Modulo lighting collection by Federico Peri for CTO Lighting

Masiero, an Italian lighting company established in 1981, has grown from a small workshop in Northern Italy to a global leader in lighting. The company’s success is attributed to its dedication to merging traditional Italian craftsmanship with contemporary aesthetics, as well as its collaborative approach with internationally renowned designers. Masiero works closely with designers and its in-house R&D department to produce distinctive lighting fixtures that shape its product portfolio. The collaborative process typically begins with Masiero providing designers with a brief outlining mood, product type, price range, and materials. However, Masiero also welcomes proposals from designers inspired by their own concepts. This fosters a unique relationship between designers and Masiero’s internal team, focusing on achieving optimal shapes and finishes. Masiero emphasizes the challenge of industrializing a designer's vision while maintaining economic sustainability, leveraging its expertise in metal processing and technological innovation in light management and flexibility. This flexibility, especially concerning color and size, is crucial for designers managing diverse projects. Masiero further supports these collaborations with a commercial network spanning 80 countries and robust marketing efforts, both online and offline. Alessia D’Alesio, Masiero's Global Marketing Manager, highlights the Horo collection by Pierre Gonalons as a particularly successful collaboration, having won the Good Design Award 2021. Gonalons' creative concept for Horo, featuring a sandwich construction of two prismatic glass circles within an outer frame, was faithfully translated into the final product. Masiero's internal team meticulously worked on optimizing illumination, refining the frame's finish, and selecting a decorative yet delicate glass. Gonalons describes Horo as a disk of light that simultaneously offers a light show, emphasizing his passion for handcrafted materials that narrate a story. He appreciates Masiero’s expertise in material and finish selection, which facilitated a natural development of the collaboration. The prototyping phase involved significant modification and improvement, demonstrating a strong collaborative spirit. Gonalons also praises the unique quality of Masiero’s hand-finished metalwork, achieved in their workshop, especially considering its competitive price point. Giovanni Battista Gianola's Sound collection was inspired by the artisans' ability to create perfect curves from shiny tubes, evoking musical instruments. This inspiration translated into lighting fixtures where material and shape are integral to the lamp’s aesthetic, much like they are to an instrument’s sound. The collection features gracefully shaped arms supporting glass diffusers encased by wide metal shades, resulting in layered sconces, floor lamps, chandeliers, and pendant lights. Gianola emphasizes that creating a new lamp involves a deep understanding of the brand's DNA, selecting materials that reflect its heritage, such as Masiero’s crystals, shining metals, and warm light. He views Masiero as having an eclectic spirit rooted in Venetian heritage, pursuing a distinctive path driven by a love for materials rather than fleeting trends. Marco Zito's Nappe collection, developed in 2018, showcases Masiero's material processing capabilities and the potential for a contemporary yet timeless language that integrates design technology with an artisanal approach. Zito's vision for Nappe drew inspiration from Venetian 'nappine' (tassels), reinterpreting this classical ornament into 10 modern pendant designs that can be combined for various installations. He believes such collaborative work generates virtuous processes and knowledge exchange, leading to innovative forms. Oriano Favaretto, who created the Honicé collection in 2018, commends Masiero's extensive experience and ability to balance contemporary designs with its foundational values of quality craftsmanship, noble materials, and ongoing research. He values the company's family-oriented approach to projects and shared perspectives. The Honicé collection, consisting of suspension lamps and wall lights, features a striking blend of opaque gold or brass finishes with natural onyx diffusers, paying homage to Masiero's history. Successful collaborations, according to Gonalons, involve a thorough assessment of the strengths of both the company and the designer. Masiero has honed this skill over the years, understanding his creative identity while he grasped their history and production capabilities. Masiero's D’Alesio notes that designers serve as a rich source of ideas, providing essential creative input from external perspectives. The brand encourages designers to express their creativity while considering the potential client's needs, offering 40 years of experience to produce beautiful, functional, well-finished, and recognizable items. #LightingDesign #ItalianCraftsmanship #DesignCollaboration #MasieroLighting #InteriorDesign #ProductDesign #ContemporaryAesthetics #DesignInnovation #LuxuryLighting

