A Boulder-Based Furniture Firm Is Taking Its Showroom on the Road

Poland has emerged as the world's third-largest furniture exporter, a transformation rooted in its abundant forest resources and entrepreneurial spirit, which has flourished since the fall of communism in 1989. The country's woodworking industry, particularly in southeastern Poland, is experiencing significant growth and modernization. Kleniewski Tartak, a sawmill in this region, exemplifies this trend. Owner Waldemar Kleniewski, at 29, modernized his inherited sawmill by investing in Italian and Swedish machinery and empowering employees, shifting from a domestic focus to serving international clients. This move involved breaking traditional Polish business norms to meet global standards. This entrepreneurial energy extends beyond sawmills to furniture manufacturing. Beata Woloszyn and Damian Wasyl, co-founders of Raw furniture company, represent a new generation of Polish entrepreneurs. They returned to their hometown of Tomaszow Lubelski after gaining experience abroad to establish Raw, focusing on affordable, high-quality furniture made from natural materials. Their venture addresses a market demand for Polish-made furniture, a sentiment that is also growing across Europe. While Raw is a smaller enterprise, larger manufacturers like Converis, located in the central Polish production triangle, cater to major international brands such as Fritz Hansen and Ikea. Converis specializes in rotomoulding, producing large plastic furniture pieces and collaborating with global designers for manufacturing. Polish design heritage, though historically constrained by communist rule, is now gaining international recognition. Brands like 366 Concept, whose namesake 366 armchair designed by Jozef Chierowski in 1960 became an icon, are actively promoting Polish design globally. Their Warsaw showroom, with its deliberate Parisian aesthetic, highlights France as a key market. The country is also investing in its design future through institutions like the School of Form, Poland's leading design institution founded by businessman Piotr Voelkel to address a shortage of well-educated designers. The school, in collaboration with Lidewij Edelkoort, emphasizes interdisciplinary learning and attracts international talent for teaching and student engagement. Furthermore, the article notes the resurgence of Polish craft traditions. Szymon Pasierb, head of prototyping workshops at the School of Form, is dedicated to reviving traditional craft education, which was lost during decades of change. He points to regions like Gdansk and Zakopane as centers of unique Polish craftsmanship. The furniture brand Nudo, founded by Domenico Russo and Kaja Alaszkiewicz, embodies this blend of tradition and international influence, combining Polish craft with Italian heritage. Maja Ganszyniec, founder of Nurt, is a prominent Polish designer working to define and promote a distinct Polish design aesthetic, challenging the common comparison to Scandinavian design. She highlights Poland's innate curiosity and resilience, asserting that after years of being held back, the country's creative and economic momentum is unstoppable. The Polish furniture industry's success is a multifaceted narrative of resource utilization, entrepreneurial innovation, modernization, and a renewed focus on national design identity and education. From the raw material processing at sawmills to the creation of high-end furniture brands and the cultivation of future designers, Poland is solidifying its position as a global leader in the timber-furniture sector, leveraging its historical context and contemporary drive to carve out a significant niche in the international market. #PolishFurnitureIndustry #TimberFurniture #Woodworking #FurnitureManufacturing #PolishDesign #EntrepreneurialSpirit #Modernization #Craftsmanship #DesignEducation

Builder's Cabinet Supply, a Chicago-based manufacturer of custom residential cabinetry, expanded its market reach by opening a new 3,500-square-foot street-level showroom in October 2010. For over 25 years, the company primarily catered to builders and developers, but the new showroom was designed to attract a broader professional audience, including interior designers, architects, remodelers, and even some end-users. This strategic move followed an earlier relocation 17 years prior from cramped facilities to a larger factory building, which itself became surrounded by new housing developments due to gentrification, making the new showroom more accessible to local residents. The housing market downturn significantly impacted Builder's Cabinet Supply's traditional builder-focused business, which had previously seen peak production of up to 1,000 cabinets daily. In response, the company actively sought new opportunities, particularly by targeting remodelers and individual homeowners. While radio advertisements were used for end-users, a significant portion of their new business came through referrals. The new showroom serves as a crucial tool for inspiring potential clients, offering fully finished kitchen displays complete with high-end appliances, lighting, and decorative elements to help customers visualize their projects. This contrasts with their previous, less accessible showroom located within the factory. The expansion led to a doubling of their Chicago design staff to six, with additional designers located in a suburban office. New customers are matched with designers based on their specific needs. Unlike builders and developers who typically have large, well-defined orders, designers and remodelers often work on single-site projects. All cabinetry produced is custom, based on the company's Orchard Hill Cabinets brand, adhering to standard specifications such as 5/8-inch furniture board construction and frameless cabinet designs that offer increased storage. The company also uses 20-20 Technologies software for approximately 80 percent of its projects. Design trends observed include a fragmented market with demand for both cost-effective and moderate-to-high-end options. Contemporary and mixed-surface designs are gaining popularity, along with flat-panel doors and various shades of gray in high-gloss foiled finishes. Quarter-sawn oak remains a classic choice. While there isn't a significant increase in demand for complex electronic integrations due to wireless technology, the company offers LED puck lighting and magnetic switch lights. Automated open-and-close systems for drawers, particularly from Blum, are also popular. For entertainment centers, the company collaborates with audio-visual experts, using techniques like false panels to conceal wiring. Production operations, overseen by Rick Bohnsak, emphasize efficiency despite the custom nature of the work. As the client base diversified, projects increasingly shifted from short production runs to unique, one-off orders. Builder's Cabinet Supply utilizes point-to-point CNCs, such as Biesse Rover 24, Rover 336, and Weeke Venture CNCs, along with other machinery like Brandt edgebanders, Selco and Holzma Optimat HPP 250 panel saws, and Koch doweling machines. Redundancy in machinery is prioritized to ensure continuous production. The manufacturing process typically takes two to three days, starting from computerized designs. The company avoids directly linking 20-20 Technologies to CNCs due to the highly custom nature of each order, which can involve numerous line items for a single kitchen. Doors are mostly manufactured in-house, with flat thermofoil doors being outsourced. The company maintains a market advantage through local production, offering reduced shipping costs and faster delivery times, which customers appreciate. Cabinet construction features glued and doweled joints, dovetailed drawers, and high-quality Blum soft-close hinges and slides. Branding efforts include their Orchard Hill Cabinets line and online presence through buildmykitchen.com, Facebook, and mentions on Subzero Appliances' website for custom appliance integration. The showroom features high-end kitchens with large islands and deep cabinetry, catering to a mid-to-high-end market segment, with inset cabinetry representing the highest tier. Reconstituted veneers, cherry, and walnut are popular materials. While green products were once in demand, customer willingness to pay a premium for them has decreased since the economic downturn. However, local production offers an inherent environmental advantage that resonates with clients. #Cabinetry #CustomDesign #Showroom #MarketExpansion #InteriorDesign #KitchenDesign #Manufacturing #Woodworking #BusinessStrategy

