Five Fits With: Interior Designer and Canadian Tuxedo Fan Jake Arnold

This article features an interview with Jake Arnold, a British interior designer based in Los Angeles, known for his signature style that combines timeless sophistication with lived-in comfort. Arnold's design philosophy emphasizes rich textures, warm color palettes, and bespoke detailing to create modern luxury spaces. The interview delves into his creative journey, starting from his unexpected transition from studying economics in London to pursuing interior design in LA. He details how he secured an internship by messaging a design studio on social media and subsequently established his own studio in 2020 after working with established firms. Arnold's core design elements include a neutral palette and natural materials, often incorporating unique antiques and curiosities to maintain a classic yet timeless aesthetic. His goal is to create cozy, high-impact spaces that are also functional for modern living. He frequently utilizes materials such as bronze, brass, oak, walnut, and a variety of layered textiles like linen, heavyweight wools, suede, and mohair. While he favors warm neutrals, he is not averse to using color, mentioning Farrow & Ball's 'Dimity' and 'Broccoli Brown,' and Portola's 'Patagonia' as preferred paint colors. Stripes are considered neutrals in his design vocabulary, and he appreciates subtle prints and textures, occasionally integrating eclectic wallpaper or bold fabrics. Material drenching, a technique where one material is used extensively throughout a space, is a hallmark of his style. He also emphasizes layering textures, employing earthy color palettes, and sourcing vintage pieces from places like JF Chen and Galerie Half. Arnold shares personal insights, including his recent purchase of his first home in West Hollywood, an area he values for its creative energy and design history. This personal project allows him complete creative freedom to focus on layered and collected design. The article also highlights three of Arnold's favorite projects: Benedict Canyon, Loma Linda, and Del Lago. The Benedict Canyon project, for Chrissy Teigen and John Legend, focused on artisanal craftsmanship, incorporating warm tones, mauve, chartreuse, and gold and brass accents with calacatta monet and jade quartzite. Key features include a custom brass shell TV cover, Venini sconces, and a Jeff Zimmerman pendant. This home was designed as a generational and organic space, aiming for comfort, luxury, and a connection to nature, moving away from historical architecture to embrace a contemporary cultural paradise. For the Loma Linda project, a 1980s Mediterranean property, the approach was 'less is more,' transforming it into a serene, liveable home using muted neutrals, earthy greys, beiges, walnut, oak, calacatta viola, and antique limestone. Highlights include a custom daybed, mohair seating, vintage lamps, and Rose Uniacke pendants, balancing luxury and comfort. This project involved restoring the Gerard Colcord home to its natural state, creating an open and amicable space. The Del Lago project in Fort Lauderdale, for a hotel developer, aimed for a tropical vacation feel with Californian softness meeting Palm Beach style, using cool neutrals, lush greens, blues, calacatta monet, and zellige tiles. Notable elements are vintage Axel Einar chairs, an Atelier Vime pendant, Stephen Antonson lighting, and De Gournay wallpaper, all designed to evoke escapism without being clichéd. This ground-up home was a collaboration with Smith & Moore Architects, creating an architectural dreamscape with whimsical details and island motifs. #InteriorDesign #JakeArnold #HomeDecor #LuxuryInteriors #DesignPhilosophy #AlistClients #ArchitecturalDesign #LAInteriorDesign

Adriana Jacir, founder of 2112 Design Studio, details her journey as an architectural interior designer, emphasizing the motivations behind starting her own business and the challenges she overcame. Her decision to launch her own venture was driven by a desire for flexibility as a parent of two young children without local family support, and a dissatisfaction with the traditional architectural firm environment in the U.S. Having emigrated from another country, she found the architectural landscape in the U.S. significantly different, necessitating a new perspective and learning curve. Her path to entrepreneurship was marked by significant personal and professional hurdles. As an immigrant, the process of obtaining U.S. citizenship was demanding and required considerable resilience. She pursued her Master’s Degree in Advanced Architectural Design at Columbia University in New York City, a long-held dream. However, her husband’s career and immigration status led them to relocate to Detroit, a city where she faced cultural differences and her first experiences with discrimination as a highly educated professional not born in the U.S. Despite these difficulties, she gained valuable experience in an architectural office. A subsequent visa requirement necessitated a move to an underserved area of the U.S. for three years, leading them to Yakima, Washington. Unlike Detroit, Yakima offered a more welcoming environment for foreigners. There, she briefly worked for an architectural firm but quickly recognized the need for greater flexibility, both as a mother and as a designer committed to creating functional, well-designed homes. This led her to co-found her first Design + Build firm in Yakima with a like-minded colleague. They obtained a General Contractor license, assembled a team, and successfully designed and remodeled homes, gaining hands-on experience in managing construction projects. After six years in Washington, her husband’s job offer prompted another move to Miami, where she again started afresh. In Florida, she established 2112 Design Studio, an interior design firm specializing in residential design. The studio focuses on creating thoughtful, functional, and aesthetically pleasing living spaces by seamlessly blending architectural principles with interior design. Jacir emphasizes that her unique approach involves considering flow, function, and structure from an architectural perspective, while also integrating the detailed elements that make a house a home. Adriana Jacir attributes her success to resilience, adaptability, and the cultivation of strong relationships. She aims for her story to inspire others, demonstrating that passion and perseverance can unlock significant opportunities even when faced with uncertainty. She credits her husband, Dr. Alberto Jacir, for his unwavering support and belief in her vision, which enabled her to pursue entrepreneurship while managing family life. Her mentor, Cheryl Clendenon, also played a crucial role in shaping her business and design approach. Above all, her children serve as her primary motivation, pushing her to be a better mother and inspiring her to build a meaningful legacy through hard work and passion. #ArchitecturalDesign #InteriorDesign #Entrepreneurship #ImmigrantJourney #BusinessOwner #ResidentialDesign #Miami #DesignStudio #CareerDevelopment

