Dwayne Bergmann’s grounding blend of black walnut, natural agate and sandy faux fur

The London design gallery Béton Brut is currently showcasing the 'Low Collection,' a series of sculptural, curved furniture pieces crafted from solid oak, conceived by Benni Allan, founder of EBBA Architects. This collection, comprising a low seat, a high seat, a two-person bench, and a low table, is on display at the gallery from May 25 to July 8. Allan's design philosophy for the Low Collection is rooted in exploring diverse global sitting practices, drawing inspiration from his personal experiences in China and Spain, and his travels in Japan. The collection aims to challenge conventional notions of seating by offering objects that encourage various modes of interaction, rather than dictating a singular use. Each piece is designed to prompt users to engage with them in a specific way, moving beyond the traditional functions of a chair or table. Crafted from high-quality, kiln-dried oak, the furniture pieces undergo a meticulous production process involving a specialist CNC machine to achieve precise geometric forms. The designs uniquely blend specific curvatures with rigid horizontal or vertical lines. A notable aesthetic feature is the distinct grid pattern created by the end grain of the wood where cross-cuts have been made, highlighting the material's natural beauty. Allan emphasized the transformative quality of the oak, noting how the material's appearance significantly alters based on its geometry. Despite their solid construction, the geometric precision imbues the pieces with a sense of softness and refinement. This approach aligns with Allan's reputation as a rising figure in architecture, known for his innovative use of materials and resourcefulness, as demonstrated in earlier EBBA projects like the Construction Skills School and an apartment refurbishment in Bow. The Low Collection was initially a personal endeavor for Allan, with no immediate plans for exhibition. However, Sophie Pearce, the founder of Béton Brut, recognized the unique appeal and potential of these designs. Béton Brut, typically focused on vintage pieces from the early to mid-20th century, made an exception for Allan's work, a testament to its perceived quality and distinctiveness. Pearce lauded the collection, drawing parallels to iconic works such as Axel Einar Hjorth’s Utö stool from 1932 and Lina Bo Bardi’s side chair for the SESC Pompéia from 1980, underscoring the contemporary relevance and timeless quality of Allan's oak furniture. #BenniAllan #LowCollection #BétonBrut #OakFurniture #SculpturalDesign #FurnitureDesign #ContemporaryDesign #EBBAArchitects #DesignExhibition

Nestled within a forested area in Pound Ridge, New York, a distinctive wood-and-glass residence, designed by Tsao & McKown Architects in collaboration with Prutting and Company Custom Builders, exemplifies a fusion of modernism and spiritual wellness. The home's design draws heavily from Japanese cultural and aesthetic principles, creating a tranquil and meditative environment. The landscaping is inspired by Kyoto's famed katsura trees and moss gardens, incorporating native ferns and carved paths that invite leisurely strolls through the woods. A significant feature is an outdoor soaking tub, a nod to traditional Japanese onsen culture, which allows for immersion in nature. Adjacent to this, an indoor shower constructed from Corian slabs gives the impression of floating in an ethereal space, connected by a sliding glass door. The approach to the dwelling is intentionally designed as a journey, guiding visitors through a series of twists and turns. A winding path, rather than a direct route, leads alongside the forest, through a garden, over floating steps above a reflecting pool, and under a covered breezeway, culminating at the front door. The home's framework consists of wood and beams, with its unique exterior coloring achieved through *shou sugi ban*, an ancient Japanese wood-preservation technique involving charring the wood. This process not only preserves the wood but also creates an arcadian effect. The transition from the exterior to the interior is seamless, facilitated by floor-to-ceiling windows and sliding glass doors that offer unobstructed views of the surrounding scenery. Inside, the design strategically incorporates lanterns and skylights within horizontal slabs to control and direct sunlight. While shielding the harsh western light, the design artfully channels light from the north, south, and east, ensuring that morning light permeates the interior spaces. This thoughtful manipulation of natural light contributes to the home's energy and ambiance. The interior color scheme is deliberately monochromatic, blending cool and warm tones to create a harmonious backdrop. Sandstone-colored plaster walls are complemented by dark wooden columns and beams, with gray oak floors adding to the subdued elegance. This neutral palette provides a versatile canvas for residents to introduce vibrant colors and personal touches through furniture, art, and decor. The architects emphasized the ephemeral nature of personal tastes against the permanence of architecture, allowing the home's aesthetic to evolve with its occupants. This approach expands the concept of wellness beyond traditional spa elements, focusing on how a well-designed physical environment can facilitate self-discovery and a deeper sense of well-being. #PoundRidgeArchitecture #JapaneseDesignInfluence #ModernWellnessHome #TsaoMcKownArchitects #ShouSugiBan #BiophilicDesign #MonochromaticInterior #SpiritualLiving #CustomHomeBuilders

Connor McKnight, a New York-based designer, is featured in Wallpaper’s Uprising series for his distinctive menswear aesthetic, which he terms ‘the Black mundane.’ McKnight's design philosophy is rooted in his upbringing in a middle-class Black family in the suburbs of Washington, DC, and his parents' creative backgrounds. His father was a blues guitarist and DJ, while his mother was an aspiring designer who taught him to sew. McKnight transforms these personal histories and family memories into clothes that celebrate the everyday richness of Black life, aiming to highlight 'beautiful small moments that people don't talk about as much' rather than focusing on unfortunate aspects. He emphasizes that his work is anything but dull, despite the term 'mundane.' McKnight’s design language blends the delicate formality of tailoring and dressmaking with the practical, hardy elements of outdoors gear, often utilizing camping and military deadstock. This results in a style that can be described as a fusion of beat-up Carhartt workwear and the weightless glamour of an Armani suit. His journey into fashion began with studying business at Fordham University, followed by an internship at Kith, which led him to pursue design at Parsons School of Design. After graduating, he gained experience in production at Bode before launching his own brand during the pandemic. His initial designs revisited earlier projects, focusing on tailored coats and goose down puffers, which evolved into pieces that combined utilitarian nylon and crunchy textiles with classic luxury shapes. McKnight draws inspiration from a diverse range of sources, including the technical skill of 1980s Armani, the playful idiosyncrasies of Issey Miyake’s 1990s pleats, and personal and collective histories. This includes references from his grandfather’s yearbook, the flight suits of the Tuskegee Airmen, and the sensual attire of 1920s Washington jazz clubs. His objective is to create clothing that is accessibly chic, bridging the gap between high luxury craft and everyday wear. He prioritizes making pieces that people will wear frequently and cherish, emphasizing the feeling of comfort and rightness that a well-worn garment provides. Over the seasons, McKnight has developed signature outerwear pieces, such as a fisherman’s wading jacket with box pleats and a bulky hunting jacket with oversized utility pockets. These designs are frequently reimagined using unique materials, like 1970s family tent fabric or calfskin brown leather, while maintaining their fundamental structure. His latest collection, aptly named ‘Ease,’ reflects this refined approach. Recently, he has expanded into womenswear, carefully crafting feminine pieces like cascading dresses and body-hugging shirting, rather than simply adapting his menswear. He believes that designing for women has positively influenced his menswear, and vice versa, by challenging him with delicate fabrics and intricate constructions. As he matures, McKnight has found a new sense of confidence and intention in his design process, actively trying to slow down and approach his work with greater care. He believes that this meticulous attention to detail is palpable in his clothing. His philosophy centers on the idea that fashion should enhance the shared human experience of getting dressed every day, focusing on the staples that feel inherently right. He aims to connect his personal emotional themes and ideas of home to his work, believing that by highlighting his own experiences, he can create something universally resonant for others. #ConnorMcKnight #Menswear #FashionDesign #NewYorkFashion #ParsonsSchoolOfDesign #BlackMundane #UtilitarianFashion #SustainableFashion #Womenswear

