebrating forms in dark hues. The overall ambiance is designed to be spellbinding, drawing visitors into a uniquely curated experience. The exhibition, ‘Strange Days,’ provides a platform for Brittain to explore different material palettes and artistic expressions beyond her usual lighting designs. Her decision to feature ‘Mercury’ after a period of storage highlights the piece's significance to her creative journey and her desire to share it in a setting that allows for its full artistic impact. The collaboration with White and Material Lust further enriches the exhibition, offering a cohesive yet diverse collection of works that collectively embody the desired dark and mystical theme. The show is on view until October 14th at Bec Brittain's studio, located at 27 West 20th Street, New York, inviting the public to experience this unique blend of design and art. #BecBrittain #StrangeDays #FurnitureExhibition #LightingDesign #InteriorDesign #AlexPWhite #MaterialLust #NewYorkDesign #ArtInstallation

Irish designer Bryan O'Sullivan has unveiled his first public collection of furniture, lighting, and objects, marking a new phase in his career previously focused on exclusive designs for homes, hotels, restaurants, and bars globally. This collection offers a diverse range of items that showcase O'Sullivan's expansive design philosophy, incorporating influences from various historical eras and artistic movements. The collection features a blend of innovative materials, fine craftsmanship, and tactile elements. A prime example is the Boydell credenza, a solid European oak sideboard adorned with ceramic tile artworks created by Irish artist Cormac Boydell. This piece is a limited edition of 10, highlighting the collection's focus on exclusive and art-infused designs. Complementing the credenza is the Juniper lamp, which combines sculptural aesthetics with functionality. It features a conical structure composed of three onyx pods, a linen shade, and intricate walnut light switch detailing, demonstrating a thoughtful approach to both form and material. Another distinctive piece is the illuminated Jellyfish mirror, offering a modern interpretation of iconic designs such as the Ettore Sottsass-designed Poltronova Ultrafragola Mirror. This mirror reflects O'Sullivan's ability to reimagine classic or viral design trends with a contemporary twist. The collection also delves into Mid-Century Modern aesthetics, evident in items like the Gray chrome-finished tubular steel chair and the Harvest dining table. The Harvest table, crafted from walnut, is notable for its brass inlaid vegetable motifs and mother-of-pearl mushroom details, adding a whimsical yet sophisticated touch. Shifting towards a more avant-garde aesthetic, the Blade desk is a cantilevered aluminum piece with leather tabletop dressings and lined inserts. Limited to only 10 pieces, this desk embodies a "space age" design, showcasing O'Sullivan's versatility in exploring different stylistic realms. Furthermore, O'Sullivan revisits and updates his iconic Croissant sofa. Originally designed for the art deco-themed Berkeley bar and terrace, the sofa now features knobbly wooden feet, adding a playful and kitsch element that subtly references the ornate foot designs prevalent in the Art Deco era. Overall, O'Sullivan's new collection is a comprehensive showcase of his talent for integrating diverse design influences, from art deco and Mid-Century Modern to more futuristic concepts. The collection emphasizes quality materials, artistic collaborations, and a balance between functionality and aesthetic appeal, making his work accessible to a wider audience while maintaining its unique and sophisticated character. #InteriorDesign #Furniture #BryanOSullivan #DesignCollection #Homeware #ArtDeco #MidCenturyModern #LightingDesign #SculpturalFurniture

This article profiles Jacob Wener, founder of Modern Industry, a custom furniture design company. Wener, who has been in the industry since 2006, moved to Sarasota in July 2022 from Chicago, seeking a warmer climate and a new environment to influence his work. His background includes a childhood interest in woodworking, inspired by his grandfather, and an architectural education that he found applicable to furniture design, particularly in understanding space, human interaction with environments, and the subtle impact of design elements like finish and texture on mood. Wener's style has evolved since his move to Sarasota. While his Chicago work was characterized by an industrial vibe, his current designs lean towards a nature-inspired contemporary aesthetic, incorporating lighter, sun-kissed looks that resonate with the Florida Gulf environment. He frequently combines wood and metal but also enjoys working with leather and stone. White oak and bleached walnut are among his current preferred wood types, reflecting the natural, washed-out tones found in local surroundings like shells and sand. He operates a 2,200-square-foot workshop in north Sarasota, which serves as a functional workspace rather than a showroom, and is open for appointments to interested clients. Wener discusses current trends in furniture design, noting a shift away from "live-edge" and "river tables" that were popular in the early 2010s. Instead, he