This blog post features an interview with Jason Apilado, a Senior Interior Designer, who offers insights into the interior design industry, discusses his notable projects, and shares his recommendations for cultural experiences, dining, shopping, and community engagement in Los Angeles. The interview begins by addressing common misconceptions about interior design, highlighting the blend of creativity and business acumen required for success. Apilado emphasizes the technical skills involved, including mathematics, geometry, engineering for cost calculation and collaboration with architects, and deep dives into psychology, history, and cultural studies for robust conceptual development. He also touches upon the challenges of navigating new design languages and effectively communicating these to various stakeholders, all while managing logistics and meeting deadlines. Apilado stresses the importance of artistic restraint and balancing imagination with practicality, without compromising design values. He introduces his '3 R's' approach—Recognize, Reassess, Recalibrate—to prioritize time management and support creative discipline, a skill he developed over 14 years in the field, including a significant period as a freelancer. Resilience, problem-solving, and leading with confidence without ego are also identified as crucial for designers. Apilado then shares details about some of his favorite projects, including a brutalist home/event space in Eden, Utah, designed in collaboration with Tom Wiscomb Architects and Benchmark Modern. This project features art installations and furniture by renowned artists and designers such as Jónsi, James Turrell, Rick Owens, Vibha Galhotra, Naama Tsabar, Pedro Reyes, and MAD Architects. Other significant works mentioned are the Soulmate Restaurant in West Hollywood, a G550 jet interior, and a contemporary residence in the Hollywood Hills, developed with Belzberg Architects and Dobkin Construction. The discussion also covers his recent ventures into dealing antique furniture, launching a textiles collection, and selling curated goods online. The interview shifts to local recommendations for Los Angeles. For cultural experiences, Apilado suggests Casa Perfect Los Angeles 3.0, Anat Ebgi gallery, Vardan Gallery, Arcana Books, and the Endeavour space shuttle. Dining recommendations include Santa Monica Seafood Market, Santa Monica Farmers Market, Spoon & Pork, Kang Ho Dong, and Siam Night Market. Shopping highlights feature H. Lorenzo and the Rose Bowl Flea Market. For community engagement, he recommends In Sheep’s Clothing hifi, Ambient Church, Brain Dead Studios, Aroma Golf Range, and the LA River West Bank Bike Trail. Finally, Apilado expresses gratitude to numerous individuals who have inspired and supported his career. He acknowledges fellow designers and craftsmen, emphasizing the importance of community and mutual support among artists. He specifically thanks his parents for fostering his creativity, his brothers for their support, and his high school teachers and college mentors for seeing his potential and never giving up on him. Special recognition is given to Sean Leffers for trusting him to build a design studio, and a list of influential figures such as Riza Stillwell, Scott Pennington, David Waggoner, David Goggins, Bjarke Ingels, Ridley Scott, The Wachowskis, Craig Green, and Richard Feynman are mentioned for their impact on his professional journey. #InteriorDesign #CreativeProcess #DesignProjects #LosAngelesCulture #BusinessAcuemen #ProfessionalJourney #ArtisticRestraint #CommunitySupport

