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Nihon noir: Tom Blachford sheds light on Tokyo’s dark side
Tom Blachford, a Melbourne-based photographer known for his meticulous approach and night-crawling artistic style, presents his latest project, _Nihon Noir_. Blachford’s dedication to achieving the perfect shot is evident, ranging from removing an inconvenient lightbulb during a shoot to coordinating a 15-person crew and specialized equipment to capture the Nagakin Capsule Tower in Tokyo from an unprecedented 20-meter aerial perspective. He emphasizes that his work leaves little to chance or to extensive post-production.
Blachford first gained recognition for his _Midnight Modern_ series, which featured moonlit photographs of mid-century Palm Springs houses. More recently, he ventured to Bolivia to document the elaborate and fantastical structures designed by architect Freddy Mamani. The genesis of _Nihon Noir_ came from an open brief provided by Asahi Beer Australia, challenging Blachford to unveil a distinct side of Tokyo. His primary objective for the series was to convey the profound sense of being transported to an advanced and extraordinary parallel universe that he experiences during his visits to the city. He aimed to imbue Tokyo with an element of mystery, creating images that are as enigmatic and intriguing as the city itself feels to him.
The aesthetic inspiration for _Nihon Noir_ draws significantly from the 'hyper-saturated palette' characteristic of film director Nicolas Winding Refn. However, the series also unmistakably pays homage to the neo-noir science fiction classic _Blade Runner_. Blachford noted the profound influence of futurist Syd Mead's art direction and conceptual framework for _Blade Runner_. He highlighted that many of Mead's subtle predictions about urban growth, particularly the external augmentation of buildings with air conditioners, pipes, ducts, and cables, as well as the increasing density of high-rise structures, are increasingly materializing in contemporary cities, aligning with the film's 2019 setting.
Tokyo's architectural landscape is characterized by its unique blend of modern glass towers and eclectic remnants of various architectural styles. During his research for the project, Blachford explored the works of renowned Japanese architects such as Shigeru Ban and Tadao Ando. However, Kenzō Tange, a Pritzker Prize laureate, resonated most deeply with him. Blachford described Tange's work as 'jaw dropping' and subsequently delved into the Metabolist movement, of which Tange was a central figure. He also discovered later postmodern works from the 1990s that possessed a distinct futuristic quality, further influencing his artistic vision.
For six consecutive nights, from 9 PM until sunrise, Blachford, accompanied by a videographer, navigated Tokyo, systematically visiting a curated list of over 20 buildings pre-identified on Google Maps. His lens transformed Kiyonori Kikutake’s massive, cantilevered Edo-Tokyo Museum into an even more monumental presence, while the formidable profile of the New Sky Building dominates another image. The series also includes captivating detail shots of Tokyo, showcasing intricate textures, colors, and the patina of the urban environment. Blachford explained that he felt compelled to include these tighter scenes due to their inherent beauty, finding such visually rich compositions within the city's dense urban fabric. The resulting photographic series achieves an almost serene sense of order amidst Tokyo's inherent chaos. Blachford remarked on the 'laser-focused mission,' attributing its successful completion to the Japanese culture's pervasive dedication to perfection and hard work.
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