Burl wood furniture is identified as a prominent and luxurious interior trend for the coming year, particularly in 2026. This trend, previously found primarily in antique stores or high-end brands like Soho Home, is now becoming widely available on the high street. The appeal of burl wood lies in its unique, often marble-like, grain pattern, which offers a distinctive decorative quality. This knotted wood grain connects to nature while adding a sense of luxury to home furnishings. The material’s history dates back to Art Deco furniture designs and continued through the 20th century until the 1970s. Its current resurgence gives it a retro feel that, when applied to modern, simple shapes, creates a contemporary-retro aesthetic. The unique texture of burl wood originates from natural anomalies in the tree, such as damage or unsprouted bud growth, which results in the distinctive patterns. This inherent characteristic elevates burl from a typical wood grain, lending it a "main-character type presence" that makes it ideal for statement pieces like coffee tables, consoles, or sideboards. An editor at Ideal Home even replicated the look in her own home using a burl wood-patterned vinyl wrap for a DIY wardrobe project, highlighting its versatility and aesthetic appeal. Several furniture retailers are embracing this trend, offering a variety of burl wood-finish pieces. Examples include the Soho Home Wallace Shelves, known for their unique design and high-end appeal, and the John Lewis Burl 2 Drawer Bedside Table, presented as an alternative to a quickly sold-out Dunelm version. Marks & Spencer also features burl-finish items, though many have sold out due to popularity, leaving a plinth-style side table as one of the remaining options. Barker and Stonehouse offer a Castile Burl Wood Side Table with a golden hue, suggesting its potential use as a coffee table. Anthropologie is noted as another brand offering multiple burl wood-finish pieces, including a popular sculptural side table available in two shades, positioning itself as a Soho Home alternative. Fableroom's Aurea Burl Two Door Cabinet demonstrates how burl wood can be effectively combined with other materials, featuring the trendy finish on the doors alongside a traditional wood finish for the rest of the piece. Styling burl wood furniture is described as highly versatile, allowing it to integrate into various interior styles. It pairs particularly well with metals such as chrome and brass, echoing the popular 70s-influenced chrome furniture trend. Additionally, burl wood complements a palette of rich neutrals, including shades like cocoa, caramel, and nougat. Experts advise allowing burl wood pieces to be the focal point of a room due to their expressive patterns. To achieve a curated and serene space, it is recommended to maintain a calm and neutral surrounding palette and to introduce contrasting textures such as linen, matte ceramics, or soft wool. This approach allows the burl wood to act as a subtle yet impactful showstopper. The demand for burl wood has been steadily increasing since around 2020, positioning it as a future-proof trend in interior design. #BurlWoodFurniture #InteriorDesignTrends #HomeDecor #LuxuryFurniture #SohoHomeStyle #JohnLewis #MarksAndSpencer #RetroModern #StatementPieces

The Sonoma-based interior design firm Hommeboys, led by Alex Mutter-Rottmayer and Austin Carrier, has opened a new studio and launched three new capsule collections for their furniture line, Haus of Hommeboys. The firm is known for its thoughtful design approach and hands-on craftsmanship, blending classic Wine Country aesthetics with a modern, refreshing twist. Mutter-Rottmayer and Carrier, who have been married since 2019, have previously garnered acclaim for their designs in projects such as Healdsburg’s Marine Layer tasting room and Sonoma’s Valley Bar + Bottle restaurant. The new studio, which also houses a woodshop and cabinetry studio, is situated just off the plaza in downtown Sonoma. This expansion represents a significant step for the Hommeboys, fulfilling a long-held ambition to establish their own showroom. Mutter-Rottmayer expressed a mix of excitement and apprehension about the venture, acknowledging the risk involved in showcasing their unique design vision to a wider audience, but emphasizing their consistent desire for a dedicated space. The Hommeboys’ design philosophy is characterized by an emphasis on mixing materials and incorporating organic and natural elements. They experiment with various shapes in plaster, stone, and wood, aiming for a look that is both earthy and deeply connected to the Californian landscape. This approach is reflected in their furniture line, which features organic and natural materials. One of their new capsule collections for Haus of Hommeboys draws inspiration from rustic themes. This collection includes dark, ebony-stained, hand-notched cedar furniture, designed to evoke a raw, rustic, and edgy feel. The shapes within this collection are described as anthropomorphized, influenced by the golden hills of California. The design process at Hommeboys is driven by creativity and a desire to have fun. Alex Mutter-Rottmayer highlighted an instance where green velvet from a photo shoot was spontaneously used to cover a bedroom’s walls, illustrating their adaptive and playful approach to design. This method emphasizes utilizing available resources and embracing unexpected inspirations to shape their distinctive interiors. #InteriorDesign #Sonoma #DesignStudio #FurnitureDesign #HausOfHommeboys #WineCountryDesign #OrganicDesign #Craftsmanship