Chris Goddard, founder of his Fayetteville, Arkansas–based design firm, initiated his career during college in the 1980s, driven by a passion for visual merchandising that evolved into interior design. Despite studying business, he found himself doing small design jobs for free, learning painting and wallpapering to understand the process thoroughly. His accidental foray into design became serious when a wealthy client gave him a blank check to redo her house, prompting him to learn about resources, pricing, and the design industry without formal training. He frequented design centers in Tulsa and Dallas, impressing showrooms with his assertiveness and ultimately opening his own 18,000-square-foot store, Beauregard, in 1992, which housed a design studio, workrooms, and a florist. Goddard's early projects were notable, with his first-ever design job published in Architectural Digest when he was just 21. This unexpected recognition led to numerous projects for the same family, including corporate headquarters, boats, and planes. His firm now handles 20 to 60 projects annually, comprising 40% commercial and 60% residential work. He emphasizes the importance of continuous learning, detailing how he educated both himself and his clients on the value of quality materials and bespoke design elements in a region initially lacking high-end design exposure. He also works with institutions like Crystal Bridges Museum of American Art, designing installations that merge art with livable spaces. His career, however, has not been without significant challenges, including a memorable incident where a client's yacht sank due to incorrect screw lengths used during window treatment installation. This experience, though initially terrifying, taught him the critical importance of meticulous measurement and attention to detail. Goddard maintains a philosophy against having a singular “look” as a designer, instead striving to create spaces that perfectly reflect the client's personality, as if a designer was never involved. This commitment extends to never reusing the same fabric or furniture piece twice, meticulously archiving samples from each project to ensure uniqueness. The evolution of the design industry, particularly the rise of the internet and knockoff markets, led Goddard to close his retail store after 15 years, shifting his focus entirely to his design firm. He continues to value the in-person experience of shopping and encourages clients to find unique treasures during travels, rather than relying solely on online purchases. Despite his traditional approach to sourcing, his team incorporates modern tools like 3D renderings to meet contemporary client expectations. He acknowledges the difficulty of social media visibility given the NDAs he signs for high-profile clients, often only sharing tight shots of details. Recognitions in his career include ASID and Interior Design Society awards in 2019, and being named among the top 100 firms globally by the Andrew Martin Interior Design Review. Goddard navigates the challenges of client expectations, pricing transparency, and working abroad, where he has faced issues with customs. He attributes his global growth to word-of-mouth referrals rather than advertising, highlighting the personal nature of service-based businesses. His current endeavors include developing his own fabric, furniture, and bedding lines, marking a new phase in his extensive design career, which he hopes will allow him to expand beyond constant travel and hands-on project management. He also discusses the cyclical nature of design trends, noting a return to '70s and '80s aesthetics with a modern twist, and the importance of allowing creative individuals downtime to recharge. When hiring, he seeks talent that complements his strengths, emphasizing the need for adaptability and technological proficiency in an evolving industry. Goddard values his ability to now decline projects that don't excite him, recognizing that passion is crucial for successful outcomes. His firm's resilience during economic downturns is partly attributed to its recession-proof location and a strategic balance between residential and commercial projects. #InteriorDesign #ChrisGoddard #DesignCareer #LuxuryDesign #BespokeDesign #ClientRelationships #DesignBusiness #ArkansasDesign

The article introduces Cat Earp, an interior designer who, after completing the shepherd huts she rents on her Dorset farm, has launched her own design studio. In addition to expanding her homeware range, Earp has also undertaken the extensive design of her family's 16th-century thatched farmhouse. Earp's background in fashion PR for brands like Gucci, Prada, and Mulberry cultivated her creative passion, which she has now fully channeled into interior design. Her initial foray into interiors began with the shepherd huts at Aller Dorset, a project that, by necessity, pushed her to develop her design confidence. Each hut is uniquely designed, often starting with a specific color or a favored fabric in the kitchen, and building the rest of the scheme from there. The positive reception to Aller Dorset and her design work motivated her to start selling her designs and launch The Aller Studio, offering interior design services for projects of all sizes. Earp draws inspiration from fabrics and pieces she loves, alongside the work of interior designers such as Elizabeth Hay, Lucy Barlow, Laura Stephens, Beata Heuman, Emma Ainsborough, Sarah Southwell, and Sean Symington. Her preferred brands for homeware include Alice Palmer, Bettina Ceramica, Matilda Goad, Beauvamp, Hum London, and Hastshlip. A cherished item in her own home is a bespoke plate from Harlie Brown, displayed prominently in her kitchen. She also highlights a new wavy footstool from Isabelle Baldwin as a perfect addition. For local shopping, Earp recommends Aitta in Sherborne and the curiosity store in Dorchester, while online she favors Glassette for its curated selection of independent homeware brands. She recently discovered Birdie Fortescue for its well-priced lamps and lampshades. The renovation of her own 16th-century thatched farmhouse was a significant undertaking, involving changes to the layout, a new kitchen, and new bathrooms. Due to its listed building status, Earp collaborated closely with an architect to navigate planning permissions and structural considerations, ensuring the preservation of original elements while modernizing the space. Her design process involved creating mood boards, collecting fabric and paint samples, and setting up scheme areas in her sitting room to ensure a cohesive flow throughout the house. A strong advocate for bold colors, Earp believes they never disappoint and emphasizes attention to detail in finishes. Key areas of her renovated home include the hallway, which features Farrow & Ball paint, Beata Heuman pendants, Bettina Ceramica wall lights, and a scalloped built-in bench. The kitchen, a major part of the renovation, involved extending the space to include a utility room, pantry, and dog's room. Designed by The Dorset Kitchen Company, it showcases a blue unit color, Farrow & Ball paint, Beata Heuman and Beauvamp pendants, Otto Tiles, and furniture from Birdie Fortescue and Isabelle Baldwin. The cloakroom boasts Soane wallpaper, The English Panelling Company wall paneling, Mandarin Stone floor tiles, a Soho Home vanity unit, Alice Palmer lampshades, Pooky wall lights, and an Alice Palmer mirror. The pantry, a personal favorite, features Ottoline wallpaper and Mandarin Stone flooring, while the utility room continues the blue theme with Farrow & Ball paint and units from The Dorset Kitchen Company. The main bedroom is designed for timeless tranquility, featuring Soane's scrolling fern fabric for blinds and curtains, Farrow & Ball paint, Vaughan lamps, and furniture from Clockhouse Furniture and The Trove. The en-suite bathroom incorporates checked Mandarin Stone flooring, Otto Tiles zellige tiles, The English Panelling Company paneling, Farrow & Ball paint, Etsy mirrors, Soho Home vanity units, Alice Palmer lampshades, and Pooky wall lights. Her daughter's bedroom is inspired by Schumacher's tiger-palm print wallpaper, complemented by Lewis & Wood linen and a ric-rac trim. Her son's bedroom uses English Panelling Company panelling and Farrow & Ball paint, with cushions from Schumacher and a headboard from The Aller Studio. The son's bathroom features playful wallpaper, a Holly Oak House vanity, and a Hastshlip rattan mirror. Finally, the guest bedroom utilizes Ottoline's little wild tulip print fabric, a headboard and cushions from The Aller Studio, and lampshades from Hum London. The guest bathroom features Alice Palmer striped wallpaper, checked floor tiles, and an Alice Palmer bin. #InteriorDesign #HomeRenovation #AllerDorset #CatEarp #TheAllerStudio #DorsetFarmhouse #DesignInspiration #LuxuryInteriors #ShepherdHuts

