Talking Australian colour with Nexus Designs

Cortney and Bob Novogratz, a design duo with seven children, have spent 25 years transforming the American interior design landscape. Their approach is characterized by a colorful, contemporary, and uplifting style, applied to over 70 residential and commercial projects. The couple's success stems from their ability to understand what makes a space inviting and livable. Their journey began two decades ago when they invested in and renovated a dilapidated townhouse in Chelsea, New York City. This initial project, which they found both enjoyable and successful, led them to acquire and develop two more properties in SoHo. This positive experience prompted Bob to leave his real estate career to pursue design full-time. A notable project, Centre Market, involved reworking an entire street. They successfully predicted the area's potential for growth, transforming old, rundown gun stores into desirable properties. They emphasize that the worse the initial condition, the better, as it deters most people, and extensive renovations are often necessary regardless of the starting state. The Novogratz's distinctive aesthetic, known as "the Novogratz look," is an eclectic blend of modern, clean lines, vintage elements, vibrant color accents, and prominent art pieces. They advocate for using color freely, particularly in bedrooms, which are separate spaces where bolder choices can be made. Feature walls behind beds, with a strong pop of color, are a common technique. They also sometimes opt for white walls, allowing furniture and art to introduce color. When it comes to brand partnerships, they frequently collaborate with CB2 (Crate&Barrel; 2), for whom they design. Other preferred brands include Kartell, The Rug Company, and ABC Carpet & Home, all chosen for their modern aesthetic and innovative designs. For those embarking on a renovation, their advice is to start with a fresh, neutral canvas, such as white walls. They suggest finding one standout piece, whether vintage or new, to serve as a focal point. They encourage an iterative design process, emphasizing that the space doesn't need to be perfect immediately and will evolve over time. They also recommend prioritizing investments in essential areas like the kitchen and bathroom. Their creativity is fueled by their children, who keep them connected to contemporary culture, and by seeking inspiration from diverse sources in major cities worldwide. Their design process prioritizes uniqueness, aiming to create distinct, interesting, and creative spaces for every hotel or home project. They believe in avoiding a standardized look. The most rewarding aspect of their work is the tangible outcome, starting with a vision and culminating in a completed project. They acknowledge that outcomes vary but strive for genius, achieving good results most of the time. They are known for frequently refreshing their own homes, with Cortney reportedly revamping elements every 90 days, especially during spring, to keep their spaces updated and vibrant. #InteriorDesign #HomeRenovation #ColorTheory #EclecticStyle #DesignProcess #Novogratz #ModernDesign

The article details significant interior colour trends emerging in Australia for 2025, emphasizing how diverse palettes are reshaping home aesthetics. It highlights the crucial role of colour choice in creating spaces that reflect personal style and complement lifestyle. New build markets and insights from leading paint brands like Wattyl, Dulux, Haymes Paint, and Taubmans are central to identifying these evolving trends, which collectively aim to introduce warmth, nostalgia, and modern vibrancy into residential interiors. Four major colour trends are identified and discussed. The first trend is 'Warm neutrals,' presented as the foundational element for room palettes, offering tranquility and refined elegance. Wattyl's "new neutral" shades, such as Warm Sand, are noted for their compatibility with natural, organic materials, making them suitable for various rooms including kitchens, bathrooms, and living areas. Dulux contributes to this with its Still palette, featuring calming shades like Mellow Beige and Clay Pipe. Haymes Paint draws inspiration from Australia's diverse landscapes, offering natural tones like Sand Haze, which provides a serene effect through its desaturated quality. Taubmans extends this category with Manhattan Snow and Stowe White, reinforcing the enduring versatility of warm neutrals. Secondly, 'Earth shades' reflect a growing commitment to sustainability and biophilic design. Haymes' Daintree palette, inspired by ancient rainforests, includes deep greens, mossy hues, and earthy browns, with Contrast, a yellow/green, evoking the Eucalyptus flower. Dulux's Clay Court (from the Still collection) and Faded Terracotta (from the Recollect palette) are highlighted for their grounding qualities, connecting residents to the natural world. Terracotta, particularly, is a popular choice in new build styling, as seen in Sarazin's Murcia Residences. Wattyl's desert-inspired terracottas, such as Terracotta Tone, add depth and can complement softer pastels and vibrant yellows and reds. The third trend, 'Rustic reds,' brings vibrancy and a sense of history to interiors. These shades are designed to create lively atmospheres that honor craftsmanship and heritage, serving as prominent focal points. Dulux's Recollection palette includes impactful hues like Red Clown and Auburn Flair, aligning with a forecast for rich burgundies and wine hues to gain prominence in residential design. Haymes Paint offers deep reds, like Worn Red, inspired by Australian landscapes, which are ideal for 'colour drenching' techniques. Taubmans’ Rebel Wine is recommended for living and theatre areas in its 2025 Colour Trends guide. Finally, 'Dynamic blues' are emerging as a significant trend, infusing modern energy into spaces. Dulux's Justice, part of its Emerge palette, represents a contemporary blend of serenity and bold expression. Haymes Paint’s Colours of Australia collection includes vibrant blues like Mindful and Faded Blue, perfect for creating tranquil sleeping environments. Sherridon Homes exemplifies the effective use of blue to achieve both modern and comfortable aesthetics in designs like its Lakeport home. These blues are particularly effective in fresh architectural contexts, providing cool and calming influences in well-lit interiors. #ColorTrends #InteriorDesign #HomeDecoration #WarmNeutrals #EarthShades #RusticReds #DynamicBlues #AustralianDesign #NewBuilds

