Meridiani launches Plinto collection of sculptural dining tables

Interior Define, a furniture company known for its customizable modern seating and bed frames, has expanded its offerings with a new dining collection. This collection maintains the brand's focus on personalization, allowing customers to tailor their dining sets to better suit their individual spaces and aesthetic preferences. The new dining series features a streamlined table and upholstered chairs, designed with a helpful degree of customization in mind. The dining tables, available in round, square, and rectangle shapes, cater to various space requirements, with the smallest options suitable for compact apartments, seating two to four people. The tables feature a 45-degree beveled apron and are constructed from a dense engineered wood composite with a wood veneer finish. Customers can choose from four table finishes: walnut, oak, gray stain, and white. Further personalization extends to the table legs, with seven available finishes, including the four table finishes, plus matte brass, natural steel, and brushed stainless steel. The chairs in the collection offer even more design flexibility, with three distinct styles: the Art Deco-inspired Audrey, the clean and simple Dylan, and the kite-inspired Kit. Each chair style can be upholstered in dozens of fabric options. For the Dylan and Kit chairs, customers also have a choice of three leg styles—round dowel, tapered, and antenna—and three finishes: matte black, matte brass, and chrome. Pricing for the dining tables ranges from $900 to $1,400, while the chairs are priced between $350 and $600. A notable aspect of Interior Define's service is the inclusion of white glove delivery and furniture assembly with the purchase. This approach differentiates them from other online furniture retailers like Burrow and Floyd, which typically opt for flatpack shipping and require DIY assembly. To assist customers in making informed decisions, Interior Define provides several ways to visualize their furniture before committing to a purchase. One modern option is an iOS augmented reality (AR) app, which enables users to place virtual representations of the furniture within their own homes, similar to apps offered by Ikea and Anthropologie. For those who prefer a more traditional experience, the company operates four physical showrooms, known as Guideshops, located in major cities: Chicago, New York, Austin, and Los Angeles. These Guideshops allow customers to physically interact with the furniture and experience the quality and design firsthand. #Furniture #HomeDecor #CustomizableFurniture #DiningSet #InteriorDesign #OnlineRetailer #AugmentedReality #HomeFurnishings

The COVID-19 pandemic led to the cancellation of Salone del Mobile and Milan Design Week in 2020. However, ELLE Decor highlights a selection of new dining tables that would have been unveiled at the event, underscoring the dining table's renewed importance in home life. This piece of furniture has served multiple roles, from a home office desk to a center for intimate gatherings, reinforcing its status as a household staple. The article showcases eight innovative dining tables, each reflecting unique design philosophies and material uses. Salvatori's "Dining for Soul" table, designed in collaboration with Piero Lissoni and Food for Soul, emphasizes sustainability by utilizing reclaimed and recycled marble slabs. Nilufar Gallery reintroduces its inaugural Salone del Mobile design from 2010, the "Primitive Table" by Nucleo, now presented in vibrant colors instead of its original white. Stephen Burks' "Traveler Table" for Roche Bobois is an outdoor dining solution crafted from lacquered steel wrapped in colored cord, combining durability with aesthetic appeal. Tom Dixon's "MASS Dining Table" elevates a traditional form through its use of super-polished brass, creating a luxurious statement piece. L. Ercolani by Ercol's "IO Long Table," designed by Lars Beller Fjetland, merges Nordic design influences with Italian craftsmanship, available in ash and walnut. Armani/Casa's "Planet Tamo Dettaglio" round dining table highlights the distinctive grain of _tamo_ ash wood from northeast Asia, emphasizing natural beauty. Patricia Urquiola's "Anatra Table" for Janus et Cie features a stainless steel base and a marble top, designed for both indoor and outdoor dining. Lastly, Cesar's "Intarsio Rovere Mediterrano" is part of their Intarsio kitchen collection, showcasing wood and champagne aluminum finishes that aim to create a warm and inviting dining atmosphere. These designs collectively illustrate the diverse and evolving nature of dining table aesthetics and functionality in contemporary home design. #DiningTables #SaloneDelMobile #MilanDesignWeek #InteriorDesign #HomeDecor #FurnitureDesign #LuxuryFurniture #SustainableDesign #ModernDesign

This article explores the aesthetic and functional resurgence of round dining tables, emphasizing their unique qualities that set them apart from their rectangular counterparts. Round tables, with their inherent democratic and convivial nature, eliminate hierarchical seating arrangements and facilitate eye-level conversations, fostering a more intimate dining experience. Their edgeless design offers practical benefits, such as enhanced safety for households with children and improved maneuverability in compact spaces, allowing for easy expansion for additional guests and doubling as living consoles when not in use for dining. The symbolic significance of the circle, representing perfection, wholeness, unity, and harmony, is highlighted as a core strength of these tables. This inherent symbolism is often mirrored in the design, with many contemporary round tables drawing inspiration from nature and Oriental aesthetics, where natural materials, pure forms, and subtle asymmetries are key. The article showcases seven distinct designs from renowned manufacturers, each embodying these principles while offering unique features and material compositions. First, the Home Hotel system by Jean-Marie Massaud for Poliform features a round table with customisable concentric circles, available in wood, black elm, or white marble. Its modularity and natural material expression make it suitable for both residential and hospitality settings. Piero Lissoni's Grasshopper collection for Knoll International, inspired by jumping insects, presents tables with slender surfaces and balanced structures. Available in various materials like Rosso Rubino marble, glass, and different woods, its design emphasizes lightness and precision. Antonio Citterio's Alex collection for B&B Italia combines an extra-slim top with a solid base, featuring a distinctive "sawhorse" frame and sophisticated wooden tops with curved edges. Citterio also designed Zefiro for Flexiform, a collection of tables characterized by lightness and a slim central stainless steel leg, achieving harmonic solidity through material and form. Massimo Mariani's Notes for Living Divani, crafted from glass, wood, or concrete, showcases movement and geometry with three slender legs connected by metallic strips, creating dynamic visual perspectives. The table is made of tube-shaped iron with various chromatic finishes. Angelo Mangiarotti's More series for Agapecasa, updated with modern technology, emphasizes the top as a structural element, featuring one or more truncated conical supports. Available in various shapes, heights, and marbles such as white Carrara, black Marquinia, and green Alpi. Finally, Jean Novel's Li-Da dining table for Roche Bobois, with its pivoting top made of Daquacryl, pays homage to Chinese traditions, using the circle as a symbol of purity. Paolo Cattelan's Roll Keramik table, a monolithic design, features embossed lacquered steel legs and a marble-like top, showcasing technological advancements in mimicking natural stone textures. These selections collectively demonstrate how contemporary round dining tables blend functionality, symbolism, and natural inspiration into sophisticated design pieces. #RoundDiningTables #HomeDesign #NaturalMaterials #FurnitureDesign #InteriorDecor #ModernDesign #ConvivialSpaces #SpaceSavingFurniture #LuxuryFurniture