Lodes, an Italian lighting pioneer, in collaboration with German design studio GECKELER MICHELS, is set to launch MAP, an innovative ceiling and wall lighting system during Milan Design Week 2025. MAP represents a new approach to lighting design, emphasizing creative freedom and emotional connection through light. The system's core innovation is a highly decorative conductive tape that simultaneously powers the entire system and facilitates limitless design configurations. This tape not only directs light but also evokes the imagery of celestial constellations, placing a romantic and visually engaging theme at the heart of the lighting concept. Founded in 1950, Lodes has a long-standing commitment to mastering light, a passion that is evident in MAP. The system reflects Lodes' evolution, embodying a refreshed brand identity that embraces change while retaining its fundamental values. MAP's design allows for significant adaptability, catering to various environments from residential to commercial spaces. Its conductive tape enables the free arrangement of luminous points and lines on ceilings and walls from a single power source, offering architects, interior designers, and lighting professionals unprecedented design flexibility. This adaptability facilitates the creation of dynamic compositions that both illuminate and aesthetically enhance a space. MAP is available in three matte finishes: black, champagne, and natural brown, which can be applied to both the modules and the tape for a cohesive and integrated appearance. The system's circular starting module houses an LED board with tunable white technology, allowing users to select the optimal color temperature during installation. The lighting modules, serving as fixed anchoring points, feature fabric bands that wrap around them, creating a minimalist yet fluid aesthetic. The fabric tape runs through each module, distributing power seamlessly from the primary module while concealing the power source. The tape comes in an 8-meter reel, 5 cm wide, equipped with specialized conductors, ensuring even power distribution even in the absence of additional ceiling or wall power sources. Each MAP module measures 130 mm in diameter and 63 mm in height and is fitted with a PMMA lens available in different variants to meet diverse lighting needs, from focused directional light to diffused ambient effects. The lens is magnetically sealed within the module, ensuring a harmonious fit. Customization is further possible with an optional honeycomb filter that can be applied to the lens to improve lighting comfort and reduce glare. The system's scalability varies by version: the TRIAC version supports up to five elements, while the DALI version accommodates up to eight. Beyond these, MAP is infinitely extendable by connecting a non-conductive tape to a starting module powered by a separate circuit, allowing for an unlimited number of light points. MAP addresses common design challenges, such as low ceilings or insufficient ceiling lighting points, by enabling the connection of a dedicated starting point to the wall. This non-illuminated module, equipped with a cover and an angular mounting bracket, blends seamlessly with the other components. The system also supports an indirect wall lighting application, where a screen directs and diffuses light onto the wall, creating a visual effect similar to the ceiling-mounted version. GECKELER MICHELS, the design studio behind MAP, known for its functionalist approach and focus on human behavior and storytelling, contributed to the system's innovative and emotionally resonant design. The studio, founded by David Geckeler and Frank Michels in 2013, draws inspiration from design history, contemporary technologies, and digital design techniques. MAP is scheduled to debut at Lodes’ exhibition at Euroluce 2025 during Milan Design Week, where Lodes will also showcase other innovative products, including its Standard Bespoke and Out of Scale solutions, and a new outdoor collection. #LightingDesign #MilanDesignWeek #InteriorDesign #ModularLighting #InnovativeMaterials #GECKELERMICHELS #Lodes #DesignInnovation #CustomizableLighting

The Ebe collection, designed by Nicola Gallizia Design Studio for Masiero, draws inspiration from the reflections of the moon and is named after the goddess symbolizing youth and moonlight. The collection aims to create a warm and intimate atmosphere in contemporary homes through its unique design and material choices. The design process began with a formal and functional idea, evolving through continuous dialogue with the manufacturing company, Masiero, highlighting the importance of collaboration in design development. A central feature of the Ebe collection is the use of galvanized colored steel fabric. This material choice is deliberate, as it filters and modulates light to produce an effect that is both magical and rich, embodying Nicola Gallizia’s design philosophy of synthesis to enhance the value of materials and the illuminating function of the product. The collection’s aesthetic is characterized by its essential lines contrasted with the richness of its materials, allowing it to harmoniously interact with diverse decorative and architectural elements within a space. From the designer's perspective, the Ebe collection introduces a softer design language to the Masiero catalog, catering to the evolving needs of contemporary living. Modern homeowners are increasingly seeking warm, welcoming, and serene domestic spaces that reflect their personal style. Therefore, the lighting in these homes needs to be warm, delicate, and possess a magical quality, which the Ebe collection aims to provide. The versatility of the Ebe collection makes it suitable for various environments within a home. Its design, reminiscent of a jewel-object, is particularly well-suited for minimalist settings but can also complement other styles. The collection's ability to engage in a dialogue with surrounding elements due to its material richness and clean lines allows for aesthetic synergy, making it an adaptable choice for architects and interior designers. The collection stands out for its capacity to blend into different interior design schemes while offering a distinct character inspired by celestial luminescence. The collaboration between Nicola Gallizia Design Studio and Masiero has resulted in a product that is not only visually appealing but also versatile and adaptable, aligning with modern preferences for personalized and intimate living spaces. The Ebe collection is presented as an evolution in lighting design, offering a blend of classical inspiration and contemporary application to enhance the ambiance of residential interiors. #LightingDesign #InteriorDesign #NicolaGalliziaStudio #Masiero #MilanDesignWeek #HomeDecor #ContemporaryLighting #DesignCollaboration

