Dina chair by Adam Nathaniel Furman for Beit Collective

Dezeen Showroom highlights eight new product designs, including furniture, lighting, and textiles, focusing on versatility, sustainability, and contemporary aesthetics. Fredericia's Plan Chair, designed in collaboration with Barber Osgerby, leads the selection with its minimalist form and extensive customization options, making it suitable for a variety of interior settings, from dining areas to offices. Its design allows for personalization of the back, seat, and base, ensuring adaptability to diverse preferences and environments. Karakter reissues Gijs Bakker's 1972 GB Lounge chair, a modular seating system known for its flexibility. Individual segments can function as armchairs or be combined with other modules and poufs using connectors, enabling users to create custom seating arrangements. This revival emphasizes the enduring appeal of adaptable furniture solutions. Dizz Concept introduces the Dizzone workstation, a versatile pod designed for home working, learning, or gaming. This unit integrates a desk with ample space for monitors, shelving, and storage, and when closed, it compacts into a large cabinet, optimizing space in multi-functional rooms. The design addresses the increasing demand for integrated home office solutions. Miniforms, in collaboration with E-ggs, presents the Bice chair, distinguished by its curved backrest. The chair's unique shape allows it to serve as a standalone piece in residential interiors or as part of larger arrangements in commercial settings, where its stackable feature facilitates efficient storage. NOOE's Config01 Desk Set aims to enhance productivity by minimizing workspace clutter. This collection of desk accessories includes a laptop stand, mobile phone stand, desk rug, desk tray, and cable organizer. Crafted from materials like suede, aluminum, and natural American walnut, these accessories combine functionality with a refined aesthetic. Konstantin Grcic's Myto chair for Plank is re-released in a lighter, more flexible, and recyclable plastic. Originally launched in 2007, the updated version maintains its stackable design and is available in multiple colors, including black, white, traffic red, pure orange, yellow green, and light blue, offering both durability and environmental consciousness. Arcana's Doinyo tile collection replicates the appearance of high-quality marble. These tiles feature digitally printed grey, blue, and beige shades, along with inclusions and veining characteristic of natural marble, providing an elegant and durable surface solution without the maintenance associated with natural stone. Finally, Camira's Main Line Twist upholstery fabric blends wool and flax to create a contemporary take on tweed. Available in 15 colorways, this textile offers a durable and aesthetically pleasing option for upholstery, contributing to both the comfort and visual appeal of furniture pieces. #ProductDesign #Furniture #Chairs #HomeOffice #InteriorDesign #ModularDesign #SustainableMaterials #Textiles #Tiles

The Dezeen Showroom highlights a diverse range of new products for interiors and design, featuring collaborations between designers and brands, and showcasing innovative materials and functionalities. The collection includes a padded, upholstered chair, a door pull made from colorful timber, vibrant bathroom lighting, a sturdy meeting table, versatile storage units, and eco-friendly wall tiles. The Amia chair, a collaboration between Italian brand Miniforms and design studio E-ggs, is presented as a key feature. This chair is described as being conceived like a sofa, with padding and upholstery covering all its surfaces. It features flat, thick legs and a round-cornered backrest, offering customization options with various bold fabrics and optional wooden armrests. The design blends comfort with contemporary aesthetics, making it suitable for modern living spaces. Another notable product is the Sensible Streaker door pull by Australian interior design studio YSG for Bankston Architectural. This slender door pull is crafted from alternating bands of naturally colorful timber, part of a wider collection. It comes in three unique colorways, each utilizing unusually-hued solid wood forms, emphasizing natural beauty and craftsmanship. The Pastello bathroom lighting collection by British brand Curiousa introduces a colorful assortment of wall-mounted lights. This collection includes posable, dish-shaped, or suspended lighting fixtures, all unified by a cohesive pastel color palette. The designs aim to bring a soft, artistic touch to bathroom interiors. For communal or office spaces, the Planar table by Rodolfo Dordoni for Spanish furniture brand Andreu World is featured. This broad and sturdy meeting table is characterized by A-shaped legs at each end and a top that combines a chunky lower section with a slim, contrasting tabletop, providing both stability and a sophisticated appearance. British workplace brand Bisley expands its MultiDrawer storage units, originally launched in 1958. The updated collection includes new colors and functionalities, offering various hues, including limited edition options, and different size formats. Some versions are designed to serve as bases for desks, enhancing their versatility in modern workspaces or home offices. Cicil, a US brand, presents its Tartan Shuttle Weave rugs, made from pure wool and featuring an exaggerated check print. These rugs are available in three color combinations: warm neutral Daylight, blue-and-burgundy Dusk, and cool neutral Twilight, offering timeless appeal with a contemporary twist. Elora Hardy for Bamboo Pure introduces the New Moon chair, a lounge chair with a sweeping backrest made from bamboo. This piece combines the design aesthetic of European steam-bent seats with bamboo, a sustainable and native material in Southeast Asia, highlighting eco-conscious design principles. Designtex's Borealis wall covering features multicolored, painterly strokes designed to create a calming effect in interiors. This product is intended for wellbeing, hospitality, and healthcare settings, emphasizing aesthetics that promote tranquility and comfort. Finally, Impact Acoustic's Archisonic Mycelium wall tiles showcase an innovative approach to materials. These wall tiles are grown from mycelium, the root network of fungi, rather than manufactured. They are available in a single natural color and possess innate sound-absorbing properties, offering a sustainable and functional solution for interior acoustics. Ted Todd expands its Project collection flooring, adding new shades, plank sizes, and thicknesses. The oak floor planks are available in a spectrum of shades, from pale Almond to rich, chocolate-hued Tattenhall, providing a wide range of options for flooring projects. This comprehensive overview demonstrates the breadth of new products available on Dezeen Showroom, catering to various design needs and preferences. #ProductDesign #Furniture #InteriorDesign #SustainableMaterials #Lighting #StorageSolutions #Rugs #WallCoverings #AcousticPanels #Flooring

