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A London Apartment Designed for a Well-Traveled Collector
This article details the transformation of a London apartment, originally a characterless 1980s/90s office space within a former factory, into a modern home for a well-traveled collector. Louise East, founder of Studio Est, was tasked with designing an apartment that would serve as a fitting backdrop for the client's extensive collection of art and objets, gathered from years of global travel. The apartment, a duplex, initially lacked internal walls, stairs, and any defining style, presenting a completely blank canvas.
East's initial challenge involved devising a functional layout to incorporate three bedrooms, two bathrooms, and ample storage within a relatively compact footprint. This required extensive space planning and careful consideration of furniture choices from the outset to optimize every inch of the living area. A key design element introduced was a wall of Crittall windows, functioning as room dividers between the main living space and a passageway. This choice not only allowed natural light to penetrate deep into the apartment but also paid homage to the building's industrial heritage. Further reinforcing this industrial aesthetic, utilitarian copper hardware was integrated throughout the bathrooms and kitchen.
The design vision for the apartment revolved around complementing the client's existing collection, which features bold, masculine pieces blending modernist and brutalist influences with African elements, such as a striking ceremonial chair in the living room. East deliberately opted for a simple, coherent material and color palette to create a subtle backdrop that would allow the client's collections to be the focal point. This approach also proved effective in a smaller space, contributing to a sense of spaciousness without overwhelming the eye.
Beyond creating a suitable setting, East meticulously sourced new pieces that would seamlessly integrate with the existing collection. This included selecting dining chairs to harmonize with the client’s dining table and finding a significant cast glass and metal coffee table described as a 'key grounding piece.' She also incorporated brutalist hand-carved stone lamps from her own archive, reflecting her personal appreciation for handcrafted objects and the 'mark of the hand' in design. The design process focused on capturing and enhancing the client's personality and impeccable taste, ultimately creating a space that acts as a curated extension of his identity and travels.
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