Lucifer Lighting, a company that has grown from a family business to a global entity, is headquartered in San Antonio, Texas, on a 13-acre campus alongside Salado Creek. This facility serves as the hub for all creative processes, including design, assembly, prototyping, and management. The spaces are adorned with art, and the building offers access to 20 miles of walking and biking trails. In addition to its Texas headquarters, Lucifer Lighting expanded its presence by opening a showroom in San Francisco's Jackson Square in 2022, followed by its first New York City showroom in 2023. The company continues its expansion, with 2025 being particularly active, marked by the debut of its new decorative fixture, Stellaris, at Euroluce during Milan Design Week. Gilbert Mathews, the founder of Lucifer Lighting, discussed the evolution of their decorative fixtures. He noted that Stellar, their first decorative fixture, was launched in 2020 to commemorate the company's 40th anniversary. While Stellar is characterized by its elegance and modest scale, Stellaris, their latest creation, measures approximately 30 inches in diameter and is designed to command a striking presence, capable of defining the ambiance of a space independently. A key innovation in Stellaris is its ability to integrate both downlight and volumetric light within a single form. Mathews expressed particular pride in the patented fold design, which incorporates discrete, concealed LEDs within the waveguide, creating a mesmerizing effect that prompts observers to question the light source. Stellaris is slated for an official launch in September 2025. The Stellaris design comprises two primary components: a suspended enclosure featuring internally illuminated tubes and a translucent barrier that defines the fixture. This design was a collaborative effort with the architecture firm Gensler, which also designed Lucifer Lighting's showrooms. All of Lucifer Lighting's finished products are assembled in the United States, with 93% of the fixture components sourced from North America. Mathews emphasized the company's philosophy regarding architectural lighting, stating that “the best lighting is the kind that no one notices.” He explained that their architectural lighting can be customized with special baffles, kick reflectors, and discrete aiming and adjustment mechanisms, allowing for precise illumination without drawing attention to the light source itself. Their motto, “Design, Define, Disappear,” highlights this paradoxical approach where beautifully crafted fixtures are designed not to be the focal point. Mathews noted that this philosophy represents a departure from traditional American lighting product design, which he found to be largely utilitarian and purely functional. He drew inspiration from European lighting fixture design, appreciating its sleek aesthetic, and sought to elevate this approach through Lucifer Lighting's engineering and fabrication capabilities. He finds inspiration in the seamlessly integrated surfaces of sculptural forms, comparing them to fine watches, cameras, and Italian sports cars. The company's work has graced prominent hotels and flagship stores globally, including The Peninsula, The Standard, Four Seasons, Mandarin, St. Regis, Rosewood, and The Ritz Carlton, as well as retail spaces for Apple, Chanel, Cartier, Gucci, Louis Vuitton, Ralph Lauren, and Tiffany & Co. The company's name, Lucifer Lighting, originated from its first strip light, the Lucifer Light, derived from the Latin root "luciferous," meaning "light-bringing," a name that proved memorable and distinctive. #LuciferLighting #LightingDesign #MilanDesignWeek #Stellaris #ArchitecturalLighting #InteriorDesign #ProductInnovation #LuxuryLighting

The Random collection by Lodes, designed by Chia-Ying Lee, transforms lighting into an exercise of compositional freedom, offering a modular system to enhance various spaces. The concept behind this collection emphasizes light's role in shaping space, engaging with surfaces and materials, and redefining the perception of form and volume. This approach allows architects and designers to craft bespoke lighting configurations that complement furnishings, colors, and interior details. Central to the Random collection is Lodes’ "Standard Bespoke" philosophy, which involves a system of standardized elements that can be reconfigured to create original and dynamic lighting layouts. This philosophy allows for tailored compositions where the position, finish, and number of lights are integral to the design process. The collection is characterized by essential components: blown-glass spheres and ceiling canopies connected by thin metal cables, providing a flexible tool for designers in both residential and commercial settings. The evolution of the Random collection began with a collaboration with Taiwanese designer Chia-Ying Lee, initially featuring a composition of three spherical diffusers of varying sizes. This initial design has since expanded to include new expressive possibilities. Random Solo, for instance, offers single pendants or multiple compositions that form dynamic light constellations. Random Stick reinterprets the design along a horizontal axis, transforming light into an architectural element. Random Cloud groups transparent spheres to create an ethereal, floating effect, adding to the collection's versatility. The modularity of the system enables designers to combine lamps and ceiling canopies freely, resulting in custom compositions and tailored lighting solutions. This aligns with Lodes’ "Out of Scale" philosophy, which extends the bespoke approach to large-scale installations and immersive lighting solutions. These designs are intended for spaces requiring significant aesthetic and emotional impact, offering a platform for extensive personalization. Beyond aesthetics, Lodes provides continuous technical support to professionals, assisting them in optimizing performance and enhancing spaces through light. The brand is committed to developing the Random collection further, with plans to introduce an updated color palette. This expansion aims to align the collection with contemporary design languages, enriching its character while maintaining its core identity as a versatile and customizable lighting solution. #LightingDesign #LodesRandomCollection #ModularLighting #InteriorDesign #BespokeLighting #ArchitecturalLighting #HomeLighting #DesignInnovation #ChiaYingLee

Luminaire, an American design retailer, is hosting a retrospective exhibition in its Chicago showroom dedicated to the illustrious career of Italian architect and designer Antonio Citterio. This exhibition coincides with the design fair Neocon and serves to illuminate the intricate connections between design processes, final products, and overall design philosophy that characterize Citterio’s extensive body of work. The spotlight is cast upon his significant contributions to renowned brands such as B&B Italia, Vitra, and Kartell, among others. Throughout his remarkable career, Antonio Citterio has consistently prioritized a methodical approach over mere stylistic trends, cultivating a holistic design sensibility. This has led to the formation of enduring and special collaborative relationships with the companies he frequently partners with. The exhibition showcases a diverse range of Citterio's seminal pieces, illustrating the breadth and depth of his influence across various design categories. Notable inclusions are the sinuous ‘Mart’ lounge chair, originally designed for B&B Italia in 2003, and the ‘A.B.C’ club chair, which he created for Flexform in 1996. The scope of his work extends beyond furniture, encompassing gym equipment developed in collaboration with Technogym, lighting fixtures for Flos, and sophisticated bathroom fixtures for Axor. To provide a comprehensive understanding of Citterio's creative journey, the exhibition incorporates various multimedia elements. Videos and photographs offer insightful glimpses into the behind-the-scenes processes involved in the creation of his key pieces. Furthermore, additional imagery is presented to provide a broader context to his extensive oeuvre, featuring a selection of international architectural works that Citterio has brought to fruition over the years. These visual aids help visitors appreciate the multi-faceted nature of his talent and his consistent vision. Antonio Citterio has maintained a long-standing friendship and collaborative relationship with Luminaire. This partnership has manifested in several significant projects, including a 2006 fundraiser where Citterio adorned an Eero Aarnio ‘Puppy Love’ stool, and a distinctive paper installation at Luminaire's Miami showroom during Design Miami in 2008. These collaborations underscore the mutual respect and creative synergy between the designer and the retailer. In conjunction with the exhibition, Citterio is scheduled to deliver a lecture at the Museum of Contemporary Art Chicago on June 13. During this event, he will delve into the various aspects of his career, offering attendees a unique opportunity to gain insight into his creative process and design philosophy. The exhibition itself is open for public viewing until July 15, providing ample time for design enthusiasts and professionals to explore the enduring legacy of Antonio Citterio. Luminaire, located at 301 West Superior, Chicago IL 60654, serves as the venue for this significant retrospective, cementing Citterio's place as a pivotal figure in contemporary design. #AntonioCitterio #Luminaire #DesignRetrospective #ItalianDesign #FurnitureDesign #ArchitecturalDesign #InteriorDesign #Neocon #Vitra