Herman Miller has collaborated with German industrial designer Stefan Diez to introduce their inaugural nesting chair, named the Fuld Nesting Chair. This seating solution is engineered to optimize space utilization, featuring a design that allows for efficient storage when not in use. A key aspect of its functionality includes flip-up seats and specialized wall-saving legs, meticulously designed to prevent the seat-back from making contact with and potentially damaging walls. The Fuld Nesting Chair incorporates innovative design and manufacturing principles aimed at reducing environmental impact. Its construction utilizes a pioneering one-piece frame and tubular arms, a method chosen to minimize material waste during the production process. Further demonstrating its commitment to sustainability, the chair incorporates a unique 3D Knit textile. This fabric is composed of 50 percent post-consumer recycled content and is precisely knitted to the chair's specific dimensions, eliminating excess material and fabric waste. Functionality is also a central theme in the chair's design, particularly concerning user comfort and adaptability. The backrest of the Fuld Nesting Chair is engineered with a degree of flexibility, allowing it to adapt to the user's posture and movements, thereby enhancing comfort. This design feature underscores a focus on ergonomic considerations in addition to space-saving and sustainable manufacturing. Stefan Diez provided insights into the development process by sharing a series of prototyping photographs on his personal website. These images offer a behind-the-scenes look at the various stages of the chair's evolution, from initial concepts to refined models. The prototyping phase likely involved extensive testing and modifications to achieve the desired balance of form, function, and sustainability. The Fuld Nesting Chair represents a notable addition to Herman Miller’s product line, showcasing advancements in furniture design that address both practical user needs and environmental responsibility. #IndustrialDesign #FurnitureDesign #NestingChair #HermanMiller #StefanDiez #SpaceSaving #SustainableDesign #Prototyping #ErgonomicDesign

Benjamin Hubert, a London-based designer, has expanded his Talma collection for Italian brand Moroso by introducing a stackable dining chair. This new addition features removable covers, aligning with the aesthetic of his existing Talma lounge chair and reinforcing the collection's core concept of "fashion for furniture." The name "Talma" is inspired by a type of sleeveless cloak, which directly reflects the design's emphasis on textile coverings. The Talma dining chair is characterized by its padded fabric cover, which functions as both the seat and backrest, enveloping a minimalist metal frame. This cover is crafted from a quilted fabric with leather trim, a material developed in collaboration with Dutch textile brand Innofa. The design allows the cover to be easily slipped over a CNC-formed steel frame, with zips securing it in place. This modular approach highlights the chair's adaptability and offers practicality for maintenance and aesthetic changes. The chair's structure incorporates a rounded back and subtly angled sides, contributing to its modern and inviting appearance. It is available in two configurations: with or without armrests, providing versatility to suit various interior needs and user preferences. The introduction of the dining chair follows the success of the Talma lounge chair, which was first unveiled at the Salone Internazionale del Mobile furniture fair in Milan the previous year, where the dining chair also made its debut. Both pieces showcase Hubert's vision of furniture that can be 'dressed' or customized, akin to clothing. This collection by Benjamin Hubert and Moroso exemplifies a trend in furniture design where textiles play a crucial role not only in comfort but also in defining the object's form and style. The removable covers offer functional benefits, such as ease of cleaning and the ability to update the chair's look, while also providing a unique design language that sets the Talma collection apart. The collaboration with Innofa underscores the importance of specialized textile development in achieving the desired aesthetic and tactile qualities. #BenjaminHubert #Moroso #TalmaCollection #DiningChair #FurnitureDesign #MilanDesignWeek #TextileDesign #ProductDesign #InteriorDesign