New York–based designer Dani Arps, co-CEO of Artisan, frequently employs a neutral palette in both residential and commercial spaces, utilizing shades of vanilla, cream, and oatmeal, occasionally accented with black and soft hues like sage blue. This color scheme, offering comfort in winter and coolness in summer, aims for a luxurious yet understated dynamism, achieving richness and interest through varied textures and materials. Arps's design philosophy emphasizes the layering of different shades of one color across diverse materials, such as laser-patterned cowhide, ultra-plush corduroy, and thick alpaca, to create a cohesive and sophisticated interior. Her mood board illustrates this approach with elements like Miksi’s Cay Alpaca Rug in Chalk, described as exceptionally luxurious and cloud-like. Calacatta Viola Marble in a honed finish from BAS Stone introduces a vibrant touch with its purple and gold veining, suitable for a striking border or a full wall application. Maharam’s Mohair Extreme Fabric in Lichen adds a rich, counterbalancing texture, ideal for throws or poufs. To ground the palette, Arps incorporates black accents, such as an atypical and abstract objet d’art from Industry West, and a matte black stoneware mug from Lolly Lolly Ceramics, which doubles as a sculptural piece. The selection also highlights artistic and cultural considerations. A print from Barkley L. Hendricks, sourced from The Studio Museum Harlem, represents a broader interest in Black art and portraiture, with Arps suggesting its display in a natural wood frame to emphasize the art itself while supporting the museum. Further textural variety comes from Camira’s Main Line Flax Fabric in Upminster, a light, warm-toned, and appealingly textured base material. Durability and investment pieces are noted with Miksi for Radnor’s Dune Rug in Rock Stone, a resilient cowhide rug with a unique lasered pattern. Lighting and hardware selections contribute to the refined aesthetic. Studio Luddite’s Pell Wall Sconce, featuring bronze framework and stacked leather disks, offers a luxurious look at an accessible price. Petra’s unlacquered brass finish for its Block knob, with its intriguing shape, provides an amorphous touch to cabinet hardware. Apparatus’s oil-rubbed bronze finish, typically for sconces, is envisioned for cabinet hardware or kitchen fixtures, imparting a welcoming, weathered feel. The palette is further enriched by Waterworks’ Architectonics2 Field Tile in Cobble Matte Solid, a calming, handmade-looking tile, and The Hudson Company’s Bare, European Oak Flooring, chosen for its elegance, timelessness, wide planks, and character-filled knots. Additional elements reinforce the material richness and subtle luxury. Artistic Tile’s Abbey Road Onyx Mosaic in Vanilla provides a tone-on-tone effect with multiple white variations, enhancing the sense of space when paired with plaster. Lutron’s Palladiom Keypad in White offers customizable, sleek control for lighting scenarios. Senso’s white plaster wall finish, though trendy, is considered timeless for its warmth and luxury, adding depth to plain white walls. Holly Hunt’s Mane Attraction Hair-on-Hide Textile in Autumn is suggested for upholstery to introduce unexpected roughness to elegant silhouettes, while Schumacher’s Wyatt Corduroy Fabric in Mushroom adds playful graphic dynamism through its texture and vertical/horizontal application possibilities. Arps states that this palette creates a calm atmosphere conducive to both work and relaxation, making it a space she could inhabit indefinitely without boredom. #DaniArps #InteriorDesign #NeutralPalette #TextureLayering #HighEndFabric #HomeDecor #DesignInspiration #MaterialSelection #LuxuryInteriors

Submaterial, a company founded by David Hamlin in 2006, specializes in creating handcrafted design pieces for modern interiors. Operating from a 35,000-square-foot studio in New Mexico with a team of 30, including 25 skilled craftspeople, Submaterial transforms raw materials such as wool felt, cork, metal, glass, and wood into precise geometric works of art. The brand's product range includes wall art, acoustic panels, mirrors, and architectural room dividers, all designed to be both functional and aesthetically pleasing. Hamlin's initial frustration with balancing artisanal creation and running a successful business ultimately shaped Submaterial's core philosophy. This philosophy emphasizes the beauty of handmade craftsmanship alongside the capacity for scalable production. Each piece showcases meticulous detail, clean lines, rich textures, and a striking interplay of color and form, highlighting the brand's commitment to quality and design integrity. One of the key strengths of Submaterial's approach is the inherent flexibility and modularity of its designs. This allows for effortless adaptation, from grand installations to more subtle compositions. As both designer and manufacturer, Submaterial offers extensive customization options for color and material, catering to diverse environments, including bold commercial spaces and intimate residential interiors. The company is committed to sustainability, utilizing natural and responsibly sourced materials like carbon-neutral cork from Portugal and durable merino wool felt. Many products also leverage the natural sound-absorbing properties and rich texture of FilzFelt’s high-quality German-milled 100% wool design felt, reflecting a collaborative approach to material sourcing. Lean manufacturing practices are employed to minimize waste, with offcuts being repurposed for educational institutions, artists, and even recycled into new materials. While the majority of Submaterial's pieces are made-to-order, the brand also offers ready-to-ship options and has recently introduced a pre-order event for its popular Circadian No. 2 wall art piece. This artwork, characterized by layers of vibrantly colored felt within a powder-coated aluminum frame, exemplifies the brand's blend of rhythm and color. The introduction of pre-order collections aims to make these desirable pieces more accessible to a wider audience. Beyond its environmental commitments, Submaterial also prioritizes social sustainability. The company ensures that all employees receive a living wage or higher, fully covered health insurance, and support for maintaining a healthy work-life balance. Hamlin emphasizes that Submaterial's future-focused vision is mindful of its impact on the world, proving that a successful business can uphold values of craftsmanship, fair compensation, and community responsibility while producing handmade goods. #TexturalWallArt #HandcraftedDesign #ModernInteriors #SustainableMaterials #WoolFelt #CorkDesign #AcousticPanels #InteriorDecor #DavidHamlin