Domino has announced a collaboration with Lenox Corporation to launch a curated collection of dinnerware. This partnership aims to introduce vibrant and distinctly patterned tabletop items, catering to various design aesthetics. The inaugural Domino by Lenox line is designed to offer essential dinnerware, providing options for those seeking a complete new set or merely a few complementary pieces for their existing collection. The collection features three distinct patterns, each embodying a unique character while aligning with the core ethos of Domino. The first pattern, named Optique, is set to debut at New York’s Tabletop Market. Optique draws inspiration from the grid-like appearance of digital pixelation, featuring an ombre effect with gradient blues, purples, and pinks. This design is described as simultaneously contemporary and classic, appealing to a wide range of consumers. Kate Berry, Domino Style Director, revealed that the inspiration for Optique considered the typical Domino reader and market viability, including individuals registering for weddings or furnishing their first apartments. The concept for the ombre pixelation originated from observing cross-stitching gradients and the pixelated appearance of zoomed-in screenshots of colors. Despite its bold nature, the modern print is versatile and can be integrated into minimalist settings by pairing it with crisp white linens and simple table decor. To further accommodate a pared-back aesthetic, the Optique line also includes pieces in solid colors such as deep cobalt blue and soft peach, which are designed to create striking contrasts when layered. Berry emphasized the collaborative nature of the design process between Domino and Lenox, highlighting that the collection was conceived with various complementary ideas, including regular ombre, pixelated versions, and solid colors with contrasting borders. Following its initial showcase at the Tabletop Market, Optique will be available for purchase nationwide in the fall on Lenox.com, in the Domino shop, and at select specialty retailers. Two additional patterns, Technic and Gradiance, are also scheduled for release in the autumn. Technic is a vintage-inspired design that incorporates pale pinks, deep blue, and electric citron, reminiscent of retro arcade games. Gradiance offers a softer aesthetic with floral-inspired reds and pinks, presented in smudged brushstrokes that evoke the appearance of watercolors. Technic will be available at Bloomingdales, while Gradiance will be sold at Anthropologie. Michele Barbone, CMO of Lenox Corporation, expressed enthusiasm for the partnership, stating that it reinforces Lenox’s position as a leading tableware and entertaining company in North America. She also highlighted the potential for growth opportunities that this new dinnerware brand presents. Domino echoed this excitement, affirming that the collaboration successfully translates their passion for entertaining into a collection that is simultaneously timeless, modern, and enjoyable. #TabletopDesign #DinnerwareCollection #HomeDecor #ProductLaunch #DesignCollaboration #Lenox #DominoMagazine #InteriorStyle #TableSetting

The Japanese design studio Nendo, led by Oki Sato, has unveiled a new collection for the Italian marble furniture brand Marsotto Edizioni. This collection, named 'Seesaw,' features two side tables and a dining table, all designed to create a contradictory impression by juxtaposing the inherent heaviness of marble with an illusion of lightness. The core concept behind the Seesaw collection is to achieve simplicity through a subtle design gesture that makes the tabletops appear to float above their bases. This effect is meticulously crafted by tapering both the top surface of the marble base and the underside of the table. The tapering creates a visual disconnect, reducing the apparent mass of the solid marble and giving the impression that the tabletop is barely touching its support. This design choice aims to evoke a sense of lightness and poetry in a material traditionally associated with solidity and weight. A distinctive feature of the side table within the Seesaw collection further emphasizes this concept. In this particular design, the robust marble base is utilized to allow the tabletop to be asymmetrically offset. This asymmetric placement leverages the stability provided by the heavy marble base, enabling a seemingly precarious yet balanced arrangement for the tabletop. The design plays on visual perception, transforming the typical expectation of a rigid, symmetrically supported table into something more dynamic and ethereal. The use of marble, a natural material known for its density and substantial presence, is central to the collection's aesthetic and conceptual impact. By manipulating its form through tapering and careful balancing, Nendo challenges conventional perceptions of marble furniture. The 'softly rising' aesthetic is achieved not by reducing the actual weight of the marble, but by cleverly altering how it is perceived by the eye. This approach underscores Nendo's characteristic minimalist style, which often focuses on subtle interventions to create impactful and thought-provoking designs. The collaboration with Marsotto Edizioni highlights the brand's expertise in working with marble, bringing Nendo's innovative design vision to life through precise craftsmanship and material understanding. The collection aims to offer pieces that are both functional and artistic, contributing to contemporary interior spaces with their unique blend of material honesty and visual illusion. The 'Seesaw' tables represent a thoughtful exploration of material properties and visual dynamics, transforming a heavy, natural stone into furniture that appears to defy gravity and exude a delicate presence. #Nendo #MarsottoEdizioni #MarbleFurniture #TableDesign #ProductDesign #JapaneseDesign #ItalianCraftsmanship #MinimalistDesign