This article highlights a selection of new and exciting products curated by the editors of Houses magazine, focusing on items that bring a natural aesthetic into the home. The featured products range from paint palettes and hardware to furniture and exterior panels, all designed to enhance residential spaces with a blend of nature-inspired elements and contemporary design. The article begins by introducing 'Calibrate colour palettes' by Haymes Paints, a collection that draws inspiration from textural landscape elements. This youthful color library includes three distinct palettes—'Positive Light,' 'Equilibrium,' and 'Home Grown'—each comprising four core hues. These palettes are designed to reflect the vibrant voices of modern Australia, offering options that resonate with current design trends and personal expressions. Next, the 'Theodore hardware collection' from the English Tapware Company is presented. This collection, designed by luxury architectural hardware specialist Joseph Giles, is characterized by its beautiful, tactile, and practical nature. Paying homage to a historic London public house, the collection seamlessly complements modern design schemes. It features hexagonal cabinet handles, lever handles, and door pulls, providing a sophisticated touch to interior details. The 'Coast furniture collection' by Daniel Boddam is also showcased, embodying a clean, modern, and timeless design. This collection draws inspiration from themes of travel, adventure, and freedom. Specific pieces like the Wave bed, Malibu side table, and Celeste wall sconce are highlighted for their ability to evoke the outdoors while maintaining a sumptuous feel. The overall aim of this collection is to bring a sense of calm and balance to interior spaces through its design. Following this, the article features 'Linen tableware' from Robert Plumb, which utilizes traditional hand-dyeing processes by Veronique Terreaux to achieve rich, earthy tones. This linen range by the Australian brand Long Courrier includes napkins, placemats, and coasters, available in four colors. The selection of these colors is intended to reflect the slow and deliberate nature associated with the preparation of tea, emphasizing a thoughtful and grounded approach to home accessories. 'Bobby stools' by designer Daniel Tucker, from Design By Them, are introduced as versatile 'inbetweener' pieces suitable for casual outdoor settings. These stools are designed with quality materials and feature a compact, robust frame finished in a durable textured powdercoat. Available in black, white, or custom colors, the Bobby stools offer both functionality and aesthetic appeal for outdoor living areas. The 'String Galvanized shelving system' from Great Dane is presented as an iconic shelving solution known for its flexible, elegant, and minimalist aesthetic. This system allows for easy mounting on any wall and offers the convenience of simple rearrangement. The Galvanized version is specifically engineered for outdoor use, ensuring durability and longevity even when exposed to the elements. Finally, the 'Exotec Vero concrete-look panels' from James Hardie are discussed. These fibre cement Vero panels offer a raw, pre-finished aesthetic that enables the creation of authentic, contemporary facades. Despite being lightweight, the panels are sturdy, featuring crisp square edges and expressed joints. This combination provides stylish intentionality with long-term durability, making them a practical choice for modern exterior designs that seek a concrete-like appearance without the associated weight. #HomeDesign #InteriorDesign #Furniture #HomeDecor #BuildingMaterials #ProductShowcase #AustralianDesign #ColourPalettes #Hardware

Livingetc's 'Design, Directed' dinner series serves as a unique platform for fostering connections and exchanging ideas within the design community. These salon-style supper clubs are intentionally structured to be informal, bringing together a diverse group of creatives, including interior designers, muralists, textile makers, and brand leads. The objective is to facilitate genuine conversations about the evolving landscape of decor, trends, and the future of design, free from the conventional constraints of industry events like press conferences or formal pitches. This intimate setting encourages the formation of new relationships and collaborations among passionate professionals, all while enjoying curated culinary experiences. The most recent installment of the 'Design, Directed' series, organized in partnership with Farrow & Ball, took place at Gold in Notting Hill. The event's atmosphere was meticulously crafted to enhance the experience, featuring a long dining table adorned with soft, desert-inspired hues and striking sculptural floral arrangements by Calluna. Each place setting was thoughtfully completed with bespoke matchboxes from Compton Marbling, adding a touch of charm and bespoke craftsmanship to the evening. These details underscore Livingetc's commitment to creating an immersive and aesthetically pleasing environment for its guests. The success and impact of the 'Design, Directed' events stem from their carefully curated guest lists, which comprise influential designers, editors, and creatives whose work significantly shapes contemporary taste and design trends. The attendees at this particular dinner included prominent figures such as Pip Rich, Tiffany Duggan, Margot Tsim, Suzy Hoodless, Joa Studholme, Lonika Chande, Charlotte Cosby, Natasha Lyon, Dhilnawaz Khan, Jason Orme, Georgia Farey, Pandora Taylor, Ellen Merchant, Kate Guiness, James Waterworth, Sarah Spiteri, Skye McAlpine, Andrew Griffiths, Queenie Ingrams, and Jo Le Gleud. Sarah Spiteri, Global Brand Director and Group Editor-in-Chief of Livingetc, highlights that the series originated from the brand's mission to 'bring life to design,' emphasizing the creation of genuine friendships and a strong community rather than just organizing events. While not a formal product launch, the evening subtly celebrated Farrow & Ball's latest color collection. This new palette is characterized by understated yet rich and historically-inspired shades, derived from everyday objects that possess a familiar beauty. Pip Rich, Livingetc's Executive Editor, noted the natural synergy between the event and Farrow & Ball, building on existing conversations about new hues among designers. The elegant tablescape naturally led to discussions about specific colors, such as Dibber, an earthy green reminiscent of aged garden tools, and Duster, a golden hue perfected over time. Marmelo, a deep, buttery orange, garnered particular admiration, with Joa Studholme likening its familiarity to morning toast. The enduring nature of the conversations and the reluctance of guests to depart served as a testament to the event's success. Even after the meal concluded, discussions continued, ideas were exchanged, and potential collaborations quietly began to form. This outcome aligns perfectly with the core philosophy of 'Design, Directed': to be a dynamic, salon-style gathering where leading figures in design can engage in meaningful dialogue, challenge perspectives, and enjoy themselves in an environment that fosters creativity and connection. The series aims to transcend the typical industry gathering, offering a more profound and enjoyable experience for all participants. #DesignDirected #InteriorDesign #FarrowAndBall #DesignCommunity #CreativeNetworking #ColorTrends #LuxuryDining #DesignInnovation #NottingHillEvent