observes a move towards softer, more abstract interpretations of nature, subtle integration of natural elements, and a rise in mixing materials such as fabric-wrapped table legs or stone integrated into table bases. Asymmetry within balance and the use of tambour (fluting and half-round shapes) for bases, headboards, and wall paneling are also noted trends. Popular custom pieces include dining tables, which range from $5,000 to $10,000 for home use, potentially reaching six figures for large corporate conference tables. Coffee tables start around $1,500, and chairs are priced between $450 and $500 each, depending on materials. The typical build time for custom pieces is 12 to 16 weeks. Other frequently built items include sideboards and wall-mounted TV cabinets, with the pandemic driving demand for desks, bar carts, and home theater furniture. Regarding mass-produced furniture, Wener acknowledges their purpose but highlights the predictability of such items. He advocates for an interior design approach that blends investment pieces, vintage finds, and accessible items to create a personalized space. His own home reflects this philosophy, featuring his custom creations alongside items from big box stores. He emphasizes that custom furniture allows clients to realize their specific visions, even minor modifications like adding drawers to an existing design concept. His clientele often comes through interior designers and architects, with his aesthetic appealing to a younger demographic. In Sarasota, he works with many vacation home owners. These clients seek not just luxury but a unique story and a reflection of their personal input. Wener addresses the common misconception about the cost of custom furniture, stating that it can be comparable to higher-end mass-produced items from stores like Restoration Hardware, making it accessible beyond an exclusive elite. #CustomFurniture #FurnitureDesign #JacobWener #ModernIndustry #SarasotaCraftsmanship #Woodworking #Metalwork #InteriorDesignTrends #Sarasota

This article details an extraordinary estate sale held from March 9-12 at a Colonial home in Bedford Corners, N.Y., formerly owned by Andrew and Randi Heine and decorated by renowned designer Bunny Williams. The sale, managed by Elizabeth Jackson, an experienced estate sale organizer and retail showroom owner, attracted considerable attention, including an invitation-only champagne preview for members of the American Society of Interior Designers. Martha Stewart, a local resident, attended the sale daily, as did Apple Bartlett and Susan Crater, daughter and granddaughter of the late interior decorator Sister Parish, whose design firm they continue to operate. Sister Parish's influence was evident through several items with her provenance and a stack of her decorating books available at the sale. The home itself, built in 1930 for the Heinz family, provided a picturesque backdrop for the event. Jackson, with 15 years of experience in high-end estate sales and a retail showroom in Norwalk, Conn., emphasized her commitment to curating special sales that offer a diverse mix of antiques, vintage pieces, and modern designs across various price points. Her goal is to provide buyers with unique finds and educational experiences. The sale's success was evident from the consistent turnout and enthusiasm of attendees, who appreciated both the quality and quantity of items available, ranging from window treatments to lighting fixtures. The sale operated on an auction-style bidding system, with many items receiving multiple bids or selling instantly. Among the most sought-after items were an unusual jardinière with a mahogany top, displayed in the entranceway filled with orchids and cyclamen, and a sunburst lighting fixture crafted from an antique Venetian-style mirror. The latter, described by Jackson as the "most coveted item," sold during the preview, highlighting its rarity and desirability. Other popular items included a Tabriz rug in a blue-gray palette in the living room, a zinc bar in the sunroom, a three-level Maison Jansen rolling étagère, an 1880s storage chest with needlepoint upholstery, and a D-end antique mahogany French dining table with four leaves and drop-leaf ends that previously belonged to Sister Parish. The process of packing up and clearing the house continued for almost a week after the official end of the sale, reflecting the volume of items sold. For those interested in the property itself, the estate was also listed for sale at $5.8 million. Elizabeth Jackson's retail store is located at 207 Liberty Square in Norwalk, Conn., offering additional opportunities for antique and design enthusiasts. This event underscores the continued demand for high-quality antiques and vintage furnishings, especially those with a rich history or designer provenance. #EstateSale #InteriorDesign #Antiques #VintageFurnishings #HomeDecor #LuxuryRealEstate #BunnyWilliams #SisterParish #ElizabethJackson