The 'Rich Ranch' interior design trend merges rugged Western aesthetics with elevated, luxurious principles, offering a chic and sophisticated take on the traditional cowboy look. This trend is gaining significant traction, inspired by popular media like 'Yellowstone' and 'Landman,' which showcase rich, natural materials and desert landscapes. Interior designers emphasize the versatility and timeless appeal of Rich Ranch, making it suitable for various home spaces, particularly kitchens. Key to implementing the Rich Ranch style in a kitchen involves using natural materials and Western-inspired color schemes. Instead of conventional shaker cabinets, tongue-and-groove cabinet doors painted in earthy tones can impart a Western flair. Dark oak, when paired with warm metal accents and subway tile, contributes to a rustic yet cool farmhouse vibe, creating a welcoming and cozy atmosphere. The trend's enduring nature ensures it remains stylish beyond its current popularity. Layering textures and incorporating warm shades are crucial for visual interest in a Rich Ranch space. The aesthetic thrives on contrasting materials like rough-hewn woods with soft upholstery, woven textiles, and raw stone surfaces. Natural fiber rugs or layered cowhides add depth and define areas, contributing to the luxurious feel. Investing in high-quality, mid-tone caramel and cognac leathers, rather than darker shades, helps maintain an upscale appearance. Sustainable sourcing for items like hide rugs is also encouraged to ensure ethical and quality choices. Smokey wood accents are integral to this trend, favoring darker, warmer wood tones over paler, Scandi-inspired ones. Flooring options like smoked walnut add drama and contrast, enhancing the bright ambiance of a room while creating an inviting atmosphere. Beyond flooring, incorporating vintage wooden furniture such as chests, stools, and accessories like wooden bowls and chopping boards subtly introduces these rich wood tones into the decor. Inspiration from classic Western landscapes guides the color palette, predominantly featuring neutrals like creams and greiges for a modern, luxurious scheme. Alternatively, designers suggest drawing colors from Western outfits, such as denim blues, roughout suede tones, and chambray, to inform interior choices. Introducing greenery, like potted plants or succulents, further enhances the natural, outdoor ambiance, with cacti being particularly fitting for the Rich Ranch aesthetic. Finally, subtle Western motifs complete the cowboy chic room without making it feel gimmicky. Decorative elements like horseshoes, abstract cowboy art, or tasteful Navajo-inspired patterns add personality. A cow-print chair or a classic hide rug can tastefully infuse Western character, ensuring the space feels both authentic and refined. The Rich Ranch trend offers a harmonious blend of rustic comfort and elevated style, providing a timeless and cozy yet sophisticated design solution for contemporary homes. #InteriorDesign #RichRanchTrend #WesternStyle #HomeDecor #RusticLuxury #NaturalMaterials #EarthyColors #TextureLayering #SmokeyWoodAccents

The AESTUS series of stratified wooden vases represents a fusion of traditional materials and contemporary technology, drawing inspiration from the dynamic interplay between nature and machinery. These vases, designed by architect and wood researcher Oliver David Krieg, are characterized by their soft natural curves and a futuristic, warm aesthetic, achieved through the precise alignment, combination, and gentle sculpting of hundreds of layers of beech wood. Each vase incorporates a stainless-steel internal cavity, which serves both as a water-resistant repository and a stable base. Oliver David Krieg's design process for AESTUS intentionally blurs the lines between handcrafted artistry and automated manufacturing. The vases are carved by an industrial robot, capturing the fluidity of the machine's movements within the intricate texture of the wood. This approach yields unique, custom-made pieces, fabricated in Germany from premium beech wood, intended to highlight the emerging aesthetic possibilities within modern wood design. The project aims to celebrate the innovative application of technology to natural materials. While not explicitly following trends, the AESTUS collection aligns with a broader movement in design influenced by digital design and fabrication processes. This trend allows for the creation of complex, three-dimensional shapes that were previously unattainable. AESTUS distinguishes itself through its dialogue between natural materials and advanced technology, prompting reflection on contemporary technological advancements and natural forms. The development phase presented challenges in balancing natural, physical, and digital elements, particularly in integrating the robot's movements as a primary design tool. Parametric software and digital simulation tools were developed to explore design possibilities and seamlessly incorporate robotic fabrication, complemented by the production of prototypes to understand robotic constraints and ensure consistent quality. The future direction for AESTUS involves increasing exposure for Krieg's studio and attracting clients interested in either the specific product line or the underlying manufacturing process, which has potential applications across various surfaces and materials. Current efforts include developing new versions of AESTUS with alternative materials. From the perspective of interior design, wood, as one of humanity's oldest and most natural materials, continues to hold allure for designers and architects. Despite a past perception of being outdated, wood has recently seen a resurgence in interest due to its sustainability, adaptability, and inherent tactile and visual depth. This renewed appreciation for natural materials coincides with the emergence of innovative digital technologies that empower designers to engage directly with novel fabrication methods. Consequently, the interior design and interior products sectors are increasingly prioritizing sustainability and responsible manufacturing. This shift does not necessarily signal the emergence of specific new styles but rather a renewed focus on modern and classic design solutions that incorporate wood. #HomeDecor #ArtDesign #InnovationDesign #WoodenVases #DigitalFabrication #RoboticsInDesign #SustainableMaterials #InteriorDesign #BeechWood