The High Point Market Fall 2024 showcased numerous new collections and collaborations from prominent designers and brands in the home furnishings industry. This event served as a platform for unveiling innovative designs and product lines across various categories, including furniture, textiles, lighting, and rugs. The market attracted a significant number of design professionals, all seeking to discover the latest trends and offerings. Bernhardt's Designer in Residence showcase, led by Nicole Fuller, presented an installation inspired by the Moroccan desert. This collection featured exotic elements such as pierced brass lanterns, an art deco-style faceted credenza, bullion fringe-trimmed settees, and pillows with beaded "evil eye" accents. The showcase aimed to create an immersive and unique design experience for visitors. Four Hands introduced the second installment of its collaboration with designer Amber Lewis. This launch comprised over 160 artisan-made SKUs, reflecting Lewis's signature coastal-cool aesthetic. Notable items included the shearling-covered Bennett chair, the paper cord-accented Salvador coffee table, and the hammered-bronze Corinne stool, catering to a blend of comfort and style. Tara Shaw's collaboration with Century Furniture drew inspiration from French flea market finds. The collection highlighted antique-driven designs such as the midcentury Italian-style Saint Laurent lounge chair and ottoman, the Rococo-esque Sainte Rome accent table, and the Trocadero desk, which featured ebonized detailing and hand-carved animal paw feet. This partnership aimed to merge historical elegance with contemporary craftsmanship. Thibaut's Anna French room displayed the Camelot collection, characterized by vibrant, jewel-toned fabrics. The collection included chairs upholstered in Linden Velvet, a sofa in moire-esque Regia, and drapes made from flame-stitched Kamut Embroidery, providing a luxurious and colorful aesthetic. Hickory Chair presented new collaborations with Kim Scodro and Suzanne Kasler. Scodro's contributions included soft-hued designs like the pale pink Harrison lounge chair, while Kasler's Bruges collection featured pieces such as the bone-inlaid Luc cocktail table and the tufted, art moderne-style Annabelle sofa, combining traditional and modern influences. Abner Henry's launches featured Sasha Bikoff's second collection, inspired by Memphis Milano, and the sinuous Aero console. These pieces emphasized unique shapes and artistic expressions, attracting attention from industry figures like Thom Filicia. Kravet's collaboration with fashion label Altuzarra at 200 Steele showcased a couture-fueled line. The collection included the ombre, sunset sky-inspired Colorscape mural, the Moth Weave, and the finely feathered Caspia, available as both fabric and wallcovering, reflecting a blend of fashion and home decor. Hubbardton Forge introduced the Snaps collection, an interactive lighting system composed of leather straps, LED modules, and alabaster diffusers. This modular design allowed for various configurations, offering customizable lighting solutions. Interlude Home presented petite versions of its Lucie and Theo sheep and a line of designer-selected chairs upholstered in Kravet fabrics, adding playful yet sophisticated options. Eliko Rugs by David Ariel collaborated with Anne-Marie Barton for a 27-piece collection of artisan-crafted rugs. This collection, which included the ultrashaggy Adorne and geometric Terra Luna styles, blended European design influences with contemporary aesthetics. Universal Furniture's Dwell collection featured architectural designs like a latticework-like bed frame, a cast concrete-shelved bar cart, a multifunctional cocktail table with an attached ottoman, and the Basalt credenza with pine lap-siding. Harbour showcased its new Palm Beach collection at the 313 Space, alongside other outdoor retailers and sustainability-minded brands such as Loose Parts, Nanimarquina, and Soil to Studio. Barbara Barry expanded her line with Baker and McGuire, introducing pieces like the rattan-framed Encircle sofa, the oak veneer-topped Cinch dining table, the plaster Dias Cylinder lamp, and the L-shaped Lao cocktail table made of honed Honey Onyx. Jaipur Living collaborated with House Sprucing on a collection of six artisan-crafted rugs, including the distressed Tesorino and hand-tufted Amata styles, made from 100 percent PET yarn. This collection emphasized European design and sustainable materials. Cordless lights were a notable trend, with introductions from Surya, Visual Comfort, Currey & Company, and Pooky, offering portable and flexible lighting solutions. Verellen celebrated its silver anniversary with a line of colorful upholstered furniture, including the polychromatic Otis club chair, the rainbow-speckled Roger swivel stool, and a bold color-blocked iteration of the modular Diego sectional sofa. Loloi featured Chris Loves Julia’s Scottie collection, a line of hand-tufted rugs with scalloped edges and striped double borders, available in various sizes and colorways. Burton James presented plush designs like the slope-armed Ally swivel chair, the sinuous Grayson sectional sofa, and the tightly upholstered Roy ottoman. Brown Jordan’s bestselling Luca collection, designed by Ann Marie Vering, offered a range of outdoor furniture with gently curved teak frames and weather-safe cushions. American Leather updated its Menlo Park series by Rick Lee, introducing a curvaceous bed and serpentine sofa upholstered in Ultrasuede fabric with channeled backs and welt detailing. Regina Andrew Detroit unveiled new lighting designs, including the mobile-inspired Artemis chandelier, the asymmetrical Happy Outdoor sconce, and the leather-wrapped Denver table lamp. BDI’s Elements collection by Matthew Weatherly provided acoustic-savvy storage solutions with laser-carved wood door fronts and metal mesh panels, designed to conceal audio equipment without compromising sound quality. #HighPointMarket #ProductLaunch #InteriorDesign #HomeFurnishings #DesignerCollaborations #FurnitureTrends #LightingDesign #TextileCollections #RugDesign

Childress Furniture and Fabrics, a prominent Dallas-based family business, stands as a comprehensive resource for design needs, specializing in fabrics but also offering bespoke furniture and custom soft furnishings. The company's origin story dates back to 1958 when Barbara and Eugene Childress, en route from Chattanooga to California, settled in Dallas after their car broke down. They initially worked at Olive & Myers Manufacturing, a furniture company, before establishing their own upholstery business on Forest Avenue. Their entrepreneurial spirit and strong work ethic were evident early on, as they swiftly relocated and resumed operations on the same day an electrical fire forced them out of their Canton Street location. The business, initially focused on upholstery, saw significant expansion and evolution under the guidance of the Childress family's six children: Mike, Brian, Sherry, Debbie, Kenny, and Kristi. A pivotal moment occurred in 1989 when Mike, realizing a demand for customers to physically interact with larger fabric samples, proposed opening a dedicated fabric store. This led to the acquisition of a warehouse at 2512 Ferris Street. Despite initial trepidation about the financial commitment, the new store quickly garnered success, necessitating the expansion into the entire warehouse space and establishing a new entrance on Good Latimer. This expansion also allowed Childress to further develop its custom furniture building services. Recognizing that many clients were remodeling existing furniture, the family ventured into creating new pieces. They innovated by displaying sample furniture frames upholstered in white, enabling customers to visualize their custom designs and fostering trust. Over the years, Childress has navigated both triumphs and hardships, including the passing of Mike in 2017, but has consistently operated as a close-knit unit. Each family member has found their specific role within the company, with Kenny managing the Dallas store, Brian overseeing the workroom, Debbie running the Addison store, and Kristi handling bookkeeping. Barbara Childress, the matriarch, continues to maintain an oversight role. Today, Childress Furniture and Fabrics is known for its extensive selection of velvets, linens, silks, and leathers, as well as its custom capabilities in draperies, pillows, bedding, sofas, chairs, and headboards. The business emphasizes customer relationships, often transforming clients into long-term friends. Visitors to the Dallas store on Good Latimer might encounter Kenny's wife, Nancy, or long-time employee Kottun Cottongame, reinforcing the family-oriented atmosphere. The presence of family pets like Turbo and Kaizer further contributes to the welcoming and unique environment that has made Childress Furniture and Fabrics a beloved institution in the Dallas design community for decades. #ChildressFurniture #FamilyBusiness #DallasDesign #CustomUpholstery #FabricStore #InteriorDesignResources #FurnitureManufacturing #EntrepreneurialJourney #HomeDecor