The article presents a comprehensive guide to 22 furniture stores in Boston, catering to a wide range of tastes, budgets, and styles, from high-end showrooms to vintage markets and bargain outlets. Each entry provides a brief description of the store's offerings, its aesthetic, and key highlights, along with its location and website. The selection includes luxury brands, traditional crafters, modern chains, sustainable options, and unique antique finds. Minotti, an Italian luxury brand, offers annual collections of sophisticated seating and tables. Thos. Moser, a Maine-based company, is known for its handcrafted wooden furniture featuring visible joinery. Boomerang's, with multiple locations, is highlighted for its Jamaica Plain store, offering a diverse and changing inventory of pre-owned furniture. West Elm provides modern, simple designs suitable for city living, with a large selection ranging from living room to kitchen items, including products from local makers. Lekker Home specializes in contemporary decor with a Scandinavian design focus. Infusion Furniture features handcrafted pieces by woodworker Quentin Kelley, blending traditional and contemporary styles. Circle Furniture, a family-run business, emphasizes sustainability and New England-made furniture, offering an eclectic mix of pieces. Machine Age is a unique Dorchester store boasting a vast collection of 20th-century furnishings sourced from America and Western Europe, ideal for finding distinctive antique items. Design Within Reach aims to make modern design accessible, featuring creations from renowned designers in a multi-floor showroom with full-room vignettes. B&B Italia showcases timeless contemporary furniture from its own collections and other brands, offering design consultation services. Modern Relik provides an "experience-oriented" showroom with an in-store coffee bar, allowing shoppers to leisurely browse and try out various furnishings and accessories. Hudson Interior Designs offers a curated selection of home goods, blending classic and unexpected elements with a youthful twist. Room & Board features a five-floor showroom with over 90% American-made pieces, organized by category and function for systematic browsing. Basics Carpet and Furniture in Allston offers essential home furnishings like rugs, sofas, and sectionals with free delivery. Pompanoosuc Mills emphasizes quality with solid hardwood furniture crafted in Vermont, characterized by elegant lines. Restoration Hardware's Boston flagship is described as opulent, featuring various collections spread across multiple floors, from children's playrooms to conservatories. SoWa Vintage Market is a Sunday indoor market for eclectic and hard-to-find vintage art, lighting, seating, and decor. Roche Bobois, with showrooms near the Public Garden and Natick, presents vividly colored, innovative furniture, including the iconic Mah Jong sofa, prioritizing comfort alongside unique designs. Ligne Roset, a French brand, exhibits contemporary comfort through high-end monochromatic and two-toned furniture for bedrooms and dining rooms. Cambridge Antique Market offers a treasure trove of antique and midcentury modern furniture and accessories across multiple floors. CORT Furniture Clearance Center in Saugus provides previously leased and new furniture at significant discounts, with inventory updated weekly. Finally, Gray House Art & Antiques in Manchester-by-the-Sea is a hidden gem offering a mix of old and new art, international decor, and vintage furniture, creating a homely atmosphere. #FurnitureShopping #Boston #HomeDecor #InteriorDesign #LuxuryFurniture #VintageFurniture #ContemporaryDesign #LocalBusinesses

David Lundell, owner of Lucky Rooster Co., based in Toquerville, Utah, has carved a unique niche in the world of carpentry by creating 'puzzle furniture' featuring intricate hidden compartments and interactive elements. His journey into this specialized craft began unexpectedly during a casual conversation with his brothers, who are also artists. Challenged by the idea of making a coffee table that could be considered art, Lundell, despite having no prior woodworking experience, embarked on this creative endeavor. His initial coffee table, featuring a single hidden compartment, garnered significant attention. His third creation, a Harry Potter-themed coffee table with multiple secret compartments, achieved viral status online, propelling his work into the public eye. Lundell’s approach to furniture design emphasizes interactivity and surprise. He integrates concealed drawers and compartments that are activated through unconventional means, such as touching specific spots with a hidden wand, creating an engaging experience for users. This innovative concept has resonated widely, leading to significant online traction and sales across the United States, although only two pieces have been sold to Utah residents so far. In 2021, he formally established Lucky Rooster Co., dedicating himself full-time to the business after leaving his real estate job. The past year saw him complete 17 Philosopher Desks, each demonstrating his craftsmanship and unique design philosophy. While social media platforms like TikTok have been instrumental in popularizing his work, Lundell has also faced challenges, including widespread scamming on TikTok where fake accounts misuse his content for financial gain. This has led him to shift his focus to other platforms such as Instagram and YouTube for showcasing his creations. His design repertoire has expanded to include pieces with colored epoxy and