Mohair, a luxurious fabric derived from Angora goat hair, is gaining significant traction in interior design, endorsed by renowned designer Jake Arnold. Arnold highlights mohair's ability to introduce depth and warmth to spaces while offering remarkable durability, making it a desirable material for high-end projects. The fabric is praised for its lustrous appearance, softness against the skin, and excellent dye absorption, distinguishing it from standard wool, similar to cashmere or Angora in its premium status due to its more complex production and harvesting processes. Interior designers Alice Moszczynski and Michelle Iapicco offer differing approaches to incorporating mohair into design schemes. Moszczynski advocates for bold applications, such as entire sofas or chairs upholstered in mohair, believing it significantly elevates the overall aesthetic and texture of a piece. She suggests that if a full furniture commitment is too much, mohair pillows can serve as an effective alternative. Conversely, Iapicco prefers to use mohair more subtly, recommending it for accent pieces like throw pillows, cozy throw blankets, or luxurious accent chairs, to add a touch of elegance without overwhelming a space. Both designers acknowledge the fabric's inherent ability to enrich a room's decor. The article showcases a curated selection of mohair and faux mohair products, reflecting various applications and price points, catering to different design preferences and budgets. These include a Hayes Faux Mohair Throw Blanket from Pottery Barn, a Capra Faux Mohair Decorative Pillow from Perigold, and a SOHO HOME Harlyn Checked Mohair-Blend Throw from Net-a-Porter, which is ideal for rustic or cozy cabin aesthetics. Other featured items are a Luxe Mongolian Lamb Pillow Cover from Quince, a Viso Project Two-Tone Mohair Pillow from Saks Fifth Avenue, and an Albion Mohair Throw from Serena & Lily, noted for its soft feel and vibrant color. For larger furniture pieces, the Chelsea Ottoman from Maiden Home is highlighted for its playful design and amber-colored mohair, alongside the Ceremonie Green Mohair Dining Chair by Athena Calderone for Crate and Barrel, made from faux mohair velvet. The Plaid Mohair Throw from Schoolhouse is presented as a colorful and cozy accent, while the Varick Sofa from Maiden Home, upholstered in 'brown sugar' mohair, is described as a contemporary and luxurious investment. An abc home Mohair Throw, made in Spain's Upper Oja Valley with unique frayed edges, offers a familiar touch. Finally, the Garrett Dining Chair from Maiden Home showcases mohair's excellent dye retention with its slate blue-gray cushion. The increasing popularity of mohair suggests its position as a key trend in interior design, offering designers and homeowners a versatile material that combines aesthetic appeal with practical benefits like durability and warmth. The varied product recommendations illustrate how mohair can be integrated into diverse home settings, from subtle accents to prominent furniture pieces, aligning with its reputation as a sophisticated and tactile fabric. #MohairFabric #InteriorDesignTrends #LuxuryTextiles #HomeDecor #JakeArnold #FurnitureDesign #TexturalElements #FabricDurability

This page functions as a comprehensive job board specifically tailored for the interior design and home industry. It lists a variety of available positions across different locations, employment types, and compensation ranges, catering to a wide spectrum of professionals from architects and interior designers to sales associates and logistics managers. The platform provides detailed job descriptions for each listing, outlining responsibilities, required experience, and company information. For instance, TAMARA FELDMAN, a Miami-based studio, is seeking an Architect with a minimum of seven years of experience, emphasizing design sensitivity and technical expertise. Thibaut Design, a historic wallpaper company, is looking for a Sales Associate for their NYC showroom with a salary range of $50k-$70k annually, focusing on delivering exceptional customer experiences. Charlap Hyman & Herrero (CHH) in Los Angeles is seeking an Interior Designer to support high-level interior design projects, requiring strong design sensibility and organizational skills. Armadio is hiring a Trade Sales Account Manager in Los Angeles to service existing high-end interior designer and architect clients and prospect new business. Caroline Gidiere Design LLC is looking for a Junior Designer & Procurement & Logistics Coordinator in Birmingham, AL, whose responsibilities include coordinating project logistics from procurement to installation and managing vendor relationships. Amy Aidinis Hirsch Interior Design in Greenwich, CT, requires a Logistics Manager to ensure smooth project execution by managing expediting, scheduling, and coordination between various stakeholders. SARAH & FRIENDS INTERIORS in Menlo Park, CA, is looking for a Senior Interior Designer specializing in high-end residential design. LLM Purchasing offers a remote full-time position for a Junior Procurement Associate, responsible for managing the full FF&E; procurement life cycle for interior design clients. Hawthorne House in Athens, GA, a furnishings and lighting showroom, is seeking a Furniture Showroom Sales Specialist to serve both local and national clients. Amy Kartheiser Design in Chicago is looking for a Senior Designer with a strong background in high-end procurement and elevated design details for luxury residential projects. Wecselman Design in Miami is seeking an Interior Designer with excellent design sensibility for sophisticated residential interiors. Jeremiah Brent Design in New York, NY, has openings for a Senior Design Documentation Specialist (contract) and a Senior Designer (FF&E;) for a historic estate renovation project, emphasizing creative sensitivity and technical precision. Mia Todd Studio in New York, NY, is seeking a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is looking for a Senior Interior Designer with a strong background in architectural design and project management. The platform also offers resources for employers to post jobs and provides a resume board for job seekers. Additional sections on the website include news, articles, products, events, experts, and a magazine, all related to the home and interior design industry. #JobBoard #InteriorDesign #HomeIndustry #DesignCareers #ArchitectureJobs #SalesAssociate #LogisticsManager #Procurement #ResidentialDesign