This article from T Magazine highlights a range of cultural and lifestyle recommendations, featuring a former N.F.L. player turned furniture designer, a new art gallery in TriBeCa, a botanical-inspired wallpaper collection, an Athens restaurant showcasing contemporary Greek art, a homey Seattle hotel, and a hand-painted apparel line. Each section provides details about the featured subject, including their background, inspiration, notable works, and practical information for visitors or consumers. Michael Bennett, a former N.F.L. player, founded Studio Kër after retiring from football in 2020. His furniture designs are deeply inspired by his activism work for racial justice, his upbringing in Louisiana and Texas, and his ancestral roots in Senegal. Bennett’s inaugural exhibition, “We Gotta Get Back to the Crib,” features an 11-piece collection of sculptural furniture that reinterprets objects found in communal Black spaces. Key pieces include the Gumbo lounge chair, a sophisticated take on the monobloc chair, and the Pew couch, inspired by church benches, crafted from leather and ekki wood. The exhibition debuted at Theaster Gates’s Rebuild Foundation in Chicago and is scheduled to travel to Houston. In TriBeCa, New York, gallerist Jack Shainman opened a new 20,000-square-foot gallery called The Hall in the historic Clock Tower Building. This Beaux-Arts space, built around 1898 and formerly home to the New York Life Insurance Company, has been renovated and restored. The gallery serves as a new cultural center offering free exhibits, allowing visitors to appreciate both contemporary art and the historic Manhattan architecture, including its preserved bank vault and 29-foot-high coffered wood ceilings. The Hall plans to officially open in September with a 16-foot-tall bronze sculpture by artist Nick Cave. Currently, it features Richard Mosse’s immersive 74-minute multi-spectral video installation, “Broken Spectre,” which addresses the destruction of the Amazon rainforest. Mosse emphasizes the historical connection between the building’s past, built on wealth from enslaved people, and ongoing global issues like environmental destruction. Marian McEvoy, a former fashion and design editor, launched a new wallpaper and fabric collection with Schumacher, inspired by her botanical collages and illustrations. After nearly 30 years in Paris and Manhattan, McEvoy moved to a cottage on the Hudson River, where she creates her art. Her collaboration with Schumacher features six wallcoverings and four fabrics, including prints like Thistle Vine, Polka-Dot Jungle, and Bow-Wow-Wow, all reflecting her signature use of strong colors and lines. McEvoy has incorporated these designs into her own home, showcasing her personal approval of the collection. In Athens, entrepreneur and art collector Philippos Tsangrides opened Gallina, a restaurant designed by Objects of Common Interest. The interiors blend diverse materials such as red marble, pink leather, terrazzo, and wood, creating an unexpected aesthetic. Gallina also displays pieces from Tsangrides’s private art collection, including a silk tapestry by Jannis Varelas and a neon sign by Olga Migliaressi-Phoca. A notable design element is a sinuous white light tube by the architects. The menu, curated by chef Pavlos Kiriakis, features dishes with no specific provenance, such as chicken with miso beurre blanc and truffle, and wild mushrooms with white chocolate béarnaise. Tsangrides intends to open a wine bar nearby. Julian Hagood and Jake Santelli opened Harry’s Guest House, a two-room hotel in Seattle’s Capitol Hill, inspired by their neighbor Winnie. The Dutch Colonial home was purchased from Winnie, whose drawings and wooden writing desk are now integrated into the hotel’s design. One suite is named after Winnie, and the other after the couple’s dog, Lucy. The interiors combine vintage and contemporary furniture and textiles, featuring a 1940s hand-carved wardrobe and Zak+Fox fabrics. Guests can also enjoy in-room dining from Harry’s Fine Foods, Hagood’s adjacent restaurant. Artists Julia Dault and Hannah Whitaker launched Signs Point to Yes, a line of hand-painted apparel. Their sweatshirts and pants feature designs like metallic tulips, sherbet-hued confetti, and smiley (and sad) faces, often painted using ketchup bottles to achieve a gestural, imperfect style. The brand name, inspired by a Magic 8 Ball, conveys a sense of optimistic humor. The artists selected comfortable cotton garments as their canvases, recognizing their popularity during the pandemic and their continued appeal beyond loungewear. #SculpturalFurniture #ArtExhibition #Design #ArtGallery #InteriorDesign #HomeDecor #Restaurants #Hotels #Fashion

This article highlights a curated selection of dining room furniture and accessories, transforming the dining experience into an illuminating supper. It features various pieces, from chairs and tables to decorative items, sourced from different designers and brands, emphasizing innovation, craftsmanship, and aesthetic appeal. The "Otto" dining chair and table, designed by Alejandro Villarreal for Hayche, are midcentury-inspired pieces with slender bent steel frames and curved plywood shapes, available in three finishes. The stackable armchair offers comfort and style. Jasper Morrison's "EVO-C Chair" for Vitra reinterprets the classic cantilevered chair using all-plastic gas injection molding technology, making it resistant and durable. The "Golem" vase by Rückl Glassworks, inspired by the Prague legend, is a hand-produced clear vessel with a delicate pyramid-like pattern, celebrating Bohemian crystal and minimalist design. Ikkis's "Matka" jug pays tribute to traditional Indian objects, crafted from terracotta-coated copper, mirroring the traditional Indian water pot. Sambonet's "Penelope" pastry stand, in aquamarine, draws inspiration from 1950s Italian design, featuring polished stainless steel and resin detailing. Ed Carpenter's "Pigeon Light," originally a humorous souvenir of London, is re-issued in black and white for its 20th anniversary. Floyd and Thing Thing's collaboration reimagines Floyd's Side Table using post-industrial plastics, with unique handmade surfaces from locally sourced waste. AB Concept's "Viola" chair for Poltrona Frau is designed for fine dining, offering maximum comfort with a minimal Frassino Moka Wood base and leather strings inspired by a musical instrument. Tiipoi's "Longpi" cookware collection, developed with master craftsman Mathew Sasa, uses serpentine stone and river clay from Manipur, India, to create contemporary pots, pans, and serving bowls. Pearson Lloyd for Takt introduces the "Cross Chair Tube," a refreshed flatpack version with a recycled tubular steel frame and eco-certified materials. Glenn Sestig's "Dishes to Dishes" for Valerie Objects is a collection of stackable plates and bowls made from tinted wood and colored ceramic, forming totemic structures. Cristina Celestino's "Frisée" chair for Billiani features rounded edges and a delicate, undulated design in soft colors. Gisela Simas's "CE bar cart" for Espasso is a modernist take on traditional English tea trolleys, crafted from freijo wood with a stain-proof top. DWA Design Studio's "Hacker" marble vase, a collaboration with Manuel Coltri, repurposes unused marble slabs into decorative objects with a checkerboard scheme. Nendo's "Kouki" candle set for Editions Milano is a minimalist interpretation of the candle lighting ritual, made from marble and brass. Edward Collinson Studio's "Note table" from the Three Oaks collection uses fumed oak and coopered staves, reflecting traditional craftsmanship. Sebastian Herkner's "Mila" bowl for Pulpo is a sculptural ceramic piece with a concave surface for holding foodstuffs. Studio Binocle's "Six Tableaux" are marble tables reinterpreting contemporary art, available in two sizes. Tom Dixon's "Form" tea pot, from his "Form" collection, combines art deco charm with practical design in stainless steel and leather. David Derksen's "Single line carafe" for Tre Product reinterprets laboratory apparatus in borosilicate glass with a patterned arrangement. Hay's "Marbled jug" is a porcelain piece with a swirled surface design for beverages or flowers. Visibility's "Barbican Trolley" for Dims is a vertically structured serving trolley made from steel and ash wood, adaptable to various domestic environments. Stories of Italy's "Macchia Su Macchia" vase, inspired by Murano glass pigments, features an opaque smattering of colors and textures. Nendo's "Seesaw dining table" for Marsotto Edizoni is a monolithic marble table balanced on geometric legs. Brdr. Krüger's "Bølling" tray table is a foldable H-frame table with reversible trays, designed for versatility. Forma&Cemento;'s "Efesto" candleholder balances a glass holder with a concrete base. Gian Paolo Venier's "Siman" collection for Urbi Et Orbi offers textured concrete tableware inspired by ancient architecture. GamFratesi's "Tulou" tables for Hay combine a circular steel plate and a four-legged frame for a contemporary design. Prin London's "Rust" box is a handmade trinket from metal particles, gypsum, and acrylic, with a unique oxidized texture. Visibility for Normann Copenhagen's "Bent box" offers stackable storage boxes inspired by Japanese bento boxes. Lee Broom's "Lens Flair" lighting product features a cross-cut lens and a semi-circular solid casing, blending classic and futuristic elements. Grete Prytze Kittelsen's reissued "Stripe" bowls for Cathrineholm feature enameled designs. De Intuïtiefabriek's "Arch" trays for Caussa are concrete pieces playing with balance and form. Fferrone Design's "Margot" water goblet, from her "Margot" collection, offers a new take on cut glass with intricate detailing and innovative production techniques. #DiningRoomFurniture #InteriorDesign #HomeDecor #FurnitureDesign #Tableware #LightingDesign #ContemporaryDesign #Craftsmanship #ProductDesign