The intersection of fashion and home decor is becoming increasingly prominent, with designers extending their creative vision from clothing to interior spaces. This trend has seen luxury and established houses like Ralph Lauren, Dior, and Louis Vuitton offering home goods for some time, but in 2025, newer and particularly Black fashion brands are embracing this expansion. Victor Glemaud, known for his knit materials and exquisite patterns, recently unveiled a collaborative rug collection with Patterson Flynn. This collection is characterized by warm tones and abstract yet classic patterns, influenced by Glemaud's travels to Abidjan, Côte d’Ivoire, and Dakar, Senegal. The designs feature artistic animations of fish, turtles, and lizards, alongside floral motifs. Glemaud emphasizes that his design DNA translates naturally between fashion and home, highlighting the importance of respecting artisans and craftspeople in these new ventures. Similarly, Chuks Collins has ventured into home decor through a collaboration with Lush Decor. His collection, which was presented alongside his Fall/Winter 2025 fashion line, includes linens, duvets, and shams. Collins views home as an extension of oneself and a sanctuary, believing that personal style and home curation are intertwined. His designs incorporate intricate prints and craftsmanship, drawing inspiration from themes of renewal and healing. He foresees a continued integration of fashion and home design, aligning with Pinterest’s 2025 trend predictions for “Surreal Soirees,” which feature fanciful prints of fungi and wildlife. Sade Mims, founder of Edas, a brand known for its vibrant accessories, also delves into home decor. Her work aligns with the “Mix And Maximalist” trend, utilizing bold colors and textures. Mims designed a side table in 2019 and is planning more homewares, including an incense holder. She initially aspired to be an interior designer and always saw the potential for fashion and interior design to intersect, despite earlier industry resistance. Mims expresses her happiness at the current shift, where creatives are encouraged to explore various realms of design without being constrained by traditional industry blueprints. She believes that the fashion industry's constant search for innovation has led to the successful integration of home styling, particularly for Black designers, given the rich history and aesthetic storytelling embedded in Black homes. This natural progression reflects a broader understanding that both fashion and interior design ultimately aim for self-expression and embodiment. #FashionDesigners #HomeDecor #InteriorDesign #BlackDesigners #VictorGlemaud #ChuksCollins #SadeMims #FashionTrends #CollaborativeCollections

The master bathroom serves as a space where designers leverage color and finishes to cultivate a specific mood, tone, style, and personality. While white and gray palettes continue to be prominent, designers are increasingly incorporating color to create unique and personalized spaces. Roshele Allison, CMKBD, CLIPP, NW Home Designers, notes the continued popularity of white and gray, viewing them as the 'new neutral' that offers a spa-like and tranquil ambiance. Karen King, architectural designer at Transitions Kitchen & Bath, echoes this sentiment, observing that these shades remain a benchmark for timeless and classic aesthetics, particularly in painted cabinetry. Richard Ryder, designer/builder at Clearcut Construction, often bases his projects on warm whites, allowing for strategic 'pops' of color to add interest. His clients frequently present inspiration images featuring warm white walls and low contrast between trim and walls. Chelsea Newton, of Chelsea Lauren Interiors, notes that her Southern California clients often prefer neutral colors inspired by nature, emphasizing natural materials like wood and stone. Michelle Fee, a designer at Change Your Bathroom, also finds her clients drawing inspiration from nature, moving away from purely monochromatic white and gray towards warmer tones and earth-friendly colors. Fee observes a growing interest in wood, particularly walnut and teak for furniture and cabinetry, as well as incorporating greenery, either through actual plants or nature-inspired accents like blues and greens, to evoke a restorative and calm feeling. When clients do opt for color beyond white or gray, blues and greens are frequently chosen. These hues are often introduced as easily changeable accessories, but also as more permanent features in cabinetry, tile, or semi-permanent paint applications. Allison highlights the tranquil quality of softer blues and greens, citing an example of a master bathroom with bamboo cabinetry, a green glass countertop resembling water, and green subway tile. Another project incorporated various shades of blue through a custom mosaic on vanity walls and accent walls, illuminated by LED-backlit niches, allowing the client to display international artifacts. Allison encourages clients to infuse personal elements into their designs, even with specific color preferences, ensuring the chosen hues harmonize with the space without being overwhelming. Newton's projects also feature green and blue, utilizing glossy handmade tiles with crackled detailing in master and children's bathrooms. She emphasizes that color and finishes can act as focal points, elevating a room's aesthetic. King notes that clients willing to be bolder are selecting deeper blues and greens, such as the dark navy cabinetry paired with warm gold hardware in a recent bathroom, providing a strong contrast to softer neutrals. She suggests that bathrooms, being more private and enclosed, allow for more daring color choices compared to open-concept kitchens. Ryder's clients also gravitate towards darker shades like dark blue, green, and black for pops of color, often maintaining a 75/25 neutral base-to-color ratio for balance, as demonstrated by a tall black cabinet against a white backdrop in a recent bathroom design. Beyond color, finish selections significantly influence a space, particularly in monochromatic schemes. Allison used large-format dimensional porcelain tile in a white and gray palette to create a focal wall in a 'bathing room' and a unique plumbing fixture to add interest. The increasing availability of tiles with varied finishes, textures, and dimensionality allows designers to personalize spaces. King points out the evolution of subway tile beyond traditional sizes, with options like 4"x12" or 5"x22" and creative finishes such as crackled or inverted bevels. Glossy finishes remain popular for their light-reflecting qualities. Grout color variations can also alter the look, from subtle gray for a refined trim to dark gray for a rustic farmhouse aesthetic. Contemporary designs often feature large-format tiles like 12"x24" or even 13"x40", laid horizontally and stacked with minimal joints to create a simplified, textural, and often multi-dimensional appearance. Allison and Fee's clients appreciate large-format tiles, especially those mimicking natural stone like travertine or marble, offering durability and easier maintenance while making rooms feel more expansive. Fee frequently combines natural and faux materials, such as marble shower floors with porcelain tile walls and floors, to achieve a nature-inspired theme. Matte finish plumbing fixtures, including matte black, brushed nickel, and brushed gold, are also popular for their aesthetic appeal and ease of cleaning, with Newton's clients favoring matte black and patinaed brass, and Ryder often incorporating mixed metals for a sophisticated, complementary look. #BathroomDesign #InteriorColorTrends #HomeFinishes #TileDesign #ColorPalette #NatureInspiredDesign #ModernBathrooms #LuxuryBathrooms

