At Close Range: Award-winning Irish Interior Designer Sara Cosgrove

The article presents an interview with Kristin Gray, an interior designer based in Los Angeles. Gray shares insights into the interior design industry, emphasizing that owning a design business extends beyond creative design to encompass business processes, marketing, logistics, and human resources. She highlights the importance of building personal connections and trust with clients, stating that successful interior design is ultimately about providing high-level client service with integrity. Gray recounts her professional journey, beginning in 2005 when she moved to Los Angeles after college with aspirations of working in design or architecture. Her first role was as an office manager at an architectural firm, where she acquired skills in AutoCAD and blueprint reading. During this time, she pursued further education, enrolling in a Design Psychology class at UCLA Extension, which combined her undergraduate background with her interest in design. This marked the start of a seven-year endeavor to earn her Master's in Interior Architecture, a period during which she simultaneously gained practical experience in the design field through various work opportunities. She reflects on her growth as a designer, stressing the value of self-belief, confidence in her abilities, and her commitment to creating homes that serve as havens for her clients. Gray also offers a suggested itinerary for a week-long visit to Los Angeles, focusing on diverse experiences. Her recommendations include spending an afternoon in the Downtown Arts District, particularly The Row, to explore Smorgasburg's food offerings, browse shops, and enjoy coffee at Go Get Em Tiger. Another day would involve a visit to Terranea in the South Bay for a stroll along the coastal walking path, a meal, and potentially a massage. For dining, she suggests Planta Cocina in Marina del Rey, noting its delicious food and appealing design. The itinerary also features exploring South Bay beach towns like Redondo and Manhattan Beach, complete with shopping, coffee or acai bowls at BlendzUp, food and drinks at Salt & Pearl, and dinner and entertainment at Belle Epoque. Cultural activities include visiting the Huntington for art and gardens and attending a show at the Hollywood Bowl. A relaxed day at the beach is also included in her ideal Los Angeles experience. In her 'shoutout' section, Gray expresses gratitude to the many individuals who have supported her career. She acknowledges past colleagues, friends, and her husband for their encouragement during challenging times, their motivation for professional advancement, their support for her education, their recommendations for new projects, and their trust in her work. Her website, 'kdgrayinteriors.com,' is provided as a resource for those interested in her work. The article encourages readers to nominate others deserving of recognition within the community, aligning with the platform's mission to highlight 'hidden gems' and foster community interaction. #InteriorDesign #BusinessOwnership #ClientRelationships #ProfessionalJourney #LosAngeles #TravelItinerary #LocalRecommendations #Gratitude

Design Week Dublin, an event co-founded by Jane and Sarah McDonnell, commenced with a successful launch at Róisín Lafferty’s newly established gallery. This gallery, located at 23 Fitzwilliam Square, also serves as her practice's headquarters and studio. Following this initial event, Róisín Lafferty, an internationally recognized interior designer, conducted a sold-out Design Talk at Anantara The Marker in Grand Canal Dock, addressing a large audience eager to learn about her work and career trajectory. The event began with Ciara Doherty, representing the Design Week Dublin founders, extending a welcome to the attendees. Architect and broadcaster Amanda Bone then introduced Lafferty, setting the stage for a presentation that featured video clips and images showcasing Lafferty's diverse portfolio. During her talk, Lafferty recounted her early career experiences as an interior designer, emphasizing the hands-on learning she gained by collaborating with various professionals in construction, engineering, architecture, and quantity surveying. She highlighted the importance of understanding the intricate processes involved in each role on a construction site, often immersing herself directly in the work to grasp foundational principles. She specifically mentioned her active participation in site deconstruction, observing tradespeople to gain practical insight. Lafferty established her independent practice in Dublin in 2010, after an initial period working in partnership with another designer. The audience was presented with visual examples of her projects, which predominantly included residential designs. Amanda Bone posed a question regarding Lafferty's ability to consistently create unique schemes without repetition, underscoring the originality evident in her work. Lafferty’s firm currently employs a team of ten designers. The renovated Georgian townhouse at 23 Fitzwilliam Square functions as a multifaceted space. It is the central office for Lafferty’s design practice, a studio for creative work, and a gallery that exhibits her original furniture and lighting collections. Additionally, the gallery features vintage pieces and artworks, alongside a furniture and lighting collection by Bryan O’Sullivan, exclusively available at this location. Lafferty expressed that establishing such a comprehensive space was a long-held ambition, realized through the extensive restoration and renovation of the townhouse. The article recommends a visit to the gallery to experience Lafferty's recent 'Sphere' collection and to observe the detailed interior design of the space. #DesignWeekDublin #RóisínLafferty #InteriorDesign #ArchitecturalDesign #GeorgianTownhouse #FurnitureDesign #LightingDesign #IrishDesign #DesignGallery