This article showcases a curated selection of innovative lighting designs, originally featured in the October 2023 issue of Wallpaper* magazine, derived from highlights of Euroluce at Milan's Salone del Mobile 2023. The featured products span offerings from established brands like Lasvit, Cassina, and Flos, as well as independent studios such as Pelle and Ross Gardam. The presentation of these designs emphasizes a unique photographic approach, employing both digital and film techniques, with a particular focus on film photography to create optical contrasts and surface textures, exploring the interplay of light and shadow. Among the showcased designs is the 'Polaris' floor lamp by David Rockwell for Lasvit, part of the Constellation collection. Inspired by the celestial mural at Grand Central Terminal, this hand-crafted metal and glass lamp functions as both a dazzling focal point and a unifying element within any setting. Laurids Gallée's 'Pool 02' lamp, a limited-edition polymer resin light, explores the incorporation of traditional elements with experimental materials. This ice-blue lamp, which emits a warm yellow glow when illuminated, features a fluid shape and soft ridges that evoke the dynamic reflections of light on water. Herzog & de Meuron's 'Dreispitz' lamp, produced for Artemide, is a graphically appealing pendant available in black, silver, and a vibrant green. Originally conceived for the architects' Dreispitz project in Helsinki, this lamp can accommodate three distinct light sources that integrate into its triangular base, forming a clover-like profile. It offers various lengths and lighting options, designed for environmental sustainability through its high efficiency, optimized industrial processes, and the use of partially recycled and recyclable materials. Dirk Winkel's 'W225 Ion' lamp for Wästberg represents a deceptively simple design, the culmination of extensive research focused on creating well-being through optimal lighting. Its core innovation is a sophisticated miniature friction joint with a cordless power connection, enabling 360-degree rotation. The lamp's versatility is enhanced by a choice of arm lengths, mounting options, and two optical systems, providing illumination for wide-angle workspaces or focused reading. The 'Vestige' table lamp by Ross Gardam and Peter Kovacsy aims to evoke a sense of wonder. This brutalist-inspired sculptural form features a solid parabolic cone of cast crystal glass, created by Peter Kovacsy, emerging from a rectangular base. The design celebrates the allure and texture of glass, with bubbles within the glass creating a speckled pattern when illuminated, and is paired with a raw aluminum base and a machined conical dimmer. Bocci's '44T' table lamp distinguishes itself with its unique, irregular aluminum canopy, formed through various processes like blowing, pouring, carving, and polishing. Each lamp is individual, reflecting Bocci’s research into dendrite-like shapes. A notable feature is the use of spherical light bulbs that glow without visible electrical cables, as low-voltage electricity passes directly through the cast metal structure. The 'Channel' lamp by Pelle, known for its 'Bubble' chandelier, addresses the practical need for illuminating large table surfaces while brightening the overall room. This ceiling fixture comprises a sleek horizontal body in waxed brushed aluminum, housing four lighting components—two upward-facing and two downward-facing beams—with thin steel cables serving as power conduits. Michele Groppi’s 'Vis à Vis' table lamp for Davide Groppi is designed to seamlessly integrate into any environment. Made entirely of transparent glass, from its thin cylindrical stem to its circular canopy, it appears to float lightly and is rechargeable, allowing for mobility without visible electric cables. Finally, Philippe Malouin’s 'Bilboquet' table lamps for Flos, his first design for the brand, are based on experiments with magnetic elements. Named after a 16th-century French game, the lamp consists of two colored cylinders connected by a magnetic sphere, allowing for flexible orientation and acting as a decorative element, designed to adapt to changing lighting needs throughout the day. Jordi Canudas' 'Dipping' pendant for Marset, inspired by an experiment of dipping a switched-on light-bulb in paint, features a brilliant white hand-blown glass globe, hand-dipped multiple times to create concentric rings of color in various hues, with different layers of paint moderating light intensity. The 'Bijou' pendants by Antoni Arola for Santa & Cole and the 'Eitie' table lamp and pendant by Tobia Scarpa for Cassina offer further examples of innovative design, with 'Bijou' providing exceptional lighting and reflections, and 'Eitie' offering reconfigurable luminous strokes through unique black metal circular connectors. #LightingDesign #InteriorDesign #Euroluce #SaloneDelMobile #ProductDesign #ArchitecturalLighting #ContemporaryDesign #SustainableDesign #ArtisanCraft