The article details the newly opened CDK Stone Selection Centre in Hindmarsh, Adelaide, which aims to enhance the natural stone selection experience for homeowners and designers. This showroom, the latest addition from CDK Stone, addresses the growing demand for natural stone, celebrated for its unique veining, color variations, and durability. Natural stone, including marble, limestone, granite, and quartzite, offers a distinctive aesthetic, allowing for personalized design projects that convey prestige and individuality. The Adelaide showroom's launch featured a special preview event attended by local design professionals and Belle editor-in-chief Tanya Buchanan. Guests had the opportunity to explore the expansive collection of monolithic stone slabs, sourced globally. The setup enables visitors to examine the intricate details and textures of each slab firsthand, providing a comprehensive understanding of the material's potential in various applications. The facility is designed to showcase the beauty and versatility of natural stone in a compelling manner. A notable feature of the showroom is its sample library, which presents hand-sized stone tiles arranged systematically, offering a detailed preview of CDK Stone's extensive range. In collaboration with Melbourne designer Josephine Ivanoff of By Jive, the display zones within the showroom highlight stone's diverse applications. These zones include a raised reception desk crafted from creamy stone, a dining table with a speckled finish, and a coffee table in a rich burgundy hue, demonstrating how natural stone can be integrated into different interior elements. Adelaide-based interior designer Georgie Shepherd, a long-standing advocate for natural stone, attended the opening and emphasized the material's role in her studio's projects. She highlights that natural stone enriches a project by adding depth and character, ensuring that each selection is unique to the client. Shepherd particularly appreciates the adaptability of natural stone, noting that it can be used to create dramatic focal points or more subdued, calming areas within a design. For instance, a striking, loud stone can be balanced with a tranquil limestone in other parts of a space. The showroom offers a personalized service where visitors can book appointments to explore the collection. Shepherd looks forward to bringing her Adelaide clients to the center, underscoring that direct interaction with large-format slabs is crucial for clients to fully appreciate and connect with the material, an experience that small samples cannot replicate. This hands-on approach allows clients to visualize the stone in its full scale, facilitating a deeper appreciation and enabling informed design decisions. #CDKStone #NaturalStone #ShowroomDesign #InteriorDesign #AdelaideDesign #MaterialSelection #LuxuryMaterials #HomeDecor

This article highlights the interior design philosophy of Charlotte, North Carolina–based designer Layton Campbell, focusing on his skill in creating "dark and sexy interiors." Campbell's design approach emphasizes the use of tactile raw materials and deep neutral hues to achieve warmth and contrast within a space. He articulates his preference for layering plush fabrics with hard finishes such as steel, brass, and hardwood, which contributes to a balanced aesthetic. The context for the mood board presented in the article is Campbell's ongoing project of building a second home in Virginia’s Blue Ridge Mountains. His selections for this project are heavily influenced by the natural surroundings, with the aim of complementing the panoramic views rather than detracting from them. The resulting design scheme is described as both daring and dapper, integrating bold graphic motifs with grounding earth tones. This combination is intended to be sophisticated yet comfortable, creating an ideal setting for a weekend retreat from a busy lifestyle. The article delves into 23 specific elements that constitute Campbell's mood board, offering a detailed breakdown of each selection and its role in the overall design. For flooring, he chose a Dapper rug in black/sand by Samad to anchor light white oak floors with a dark and moody black field color, brightened by taupe silk accents. French oak hardwood flooring in Monterey by Curated Surfaces, with its light-colored, wide planks, is selected to allow darker elements to stand out. Upholstery choices include soft olive leather by BassamFellows, which balances hard finishes with plush coverings, and Velit Indoor-Outdoor Fabric in Dove by Dmitriy & Co for its softness and durability on larger upholstered pieces. Pea Gravel Vegan Leather in Cement by Powell & Bonnell is specified for bar seating, valued for its ease of cleaning and subtle texture. Thomas Pheasant’s Eggshell Blend fabric at Baker Furniture adds sophistication with its polished linen texture, while Nestor fabric in Montagne by Pierre Frey (a mohair, wool, and alpaca blend) is envisioned for a custom throw. Boucle fabric in Taupe by Thomas Pheasant at McGuire Furniture is suggested for a bench cushion with a wood-stained frame. For hard surfaces, quartzite slab in Infinity Leather by Walker Zanger is chosen for its leathered texture and masculine deep color, ideal for a handsome kitchen. Wallcoverings include Chateau Linen Wallcovering in Black Mansard Roof by Phillip Jeffries for a powder room, paired with dark trim and an integrated marble vanity. Textured wall paint, Mineral Stain Paint in 104 by J.H. Wall Paints, applied with a limewash technique, introduces a softer layer to the architectural elements. Paint colors such as Studio Clay by Sherwin-Williams complement the leathered black quartzite and incorporate earthy green accents, while Iron Ore by Sherwin-Williams is used for dark trim accents to create a grounding effect. A custom shearling rug by Bellaire Dynamik is intended for a bedroom to provide extreme comfort underfoot and a soft geometric pattern. Hardware and lighting selections feature Vanity Sconce in Black Leather/Aged Brass by Gabriel Hendifar for Apparatus at Studio Como, chosen for its elegant scale and ability to showcase marble. Satin Brass Lighting Finish by Sonneman offers a brighter metallic accent among darker elements. Bond Lavatory Faucet Handles in Nickel/Black Enamel by Waterworks provide an elegant and masculine touch for the bathroom. Suede finishes in Pewter, Bronze, and Black by Apparatus soften the appearance of brass light fixtures. Metal finish in Sheer Black by Powell & Bonnell helps integrate all palette finishes. Custom console table by Kamiya Furniture is noted for its organic lines. Wood finish in Coconut by Baker Furniture complements the boucle fabric with a soft wire-brushed texture. Stamp Triple Flushmount by The Urban Electric Co. serves as a statement lighting piece without occupying excessive visual space. #InteriorDesign #HomeDecor #LaytonCampbell #MoodBoard #LuxuryInteriors #TexturedMaterials #NeutralPalette #MountainHomeDesign #InteriorStyling

The Light Bean is the inaugural product from San Francisco-based designer Katerina Kopytina’s studio. This pendant light is characterized by its minimalist design, material integrity, and subtle allure, embodying Kopytina's commitment to thoughtful design and sustainable practices. Each Light Bean fixture is meticulously handcrafted from American oak, allowing the natural grain of the wood to be a prominent aesthetic feature, and is complemented by a large, sculptural globe. The initial release of the Light Bean is a limited edition, with each piece individually numbered, capping the production at 100 units. The design's deliberate simplicity belies the complexity of its execution, offering an understated elegance. A touch of playful contrast is introduced through the selection of cord colors, which are inspired by the landscape of Northern California. These carefully curated color options, such as Soft Linen, Black Obsidian, Yellow Superbloom, Pine Forest, Coral Bay, and Golden Gate Red, reflect a philosophy of offering refined choices rather than overwhelming variety, simplifying the decision-making process for customers. Kopytina’s design ethos heavily emphasizes local sourcing and production. The Light Bean represents a new approach to systems design, prioritizing sustainability. Production occurs in small batches, employing methods that support craftsmanship—a value that can be easily overlooked in purely profit-driven manufacturing. The Light Bean offers versatility in its illumination, with three distinct bulb options: 'Cloud' for a frosted look, 'Bubble' for clear illumination, and 'Dusk' for a smoky ambiance. Furthermore, the light fixture is available in plug-in, ceiling-mounted, and wall-mounted configurations, providing extensive flexibility for placement and design integration within various spaces. In addition to the American oak version, an even more localized variant is available: the Claro Walnut Light Bean. This edition utilizes Claro Walnut, a wood native to Northern California, known for its deep tones and intricate grain patterns that display smoky purple and gold hues. This choice further highlights Kopytina’s dedication to regional materials and craftsmanship. Katerina Kopytina, originally from Moscow and with design experience in Milan, established her studio with a focus on transforming conceptual ideas into tangible products that promote a sustainable future. With over 15 years in the design industry, including a decade at fuseproject, she has advised numerous teams on product development, consistently integrating principles of circular design and life cycle innovation into her work. Her professional background includes collaborations with prominent brands such as Cartier, Mastercard, and Swarovski. #lightingDesign #homeFurnishings #sustainableDesign #AmericanOak #ClaroWalnut #KaterinaKopytina #productDesign #handcrafted #localSourcing

In Pelham, New York, designer Joan Enger of J. Patryce Design embarked on a project to transform a client's home into a soft-hued, textured environment that harmonized with the stately character of the neighborhood. The client, who had already undertaken significant renovations including updating bathrooms, replacing wood flooring, and upgrading the heating system, doors, and moldings, found the decorating aspect of her home daunting. Her introduction to Enger through a mutual acquaintance led to an immediate connection and the initiation of a comprehensive design overhaul. Enger's approach centered on meticulously furnishing the home with luxurious wallcoverings and a diverse array of chic, personalized pieces tailored to the client's preferences. A significant portion of the furnishings and rugs were custom-designed, allowing for considerable creative freedom in achieving a unique aesthetic. The entryway, for instance, features a striking wallcovering from Alt for Living, providing a vibrant and welcoming first impression for guests. The living room was conceived as a comfortable lounge space, anchored by a custom chaise lounge upholstered in a subtly striped fabric from Rogers & Goffigon, perfect for relaxation and reading, illuminated by a tent lamp from Visual Comfort. In the dining room, a blush-colored wallcovering from Kneedler|Fauchère sets a warm and inviting tone. Custom mirrors introduce geometric elements, complemented by an orb lighting fixture from Bourgeis Boheme, while Rogers & Goffigon fabric elegantly frames the windows. Contrasting elements are strategically employed throughout the home, as seen with sleek, lacquered custom consoles paired with Christen Maxwell stools that introduce a metallic shimmer. The family room is a study in layered textures and soft, warm neutrals, featuring two custom sofas upholstered in Schumacher chenille and custom club chairs in Holly Hunt fabric. A custom bronze and cerused oak cocktail table serves as a central piece, and Jim Thompson Fabrics window shades add a subtle pattern. A raffia console from Made Goods contributes an unexpected texture, and the mantle surround, built-ins, and a wool-and-silk area rug are all custom-designed. Custom millwork is a hallmark of the design, with Enger and her team crafting built-ins throughout the home, including practical solutions in the mudroom. The sunroom is designed to maximize natural light, creating a bright and comfortable space. Almost all its furnishings are custom, from the Holly Hunt fabric lounge chair and the wool flat weave area rug to the hexagonal lacquered linen coffee tables. Even the guest bedroom incorporates subtle patterns, with a Cisco Brothers daybed upholstered in Holland & Sherry fabric. The master bedroom exudes tranquility with a textured Wolf-Gordon wallcovering. The custom bed is upholstered in Holly Hunt fabric, and the bedding is from Signoria Firenze. A dark, vintage sunburst mirror above the bed creates a striking contrast against the room's lighter colors, flanked by two Visual Comfort lamps on custom nightstands. A plush lounge chair at the foot of the bed offers additional comfortable seating. The home also includes custom-designed cabinetry by J. Patryce Design for an office nook, showcasing the comprehensive and personalized nature of the project. #InteriorDesign #HomeDecor #LuxuryHomes #CustomFurnishings #TexturedInteriors #Wallcoverings #PelhamNewYork #JoanEnger #JPatryceDesign

London design studio JamesPlumb, comprising artists James Russell and Hannah Plumb, has continued its Burnished Indigo project by creating a limited-edition bench. This new piece showcases an antique textile, which is made using medieval dyeing techniques, in a raw form that highlights its architectural qualities. The studio had previously used this fabric for an elaborate lampshade and a Chesterfield sofa, aiming to celebrate the sculptural aspects of the material in this latest creation. The textile's production involves a meticulous dyeing process that the designers describe as a ritual. This process includes repeatedly submerging the fabric in a deep blue dye mixture, which incorporates egg whites, ox or pig's blood, and fermented fruit juices to help the material absorb the color effectively. Following the dyeing, the fabric is either beaten with wooden mallets or placed under large, smooth rocking stones. This beating and pressing action is crucial for increasing the fabric's sheen and developing its unique texture. Instead of applying this labor-intensive dyeing technique to new materials, JamesPlumb opted to work with existing antique fabric that had already undergone this traditional treatment. This choice underscores their commitment to repurposing and celebrating historical craftsmanship. The methodology for creating the bench mirrored that used for their earlier Chesterfield Table, involving a repetitive cycle of soaking, drying, scrunching, attacking, and beating the fabric. The key distinction for the bench was a conscious decision to allow the fabric's inherent qualities to shine through, minimizing overworking, and then contrasting this raw texture with controlled deep buttoning, which adds a refined element to the piece. The limited-edition bench was produced in a run of eight pieces. It was exhibited at Gallery Fumi's stand during the PAD London fair, which took place from October 3 to October 9. To mark the launch of the bench and to articulate their creative journey with the antique textile, JamesPlumb composed a poem. The poem, a reflection on their artistic process, speaks to the fabric being “Bruised by hand, soaked, parched, opened, closed, attacked and rested” and describes how its “propriety disrupted, tightly buttoned, unravels to unruly abandon.” It concludes by calling the creation “a beautiful new chapter for a very old, almost ancient, thread,” encapsulating the studio's deep appreciation for the fabric's history and transformation into a contemporary design object. #JamesPlumb #FurnitureDesign #TextileArt #AntiqueFabric #IndigoDyeing #LimitedEdition #BenchDesign #Craftsmanship #InteriorDecoration

Kindred Black, a retail project focused on environmental sustainability, has launched a new line of skincare products called Slow Beauty. This collection aims to redefine sustainable skincare by emphasizing both the ingredients and the packaging. Founders Alice Wells and Jennifer Francis identified a gap in the market where natural and organic beauty products often came in excessive plastic packaging. Their initiative addresses this by offering an aesthetically pleasing and eco-conscious alternative. The core of the Slow Beauty line lies in its unique packaging: hand-blown glass vessels crafted by master artisans across the United States. This approach transforms beauty packaging into a form of art, moving away from conventional mass-produced containers. Wells and Francis ensure that the glassblowers are not subjected to factory-like conditions, allowing them significant creative freedom. Each production run is a limited edition, reflecting the painstaking manual labor involved and preserving the handmade quality of the products. The company often rotates products into different bottle designs to cater to collectors and manage demand without compromising the artisanal integrity. In addition to the distinctive packaging, Kindred Black's Slow Beauty formulations are meticulously crafted using clean, responsibly sourced, and all-natural ingredients. These ingredients are procured from small family-run farms and growers worldwide, highlighting a commitment to ethical sourcing and a return to traditional, nature-derived treatments. The founders are particularly interested in historical cosmetic practices, drawing inspiration from what people once harvested directly from the earth for beauty and therapeutic purposes. They believe that many contemporary problems stem from a disconnection from the land, advocating for a more mindful and slower way of living. The sourcing process for ingredients is rigorous and thoughtful. For example, the lavender used in their products comes from a female-owned farm in France that collaborates with a school for troubled youth. Their hinoki oil is sourced from a Japanese craftsman who distills oil from leftover wood originally intended for traditional cypress tubs. Argan and prickly pear oils are obtained from a women-owned and operated collective in Morocco. The brand even uses lilac and jasmine perfumes made by a woman who practices the ancient art of enfleurage, growing the flowers herself. The founders' research into cosmetic history has unveiled numerous surprising and sometimes unusual beauty practices from millennia past, such as wine infused with drowned lizards for aphrodisiacs or ox hair for thicker eyebrows. While they acknowledge these peculiar historical methods, they also note that many foundational ingredients from ancient times, like rosewater, olive oil, and neroli, remain effective and are still used in modern skincare today. Among Kindred Black’s offerings, the multipurpose Unicorn Oil and the Hypocrites shimmer powder, made from crushed mica, are highlighted as favorites. The brand also produces multi-purpose soap bars, handmade by Navajo farmers in Arizona using their own grown ingredients, further cementing their commitment to community and sustainable practices. Overall, Kindred Black's Slow Beauty line represents a comprehensive approach to sustainable skincare, integrating artistic packaging, ethically sourced natural ingredients, and a philosophy rooted in historical wisdom and mindful living. The brand emphasizes craftsmanship, community support, and environmental responsibility, offering products that are not only effective but also embody a deeper connection to nature and traditional artistry. #SustainableSkincare #EcoFriendlyPackaging #HandblownGlass #NaturalIngredients #EthicalSourcing #ArtisanalBeauty #CleanBeauty #SlowBeauty #KindredBlack

Creative agency Spacemen integrated biophilic design concepts into the flagship store for luxury leather manufacturer Braun Büffel in Malaysia, featuring a tree-like, moss-covered installation as its central focus. The objective was to create an interior appealing to a younger demographic, envisioning the store as an 'abstract oasis' within Putrajaya's IOI Mall, blurring the lines between an art museum and a laboratory. This unique approach aimed to establish a strong connection between nature and high-end fashion. The centerpiece of the store's design is a large, organically shaped sculpture suspended from an illuminated disc in the shop's center. This sculpture is adorned with preserved flat moss, ball moss, and lichen, creating a natural and visually engaging focal point. Directly beneath this hanging installation, a spherical table, similarly covered in moss and other preserved plants, serves as a display platform for Braun Büffel's leather bags. These bags are strategically arranged throughout the store, evoking the presentation style of museum artifacts, further enhancing the artistic and curated atmosphere. The inspiration for this dominant sculpture comes from biophilic design, a methodology that seeks to strengthen the human-nature connection within built environments. Edward Tan, founder of Spacemen, explained that the sculpture's form was designed to appear as if it is growing from the ground toward the ceiling, symbolizing growth and reaching for the sun. The envisioned aesthetic was an otherworldly concept, drawing parallels to a scene from a Hollywood sci-fi film, adding an element of fantastical innovation to the retail space. In developing the store's interior, Spacemen adopted a 'maximal minimalism' philosophy. This approach aimed to counteract the often-uninspired shapes and colors typically found in luxury retail spaces. The interior features lime plaster walls and bright white terrazzo flooring, providing a clean and contemporary backdrop. These elements are complemented by numerous intricately designed display cabinets and shelves, which are further enhanced by floor-to-ceiling mirrors, contributing to a sense of spaciousness and understated opulence. Further details of the store's luxurious design include cabinetry crafted from opulent slabs of swirling orange onyx and jade marble. Some of these marble surfaces are topped with glass vitrines, designed to showcase smaller leather goods, adding another layer of sophistication and attention to detail. This combination of natural elements, innovative design, and high-quality materials creates a distinctive shopping experience. Edward Tan elaborated on the decision to incorporate biophilic design, noting a societal shift in appreciation for nature, particularly post-pandemic. He observed that individuals residing in urban apartments or working in office cubicles often lack sufficient exposure to natural environments. Consequently, the integration of lush flora and garden-like elements into interior spaces has emerged as a new form of luxury. This recognition of nature's value within commercial design contributes to the project's overall success and resonance with contemporary consumer preferences. #BiophilicDesign #LuxuryRetail #InteriorDesign #FashionStore #MossInstallation #SpacemenStudio #BraunBuffel #MaximalMinimalism #SustainableDesign