The article presents an interview with renowned interior designer Jeffrey Alan Marks, discussing current trends and shifts in the interior design industry. Marks, known for his California cool aesthetic and television appearances, shares insights from his home in Montecito, detailing how client preferences and the design process have evolved, especially in the wake of recent global changes. Marks observes a significant shift in consumer behavior, noting an unprecedented excitement for summer and a desire for home entertaining. He anticipates a period akin to the Roaring Twenties, where people prioritize creating safe, special, and intimate environments at home. This trend is driving demand for outdoor living spaces, larger barbecue areas, and indoor/outdoor bars, leading to sold-out outdoor furniture from major retailers like Restoration Hardware and Palecek. He emphasizes that the importance of home, particularly outdoor living areas, has become more pronounced, with individuals investing in these spaces to enhance their quality of life. He also highlights the digital transformation impacting the design industry. Online sales for his business have tripled, indicating a strong willingness among consumers to purchase items sight unseen, especially when familiar with the vendor. This digital boom extends to real estate, where properties are sometimes bought without physical visits. Clients are increasingly using digital tools like Instagram boards and Zoom meetings to conceptualize their design ideas, arriving with organized visions of what they want. This increased client involvement, Marks states, does not diminish his role but rather transforms it into a more collaborative guidance process, as clients still require professional expertise for sourcing unique items and navigating complex design decisions. Marks addresses the pervasive influence of large retailers like Restoration Hardware, noting that even affluent clients building multi-million dollar homes often present images from these brands as their desired aesthetic. He relates this phenomenon to the impact of cinematic sets, where curated environments, like Nancy Meyers's kitchens, become aspirational but are often misunderstood as easily replicable. Despite the popularity of these readily available styles, Marks finds his value in guiding clients through the process and adding a unique, curated touch, even when working with commercial products. Regarding art, Marks observes that clients are spending more time and money on collecting meaningful pieces rather than simply filling wall space. There is a growing inclination to wait for the 'right' artwork, reflecting a more thoughtful and personal approach to art acquisition, a trend not seen in other aspects of home decor. Marks expresses a desire for a return to 'preppiness' in home design, moving away from avant-garde or shock-value aesthetics. He advocates for infusing color into homes, describing his own house as red, white, and blue with green accents, and featuring candy-striped curtains. He believes color is crucial for psychological well-being and seeks to create happier, more jovial spaces, contrasting with the popular monochromatic styles seen in brands like Jenni Kayne. Finally, Marks discusses his approach to designing sophisticated beach houses, which diverge from the traditional floppy, shabby aesthetic. His designs incorporate tailoring, structure, and a refined sensibility, often drawing from English influences due to his training in England. He emphasizes the significance of 'the little things' in design—the details that make a lasting impression, such as curtains, antique bowls, or carefully placed potted plants. He strives to include one unexpected surprise in each room, a signature element that makes the space uniquely '#JAMapproved'.