Satelliet Originals, a Dutch brand, has launched a new customizable furniture line for the hospitality industry, building on decades of craft experience from its parent company, Satelliet. This new brand aims to meet the growing demand for unique, high-quality, and robust furnishing solutions in modern hospitality spaces. The company emphasizes individuality and flair in restaurant interiors, moving away from the previously prevalent, stripped-down sameness in design. The collection features collaborations with various designers. One notable example is the 'ReUnited' collection by Lars Snellaars, inspired by the freedom and celebratory spirit of the 1920s post-pandemic era. Snellaars' designs, characterized by richly pigmented velvet, long fringed trim, and gold frames, symbolize togetherness and a call to party, reflecting a desire for liveliness after recent global disruptions. The Street Food Club, for instance, integrated standard and customized 'ReUnited' pieces to complement its tropical-themed venue in Breda. Erik Remmers, another contributing designer, brought his expertise in commercial interior design to the 'Pebble' series, which emphasizes wood as a primary material. Remmers, who runs the interior design studio Art2Go, conceived 'Pebble' with the Kyatcha restaurant project in Rotterdam in mind, addressing a need for more wooden seating options. His designs feature slender, tapered legs and curved wooden details, paired with softly upholstered backs, allowing for customization through various details and upholstery options. Studio Satelliet's in-house designers, Chris Montijn-Spiering and Wessel Storms, have introduced the 'Code' and 'Current' chairs, which are made entirely from post-consumer recycled materials, highlighting a commitment to sustainability. Elise Luttik's 'Chester' chair also forms part of the collection; crafted from ash, it cleverly creates the illusion of cushioned leather through intricate wood impressions. Satelliet Originals combines the manufacturing prowess of the 52-year-old parent company with the innovative ideas of designers, ensuring furniture meets the high quality standards required for intensive use in hospitality environments. The brand’s philosophy centers on providing entrepreneurs, creatives, and project developers with the tools to create inspiring hospitality locations, emphasizing that design is what one makes of it. Maico Pheninckx, creative consultant at Satelliet, reiterates this by stating that each furniture piece possesses a unique character, supporting the identity of a concept or interior, further enhanced by infinite possibilities in upholstery and finishes. The full collection is scheduled to officially launch at Salone del Mobile 2023 in Milan, marking a significant step in offering bespoke and robust solutions for hospitality interiors. #HospitalityDesign #FurnitureCollection #InteriorDesign #CustomizableFurniture #RestaurantInteriors #SustainableDesign #DutchDesign #ProductLaunch

The "Bolete" table series, a collaboration between Hong Kong-based architect and sculptor Henry D’Ath and design-art duo Batten and Kamp, introduces a family of limited-edition coffee and side tables. These pieces are distinguished by their mushroom-like forms, crafted from hand-carved solid wood and natural stone. The design integrates the sculptural weight typical of permanent furniture with a flexible, modular approach that features configurable, overlapping surfaces. The genesis of the Bolete series traces back to a custom commission where Batten and Kamp recognized a natural synergy between D’Ath’s carved wood creations and their signature raw stone bases. This initial insight led to the formal collaboration and the development of the Bolete collection, emphasizing a harmonious blend of two distinct material elements. Each table in the Bolete series is meticulously carved by Henry D’Ath, who allows the intrinsic patterns of the wood grain and the natural contours of the stone to guide the creation of subtly organic shapes. The wooden tops are available in two finishes: a natural, sealed varnish that highlights the wood's inherent beauty, or a glossy black finish achieved through layers of calligraphy ink. The choice of wood for the tops is Camphor, a variety prevalent in China and Japan, known for its aromatic properties and natural insect-repellent qualities. For the bases, raw Taishan Granite stones are used. These stones are culturally significant, often featured in Zen gardens, and are admired for their grey-white hues, reminiscent of the dramatic Karst Mountains. Each granite base is individually sourced and intentionally left untreated, ensuring that every table possesses a unique character. The collaboration is deeply rooted in the shared heritage and mutual admiration among Alexandra Batten, Daniel Kamp, and Henry D’Ath, all originally from New Zealand but now working together in a Hong Kong studio. This shared background is reflected in the design philosophy, which embraces natural materials, robust forms, and simplicity—elements integral to New Zealand aesthetics—while also incorporating local materials and subtle Zen influences. Alexandra Batten describes the collaboration as effortless, stemming from a lifelong connection and shared artistic vision. Initially launched as a side table in 2023, the Bolete series has expanded to include coffee tables. The modular nature of the design is key, allowing for diverse configurations and sizes through the arrangement of overlapping surfaces, which enhances the collection's adaptability and aesthetic appeal. The tables are produced in limited editions, with eight pieces plus four artist proofs available per configuration, highlighting their exclusivity. Plans are underway to exhibit the series in major art and design hubs, such as New York or Paris, in 2025, further solidifying its presence in the global design landscape. The project was submitted through a DIY submission feature, reflecting a direct engagement with the creative community. #FurnitureDesign #Woodwork #StoneCraft #TableDesign #ModularDesign #LimitedEdition #DesignCollaboration #NaturalMaterials #HandCarved