Daniel Lalonde, CEO of Design Holding, a prominent luxury multibrand group in the high-end interiors market, outlines his strategic vision for the company's future, focusing on making the experience of purchasing high-end interior products more accessible. Design Holding, established through Investindustrial's acquisitions of Flos (2014), B&B Italia (2015), and Louis Poulsen (2018), has expanded its portfolio to include nine brands, such as Maxalto, Azucena, Arclinea, Fendi Casa, Audo, and Lumens. This consolidation has positioned the group as a significant entity in design-led, luxury interior products, operating in over 130 countries with ten manufacturing facilities. Lalonde, who assumed the CEO role in late 2021, brings extensive experience from luxury multi-brand companies like LVMH, Louis Vuitton, Ralph Lauren, and SMCP. He acknowledges the transition from high fashion to interiors as a "leap of faith" but recognizes commonalities in heritage, craftsmanship, and the use of top designers. The company's brands collectively boast an extensive collection of works from celebrated designers, including modern classics by Achille and Pier Giacomo Castiglioni, Poul Henningsen, Arne Jacobsen, and contemporary pieces by Tobia Scarpa, Antonio Citterio, Philippe Starck, Naoto Fukasawa, Jasper Morrison, and Piero Lissoni, among others. The group also actively seeks emerging design talent. A key aspect of Lalonde's strategy involves shifting the sales model to be more consumer-centric. Historically, over half of Design Holding's business relied on wholesale channels. To address this, the company has opened a 25,000 sq ft retail center at 135 Madison Avenue in New York. Designed in part by Lissoni & Partners, this flagship store provides distinct spaces for each brand, offering a comprehensive multibrand experience. This move aims to engage architects and designers, who significantly influence furniture sales (up to 45% in the US), by providing an immersive environment for both professionals and consumers to make informed decisions. Technological advancements are also integral to the strategy, with new e-commerce platforms and a configurator app being developed for individual brands. However, Lalonde emphasizes the importance of physical interaction with products, which the Madison Avenue store facilitates. The company is also exploring other innovative showcases, such as the West Coast model home at the Mandarin Oriental Residences in Beverly Hills, which features B&B Italia products exclusively. Lalonde's role includes maintaining the distinct identity and character of each brand while fostering collaboration. He highlights the complimentary nature of the brands, noting, for example, the different design DNA between a B&B Italia sofa and a Maxalto sofa. Collaborative efforts among contract teams across brands are encouraged, especially for large projects. The group includes Italian brands (B&B Italia, Maxalto, Azucena, Flos, Arclinea, Fendi Casa), Danish brands (Louis Poulsen, Audo), and the San Francisco-based Lumens. Sustainability and ethical practices are central to Design Holding's environmental, social, and corporate governance (ESG) strategy. The company prioritizes product longevity, quality, ease of maintenance, and repairability. They also focus on sourcing sustainable and ethical supply chains, with benefits extending across all nine brands, such as sourcing wood from certified forests. The preservation of traditional manufacturing techniques and skills is also a priority, with investments in technical schools in Italy to ensure the continuity of craftspeople. The company is also targeting expansion into new markets, particularly Asia, where there is a large luxury market but a relatively nascent high-end design market. Plans are underway to open stores in China, as Design Holding aims to bring the enduring value of design to a global audience. #DesignHolding #LuxuryInteriors #FurnitureBrands #RetailStrategy #DanielLalonde #SustainableDesign #GlobalExpansion #DesignInnovation #Craftsmanship

The demand for outdoor living spaces and cohesive, integrated outdoor designs is a significant driver of growth for the deck railing and accessory categories in the LBM (Lumber and Building Materials) sector. Industry experts anticipate this trend will continue without significant slowdowns, with some forecasting an 8-10% growth in 2025. This sustained interest stems from homeowners' desire to create personalized outdoor areas for relaxation, entertainment, and unwinding, viewing them as extensions of their indoor living spaces. Several factors contribute to this growth. Homeowners are increasingly investing in stylish and functional outdoor areas, leading to a rise in renovation projects that include modern, low-maintenance railing options for older decks. Customization is a key driver, as consumers seek railing systems—such as cable, glass panels, or mixed materials—that align with their personal style. Additionally, evolving safety standards and building codes encourage upgrades, particularly for families and aging homeowners, while the demand for premium, durable, and attractive materials like steel and aluminum further fuels sales. Heightened aesthetics are central to current trends in outdoor living. There is a strong emphasis on bringing interior design concepts outdoors, and on biophilic design, which connects outdoor spaces with nature for improved health and wellness. Popular aesthetic choices include black railings, which are versatile across various styles, and marine-grade materials for waterfront properties. Manufacturers are also noting a refinement in color palettes, with a return to classic white, black, and brown. Innovations such as frameless glass railings are gaining traction for their ability to provide clear, unobstructed views of natural surroundings, enhancing the biophilic design approach. Wellness is another emerging aspect, with homeowners integrating amenities like hot tubs, outdoor showers, cold plunges, and saunas into their backyards, signaling a commitment to long-term physical and mental well-being through thoughtful outdoor design. While many of these products are professionally installed, LBM dealers are encouraged to offer easy-to-install options for DIYers, such as panelized railing systems that are pre-assembled to save time and ensure structural integrity. Despite the positive outlook, the market faces challenges, including oversaturation and pricing pressures, which can make it difficult for LBM dealers to differentiate products and confuse consumers. The demand for lower-cost options sometimes compromises quality and durability, and a shortage of skilled labor complicates the installation of complex systems. To address these issues, dealers must streamline product selections, prioritize quality, and invest in education for their staff and customers. To boost sales, LBM dealers are advised to adopt a “show, then sell” strategy. This involves creating comprehensive outdoor displays that allow customers to visualize finished spaces, offering extensive product knowledge and training to their teams, and positioning themselves as go-to resources for outdoor transformations. By stocking a wide range of products for entire backyard packages, including lighting, shading, and fire features, dealers can provide a one-stop-shop experience. Building strong partnerships with vendors who offer comprehensive support, such as marketing materials and installation assistance, is also crucial. This allows dealers to offer tailored solutions that meet both aesthetic and functional demands, ensuring they remain competitive and are perceived as experts in outdoor living design. This differentiation is key to success in a crowded market, enabling LBM dealers to become the primary destination for all decking and outdoor living needs. #OutdoorLiving #DeckRailings #HomeImprovement #BuildingMaterials #ConstructionTrends #DesignTrends #LBMDealers #MarketGrowth #ProductInnovation