This week's Dezeen Showroom features seven new product introductions, highlighting innovative furniture and lighting designs from various international brands and designers. A prominent introduction is the Worm sofa bench by Clap Studio for Missana, a modular seating solution characterized by its millipede-like shape. The bench consists of three adaptable modules—an end module, a straight module, and a curved module—allowing for flexible arrangements to suit diverse spatial requirements. Its design incorporates a rounded upholstered seat and distinctive metal legs, contributing to its unique aesthetic and functional versatility. The sofa is a testament to contemporary design that balances playfulness with practicality in modular furniture. Another notable product is the Arholma outdoor collection, designed by Alexander Lervik for the Swedish brand Skargaarden. This collection emphasizes minimalist design principles, offering a range of outdoor furniture pieces including chairs, tables, sofas, and sun loungers. Each item is constructed from galvanised powder-coated aluminium and durable outdoor fabrics, ensuring longevity and resistance to various weather conditions. The Arholma collection aims to provide elegant and resilient options for outdoor living spaces, blending seamlessly with natural or architectural environments. Fogia, another Swedish brand, presents the Big Sur Low coffee table, a collaborative effort between glass artist Simon Klenell and carpenter Kristoffer Sundin. This coffee table features a thin, tinted glass tabletop supported by rounded wooden legs, available in multiple color options. The fusion of Klenell's artistic vision in glass and Sundin's woodworking expertise results in a piece that is both functional and sculptural, adding a sophisticated touch to interior settings. For workplace environments, Narbutas has introduced customisable features for its Silent Room acoustic pod. This pod is designed to create private spaces for calls or meetings within open-plan offices, addressing the need for sound isolation and concentration in bustling work areas. New additions include an optional glass insert for the back wall, enhancing its adaptability, especially for installations near windows. The Silent Room aims to improve productivity and comfort in modern office layouts. Shakúff, a US-based brand, unveils the Dew pendant light, a design inspired by the natural phenomenon of dewdrops on leaves. These glass pendant lights are intended to be hung in multiples, forming elegant chandeliers. Available in clear, grey, or amber glass, the Dew pendant lights offer a delicate yet striking lighting solution, capable of creating varied atmospheric effects depending on the chosen color and arrangement. The design focuses on bringing a subtle, organic beauty into interior spaces through illumination. Andreas Engesvik's Lyra lounge chair for Fogia is highlighted for its contrast between soft cushioned seating and a graphic metal frame. The chair's design prioritizes both comfort and aesthetic appeal, aiming to evoke a sensation of sinking into a pile of pillows. The Lyra lounge chair embodies a modern approach to comfort, combining supportive structure with luxurious softness, suitable for various residential and commercial lounge settings. Finally, Zuma introduces the Lumisonic downlight, an innovative lighting solution that integrates a loudspeaker and is operated via voice activation. This wireless device offers additional functionalities such as circadian rhythm lighting and mood lighting, positioning it as a comprehensive smart home fixture. The Lumisonic downlight represents an advancement in home technology, merging lighting, sound, and intelligent control into a single, discreet unit, enhancing the ambiance and functionality of any room. #ProductDesign #FurnitureDesign #LightingDesign #InteriorDesign #ModularFurniture #OutdoorFurniture #AcousticSolutions #SmartHomeTechnology

Sancal, a Spanish furniture brand, has introduced Core and Remnant, two new seating collections designed by Note Design Studio. These collections are characterized by their exploration of negative and positive space, drawing inspiration from architectural and interior design principles. Both Core and Remnant are part of the larger 'Void Matters' collection and share a foundational form, but they manifest this form in contrasting ways to create a complementary aesthetic. The Core range comprises sofas and armchairs with solid bases, presenting a sense of robust presence. In contrast, the Remnant loungers feature a hollow, more ethereal design, which posed a significant engineering challenge for the design team due to its apparent weightlessness. This design was achieved through a triangulated metal structure, informed by architectural weight-distribution techniques, requiring extensive development and experimentation to perfect. Note Design Studio approached the creation of these furniture pieces with the same philosophical inquiry they apply to spatial projects. They considered how to fill a given space and what remains when material is removed, extending these concepts from architecture to furniture design. The studio aimed to emphasize the 'nothingness' or negative space surrounding objects, elevating it to an equally important design element. They posited that while positive shapes often convey strength and activity, negative space evokes calmness and offers room for interpretation. The juxtaposition of these two relative spaces was intended to introduce a novel and thought-provoking dynamic to any room. The Core range specifically sought to evoke the appearance of being sculpted from a single block of material, employing sculptural design methods. Conversely, the Remnant armchair delineates the outline of a seat, rather than being a solid form. Both collections feature distinctive curved, quilted backrests and are available in a diverse palette of colors and fabrics, including mustard yellow, dark green, and light grey, allowing for versatile interior integration. These innovative designs have received recognition in the industry, with Core and Remnant being shortlisted in the seating design category of this year's Dezeen Awards. They join other notable designs such as Faye Toogood's Puffy Lounge Chair for Hem and Jasper Morrison's recyclable polypropylene cantilever chair. The collections highlight a sophisticated approach to furniture design, where the interplay of presence and absence, solidity and void, is central to the aesthetic and functional outcome. The 'Void Matters' collection ultimately represents a thoughtful exploration of how furniture can engage with and define the spaces it inhabits, challenging conventional perceptions of form and volume. #FurnitureDesign #Seating #NoteDesignStudio #Sancal #InteriorDesign #NegativeSpace #ProductDesign #DezeenAwards #VoidMatters

This week's Dezeen Showroom highlights six new products, ranging from innovative seating solutions to versatile office furniture and timeless reissues. The collection features designs that prioritize both aesthetic appeal and functional adaptability for modern living and working spaces. Leading the selection is the Shrinx lounge chair by Boris Berlin for Danish furniture brand +Halle. This chair redefines the traditional armchair by using a skeletal steel frame and taut, heat-shrunk textile upholstery, creating a translucent, visually light seat that avoids the bulk of conventional foam padding. This innovative approach offers a distinct aesthetic while maintaining comfort. Another notable seating design is the Sundae modular lounge by Jason Ju for DesignByThem. This system is built from plump, upholstered components, allowing for extensive customization. Users can choose from four preset layouts or combine five different modules to create unique configurations, making it adaptable to various room sizes and design preferences. The Sundae modular lounge can also be upholstered in a range of materials, further enhancing its personalization options. For office environments, Kettal introduces the Kall booth, a compact office pod designed to balance privacy with an open feel. Available in four sizes, each booth incorporates two glass sides and two solid panels. This combination provides a sense of seclusion for focused work while preventing the enclosed feeling often associated with traditional office pods. Its slender profile makes it suitable for diverse office layouts. Designs of the Time presents the Ausarta collection fabrics, a line of linen-based textiles featuring earthy, neutral colorways and tactile, raw textures. These fabrics are versatile, suitable for a wide variety of upholstery applications, and come in various patterns, textures, and colors, allowing designers and homeowners to integrate natural elements and a sense of calm into their interiors. Keiji Takeuchi's Mimo modular seating for NaughtOne offers another flexible seating solution. Characterized by rectilinear frames encasing plush pillows, the collection includes a modular system, two- and three-seater sofas, a club chair, and coffee tables. All pieces share a low, lounge-like silhouette, designed to create a relaxed and inviting atmosphere in both residential and commercial settings. Finally, vintage furniture manufacturer Dagmar reissues the Model 36 desk, originally designed by Severin Hansen in 1958. This desk, crafted from solid walnut or oak, features daintily tapered legs and a contemporary aesthetic that remains relevant almost 70 years after its initial creation. Its timeless design and high-quality materials make it a classic piece suitable for various interior styles, demonstrating the enduring appeal of well-crafted furniture. #DezeenShowroom #FurnitureDesign #LoungeChairs #ModularSeating #OfficeFurniture #TextileDesign #MidCenturyDesign #ContemporaryDesign

The Eames Molded Plastic Dining Chair, also known as the EC-127, has been reintroduced by Herman Miller with a significant update, incorporating sustainable materials while retaining its iconic design. Originally introduced in 1970 by Charles and Ray Eames, the chair is now crafted from 99% post-industrial recycled plastic. This move reflects a commitment to environmental responsibility, aligning the classic design with contemporary sustainability demands. The Eameses, who began their collaboration at Cranbrook Academy of Art in 1940, were known for their innovative approach to design, focusing on quality, functionality, and a timeless aesthetic that eschewed excess. The updated EC-127 chair is available in new contemporary colors and, for the first time, in a non-upholstered version. This non-upholstered option makes the chair particularly suitable for high-traffic environments such as offices, educational institutions, and restaurants, where durability and ease of maintenance are crucial. Upholstered versions remain available, offering enhanced comfort and customization options for users who prefer a softer, more personalized touch. The reintroduction of this chair underscores the enduring relevance of the Eameses' design philosophy, which emphasizes continuous improvement and adaptability. Herman Miller has curated the available finishes and colors for the EC-127 to allow for personal expression without overwhelming choices. The chair comes with four shell finishes, six leg colors, and a selection of upholstery fabrics. Leg options include classic chrome, black, and white, alongside bold powder-coated shades such as Blaze, Marigold, and Berry Blue. These vibrant colors encourage a playful and individualistic aesthetic, providing a contrast to the often monochromatic trends in modern interior design. Combining a Brick Red shell with Blaze legs or Berry Blue legs with a Light Blue finish allows for dynamic and expressive combinations, reflecting a departure from minimalist palettes. The upholstery choices are a nod to the Eameses' original vision, with Herman Miller collaborating with Maharam to offer fabrics that resonate with patterns and palettes favored by Charles and Ray Eames. Notably, Alexander Girard’s Hopsak, a fabric option from the chair's initial debut, has been brought back. This reintroduces a historical element of mid-century textile experimentation into the contemporary design. The overall aesthetic, influenced by "The Toy" architectural play set designed by the Eameses in 1951, blends a modern Bauhaus sensibility with practical considerations for comfort and everyday use. Eames Demetrios, Director of the Eames office and grandson of the designers, highlights that the EC-127 embodies the Eameses' belief in constant design improvement. He explains that as pioneers in using plastic for durable and affordable furniture, they continuously refined their designs, eliminating the need for separate shock mounts by integrating them into the seat and back. This innovation also made the chair lighter and allowed for a greater variety of colors. The new color palette is deliberately minimal yet bold, featuring a matte finish that emphasizes visual honesty, aligning with the Eameses’ principle that design should be both useful and beautiful, balancing form with function. Through this sustainable update, Herman Miller and the Eames Office ensure that the EC-127 remains a relevant and evolving piece of design, extending its legacy into the 21st century. #HermanMiller #EamesChair #SustainableDesign #MidCenturyModern #FurnitureDesign #InteriorDesign #ProductRedesign #EcoFriendlyMaterials #ClassicRevival

