West Cornwall Designer Michael Trapp Turns His Wanderlust Into A Distinctive, Baroque Mix

This article offers a virtual tour of 14 spectacular homes belonging to renowned artists and architects around the world. These residences, usually open to the public but now virtually accessible, provide a glimpse into the personal spaces and creative environments that shaped these influential figures. The article highlights unique architectural styles, interior designs, and personal touches that reflect each artist's personality and work. The tour begins with Frederic Church's Olana in New York's Hudson Valley, a 19th-century landscape painter's home that blends Victorian and Middle Eastern motifs. Oscar Niemeyer's Casas das Canoas in Rio de Janeiro showcases his signature curves and reinforced concrete, with organically positioned boulders integrated into the design. Frank Lloyd Wright’s Taliesin in rural Wisconsin is described as his architectural autobiography, an 800-acre estate that is now a UNESCO World Heritage site. Philip Johnson’s Glass House in New Canaan, Connecticut, features wraparound windows designed to integrate with the surrounding landscape, a meticulously sculpted environment inspired by a 17th-century painting. Duncan Grant and Vanessa Bell’s Charleston House in Sussex, United Kingdom, embodies bohemian charm with hand-painted cupboard doors, patchwork chintz curtains, and stenciled paisley walls, complemented by a vibrant garden. Frida Kahlo’s Casa Azul in Mexico City, the site of her birth, death, and many years of her life, is a cobalt-washed residence with chartreuse floors and bright white walls, showcasing local folk art, handmade ceramics, and pre-Columbian sculptures. Auguste Rodin’s La Villa des Brillants in Meudon, France, served as his workshop, business place, and home, filled with dazzling white sculptures. Jackson Pollock and Lee Krasner’s East Hampton home has remained untouched since Krasner’s death, featuring paint-splashed floors in the studio and an eclectic interior with a broken anchor and Krasner’s seashell collection. Georgia O’Keeffe’s home and studio in Abiquiu, New Mexico, radiates natural light and includes surprises like a rattlesnake skeleton, along with an extensive potager garden. Clementine Hunter’s modest cabin at Melrose Plantation in Louisiana showcases her prolific artistry, with thousands of paintings depicting daily life. Frederic Church's Olana, a Persian-inspired fortress, is rich with hues of mustard, cherry, and clay, lavishly draped in Turkish rugs and ornate frames. Jim Thompson’s teak Thai-style home in Bangkok, though not an artist's own work, houses an extraordinary collection of traditional Thai art. Sam Maloof’s 1952 California ranch-style home, relocated to Pomona, features treehouse vibes with redwood walls, a hand-carved spiral staircase, and whimsical stained-glass windows. Irma Stern’s The Firs in Cape Town, South Africa, is a colorful collage of portraits and tribal artifacts, painted in mint green, sunny yellow, and and vivid corals. Finally, Claude Monet’s home in Giverny, France, is famous for its poetic interior with a stream of copper pots in the kitchen and lemony yellow dining room, alongside his collection of Japanese art. #ArtistHomes #ArchitecturalDesign #InteriorDesign #CulturalTourism #VirtualTours #ArtHistory #HistoricHomes #TravelInspiration #GlobalArt

The article describes the transformation of a 24th-floor penthouse at the Alagon on Bayshore, spearheaded by luxury designer Rob Bowen. The design approach, termed “high gloss meets high fashion,” draws inspiration from fashion houses, Parisian salons, and cinematic interiors. The four-bedroom, 4.5-bath residence is conceived to function as both a comfortable family home and an impressive venue for entertaining. The design incorporates panoramic views of Tampa Bay from the primary suite and salon, utilizing minimal drapery and strategic lighting to blend the exterior with the interior. The foundational aesthetic of the penthouse is a high-contrast black and white palette, which is then overlaid with vibrant jewel tones such as magenta, eggplant, and emerald, along with gold accents to introduce dramatic flair. A significant technical hurdle during the project involved applying black lacquer on a large scale, a process where even minor imperfections could compromise the intended smooth finish. The interior features custom lighting fixtures by Gabriel Scott and Lindsay Adelman, which serve a dual purpose as functional lighting and sculptural art pieces. Textural depth and visual interest are achieved through various elements, including flocked houndstooth wallcovering, shimmering Lucite panels, woven metal drapery in the salon, and glass bead wallpaper with a gold-leaf overlay. Among the various meticulously designed spaces, the rotunda stands out as Bowen's personal favorite, characterized by its dramatic architectural presence, custom marble floors, and glossy black walls. Despite the opulent design elements, a key objective was to create a home that authentically reflects the clients' personalities while maintaining both livability and a visually unforgettable atmosphere. Specific areas of the penthouse are detailed further. The kitchen features a black and white scheme with bronze accents on columns and backsplashes, complemented by white cabinets from T2theS Design + Build. A handmade Gabriel Scott chandelier, an eggplant Minotti sofa, and kitchen stools upholstered in a kelly-green crocodile pattern add distinctive touches. In the dining room, an acrylic room divider by T2theS, designed to mimic waves, helps minimize visual distractions. This space is furnished with magenta Kyle Bunting Hide-upholstered chairs surrounding a Baxter table, all illuminated by a Lindsay Adelman chandelier. The salon offers stunning waterfront views framed by woven metal curtains, featuring a gold leather and black velvet Holly Hunt sofa, a Gabriel Scott chandelier, and a custom Kyle Bunting rug. The black, white, and gold theme extends into the primary bathroom, which boasts SICIS mosaic flooring and a custom T2theS makeup vanity with bronze and crystal hardware. The his-and-hers closets in the primary bedroom showcase French white oak flooring, stained black and sealed. His closet includes black lacquer drawers and hide wallcovering, while hers features a Maya Romanoff glass-beaded wallcovering with gold leaf accents. The primary bedroom itself incorporates the same beaded and gold leaf wallcovering, an upholstered faux-chinchilla headboard, a Bernhardt bed, a Mongolian lamb rug, and two Bernhardt nightstands, all contributing to the cohesive and luxurious design narrative. #HomeDesign #InteriorDesign #LuxuryInteriors #RobBowenDesign #PenthouseDesign #TampaBay #HighFashionInteriors #CustomLighting #TexturalDesign