The intersection of fashion and home decor is becoming increasingly prominent, with designers extending their creative vision from clothing to interior spaces. This trend has seen luxury and established houses like Ralph Lauren, Dior, and Louis Vuitton offering home goods for some time, but in 2025, newer and particularly Black fashion brands are embracing this expansion. Victor Glemaud, known for his knit materials and exquisite patterns, recently unveiled a collaborative rug collection with Patterson Flynn. This collection is characterized by warm tones and abstract yet classic patterns, influenced by Glemaud's travels to Abidjan, Côte d’Ivoire, and Dakar, Senegal. The designs feature artistic animations of fish, turtles, and lizards, alongside floral motifs. Glemaud emphasizes that his design DNA translates naturally between fashion and home, highlighting the importance of respecting artisans and craftspeople in these new ventures. Similarly, Chuks Collins has ventured into home decor through a collaboration with Lush Decor. His collection, which was presented alongside his Fall/Winter 2025 fashion line, includes linens, duvets, and shams. Collins views home as an extension of oneself and a sanctuary, believing that personal style and home curation are intertwined. His designs incorporate intricate prints and craftsmanship, drawing inspiration from themes of renewal and healing. He foresees a continued integration of fashion and home design, aligning with Pinterest’s 2025 trend predictions for “Surreal Soirees,” which feature fanciful prints of fungi and wildlife. Sade Mims, founder of Edas, a brand known for its vibrant accessories, also delves into home decor. Her work aligns with the “Mix And Maximalist” trend, utilizing bold colors and textures. Mims designed a side table in 2019 and is planning more homewares, including an incense holder. She initially aspired to be an interior designer and always saw the potential for fashion and interior design to intersect, despite earlier industry resistance. Mims expresses her happiness at the current shift, where creatives are encouraged to explore various realms of design without being constrained by traditional industry blueprints. She believes that the fashion industry's constant search for innovation has led to the successful integration of home styling, particularly for Black designers, given the rich history and aesthetic storytelling embedded in Black homes. This natural progression reflects a broader understanding that both fashion and interior design ultimately aim for self-expression and embodiment. #FashionDesigners #HomeDecor #InteriorDesign #BlackDesigners #VictorGlemaud #ChuksCollins #SadeMims #FashionTrends #CollaborativeCollections

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

The article pays tribute to the pioneering fashion editor André Leon Talley, who passed away at 73. It revisits a 2013 interview where Talley shared his insights into interiors and provided advice on living a fabulous life. While widely recognized for his contributions to fashion, including his front-row presence, eloquent speech, and distinctive caftans, Talley harbored a profound passion for interior decorating. Talley's fascination with interiors originated in his childhood in Durham, North Carolina, particularly after witnessing Jackie Kennedy's televised White House tour in 1962. This event introduced him to the world of fine linens, specifically Porthault, and ignited his appreciation for antiques and high-quality furnishings, a passion he maintained throughout his life, including owning Porthault linens. In the 2013 interview, conducted by ELLE DECOR executive editor Ingrid Abramovitch, Talley discussed his decorative tastes and memorable experiences. He characterized conversations about fashion or decorating as being filled with superlatives such as “Marvelous! Extraordinary! Over-the-top!” He recounted visiting São Schlumberger’s unforgettable 18th-century Parisian townhouses, which featured stainless steel library floors, tortoise-shell-inlaid walls, and a disco with a lit-up floor in the basement. Talley also praised Karl Lagerfeld’s decorating prowess, mentioning Lagerfeld’s former Paris mansion, adorned with 18th-century furniture and rugs from Versailles, and his more contemporary flat featuring Sue et Mare furniture and modernist sofas. He also shared his experiences with elegant entertaining, highlighting Oscar and Annette de la Renta’s impeccable dinner parties, where every detail, from flowers and food to porcelain and silver, was perfect. He noted the welcoming scent of simmering apples, cinnamon, and spices at their Connecticut home. Surprisingly, Talley also lauded Whoopi Goldberg as an exceptional hostess, describing her china cabinet as unparalleled and her Christmas and Thanksgiving gatherings as visual feasts. Regarding his work with *Numéro Russia* magazine, Talley spoke of its creative freedom. His first cover story featured Naomi Campbell, who, with her then-boyfriend Vladislav Doronin, commissioned a Zaha Hadid-designed house outside Moscow that resembled something from *The Jetsons*, with its main bedroom situated high like a moon launch pad. He also expressed admiration for the humble yet beautiful onion-dome churches found in Russian villages. Talley found solace and balance after moving from New York City to White Plains, New York, seeking the tranquility of trees and birds reminiscent of his North Carolina childhood. He recalled his grandmother’s home, where wealth was measured in love, church, and family, and remembered scrubbing the porch, which was kept so clean it reflected one’s image. His bed, a black ebonized four-poster designed by Oscar de la Renta, was his most cherished possession, dressed in luxuriously priced D. Porthault sheets, embodying his belief that a well-dressed bed is the ultimate daily luxury. He maintained a guest room but rarely allowed guests to stay, desiring perfection for visitors but lacking the time to prepare it. For splurges, Talley suggested Manolo Blahnik shoes to enhance a little black dress and a Calvin Klein cabled Hampton alpaca-and-cashmere throw for the home. He also noted his fondness for homes featured in classic Hollywood films, such as the chintz room in *The Philadelphia Story* and Jean Harlow’s boudoir in *Dinner at Eight*, while cautioning against becoming a “victim of your rooms,” citing *Harriet Craig* with Joan Crawford as an example of being trapped by excessive fabulousness. #AndréLeonTalley #FashionEditor #InteriorDesign #LuxuryLiving #HomeDecor #CelebrityHomes #FashionIcon #DesignPhilosophy #PersonalStyle