The Crea collection by Spanish lighting brand Vibia offers a customizable range of pendant, ceiling, and wall lights, designed to allow designers to tailor lighting solutions to specific spaces. Each light within the collection is presented as a kit of parts, enabling online customization. A prominent feature of the collection is Arik Levy's Wireflow LED pendant light, characterized by its geometric arrangement of black cables. The Wireflow series is available in several versions, including the Wireflow Chandelier, Freeform, and Lineal. The Chandelier model incorporates between 20 and 43 diffusers, providing a significant light output. The Freeform version offers flexibility, allowing individual vertical elements to be configured into larger, expansive light installations, catering to diverse spatial requirements. The Lineal variant is a simplified, flattened adaptation of the chandelier design. Another significant piece in the Crea collection is the Match lighting fixture, conceptualized by Jordi Vilardell and Meritxell Vidal. This fixture, described as a "customizable chandelier" by Vibia, features light rods that can be arranged into various sculptural forms. Vibia emphasizes that Match serves both as a sculpture and a lamp, giving professionals the freedom to create ordered or chaotic compositions that integrate seamlessly with the available space, ultimately forming a focal point within the environment. Martin Azúa's Halo chandelier introduces circles and lines into its design, offering a distinct aesthetic. For larger spaces requiring substantial lighting installations, Pete Sans' Ameba pendant light can be assembled into grand, organic shapes, providing both illumination and a strong visual presence. Arik Levy also contributed the Rhythm fixture to the collection, which uses a series of sticks that can be angled and arranged to form dynamic, wave-like structures. Ramón Esteve's contributions include the Link and Link XXL ceiling light collections, which consist of an array of cubic volumes of varying sizes, allowing for modular and scalable ceiling illumination. The wall light series within Crea features Xuclà's Set, composed of rectangular blocks that can be positioned at different angles to create textured light effects. Jordi Vilardell's Puck Wall Art presents spherical discs for a softer, more diffused wall lighting option. Additionally, Arik Levy's Fold sconce enables designers to create mosaic-like light patterns on walls, while Ramón Esteve's Origami series offers elements that can be grouped into diverse shapes, adding an artistic dimension to wall lighting. This comprehensive collection underscores Vibia's commitment to providing versatile and designer-centric lighting solutions. #LightingDesign #CustomizableLighting #VibiaCreaCollection #ArikLevy #JordiVilardell #ModularLighting #InteriorLighting #ProductDesign

Designer Lee Broom launched his new 'Optical' lighting collection by transforming his studio's delivery van into a mobile exhibition space. This innovative concept, named 'Salone del Automobile,' involved meticulously designing the van's interior to resemble a traditional Italian palazzo. The transformation included painting the van's interior in Broom's signature grey, and adding ornate Corinthian columns, architraves, and stuccoed details, complemented by an illuminated floor. This elaborately decorated van served as a dramatic backdrop for the new monochromatic lighting fixtures. The 'Salone del Automobile' embarked on a journey from Broom's London headquarters to Milan, where it was showcased at various prominent locations during Salone del Mobile, including Brera Design District, Spazio Rossana Orlandi, ZonaTortona, San Gregorio Docet, and Ventura Lambrate. This unconventional exhibition strategy allowed the collection to reach a wider audience and provided a unique viewing experience, highlighting the pieces within an unexpected, yet grand, setting. The 'Optical' lighting collection itself features illuminated globes adorned with graphic, linear patterns. These designs are asymmetrical, creating a dynamic visual effect where their appearance shifts depending on the viewer's angle. Broom drew inspiration for this collection from his own experiences in the early 1990s, specifically recalling his use of monochrome graphics when decorating his bedroom. This personal connection to the design imbues the collection with a sense of nostalgia while maintaining a contemporary aesthetic. The collection is characterized by its stark black and white palette, which further emphasizes the graphic quality of the patterns. Each piece is designed to create an interplay of light and shadow, enhancing the 'optical' illusion and making the fixtures captivating from all perspectives. The installation within the van was carefully orchestrated to maximize this effect, presenting the lights as functional art pieces within a curated, mobile environment. This method of presentation not only served as a launch for the 'Optical' collection but also demonstrated a creative approach to exhibition design in the competitive world of furniture and lighting. By bringing the showroom directly to the audience in an artistic and memorable way, Lee Broom successfully generated significant attention and discussion around his new works, solidifying his reputation for innovative design and marketing. #LeeBroom #LightingDesign #SaloneDelMobile #ProductLaunch #ExhibitionDesign #OpticalLighting #MilanDesignWeek #InteriorDesign

Konstantin Grcic’s 'OK' lamp, designed for Flos, represents a contemporary evolution of the iconic 'Parentesi' lamp, originally conceived by Pio Manzù and later adapted by Achille Castiglioni. The 'Parentesi' lamp, launched by Flos in 1972, addressed the need for a versatile light source that could move vertically and rotate horizontally, a concept that has remained in continuous production for decades. Grcic's 'OK' lamp reinterprets this historical design in light of significant advancements in lighting technology, particularly the shift from conventional bulbs to modern LED solutions. He describes this project as an opportunity to pass on the 'Manzù-Castiglioni torch' to the future, embracing the idea that contemporary lamp design now involves engineering the light source itself, rather than merely designing around a pre-existing bulb. The 'OK' lamp manifests as a flat, circular, light-emitting disk, suspended from a wire that runs from ceiling to floor, effectively acting as a rail. The name 'OK' playfully combines the circular 'O' shape of the lamp's head with the first initial of its German designer, Konstantin Grcic. This design showcases Grcic’s characteristic blend of technological innovation, aesthetic sensitivity, and a preference for pure, unadorned forms. His approach integrates a passion for new technologies and materials with a deep respect for design history, resulting in a product that is both avant-garde and steeped in tradition. A key aspect of the 'OK' lamp's redesign is the transformation of the original light bulb into an ultra-flat LED surface. This LED surface incorporates edge-lighting technology, allowing for a 360-degree directionality of light. The functional elements of the 'Parentesi' have also been modernized; the original lamp's distinctive parenthesis-shaped tube, which enabled vertical movement along a steel cable, has been replaced by a compact, rectangular box in the 'OK' lamp. This new component discreetly houses the electronic elements and a soft-touch switch, streamlining the design while maintaining its core functionality. Furthermore, the cylindrical weight found at the base of the 'Parentesi' has been re-envisioned as an easier-to-install cone shape for the 'OK' lamp. The only element that remains unchanged from Castiglioni's original design is the small, elegantly spun metal ceiling rose, a testament to its timeless form. The 'OK' lamp is offered in several finishes, including white, black, yellow, and nickel, providing options to suit various interior aesthetics. It is a direct light lamp with an adjustable cast aluminum head, finished with a glossy paint. The vertical mobility of the head is facilitated by an internal structure that scrolls along the steel cable. The soft-touch technology enables intuitive on/off switching. The light source for the 'OK' lamp is a single edge lighting technology unit, delivering 1035 lumens in total, with a color rendering index (CRI) of 85 and consuming 23 watts. The lamp's official presentation occurred at the Flos stand during Euroluce, part of Milan Design Week, demonstrating its prominence as a significant new offering in contemporary lighting design. This innovative series successfully bridges historical design principles with cutting-edge technology, offering a modern interpretation of a classic lighting solution. #KonstantinGrcic #Flos #OKLamp #ParentesiLamp #LEDLighting #ProductDesign #IndustrialDesign #MilanDesignWeek #HomeLighting

Giopato & Coombes, a lighting studio based in Treviso, Italy, was founded in 2014 by Cristiana and Christopher. Both partners, an architect and a designer by profession, gained extensive experience working for other companies before establishing their own studio. Their first collection, launched in the same year, aimed to create multi-sensorial objects with a magical quality. The studio's recent 'Fragments of Infinity' exhibition, held at their own gallery during Milan Design Week, showcased their unique approach to lighting design. The design philosophy of Giopato & Coombes integrates Venetian artisanal craftsmanship with advanced lighting technology. This blend results in pieces that appear to defy gravity and time. The core materials used in their creations are glass, brass, and marble, meticulously detailed to achieve an ethereal aesthetic. To enhance the otherworldly feel, the designers incorporate hidden elements such as Kevlar, aeronautical-grade stainless steel, and 3D printing techniques, along with concealed light sources. The founders articulate that their passion drives them to explore and innovate within their chosen materials, pushing the boundaries of conventional design. This dedication leads them to create objects that, while unconventional, might evoke a sense of familiarity or connection to the past. Their work emphasizes a deep investigation into the 'mix of ingredients' to continuously evolve their designs and face new creative challenges. The exhibit featured various installations demonstrating these principles. Large, sculptural lighting fixtures, often suspended or freestanding, were displayed within a minimalist space, allowing the intricate details and interplay of light and material to take center stage. The use of reflective surfaces and carefully positioned lighting created an immersive experience, highlighting the 'fragments of infinity' concept by manipulating perception and space. Cristiana and Christopher's dedication to merging traditional artistry with cutting-edge technology defines Giopato & Coombes' distinctive aesthetic. Each piece in the 'Fragments of Infinity' collection is a testament to their commitment to innovation, blending the tangible with the intangible to create lighting objects that are both functional and artistic. The exhibit provided a comprehensive view of their studio's creative output, emphasizing their ongoing exploration of form, light, and material through a blend of engineering and artistic expression. #LightingDesign #GiopatoCoombes #MilanDesignWeek #HomeFurnishings #ItalianDesign #ArtisanalCraftsmanship #ContemporaryLighting #ProductDesign #DesignExhibition