Mumbai-based architecture firm MuseLab, founded by Jasem Pirani and Huzefa Rangwala, has ventured into product design, creating a unique series of wall hooks inspired by iconic architectural structures. The firm, established in 2014, views design as a problem-solving exercise, whether it involves large-scale buildings or smaller, everyday objects. Their latest product line demonstrates this philosophy by scaling down renowned architectural marvels into functional and aesthetically pleasing wall accessories. Piraani and Rangwala, who met as students in America, established MuseLab with a shared vision for collaboration and innovative design. Their studio in Mumbai, characterized by a perforated jali-inspired metal screen facade, reflects their commitment to material exploration and thoughtful design. The decision to create products, including the wall hooks, was not a deliberate shift from their architectural work but rather an organic outcome of creative downtime, allowing them to work on self-directed briefs and experiment with materials. The duo extensively explored various materials before settling on birch ply, which has become a signature element in all their creations, from their studio interior to their product range. This deep understanding and appreciation for birch ply are evident in the craftsmanship of their wall hooks, which combine their passion for architecture with their love for travel. The inspiration for these hooks arose from a desire to transform mundane wall accessories into decorative objects that retain visual interest even when not in use. The selection of architectural inspirations for the wall hooks was carefully considered, balancing aesthetic appeal with practical functionality. Iconic buildings like Le Corbusier’s Palace of Assembly from the Chandigarh Capitol Complex and Charles Correa’s Kanchanjunga Apartments were natural choices, admired by the designers since their formative years. The design process involved ensuring that the chosen buildings could effectively translate into functional wall hooks. For instance, the Empire State Building was deemed unsuitable due to its slender profile, while Oscar Niemeyer’s Mondadori building provided a more appropriate form. Michael Graves’s Denver Public Library presented a unique challenge, given Graves's use of vibrant colors, which needed to be adapted to the more subdued tones of birch ply. Each wall hook is meticulously laser-cut and then hand-assembled, showcasing MuseLab’s dedication to precision and detail. Beyond wall hooks, MuseLab has also diversified its product offerings to include coasters, trivets, notebooks, and hangers. These items similarly transform ordinary objects into sophisticated design pieces through their thoughtful conception and execution, highlighting the firm's ability to imbue everyday items with extraordinary design qualities. #MuseLab #ArchitecturalDesign #ProductDesign #WallHooks #BirchPly #LeCorbusier #CharlesCorrea #OscarNiemeyer #MichaelGraves #MumbaiDesign

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

This article features an interview with Vance Burke, a prominent interior designer known for his modern aesthetic that occasionally incorporates equestrian themes. Burke, who divides his time between Santa Monica and Palm Springs, has a rich background in design, having studied in New York and Paris and worked for notable firms like Donghia Associates and Parish-Hadley. He also worked for Jed Johnson, where he gained experience with high-profile clients like Mick Jagger and Richard Gere. Burke emphasizes a collaborative approach to design, working closely with both architects and clients to ensure a fun and stress-free process. The designer shares insights into his philosophy, stating that design is a continuous collaboration. He believes in creating a consistent experience, from the landscaping and architecture to the interior upholstery, rugs, and art, ensuring everything feels cohesive and unique. Burke highlights the importance of understanding and prioritizing client happiness, acknowledging that there isn't a single 'right' solution in design but rather multiple valid approaches. When it comes to integrating equestrian elements into modern interiors, Burke suggests starting with foundational elements that possess an earthy, organic integrity, such as reclaimed-wood floors or rough-cut stone. He advocates for juxtaposing these natural textures with sleek modern walls and a high-contrast, dressage-inspired color palette, perhaps using saddle leather, off-white linen, or dark navy and black accents, along with lacquered surfaces. For accessories, his mantra is "fewer, bigger, better," recommending select pieces like a Deborah Butterfield sculpture, a Susan Rothenberg drawing, minimalist black and white photography, or a Tang dynasty horse to continue the equestrian narrative. Burke also notes that equestrian clients are often passionate about their horses, sometimes prioritizing barn aesthetics over their own homes. Burke discusses the influence of fashion on interior design, particularly in color trends. He cites the 1980s equestrian style with its dark, jewel-toned colors like burgundy and emerald, and patterns such as paisley and plaid. He sees both fashion and interior decorating as a process of reinterpreting the past to create something new, combining classic and modern elements. He praises brands like Hermès for their ability to blend these aspects seamlessly. He also recounts a personal, albeit challenging, horse-riding experience during a ride-a-thon in India, where he rode Marwari horses, which ultimately deterred him from further riding. Looking ahead, Burke is venturing into furniture and fabric design, with plans for a new fabric line currently in its preliminary stages. He also humorously shares his "retirement plan." The interview was conducted by Carol Cohen Hodess, editor at large for Equestrian Living magazine, who has worked with Burke on her own homes. The full article originally appeared in "Equestrian Living June/July 2017." #InteriorDesign #EquestrianDesign #VanceBurke #ModernInteriors #DesignPhilosophy #HomeDecor #CollaborativeDesign #FashionInfluence #LuxuryLiving