This article features an interview with Grania Murray, an interior designer with over 25 years of experience, originally from Ireland and now based in Los Angeles. Murray emphasizes that clarity is the most crucial factor behind her success. She specializes in guiding clients through complex design decisions with a sense of calm and clear direction, helping them navigate the often overwhelming process of building or renovating spaces. Her professional approach focuses on simplifying complicated choices, allowing clients to move forward with confidence in their projects. Murray's dedication to providing clarity in design became deeply personal after the devastating LA wildfires, which led to her daughter and daughter-in-law losing their home. Witnessing their struggle with loss, bureaucratic hurdles, and a multitude of decisions highlighted the critical need for guidance during such challenging times. This experience inspired her to create "The Design Align," a service that offers high-level, strategic support to clients before they commit to potentially costly decisions. This initiative focuses on helping clients understand the broader picture and establish a clear foundation for their projects, demonstrating her commitment to making design accessible and less daunting. While she continues to run a full-service interior design studio, The Design Align represents a significant and proud expansion of her work, driven by a desire to share her extensive knowledge and experience. Murray credits Jane McDonnell, Co-Founder and Publisher of The Gloss Magazine and Co-Founder of DESIGN WEEK DUBLIN, for playing a pivotal role in her career. McDonnell saw Murray's home design in Ireland, suggested she pursue interior design professionally, and subsequently featured her work in an article. This feature led to Murray acquiring her first clients, effectively launching her career in the field. Murray reflects on her childhood passion for rearranging furniture, highlighting an innate inclination towards understanding how spaces feel. She views design as a means of making sense of the world, emphasizing the blend of form and function to create spaces that evoke a sense of "home at last." Her design philosophy involves mixing old and new elements, incorporating art, vintage finds, handmade pieces, and clients' existing treasures to achieve unique and personal interiors. What truly distinguishes Murray's work is not just the aesthetic but the comprehensive client experience she provides. Her approach is described as strategic, empathetic, and deeply attuned to fostering comfort and stability within a space. She prioritizes listening to her clients and making choices that align with her values, particularly concerning sustainability. She acknowledges facing challenges like dry spells, unsuccessful detours, and the difficulties of relocating to Los Angeles and starting over. However, her resilience and quiet determination have been constant driving forces. Murray advises that one does not need all the answers but rather needs to focus on what matters most and act accordingly. She believes that great design stems from clarity—understanding a space's purpose, aligning it with practical considerations like budget, timing, and emotional connection, and allowing beauty to emerge naturally. She also shares a favorite quote by Paulo Coelho: "When you want something, all the Universe conspires in helping you achieve it," reflecting her belief in universal support for one's aspirations. Murray concludes the interview by sharing recommendations for visitors to Los Angeles, drawing from her diverse experiences living across the city. Her suggestions include day trips to Lake Arrowhead for its lake and brewery, and Santa Ynez for wine tasting, with Buttonwood being a favorite spot. She also recommends scenic drives along the Pacific Coast Highway to experience classic LA coastal vibes. For morning or afternoon activities, she suggests visiting The Huntington Gardens and The Norton Simon Gallery in Pasadena, and taking a clay class at Green & Bisque in Pasadena. For dining, she highlights Star Leaf (Asian Fusion) and Redbird (Downtown LA), and mentions Los Felix as an all-time favorite. For drinks, The Pasadena Hotel is recommended, and for entertainment, she enthusiastically suggests Blah Blah Karaoke and any show at The Pantages. #InteriorDesign #GraniaMurray #DesignPhilosophy #ClientClarity #TheDesignAlign #CareerJourney #LosAngelesDesigner #Resilience

Sarah Peake, founder and creative director of Studio Peake, shares insights into her distinctive interior design philosophy, influences, and showcases three notable projects. Peake's journey into interior design began with an interest in textiles and pattern cutting, followed by foundational experience with renowned designers Alidad and Todhunter Earle. These early experiences instilled in her the importance of meticulous detail and the ability to manage large-scale international projects, shaping her holistic approach to design. Peake's design ethos emphasizes the contextual relevance of each interior, steering away from a fixed style. Instead, she advocates for a collaborative vision that integrates her creative input with the client's preferences and the inherent characteristics of the space. Her work often features bold use of color, diverse materials, and patterns, alongside a harmonious blend of contemporary and antique furnishings. A core principle is to ensure the space reflects the client's personality, and she finds creative inspiration when tasked with incorporating existing client possessions or adhering to specific color constraints, believing that such limitations can foster artistic innovation. Inspiration for Peake is drawn from a myriad of sources, including clients, the architectural context, historical periods, and even natural landscapes. She maintains an extensive library of books for research and frequently captures visual cues from her surroundings. Her typical color palette leans towards blues and greens, often warmed with wood, yellow, or gold tones, which she finds relaxing and neutral, particularly suitable for bedrooms and bathrooms. However, she stresses the importance of variety, ensuring that while certain colors anchor a design, others are introduced to create dynamic schemes. Material selection focuses on natural elements such as wood, linen, and bouclé wool. She appreciates the versatility of stone, from Italian marble for a luxurious feel to English limestone for rustic charm. Her designs are further enriched by the strategic use of contrast, juxtaposing natural textures with vibrant lacquers and brass accents. Finishing touches are crucial to Peake's designs, frequently incorporating items like curly Gotland sheepskins or richly textured bouclé, either as upholstery or cushions. Swedish flatweave rugs are another signature element, with Peake actively seeking original pieces or commissioning new ones from traditional Swedish factories. Beautiful ceramics, particularly organic shapes with unique glazes, are also a passion. For Instagram inspiration, she recommends following Studio Giancarlo Valle, Pierre Yovanovitch, and Meta Coleman. Peake highlights three key projects that exemplify her work. The Parsons Green house involved transforming a blank canvas with Victorian features into a contemporary yet layered family home, blending modern art with antique rugs and bespoke elements like a tiled fireplace. The master bedroom in this project features a calm palette with Edward Bulmer 'Celadon' paint and a Vanderhurd rug, while the guest bedroom showcases vibrant colors and custom-designed beds. The Vauxhall cottage project, her first solo endeavor, involved restoring a Georgian cottage, transforming an industrial aesthetic into a cozy, colorful home. This included a kitchen refresh with new limestone flooring, painted joinery, and antique handles, complemented by soft furnishings. The master bedroom in Vauxhall features 'Fencing Blue' paint, Pierre Frey fabric, and a pre-existing painting by Venetia Berry as a color anchor. The small box room was dramatically transformed into a bed nook, utilizing V-grooved MDF paneling, Edward Bulmer 'Fair Blue' paint, and Ottoline Devries wallpaper. Finally, the Barons Court apartment, an Edwardian mansion block flat, required a fresh, modern update while honoring its traditional elements. This project features a dramatic layout with a freestanding Water Monopoly bath as a focal point, a study with traditional panelling and a mid-century modern light fitting, and a bedroom with Lewis & Wood wallpaper and a mix of antique and contemporary furnishings. Each project demonstrates Peake's skill in blending diverse elements to create unique and personalized living spaces. #InteriorDesign #StudioPeake #SarahPeake #HomeDecor #DesignEthos #ColorPalette #MaterialSelection #RenovationProjects #LuxuryInteriors