The role of fine art in shaping contemporary interior design is expanding beyond traditional wall art, with designers increasingly incorporating sculptural forms into their spaces. This trend extends to statement design objects such as distinctive sofas, vibrant rugs, and particularly, glimmering light fixtures, which introduce unusual textures, colors, and patterns. Corbett Lighting, a brand known for its innovative offerings, exemplifies this approach by drawing inspiration from diverse artistic and cultural sources, including galleries, museums, fashion shows, and luxury ateliers. The brand's designs aim to create timeless yet modern styles, often channeling aesthetic traditions like mid-century Italian design into eye-catching fixtures. Corbett Lighting's commitment to quality and artistic vision is evident in its use of premium materials. The company incorporates handblown Venetian glass, rich Spanish alabaster, and top-grade Brazilian rock crystal, pushing boundaries in terms of appearance, functionality, and durability. Their product line includes a variety of pendants and sconces, each designed to serve as a focal point within a space. These fixtures are not merely functional light sources but sculptural elements that contribute significantly to the overall aesthetic. Among their notable pendants, 'Calligraphy' features sculptural iron bands that create dramatic shadows, enveloping two LED engines. 'Element' showcases smoked and plated glass bulbs meticulously balanced on a handcrafted iron structure, finished in Vienna bronze. 'Graffiti' is characterized by artistically twisted iron ribbons, finished in silver leaf, which encase illuminated crystal diffusers, offering a blend of raw artistry and refined light. 'Metropolis' presents a distinctly modern design with handcrafted iron cubes surrounding an LED bulb, emphasizing clean lines and contemporary form. 'Motif' combines convex Italian glass with lustrous gems within an iron framework, finished in gold leaf with stainless accents, presenting a luxurious and intricate design. 'Piet' uses polished stainless-steel stems to support a variety of glass shapes—round, elliptic, and tapered—creating a dynamic and sophisticated composition. 'Pulse' features iron mesh screens that form a sculptural, ruffled body, enhanced with a hand-applied gold leaf finish. 'Sauterne' elegantly positions gold-speckled Venetian glass staves around a candelabra light source, evoking classic charm with a modern twist. Finally, 'Theory' draws direct inspiration from mid-century Italian design, forming a multidimensional shape through alternating glass and gold-leaf iron rods around an LED. In addition to pendants, Corbett Lighting offers a range of expressive sconces, including variations of 'Pulse' and 'Motif'. These sconces continue the brand's signature use of handcrafted iron, textured glass, polished stainless steel, and gold leaf details, ensuring a cohesive and high-end aesthetic across their product portfolio. The brand's creations are designed to be more than just lighting; they are art-inspired fixtures that enhance the ambiance and visual appeal of luxury interiors. #LightingFixtures #StatementLighting #InteriorDesign #LuxuryInteriors #CorbettLighting #ArtInspiredDesign #DesignInnovation #SculpturalLighting #PremiumMaterials

Lighting design encompasses the strategic use of illumination to achieve both practical functionality and aesthetic appeal in various environments. This field involves the selection and arrangement of both artificial light sources, such as lamps and light fixtures, and enhanced performance lighting systems. The ultimate goal is to improve the visual impact and overall ambiance of a designated area. The scope of lighting design extends to diverse applications, including interactive lighting series that utilize air pressure to activate inflating lamp structures, showcasing innovative approaches to dynamic illumination. Other creative examples include upcycled lighting collections that blend vintage object parts with natural wax, offering a sustainable and artistic dimension to lighting. Designers are also reimagining traditional forms, such as Philippe Tabet's transformation of industrial bulkhead lamps into face-like fixtures, and Yusuke Kawai's modular 'Kawara' lighting crafted from Japanese roof tiles, demonstrating a fusion of heritage and contemporary design. Further advancements in the field involve the use of novel materials and technologies. Bacterial cellulose is being transformed into translucent, ruffled lighting sculptures, while 3D-printed ceramics by Jolie Ngo introduce vibrant and sculptural elements into lighting. Exhibitions like 'Nuts + Bolts' highlight the potential of everyday hardware store supplies to be repurposed into DIY lighting solutions, emphasizing accessibility and resourcefulness. Artists like Carmen D'Apollonio create glass and ceramic characters that illuminate spaces, blurring the lines between art and functional lighting. The 'WA' upcycled table lamp, made from retired Tokyo train parts, exemplifies innovative reuse in design. Technological innovations also play a crucial role, as seen in WINT design lab's collaborative effort to create a lamp that adjusts brightness through a stretchable textile interface. Custom-made LED walls, such as those found in Huit Sushi Restaurant in Montreux, demonstrate how lighting can dramatically shape commercial spaces. Installations like 'Blind Lucid Umbrella' by Tony Tao Li explore the symbolic and experiential qualities of blue light through LED modules. Designers like Karim+Elias use desert sand to create luminous wall lamps and sculptural vases, showcasing the artistic possibilities of natural materials. The field also explores historical and cultural influences, with Formafantasma reflecting on American domestic furniture archetypes through lighting design. Kurahito Craft's flexible and see-through lampshade covers, crafted from slabs of wood, illustrate a sophisticated approach to material manipulation. The continuous evolution of lighting design is further demonstrated by annual events such as Milan Design Week, where designers like Michael Anastassiades present modular lighting installations in historic settings, and Lachlan Turczan's interactive halo light sculptures are featured at Google's exhibitions. Studio Lugo's 'Anachron' furniture series, combining horsehair with steel, and A-POC ABLE ISSEY MIYAKE and atelier oï's innovative use of cloth and wire to illuminate spaces, collectively showcase the boundless creativity and interdisciplinary nature of contemporary lighting design. #LightingDesign #HomeDecoration #InteriorLighting #SustainableDesign #InteractiveLighting #InnovativeMaterials #ProductDesign #ArtisticLighting #SmartLighting