In 2017, Charlie and Todd, along with their daughter India, moved into a 1930s Tudor house in Portland, Oregon. While the charming location and sweeping views were appealing, the home suffered from a series of hodgepodge renovations by previous owners. One of the two bathrooms, for instance, was so outdated with shiny brass fixtures, cracked floral tiles, and excessive recessed lighting that the family avoided using it altogether. A year after moving in, the couple enlisted Andee Hess of Osmose Design to transform their living space. The couple provided Hess with diverse inspirations, including carved cave interiors, Italian modernist furniture, and vibrant mosaic tiles. The consistent theme across their references was a desire for unique, non-generic designs. Hess embraced this challenge by conceptualizing a "hobbit fantasy," as described by Charlie. The kitchen, in particular, underwent a significant transformation. The existing white Shaker cabinets and butcher block counters were replaced with Tetris-like white oak cupboards featuring grooves and bumps instead of traditional hardware, allowing for foot operation. Charlie's preference for tile edges and tops led to the unconventional choice of tiled countertops, which required a skilled general contractor to execute the intricate cuts needed for the wavy surface. The flooring in the kitchen was also reimagined with glazed tiles laid in diagonal stripes with thick grout lines, creating an effect reminiscent of exterior pavers. This design was framed by a silver travertine border and toe-kick, highlighting the serpentine shape of the cabinets. The wall behind the stove received a floor-to-ceiling cream ceramic tile backsplash with floating shelves painted to match, a technique used to visually heighten the low ceilings. Undulating windows were adorned with inlaid strips of four different wood types. Local artist Scott Foster contributed a sculpted plaster vent hood. A double-tiered kitchen island became a focal point, featuring a sturdy Boos butcher block on its higher section and a chunky low table sculpture by Vince Skelly, which became a favorite spot for their daughter. Moving to the upstairs bathroom, the article highlights the controversial terracotta-hued faucet, which was intentionally chosen to complement an ochre tone in the custom mosaic floor. The manufacturer's allowance for selecting each stone color made the design process enjoyable for Hess. To balance the busy mosaic pattern, warm gray glazed wall tiles were installed. In the living room, Foster's expertise was again sought to plaster the fireplace surround in a complex concave curve, adorned with brown zellige tile. This installation, despite its difficulty, proved to be a valuable addition. A forgotten nook in the open-plan family room was transformed into a dining area, featuring a pointed archway and a tiered ceiling with wood inlay. A plush floating bench encircles a green onyx table, creating a new gathering space for the family to eat, read, and enjoy the view. #HomeTours #InteriorDesign #TudorRevival #KitchenRenovation #BathroomDesign #CustomCabinetry #MosaicTile #EclecticDesign #PortlandHomes

Dana Arbib, the designer behind the brand A Peace Treaty, has established a New York headquarters that serves as a physical embodiment of her globally-inspired aesthetic. After completing a two-year residency in the CFDA Incubator, which provided office space in Midtown Manhattan, Arbib sought a more distinctive environment for her brand. Her search led her to a pre-war building on cobblestoned Lispenard Street in Tribeca. The studio space was chosen for its blend of modern and rustic elements, a departure from the corporate office settings Arbib wished to avoid, thus preserving her creative freedom. A significant draw of the Tribeca studio was its existing floor-to-ceiling shelving and a functional rolling library ladder. These features proved ideal for displaying the myriad of objects Arbib collects during her extensive travels. Her journeys take her to diverse locations, from Pakistan to Peru and Turkey, where she sources textiles, learns traditional production techniques, and acquires unique baubles. The displayed artifacts include handwoven bags and accessories procured from an artisan market in Cuba, a custom-designed leather trunk from India, and a train case from London, now repurposed for transporting jewelry. The studio's decor also incorporates family heirlooms, such as a collection of masks from South Africa and Namibia dating back to the late 1970s, a piece of art by Israeli artist Michael Argov, and an Egyptian tomb statue. The design of the studio was not merely an accumulation of these global finds but was directly influenced by A Peace Treaty’s Resort 2017 collection. This collection drew inspiration from the rich legacy of woven African art, featuring crocheted caftans, scarves, and intricately embroidered textiles. This thematic connection is evident throughout the workspace, with numerous pieces from Africa, including baskets and handmade crafts, integrated into the decor. Most of the baskets in the studio are from Rwanda, with the exception of a leather-handled bolga basket crafted in Ghana. Arbib emphasizes that these elements celebrate traditional handmade techniques, a core value reflected in both the brand's collections and its workspace. The studio, therefore, functions not only as a functional workspace but also as a curated showcase of global artistry and Arbib's personal narrative of travel and cultural appreciation, offering an alternative to mass-produced decor. #HomeDesign #InteriorDesign #GlobalInspiration #TribecaStudio #DanaArbib #APeaceTreaty #TextileArt #CulturalDecor