The article highlights Heather Chontos's collaboration with Layered, focusing on a new rug collection that translates her abstract paintings into hand-tufted rugs. The collection aims to capture the depth, color, and shape of Chontos's artwork, making her vibrant and expressive pieces accessible as functional home decor. These rugs are presented as a unique way to bring art into interior spaces, offering both visual appeal and tactile quality through their hand-tufted construction. Following this, the article introduces Clé's refreshed Architect's Palette tile collection. Clé has updated this classic collection by introducing a silkier matte glaze and expanding the available color palette. This refresh aims to provide designers and homeowners with more sophisticated and versatile options for tiling projects, emphasizing an earthy touch that enhances the collection's aesthetic and functional appeal for various architectural and interior applications. The ORA Lamp Series by Dana Harel, from White Dirt Studio, is also featured, showcasing sculptural lighting crafted from gypsum cement, muslin, and brass. These lamps are noted for their unique forms and the way they play with light and shadow, adding an artistic element to any room. The design combines diverse materials to create visually compelling and structurally interesting lighting fixtures. Fireclay Tile's new customizable bath fittings collection marks the company's expansion beyond surface materials. This new venture allows for personalized bath designs, giving customers more control over the aesthetics of their bathrooms. The collection emphasizes customization, enabling a cohesive and unique look when paired with Fireclay's extensive tile offerings. Molteni&C's Milan showroom and its top products are explored, conceived as the home of an astute collector. The showroom acts as a curated space displaying a range of high-end furniture and decor that reflects a sophisticated and eclectic taste. This segment offers a glimpse into the brand's design philosophy and product highlights. Visionnaire's new Italian-luxe showroom in London's Design District is also presented, inviting readers to explore its opulent offerings. The showroom is designed to exhibit Visionnaire's luxurious furniture and home accessories, providing a destination for high-end interior design inspiration and purchases. Lawson-Fenning's NoHo shop in New York, designed by Josh Grene, is highlighted for its glowing terra-cotta hues. The shop's design creates a warm and inviting atmosphere, showcasing the brand's furniture and decor in a distinctive setting that emphasizes natural tones and materials. Ege and Snøhetta's collaboration on a carpet collection, Matter, is introduced, which reimagines flooring with generative flatweaves. This partnership combines innovative design with functional materiality, offering floor coverings that are both aesthetically engaging and practical for various commercial and residential applications. Finally, the article mentions several other product highlights, including an array of seating designs for a fall refresh, Carole Baijing’s understated furniture collection for Geiger, Slalom’s sustainable acoustic panels made with FSC-certified wood and recycled materials, Rop van Mierlo’s bold and shaggy rug series for CC-Tapis, Hem and Kusheda Mensah’s playful ottoman collaboration, Jiang Qiong Er’s poetic bamboo collection for Roche Bobois, Kevin Walz’s colorful collaboration with Ralph Pucci, Kriskadecor and Rafa Ortega’s nature-inspired Khronos collection with acoustic properties, and Jill Malek’s pastel glass mural panels inspired by natural phenomena. #InteriorDesign #ProductLaunch #HomeDecor #TileDesign #LightingDesign #FurnitureCollection #Showroom #TextileArt #AcousticPanels

This monthly series, "In Our Carts," highlights a curated selection of new product launches and collaborations in the home and lifestyle sphere. The June 2024 edition features a range of items, from bedding and rugs to furniture, lighting, and kitchenware, all chosen for their design and functionality. One of the notable collaborations is between Danish home brand Tekla and Artek, which resulted in a new line of bedding. This collection includes duvets and shams in three colors, adorned with Finnish architect Aino Aalto’s Kirsikankukka pattern, inspired by a Japanese scarf. The collaboration also marks Tekla's first venture into kids' bedding. Cold Picnic, known for its printed rugs, has expanded its offerings with a new collection of richly hued, solid-color rugs. These nature-inspired designs, such as Grass Green, Roasted Tomato, Sky Blue, and Pear, are crafted from 100% New Zealand wool, providing a luxurious feel underfoot. Dusen Dusen has introduced three new vibrant and graphic throw pillow designs: Daisy, Hourglass, and Ricrac. These pillows come in bold colors like sunflower yellow, denim blue, and Kelly green, adding a playful touch to home decor. CB2 has launched new alabaster sconces designed by Australian studio VUUE. These hand-carved alabaster globes are available in two sizes, 6 and 10 inches, and offer a blend of old-world glamour with a modern sensibility, suitable for various interior and exterior settings. Fashion designer Carly Cushnie has collaborated with Lulu and Georgia on her first furniture collection. This 11-piece line showcases a mix of materials, including cane, wood, bouclé, fringe, and velvet. Standout pieces include the warm-toned Yucca sofa and the burl-wood Sabal console table, offering extensive mix-and-match possibilities. Opinel has released a cleverly designed grilling set that emphasizes simplicity and utility. The stainless steel tongs are extra-long with notched tips and a curved edge for effective gripping. A unique feature is the folding knife that ingeniously transforms into a spatula handle, complete with a Virobloc locking ring. The knife handle also integrates a bottle opener, enhancing its functionality for outdoor cooking. R+D Lab has partnered with Mexican chef Elena Reygadas and Fenn Apartamento to create the Rosetta collection of glassware. This collection features three new glass shapes—Acqua, Sour, and Martini—inspired by ancient vessels discovered in Pompeii. While named for specific drinks, these versatile glasses are suggested for various beverages, such as white wine in the water cups and cordials in the stemmed glasses. Finally, Belgian architect Vincent Van Duysen continues to expand his collection with Zara Home. The latest additions emphasize natural materials like wood, concrete, and solid brass, featuring pieces such as a daybed, a library system, and organically shaped concrete side tables. Dark brown is a prominent color throughout this new iteration of the collection, reflecting a sophisticated aesthetic. Baggu has also collaborated with Collina Strada on a line of limited-edition prints for its reusable bags, picnic blankets, and towels. A new highlight from this collaboration is the Horse Bag, a mini zippered pony-shaped bag, and the Boxer Plaid print on the Small Cloud carry-on, combining playful design with practical application. #ProductLaunches #HomeDecor #InteriorDesign #TextileDesign #Furniture #Lighting #Kitchenware #DesignCollaborations #NewArrivals

Craig Stillman, founder of Garagezilla, discusses the origins of his business, his background in decorative concrete, and the unique value proposition of his company. The idea for Garagezilla emerged from a confluence of events: Stillman sold his share of a decorative concrete business after 22 years, retaining only the resinous coating services he had developed. Simultaneously, his current business partner, a carpenter with 25 years of experience, was navigating a career transition due to a work injury. This timing proved opportune, allowing them to combine Stillman's expertise in floor coatings with his partner's carpentry skills to create a specialized garage interiors business. Garagezilla aims to redefine the perception and functionality of garages, moving beyond basic offerings to provide complete transformations. The company offers high-end solutions such as polyaspartic flake and Swisstrax floors, along with advanced cabinet systems and storage solutions, including premium Hayley cabinets. Stillman emphasizes that the goal is to create spaces that are both functional and aesthetically pleasing, tailored to meet each homeowner's specific needs, ranging from simple organization to luxury finishes. The satisfaction derived from client reactions to their revamped garages reinforces the value of their endeavor, transforming overlooked spaces into areas of pride, utility, and enjoyment. Stillman's journey in the decorative concrete industry spanned over two decades, during which he specialized in resinous coatings for various applications, from polished floors to intricate epoxy designs. This experience formed the foundation for Garagezilla, enabling him to build upon his extensive knowledge in creating durable, high-quality spaces. The collaboration with his business partner, whose skills in design and cabinetry complemented Stillman's, allowed them to offer a comprehensive suite of garage solutions. These include flooring systems, slat walls, Steadyrack bike racks, and custom cabinet installations, addressing both average homeowners seeking decluttering and organization, and luxury-minded clients desiring high-end, customized spaces that integrate with their home's overall design. What distinguishes Garagezilla is its commitment to customization, functionality, and durability. The company focuses on crafting organized environments that align with each homeowner's unique vision, ensuring that garages receive the same level of attention and care as any other room in the home. Stillman recounts a significant pivot in his career: the unexpected sale of his previous business. This decision, prompted by partnership complications, pushed him to explore new opportunities that ultimately led to the creation of Garagezilla. This challenging period became a fresh start, aligning him more closely with his professional goals. Drawing from his experience of selling a business, Stillman offers key entrepreneurial lessons. He advises against 50/50 partnerships, suggesting that a 51/49 split allows for decisive leadership. Meticulous financial record-keeping, including transparent and well-organized profit and loss statements, is crucial for daily management and for facilitating smoother negotiations during a sale. Finally, he stresses the importance of timing, recommending that businesses be sold during a growth trajectory to maximize valuation and attract more potential buyers, as businesses on a downward trend typically yield a lower return. #Entrepreneurship #Garagezilla #HomeImprovement #BusinessPartnership #FlooringSolutions #Cabinetry #BusinessStrategy #CustomerSatisfaction #CareerPivot

Dezeen Showroom has unveiled 14 new products this week, featuring a diverse range of furniture, lighting, and finishes for both commercial and residential projects. Among the highlights is the "Technicolour" textile collection by graphic designer Peter Saville for Danish brand Kvadrat. This collection draws inspiration from the colorful sprays used by farmers to mark sheep, translating this rustic aesthetic into a series of vibrant handwoven and robot-tufted rugs with color spots, iridescent curtains, and upholstery made from British sheep's wool. Saville describes the collection as bringing "the industry of the land, in raw form, into the living environment," likening it to "rural graffiti." Other notable product additions include the "Mouro" lamp, designed by Patricia Perez for Case Furniture. This portable and rechargeable table lamp, suitable for indoor and outdoor use, features a disc-shaped LED light that rotates 360 degrees, enclosed within a rectangular frame that doubles as a handle. Rainlight's "Phlox" collection for Okamura offers a comprehensive range of seating and tables, including conference chairs, lounge chairs, high stools, and five table shapes. The collection, characterized by its gently undulating silhouettes, is inspired by the petals of the night-blooming phlox flower. For storage solutions, Bruno Rainaldi's "Ptolomeo" bookshelf for Opinion Ciatti is designed to emulate the appearance of books stacked in high piles while providing structural stability. Named after the founder of the Library of Alexandria, this stainless steel shelf is available in black, white, or Corten effect lacquered finishes. Dedar introduces two new textile collections: "The Art of Jacquard" and a "Textile wall covering collection." The Jacquard collection features ultra-thin yarns woven directly into the fabric to create rich patterns, including tropical bird motifs, nature-inspired designs, bold graphics, and abstract floral landscapes. The wall covering collection, inspired by grand tapestries, includes four patterns, such as screen-printed illustrations on linen and classic weaves of jute and linen, aimed at creating a cozy atmosphere. The "Hymn" lamp by Hiroto Yoshizoe for Ambientec is another portable and durable lighting option for indoor and outdoor settings. It employs two magnets to create constant oscillations, producing a flickering effect reminiscent of a candle flame. GamFratesi's "Beetle Chair," available through Suite NY, has been re-released with four new upholstery options in neutral shades, alongside black or brass leg finishes. John Pawson's "Frame" dining table for Nikari, originally designed for his own farmhouse, is a minimalist piece made from responsibly sourced ash or oak wood with a natural oil finish, boasting a lifespan of over 100 years. Alegre Design's "Talent" desk for Actiu is a versatile, mobile, and height-adjustable workstation designed for educational and training environments, featuring a dry-erase worktop that functions as a whiteboard when folded. Finishes also see new additions with CDUK's expanded "Corian Solid Surface" range, now available in a broader spectrum of neutral and warm colors. This material is lauded for its hygienic, durable, abrasion-resistant, and fade-proof qualities, making it suitable for both commercial and residential applications. Forbo Flooring Systems introduces "Marmoleum Linear," a carbon-neutral, plant-based linoleum flooring made from linseed oil, waste wood flour, and jute, designed to mimic wood with irregular grey and neutral stripes. ADEX presents the "Habitat" tile collection, a sustainable ceramic option for interior walls made with 55 percent white-body ceramics for enhanced durability. Lastly, Decocer's "Crag" tiles offer a family of porcelain tiles that replicate the look of stone and weathered steel, suitable for indoor and outdoor walls and floors, characterized by an industrial aesthetic and textured matte finish. #ProductLaunch #InteriorDesign #FurnitureDesign #TextileDesign #LightingDesign #SustainableMaterials #DesignInnovation #HomeDecor #WorkplaceSolutions

In 2017, Amy Hughes established Maplewood Mercantile at 145 Dunnell Road in Maplewood, envisioning it as a collaborative space for women business owners and a community hub. The location, a renovated 1920s auto garage, serves as a center for design and social gathering. The Montclair Girl interviewed Amy Hughes in 2022 to discuss the Mercantile's evolution and her entrepreneurial journey in Maplewood. Amy Hughes and her husband relocated from New York City to Maplewood. Previously a journalist and editor for *This Old House* magazine, Amy developed expertise in DIY, antiques, and vintage furniture while writing her book, *This Old House: Salvage Style Projects*. This led her to launch Salvage Style, a vintage furniture resale business, initially as a side venture in 2013, which later became her full-time occupation. Her business started in a 300-square-foot storefront on Baker Street, expanding to require multiple storage units across town to manage inventory. By 2017, the logistical challenges of managing scattered inventory prompted a search for a larger space. Amy identified a large warehouse in Maplewood, previously used by an interior designer primarily for storage with occasional sales. After a five-month process to finalize the lease and permits, Amy moved Salvage Style into the 3,000-square-foot former auto garage. The Mercantile's initial tenants included two other women-owned businesses, highlighting its foundational commitment to supporting female entrepreneurs. The transformation of the raw garage space into a retail environment required significant effort. The Mercantile's location is a key asset, situated near the Maplewood train station, Memorial Park, and local schools, which attracts both New York City commuters and local teenagers. A notable benefit is the dedicated parking, a rare commodity in downtown Maplewood. The 1920s auto garage featured concrete floors, 25-foot ceilings, exposed brick, and large windows. The landlord collaborated with Clawson Architects to replace the original windows with historically accurate and energy-efficient alternatives. The renovation involved pressure washing the interior and applying over 40 gallons of white paint, preserving the concrete floors with their original paint splatters and one exposed brick wall, creating a distinctive aesthetic. Upon entering the Merc through a 12-foot carriage door, visitors are greeted by a large acrylic 'Moonlamp,' an architectural salvage piece from Austin, Texas. The interior's airy and rugged design, coupled with its high ceilings and abundant windows, provides excellent natural ventilation, which proved beneficial during the COVID-19 pandemic. The space became a refuge for the community, encouraging browsing and cultural engagement. Amy Hughes oversees the merchandising, while partner businesses curate their sections to create a cohesive yet diverse aesthetic. The current retailers at the Merc include Anna Herbst Photography, which operates a studio benefiting from the natural light and high ceilings, specializing in product, lifestyle, fine art, and portrait photography for women-owned businesses, realtors, and interior designers. The Collector, founded by Emma O’Shea, offers new and vintage clothing, focusing on sustainable practices and ethical sourcing from small NYC-area designers. Piper’s Talisman, led by Piper Jon, creates unique jewelry by upcycling antique pieces like watch chains, vintage coins, and keys, and has gained recognition from figures such as actress Melissa Gilbert. Salvage Style, Amy Hughes's original business, offers styling consultations and sells vintage and reclaimed furniture, including Mid-Century Modern pieces and antique rugs. Community engagement is central to the Mercantile's operation, with regular pop-ups and cultural events featuring live music to support young local musicians. Amy Hughes expresses pride in the Merc's role as an incubator for small, women-owned businesses, noting that several businesses have successfully launched from the space. An example is deVINE Plantery, which started online during the pandemic, joined the Merc as a pop-up, became a permanent tenant, and eventually opened its own dedicated store in Montclair. Amy credits the success of these businesses to the entrepreneurs' hard work and innovative ideas, viewing her role as providing a supportive environment. #MaplewoodMercantile #CommunitySpace #WomenOwnedBusinesses #VintageFurniture #SalvageStyle #RetailIncubator #AdaptiveReuse #LocalGems #InteriorDesign

The 'Connected' project, a collaboration between British furniture brand Benchmark and the American Hardwood Export Council (AHEC), emerged from the unique challenges posed by a global pandemic. This initiative brought together nine designers to create furniture pieces aimed at enhancing the working-from-home experience. A significant aspect of this project was the designers' inability to physically visit the workshop or interact directly with their creations, necessitating reliance on remote communication tools like Zoom and WhatsApp, and a considerable degree of trust in the craftspeople at Benchmark. Sean Sutcliffe, co-founder of Benchmark, highlighted the increased leap of faith required from designers in trusting the technical, visual, and sensory aspects of the craftsmanship without in-person observation. An example of the innovative problem-solving employed by Benchmark is demonstrated in Studio Swine’s chair, which required its red oak and cherry wood components to be submerged in the River Kennet for a week to facilitate steam-bending. This resourcefulness is characteristic of Benchmark's workshop, which boasts 58 skilled craftspeople. Sabine Marcelis, a Wallpaper* Designer of the Year, praised Benchmark's willingness to push creative and technical boundaries, a stark contrast to the limitations often encountered with other manufacturers. Marcelis's contribution to 'Connected' is the 'Candy Cubicle,' a maple-veneer box designed to conceal home-working tools, including her partner’s monitor, with a surprising acid-yellow interior. Sustainability is a core principle of 'Connected,' mirroring previous collaborations between AHEC and Benchmark. Designers selected from red oak, maple, and cherry—woods that represent 40 percent of American hardwood forests but are often underutilized. David Venables, European director at AHEC, explained the council's mission to reintroduce these 'unfashionable' woods to designers and consumers, thereby promoting the sustainable use of all natural resources. The project underscores how consumer choices influence forest composition, advocating for a broader appreciation of timber species beyond the obvious choices. The pandemic and the chosen materials appear to have fostered a renewed appreciation for nature among the designers. Works range from Thomas Heatherwick’s biomimicry-inspired maple planters to Studiopepe’s 'Pink Moon' chair, reflecting a collective desire to connect with the natural world. Despite a common theme of natural inspiration, each designer's individuality is evident. Maria Bruun created a Scandinavian-style table from rippled maple, while Jaime Hayon’s 'Mesamachine' showcases complex, humorous, and movable cherry wood components. Ini Archibong's 'The Gate,' an outdoor collection, draws inspiration from the Giant’s Causeway, featuring a hexagonal plinth of red oak and cherry and a green-lacquered red oak top with brass inlays. Maria Jeglinska-Adamczewska's seat utilizes barrel-making techniques for its curved form, and Sebastian Herkner designed 'Stammtisch,' a modern Lazy Susan with sliding trays made from various woods and finishes. The designers will see their completed pieces in person for the first time at London's Design Museum, where 'Connected' will be exhibited from September 11 to October 11. This exhibition marks the culmination of a project that navigated unprecedented challenges through remote collaboration, trust, and a shared commitment to design and sustainability. #FurnitureDesign #Woodworking #RemoteCollaboration #SustainableDesign #HomeOffice #Craftsmanship #DesignMuseum #HardwoodExports #InteriorInnovation