Davis Furniture, a prominent contract manufacturer known for its expertise in workplace solutions, has collaborated with German design duo jehs+laub to introduce innovative updates to their popular Sachet Chair collection. Originally launched in 2017, the Sachet Chair has been widely recognized for its versatility and aesthetic appeal among designers. The latest expansion to the collection includes an armless chair version and a coordinating barstool, both designed to extend the Sachet's application into broader hospitality and corporate environments. The development of these new Sachet forms involved extensive research conducted by jehs+laub in conjunction with Davis Furniture. The goal was to ensure that the new additions maintain the original Sachet Chair's core attributes of modern detailing, engineered comfort, and sleek design. The barstool, in particular, addresses the need for comfortable and ergonomically sound seating options in bar settings, a space where comfort is often overlooked despite prolonged use. By integrating the design principles of the classic Sachet, the barstool offers a sophisticated and comfortable solution for counter and bar height applications. The Sachet Collection's distinctive features include angular forms and finely tailored details. These elements allow for significant customization through a diverse array of upholstery and base options, enabling the chairs and barstools to seamlessly integrate into various settings, from casual open-plan offices to upscale fine dining establishments. A key technological advancement in the collection is an innovative seat suspension system. This system is crucial for delivering optimal comfort and facilitating flawless upholstery details, such as the precise welting that outlines each piece. Furthermore, a classic stitch detail centered on the backrest adds a touch of bespoke craftsmanship and enhances the visual appeal of the tailored upholstery. Markus Jehs and Jürgen Laub, the designers behind jehs+laub, emphasize the Sachet's 'stunning simplicity with a modern edge,' noting its ability to blend effortlessly into any space. They highlight that the new armless and barstool additions further enhance the collection's versatility and flexibility. While the new offerings introduce a low-back armless chair, the original Sachet Arm Chair remains available in low, mid, and high-back configurations, providing a comprehensive range of choices for designers. The updated Sachet Collection serves as a testament to how a strong foundational design can be evolved and adapted to meet new demands and broaden its application, empowering designers with greater aesthetic diversity for both workplace and hospitality projects. Davis Furniture's ongoing commitment to innovation, both in developing new concepts and refining existing ones, encourages designers to continually explore creative possibilities and consider each piece of furniture as an opportunity to elevate interior spaces. #DavisFurniture #SachetCollection #jehsnLaub #ChairDesign #BarstoolDesign #HospitalityDesign #WorkplaceSolutions #FurnitureInnovation #InteriorDesign