The fashion brand Peter Pilotto, known for its vibrant and intricately embroidered clothing, has expanded its creative vision into the realm of home design with a three-storey takeover of a townhouse in Cromwell Place, South Kensington, London. This initiative is part of the Brompton Design District’s ‘Other Stories’ for the London Design Festival. The pop-up space, which includes elements of a gallery, a vibrant home, and a showroom, is an extensive iteration of a temporary space the brand previously opened nearby. Central to this installation are the colourful ‘Arnold Circus’ stools by Martino Gamper, a long-time collaborator and friend of the brand. These angular stools, originally featured in Peter Pilotto’s A/W 2017 show, are now available upholstered in the brand's distinctive fabrics, bridging the gap between fashion and furniture. The pop-up features an eclectic assemblage of exclusive designs from a host of artists and designers, reflecting the brand's personal inspirations and collaborations. The curated two-room space showcases furnishings previously seen in Peter Pilotto’s A/W 2017 runway show, which was inspired by domestic interiors. This includes a triptych of paintings by Peter McDonald, a geometric print sofa designed by Bethan Laura Wood, and colourful tufty rugs by Max Lamb. Co-founder Peter Pilotto explains that the installation aims to share the inspirations that surround them and their brand, replicating the feeling of being in their friends' homes or studios. The South Kensington installation also features a large dressing room with colour-blocked mannequins, clothes hangers, and fabric screens. The third floor displays the brand’s A/W 2017 collection, which includes embroidered tweed outerwear, velvet dresses with leaf details, and knitwear adorned with Peruvian motif patches. These fashion pieces are interspersed with artworks and furnishings by McDonald, Lamb, Wood, and Schmid McDonagh. Further enriching the space are delicate vases and jugs by glassblower Jochen Holz, who also designed a range of organic curving earrings for the brand’s current collection. Hand-knotted rugs made by artisans in Ecuador and graphic blankets spun from recycled yarns from previous collections also contribute to the eclectic decor. Artist Francis Upritchard, a long-term collaborator, created the ceramics displayed throughout the space. Upritchard has previously collaborated with Peter Pilotto on scarves and incorporated her illustrations into the brand’s S/S 2017 collection. The decision to integrate catwalk details into more permanent settings stems from Peter Pilotto’s desire for longevity beyond fleeting show sets. The space demonstrates how design elements can be translated into different, more enduring applications. Martino Gamper, a frequent collaborator, highlights the conversational and collaborative nature of their work, where Peter and Christopher infuse their sensibility into his designs. The project underscores the brand's appreciation for the slower, more considered pace of the design world, contrasting it with the rapid seasonal cycle of the fashion industry. The founders emphasize the importance of London's supportive creative community, fostering a continuous exchange of ideas and mutual interest among designers. #PeterPilotto #LondonDesignFestival #TownhouseTakeover #MartinoGamper #InteriorDesign #FashionMeetsDesign #CreativeCollaboration #TextileArt #BethanLauraWood

The Art Deco style, which originated in 1925, is celebrating its centennial in 2025. This enduring design movement, known for its geometric patterns, bold colors, and luxurious materials, continues to influence contemporary interior design. A century after its debut at the International Exhibition of Modern Decorative and Industrial Arts in Paris, designers are exploring innovative ways to refresh and integrate Art Deco into modern spaces while honoring its historical roots. This article gathers insights from five design experts on how they are adapting and reinterpreting Art Deco for the current year. One significant trend identified by designers is the incorporation of mirrored ceilings. Eddie Maestri of Maestri Studio emphasizes how decorating with mirrors, especially those with ornate curves, complements Art Deco's lavish aesthetic. He highlights a project featuring hand-painted floral wallpaper, curved burl wood panels, brass accents, and an opulent mirrored ceiling medallion, along with a distinctive architectural stone fireplace. This approach marries classic opulence with contemporary innovation, resulting in designs that are both timeless and strikingly current. Another evolving aspect is the fusion of lavish Art Deco elements with rustic decor. Designer Ali Mahon advocates for mixing natural, rustic textures and furniture with the bold, modern materials characteristic of Art Deco. She suggests combining 1920s chevron or zigzag patterns with 19th-century Swedish slag-board tables, or pairing a fan-back chair with a wicker trunk. The juxtaposition of a streamlined sofa in emerald green mohair with an industrial zinc garden table also exemplifies this blend, showcasing a move towards integrating bold and antique elements. The concept of 'Deco-Tech' is introduced by Juliette Thomas, who sees Art Deco evolving beyond nostalgia into a future-forward aesthetic. This involves laser-etching vibrant, geometric motifs onto contemporary materials like carbon fiber and recycled metals. The focus is on blending 1920s glamour with eco-conscious minimalism. Thomas suggests experimenting with lit features, such as luminous geometric panels powered by embedded LED arrays or high-shine surfaces, to create a playful sense of futurism while capturing Art Deco's inherent optimism. Metallic accents remain a cornerstone of modern Art Deco design. Mara Rypacek Miller, founder of Industville, notes that bronze, brass, and gold accents are essential for creating an elevated Art Deco feel. She recommends using these materials in furniture and lighting to establish cohesion within a space, complemented by a rich color palette in soft furnishings. Pendant lights and floor lamps with sleek lines and elegant curves are particularly effective in instilling a sense of Art Deco glamour. Lastly, globe pendants are highlighted as a key lighting trend for integrating Art Deco into contemporary interiors. Lior Kahana, operations manager at 123 Remodelling, points out that lighting is one of the most accessible ways to introduce Art Deco. While tiered chandeliers capture the era, Kahana advises clients to opt for cleaner silhouettes, such as brass chandeliers with frosted glass globes, to achieve a modern yet authentically Art Deco look. This focus on statement lighting aligns with current interior design trends. #ArtDeco #InteriorDesignTrends #HomeDecor #MirroredCeilings #RusticGlamour #DecoTech #MetallicAccents #GlobePendants #DesignInnovation

