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Rear action: the best dining room chairs for aesthetes
This article explores the essential qualities of a dining chair, emphasizing that while aesthetics are important, comfort is paramount for extended meals and social gatherings. It advocates for dining chairs that are amply proportioned, wide, deep, and well-padded, moving away from smaller, less comfortable designs often associated with younger demographics. The article then reviews five specific dining chair designs, highlighting their unique features, design history, and comfort levels.
The first chair presented is the **Cab armchair by Mario Bellini for Cassina**, designed in 1977. This chair is lauded as one of the best ever made, particularly for dining. Its generous proportions and comfort stem from its construction: 16 pieces of leather sewn over a metal frame. The strong yet supple cowhide is noted for developing a pleasing patina over time, adding to its appeal. The article cites its use in establishments like Spring restaurant in Somerset House as a testament to its dining suitability.
Next is the **Bertoia side chair revisited by Clément Brazille**. While the original Harry Bertoia wire chair for Knoll (1952) is acknowledged as a design classic, its comfort level, even with a seat pad, is often found wanting. Clément Brazille's reimagining addresses this by weaving a padded velvet tube, described as a soft ribbon, through the seat and back of the original Knoll chair. This modification not only enhances visual appeal but significantly improves comfort.
The **Aston chair by Rodolfo Dordoni for Minotti** is the third chair featured. This fully upholstered dining chair, designed by the Milan-based architect Rodolfo Dordoni, offers a distinctive retro aesthetic. It features tapered solid ash legs and a curving back that is designed to cocoon the user, providing comfort for extended periods. Minotti offers extensive customization options for this chair, including various fabric choices and a broad color palette, with legs available in tobacco or mocha finishes.
The fourth design discussed is the **Miss chair by Afra and Tobia Scarpa for Molteni**, originally conceived in 1986 and reissued by Molteni. Crafted from ash, the chair is characterized by its stability and solidity while maintaining a visually light presence. Its soft, padded seat can be upholstered in leather or paper cord. The article emphasizes the chair's design elegance, noting the linear rhythm of its legs and backrest, attributed to its initial design using a pencil rather than digital tools. The back and armrests are also available with padding and a leather finish.
Finally, the article introduces the **Catilina chair by Luigi Caccia Dominioni**, designed in 1958 for Azucena and now produced by B&B Italia. This chair is described as monumental in scale, though a smaller version, the Catilina Piccola, is also available. Despite a potentially uninviting appearance of its back, the chair features a generously proportioned padded seat, ensuring comfort. Its design is highlighted as unique and somewhat unconventional, contributing to its distinctive charm. Each chair's price and manufacturer website are provided for further reference.
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