Dara Huang, founder of Design Haus Liberty, has launched her first furniture collection, Dara Maison, inspired by nature. This collection marks a significant expansion for Huang, who has an established career in interior design, having worked on various international private residences and hotels, including luxury penthouse interiors at Foster + Partners South Quay Plaza in London and a house on Italy's Lake Maggiore. The creation of her own furniture line was a natural progression from curating interior spaces for her clients. Huang collaborated with investor Chris Burch of Burch Creative Capital to bring Dara Maison to fruition. The collection, showcased at Burch's Miami residence, is built around a series of signature pieces, including the ‘Athena’ sofa, the ‘Elephant’ chair, ‘Little Monster’, and the ‘Yin’ side table. These items are complemented by a selection of other furnishings, such as soft cream boucle sofas, Pandora marble coffee tables, deep sage green velvet armchairs, and smoky walnut wood side tables. The design philosophy behind Dara Maison balances comfort with sleek aesthetics, characterized by a fine equilibrium between curvature and structure. The pieces are softened by their material selections, creating a harmonious blend. Despite their opulent materials and elegant forms, the furniture is designed with practicality in mind, featuring stain-proof fabrics to accommodate families. This approach ensures the collection is suitable for both contemporary and traditional interiors. Looking ahead, Dara Maison plans to introduce a made-to-order service, offering customers the option to select their own fabrics. This customization will allow clients to tailor pieces to their specific interior design needs. The collection primarily focuses on living and dining room furniture, with additional decorative elements like bubble-style stools, miniature marble side tables, and monster chairs. These accessories introduce vibrant colors, varied textures, and a playful touch to the sculptural designs. Huang’s objective for Dara Maison was to redefine high-quality furniture by creating pieces that are both beautiful and functional, distinguishing them from mass-produced items. She emphasizes that the collection embodies her long-held aspiration to design furniture that integrates innovative, luxurious design with sculptural elements, ensuring durability and timelessness. Huang believes that beauty and practicality are not mutually exclusive, asserting that furniture can serve as both art and a comfortable, resilient, and even child-friendly component of a living space. She envisions the future of designer furniture in its duality, where a single piece can be a stunning focal point while also fulfilling its practical purpose. #DaraHuang #DaraMaison #FurnitureCollection #InteriorDesign #LuxuryFurniture #DesignHausLiberty #ChrisBurch #HomeDecor #ArchitecturalDesign

Dana Esser, an interior designer and creative, discusses her business, Dana Michele Design, and its profound impact on the daily lives of occupants in the spaces she designs. Esser highlights the significance of her work in creating therapeutic environments, such as offices for therapists and psychiatrists. These projects involved extensive research into layout, audio and visual privacy, color, texture, and furniture selections to ensure patients feel welcome, calm, comfortable, and safe. The insights gained from designing these therapeutic spaces are now applied to all her projects, ensuring they enhance the well-being of occupants and meet functional needs. Dana Michele Design distinguishes itself through an unwavering commitment to clients, with Esser acting as a 'client advocate.' With eight years of corporate interior design experience, she is now directly involved in every project, ensuring personalized attention and expertise for each client. The design process at Dana Michele Design integrates spatial intelligence with creative intuition, focusing on solving complex puzzles and understanding human needs to create spaces that resonate deeply. This process begins with in-depth client engagement to understand their aspirations and challenges, leading to designs that are not only aesthetically pleasing but also supportive of their present and future needs. Esser emphasizes the importance of professional integrity and personal well-being, stating a rule to only accept projects where her team is respected and valued, especially as a female entrepreneur in a male-dominated industry. Looking ahead, Esser plans to launch a non-profit arm of Dana Michele Design. This initiative will focus on community engagement by partnering with organizations that provide housing and support to vulnerable communities, aiming to create nurturing environments that empower individuals to thrive. The success of Dana Michele Design is attributed to human connection and the transformative power of thoughtful design, driven by a commitment to clients and the wider community. Outside of her professional life, Esser shares recommendations for enjoying Los Angeles with a visiting friend. Her ideal week would include coffee from Primo on Montana Street, brunch at Courtyard Kitchen in Santa Monica, leisurely strolls along the boardwalk, and beach volleyball. Nature excursions would involve hiking the Los Leones trail in Pacific Palisades for panoramic ocean views. Cultural experiences would include visiting the Broad or Hammer museum exhibits. Evenings would feature live entertainment at venues like the Hollywood Bowl or Aviator Nation’s Dreamland in Malibu, or attending a comedy show. Dining options range from Fia in Santa Monica to Osteria Mozza, followed by a night out in West Hollywood or Hollywood. Esser acknowledges several individuals who have significantly influenced her journey. She credits her family for providing essential physical and financial security and unwavering love. Her high school art teacher is recognized for channeling her creativity and introducing her to interior design at 16, a pivotal moment in discovering her passion. Lastly, she highlights the continuous inspiration, encouragement, and love from her closest friends, whom she considers her chosen family, calling them her backbone and biggest cheerleaders, especially when she experiences imposter syndrome. #InteriorDesign #CreativeEntrepreneur #TherapeuticSpaces #ClientAdvocacy #CommunityImpact #FemaleEntrepreneur #NonProfitInitiative #LosAngelesLifestyle #PersonalDevelopment