Entler Studio, initially known for its lighting products, has expanded its ceramic offerings to include planters and end tables, applying its distinctive sculptural aesthetic to new home furnishing categories. The new collection features Ceramic Planters, characterized by their three-legged, round-bodied design, and Beginning End Tables, which echo the brand's signature bulbous forms. These new pieces were developed from founder Jonathan Entler's vision to create a fully branded room environment. The studio's exploration into planters and tables posed unique challenges due to the inherent complexities of slipcast ceramic as a material. However, Entler Studio emphasizes the sustainable aspect of ceramic production, noting that greenware and bisqueware can be endlessly recycled. The Ceramic Planters are available in various finishes, including a satin matte that accentuates the soft shadows and curves of the design, and a high-shine, gummy jewel-like finish achieved through applying up to 15 coats of glaze. This meticulous glazing process highlights the studio's commitment to a high level of finish and visual appeal. The planters are designed to hold plants, serving both a functional and decorative purpose within interior spaces. The accompanying Beginning End Tables come in two heights, providing versatility for different uses and arrangements, while maintaining a cohesive visual language with the planters through their glossy, mirror-topped surfaces and solid, sculptural forms. The design of the high-top table is a minimal extrusion of the side table, ensuring consistency across the collection and simplifying production processes. Jonathan Entler also prioritizes sustainability in the production and packaging of these new items. The studio has made significant strides in minimizing waste by reducing inorganic materials by 80%, substituting traditional plastic and foam packaging with more environmentally friendly wood and recycled paper. This initiative is particularly impactful for ceramic products, which are typically challenging to ship and require substantial packaging, thereby reducing pollution and enhancing environmental safety. Entler Studio, founded in Los Angeles in 2015, began with the objective of creating a format of cast ceramic that could be assembled into larger lighting fixtures. Following extensive experimentation, the studio successfully launched its initial lighting collection, which quickly gained popularity. The brand now offers endlessly customizable pieces in a wide array of 32 colors, signifying its growth and adaptability within the design market. The expansion into planters and tables represents a natural progression for the studio, leveraging its expertise in ceramic craftsmanship and distinctive design philosophy to enrich the broader home furnishings landscape. #Ceramic #CeramicPlanter #HomeFurnishings #IndoorPlanter #JonathanEntler #Planters #SideTable #Sustainability #TableDesign

Italian furniture brand Pedrali has unveiled a collection of six new furniture designs, marking its 60th anniversary and 34th participation in Salone del Mobile 2023, the world's largest design fair. This launch, part of Milan Design Week, showcases a range of products designed for both residential and contract environments, emphasizing versatility and sustainable practices. The collection features collaborations with Italian and international designers, incorporating diverse materials such as ash, teak, and aluminum, and offering pieces suitable for both indoor and outdoor use. One of the standout designs is the Guinea armchair by Italian studio CMP Design. This outdoor chair, crafted from aluminum with teak armrests, is notable for its lightweight and transparent aesthetic. It offers customization options including a textilene backrest, reminiscent of traditional director's chairs, or aluminum slats covered in fabric for a more classic look. A key feature of the Guinea armchair is its ease of disassembly, facilitating component replacement and recycling. CMP Design also contributed the Lamorisse Wood armchair, an indoor piece made from solid ash wood, ideal for dining spaces or restaurants. This chair combines a slender metal frame with oval-shaped legs that seamlessly integrate with its steam-curved armrests. To enhance durability, the chair's thickness increases at the joints. Comfort is provided by a non-deformable polyurethane foam cushion. Like the Guinea armchair, the Lamorisse Wood is designed for easy disassembly, aiding in maintenance and transportation. The Anemos table, a creation by Pio & Tito Toso, highlights the inherent beauty of concrete. Its design features a simple yet architectural form, appearing both light and stable. The base consists of two gracefully curved concrete shells securely attached to the table's top, evoking a flexible, sinuous structure reminiscent of a membrane and suggesting it was sculpted by the wind. This design supports large tabletops, and the concrete base, available in natural or clay-colored matt finishes, accentuates its material quality. German designer Sebastian Herkner's Blume table introduces a distinctive flower-shaped profile that runs along its entire height. The table is built with a round central base, available in cast iron or steel, and an extruded aluminum column. Its design allows for extensive customization, offering various tops, finishes, and sizes to suit different aesthetic and functional requirements. Andrea Pedrali, paying homage to his grandfather Mario Pedrali who founded the company, designed the Narì armchair. This piece draws inspiration from Pedrali's 1960s forged-iron garden chairs. Its unique legs are fashioned from a double steel tube, hand-forged and bent, giving it a simple and linear appearance. The weather-resistant PVC cover with a nylon core, handcrafted by Italian artisans, narrows at the seat and widens at the top, echoing the fan-shaped backrest of the brand's Serenella armchair. Both the backrest and seat are equipped with polyurethane foam cushions, joined by a zip for practicality. Finally, the Frank table, designed by industrial designer Robin Rizzini, blends industrial materials with architectural forms. Its design features clean lines and subtle curves that contribute to a sense of lightness and contemporary elegance. The table's base is composed of slightly curved, die-cast aluminum with varying thicknesses. The rectangular tabletop has rounded corners and can be customized with different materials and finishes. This collection collectively demonstrates Pedrali's commitment to innovative design, quality craftsmanship, and thoughtful material use as it celebrates six decades in the furniture industry. #Pedrali #SaloneDelMobile #FurnitureDesign #ProductLaunch #Seating #Tables #MilanDesignWeek #IndustrialDesign #DesignAnniversary

The dining table serves as the central gathering point in a home, facilitating meals, social interactions, and even work. A well-designed dining table balances robust durability and practical functionality with tactile qualities, warmth, and comfort. Various design elements contribute to its overall utility and aesthetic appeal. For instance, pedestal bases are engineered to maximize legroom, enhancing comfort for diners. Circular and oval table shapes are often preferred for their ability to foster intimacy and ease of conversation among those seated. Conversely, rectangular tables are typically chosen for their capacity, accommodating a larger number of people or extensive spreads. This curated selection highlights ten exceptional dining tables, ranging from timeless favorites to innovative new designs from international creators. The 'Colour Wood' dining table by Scholten Baijings for Karimoku New Standard is noted for its blend of Japanese woodworking traditions and European modern aesthetics. Despite the design duo having dissolved, their distinctive style persists in this series, featuring a 14-sided tabletop, a faceted oak stem, and a graphic dot pattern resembling a transparent tablecloth. The 'Aalto' foldable table, designed by Alvar Aalto for Artek in 1933, exemplifies understated design that endures. Its linoleum top and compact form make it suitable for smaller spaces, offering both practicality and lasting charm, a testament to Finnish design principles and simple, thoughtful craftsmanship. Filippo Carandini's 'Mensa' elliptical dining table for Nilufar explores the intersection of art and design. Part of his 2022 'New Pompeii' series, the table's surfaces are hand-painted with multiple layers of acrylic in varying tones of a single color, with the application and drying processes creating subtle shifts in intensity. A high-gloss finish deepens the color palette, making each piece a sculptural fusion of history, craftsmanship, and modernity. Max Lamb’s 'Planks' dining table for Benchmark is praised for its seamless integration of form and function. While its minimalist design is visually appealing, its hidden functionality, such as discreet storage, maintains aesthetic integrity without sacrificing utility. This approach to design, where subtle innovations enhance the overall product, is characteristic of Lamb's work. Elena Salmistraro's 'Specchio di Venere' dining table for LITHEA draws inspiration from a heart-shaped lake in Pantelleria. Named 'Venus's Mirror,' the table features a dramatic pietra dura top crafted from colored marbles, sculpted using CNC machines, hand-finished, and assembled into a single slab. Its design evokes the interplay of land and volcanic rock, while curved legs mimic sea waves, creating a harmonious blend of artistry and structural integrity. Patricia Urquiola's 'Simoon SIM04' dining table for Glas Italia showcases an ethereal texture achieved by coating polished glass surfaces with shimmering grit made from ground Murano glass. Available in shades like topaz, amethyst, and light blue, the table creates a captivating interplay of light and color. Ilse Crawford's 'Touch' dining table for Zanat emphasizes warmth and tactility. The table features a dimpled surface created using a traditional carving technique unique to the Bosnian region, highlighting Zanat’s centuries-old woodcraft traditions. This design invites a sensory experience, reflecting Crawford’s commitment to comfort and human connection. The 'Cumberland' dining table by Scheibe Design is inspired by playground support structures, featuring legs crafted from three distinct wood species: walnut, cherry, and oak. The triadic leg and beveled edge design are central to the 'Cumberland' collection, showcasing the father-and-son designers' blend of contemporary design, fine materials, and traditional furniture techniques. Muller Van Severen's 'Two-colour' table for HAY, launched in 2021, made their distinctive work more accessible. The extensive range includes these tables, characterized by steel tube legs and Valchromat tops in various shapes and sizes. They are notable for Muller Van Severen's signature clean lines and confident color choices, embodying a seamless fusion of two materials used to their optimal potential. Finally, Bernhardt’s 'Cahill' dining table is a robust piece featuring a substantial reclaimed aluminum top contrasted with a smooth cylindrical suar wood base. The round metal top is textured to imitate nature, recalling live-edge wood for a tactile dining experience, embodying the brand's commitment to impactful design. #DiningTables #FurnitureDesign #InteriorDesign #ModernDesign #HomeFurnishings #DesignInspiration #LuxuryFurniture #ContemporaryDesign

Domino has launched its latest dinnerware collection, "Gradience," in collaboration with Lenox, exclusively available at Anthropologie. This new line, released just in time for fall entertaining, features a palette of pink, red, and white, drawing inspiration from various florals such as deep crimson dahlias and blush-hued ranunculus. The collection comprises eight essential tabletop pieces, designed with a mix of artful patterns, including simple lines and a circular ombre effect, which gives the items a hand-painted aesthetic. These designs are intended to enhance any dining occasion, from an elaborate Sunday brunch to a casual weeknight dinner. The Gradience collection is one of three distinct lines developed by Domino in partnership with Lenox. Another collection, "Optique," showcases a vibrant design inspired by digital pixelation's grid shape and is available nationwide. The third collection, "Technic," offers a vintage-inspired pattern that incorporates pinks, blues, and neon yellow, paying homage to retro arcade games. This particular line is slated for exclusive release at Bloomingdale's later in the month. A unifying theme across all three collections is the art of ombre, characterized by a gradual blending of colors. According to Domino's style director, Kate Berry, ombre is a universally appealing design element, whether it manifests in natural forms like ombre tomatoes or floral arrangements. Each of the three patterns interprets this color-blending technique in a unique and sophisticated manner. The article highlights several specific items from the Gradience collection available at Anthropologie, providing direct links for purchase. These include a set of four Domino Nut Bowls priced at $50.00, a set of four Domino Canape Plates also for $50.00, and a set of two Domino Serving Utensils available for $45.00. Additionally, a set of four Domino Spreaders is offered at $45.00. Individual pieces are also available, such as the Domino Side Plate for $19.50, the Domino Dinner Plate for $21.50, the Domino Bowl for $19.50, and the Domino Mug for $19.50. This collaboration marks a significant expansion for Domino into the tabletop category, offering consumers elegantly designed dinnerware that combines contemporary aesthetics with functional appeal. The introduction of multiple collections with distinct design inspirations ensures a variety of options for different tastes and home decor styles, all while maintaining a consistent theme of color gradation. #DinnerwareCollection #AnthropologieExclusive #TabletopEssentials #OmbreDesign #FloralInspired #HomeDecor #LenoxCollaboration #GradienceCollection