personally carved details like animals and crests, enhancing the individuality of each item. He also plans to incorporate Marquetry, an intricate decorative technique involving wood veneers, into future projects. Beyond the furniture itself, Lundell’s workshop in Toquerville is an extension of his creative and imaginative spirit. He has transformed the space to resemble an old castle, complete with gray cement brick walls, faux stained glass windows, and antique decorations. The renovation of a bathroom within the shop, featuring hidden compartments activated by a candlestick, served as the catalyst for this castle-themed environment. The shop’s decor includes old portrait paintings and shelves made from repurposed bedframes from the Red Rock Canyon School, all contributing to a medieval atmosphere that inspires his work and provides a unique backdrop for his social media content. Adding to the eccentric charm of his workspace, Lundell also harbors unusual hobbies, such as hatching button quail and housing a tortoise named Scooter, further illustrating his distinctive and multifaceted personality. #PuzzleFurniture #SecretCompartments #CustomFurniture #WoodworkingArt #DavidLundell #LuckyRoosterCo #ToquervilleCraftsman #InteractiveFurniture #Marquetry

This article features the Beetle Club Chair, a unique piece of furniture crafted by The Rag and Bone Man, a company founded by Lizzie and Paul in the United Kingdom. This company specializes in repurposing scrap materials found in junkyards into functional works of art. Their process involves sourcing interesting scrap and then employing traditional metalworking techniques and vintage machinery to give these materials a new purpose. The Rag and Bone Man's creations span a wide range of items, including furniture, lighting, jet engine clocks, crankshaft tables, various types of chairs, bar stools, wall fittings, and desk lamps. The Beetle Club Chair is highlighted as The Rag and Bone Man’s inaugural club chair design. Its distinctive feature is the use of a classic VW Beetle hood for its backrest. The chair’s upholstery is made from a simple light grey wool fabric, providing a contrast to the repurposed car part. The exterior of the chair, which incorporates the VW Beetle hood, has been treated with wax and buffed to achieve a soft satin finish. The chair is supported by a five-leg mid-century swivel base, adding to its vintage appeal and functionality. The company offers customization options for the upholstery, allowing customers to choose from a variety of fabrics and leathers to suit their preferences. It is also noted that the swivel bases may exhibit slight variations between individual chairs, and fixed bases are available upon request for those who prefer an alternative to the swivel mechanism. The article emphasizes the enduring popularity of the VW Beetle, recognizing it as one of the best-selling cars in history and a vehicle that continues to be widely cherished globally. The Beetle Club Chair is presented as an ideal furnishing for individuals who appreciate classic cars and air-cooled engines, suggesting it would fit seamlessly into either a home or an office environment. This piece of furniture not only serves a practical purpose but also acts as a statement piece that celebrates automotive history and sustainable design through upcycling. The innovative approach of The Rag and Bone Man transforms discarded industrial components into aesthetically pleasing and functional household items, bridging the gap between automotive enthusiasm and interior design. #VWBeetle #ClubChair #TheRagAndBoneMan #UpcycledFurniture #ClassicCars #AutomotiveDesign #SustainableDesign #HomeDecor #UniqueFurniture

Symbol Home, previously known as Symbol Audio, has launched its first Living Room and Workspace furniture collections, signaling a major expansion beyond its established reputation for audio and vinyl storage solutions. This strategic move aims to integrate the brand's design philosophy into a broader range of home environments, offering a collection of American-made furniture that reflects its core values of quality craftsmanship and timeless aesthetics. The expansion is a collaborative effort between founder Blake Tovin, an experienced furniture designer known for his work with prominent brands like Crate & Barrel, RH, West Elm, and Pottery Barn, and his son, Walker Tovin. Their partnership has enabled Symbol Home to evolve and cater to a wider audience seeking well-designed home furnishings. The Living Room collection is specifically designed to enhance the 'deep listening' experience, a nod to the brand's audio-centric origins. It features comfortable, lounge-worthy sofas and sophisticated coffee tables that prioritize both comfort and practical utility. These pieces are crafted to be understated yet inviting, providing a relaxed setting for enjoying music or simply unwinding. The design language emphasizes clean lines and a timeless appeal, ensuring that the furniture can seamlessly blend into various interior design schemes while maintaining a sense of warmth and domesticity. Complementing the living room offerings, the Workspace collection is developed to foster creativity and productivity. This line includes elegantly functional desks, bookcases, and