The provided content offers a comprehensive overview of various wood treatment products designed for both interior and exterior applications. It highlights how these treatments can be utilized for furniture upcycling, garden protection, and general home refreshment. The selection includes essential categories such as wood preservatives, shed and fence paint, decking paint, varnishes, and wood stains. For interior projects, the article details options like undercoat and primer paints, furniture paint, cupboard paint, and specific interior wood paints. These products cater to diverse needs, from preparing surfaces for a new finish to adding a decorative touch or enhancing durability. The range of interior wood treatments ensures that homeowners can find suitable solutions for different types of wooden furniture and fixtures within their living spaces. Conversely, exterior wood treatments are showcased to protect and beautify outdoor wooden structures. Products like wood preservatives and shed and fence paint are crucial for safeguarding against environmental elements, extending the lifespan of garden sheds, fences, and other outdoor timber. Decking paint and garden furniture paint and stain provide specialized solutions for maintaining and revitalizing wooden decks and outdoor furniture, offering both protection and aesthetic appeal. The article also mentions specialized products such as wood dye, which allows for altering the color of wood while preserving its natural grain. To assist customers in making informed choices, exterior paint tester pots are available, enabling users to sample colors and finishes before committing to a larger purchase. Additionally, a wide array of decorating and painting supplies is listed, ensuring that all necessary tools and accessories are accessible for any wood treatment project. The content is organized to guide users through different product types, emphasizing their specific applications and benefits. It implicitly suggests that proper wood treatment is vital for both the longevity and appearance of wooden items, whether indoors or outdoors. The variety of products available indicates a focus on providing solutions for various wood types and desired outcomes, from basic preservation to decorative enhancements. This structured approach helps users easily navigate the extensive product offerings to meet their specific project requirements. #WoodTreatments #InteriorWoodPaint #ExteriorWoodCare #FurnitureUpcycling #GardenMaintenance #DeckingPaint #WoodStain #Varnishes #HomeImprovement

Dane Pressner, the design director of D’Aquino Monaco in New York, maintains a compilation of samples, swatches, and inspirational images to constantly fuel his design ideas. His current mood board reflects a "moody and dramatic" aesthetic, characterized by saturated hues and diverse textures that, despite their apparent disparity, cohere harmoniously. Pressner emphasizes the importance of storytelling in design, noting that each element in his palette has a narrative, connected by his appreciation for craft, color, and the making process. He seeks to create a serene foundation, then introduces a contrasting element to add dynamism. Pressner details 20 specific items from his current inspiration. These include the "Victoria" fabric in denim by The Sign, valued for its saturated color and tactile quality, and the whimsical "Argo 2" fabric by Raf Simons for Kvadrat, chosen for its incredible color and playful nature. He incorporates "Anaconda Velvet" fabric in Petrol by House of Hackney, drawn to its symbolism of rebirth and transformation, and describes it as both luxurious and "menacing." Wood samples like "Iced Grey Fir" and "Iced Barn Wood" from Barn in the City are included for their "showstopping" potential. Artisanal elements such as glazed lava stone samples by Ian Felton Studio are highlighted for their sophisticated palette and Felton's understanding of proportion. Joseph Algieri’s "Large Cactus Foam Lamp" samples are noted for sparking joy with their unconventional green color. "Judy Stripe" wallpaper by Voutsa creates an illusion of draped fabric, which Pressner imagines Mame Dennis would have used. The "Series 108 Hardware Suite" by D’Aquino Monaco for SA Baxter, inspired by Francine Monaco and vintage automobiles, is praised for its versatility across modern and traditional interiors. Further inspirations include the "Lapis Glaze" sample by Danny Kaplan Studio, which features archaic yet modern forms and stunning new glazes, and metal finish samples by Alexandr Zhikulin of Lanin Design, whose straw marquetry interpretation in metal showcases boundless talent. Minimalist and sophisticated "Maykume Wood Panel" samples in Gris Noir by May Furniture are chosen for their texture and tone. The "C-Thru 2 lamp" by The Alpha Workshops, hand-cast in plaster with an aluminum-leaf faux bois finish, is appreciated for its beauty and the non-profit's mission. Pressner expresses an obsession with Pierre Frey's "Majestic" fabric in Noir & Or. Élitis's "Panama" wallpaper in Dandy is his go-to for natural textures, particularly the wild ones, envisioning an entire room in this black and natural grass cloth. "Raphia Rosace" wallcovering in Polaire by CMO Paris is described as magical, evoking an island ambiance due to its hand-crafted, 3D raffia. Custom hand-knotted zebra-print flat weave rugs by Tai Ping are valued for showcasing visible craftsmanship, which Pressner finds grounding. "Rialet Rug" samples by La Manufacture Cogolin are a "must-use" for their captivating color combinations. "Strata Linea Stone Plank Tile" by Clé Tile is appreciated for its innovative use of repurposed stone remnants, warmth, and color. "Sheepskin Upholstery" in Shadow by Opuzen is a frequently used fabric for its cozy texture and adaptability. Finally, "Armor Side Table Chain Mail" samples in Satin Nickel by Konekt are admired for their paradoxical ability to be both cold and soft, fitting into any decor scheme. #InteriorDesign #DesignInspiration #MoodBoard #TextileDesign #MaterialSelection #ArtisanCraftsmanship #HomeDecor #ColorPalette #SurfaceDesign