The article explores the ongoing debate in interior design and event planning regarding the optimal shape for dining tables, specifically focusing on whether the popularity of long, rectangular tables on platforms like Instagram has diminished the relevance of the traditional round dining table. For years, the round table was considered the quintessential choice for dinner parties due to its inherent qualities of fostering intimacy and facilitating conversation, as no guest is ever truly at the 'end' of the table. However, social media feeds are now dominated by images of elaborately decorated, elongated tables, often adorned with extensive floral arrangements and candles, suggesting a shift in aesthetic preference and entertaining styles. Several prominent designers and event planners offer their perspectives on the matter, revealing a divided opinion. "Team Rectangle" advocates, such as interior designer Charlotte Moss and celebrity party planner David Monn, favor rectangular tables, especially for gatherings of 10 to 14 guests. Moss finds them ideal for her preferred party size, while Monn believes they enhance connection by allowing guests to interact with people on their left, right, and across from them. Event planner Bryan Rafanelli also supports rectangular tables, highlighting their decorative versatility and dramatic visual impact. He notes that rectangular tables offer more creative possibilities for themes and decor compared to round tables, which he associates more with formal events like weddings and galas. Conversely, "Team Round" proponents argue for the enduring appeal and functional superiority of circular tables. Designer Carolyne Roehm champions the round dining table, particularly for its ability to promote inclusive conversation, where all guests can easily participate without needing to shout across a long expanse. She also emphasizes the 'democratic' nature of a round table, ensuring no one feels marginalized at an 'end' position. Interior designer David Netto echoes this sentiment, recalling a preference for intimacy over grand, elaborate setups. Production designer Bronson van Wyck suggests round tables are better suited for more casual occasions, as they allow hosts to bypass hierarchical seating arrangements and encourage a single, unified conversation among guests. However, van Wyck adds a caveat: for very large rooms, a long rectangular table or a mix of shapes might be necessary to avoid a stiff neck from trying to converse across a vast round table. Ultimately, some experts lean towards a more flexible approach, suggesting that the choice of table shape should be dictated by the specific room, the desired ambiance, and the overall scene being created. Jung Lee of Fete NYC, for instance, advocates for using a combination of different table shapes, including squares, to craft dynamic and engaging environments. Interior designer Sasha Bikoff takes an even more unconventional stance, proposing alternatives like floor seating with carpets, poufs, and large trays to encourage a more eccentric and lively party atmosphere, moving away from traditional table-bound interactions altogether. This diverse range of opinions underscores that while Instagram might highlight certain trends, the 'death' of any particular dining table shape is far from definitive, with practical considerations and personal preferences continuing to play a significant role in entertaining choices. #DiningTableTrends #HomeDecor #EventPlanning #InteriorDesign #EntertainingStyle #SocialMediaInfluence #TableSetting #DesignDebate

The MoMA Design Store is relaunching the iconic Hellerware Rainbow Dinnerware collection, a design originally conceived by Massimo and Lella Vignelli in 1964. This highly anticipated re-release follows John Edelman's acquisition of Heller last year, which initially saw the return of the classic stackable Hellerware in white. The white version is currently available for pre-order directly from Heller's website. The Rainbow Dinnerware, a celebrated example of functional and aesthetic design, has experienced intermittent production since the early 2000s. Its reintroduction by the MoMA Design Store makes it exclusively available starting today. The collection is offered in sets of six pieces, each featuring a distinct vibrant color from the rainbow palette. Customers can choose from sets of dinner plates, salad plates, soup bowls, or mugs. Each 6-piece set is priced at $60 and can be purchased either online through the MoMA Design Store's website or at their physical retail locations. This revival allows design enthusiasts and collectors to acquire a piece of mid-century modern design history, known for its durable melamine construction and practical stackable form factor. The design's enduring appeal lies in its simplicity, functionality, and the cheerful aesthetic of its multi-colored options. The Hellerware collection, designed by the Vignellis, represents a significant moment in industrial design, emphasizing affordability and mass production without compromising on quality or style. The use of melamine made the dinnerware robust and suitable for everyday use, a characteristic that contributed to its popularity when it was first manufactured in Italy in 1964, and later in the United States under Alan Heller. The decision to bring back the rainbow colorway underscores the lasting demand for this vibrant and functional design. This re-release provides an opportunity for a new generation to experience the joy and practicality of the Hellerware, which remains relevant in contemporary home settings due to its timeless design and playful use of color. The collaboration with the MoMA Design Store highlights the collection's artistic and historical significance, positioning it not just as dinnerware, but as a design object worthy of a place in a modern art museum's store. #Hellerware #MoMADesignStore #RainbowDinnerware #MidCenturyModern #VignelliDesign #HomeFurnishings #Tableware #DesignRevival