storage solutions tailored for contemporary living and working spaces. The collection aims to provide organized and inspiring environments, recognizing the increasing need for versatile home office setups. Each item in the Workspace collection, like those in the Living Room collection, is constructed from premium materials, reflecting Symbol Home's commitment to durability and aesthetic excellence. The entire furniture range is characterized by its premium materials, clean lines, and an overall timeless aesthetic. This design approach ensures that each piece is not only visually appealing but also durable and adaptable to different decor styles over time. The careful selection of materials and attention to detail are hallmarks of the brand's commitment to quality. The furniture is available for purchase directly through the Symbol Home website. Additionally, customers have the opportunity to view and experience the designs firsthand at USM's SoHo showroom, providing an in-person appreciation of the craftsmanship and design principles embodied in the collections. This move by Symbol Home represents a significant evolution, leveraging its heritage in audio furniture to create comprehensive home furnishing solutions. The collaboration between father and son brings together extensive design experience and a fresh perspective, enabling the brand to broaden its market appeal while staying true to its foundational principles. By expanding into both living and workspace furniture, Symbol Home aims to establish itself as a holistic provider of sophisticated and functional home furnishings that cater to modern lifestyles. #SymbolHome #FurnitureCollection #HomeDesign #WorkspaceFurniture #LivingRoomFurniture #AmericanMade #BlakeTovin #WalkerTovin #InteriorDesign #TimelessAesthetic

Terry Crews, known for his diverse career as an NFL player and actor, has extended his creative endeavors into furniture design through a partnership with Bernhardt Design. This collaboration merges comfort with distinctive style, rooted in Crews' lifelong passion for art and creativity, cultivated since his graphic design and fine art studies at Western Michigan University. His approach views furniture as a medium for artistic expression, blending functionality with aesthetic appeal. Crews' design philosophy is significantly influenced by ancient Egyptian culture, reimagined for a modern context. He explores the concept of a contemporary society still living under pharaonic influence, leading to unique design elements. His personal experiences, including his time in the NFL, acting career, and travels, also contribute to a diverse pool of inspirations. The creative process is narrative-driven, where each piece begins with a concept or story. Innovation is a key aspect, with Crews challenging traditional furniture conventions; an example is his Lilypad chair, which combines seating with an integrated table, reflecting a multi-functional design trend. He emphasizes extensive sketching, producing numerous drawings to refine ideas before final designs. The Terry Crews Collection features several signature pieces that exemplify this design philosophy. The Becca Lounge Chair is a fully upholstered, comfortable piece available in various sizes, suitable for both home and office settings. The Elevation Modular System offers flexible configurations of benches, ottomans, and tables, ideal for large, open spaces like building lobbies or open-plan offices, allowing for easy rearrangement. The Ibis Sofa, inspired by the sacred Egyptian ibis, is a two or three-seater lounge with a gentle curve and an extended tubular stainless steel frame that accommodates arm pillows, merging art with functionality. The Aire Bench is a minimalist, organically curved bench with a four-panel upholstered seat and saddle stitch detailing, serving as versatile seating or a unique coffee table alternative. Crews' entry into the furniture market has been well-received by design professionals and the public, with his collection debuting at the International Contemporary Furniture Fair in New York and being picked up by retailers like Twentieth, Hive Modern, and YLiving.com. His work influences design trends by promoting narrative-driven creation, multifunctionality in high-end furniture, and the use of organic, flowing shapes, moving away from rigid designs. Unlike some celebrity-designed furniture lines, Crews is deeply involved in the creative process, ensuring originality and a cohesive design philosophy. His designs are seen as timeless compared to more trend-driven celebrity collaborations, drawing inspiration from historical and personal narratives rather than solely pop culture references. This commitment to thoughtful craftsmanship and innovative design positions Terry Crews' furniture as a distinctive blend of style and comfort in modern home furnishings. #TerryCrews #BernhardtDesign #FurnitureDesign #HomeFurnishings #InteriorDesign #ArtisticExpression #ModernFurniture #LuxuryRealEstate

Michael Beaster, an artist from Door County, combines art and functionality in his unconventional furniture designs. Initially running a business in underground power line installation, Beaster pivoted to woodworking after an economic downturn. He enrolled in a woodworking and cabinet-making program at Madison Area Technical College. Despite initial pressure to focus on cabinetry, he pursued his interest in furniture making, eventually developing a distinct style that gained recognition both locally in Door County and nationally. Beaster's journey into furniture art began 17 years prior to the article's publication when he moved to Door County. After vocational school, he secured a position with a local woodworker, which provided him with valuable hands-on experience and insights into various woodworking techniques beyond formal education. Over time, he familiarized himself with the properties of different wood types and started collecting tools and machinery, preparing for his own workshop. His artistic evolution was marked by a curiosity about challenging traditional woodworking norms. Beaster started experimenting with unconventional styles and techniques, leading to furniture pieces that appear to bend, lean, and curve. His designs create an illusionary effect; for instance, a cabinet might stretch and curve to one side, or taper to a tiny drawer at the top despite a solid base. Other pieces seem to be caught in a strong wind, yet remain firmly rooted on thin legs. He also incorporates hidden compartments and asymmetrical elements, often with slanted drawer fronts. One of his most impressive creations is a cabinet that curves and curls with a perfect spray pattern of wood grain, giving wood a plastic-like appearance. While his designs have a cartoonish and fun aesthetic, they are meticulously planned, engineered, and perfectly balanced, demonstrating a deep understanding of physics and functionality. Beaster emphasizes that breaking rules effectively requires a thorough understanding of the basic principles of woodworking and the properties of wood. He believes this knowledge is crucial to knowing the limits of how far one can deviate from traditional methods. His first unconventional piece was an art deco unit with inlaid glass marbles, which was well-received and led to marbles becoming a signature element in his designs. He also incorporates lighting, including fluorescent, incandescent, and neon lights, into his pieces. To overcome the challenge of wood drying out from the heat of these lights, Beaster developed methods using masonite, silicon, or ventilation holes, sometimes integrating these solutions into the design itself. Beaster often uses up to ten different types of wood in a single design, creating a rich interplay of color and texture. He meticulously hand-selects each piece of wood for its color, cut, and interesting grain patterns, known as the figure of the wood. For example, when selecting maple, he examines both the top and the edge to appreciate the illusion of hills and valleys in its grain. He favors Australian lace wood for its intricate patterns and iridescence, and ash for its strength and more noticeable grain, as well as its ease of workability compared to maple. Despite his mastery, Beaster acknowledges the challenges in creating his bent furniture pieces, sometimes needing to step away from a project for weeks to find a solution. He remains optimistic, believing there is always an alternative approach, and notes that wood can be forgiving if one adheres to the 'measure twice, cut once' rule. His future aspirations include creating neon kinetic furniture and wood sculptures. His work is exclusively sold at Fine Line Designs Gallery in Ephraim, where he sometimes interacts directly with customers, observing their favorable reactions and appreciation for his unique blend of art and function. #MichaelBeaster #WoodworkingArt #FurnitureDesign #ArtFurniture #DoorCountyArt #CreativeCraftsmanship #SculpturalFurniture #UnconventionalDesign

Architect Ferruccio Laviani has created a distinctive piece of furniture named the Good Vibrations Storage Unit, designed for the 2013 Furniture Exhibition. This hand-carved wooden unit is notable for its deliberate appearance of being warped and distorted, as if affected by a digital glitch. Laviani's design philosophy for this piece is characterized by a whimsical fusion of styles, incorporating an inherent sense of wit. The furniture exemplifies a new approach to design, focusing on the harmonious integration of diverse languages and cultures. The Good Vibrations Storage Unit evokes a sense of distant locales and incorporates Oriental design elements, which contribute to its 'disorienting' aesthetic. The piece appears as though it has been subjected to a powerful jolt or continuous swaying motions, resulting in its unusual form. Despite its contemporary and unconventional look, which might suggest a departure from traditional aesthetics, the design actually draws heavily on ancient craftsmanship. It demonstrates a profound knowledge in the art of carving and meticulous fine wood workmanship, showcasing a blend of innovative concept with time-honored techniques. Initially, the images circulated were renderings of the concept. However, Studio Laviani confirmed that a final, physical piece of this 'Good Vibrations' furniture was being produced. This finished article was slated for public display in April following its conceptual unveiling for the 2013 Furniture Exhibition. The project highlights a creative exploration of how digital distortions can be translated into tangible, meticulously crafted wooden furniture, blurring the lines between virtual aesthetics and physical artistry. #FerruccioLaviani #GlitchFurniture #HandCarved #FurnitureDesign #GoodVibrationsStorageUnit #ArchitecturalDesign #Woodwork #ArtFurniture #FratelliBoffi

This article features an interview with the renowned interior designer, Bunny Williams, known for her classic and refined elegance in design and world-renowned gardens. Williams shares insights into her four-decade-long career, which began after being inspired by Dorothy Draper's design at The Greenbrier Hotel when she was 15. Her early career involved working at an antique shop, Stair and Co., where she gained knowledge of furniture, quality, scale, and patina, followed by a 20-year tenure at the famed Parish-Hadley firm before establishing Bunny Williams, Inc. in 1988. Williams discusses the Southern influences on her design philosophy, highlighting the importance of incorporating inherited pieces and antiques, which bring character and history to a room. She emphasizes the value of mixing old and new elements for a more interesting aesthetic. Her Southern upbringing also instilled in her a focus on entertaining and creating versatile seating arrangements to accommodate various group sizes, ensuring rooms are both beautiful and functional. Regarding her famous Connecticut gardens, Williams mentions her upcoming lecture at Nashville’s Antiques and Garden Show, where she plans to illustrate the evolution of her gardens over 30 years. She describes gardening as a continuous learning process, involving mistakes, patience, and valuable lessons from the land itself. She will show the various stages of her garden rooms, from initial planting to their current state. Looking ahead to design trends for 2022, Williams anticipates a continued demand for thoughtfully designed, multi-functional workspaces within homes. She also foresees a greater emphasis on outdoor spaces, recognizing the increased appreciation for nature's importance in daily life, especially given recent global events. Her own gardens have served as a significant source of comfort, reinforcing her belief in the beauty and benefits of well-designed outdoor environments. Williams shares her appreciation for Southern design elements, such as the integral role of porches in connecting indoor and outdoor living. She explains that her own choice to live in the Litchfield Hills of Connecticut was influenced by its resemblance to her childhood landscape in Charlottesville, Virginia, where porches were central to social life and comfort during hot weather. This connection to outdoor living remains a key aspect of her design approach. As a mentor, Williams expresses honor that many younger designers look up to her. While acknowledging the current ease with which new designers can establish themselves through social media, she stresses the critical importance of mastering design fundamentals, often through mentorship, as a foundation for a successful career. She highlights the ongoing mentorship within her own firm, including her business partner Elizabeth Lawrence, and views it as a continuation of the legacy established by Parish-Hadley. When asked about her inspirations, Williams cites iconic interior designers such as Renzo Mongiardino, Henri Samuel, and Frances Elkins. Her gardens draw inspiration from international travels, specifically mentioning Russell Page’s gardens in Normandy and the Wirtz Gardens in Belgium. She advocates for seeking inspiration broadly by exploring the outdoors, visiting antique shops, museums, and traveling. Her key design advice is to invest in quality pieces that one loves and wishes to keep for a lifetime, as these items will transcend different homes. Her favorite space in her own home is the conservatory in her Connecticut country house, a space built around salvaged arched windows, which has become a beloved area for entertaining, reading, and enjoying plants. Her five-word design philosophy is: "Buy what you love most." #BunnyWilliams #InteriorDesign #GardenDesign #DesignPhilosophy #SouthernDesign #HomeDecor #DesignTrends #Mentorship #AntiquesAndGardenShow

The article explores ten of the most influential pieces of furniture and homeware designed by Bauhaus artists and architects, celebrating the school's centenary. The Bauhaus school, known for its distinctive modern style rooted in simplicity and functionality, produced designs that became iconic in the 20th century. Bauhaus furniture emphasized practicality, stripping down objects to their basic elements and utilizing simple geometric forms. The aim was to create aesthetically pleasing items that were also accessible for mass production, leveraging modern industrial techniques and unconventional materials like steel, glass, plywood, and plastic. Key designs highlighted include Marcel Breuer's Wassily Chair, inspired by bicycle handlebars and reducing the club chair to an outline of tubular steel and canvas. Peter Keler's Baby Cradle, designed for the first Bauhaus exhibition, draws inspiration from Wassily Kandinsky's color theory, featuring primary colors and simple geometric shapes like triangles, rectangles, and