This article offers a detailed look into the luxurious Dublin home of Erin McGregor, which she shares with her partner Terry, daughter Hayley (20), and son Harry (3). With many people spending more time at home and seeking decorating inspiration, McGregor’s residence provides a wealth of ideas, showcasing her personal style and passion for interior design. McGregor has been actively decorating her West Dublin home since moving in the previous October, meticulously curating each space. The hallway of McGregor's home features a bold paint color, which she notes reflects her personality. She deliberated extensively over the color choice, reflecting on her tendency to overthink decisions and worry about external opinions. The hallway, like much of the house, is adorned with herringbone floors, contributing to a cohesive and stylish aesthetic. An extravagant hall table and a large, round mirror complete the entryway, setting a sophisticated tone for the rest of the home. The living room, which McGregor refers to as “the good room,” is bright and spacious, furnished with navy and cream interiors. A cozy suite of furniture, accented with plush cushions, is arranged to face the television and a bespoke cream fireplace unit. McGregor also installed radiator covers in this room, a decision that humorously caused some debate with her partner Terry due to the difficulty in selecting the perfect ones. These covers are subtly decorated with candles and flowers, along with a 'dream' ornament, adding personalized touches. The dining area features cushioned dining chairs and candles suspended above the table, creating an elegant ambiance. A beige theme predominates this room, complemented by wall paneling and fresh flowers, which provide a homely feel. McGregor's daughter Taylor's room is bright with cream walls. Although McGregor initially considered wallpapering, Taylor preferred the existing color scheme. The room includes a large navy bed with a fur throw and matching mirrors on either side. Erin’s own bedroom, glimpsed through an elegant gold mirror, maintains a consistent cream and beige palette, emphasizing a serene and luxurious atmosphere. McGregor also incorporates a “prosperity corner” in her living room, a concept she learned from Judith McAdam. She explains her belief in the power of positive thinking and the secret, noting that the furthest left-hand corner from the front door is considered the Feng Shui prosperity corner. Her home is further enhanced by sophisticated artwork throughout. A dedicated makeup station, complete with clear drawers for organization and a large vanity mirror, highlights her passion for beauty and her practice of creating makeup tutorials for her followers. The downstairs bathroom showcases a quirky design, adding a touch of personality. Finally, the garden is well-equipped with various toys, providing ample space for her son Harry to play. The article effectively captures the blend of luxury, personal touches, and thoughtful design choices that define Erin McGregor's Dublin home. #ErinMcGregor #HomeTour #InteriorDesign #DublinHome #LuxuryInteriors #HomeDecor #CelebrityHome #InteriorInspiration #FengShui