Designer Jake Arnold emphasizes the critical role of rugs and wallpaper in defining a space, arguing they should not be treated as afterthoughts in the decorating process. He recently launched his second collection with Lulu and Georgia, featuring hand-knotted rugs with elegant borders and grasscloth wallpapers, designed to provide a foundational layer to a room with rich textures, earthy tones, and subtle patterns. Arnold views these elements as crucial for grounding a room and impacting its overall feel, advocating for their consideration early in the design phase. Arnold's top advice includes starting with the rug, as it anchors the space both visually and tactilely. He stresses the importance of correct scale, noting that an undersized rug can make a room feel disjointed, whereas a properly sized one that extends under all furniture creates cohesion. He also highlights the value of texture, suggesting materials like wool, jute, or viscose to further ground the room. For those hesitant about committing to wallpaper, Arnold recommends starting in low-pressure areas such as powder rooms, hallways, or the backs of bookshelves. This approach allows for experimentation without feeling overwhelmed. He points out that grasscloths and tonal patterns from his collection serve as excellent entry points, offering depth and interest without being too visually dominant. When layering design elements, Arnold advises identifying one standout piece and allowing other elements to complement it. If a bold pattern is chosen, it should be balanced with more muted, tactile items like a handwoven jute rug or grasscloth wallpaper, and vice versa. This rhythmic approach ensures that the eye is drawn to a focal point while maintaining overall harmony. While Arnold provides guidelines, such as ensuring furniture sits on the rug, he also encourages designers and homeowners to trust their instincts and be willing to deviate from conventional rules. He believes that sometimes breaking these rules leads to more personal and unexpected results, urging individuals to experiment until the arrangement feels right for their space. The article also showcases several products from Arnold's collection with Lulu and Georgia, including the Beddow Grasscloth Wallpaper, Clapham Hand-Loomed Wool Rug, Stansby Hand-Knotted Wool Rug, and Dors Grasscloth Wallpaper, providing examples of the aesthetic and types of products discussed. #JakeArnold #InteriorDesign #RugSelection #WallpaperTrends #HomeDecor #LuluAndGeorgia #DesignTips #TexturalDesign #SpaceCohesion

The article presents a conversation between Kanye West and his interior designer Axel Vervoordt, focusing on design philosophy, artistic collaboration, and their shared vision for creating timeless spaces. The discussion, moderated by a representative from The Hollywood Reporter, took place at Yeezy's Calabasas offices and was timed with the release of Vervoordt's memoir, 'Axel Vervoordt: Stories and Reflections.' Kanye West initiates the conversation by recounting his first encounter with Vervoordt's work at The European Fine Art Fair, describing a striking coffee table that evoked a sense of timelessness and soulfulness. Vervoordt reciprocates, highlighting West's immediate passion for art and design and their mutual dedication to continuous learning and improvement. He emphasizes the importance of serving people through their work, a sentiment West frequently expresses regarding his family and wider audience. Delving into Vervoordt's background, the designer shares how his instincts for art, design, and interiors originated from childhood experiences, appreciating the beauty in humble things. He discusses his journey as an art dealer, curator, and designer, emphasizing his eclectic eye and ability to blend different genres and time periods. Vervoordt recounts how his travels and early experiences buying antiques and art shaped his understanding of living with beautiful objects in a casual, spirited way, contrasting it with the display of wealth without genuine connection. He describes his evolution from collecting surrealist works to embracing artists like Lucio Fontana, who created new dimensions and spaces, and Gunther Uecker, whose nail art he initially found aggressive but later understood as deeply spiritual and focused. The conversation touches on their personal lives, with Vervoordt admitting to a limited engagement with television and news, preferring to maintain an open mind free from negative influences. West, similarly, prefers documentaries and selectively engages with media, such as the Olympics. Both artists acknowledge the constant struggle with ego in their creative processes. Vervoordt shares the story of acquiring his 12th-century castle in 1984, which he and his wife meticulously restored, and how he eventually felt a deep connection with the structure, transforming it into a living entity that continues to evolve. West expresses his profound admiration for Vervoordt's ability to mix old and new, Eastern and Western elements, recognizing him as an originator of this influential style. Vervoordt likens his approach to organizing a dinner party where diverse individuals converge, creating an inspiring exchange. Both agree on the concept that all time is now, with the past and future being present in the moment. West introduces his philosophy book, 'Break the Simulation,' and his nuanced view on photographs, which he believes can distract from the present by fixating on memories or future aspirations. He connects this to fashion, advocating for timeless design over fleeting trends. The discussion then shifts to their collaborative project on a new community development in Los Angeles. West envisions their work as representing humanity for centuries to come, emphasizing the significance of designing spaces that communicate an understanding of proportion and affect human mood positively. He criticizes designs driven by ego or lack of responsibility and expresses a desire to make high-sensibility design accessible to everyone, transcending traditional class distinctions. Vervoordt concurs, highlighting the importance of connecting with the origin of nature and striving for timelessness in their creations. The conversation also includes West's reflections on Virgil Abloh's appointment at Louis Vuitton, framing it as a moment of creative challenge and a reminder of the cyclical nature of loss and gain. He articulates his evolving ambition to move beyond being a 'number one brand' towards a more impactful, UNICEF-like approach, channeling information to help as many people as possible. Vervoordt supports this, stating his own lifelong pursuit of doing his best rather than being the best, drawing a parallel to the spiritual connection he seeks in dressage. They conclude by discussing the deceptive nature of the word 'dream' in the context of fashion, advocating for actionable ideas and 'community' over 'company' or 'brand.' #KanyeWest #AxelVervoordt #InteriorDesign #DesignPhilosophy #TimelessDesign #ArtisticCollaboration #Architecture #Yeezy #CreativeProcess