The article delves into the iconic Tulip table, a seminal piece of mid-century modern design by Finnish-American designer and architect Eero Saarinen. Saarinen’s primary motivation behind the creation of the Tulip collection, which included a stool and a chair, was his strong aversion to the visual clutter caused by numerous table legs in typical interiors. He famously sought to "clear up the slum of legs," a vision he realized in 1957 with the Pedestal Group, more commonly known as the Tulip collection. The table, in particular, gained significant influence and remains one of the most recognizable and successful furniture pieces of the mid-century period, as noted by Dominic Bradbury in his book "Mid-Century Modern Design: A Complete Sourcebook." Manufactured continuously by American furniture brand Knoll since its inception, the Tulip table is characterized by its sculptural single leg, or pedestal, crafted from enamelled aluminum. This pedestal resembles a wine glass stem, flaring gracefully as it connects to the floor and the underside of the round tabletop. Saarinen’s patent filing for the table emphasized the absence of angles, which he believed created a "restful and pleasing effect" for the observer, especially when paired with complementary chairs. However, Donald Albrecht, an architecture and design curator and author of a book on Saarinen, offers a differing perspective. Albrecht, who owns a white marble-topped Tulip table, finds that the table pairs better with other furniture pieces, such as Bertoia chairs, believing that a full set of Tulip tables and chairs can be "too much curving, too much sculpture." He attributes the table’s enduring success to its unique form combined with its versatility to integrate with diverse design elements. Saarinen’s work on the Tulip table coincided with his architectural projects, including the renowned TWA Flight Center at New York’s Idlewild Airport and the David S. Ingalls Rink at Yale University. Design historians frequently observe stylistic parallels between the sculptural curves of these architectural marvels and the fluid forms of the Tulip collection. The Tulip table was not only an aesthetic triumph but also a significant engineering challenge, embodying the era's futuristic outlook and ambitious approach to furniture design. The 1950s and '60s saw a revolution in table design, fueled by advancements in material and manufacturing technology, leading to the emergence of more single-legged tables post-Tulip. Despite its apparent simplicity, the Tulip table required extensive prototyping due to the difficulty of balancing visual lightness with structural sturdiness using the materials available at the time. Saarinen noted in his patent filing that the pedestal contours were not easily manufacturable by conventional methods, and traditional structures would render the table unstable and top-heavy. This engineering hurdle led to a notable design compromise: the inclusion of a round piece of white-painted plywood supporting the tabletop, a detail hidden on the underside. Albrecht humorously refers to this as a "kind of dishonesty," highlighting that Saarinen prioritized the visual effect over material purity, a trait the Eameses, for instance, might have avoided. Albrecht speculates that Saarinen’s designs, particularly the Tulip, might have influenced Danish designer Verner Panton's iconic chair, which became the first single-piece plastic chair in 1967. Saarinen, who died six years before the Panton chair’s production, would likely have explored all-plastic furniture had he lived longer. The article concludes as part of Dezeen’s mid-century modern design series, examining the style's ongoing relevance, key figures, and contemporary evolution. #EeroSaarinen #TulipTable #MidCenturyModern #FurnitureDesign #Knoll #DesignHistory #ArchitecturalInfluence #DonaldAlbrecht #Innovation