Kathryn M. Ireland, a renowned interior designer, discusses her unique approach to design, her career trajectory, and her philosophy on living. Raised in London and Scotland, Ireland accidentally entered the design world after people admired the aesthetic of her home. Her initial foray into interior design involved working with high-profile clients like Steve Martin and Caroline Kennedy, who were drawn to her "undecorated look." This style prioritizes comfort, family, and practicality over formal, traditional design elements, a philosophy exemplified by her decision not to design foyers and her appreciation for a living space that accommodates real life, such as children's building blocks in a living room. Ireland emphasizes the importance of functionality in design, particularly in smaller spaces like city apartments. She suggests innovative solutions such as "equipment garages" for exercise machines, transforming built-ins into discreet storage areas for items like Pelotons. The recent period of increased time spent at home has highlighted the need for deliberate contemplation of living spaces. Ireland recounts how this newfound stillness led her to reassess and enhance the functionality of her own guesthouse, identifying overlooked needs for storage. This introspection encourages individuals to thoughtfully consider their surroundings and identify areas for improvement. Her collaborative platform, The Perfect Room, reflects her vision for democratizing design. This website allows individuals to purchase curated rooms by their favorite designers or upload images for sourcing specific design elements. The platform aims to provide designers with royalties for their work and foster a collaborative environment in the design industry. Ireland's global lifestyle influences her work, as she divides her time between California and France, where she has transformed a farmhouse into a large guest retreat. This international perspective also informs her retreat business, which offers immersive experiences in locations like Marrakesh, the Cotswolds, and the Nile, focusing on camaraderie and personal reflection rather than just leisure. Ireland advocates for a relaxed and spontaneous approach to life and entertaining, contrasting it with the often-over-stylized portrayals of perfect living. She believes that real life is not a photo shoot and encourages simplicity in hosting, favoring casual meals and genuine connection over elaborate preparations. This extends to her personal preferences, as she often prefers cooking at home with friends over dining out, viewing her home as a sanctuary. She highlights the concept of "retreating at home," suggesting that individuals can create a getaway within their primary residence, reducing the need for additional properties and minimizing their carbon footprint. Her advice is to embrace the present space and make it feel like a cherished escape, reflecting her broader philosophy of living easily and authentically within one's surroundings. #InteriorDesign #KathrynMIreland #HomeDecor #UndecoratedStyle #ThePerfectRoom #DesignPhilosophy #HomeRetreat #FunctionalDesign

Interior designer Traci Connell, recognized as a 2022 Best Designer, shares insights into her personal home, which she inhabits with her husband, Michael McDonald. Their residence, marked by distinctive architectural features like a C-shaped floorplan, triangular windows, and angled ceilings, previously housed a series of architects. Connell's design philosophy for her own living space prioritizes a "neutrals and natural" aesthetic, diverging from the vibrant palettes she often employs in her professional work. She describes her home as a place that "breathes a sigh of relief," filled with blacks, whites, creams, and subtle hints of greens and camel tones. This approach allows her to unwind from the constant creative demands of her profession, where she is frequently surrounded by color. A core aspect of Connell's design strategy involves a strategic blend of high-end, custom-made pieces with more affordable, ready-made items from large retailers such as Crate & Barrel, CB2, and Ikea. She emphasizes that while her clients seek custom designs, certain foundational and utilitarian items can be sourced from big-box stores without compromising the overall sophisticated look. This combination prevents the space from feeling overly formal or "stuffy," creating an environment that is both visually appealing and highly practical. Connell explains that everything in her home is meticulously curated, showcasing how accessible items can be elevated when paired with bespoke elements. The couple moved into their home four years prior, just before their wedding. Following a house fire, they embarked on a multi-phase renovation, transforming the adversity into an opportunity for fresh design. Despite the fire, Connell preserved original elements like the brick floors. She maintained her neutral color scheme, selectively introducing rich pops of color, such as deep greens or aubergines, in unexpected areas. Her rationale for a predominantly neutral interior is that the vibrant personalities and attire of guests often introduce enough color, aligning with her desire for a relatively quiet and serene backdrop. Connell highlights several specific design choices throughout her home. In the kitchen, original features like the hood, range, and silestone countertops were retained, while cabinetry was redone and striking rift-cut wood details were added. She incorporated Olympia white marble for the islands and backsplash, a personal indulgence. The dining room, in contrast to the overall neutral theme, features a dramatic grasscloth wallpapered ceiling, reflecting Connell's inclination to "push limits a little bit" as a designer. The family office embraces all-black walls, made possible by abundant natural light, and includes colorful original art, a vintage Sutherland desk, and lacquered green bookcases from Scout Design Studio. The master bedroom showcases a black-and-white aesthetic with bedding from Peacock Alley and Harlequin fabric accent pillows, alongside nightstands from Currey & Co. and lamps by Arteriors. The bathroom features a distinctive wallcovering that mimics tile and a durable porcelain flooring, completed with a Stone Forest sink and a Made Goods mirror. The family room, a testament to her love for nature and neutrals, is bathed in warm ivory tones, complemented by exposed brick floors and various plants. It features a custom sectional by Hickory Chair, swivel chairs from Four Hands, and a Feizy rug, along with a beloved bar area where Connell and her husband enjoy their "Martini Friday" tradition. The article includes a Q&A section where Connell elaborates on her philosophy of mixing high and low-priced pieces, stressing the importance of removing overly popular mass-market items from design presentations to maintain a unique, custom aesthetic for her clients. #InteriorDesign #HomeDecor #TraciConnell #DallasHomes #NeutralPalette #LuxuryDesign #AffordableDecor #HomeRenovation #DesignPhilosophy

Tiffany Clark, an interior designer, shares her journey, insights into managing social media for her business, and how she funded her venture. Clark emphasizes the significant role social media plays in her business, noting that 95% of her clientele comes from these platforms without direct advertising costs. She personally manages her social media, which involves content strategy, customer relations, responding to supporters, and brand promotions through high-quality visual content. Understanding platform algorithms and optimal posting times is crucial for visibility and audience engagement. Clark advises aspiring entrepreneurs to start immediately, even if it means creating a new account to attract a targeted audience with business-related content and a visually appealing page. Clark discusses her lifelong passion for interior design, which she discovered as a child while decorating her own room and later extended to family and friends. Her love for design was further nurtured by playing "The Sims" and watching HGTV shows like "Design on a Dime" and "Property Brothers." After serving nine years in the military, Clark decided to pursue interior design professionally in 2018. Despite initially struggling with self-doubt and fear of leaving a stable corporate job with good benefits, she enrolled in "The Interior Design Institute" to expand her knowledge. A pivotal moment for her was reading "Woman Evolve" by Sarah Jakes Roberts, which helped her overcome her fears and fully commit to her design career. This decision led to significant positive changes in her life, freeing her from previous anxieties. Funding her business began with "zero dollars" and a strong belief in her vision. Clark stresses the importance of faith and self-confidence for any entrepreneur, especially when seeking investors. She advises against waiting for the "right moment" to start a business, as there will always be challenges; instead, one should have a plan, a vision, and trust in divine guidance. Her journey highlights that achieving significant goals requires hard work, dedication, determination, and unwavering faith. Clark also shares a story of resilience, recalling her initial attempts to find employment with design firms after completing her studies. Despite curating a portfolio, she faced numerous rejections due to the close-knit nature of the industry and limited hiring opportunities. This period was discouraging and led her to temporarily stop designing for others. However, she eventually realized that these rejections were a redirection, guiding her towards starting her own business. Believing that a higher power had bigger plans for her, she launched her own company, allowing faith to lead the way. This leap of faith transformed her professional life, empowering her to become her own boss and find fulfillment in her purpose. Her contact information, including her website, Instagram, and Facebook profiles, is provided for those interested in connecting with her work. #InteriorDesign #Entrepreneurship #SocialMediaMarketing #BusinessFunding #CareerTransition #PersonalGrowth #Resilience #SmallBusiness #CreativePursuits

This article introduces Alice Grace, an interior designer who has successfully transitioned her passion for property and design into a flourishing interior design studio and a recently launched homeware collection. Alice's journey began with sharing her home design projects on Instagram, which garnered significant attention and eventually led to her professional venture. Her career background, which includes both teaching and high-end residential property sales, provided her with a unique perspective, though she was always more inclined towards the creative aspects of property, such as designing brochures and writing press articles. This entrepreneurial spirit, despite taking nearly 40 years to manifest fully, led her to establish her own design firm. Alice describes her design style as timeless and considered, emphasizing simplicity and the strategic use of pattern. Her studio aims for an elegant sophistication, often incorporating playful elements to create a distinctive 'Alice Grace' aesthetic. She stresses the importance of understanding each client's unique needs, ensuring that her design approach is tailored to reflect their personal style while delivering exceptional value. Alice's preferred color palette includes warm, muted, earthy tones, complemented by touches of blue. She finds comfort in natural hues like browns, reds, and greens, which harmonize well with natural oak – a material prominently featured in her homeware collection. For fabrics, she often grounds a room with rich velvet upholstery or soft furnishings, contrasting them with lightly patterned linen or embroidered cotton. When incorporating patterns, Alice suggests a balanced approach: selecting one large-scale pattern, alongside grounding plainer patterns that introduce varying textures like bouclé, and then adding a few smaller-scale patterned pieces and a stripe. This method prevents designs from clashing and ensures a cohesive look, as exemplified by a popular bedroom design featuring a busy wallpaper, a velvet headboard, and bespoke soft furnishings with blue accents. Instagram has played a crucial role in Alice's success, initially serving as a platform for sharing her personal life and home designs with a like-minded community. What started as a casual sharing endeavor evolved into a business opportunity as brands began to take notice. Alice views social media as a dynamic landscape, requiring constant adaptation. She notes the shift from aspirational, unrealistic images to a fast-paced, competitive environment, where a smaller, engaged audience is more valuable than sheer follower count. Alice acknowledges the challenge of consistently creating new content, especially when it involves her own home, which necessitates constant reimagining. However, she sees this as an opportunity to experiment freely, unconstrained by client briefs. For aspiring interior designers on social media, she advises establishing a clear brand and personal style early on to stand out in a crowded market. The focus, she explains, should be on providing content that the audience desires to see, rather than what the creator wishes to showcase. Her online community, particularly during lockdown, provided invaluable support and confidence, enabling her to launch her design business and join international design platforms like The Expert. The launch of Alice's homeware collection was a natural progression, stemming from her observations of market gaps during her design work and an inherent desire to create lasting pieces. The collection draws inspiration from an antique mirror inherited from her grandmother, featuring warm oak finishes and soft, curved details. These curves are evident in items such as The Tray, The Bedside, and The Nightstand, alongside modern reeded textures. Collaboration with a local, respected furniture and joinery company, Bath Bespoke, was essential to ensure the collection's quality and alignment with sustainable values. The goal is to create heritage pieces that withstand the test of time and can be passed down through generations. A new collection, including upholstery pieces, is slated for release in the summer, allowing customers to integrate Alice's favorite fabrics into their homes. #InteriorDesign #HomewareCollection #AliceGrace #InstagramSuccess #DesignPhilosophy #SustainableDesign #Entrepreneurship #HomeDecor #FurnitureDesign

Dublin Design Week, an inaugural event, is set to highlight the contributions of Irish architects and interior designers to both national and international design. The event aims to showcase the significant global influence of Irish designers. One notable figure participating in this event is Maria MacVeigh, an architect and interior designer. After gaining experience in Spain and Chile, MacVeigh established MMV Design in Dublin in 2004. Her design philosophy emphasizes a rigorous process, detailed construction, and the careful selection of materials and finishes, which is reflected in her sophisticated and award-winning interiors. She has a history of collaboration with experienced professionals in the building industry, contributing to her extensive knowledge in the field. Among her distinguished projects is the interior design of Chapter One, a renowned restaurant in Dublin. For this project, MacVeigh meticulously handled every detail, from the specific green-bronze paint on the walls to the various natural stones utilized throughout the space. Chapter One is designed to offer an intimate dining experience, featuring a main area with several nooks, including a secluded demi-salle. A chef’s table is also part of the design, where diners can observe the culinary process from a semi-circular banquette. A central, sculptural marble-topped piece with an integrated induction hob serves as a focal point in the dining room, housing the Gaggenau Experience, which allows guests to witness fine dining preparations up close. The kitchen itself is a display of aesthetic design, featuring stainless steel, deep brown walls, a basalt table, oxblood floor, and green marble worktops. Chapter One undergoes an annual refresh, during which MacVeigh's focus extends to transforming areas like the cloakrooms. Maria MacVeigh's design approach is characterized by a commitment to timelessness, understated elegance, and personalization, moving away from transient trends. This philosophy was evident in a renovated 1950s home project, where she collaborated with her sister. The design aimed to encapsulate the essence of their family home, with a plan that maximized natural light. The project drew inspiration from mid-century modern aesthetics, not only as a homage to their upbringing but also to complement the architectural character of the surrounding neighborhood. Another significant undertaking involved the restoration of a Victorian redbrick property. This project presented the dual challenge of historical preservation and the integration of a contemporary extension and a new kitchen. For this, MacVeigh partnered with Eoin Lyons of LyonsKelly. Lyons, whose expertise lies in finishes, complemented MacVeigh's strengths in architecture, interiors, and fine detailing. Maria MacVeigh is scheduled to participate in a Design Talk at Anantara The Marker Dublin on Thursday, May 22, from 12 pm to 1:30 pm. During this event, she will engage in a conversation with architect and broadcaster Amanda Bone, where she will discuss how her dual professional background provides her with a distinctive perspective on design. Tickets for this event are priced at €35, with a reduced rate of €20 for students. #MariaMacVeigh #InteriorDesign #Architecture #DublinDesignWeek #ChapterOneRestaurant #HomeRenovation #VictorianRedbrick #DesignPhilosophy #AmandaBone

The article details the renovation of Mary Portas's London home, a project undertaken by the interior design firm Space A, founded by architects Amelia Hunter and Anna Drakes. Portas, known for her advocacy for British high streets and, more recently, her book 'Work Like a Woman,' sought to create a living space that reflected her values of collaboration, care, and respect, moving beyond conventional notions of profit and growth. This ethos guided the entire design process, emphasizing the support of talented young business owners and embodying a more conscious approach to living. The collaboration between Portas and Space A was significant, leading to the establishment of Space A itself, born from Project OO, a collective studio that Portas initially approached. Portas highlights the importance of supporting businesses that prioritize values beyond mere financial gain, especially in a post-pandemic world, where empathy and understanding the implications of design choices are paramount. This philosophy is also central to her new book, 'Rebuild: How to Thrive in the New Kindness Economy.' A key aspect of the renovation involved integrating the property's original and pre-loved features. Portas incorporated old church tiles she had collected, as well as those found within the house, to decorate the fireplaces and utility room. The vintage sink in the powder room was retained and given a modern twist with vibrant orange paint and House of Hackney wallpaper, creating a contemporary yet eclectic feel. The design elements throughout the home blend timeless quality with bold contemporary touches. The basement features English oak paneling, herringbone flooring, and custom joinery, contributing to a classic kitchen aesthetic. Upstairs, the two open-plan reception rooms are distinctively divided by color—one side in Dulux’s ‘Olive Grove’ and the other in ‘Powder Pink’—creating visual interest and defining separate zones within a fluid space. Consistent with Portas's persona, the home prominently features British brands and artists, such as Grayson Perry's 'Britain is Best' tapestry, which finds a natural place in the decor. When selecting furniture with interior decorator Louise Donald, Portas prioritized collaborating with individuals who demonstrated kindness, honesty, and genuine passion for their products, rather than just the brands themselves. This focus on the human element and the emotional connection to objects aligns with Amelia Hunter's concept of 'five a day for your space,' equating well-chosen design elements to 'metaphorical vitamins and minerals' for psychological well-being. Ultimately, Portas views her home as an extension of her spirit, a place filled with color, character, and warmth, serving as a sanctuary where she can be her authentic self. The project's success is attributed to working with people who understood her needs as a woman, fostering a sense of nurturing and belonging within her living environment. #LondonHome #InteriorDesign #MaryPortas #SpaceA #FemaleEntrepreneurship #SustainableDesign #KindnessEconomy #BritishDesigners #HomeRenovation

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

This article highlights various new and vibrant interior design pieces and art to inject color and personality into a home, featuring products from several designers and companies. The selection includes a range of items from versatile furniture to artistic decor, emphasizing unique designs and quality materials. The Zig Zag stool by Polspotten, available at CA Design, is presented as a functional and stylish piece that can serve as a stool, side table, or plant stand. Inspired by its appearance in Joanne McNally's home, this lacquered stool comes in multiple colors, including pale blue, pink, olive green, and coral red, making it a distinctive focal point for any room. Addison Ross introduces LED Bobbin lamps, which combine aesthetic appeal with technological functionality. These lamps are designed to provide effective illumination while adding a splash of color to interior spaces. Available in ten different colorways, such as cherry, sage, yellow, and watermelon, they are intended to complement various decor styles and moods. Artist Ciara O’Neill's recent collections are featured, including her Wildflowers series, which saw its original paintings sell out rapidly. The article notes the availability of limited edition fine art prints from this series, as well as her Echoes original paintings and prints, and popular mini paintings. O’Neill's collection offers a diverse range of prints at different price points. For outdoor spaces, Kukoon Rugs offers a selection of colorful outdoor rugs made from recycled cotton and chenille. These rugs are described as spill-proof, stain-resistant, and washable, suitable for both neutral and bold design preferences. The article mentions specific designs like Rubus, Saule, Souci for neutrals, and the Ruskin style in terracotta for a more vibrant look. A collaborative piece, the '40 Shades of Green' blanket, is presented as a unique creation from artist Ellie Dunne, who has Down Syndrome, and the Galway Wool Co-Op. This ethical piece draws inspiration from the Irish landscape and combines Dunne’s artistic vision with the traditional skills of the co-op’s spinners and weavers. The blanket is made from Irish wool, supporting local farmers and preserving cultural significance. Hopeless Botanics showcases a range of colorful vases, which are suitable for displaying flowers, foliage, or as standalone decorative items. The collection includes mini vases and larger Heikki vases, along with hand-painted Odina vases, all designed to introduce vibrant accents to a living space. IKEA’s Stockholm 2025 collection celebrates forty years of Scandinavian design, focusing on timeless pieces crafted from natural materials like pine, oak, leather, wool, and rattan. While much of the collection maintains a neutral palette, the article highlights colorful additions such as a brown, blue, and white rug, pure wool cushion covers, and a green cabinet with brass fittings, designed to integrate into existing decor or form part of a new scheme. Finally, multidisciplinary artist and designer Clare O’Connor introduces her new range of hand-painted side tables. Each table is described as a unique abstract art piece, created using acrylic, collage, and resin. O’Connor’s work is characterized by dynamic juxtapositions of organic and organized forms, complementary and contrasting colors, and stripes, aiming to bring joy to homes. The article also mentions Joanne Mooney's collaboration with Turkish rug company Torug Rugto, featuring her 'Picnic Parade' rug design with squiggly edges, a gingham pattern, and a colorful palette, made from New Zealand Wool. #HomeDecor #InteriorDesign #ColorfulInteriors #ArtisticFurniture #HomeAccessories #DesignTrends #IrishDesign #SustainableDesign

Sabrina MacLean, an interior designer, discusses her journey in balancing work and personal life, managing a family business, and her vision for HinoStudio. MacLean acknowledges her husband's role in helping her achieve a better work-life balance, contrasting with her earlier years as a workaholic. She outlines a structured approach to her workday, beginning with an early start for dog walking and exercise to manage stress and energize her day. Her routine includes team lunches once a week to foster bonding and a strict no-work-calls policy on Friday evenings until Monday to fully disconnect and enjoy time with family and friends. This deliberate separation from work was a challenging but beneficial decision, enhancing her personal life. Hinojosa Design Studio was founded in 2000 in Miami, Florida, by MacLean's mother, Carola Hinojosa, as a high-end interior design company. The business had a long history in Bolivia before relocating to Miami. MacLean gained experience in sales and furniture design at Holly Hunt after graduation before joining her mother's team in 2010. In 2018, upon her mother's retirement, MacLean took over the firm, rebranding it as HinoStudio. This transition presented significant challenges, requiring her to prove her capabilities, execute designs to her mother's high standards, and earn the trust of both existing and new clients. The firm has since diversified its offerings to include a furniture line and a rug collection, with ongoing development of new products. HinoStudio is also engaged in international projects, collaborating with architects worldwide, which provides new learning opportunities. When asked about recommending places in Miami for a visiting friend, MacLean suggests a comprehensive itinerary focused on dining, drinking, visiting cultural sites, and hanging out. For dining, her top choices are Zz's Restaurant and Casa Tua in Miami Beach, both noted for their food, private club atmosphere, and vibrant social scene. For drinks, she recommends Socialista in Brickell, Mila, and Klaw Rooftop, praising their music, ambiance, and diverse crowds. Miami's cultural growth is highlighted with recommendations to visit the Design District, Pérez Art Museum Miami (PAMM), Rubell Museum, and Wynwood, emphasizing the city's rich collection of art and museums. For relaxation and socializing, she suggests Faena, Soho House, and The Standard for their music and atmosphere, and the farmers markets in Coconut Grove and Key Biscayne on Saturdays. MacLean expresses profound gratitude for her mother, Carola Hinojosa, identifying her as the primary mentor who shaped her into the designer she is today. She recalls being immersed in the world of design from a young age, accompanying her mother to the office and furniture factories since she was seven. Working together was initially demanding, as her mother maintained high expectations, demanding 200% effort. She describes her mother as exceptionally talented, with a keen eye for design and proportion, and a continuous ability to reinvent herself. After successfully establishing a design studio and furniture factory in Bolivia, Carola Hinojosa rebuilt her business from the ground up in Miami after their move in 1999, eventually reaching a prominent position in the industry. Her mother's resilience, persistence, and dedication have been constant sources of inspiration for MacLean. Even after her mother retired and moved to Cape Town, South Africa, she continued to contribute to HinoStudio by collaborating with local artisans, which led to the development of a new product line now sold at Holly Hunt. MacLean's leadership, especially through challenging times like the COVID-19 pandemic, has enabled HinoStudio to create acclaimed interiors globally. #InteriorDesign #Entrepreneurship #WorkLifeBalance #FamilyBusiness #MiamiLifestyle #CreativeIndustry #BusinessLeadership #DesignStudio #Mentorship

British artist Sophie Smallhorn, whose work explores the relationships between color, volume, and proportion, grew up immersed in a creative environment. Her parents were industrial and textile designers, and her Montessori education, with its use of brightly colored, precisely shaped wooden objects, fostered an early understanding of color, form, and dimension. This upbringing shaped her artistic approach, which is characterized by sophisticated geometric solids and a focus on color dynamics. Initially, Smallhorn pursued a degree in Wood, Metal, Ceramics, and Plastics at the University of Brighton, where she crafted sculptural furniture pieces that, despite their limited functionality, were primarily driven by color. She began creating assemblages from leftover materials for personal enjoyment, eventually selling them informally. Her acceptance of her work as fine art came only after a gallery explicitly presented it as sculpture, reflecting her background in design and making. Early career milestones included significant commissions from the avant-garde fashion brand Comme des Garçons, which provided opportunities for large-scale installations at its Tokyo flagship. These projects broadened her scope, leading to collaborations such as developing a 56-color palette for the London 2012 Olympic Stadium with Populous Architects, where exterior canvas banners in various hues marked spectator entrances. More recently, Smallhorn has ventured into textile design with Designtex, creating an upholstery pattern named Ribbon. This marks her first formal foray into textiles, a field her mother worked in, and one Smallhorn initially resisted due to her discomfort with digital design processes and the overwhelming possibilities of digital printing. However, a clear vision from Designtex's executive design director, Sara Balderi, during their renewed collaboration post-COVID, made the digital process manageable and even a revelation. The inspiration for the Ribbon motif originated from an enameled snuff box with an undulating ribbon, which Smallhorn encountered at the Victoria and Albert Museum. She developed the idea by physically manipulating collage and colored acetates, twisting and folding them, before translating these physical experiments into a digital layout for pattern repeat, palette, and scale. The initial design, which started smaller, evolved into a bold, graphic, and dynamic pattern with a theatrical quality, largely influenced by Designtex. The ribbon on the fabric is not solid but composed of parallel lines, a deliberate choice by Smallhorn to achieve an effect similar to screen printing, where overlapping transparent colors create a third hue, adding a playful and energizing graphic element. A solid version of this pattern, called Flat Ribbon, is available as a customizable wallcovering through Designtex’s Digital Studio website. Smallhorn notes a significant crossover between her two-dimensional prints and her three-dimensional sculptures and installations, as both involve compositions of hard-edged formal shapes. Screen printing serves as a rapid and playful method for developing ideas, allowing for serendipitous color scenarios that often inform her sculptural pieces. While her three-dimensional work does not allow for layering transparent colors, the print table mimics sketching, providing inspiration for new color combinations. She uses the same acrylic paint for both prints and assemblages, viewing the latter as vehicles for exploring and holding a palette. Smallhorn emphasizes the intuitive nature of her color decisions, often repainting pieces multiple times to achieve a desired equilibrium among what she describes as 'easy' and 'less easy' or 'awkward' and 'less awkward' colors, without relying on a predefined system. Her collaborations with brands like Comme des Garçons and COS exemplify her ability to bridge fine art and commercial design. For COS, she created window displays for five global stores, featuring large, overgrown stacks of shapes designed to complement product displays. This dual engagement with both artistic and commercial realms is a comfortable space for Smallhorn, who appreciates working with brands that share a similar sensibility toward color and design. Her career demonstrates a consistent exploration of color, form, and proportion across various mediums, continually seeking synergistic relationships in her chromatic work. #SophieSmallhorn #ArtistInterview #ColorDesign #Sculpture #TextileDesign #InteriorArt #DesigntexCollaboration #GeometricForms #CreativeProcess