circles. Josef Hartwig's Bauhaus Chess Set simplifies the pieces to represent their movements, removing traditional religious and monarchical symbols to modernize the game. Ludwig Mies van der Rohe's Brno Chair showcases the cantilever principle, eliminating the need for four legs with a single C-shaped bar. Marianne Brandt's Tea Infuser exemplifies functional design by stripping a conventional teapot of ornament, creating a compact, geometric metal vessel for a concentrated tea extract. Josef Pohl's Wardrobe on Rollers, or "Bachelor's Wardrobe," is a versatile and space-saving plywood design mounted on castors, making it affordable and convenient for apartment living. Mies van der Rohe and Lilly Reich's Barcelona Chair, created for the Barcelona International Exposition, features slim cushions on a stainless-steel frame, initially bolted and later redesigned as a seamless piece. Wilhelm Wagenfeld and Carl Jakob Jucker's MT8 Lamp, known as the Bauhaus Lamp, embodies the "form follows function" principle with its simple, geometric shape of glass and metal, using an opaque industrial lampshade. Walter Gropius's Door Knob, first mass-produced in 1923, features a cylindrical grip and a squared stem made from nickel-plated brass, becoming the most commercially successful Bauhaus product. Finally, Josef Albers' Nesting Tables, designed during his tenure as artistic director of the furniture workshop, are a set of accent tables made from solid oak and lacquered acrylic glass, incorporating Albers' signature colorful and geometric style with blue, red, yellow, and white elements. These designs collectively showcase the Bauhaus's enduring impact on modern design through their innovative use of materials, emphasis on functionality, and minimalist aesthetics. #Bauhaus #FurnitureDesign #Homeware #MarcelBreuer #MiesVanDerRohe #MarianneBrandt #WalterGropius #JosefAlbers #ProductDesign

Luxury shoe designer Brian Atwood and his husband, Jake Deutsch, collaborated with The Container Store Custom Closets to transform their walk-in closets at 15 Hudson Yards into a highly organized and sophisticated space. Their vision for the closet design was to create a curated home for their extensive collection of clothing, bags, and shoes, making the process of staying stylish effortless. They selected The Container Store's Avera closet system, valuing both chic aesthetics and functional storage. Key design elements include ample space for folding and display, which gives each area the feel of a luxurious dressing room. Small details, such as Avera Jewelry Organizer Trays for sunglasses and Herringbone 12-Compartment Organizers for belts, contribute to the high-end boutique-like presentation of their accessories. The closets are conceptualized as an extension of their modern, sexy, and striking apartment, rather than a hidden space. The couple integrated art and other design objects to achieve a seamless aesthetic throughout their home. Luggage and duffels are prominently displayed, serving as an installation that adds to the visual impact. The doors leading to the closets are painted with a high-gloss finish in a dark color, creating an interesting and polished look that extends into the closet interiors, so much so that Atwood suggests doors are almost unnecessary. To maximize space and functionality, they worked closely with a designer to delineate each closet's purpose based on their specific needs for hanging, drawer, and shoe space, much like a custom-tailored suit. They ultimately settled on a primary clothing closet, a dedicated shoe closet, and a coat/sport closet. Shallow wing walls in the master closet allowed for the use of 14-inch deep shelves to further optimize storage. Atwood’s extensive experience as a shoe designer greatly influenced the closet's layout, prioritizing visibility and accessibility for his shoe collection with shallower shelves. The design strategically places frequently accessed items at eye level, reserving higher areas for display and less frequent storage, thus avoiding the need for ladders in daily use. He emphasizes the importance of merchandising the space, treating it like a high-end boutique, with careful attention to color flow and sequential coordination of items. Details such as rolled Hermès blankets, sweatshirts, and a silk-covered bench for sitting reflect the intentional layering of luxury throughout the design. High-tech solutions include integrated dimmable lighting on every shelf of the Avera system, adding a 'wow factor,' and push-to-open, soft-close drawers for enhanced functionality. The chosen stone finish for the Avera closet system provides a fresh, modern, warm, and masculine palette, elevating the overall result to appear custom-built rather than off-the-shelf. The materials and design choices stand in stark contrast to typical inexpensive-looking closet materials often found in jarring white finishes. Monique C. Valeris, Home Design Director for Good Housekeeping and former digital editor at Elle Decor, conducted the interview, highlighting Atwood’s meticulous approach to creating a truly luxurious and functional storage solution. #BrianAtwood #ClosetDesign #LuxuryStorage #TheContainerStore #AveraSystem #HomeOrganization #FashionDesigner #InteriorDesign #NYCInteriors