The practice of displaying art against curtained or upholstered walls is gaining traction in home design, blending modern aesthetics with the luxurious, layered look reminiscent of the Victorian Era. This trend is a departure from traditional white walls, offering homeowners new ways to personalize their spaces and engage with their art. Susan Barrett, president of Barrett Barrera Projects, advocates for this approach, viewing it as an exciting method for individuals to incorporate art into their daily lives. She notes that this style echoes historical preferences, such as art displayed against silk-covered walls, tapestries, or murals, creating a fresh aesthetic through the interaction of varied patterns and textures. Barrett, a proponent of maximalism, appreciates the dynamic interplay between these elements, suggesting that hanging art over murals or tapestries allows different design components to converse with each other rather than having one dominate the visual space. To enhance this layered effect, she often uses picture shelves in her exhibition spaces, providing both dimension and flexibility for rearranging artwork. For those inspired to adopt this design technique, creating cohesion and visual interest is key. Barrett suggests using a consistent ribbon, such as thick satin or grosgrain, to hang multiple pieces of art. This not only unifies the display but also introduces an additional layer of texture and decoration. She emphasizes the value of experimentation in wall ornamentation, believing that viewing art from novel perspectives can deepen appreciation. This method encourages homeowners to break away from conventional display norms and explore creative ways to integrate art into their living environments, fostering a more engaging and personal connection with their collections. Aaron Dains, from St. Louis Art Installers, confirms the rising popularity of this trend, though he notes it's not yet widespread. He observes that antique-style gold frames and oil landscapes, with their distinct brushstrokes, are particularly effective when juxtaposed against fabric backdrops, as the textural contrast enhances both the art and the wall covering. Dains highlights the importance of meticulous planning and execution, especially when dealing with delicate surfaces like upholstered or suede-covered walls, where minimizing marks and nail holes is critical for a polished finish. His team employs precise techniques, such as using laser levels to pinpoint exact hanging locations, ensuring that only necessary marks are made. While the installation of art against fabric-covered walls may require professional assistance for many homeowners, both Barrett and Dains encourage a playful and flexible attitude towards home decor. They emphasize that such design choices are reversible, allowing individuals to experiment without the commitment of major renovations. The underlying message is to enjoy the process of decorating, embrace different styles, and view art as a dynamic element within the home that can be rearranged and reinterpreted over time. This experimental approach allows homeowners to discover what truly resonates with their personal style and enhances their living spaces. #HomeDecor #ArtDisplay #InteriorDesignTrends #VictorianInfluence #Maximalism #TexturalDesign #ArtInstallation #HomeStyling #CreativeLiving

Martyn Thompson, a New York-based artist and the creative force behind Martyn Thompson Studio, has discovered an innovative approach to repurpose discarded materials, transforming his used drop-cloths and rags into a collection of woven tapestries and fabrics. This initiative, aptly named ‘The Accidental Expressionist,’ debuted at The Future Perfect in New York. The collection is notable for its jacquard-woven textiles and murals, which reimagine the incidental marks and stains left by the artist during his previous projects. Instead of being mere by-products, these elements are elevated and given new significance, becoming the central focus of the final artworks. The essence of ‘The Accidental Expressionist’ lies in its celebration of often-overlooked details and the expressive traces of the artist's creative process. Each piece in the collection encourages viewers to engage in close examination, revealing layers of colors and stains that coalesce into Pollack-esque splatters. Thompson meticulously collects and photographs these incidental marks, transforming them from discarded elements into purposeful components of his art. This process not only breathes new life into otherwise waste materials but also redefines their aesthetic and conceptual value within a fine art context. At The Future Perfect’s showroom, the versatile applications of this collection were showcased, demonstrating how these unique fabrics can serve as upholstery for furniture, be crafted into pillows, and even form bespoke lampshades. A standout example is the 'Quarry' lamp, a collaborative effort between Thompson and artist Dove Drury Hornbuckle. Hornbuckle hand-crafts the lamp's structure, which resembles stacks of ceramic shards, while Thompson’s studio provides the distinctive bespoke shade, featuring the collection's unique textiles. The 'Quarry' lamp is also available in a cast bronze edition, offering a variety of patinas. ‘The Accidental Expressionist’ collection thus embodies a powerful narrative of transformation and artistic vision, converting what was once considered refuse into objects of beauty and design. It highlights the potential for creativity to find inspiration and value in unexpected places, challenging conventional notions of artistic materials and processes. The collection offers a fresh perspective on sustainability in art and design, illustrating how an artist's personal history and working methods can be intimately woven into the fabric of their creations. The exhibition at The Future Perfect provided an immersive experience for visitors to witness the innovative use of these transformed materials in various interior applications, from large-scale murals to intricate lighting fixtures. #MartynThompsonStudio #AccidentalExpressionist #TextileArt #SustainableDesign #WovenTapestries #ArtisanCraftsmanship #InteriorTextiles #TheFuturePerfect #CollaborativeArt

This article offers an exclusive look into the interior design of 'Meraki Beauty & Wellness,' a salon and spa located in Lahore, co-founded by sisters Saba and Fatima. The establishment is presented as a tranquil retreat, offering a complete beauty experience in a Zen-like environment, strategically located away from the bustling commercial areas of Gulberg and near the burgeoning DHA Phase 5. The salon's interior design is characterized by a harmonious blend of modern and industrial elements, creating a stylish yet comfortable space. The designers deliberately moved away from opulent decorations like typical chandeliers and vibrant colors, opting instead for a minimalist, contemporary aesthetic that promotes serenity and inner peace. This approach is evident in the choice of a muted color palette and natural materials, which define the three distinct zones of the salon. The entry from the staircase area is designed as a dark transition space, leading into a lighter, more open main reception and hair styling area. The second floor features grey-shaded sofa seats for manicure and pedicure sessions, alongside separate rooms for makeup and massage. Additionally, three nail art stations are decorated in shades of navy blue, benefiting from natural sunlight and outside views. Strategic lighting plays a crucial role in enhancing the ambiance and highlighting key interior design elements. The second floor, in particular, exudes a bright and cheerful atmosphere. The owners, Saba and Fatima, emphasize the importance of hygiene, client satisfaction, and continuous in-house training, with Saba having completed multiple training courses in skin and hair from Dubai and New York. The waiting area provides ample seating, and the overall artsy design, infused with contemporary touches, is given a warm character through bright pops of pink and purple against a backdrop of black and grey, breaking potential monotony. The interior is also designed to optimize space, incorporating areas for Pilates and yoga classes, along with a small health bar, creating a homely setting for clients. Functionality and ease of maintenance are also key considerations, as demonstrated by the use of leather upholstered furniture and wall panels that are easy to clean. The decor maintains a simple and functional appeal, reminiscent of a traditional living room, yet includes occasional glamorous accents. Wrought iron encased lights contribute to the sophisticated look without being ostentatious, and subtle gold strokes add an elegant touch. Laser-cut separators and the salon's logo in gold and black serve as central design features. The sisters, strong advocates of minimalism, frequently intend to refresh the salon's look to provide a novel experience for their clientele, ensuring every detail is meticulously managed to offer a high-quality, personalized service. The spa area further exemplifies thoughtful space planning with wooden flooring, racks, and display furniture, complemented by planters and cozy sofas that create a soothing ambiance, catering to the city's style-conscious clientele. #SalonInteriorDesign #SpaWellness #LahoreBeauty #MinimalistDecor #ModernIndustrial #ZenEnvironment #PersonalizedService #SpacePlanning #ClientExperience