This comprehensive guide, updated in January 2026, evaluates the best dining tables available in the mid-priced market, recognizing the evolving landscape of styles, materials, and pricing. The article emphasizes that a dining table is a crucial, high-use piece of furniture that needs to withstand daily wear and tear, decor changes, and even relocations. While styles have shifted and prices have risen, there's been a positive influx of brands offering quality design at more moderate price points. This revised guide addresses these changes by selecting a mix of new and returning favorites, balancing aesthetics, value, and functionality. The selection process for these dining tables was rigorous, involving extensive online research across numerous retailers like Anthropologie, IKEA, West Elm, Room & Board, and CB2. The author, an interior design journalist with over a decade of experience, considered promising materials and craftsmanship, hundreds of positive customer reviews (four stars or higher), reasonable return policies, and enduring style. A total of eight tables underwent hands-on testing in both an office setting and a home environment, with three additional tables tested solely at home. The testing methodology included evaluating stability by applying pressure and performing pulling, pushing, knocking, and dragging tests to assess wobbliness and overall sturdiness. Real-life seating capacity and legroom were gauged by using standard 18-inch-high chairs and placemats, with staff and paid testers assessing comfort for various heights, ages, and abilities. Special attention was paid to the interference of support bars, crossbeams, or aprons with legroom. Material and finish quality were thoroughly examined; for wood tables, the number of boards and consistency of grain were noted, along with the presence of a protective top coat. Veneer tables were scrutinized for their resemblance to real wood, while glass tops were checked for tempering, and marble tops for sealing. Ease of maintenance was assessed by conducting cold-cup tests for condensation rings and light key-scratch tests, followed by cleaning everyday messes. Finally, assembly time, clarity of instructions, and hardware quality were recorded, with a preference for tables offering white-glove delivery or requiring minimal assembly by one or two people. Six specific dining tables are highlighted as top picks: the West Elm Anton Solid Wood Dining Table for its rustic appeal and sturdiness, the customizable Room & Board Parsons Table for its sleek durability and sustainable materials, the CB2 Providence Rectangular 90” Dining Table for its neoclassical design and generous seating capacity, the Anthropologie Cayden Rectangular 80” Carrara Marble Dining Table as a statement piece with striking visuals, the Castlery Vincent Dining Table for its elegant yet child-friendly curved design, the Article Seno Round Dining Table for its compact footprint and value, and the Burrow Serif Extendable Dining Table for its space-saving extendable feature with internal leaf storage. Each review includes a detailed analysis of its strengths, potential flaws, and key specifications such as dimensions, materials, delivery options, and warranty information. The guide also offers advice on how to shop for a dining table, covering considerations like size, shape, and style, and provides tips for buying secondhand tables, emphasizing sustainability and craftsmanship while noting potential restoration needs. #DiningTables #HomeFurnishings #FurnitureReview #InteriorDesign #HomeDecor #ProductTesting #MidCenturyModern #ModernDesign #SustainableMaterials

This article explores the preferred tableware shopping destinations of 12 interior designers, offering insights into curating elegant and functional tablescapes for various occasions. The article highlights a range of sources, from high-end luxury brands to artisanal boutiques, vintage shops, and more affordable retailers, demonstrating how design professionals approach selecting plates, bowls, platters, glassware, flatware, and linens. Vicky Charles of Charles & Co emphasizes attention to detail and frequently turns to Abask for its exquisite selection of plates, bowls, and serving pieces that combine timeless elegance with an organic, natural finish. Abask's unique textures and muted tones provide a versatile canvas for relaxed yet elevated dining experiences. For a more opulent and eclectic touch, Charles also recommends RW Guild, known for its globally sourced artisanal pieces with rich, earthy tones, and Il Buco Vita for vintage-inspired glassware and luxurious table linens that blend beauty and functionality. Emily Ward and Louisa Pierce of Pierce and Ward adopt a personalized approach, mixing antique, vintage, and new items across different price points to reflect clients' personalities and lifestyles. They prioritize durability and longevity, recommending Heath Ceramics for plates and bowls, Studio Ford for cotton napkins and tablecloths, and Jean Dubost Laguiole Steak knives, particularly those with brass accents. Pembrooke & Ives, a New York design studio, suggests Mary Mahoney for high-end brands like Hermes and Bernardaud, ideal for refined and elegant tables. For a contemporary aesthetic, MAX ID offers unique geometric table pieces. They also favor Abask and David Mellor, the latter for its diverse range of porcelain from various countries. Paige Wassel, director of Paige Wassel, expresses a strong preference for thrifting tableware, actively searching Etsy for vintage cutlery, etched coupes, everyday drinking glasses, and hand-fired bowls and plates with artisan stamps. She also appreciates Japanese handmade ceramics and opts for more affordable finds due to her tendency to break glasses. Laura Lubin of Ellerslie Interiors recommends Sasha Nicholas for stunning handcrafted tableware, including chargers and dinner plates with intricate, timeless designs, and Hudson Grace for rich, saturated linens and napkins that add depth and character. Gideon Mendelson, founder of Mendelson Group, categorizes his recommendations by formality. For formal settings, he suggests Bergdorf Goodman, Bernardaud, and Christofle. For casual or everyday use, Heath Ceramics, Mondays, Wilcoxson, and Camille at the Wheel are preferred. For more affordable options, Williams-Sonoma and Crate & Barrel are highlighted. Dan Mazzarini of BHDM Design and ARCHIVE is a fan of splatterware from March SF. He looks to Ralph Lauren for timeless stemware and CB2 for budget-friendly tumblers and glasses. Mazzarini enjoys mixing modern cutlery from Wayfair with vintage and antique finds, and stresses the importance of linen napkins, properly starched and ironed. He also advises incorporating lighting, such as smoked hurricanes from March SF and portable table lamps. Kathy Kuo of Kathy Kuo Home recommends her own brand for its extensive collection of dishes, glassware, linens, and flatware, featuring a variety of styles, materials, and vendors like Simon Pearce, Juliska, Vietri, Villeroy & Boch, and L'Objet. Kishani Perara, founder of Kishani Perara, likes TABLE ART, Bergdorf Goodman, Artemest, Il Buco, and Sharland England for tableware and candlesticks. She emphasizes the value of incorporating special family pieces or vintage finds from platforms like Etsy, eBay, Chairish, and 1stDibs. Darren Henault of Darren Henault Interiors champions Julia B. Casa in Florence for its spectacular embroidery and appliqué, and E. Braun on Park Avenue for timeless and luxurious selections. He collects a variety of dish patterns, including Herend's Rothschild, Fischcale, and Chinese Bouquet, and Royal Crown Derby's Midori Meadow, which he mixes and matches. For glassware, he particularly values Lobmeyr water glasses from Vienna for their delicate elegance. Finally, Gray Walker of Gray Walker Interiors prefers simple linen hem stitch tablecloths and napkins, often with festive embroidery. She builds tablescapes around specific decorations, combining sterling silver, Tiffany china and crystal, and clippings from her garden. She collects table linens from sources like Schweitzer Linens. Josh Greene of Josh Greene Design recommends Collecto for quality dining ware, including traditional Italian and whimsical floral china, and Abask for its diverse independent designs. For luxurious occasions, Tiffany is a staple, while West Elm is suggested for more affordable, classic dining sets. #InteriorDesign #Tableware #HomeDecor #Tablescapes #DesignersChoice #LuxuryHome #VintageDecor #KitchenDecor #DiningRoom