Melbourne-based designer Tali Roth has launched an 18-piece lighting collection with fabricator Mitzi, marking the second installment of Mitzi's Tastemaker line. Known for her unfussy yet chic aesthetic, Roth brings a grown-up whimsy to this collection, which includes chandeliers, sconces, and table and floor lamps. Her inspiration for the collection stems from a desire to create pieces that blend her love for vintage lighting with functional, real-life items she often struggles to find for her residential clients. The collection emphasizes sculptural forms and playful designs, making modern and distinctive lighting accessible. Key highlights of the collection include a variety of wall fixtures, many of which are designed as plug-ins, catering to renters and those seeking easy installation. Prices for these fixtures start at $158, offering an affordable entry point into designer lighting. Four specific wall sconces are featured: the 'Bea' 1 Light Wall Sconce, a brass cylinder design priced at $158, which Roth considers her favorite for its ability to elevate any space from gallery walls to reading nooks. Its eye-catching design makes it a versatile piece. The 'Leni' 1 Light Wall Sconce, costing $220, features a petal-shaped structure that directs light upward, creating a moody and relaxing glow suitable for bedrooms or other tranquil spaces. The design also cleverly disguises the large bulb when the light is off, as the shade matches the bulb's color, contributing to a seamless aesthetic. The 'Onda' 1 Light Plug-In Sconce, priced at $270, is characterized by its curvy lines and soft linen shade. Roth suggests installing these over a dining sideboard to illuminate meals or above a bar cart to highlight a collection, emphasizing their role in creating a cohesive vignette. Finally, the 'Issa' 1 Light Plug-In Sconce, available for $200 (originally $250), incorporates woven rattan, a popular material in current design trends like the '70s revival and coastal grandma aesthetic. This piece combines a contemporary feel with classic elements through its aged brass neck and base, and it also comes in a textured white finish. Its plug-in design means no electrician is required for installation, further enhancing its appeal for ease of use and versatility. The collection successfully merges affordability with designer quality, making stylish lighting accessible to a broader audience while maintaining Roth's signature aesthetic. #LightingDesign #HomeDecor #InteriorDesign #TaliRoth #MitziLighting #AffordableDesign #SculpturalLighting #WallSconces #ModernLighting

Arteriors, in collaboration with design and architecture firm Workshop/APD, has launched a new collection of 54 lighting and decor pieces. This partnership marks Arteriors' first venture with a design and architecture firm, showcasing a distinctive minimal aesthetic that diverges from its past traditional offerings. Workshop/APD's 'crafted modern' approach is evident throughout the collection, which is designed for both residential and commercial interiors. The conceptual foundation of this collection, termed 'meaning in making,' emphasizes traditional techniques such as glazing, rolling clay, and slumping or etching glass. Andrew Kotchen, founding principal of Workshop/APD, highlights the collaborative nature of the project, which leveraged the diverse creative perspectives within his firm and the expertise of Arteriors' team and global network of craftspeople. The resulting collection aims to strip away unnecessary embellishment, focusing instead on technique, materiality, simplicity, and scale. Andrew Kline, design director and senior associate at Workshop/APD, along with product designer Ruoxi Wang, prioritized the creation of versatile pieces. This versatility allows the items to transcend various design typologies, styles, and regions. The lighting elements form the core of the collection, with each sconce and pendant designed to function effectively both as a standalone accent piece in a residential setting and in multiples or combinations within complementary styles. Matthew Berman, another founding principal of Workshop/APD, underscores the multifunctional aspect of each piece, offering designers significant flexibility to incorporate them into a wide range of projects. The collection includes various lighting fixtures such as sculptural sconces, linear chandeliers, flushmount lights, and pendants, alongside decorative items like candlesticks, trays, and mirrors. The Workshop/APD for Arteriors collection is part of Arteriors’ Spring/Summer 2021 Collection. It is available for purchase online and at Arteriors’ showrooms located in New York, Dallas, Los Angeles, and London. The collaboration aims to provide a compelling offering that combines modern design principles with handcrafted artistry. #LightingDesign #HomeDecor #ModernDesign #InteriorDesign #CollaborativeDesign #Arteriors #WorkshopAPD #HomeFurnishings #CraftedModern

British design brand Tom Dixon and Austrian manufacturer Prolicht have unveiled their new 'Code' collection of LED track lights at the Virtual Design Festival (VDF). This collaboration introduces a unique approach to lighting design by celebrating, rather than concealing, the electronic circuits and components that are typically hidden within conventional track lighting systems. The 'Code' collection features bare LEDs mounted on printed circuit boards (PCBs), allowing for various configurations to create visually striking and graphic lighting sculptures. The genesis of this partnership began with a shared vision between Tom Dixon and Prolicht's founder, Walter Norz, to innovate within the track lighting sector. Their discussions, which started in Innsbruck, focused on developing a minimal track system that would strip away unnecessary embellishments and highlight the intrinsic beauty of the light engine itself. Tom Dixon expressed his curiosity regarding the prevalent industry practice of concealing these intricate and ubiquitous circuit boards, questioning how to showcase their simple yet complex aesthetics. The 'Code' collection offers designers and architects a versatile kit of parts, enabling infinite possibilities for creating customized lighting solutions. The LED light sources are available in three distinct shapes: Dot, Dash, and Grid. These can be combined to form various light structures, including blocks, spheres, strips, or columns of light. This modularity allows for a high degree of creative freedom in tailoring lighting arrangements to specific spaces and design intentions. The collaboration between Tom Dixon and Prolicht was characterized by a mutual reliance on each other's strengths. Prolicht contributed its extensive expertise in light engineering, while Tom Dixon provided the overarching design vision. This synergistic approach resulted in a collection that is both technically sophisticated and aesthetically decorative. Walter Norz, CEO of Prolicht, highlighted the swift and effective connection with Tom Dixon and his team, emphasizing that 'Code' exemplifies their collaborative spirit, producing something that neither party could have achieved independently. The collection is a testament to the successful merger of diverse backgrounds and complementary skills, culminating in a product that redefines the aesthetics of functional lighting. #TomDixon #Prolicht #CodeLighting #LEDTrackLights #LightingDesign #VirtualDesignFestival #ProductLaunch #HomeDecoration #CircuitBoardAesthetics