Draga Obradovic and Aurel K. Basedow, known as Draga & Aurel, are a design duo celebrated for their artistic approach to materials and composition, drawing influences from fashion to traditional craftsmanship. They are pioneers in upcycling, having started their journey by reinventing furniture and objects. An early open studio event, where people brought old furnishings for reinvention, quickly grew into a significant venture, leading them to establish Draga & Aurel in 2007. Their multidisciplinary studio and workshop focus on art, collectible design, and furnishings. Their debut at Milan Design Week two years later initiated collaborations with brands like Baxter, a partnership that continues to influence their design philosophy. According to Basedow, Baxter was instrumental in professionalizing their design approach. A significant milestone in their career was the launch of the Transparency Matters collection in 2019, which marked a departure from their earlier focus on vintage items and textiles. This collection utilizes resin as the primary material, valued for its interaction with light, and is continuously updated. Obradovic draws inspiration from everyday visual stimuli, capturing images to create mood boards that fuel her imagination. For their "Friday Five" feature, Draga & Aurel share five key inspirations. The first is artist Dan Flavin, whose work on light and color deeply resonates with their own. They admire his ability to transform a common object, the neon tube, into sophisticated art with a "maximalist" effect, despite its minimalist origins. They highlight a recent exhibition "Dedications in Lights" at the Kunstmuseum Basel, one of their favorite museums, and note a permanent installation in its yard. Secondly, they express their appreciation for Superduper, a "Made in Italy" brand from Florence known for its handmade hats. They are drawn to the brand's fresh, creative, and informal style, emphasizing that hats are essential accessories for both of them. Their third inspiration is Joseph Beuys, a German artist and sculptor and a significant figure in conceptual art. His quote, "Jeder mensch ein Künstler" (everyone is an artist), profoundly influenced their approach to painting and their belief in the universal expression of creativity. Beuys is also a reference point for expanding the meaning of art. The fourth point of inspiration is The Venice Venice Hotel. They describe Venice as a city that continually surprises them with its beauty. The hotel, housed in the renovated Ca’ da Mosto Palace overlooking the Rialto, is a synthesis of architecture, fashion, art, and design, showcasing influential avant-garde movements. It is an evocative place owned by the founder of Golden Goose. Finally, their fifth inspiration is their hometown, Lake Como. They find constant inspiration in this historic town, appreciating the peace, relaxation, and freedom the lake offers, particularly enjoying sailing and discovering hidden coves and villages. They feel fortunate to live in such a beautiful place. The article also showcases some of Draga & Aurel's works. The "Flare Collection," an exclusive project for Todd Merrill Studio, explores color and light refraction through Lucite, an acrylic resin. This collection is inspired by Jiyong Lee's study of color's three-dimensionality and Vasa Mihich's acrylic sculptures, focusing on the concepts of composition and breakdown of matter. It premiered at Design Miami in 2023. Their exhibition "Per Speculum in Aenigmate," in collaboration with Contemporary Cluster at Palazzo Brancaccio, Rome (2022), highlighted the dialogue between Aurel K. Basedow’s pictorial works and the duo's iconic design pieces. The exhibition title, drawn from a biblical passage, focuses on "mirror" and "enigma," reflecting their practice of material experimentation, artistic creativity, function, and aesthetics. The "Heritage collection" consists of one-of-a-kind upcycled pieces, born from their passion for vintage items. They collect original vintage furniture from thrift shops and markets, then reinvent them using techniques such as screen printing, embroidery, and resin covering, drawing from their backgrounds in fashion, textiles, art, and graphic design. Each item is restored in their Como atelier. Lastly, "The power of lighthearted design – Exhibition “Tinted Hues” at Nilufar, 2024" is a collaboration with Nilufar gallery, featuring a capsule of playful objects. This collection emphasizes resin, rounded shapes, and pastel shades, exemplified by their Bon Bon lamps, Dewdrops coffee tables, and Glaze table. #DragaAurel #DesignStudio #UpcyclingDesign #MilanDesignWeek #TransparencyMatters #DanFlavin #JosephBeuys #LakeComo #CollectibleDesign