Many celebrities extend their creative talents beyond their primary professions, venturing into the world of interior design and home decor. This exploration highlights 25 such individuals who have made notable contributions, ranging from launching their own decor lines to actively participating in house-flipping ventures and personal home renovations. These celebrities often draw from their unique styles and experiences to offer distinct aesthetic visions to the public. Kourtney Kardashian, for instance, is recognized for her serious furniture collecting, notably owning multiple valuable Jeanneret teak conference chairs. She has collaborated with celebrity designer Martyn Lawrence Bullard on her home interiors, including a chic guest room. Blake Lively demonstrates a passion for designing friends' homes pro bono, showcasing a modern organic aesthetic with a preference for navy blue. Reese Witherspoon has expanded her Draper James brand into home decor with a collaboration with Crate & Barrel, featuring Southern-inspired staples like blue check table runners and magnolia-patterned plates. Kanye West, known for his fashion endeavors, has collaborated with minimalist art dealer and Belgian interior designer Axel Vervoordt for his office and personal home furniture, and has expressed intentions to open an architecture school called Yeezy home. Iris Apfel, a celebrated 'Geriatric Starlet' and fashion influencer, began her career as an interior designer and textile company owner. She has since re-entered the furniture business with a collection for Cloth & Company. Tracee Ellis Ross designed a vibrant and maximalist clothing and decor collection for JCPenney, which quickly sold out. Kris Jenner, a matriarch known from reality television, has a notable interest in house-flipping, though a planned show with Scott Disick was canceled. Her personal style is marked by a fondness for black-and-white tile. Mandy Moore, an actress and singer, was deeply involved in the redesign of her Pasadena home, documenting the process on Instagram and releasing a decor collection with Shutterfly. Eva Longoria launched a Mediterranean-inspired home decor line with JCPenney, featuring bedding and window treatments. Ellen DeGeneres, along with Portia de Rossi, are prolific house-flippers. Ellen has published a book titled 'Home,' showcasing their grand estates and revealing her childhood aspiration to be an interior designer. Diane Keaton is a design enthusiast with a focus on historical properties, having published three design-focused books, including one detailing her use of Pinterest for home decoration. Jessica Simpson, a singer and actress, debuted her home decor line in 2014, starting with bright bedding and expanding to towels and bathroom accessories. Lauren Conrad, a reality TV star, maintains a successful home decor line with Kohl's, writes a decor blog, and offers DIY instructions. Cindy Crawford, the iconic supermodel, entered the furniture business in 2005, emphasizing designing with the history of the home in mind. Michelle Williams launched her 'Believe at Home' bedding collection, inspired by her textile-designing grandmother. Iman, a supermodel, introduced her globally-influenced fabric company at New York Fashion Week. Sofia Vergara, an actress, designs contemporary furniture for Rooms To Go. Catherine Zeta Jones launched Casa Zeta-Jones, an ultra-feminine home decor line on QVC. Brad Pitt, after discovering a shared passion for design with Frank Pollaro, partnered with Pollaro Custom Furniture to bring his sketches to life. Lenny Kravitz, a musician, has become an interior designer featured on the A-List and released a furniture collection with CB2. #CelebrityDesigners #InteriorDesign #HomeDecor #FurnitureDesign #LuxuryInteriors #CelebrityHomes #DecorCollections #TextileDesign

Interior designer Jake Arnold, known for his celebrity clientele including Chrissy Teigen, John Legend, Katy Perry, and Rashida Jones, has launched a new collection of rugs and wall coverings for Lulu and Georgia. This latest line, following two previous rug-focused collaborations, makes Arnold's distinctive aesthetic more accessible to a broader audience. The collection features six new rugs and seven wall coverings, characterized by a blend of traditional design elements with contemporary twists, reflecting what Arnold describes as a "casual California spirit." His aim was to create designs that feel timeless and rooted in historical references, while still being suitable for modern settings and capable of grounding a room's aesthetic. Among the new offerings are wallpaper designs, a first for Arnold's collaborations with Lulu and Georgia. These include the Tillar Botanical, a lattice-style wallpaper with a matching rug, and the Bamonte, a sweet floral pattern. Arnold has also reimagined traditional styles, such as the 18th-century toile, into a modern botanical design called Dors, which is notably printed on grasscloth. While his earlier rug collections for Lulu and Georgia were predominantly neutral, Arnold embraced a bolder approach for this current collection. Examples of this bolder direction include the Stansby, a hand-knotted wool rug in caramel and ivory adorned with sunburst motifs at each corner. Even the more casual jute rugs, such as the Clairmont, feature elevated details like a raised trellis pattern along the border. Arnold reveals that his primary inspiration for this collection stems from the "decadence and attention to detail" observed in 17th and 18th-century English manor houses, an influence that has guided his design philosophy since a young age. He also integrated subtle French and Italian modernist touches, citing "Gio Ponti moments" as an example. Overall, the collection is intended to convey a playful nature, reflecting Arnold's desire to enjoy the creative process. #JakeArnold #LuluAndGeorgia #RugCollection #WallpaperCollection #InteriorDesign #HomeDecor #CelebrityDesigner #TraditionalWithATwist #CaliforniaStyle