French designer Clément Brazille has reinterpreted Harry Bertoia's classic Wire Chair, transforming its metallic mesh structure into a canvas for a new, comfortable knitted upholstery. This redesign, named the “Bertoia Loom Chair,” moves beyond mere aesthetics by enhancing the chair's comfort through the integration of various textile materials. Brazille's approach involves weaving strips of corduroy, linen, cashmere wool, and cotton through the chair's original wire framework, adding significant texture and a unique visual appeal. The intention behind this reinvention is to make the iconic 1952 design more inviting and comfortable for sitting, a quality that Brazille emphasizes. He describes the process as dressing each chair with "noble fabric," making each piece unique and customizable. The weaving technique not only introduces new textures and colors but also directly addresses the ergonomic aspects, aiming to provide a softer and more pleasant seating experience compared to the original wire design. The concept has also been expanded to include Bertoia's Diamond Chair, suggesting the versatility of this knitted upholstery method across different Bertoia designs. This project represents a contemporary reinterpretation of a mid-century modern classic, blending industrial design with textile artistry to create a piece that is both visually striking and functionally improved. The designer's website offers further details on his work. This endeavor follows a trend of redesigning iconic furniture, much like a previous high-tech carbon fiber redesign of the Eames sofa, indicating a continuing interest in modernizing and enhancing classic pieces. #BertoiaChair #ClémentBrazille #FurnitureDesign #KnittedUpholstery #ClassicRedesign #TextileArt #InteriorDesign #ModernFurniture #DesignInnovation

Dana Arbib, the designer behind the brand A Peace Treaty, has established a New York headquarters that serves as a physical embodiment of her globally-inspired aesthetic. After completing a two-year residency in the CFDA Incubator, which provided office space in Midtown Manhattan, Arbib sought a more distinctive environment for her brand. Her search led her to a pre-war building on cobblestoned Lispenard Street in Tribeca. The studio space was chosen for its blend of modern and rustic elements, a departure from the corporate office settings Arbib wished to avoid, thus preserving her creative freedom. A significant draw of the Tribeca studio was its existing floor-to-ceiling shelving and a functional rolling library ladder. These features proved ideal for displaying the myriad of objects Arbib collects during her extensive travels. Her journeys take her to diverse locations, from Pakistan to Peru and Turkey, where she sources textiles, learns traditional production techniques, and acquires unique baubles. The displayed artifacts include handwoven bags and accessories procured from an artisan market in Cuba, a custom-designed leather trunk from India, and a train case from London, now repurposed for transporting jewelry. The studio's decor also incorporates family heirlooms, such as a collection of masks from South Africa and Namibia dating back to the late 1970s, a piece of art by Israeli artist Michael Argov, and an Egyptian tomb statue. The design of the studio was not merely an accumulation of these global finds but was directly influenced by A Peace Treaty’s Resort 2017 collection. This collection drew inspiration from the rich legacy of woven African art, featuring crocheted caftans, scarves, and intricately embroidered textiles. This thematic connection is evident throughout the workspace, with numerous pieces from Africa, including baskets and handmade crafts, integrated into the decor. Most of the baskets in the studio are from Rwanda, with the exception of a leather-handled bolga basket crafted in Ghana. Arbib emphasizes that these elements celebrate traditional handmade techniques, a core value reflected in both the brand's collections and its workspace. The studio, therefore, functions not only as a functional workspace but also as a curated showcase of global artistry and Arbib's personal narrative of travel and cultural appreciation, offering an alternative to mass-produced decor. #HomeDesign #InteriorDesign #GlobalInspiration #TribecaStudio #DanaArbib #APeaceTreaty #TextileArt #CulturalDecor

The Lunar Chair, designed by Jonas Herman of Herman Studio for Danish brand Form & Refine, embodies a philosophy of functional and aesthetic sustainability, aiming to be a long-lasting piece of furniture that embraces the signs of aging and use. The design explicitly encourages a durable relationship between the user and the object, acknowledging that the chair will accumulate 'dents, scratches, and anything else you might throw at it in a lifetime' and patinate beautifully over time. Crafted from FSC-certified oak, the Lunar Chair draws its name from its moon-inspired design elements, particularly the round seat and ergonomic crescent-shaped backrest. The design consistently features rounded profiles throughout its components, contributing to a coherent and soft aesthetic. Despite its robust construction, the chair is surprisingly lightweight and offers practical stackability, with the added functionality of being able to hang on the edge of a table. An X-shaped structure beneath the wooden seat provides enhanced stability and support, making the chair suitable for various stages of life, from growing families to new homes and office redesigns. Jonas Herman’s primary objective in designing the Lunar Chair was to create a chair that is light and embracing, promoting diverse sitting postures rather than restricting the user to a single position. The distinctive rounded backrest, which integrates armrests, is meticulously crafted from a single piece of solid wood. This specific form of the armrests is engineered to provide optimal comfort, offering support for the sitter’s elbows and lower back, thus facilitating a wide range of seating positions. For durability and ease of maintenance, the Lunar Chair is finished with naturally oiled oak, a choice that ensures the chair will develop a rich patination over the years without requiring extensive upkeep. Additionally, the seating is available in a padded version, upholstered with Nana Ditzel’s renowned Hallingdal 65 fabric from Kvadrat. This fabric comes in four color variants, allowing for customization. The chair's design reflects a clear Nordic influence, aligning seamlessly with Form & Refine's broader collection of simple, well-designed furniture that prioritizes sustainability in its core principles. #LunarChair #FormAndRefine #JonasHerman #HermanStudio #SustainableDesign #FSCcertifiedOak #NordicDesign #FurnitureDesign #ErgonomicChair