Chartreuse, encompassing varying shades of pale neon green and lime, emerged as a prominent color trend during Afterpay Australian Fashion Week. This vibrant hue was observed across both runway presentations and street style, injecting a bold splash of color into the predominantly rainy weather of the event. The article highlights that while no color is likely to fully replace black as a fashion staple, chartreuse has become a strong contender for a close second, signaling its significant presence in current fashion narratives. Designers integrated chartreuse into their collections in diverse ways. Dyspnea and Sass & Bide, for example, showcased neon-hued chartreuse alongside deep browns and blues, often incorporated into psychedelic patterns, creating visually striking and dynamic ensembles. In contrast, brands like Bondi Born and Alex Higgins opted for a more subdued approach, presenting tonal outfits that allowed the chartreuse color to speak for itself through its subtle variations and inherent brightness. This demonstrates the versatility of the color, capable of being both a bold statement and a refined choice depending on its application. The trend extended beyond the runways into the street style scene of Sydney’s Carriageworks, where fashion enthusiasts embraced chartreuse with equal enthusiasm. Attendees were seen sporting the eye-catching color in various forms, including snake-skin prints and luxurious leather pieces. Many also paired chartreuse with other equally bright hues, further amplifying its impact and showcasing adventurous color-blocking and mixing. This widespread adoption in street style confirms the color's appeal and wearability outside of formal runway contexts, indicating its strong influence on everyday fashion choices. The article further notes that the popularity of chartreuse suggests a broader shift towards bolder, more expressive color palettes in contemporary fashion. This movement is a departure from more traditional or muted color schemes, embracing luminosity and intensity. The prevalence of chartreuse during a major fashion event like Afterpay Australian Fashion Week underscores its status as a key trend that designers and consumers alike are embracing for its ability to add a fresh and energetic dimension to wardrobes. To help readers incorporate this trend into their own style, the article compiles a selection of chartreuse-themed fashion items available for purchase. These include a Becca Mini Dress with Long Sleeves in Navy/Lime Green from Gary Bigeni, Runway Valentine Sunglasses from Sunglass Hut, a McIntyre Taylor Sweater from THE ICONIC, a Serpentine Corset Mini Dress from Aje, Rhys Coloured Sole Chelsea Boot in Lime from Charles & Keith, a Venus Corset in Lime Python from Miaou, a Jacquemus Tuba Cropped Gingham Jersey Turtleneck Top from Net-A-Porter, a Billie Bucket Bag from Poppy Lissiman, Emma Mulholland On Holiday Kokomo Pants from THE ICONIC, and a Linen Oversized Blazer and Fixed Waist Linen Trouser from VENROY. This curated list provides practical options for readers to engage with the chartreuse trend across different categories, from apparel to accessories, enabling them to integrate the color into their personal fashion statements. #FashionWeek #Chartreuse #LimeGreen #FashionTrends #StreetStyle #AustralianFashion #RunwayFashion #ColorTrend #OnlineShopping

The article explores the multifaceted world of color, highlighting its subjective and collective impact on individuals and trends in fashion and home design. Color choices are influenced by personal emotional reactions and memories, while broader trends can be generational or inspired by specific artistic movements. The article notes the cyclical nature of color trends, from the minimalist 1990s to the resurgence of vibrant hues, with natural colors like green gaining popularity due to sustainability concerns. The influence of pop culture, such as movies like "The Grand Budapest Hotel," and the red-carpet fashion of A-listers, is suggested as a factor in the renewed appreciation for flamboyant colors. Traditional color systems, such as Pantone's "Colour of the Year," Sweden's NCS, and Germany's RAL, are discussed as standardized methods for color reproduction and forecasting. Pantone's annual selection, like "Classic Blue" for 2020, is presented as a result of trend-forecasting research, aiming to capture the zeitgeist. However, many contemporary designers are moving away from these rigid systems, advocating for a more personal and experimental approach to color. Dutch designer Hella Jongerius is highlighted for her efforts to create a "new vocabulary" of color, challenging the standardization that she believes impoverishes the everyday color palette. Her work for Vitra and exhibitions like "Breathing Colour" showcase mutable colors and innovative formulations, such as 16 shades of black created without carbon. The article delves into the origins and commercial aspects of color forecasting, noting that firms like Carlin began creating forecasts after World War Two to serve retailers. While these systems offer practical value in ensuring color consistency across global manufacturing, they are also viewed as marketing tools. Justine Fox and Carolina Calzada Oliveira of Calzada Fox emphasize that their color development extends beyond aesthetics to functionality, encompassing brand awareness and sustainability. They observe a shift towards longer-term color forecasting in fashion and product design, similar to the automotive industry, in response to growing consumer demand for sustainability. However, challenges exist in implementing sustainable color practices on a mass scale, as textile designer Lindsay Hanson explains regarding bacterial dyes. While environmentally friendly, these dyes face limitations in color range, affordability, and durability compared to synthetic alternatives. The article emphasizes that colors are often best appreciated in combination, challenging the isolated focus of "Colour of the Year" concepts. Examples include Calzada Fox's paint range for Craig & Rose, which explored color interaction through immersive installations. Italian colorist Giulio Ridolfo's work for Kvadrat, Vitra, and Moroso exemplifies this layering approach, drawing inspiration from natural landscapes, art, and cinema. His designs for woven textiles like Remix, which feature multiple yarn colors, create rich, subtly changing hues that appear monochrome from a distance but reveal intricate contrasts up close. The book "Materialising Colour: Journeys with Giulio Ridolfo" by Jane Withers further explores his process, connecting it to historical color theory and emphasizing the "in-between" colors created by material interaction. UK-based textile design duo Wallace Sewell also embraces the unpredictable color combinations inherent in weaving, influenced by Bauhaus artist Johannes Itten. Their work for London Transport trains, featuring complex moquette designs, showcases how multiple colors can interact to create unique visual effects. They express skepticism about rigid color forecasting, advocating for designers' creative autonomy. The article concludes by looking to future innovations, such as Lindsay Hanson's Digitised Material project, which uses digital technology and structural color to allow wearers to change garment colors via a smartphone app. This approach offers a potentially sustainable model for reducing new garment production. Woven textile artist Ptolemy Mann shares a similar sentiment, embracing sophisticated secondary colors and asserting that "there is no such thing as a bad color combination," highlighting the importance of context in color perception. #ColorTrends #DesignInnovation #TextileDesign #ColorForecasting #SustainableDesign #HomeDecor #FashionTrends #MaterialScience #ArtisticExpression