The article explores five enduring interior design styles that top designers consistently favor, emphasizing timelessness over fleeting trends. These styles, while distinct, share a common thread of blending classic elements with modern sensibilities, prioritizing comfort, functionality, and a curated aesthetic. Brad Ramsey advocates for Contemporary design, distinguishing it from 'modern' by its intricate layering and ability to incorporate trending elements into a clean, neutral palette. This style is characterized by clean lines, natural materials, neutral colors, mixed textures, and simple, functional pieces accented by curated statement items. Lauren Lerner highlights Transitional design, which seamlessly combines traditional and contemporary elements. This approach results in balanced, inviting spaces with a neutral color palette of whites, taupes, and grays, serving as a serene backdrop for furniture and decor. Transitional design emphasizes comfort and functionality while allowing for unique, refined details and adaptability to changing accent pieces. Mikel Welch champions Modern Rustic, a style that merges vintage charm with modern sensibilities. It features unique vintage pieces, weathered wood, aged metal, and rough-hewn stone, set against a simple backdrop of earthy whites, blacks, beiges, greens, and rust. This creates a warm, inviting home that remains current regardless of passing trends. Sarah Barnard emphasizes Nature-inspired, biophilic design, which integrates natural elements like greenery, wood, and outdoor-echoing colors. This philosophy aims to create sustainable spaces that support well-being by connecting inhabitants with nature. Minimalist settings and ample natural light enhance the inherent beauty of natural materials and neutral, nature-inspired color palettes. Christina Richardson expresses a fondness for Coastal or Cape Cod style, particularly for its fresh, nautical feel and architectural symmetry. This style favors muted pastels, blues, and whites, with occasional yellow or green accents, and incorporates abundant texture to create a relaxed yet luxurious ambiance that can be replicated in any home, not just those by the sea. These five styles collectively demonstrate that truly cherished aesthetics are not short-lived trends but rather enduring looks that evolve subtly over time while retaining their iconic character and appeal. #InteriorDesign #TimelessStyle #HomeDecor #ContemporaryDesign #TransitionalDesign #ModernRustic #BiophilicDesign #CoastalStyle #CapeCod

James Baker's curiosity was piqued by a boxy building near the Baton Rouge Country Club, hidden behind a tall, vine-covered barrier, recognizing its departure from the traditional south Louisiana architectural style. One Sunday, he discovered the secluded home was for sale and scheduled an open house. This timing was serendipitous, as he and his wife, Marsha, had been contemplating building a new home. Upon visiting, they were immediately captivated by the property's design, which featured massive windows looking out onto a lush private garden and a dramatically designed pool. Within days, they made an offer on the house. The home’s appealing features—streamlined structural details, an open floor plan, ample space for art, and a seamless connection between indoor and outdoor living—are characteristic of the tropical modern architectural movement prevalent in Miami. The house, built a dozen years prior, reflected the original owner’s preference for this South Florida aesthetic. Consistent with tropical modern design, tall and wide windows and doors throughout the home offer expansive views of the landscape and water features. Polished marble flooring extends from the interior to the exterior, creating a cohesive and luxurious feel. The overall ambiance is Zen-like, filled with natural light, and conducive to relaxed living, offering a warmer interpretation of typical modernism. Despite their previous homes being more traditional, the Bakers found the contemporary vibe of this house perfectly suited for their extensive and growing art collection, which primarily consists of bold and abstract pieces. The home's empty white walls provided ideal gallery spaces for displaying art acquired during their travels, as well as works by Louisiana artists sourced through Ann Connelly Fine Art in Baton Rouge and Soren Christensen Gallery in New Orleans. For the renovation, the Bakers enlisted Todd Normand of Bernhard Normand Construction. The project involved relocating a bar nook in the main open room to a separate living area, adding a fireplace and bookshelves to the opposite side of the room, and redesigning the master bathroom to include a sleek vanity alcove. Designers Helaine Moyse and Patrick Tandy, long-term collaborators with the Bakers, helped integrate the couple’s existing classic furniture with new contemporary pieces. This blend is exemplified in the dining area, where an 8x8-foot abstract painting by Meredith Pardue is framed by Venetian glass sconces and paired with a weathered antique Spanish dining table. Marsha noted that the mix of antique and modern elements, encouraged by the designers, prevented the space from feeling overly contemporary, maintaining a sense of warmth. The existing kitchen, featuring contemporary glass, metal, and exotic wood cabinet panels, initially challenged Marsha’s preference for all-white kitchens. However, replacing the dark granite backsplash with a multi-hued linear version brightened the space, and she eventually grew to appreciate its unique style, especially noting James's enjoyment of cooking there. Marsha, alongside friends Stacey Davis and Stacy Johnson, recently launched Envy, a decorating firm that began with holiday décor and expanded into full-service design. Through Envy, Marsha sourced window treatments and other furnishings for their new home, adding personal touches to the already impressive structure. The couple also took on most of the landscaping themselves, incorporating ferns, elephant ears, and other tropical-inspired plants around existing palm trees, with some natural materials from Red Onion and additional trees from Steve Rowley of Hydro-Scapes. They enjoy working in the flowerbeds and spending evenings on their marble-floored porch, which remains shaded and comfortable, watching the sunset with their three dogs. The once-mysterious home has become a cherished, comfortable space for the Bakers. #ModernArchitecture #TropicalModernStyle #HomeRenovation #InteriorDesign #ArtCollection #OpenFloorPlan #OutdoorLiving #LouisianaHomes #BatonRouge

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco