Axel Vervoordt: “I like evolution, not revolution”

The article discusses the resurgence of closed-concept home layouts, a shift from the popular open-concept designs. Interior designers are embracing this return, noting that open-concept spaces have lost some of their appeal with clients. The move towards closed-concept layouts is driven by a desire for more designated spaces with specific purposes, allowing for greater personalization, coziness, and practicality within the home. This trend is also observed in other areas of home design, such as the comeback of traditional kitchens. Several design professionals weigh in on this architectural shift. Allison Handler of Allison Handler Design points out that clients now prefer more distinct spaces over large, open rooms. Dan Mazzarini of Mazzarini & Co. and ARCHIVE highlights the need for separate areas to compartmentalize different household functions. Danielle Chiprut of Danielle Rose Design Co. notes a demand for closed-concept or hybrid spaces that offer flexibility. Krystal Reinhard of Old Soul Design Studio adds that while open concepts remain popular, homeowners are increasingly recognizing the advantages of having more defined rooms. One of the primary reasons homeowners are opting for closed-concept layouts is the increased design versatility. Smaller, separate rooms allow for more diverse and bolder design choices, such as floral wallpaper in a dining room, green cabinetry in the kitchen, or a dark, moody living room. Kevin Kaminski of Kaminski + Pew suggests that smaller spaces offer more opportunities for unique design moves, which can make each room feel distinct and personal. Gideon Mendelson of Mendelson Group also emphasizes that more wall space in closed layouts accommodates built-ins, art displays, and other design elements that might not be suitable for open-plan areas. Another significant benefit is the creation of cozy and private individual rooms. Closed-concept layouts clearly define zones for specific activities, like cooking in the kitchen, relaxing in the living room, or playing in a dedicated playroom. This is particularly appealing to families with children, who often seek private spaces where doors can be closed. Hillary Cohen of HCO Interiors notes that for those working from home, the ability to close an office door helps maintain a clear separation between work and personal life. Furthermore, closed layouts significantly reduce noise transmission between rooms, addressing a common complaint about the loud and echoey nature of open-concept spaces, as pointed out by Mark Schubert of Phillip Harrison Interiors. Improved organization is another practical advantage of closed-concept homes. In open layouts, all belongings are constantly visible, making it challenging to maintain a tidy appearance, especially when guests are expected. Peter Spalding of Daniel House Club explains that walls in a closed layout allow for certain rooms to be closed off, making it easier to manage clutter and present a clean home. Despite the growing interest in closed concepts, designers confirm that open-concept spaces are not entirely fading out. The current trend suggests a preference for flexible layouts that blend elements of both, incorporating open areas with strategically placed closed rooms, such as media rooms, playrooms, and home offices. Handler describes this as a semi-open concept, where rooms are distinct but connected by open doorways rather than solid doors, offering a balance between openness and privacy. #HomeDesign #InteriorDesign #ClosedConcept #OpenConcept #ArchitecturalTrends #HomeDecor #SpacePlanning