The article discusses how geographical location within the United States significantly influences interior color preferences, according to designers. Several factors, including local architectural styles, natural environments, and climate, are identified as key drivers behind these regional differences in color choices. The article segments the country into five major regions: Northeast, Midwest, West Coast, Southeast, and Southwest, detailing the distinct color trends prevalent in each. In the Northeast, designers observe a strong inclination towards neutrals, with bolder colors typically taking on a classic feel, such as blues and greens. Experts like Ruth Mottershead from Little Greene highlight Portland Stone as a popular neutral base, while shades like Obsidian Green and Air Force Blue are favored for more colorful applications. Allison Mattison of Trellis Home Design notes that these choices reflect the region's heritage and architectural styles, often incorporating deep navy, forest green, oxblood, and crisp ivory. Darci Hether, an interior designer based in Connecticut and NYC, explains that urban clients often opt for calming and serene colors like cream, gray, and slate blues to counteract the city's fast pace. Joe Waroquier adds that coastal New England, particularly Nantucket, prefers soft, weathered tones resembling driftwood grays, dune beiges, crisp whites, and classic Nantucket blues, which align with local architecture and misty Atlantic light. The Midwest shares similarities with the Northeast, favoring grounded palettes that include earthy neutrals and richer tones. Laura Lubin of Ellerslie Interiors mentions a preference for taupe, deep greens, and warm neutrals suited to the climate and architectural styles like Scandinavian, Prairie, and Craftsman. Behr paint company confirms the popularity of colors such as Muted Sage, Jojoba, North Woods, Vine Leaf, Cherry Cola, and Dark Crimson, indicating a leaning towards natural, earthy hues influenced by the region’s diverse landscapes. The West Coast, especially California, exhibits a more relaxed, sun-washed aesthetic. Staver Gray of Ward + Gray notes the prevalence of soft earth tones, warm terracottas, and faded coastal blues that complement the indoor-outdoor living style. Caitlin Creer observes a preference for 'muddy' earthy colors among her West Coast clients, contrasting with the 'cleaner and crisper shades' favored by her East Coast clientele. Little Greene’s sales data for California shows a trend towards red-based hues like Rolling Fog Light, Mochi, Atomic Red, Bronze Red, China Clay Dark, and Castell Pink, reflecting a preference for warm color schemes. Moving to the Southeast, Allison Mattison describes a softer vibe with airy pastels, powdery blues, warm whites, and soft greens, creating a welcoming and graceful atmosphere reflective of the region’s hospitality. Karen Germond of KMG Design Studio highlights the enduring popularity of blues, particularly along the coast, which evoke the marshlands, ocean, and clear skies, offering a sense of calm and refreshment on hot days. However, in Florida, especially the southern part, colors become much more vibrant and tropical, featuring coral, turquoise, bright citrus, and lush greens, often paired with glossy whites and sleek finishes, reflecting a playful, resort-style energy. Finally, the Southwest, according to Dallas-based designer Lauren Saab of Saab Studios, gravitates towards sunbaked, grounded colors such as terracotta and clay, exemplified by Benjamin Moore’s Cinnamon Slate, and sage green. These choices mirror the desert terrain and glow under golden afternoon light, creating interiors deeply rooted in the landscape. Behr’s top colors for the Southwest also include muted tones like Teton Blue, Jungle Camouflage, and Harvest Brown, reinforcing the preference for natural, earthy palettes. The article concludes by emphasizing that while regional preferences exist, homeowners ultimately should choose colors that reflect their personal taste, regardless of location. #InteriorDesign #ColorTrends #PaintColors #RegionalPreferences #HomeDecor #NortheastDesign #WestCoastStyle #SouthwestPalette #SoutheastHues

Mardi Doherty, founder of Melbourne-based Studio Doherty, established her firm in 2014, quickly gaining recognition for her distinctive interior designs. Her work is characterized by a unique and original application of colour, texture, and materials, creating spaces that are both full of character and highly liveable. Clients have often described Doherty as possessing an "X-ray vision," capable of envisioning the full potential of a space by creatively reimagining its structure and introducing striking new volumes. This innate talent for design has been cultivated since her early years. Doherty’s upbringing, where her parents frequently bought and sold motels, exposed her to constant renovations, significantly influencing her passion for design. She pursued her education in interiors at RMIT University in Melbourne and briefly embarked on an architecture degree. Although she later became a successful painter, her dedication to engaging in compelling design collaborations remained steadfast. Her early career included designing the Great Eastern Dining Room in Shoreditch, a project that led her to spend two years in the UK. During this time, she worked with esteemed firms such as Conran Design Group and David Collins Studio, contributing to significant projects, including the interiors of Madonna's Belgravia home. Studio Doherty’s contemporary aesthetic draws inspiration from 1970s and 80s styles, as well as from artists like the Australian stained-glass master Leonard French and the Dutch creative Sabine Marcelis, known for her colourful, sculptural works. Doherty also cites modernist architects, such as John Lautner, whose bold geometric forms inform many of her spatial design decisions. Recent projects by Studio Doherty exemplify this vision. The Gloss House, a new-build in Melbourne, was designed in collaboration with Enth Degree Architects for a client who desired a generous and quirky home reminiscent of mid-century Palm Springs style. Instead of direct imitation, the studio aimed to capture the era's essence through warm timbers, human-scaled spaces, and playful elements, utilizing materials in unconventional ways. This project features an electric-blue spiral staircase, an orange conversation pit, and an open-plan kitchen, dining, and living area unified by a sweeping timber-clad ceiling and a curved tile system that reflects light. Another notable project is Gable House, a restored heritage home in Melbourne designed with Folk Architects. The interior is characterized by its joyful and confident approach, incorporating bold yet refined colour choices, such as a lipstick-pink pantry and a fire-engine-red fireplace. These vibrant elements are harmoniously juxtaposed with layered stone, Murano-glass chandeliers, and vintage pieces, showcasing a successful blend of heritage and contemporary invention. Currently, Doherty is engaged in two distinct projects: the renovation of a Georgian Revival mansion in Toorak, Melbourne, largely untouched since its 1936 construction, and a creative home for a toymaker in the city's bayside area. The latter project is a more restrained endeavour, with the design direction heavily influenced by the owner's extensive collection of new and vintage toys and clocks. The studio’s Elonera House project highlights their innovative use of tiling, with muddy-yellow zellige contrasting with skinny, blush-pink tiles on the kitchen island. Studio Doherty’s design philosophy prioritizes creating spaces that are both expressive and deeply personal, tailored to the unique narratives of each client. When it comes to expert advice, Studio Doherty emphasizes thinking beyond traditional applications for tiles, suggesting their use in living spaces, entrances, or even as furniture surfaces. They also highlight the transformative potential of curved tile systems and rounded edges in altering a space’s mood, softening geometry, and adding a playful touch. The importance of grout is also stressed, as its colour and thickness can significantly impact a tile's appearance, either enhancing contrast, echoing other tones, or creating a seamless finish. The studio advocates for confident, anchored use of bold colours, noting that an electric-blue staircase might be surrounded by neutrals, while an orange conversation pit is designed to dominate and breathe within its space. Finally, wood remains a fundamental material for its versatility, used for cladding ceilings to add warmth and architectural identity, or for tongue-and-groove panelling to introduce rhythm and softness to walls. #InteriorDesign #ColourInnovation #Materiality #MelbourneDesign #StudioDoherty #ResidentialArchitecture #HeritageRenovation #TileDesign #ContemporaryInteriors

Pantone's selection of 'Cloud Dancer' white as the Colour of the Year 2026 has sparked considerable debate within the design community, following previous choices like Mocha Mousse and Peach Fuzz. Described by Pantone as 'a lofty white whose aerated presence acts as a whisper of calm and peace in a noisy world,' this off-white shade has elicited strong reactions from designers and curators, who offer varied perspectives on its significance. Design curator Priya Khanchandani, formerly of the Design Museum, critically analyzed the choice, particularly on social media. She argues that 'Cloud Dancer' is an inappropriate selection given current global socio-political contexts. Drawing on David Batchelor’s 'Chromaphobia,' Khanchandani posits that Western society exhibits an inherent resistance to color, often dismissing it as childish, feminine, or kitsch. She concludes that the rejection of color is not merely an aesthetic preference but an ideological stance, interpreting the choice of white as a resistance to plurality. Khanchandani suggests that at a time when white nationalism is rising and efforts toward broader representation are being challenged, selecting white feels insensitive and misses an opportunity to celebrate diverse colors and identities. Conversely, textile and color designer Margrethe Odgaard finds the choice captivating, viewing 'Cloud Dancer' as an invitation for awareness rather than a conservative decision. She emphasizes that it is not a stark, industrial white but a hue that prompts deeper consideration. Odgaard describes it as 'a scaffolding for the colour spectrum,' suggesting it functions as a neutral backdrop that allows other colors to shine. Its warm, creamy tone, she explains, evokes the soft glow of lime whites, ensuring that shadows remain vibrant in spatial contexts. For Odgaard, the selection encourages a shift away from pure, calibrated whites towards more natural, earthy hues that engage the senses over intellectual thought. She also interprets 'Cloud Dancer' as a subtle symbol of hope amid global conflicts. Julien Sebban of Uchronia, known for his multi-layered palettes in interior and product design, expressed surprise at Pantone's choice. Having previously collaborated with Pantone on a celadon green suite, Sebban perceives white as a neutral starting point rather than a color in itself—a background rather than a bold statement. He suggests that choosing black or white as Colour of the Year might reflect a deeper global mindset leaning towards neutrality, uniformity, and a reluctance to take risks. He notes the increasing prevalence of an international beige aesthetic, which he finds somewhat melancholic and underwhelming, especially when creativity, diversity, and boldness are critically needed. Giulio Ridolfo, a designer renowned for his textile and chromatic palettes, also offers an insightful perspective on white. He highlights its diverse symbolic uses across cultures, from signifying widowhood in India to representing peace and light. Ridolfo acknowledges white's omnipresence, stating, 'White has always accompanied me throughout my life, there are moments when you can't be without white, like you can't live without black.' He prefers to call it 'biancore' (whiteness) and, as a color designer, often draws inspiration from nature rather than adhering strictly to Pantone's predefined colors. He particularly favors the white of Greek islands and natural pigments found in KT paint catalogues. These varied interpretations underscore the complex and often contradictory meanings embedded in Pantone's 2026 Colour of the Year, Cloud Dancer. #PantoneColorOfTheYear #CloudDancer #ColorTheory #DesignCommunity #InteriorDesign #TextileDesign #CulturalSymbolism #DesignCritique #AestheticDebate

The fashion industry has witnessed a significant shift towards vibrant colours in the post-pandemic era, moving away from more muted tones. This trend, often referred to as “dopamine dressing,” signifies a desire for expression and freedom after periods of constraint. Luxury retailers like Net-a-Porter have observed substantial increases in sales of colourful items, with green, orange, and pink leading the demand. This resurgence in colour is reminiscent of early 2000s fashion, albeit with modern elevations in branding and social media influence. Despite the widespread embrace of bold colours, effectively incorporating them into one’s wardrobe requires understanding personal compatibility. This insight has led to a renewed interest in colour consultations, which help individuals identify colours that best complement their complexion and personal style. Isabel Gleeson, a Dublin-based virtual stylist, highlights that many people shop based on trends seen on social media, such as on influencers like Pippa O’Connor, without considering how these colours interact with their own skin tone. Clara Halpin, deputy director of personal and private shopping at Kildare Village, reinforces this by explaining that wearing the wrong colour can make a person appear “drawn or washed out.” During a virtual colour consultation, personal attributes like skin tone and hair colour are assessed to determine an individual’s “season” palette. For instance, the author, identified as a pale and fair-haired “summer,” discovered that ultra-bright and stark colours should be avoided. Instead, delicate and feminine hues like periwinkle blues, pale yellows, and lavenders are recommended. The guiding principle is that the colour closest to the face accentuates similar pigments in the skin. Yellow tones can enhance a yellow pigment, blues can brighten blue eyes, and pinks can boost a pink complexion. Beyond colour, seasonal recommendations also extend to fabric choices. Soft textures such as wool, cotton knits, and crepes are suggested for summer palettes. Yellow and iridescent materials like sequins are identified as beneficial for adding brightness to a pale complexion. While certain colours like bright red are advised against, steelier shades of blue are encouraged. Interestingly, purple, particularly a medium lavender shade, is noted as a universally flattering colour for both warm and cool palettes, aligning with trends like Pantone’s “Very Peri.” Irish designer Ros Duke emphasizes a natural approach to colour selection, drawing inspiration from earthy tones and local flora and fauna. She advocates for non-artificial shades such as indigos, denim, lavender, and rust, noting the lifting effect of colours like turmeric yellow on Irish skin tones. Duke also observes that soft pinks consistently perform well with her customers. The purpose of a colour consultation is not to dictate a new wardrobe entirely but to empower individuals with knowledge about their most flattering colours, enabling more intentional and sustainable shopping decisions. This approach can reduce consumption by encouraging the purchase of fewer, more suitable items, such as a versatile winter coat in a personally flattering shade. The article concludes by emphasizing that wearing the correct colours can transmit infectious and uplifting energy. While some may prefer the timeless elegance of black, understanding one’s personal colour palette encourages a focus on what genuinely flatters an individual, moving beyond transient social media trends. Services for colour consultations, like those offered by Isabel Gleeson and at Kildare Village, are reasonably priced, making this personalized fashion guidance accessible to a broader audience. #FashionConsultation #ColourAnalysis #DopamineDressing #PersonalStyle #SustainableFashion #BeautyTips #FashionTrends #StyleGuidance

Ellen Van Dusen, the designer behind the fashion and homeware line Dusen Dusen, operates from a 600-square-foot studio in Williamsburg, Brooklyn. She moved into this space approximately five years ago, seeking a more interactive and creatively stimulating environment than working from home. Previously, working from home led to feeling isolated and dealing with practical issues like fabric scraps and pins. The studio serves as a dedicated space for her creative endeavors, addressing the challenges she faced in her previous home-based work setup. Van Dusen’s studio is a vibrant display of repetitious shapes, lines, arches, and squiggles, characterized by a bold use of primary colors combined with unexpected hues. The space showcases numerous examples of her brightly colored graphic prints across various products. These include silky dresses, linen jumpsuits, color-blocked jackets, dog beds, patterned throw pillows, graphic bath and beach towels, fruit-printed bed linens, and cozy blankets. Poster boards featuring her most popular prints are also displayed throughout the studio, highlighting the consistent aesthetic of her brand. Despite the abundance of items, the studio maintains an organized chaos. There is a clear sense of order within the colorful environment. For instance, scissors are neatly hung, and books, though seemingly disarranged, are easily located by Van Dusen. She references a book on the principles of geometry, noting its exploration of mathematical patterns, including tessellations—repeating shapes that fit together seamlessly. She observes that some of these geometric principles resemble prints she has independently created, highlighting an intuitive connection to mathematical design. Van Dusen's approach to design is inherently analytical, stemming from her academic background. She has no formal fashion or design training. Instead, at Tufts University, she created her own major, "Psychology of Design," which explored art history through the lens of neuroscience. Her studies focused on how the brain perceives color, culminating in a senior thesis on the use of color by artists Mark Rothko, Morris Louis, and Ellsworth Kelly. Her lifelong fascination with color drives her inquiry into its visual appeal, its role in human perception, and the success of color-centric art. Her interest in art and design began in childhood, influenced by frequent visits to museums in Washington, D.C., and craft projects with her architect parents. This upbringing fostered a diverse range of interests that shaped her aesthetic, which she describes as drawing from many different worlds. As a teenager, Van Dusen began designing her own clothing, using a sewing machine to reconstruct thrift store garments. She often favored bright, unexpected color combinations and graphic patterns, creating her own printed textiles by laboriously sewing patterns onto fabric, as she initially did not know other methods. After moving to New York, Van Dusen received an opportunity to stock her designs in an East Village boutique, prompting her to rapidly learn professional skills like grading, pattern-making, and finishing. She launched Dusen Dusen in 2010, hand-sewing her initial collection from a makeshift workspace in her bedroom. In 2015, she expanded her brand into home decor, including pillows, blankets, bed linens, towels, and pet beds, adapting her clothing prints to different scales for these items. She notes that designing for home decor allows for individual object design, unlike clothing, where fabric patterns are cut from a larger piece. Van Dusen's design process incorporates technology, with her brothers helping her code patterns to generate variations. This method aids in brainstorming and developing new print ideas. However, she emphasizes the importance of unplugging and working with analog methods. Her studio is intentionally divided into a digital workspace and an "analog side" where computers are not allowed, enabling focused drawing and idea generation without digital distractions. Looking ahead, Van Dusen is renovating her home, which is influencing her thinking about larger-scale design. She is also collaborating with a furniture designer and developing upholstery fabric, considering its potential use in both home furnishings and unconventional clothing items. #DusenDusen #EllenVanDusen #BrooklynStudio #ColorPsychology #PatternDesign #HomeDecor #FashionDesign #TextileDesign #CreativeProcess

The interior design landscape is currently undergoing a significant shift from the previously dominant minimalist aesthetic of bright white walls, beige accents, and sparse decor. A new trend, dubbed "Dark Glamour" by Benjamin Moore, is emerging, characterized by deep, moody hues, rich jewel tones, dusky neutrals, and metallic accents, often with a gothic undertone. This shift emphasizes creating spaces with more color and emotional depth, moving away from a strictly neutral palette. Local interior designers are embracing this change, offering insights into successfully integrating these richer palettes into home environments. Tammie Ladd, owner of Tammie Ladd Design, highlights the importance of incorporating living elements like plants to prevent dark spaces from feeling too heavy. She also stresses the significance of contrast, drawing parallels to black-and-white photography, where a balance between light and dark elements—such as a dark floor with white walls or dark cabinetry with lighter hardware—creates visual interest and energy. Ladd illustrates this by describing a home study she designed with midnight blue walls contrasted by an untouched warm-toned wood ceiling, noting the complementary energy between blue and orange tones. Kasey Dobbins of Foxwood Design Co. shares a similar perspective, suggesting that for those hesitant to paint entire walls dark, painting the ceiling can be an effective alternative. She advises against an all-black-and-white scheme, preferring rooms within a mid-tone range for a more inviting feel. Dobbins encourages homeowners to select colors they are inherently drawn to, suggesting that personal comfort and preference should guide color choices, allowing homes to reflect individual personalities. Lighting plays a crucial role in these richly colored spaces. Ladd acknowledges the contribution of lighting specialists, emphasizing that strategic lighting can transform a dark room. Dobbins advocates for a layered lighting approach, combining various sources such as can lights, ambient sconces, and table lamps to create depth and warmth. She also provides practical advice for naturally low-light areas like basements, recommending medium-tone colors over very dark or stark white options, as white can make such spaces feel institutional. Beyond color and light, texture is another essential element for enhancing moody interiors. Ladd favors velvet for its calming properties and visual interest, while Dobbins is drawn to nubby bouclé fabric. Other textural elements like woven shades, sisal rugs, and waffle weave blankets can also enrich dark spaces. The article notes that even sheepskin throws, when used judiciously, can contribute to this textural complexity. Grasscloth wall coverings, reinvented with contemporary colors, are also recommended for adding a sophisticated textural layer. For luminous touches, natural stone, mirrored materials, and metals are suggested, particularly to complement candlelight. This trend towards rich colors and textures is seen as a corrective response to the previous monochromatic design extreme, aiming to reintroduce warmth and energy into living spaces, offering numerous options for homeowners to create refreshingly moody and personalized interiors. #InteriorDesign #DarkGlamour #ColorTrends #HomeDecor #TexturalElements #LightingDesign #MoodPalette #DesignTips #SpokaneDesigners

The article explores the pervasive trend of 'beigification' across various aspects of modern life, including fashion, home decor, and even baby products. The author reflects on this phenomenon, drawing parallels to personal experiences from adolescence to impending parenthood. Initially, the author recalls a youthful aversion to neutral colors, contrasting it with a present-day reality where beige and off-white dominate aspirational content on social media and fashion advertisements promoting 'quiet luxury.' Beigification is presented not as a new trend but as a natural evolution of earlier design movements, such as late 2010s Scandinavian decor and the widespread use of gray wood flooring. The article suggests that the current beige saturation emerged as a way to 'warm up' the previously gray-dominated interiors that were prevalent before the COVID-19 pandemic. Furthermore, it is posited that the adoption of beige and other earthy neutrals serves as a subtle indicator of wealth during economic uncertainty and provides a sense of comfort and coziness in a turbulent world. The author admits a personal struggle against the allure of beigification, particularly concerning choices for an upcoming child, such as opting for beechwood blocks and cream onesies over vibrant, plastic items. This choice is framed as a potentially delusional coping mechanism for dealing with significant life changes. The article delves into broader societal implications, questioning whether the beigification of the 2020s is a symptom of late-stage capitalism or a collective attempt to mask despair. The author expresses concern for collective sanity due to the lack of vibrancy and fun, while also acknowledging the practical appeal of beige for its easy likeability. Although not advocating for a return to past extreme trends like Y2K aesthetics or 2000s Tuscan decor, the author hopes for a shift towards more exuberant colors. The article concludes with a note of optimism, suggesting that trends are cyclical and that younger generations, like Gen Z, with their appreciation for 'chaos and clutter,' might eventually usher in a more colorful era, moving away from what is metaphorically described as 'Straight Jacket Cream' to 'Obnoxious Orange.' The author also playfully notes that babies, regardless of their parents' beige preferences, will ultimately develop their own tastes. #ColorTrends #Decor #Fashion #HomeDesign #Parenting #SocietalTrends #ConsumerCulture #Aesthetics #QuietLuxury

Julia Sobrepeña King, the designer behind Studio Roene in San Francisco and Los Angeles, is known for her ability to blend contrasting prints and colors, balancing bold hues with neutral tones and a mix of small- and large-scale patterns. Her current mood board is inspired by a recent trip to the Cabanon de Le Corbusier, a colorful seaside vacation home on the French Riviera, aiming to evoke a playful spirit with bright tones and natural woods. The resulting scheme highlights a balance of opposites, combining vibrant finishes and textiles with earthy, organic materials. King also incorporates hand-crafted pieces collected from her travels to add a personal touch, making the overall aesthetic adventurous and exciting. King details several elements that contribute to this unique mood board. These include one-of-a-kind colorful plastic cord baskets from Antiga Oaxaca, discovered during a trip to Oaxaca, which are woven by prisoners trained in traditional basket weaving. A custom Temples rug by Mark Nelson Designs is featured for its graphic nature, depth, and texture. The Alpi Quadra Noce Veneer by Patricia Urquiola at Alpi, with its modernist grid pattern, is envisioned for custom cabinetry or tables. Hard Maple with an oil finish by Sawkille is chosen as a less common yet refined and durable hardwood alternative to oak. The Seaside Bronze metal finish by Urban Electric Co. is appreciated for its worn copper or bronze verdigris appearance, offering a fresh, minty color and aged character. The mood board also incorporates a hand-glazed mustard tile called Thin Brick Tile in Pumpkin Field Gloss by Country Floors, a unique and saturated color ideal for a backsplash or bathroom. A custom woven fabric from Narda’s Handwoven Arts & Crafts, a famous weaving shop in the mountains of Baguio in the Philippines, is included, reflecting King's passion for collecting one-of-a-kind fabrics during her travels. Gotland Shearling in Natural Gray by Howe at 36 Bourne Street provides heavy texture, transforming gray from potentially dull to balanced when paired with fun colors and textures. A custom woven rug from Stark Carpet in a bright green spring color with a subtle geometric square pattern adds dimension and interest. Additional selections include Solana Honed Concrete Tile in Mocha by Concrete Collaborative, valued for its muted, earthy tone that pairs well with bold marble or ceramic tile. Unlacquered polished copper is chosen as a classic material that ages beautifully, ideal for combining with natural rustic woods and moody colors for a touch of shine. A vintage necklace made by her architect grandmother, featuring rare amber cylindrical beads and a unique gold medallion, adds a personal and inspiring element. The Primavera fabric in Claret by Lauren Hwang, with its hand-crafted feel and deep eggplant polka-dot pattern, offers elegance. Douglas Plank Flooring with a light oil finish by Dinesen is selected for its light color and contrasting grain. Orange Zellige Tile by Otto Tiles & Design, described as a shocking dull neon orange, is proposed as a surprising element for a powder room. The Ria fabric in 0741 by Raf Simons for Kvadrat, with its embroidered feel and subtle floral pattern in pastel colors, contributes a cheerful note. The Cambridge Strie Braid Tape in Heather by Samuel & Sons, a moody purple tone, is suggested as an accent for drapery or upholstery. Finally, the Saru fabric in No. ZFSU-02 by Zak+Fox, a playful tapestry with metallic yarns and rich blue tones, is deemed perfect for a pillow, alongside a hand-made ceramic bowl, which brings a personal, imperfect, and storytelling quality to the curation. #DesignInspiration #InteriorDesign #MaterialSelection #ColorPalette #GlobalCrafts #SustainableMaterials #TextileDesign #HomeDecor #ArtisticCuration

The SANDOW Design Group, in partnership with 3form for the third consecutive year, introduces its DesignScene lounge at NeoCon 2024, located on the 11th floor of The Mart in Chicago. This year's lounge, titled "Colorblock," explores the concept of stepping inside color through an intricate display of shapes and contrasting shades. The design draws heavily from the art historical technique of color blocking, which involves juxtaposing colors from opposite ends of the spectrum, echoing modernist movements from the 20th century. Cindy Allen, editor-in-chief of Interior Design, explains that the Colorblock theme builds upon the previous year's "Colorplay" and uses graphic techniques to define different brand areas within the lounge, with warm reds and pinks for Interior Design and cool greens for Metropolis. The color palette itself is inspired by the work of Le Corbusier, particularly his storied house in France. Ryan Smith, chief creative officer at 3form, shares that both he and Allen were independently drawn to Le Corbusier’s aesthetic as inspiration. Smith notes that Le Corbusier's house features a muted palette, a characteristic intentionally carried into the DesignScene lounge. The colors chosen for the 2024 space are slightly subdued to ensure that all areas of the space feel activated, creating an inviting atmosphere rather than an overwhelming one. The design integrates bold graphics and unexpected installations on walls, floors, and ceilings. Smith explains that the graphic patterns throughout the lounge are informed by the existing architecture of the space, leveraging shadows and edges to create a dynamic interplay of lines and color blocking. This approach ensures that every shade feels integrated and purposeful within the environment. The lounge features materials from various partners to bring the color scheme to life. Flooring is provided by Shaw Contract, wallcoverings by Momentum Textiles and Wallcovering, and paint by Behr. This collaborative effort transforms the space into a three-dimensional colored canvas, offering visitors a unique sensory experience. A key element of the lounge is an expansive communal table, designed to facilitate connection and relaxation, offering a welcome reprieve from the busy NeoCon show floor. Additionally, HBF has contributed to the lounge by creating an activation space with its signature furnishings, offering comfortable seating for attendees with weary feet. Beyond the aesthetic experience, DesignScene serves as a hub for industry engagement and knowledge sharing. Attendees can observe Interior Design editors preparing the NeoCon ShowDaily newspaper and participate in ongoing industry roundtables with design leaders. The lounge also hosts rising stars selected for the "First NeoCon" program, a partnership with The Mart, supporting emerging talent in the design field. The Sustainability Lab by Metropolis is another integral part of DesignScene, showcasing sustainable products, providing curated readings and resources, and offering additional spaces for visitors to relax and recharge. The collaboration between SANDOW Design Group and its partners aims to create a deeply immersive and informative experience rooted in design innovation and community. #NeoCon2024 #ColorBlocking #InteriorDesign #3form #LeCorbusier #DesignScene #ArchitecturalInspiration #SustainableDesign #DesignInnovation

The "Zigzag House," designed by Dan Gayfer Design, is a residential project located in Thornbury, Australia, completed in 2023. The architectural design of the 178 square meter house emphasizes natural light and incorporates custom-designed elements. The project description highlights a deliberate approach to create unique and highly detailed components throughout the home, resulting in a functional and adaptable living space. The design utilizes a distinctive material palette, contributing to the engaging experience as one navigates the single-fronted family residence. The project features an array of bespoke design elements, ranging from custom joinery to specific material selections, all integrated to enhance both aesthetics and practicality. The exterior photography reveals a brick facade and a garden, while interior shots showcase various spaces such as the kitchen, dining room, and bathrooms. Materials used in the construction include Artedomus, Brodware, Fibonacci Stone, and products from Joel Elliot Furniture, Made Measure, Nook Collection, Phoenix Tapware, and Volker Haug. The lead architects for the project were Dan Gayfer and Lewis Marash, with Blueprint Constructions serving as the builder and Kitchen Domain handling the cabinetry work. Key design features visible in the illustrations include large windows that allow ample natural light, a recurring theme of brickwork that extends from the exterior to select interior spaces, and a consistent use of wooden and stone finishes. The kitchen area displays a modern aesthetic with functional countertops and integrated shelving, while the dining room presents a well-lit space with a distinct table and chairs. Bathrooms are characterized by clean lines, quality fixtures such as bathtubs and sinks, and thoughtful shelving solutions. The overall design suggests a focus on craftsmanship and a harmonious blend of natural materials with modern architectural forms. The strategic placement of windows and the consideration of light in the design are central to the home's character, creating bright and inviting interiors. The choice of materials not only adds to the aesthetic appeal but also contributes to the tactile and visual texture of the spaces. The project aims to provide a residence that is not only visually appealing but also highly livable and responsive to the needs of a modern family, achieved through careful planning and execution of bespoke details. The inclusion of a garden space further integrates the home with its surroundings, offering a connection to nature. The 'Zigzag House' represents a contemporary approach to residential architecture, where the interplay of light, bespoke design, and a curated material palette culminates in a unique and functional family home. The architects' commitment to detailed craftsmanship and the use of quality manufacturers underscore the project's emphasis on creating a distinctive and enduring living environment in Thornbury, Australia. The final outcome is a testament to the collaborative effort between the design team, builder, and various suppliers. #ResidentialArchitecture #HouseDesign #AustralianArchitecture #BespokeDesign #NaturalLight #MaterialPalette #InteriorDesign #ExteriorFacade #CustomCraftsmanship

Digs Design Company, renowned for its expertise in integrating vibrant, patterned elements into elegant interior designs, undertook the renovation and decoration of a 1920s Cape Cod-style residence in Wellesley. The homeowner, who appreciates color in her personal style, entrusted designer Jocelyn Chiappone with the task. The project began with architect Mike Tartamella of Patrick Ahearn Architect, who significantly reconfigured the original layout. Tartamella removed interior walls and repositioned the first-floor staircase, transforming the previously segmented floor plan into a more open space with enhanced natural light and better connections to the outdoor environment. Chiappone's design approach was deeply influenced by the natural surroundings, aiming to reflect the colors of spring and fall, seasons during which the clients frequently reside in the home. Her objective was to create interiors that would mirror the views outside the windows, employing a palette that evoked these specific times of year. A key element of the design was the bold use of patterned fabrics and wallcoverings. In the primary bedroom, Chiappone skillfully layered patterns, such as the trellis design of chair cushions against a grid-patterned wallcovering, demonstrating a thoughtful play with scale. She noted that using pieces with wood frames and caning, as opposed to fully upholstered chairs, allowed for the introduction of bold patterns in a more controlled manner. The living room features a sofa upholstered in Quadrille’s “Les Indiennes” fabric, a choice Chiappone had long desired to implement and which the client readily embraced due to a nostalgic connection to patterned sofas from their past. To balance this vibrant statement piece, Chiappone established a neutral foundation with light lemon walls and a beige rug. Complementary elements like solid-color lamps, side tables, and grasscloth behind the television were used to create a cohesive base. The various accent patterns, including stripes, chevron, stylized animal prints, and tropical Chinoiserie wallcovering, were unified by a consistent color scheme, further enhancing the connection to the leafy outdoor view. For instance, a true-spring-green fabric on the ottoman directly reflected the spring foliage outside. In the dining room, which is open to the living room, a softer color palette was employed, with a teal Oushak rug serving as a vibrant focal point, providing necessary contrast. Chiappone incorporated jaunty prints on the host chairs and drapery, using preppy geometrics to introduce an energetic feel. The kitchen adopted an even more subdued palette, yet still effectively utilized color through blue backsplash tiles, barstools, and lampshades. These elements created a compelling visual vignette, preventing the white kitchen from appearing monotonous and highlighting features like the range hood with polished brass strapping. The light blues and lavenders extended into the primary bedroom, while the den, designed with an autumnal theme, drew inspiration from a Peter Fasano wallcovering. This piece informed the selection of ochre, rusty red, and chocolate-brown accents, with varying scales of patterns harmonizing through shared fall hues, making the secluded space particularly cozy. The den was also designed with aging in place in mind, featuring ample space for a king-size bed, custom built-ins for storage, and a nearby full bath. The project was executed in collaboration with Whitla Brothers Builders. #HomeDesign #InteriorDesign #CapeCodHome #Wellesley #DigsDesignCompany #PatternMixing #ColorPalette #ResidentialArchitecture #HomeRenovation