This article reviews the Fyrn Mariposa chair, a product gaining popularity in San Francisco's dining scene and known for its durability and sustainable design. Fyrn, an Oakland-based company founded by fourth-generation woodworker Ros Broughton, produces chairs, stools, and tables in its Mission neighborhood studio. The brand's signature Mariposa chair is particularly noted for its "indestructible" nature, attributed to its patented Stemn system, which incorporates a unique bracket design that took years to perfect. This system allows for component replacement, contributing to the furniture's longevity and circular design philosophy. The author highlights the chair's presence in prominent San Francisco restaurants like Flour + Water, Ernest, and Hand Roll Project, indicating its robust construction is well-suited for high-traffic commercial environments. The review emphasizes that the chair's durability translates well to home use, suggesting it can last a lifetime. The Mariposa chair offers customization options, including five types of wood (from pale maple to charcoal black-stained North American hardwood) and various bracket colors. Leather upholstery is also available for added comfort and aesthetic. The author's personal experience with the Mariposa chair involved ordering a maple wood version with black brackets to complement a Scandi-rainbow apartment aesthetic, though they noted that leather upholstery would add comfort. The chair arrived in a flat-pack box, weighing approximately 20 pounds, and was easily assembled in about 15 minutes. The assembly process was streamlined by a helpful how-to video accessible via a QR code and a specialized hand-crank tool provided by Fyrn, making tightening screws simple. Despite having used the chair for only two months at the time of writing, the author expresses strong confidence in its long-term durability and functionality. The chair serves as a comfortable desk chair for hours of writing and meetings and is light enough to be easily moved for additional dining room seating during social gatherings. While acknowledging the $675 price point is significant, the author justifies it by emphasizing the chair's perceived longevity, the brand's sustainable practices, and the availability of discounted items through Fyrn's "Annex" site. The Annex sells final-sale seconds, vintage pieces, and restored items that Fyrn buys back, reinforcing the brand's commitment to circularity. The ability to replace individual parts rather than discarding the entire chair contributes to its sustainable appeal. The sleek and simple design is also cited as a factor in its enduring aesthetic appeal. #FyrnChair #MariposaChair #DiningChair #SustainableFurniture #FurnitureReview #HomeDecor #SanFranciscoDesign #FlatPackFurniture #ProductReview

The 101 Chair, designed by Maarten Baas for Lensvelt, features distinctive amorphous backrests with a hand-drawn aesthetic, offering a customizable and versatile seating solution. Initially unveiled at the Salone del Mobile in 2017, this chair quickly gained recognition for being the Dutch designer's inaugural mass-produced item. Its design philosophy centers on creating chairs that appear individually hand-drawn, adding a unique and surprising element to each piece. The chair's enduring popularity has led to the expansion of the 101 Chair family, which now includes various models to suit different needs and preferences. These variations encompass chairs with stackable frames, making them practical for spaces requiring flexible arrangements, and options with or without armrests for enhanced comfort and aesthetic choice. Furthermore, the collection has evolved to include high and low barstool versions, broadening its application across different settings, from casual dining areas to commercial bar environments. A key aspect of the 101 Chair's customizability lies in its eight distinctive backrest designs, each evocative of loose, hand-drawn human faces. This artistic approach ensures that every chair possesses a unique character, preventing a monotonous or mass-produced appearance. Complementing these artistic backrests are 14 upholstery options available for both the backrests and the cushioned seats, allowing for extensive personalization in terms of color, texture, and material. For the structural elements, customers can select between a metallic or an oak frame, providing further opportunities to match the chair with existing decor or to create a specific interior design mood. The metallic frame offers a sleek, modern look, while the oak frame provides a warmer, more natural aesthetic. This combination of design elements allows the 101 Chair to integrate seamlessly into diverse interior styles, from contemporary minimalist to more traditional or eclectic settings. The collaboration between Maarten Baas and Lensvelt marked a significant milestone, as Lensvelt was instrumental in bringing Baas's vision for a mass-produced, yet individually characterized, product to fruition. This partnership has proven highly successful, with the 101 Chair series becoming one of Lensvelt's bestsellers within three years of its initial launch. The chairs' ability to combine the charm of a handmade item with the practicality and accessibility of a mass-produced product has resonated strongly with consumers and designers alike. In summary, the 101 Chair represents a fusion of artistic expression and functional design, offering a customizable and aesthetically pleasing seating solution. Its distinctive hand-drawn backrests, diverse material options, and practical variations make it a celebrated piece in modern furniture design, demonstrating the successful collaboration between a visionary designer and a reputable brand. #MaartenBaas #Lensvelt #101Chair #FurnitureDesign #CustomizableSeating #ModernFurniture #InteriorDesign #ProductDesign