The article discusses the "Tools for Life" furniture collection, a collaboration between Knoll and OMA, the architecture office co-founded by Rem Koolhaas. This collection, which was previewed at Prada's fall 2013 men's fashion shows, is set for its official debut at the Salone Internazionale del Mobile in Milan. The exhibition will take place on April 9 and 10 at Prada’s exhibition space. The furniture is specifically designed to address the increasingly fluid boundaries between living and working environments, emphasizing kinetic and flexible functionality over static forms. Rem Koolhaas articulated his objective for the collection as creating furniture capable of performing in both precise and unpredictable ways, with flexibility being a core tenet. A notable piece, the 04 Counter, is described as a massive, engineered item comprising three horizontal bars. These bars can stack to form a wall, or they can pivot and cantilever, allowing the piece to transform from a room divider into a "piazza," according to Benjamin Pardo, Knoll’s design director. Pardo observed that the dynamic nature of the object encourages user interaction and engagement. Other items in the collection, such as the 05 Round Table and the 06 Table, are also designed with adaptability in mind. The 06 Table, envisioned as an executive desk, features a two-layered top. Both tables can be electrically adjusted in height, ranging from standing level to lounge height, catering to various user needs and activities. The collection further extends to include a coffee table, diverse seating options, a screen, and a credenza, each contributing to the overarching theme of versatile living and working spaces. The launch of the "Tools for Life" collection coincides with Knoll’s 75th anniversary. Benjamin Pardo identifies parallels between OMA’s furniture and some of Florence Knoll’s classic designs, noting that both serve as "background pieces that create sub-architecture in an architectural space." However, Pardo highlights that "Tools for Life" is specifically a response to contemporary work patterns. He stresses the importance of discussing "work" rather than solely the "office," reflecting the modern reality that individuals now work across various environments. This emphasis on flexible work and living spaces is a prominent theme at this year's Salone. The fair itself is sponsoring an exhibition titled "Project: office for living," conceived by French architect Jean Nouvel. This exhibition will showcase five distinct work environments, including a classic apartment reconfigured into a cocoon-like workspace and a cityscape composed of mobile, modular, and stackable flat surfaces designed for easy arrangement and use. This parallel exploration of adaptable spaces indicates a broader industry trend where design minds are converging on similar solutions for evolving lifestyle and work demands. #FurnitureDesign #Knoll #OMAArchitecture #RemKoolhaas #FlexibleLiving #MilanDesignWeek #SaloneInternazionaleDelMobile #WorkFromAnywhere #InteriorDesignTrends

The article discusses the "Tools for Life" furniture collection designed for Knoll by OMA, the architecture office co-founded by Rem Koolhaas. This collection, which debuted at the Salone Internazionale del Mobile in Milan, addresses the evolving nature of living and working spaces by offering kinetic and flexible furniture pieces. The collection was first previewed in January at the fall 2013 Prada men’s fashion shows before its official launch at Prada's exhibition space in Milan. Rem Koolhaas articulated his objective for the collection as creating furniture that performs in both precise and unpredictable ways, emphasizing flexibility as a core design principle. A prominent piece within the collection is the "04 Counter," a heavily engineered item comprising three horizontal bars. This piece is designed to stack like a wall but also features pivoting and cantilever mechanisms, allowing it to transform from a room divider into a "piazza," as described by Benjamin Pardo, Knoll’s design director. Pardo noted that the interactive nature of the movable object encourages user engagement. Further exemplifying the collection's flexibility are the "05 Round Table" and the "06 Table." The latter, conceived as an executive desk with a two-layered top, along with the 05 Round Table, can be adjusted in height using an electric mechanism. This feature allows the tables to transition seamlessly from standing height to lounge level, accommodating various activities and preferences. The collection also encompasses a coffee table, seating options, a screen, and a credenza, providing a comprehensive range of adaptable furniture. This furniture collection arrives as Knoll celebrates its 75th anniversary. Benjamin Pardo identifies parallels between OMA’s designs and some of Florence Knoll’s classic pieces, characterizing them as "background pieces that create sub-architecture in an architectural space." However, he primarily views "Tools for Life" as a direct response to contemporary work patterns, stating, "I want to talk about work and not the office... the distinction being that today people work everywhere." This perspective underscores the collection's relevance in an era where the boundaries between professional and personal spaces are increasingly blurred. The article also highlights that the trend towards flexible work and living spaces is a significant theme at the Salone this year. The fair itself is sponsoring an exhibition titled “Project: office for living,” designed by French architect Jean Nouvel. This exhibition will showcase five distinct work environments, ranging from a classic apartment transformed into a cocoon-like workspace to a cityscape of mobile, modular, and stackable flat surfaces designed for versatility. This convergence of design philosophies suggests a shared understanding among leading designers regarding the future of adaptable environments. #Knoll #OMA #RemKoolhaas #FurnitureDesign #FlexibleLiving #SaloneInternazionaleDelMobile #MilanDesignWeek #OfficeForLiving #ModernFurniture