Brittany Lyons, an Oak Cliff resident, transitioned from a full-time position as a chairman’s office coordinator at UT Southwestern Medical Center to a career in interior design. Despite holding a biology degree, Lyons’ passion for home interiors, cultivated since her childhood experiences with her parents flipping and building houses in Mississippi, eventually led her to establish Brittany Lyons Interiors. Her journey into professional interior design began in 2015 after she decorated her own home and shared photos on Instagram. A high school friend, impressed by her work, commissioned her for a home makeover, initiating a steady flow of clients primarily through word-of-mouth referrals. Upon moving to Dallas in 2016, Lyons strategically utilized social media platforms like Instagram, Houzz, and Pinterest to expand her client base. Her design philosophy centers on creating "peaceful, functional design" that promotes self-care for her clients, regardless of the project's scale, from large suburban residences to compact urban apartments. Lyons emphasizes that even small spaces deserve thoughtful design to enhance enjoyment and utility. She offers practical advice for smaller areas, such as using lighter paint colors, painting ceilings the same color as walls to create an illusion of space, incorporating mirrors, and avoiding oversized electronics. Running her business, Lyons faced the initial challenge of assembling a reliable team of contractors, painters, and installers who could deliver quality work at a reasonable cost and uphold her brand's integrity. She has since built a trusted crew, ensuring that anyone representing her company is professional and dependable. Lyons considers professional photography of her completed projects an indispensable asset for her business, as these images are crucial for her online marketing efforts and attract a significant portion of her clientele. Among her notable projects, Lyons recently completed a $1.5 million custom-built new home in Lucas, Texas, where her responsibilities included selecting every detail, from flooring and paint colors to stone and lighting fixtures, to personalize the space for her clients. She particularly enjoys redesigning bedrooms, considering them personal spaces where much can be done with elements like headboards, linens, and pillows to foster peaceful environments. Lyons highlights that many people misunderstand the value of hiring an interior designer, often viewing it as a luxury rather than a worthwhile investment. She clarifies that a designer's role extends far beyond aesthetic choices, encompassing intricate tasks such as coordinating deliveries, ensuring correct item reception, running errands for materials, advising on technical details like grout type and lighting placement, and managing contractors. Ultimately, Lyons asserts that the primary benefit of hiring a designer is saving clients considerable time and ensuring projects are executed correctly the first time, thus providing significant value for a fraction of the total renovation cost. She finds immense satisfaction in witnessing clients' reactions to their newly designed spaces and hearing how these transformations positively impact their lives, despite the inherent stresses of her profession. #InteriorDesign #SmallBusiness #Entrepreneurship #HomeDecor #ResidentialDesign #DallasBusiness #CareerTransition

Target's Threshold collection has expanded to include made-to-order furniture, offering customizable options at budget-friendly prices. This initiative aims to bridge the gap between mass-produced items and high-end custom furnishings, providing consumers with more personalized choices without the hefty price tag or extended waiting periods typically associated with traditional custom furniture stores. The made-to-order range features key furniture pieces such as headboards, bed frames, accent chairs, and dining chairs. Customers can select from seven different fabric options, including linens, bouclé, two types of velvet, and faux shearling, allowing for a degree of personalization in their home decor. One significant advantage highlighted is the ability to request fabric samples in advance, enabling customers to assess color and texture within their own living spaces before committing to a purchase. This feature enhances the decision-making process, ensuring the chosen fabric complements existing decor. The convenience of ordering is straightforward, mirroring the process for other online furniture purchases, but with the added benefit of fabric customization. While many online retailers offer furniture in limited color and fabric choices, Target's made-to-order service presents a broader spectrum of selections. A notable aspect of Target's offering is its competitive pricing. For instance, a bouclé chair from Target's made-to-order collection costs significantly less than a comparable item from a premium retailer like Lulu & Georgia, making custom-look furniture more accessible. Although the color options at Target might be fewer than those at higher-end establishments, the substantial price difference makes it an attractive alternative for those seeking customized pieces on a budget. Another compelling feature is the expedited processing and delivery time. Target advertises a delivery window of just three to four weeks from the order date, which is considerably faster than the lead times often encountered with traditional custom furniture manufacturers. This quicker turnaround allows customers to integrate their new pieces into their homes without prolonged delays. The article showcases several popular made-to-order items from the Threshold collection, including the Berea Chair in Boucle, praised for its modern design and material, and the Lizzie Headboard in Textured Linen, noted for its whimsical scalloped design and availability in various sizes and colors. Other highlighted products include the Jessa Dining Chair in Linen, lauded for its timeless silhouette and durable construction, and the Adaline Headboard in Boucle, which incorporates popular arched silhouettes. The Neko Swivel Chair in Cozy Faux Shearling is presented as a versatile accent piece with a sculptural feel and swivel functionality, while the Townley Platform Bed, a collaboration with Studio McGee, offers an elevated aesthetic with options in linen and bouclé fabrics. The article also addresses frequently asked questions, explaining that made-to-order furniture is typically more expensive than mass-produced items due to the personalized attention and specific specifications involved in its creation. It also suggests alternative retailers like Lulu & Georgia and OKA for those seeking made-to-order furniture, though these options generally come at a higher price point. The piece concludes by acknowledging the value of made-to-order options, particularly for those on a budget, and points to retailers like Wayfair as alternatives for highly specific dimensions, even if they don't offer true made-to-order customization in terms of fabric choice. #TargetThreshold #MadeToOrderFurniture #HomeDecor #CustomFurniture #AffordableHome #InteriorDesign #FurnitureShopping #BedroomFurniture #LivingRoomFurniture