Pattern makers: first look at Studio Job’s iconographic mosaics for Bisazza

Bisazza Mosaico, an Italian company established in 1956, stands as a pioneer in the mosaic tile industry, distinguished by its innovative fusion of traditional Venetian glass design techniques with contemporary technologies. The company is poised to open the Bisazza Foundation on June 8, 2012, a private, non-profit institution located in Vicenza, Italy. This foundation will be dedicated to design and contemporary architecture, serving as a venue for showcasing mosaic works, installations, and exhibitions created by renowned international designers and artists specifically for Bisazza. The inaugural exhibition at the foundation will feature the work of British designer John Pawson. The article highlights a curated selection of 20 distinctive mosaic designs from Bisazza, encompassing both classic and innovative styles. Among these is the 'Chester' design, which mimics tufted buttoned upholstery, offered in white and a vibrant pink. For a more understated aesthetic, the 'Oro 20 Blends' present 3/4-inch by 3/4-inch tiles in a simple, random mosaic available in various colors. The 'Shading Blends 20' collection offers a gradient effect, featuring eight color variations that transition from light to dark within the same tile size. The 'Kilt' mosaic tile introduces a bold and colorful option suitable for floors, bathrooms, or kitchens. Carlo Dal Bianco's 'Labirinto' design features glossy and opaque 3/4-inch by 3/4-inch tiles arranged in a geometric pattern, available in three color schemes. Marco Braga's 'Pois' collection reinterprets polka dots with large iridescent white gold or alabaster white dots. 'Mimetico,' designed by Fabrio Novembre, offers a unique take on camouflage with three color variations. Marco Braga also designed 'Twill,' a mesmerizing pattern of diagonal lines in contrasting colors, available in three combinations. 'Giza,' another creation by Carlo Dal Bianco, showcases strong, metallic-quality geometric patterns in four color combinations, including white gold and yellow gold. The 'Liaisons' design provides a classic, overlapping pattern, offered in white gold and yellow gold, with three additional variations. 'Righe' features a white-on-white pattern that contrasts glossy and opaque tiles and is available in seven color variations, with 'Vienna' also mentioned for flooring applications. The 'Suite' design presents an interwoven hexagon pattern with an almost 3D effect, available in three color stories, for those seeking a bold statement. The 'Diagonale' pattern offers a simple yet dramatic look in black with white gold or white with white gold. Bisazza also offers animal print tile patterns, including 'Crocodile,' 'Python,' 'Leopard,' 'Giraffa,' and 'Zebra.' The 'Bamboo' mosaics, designed by Rene Gonzalez, emulate a bamboo forest and come in white or black with two pattern variations. The 'Velvet' design, available in four color variations, creates a classic raised pattern with depth. From the Crystal Collection, 'Flash' integrates Swarovski crystals into glass mosaic circles, offered in black, blue, and white. The 2012 collection introduces new designs such as 'Vesper Minor' by Edward Van Vliet, a geometric, star-like pattern with black or white backgrounds. Van Vliet's 'Andromeda' features overlapping circles in two color palettes. The Bisazza Design Studio contributes 'Clouds,' depicting white clouds in a blue sky, available in two pattern variations. Lastly, Carlo Dal Bianco's 'Rayures' offers a timeless striped pattern in black/white and brown combinations, ensuring a design that remains perpetually stylish. #BisazzaMosaico #MosaicTile #ItalianDesign #HomeDecor #InteriorDesign #GlassTile #ArchitecturalTiles #DesignFoundation

Bisazza, the renowned Italian design company, has collaborated with American designer David Rockwell to launch a new tile collection named 'Tonal.' This collection marks Rockwell as the first American designer to partner with Bisazza on their artistic 'Cementiles' range. The 'Tonal' collection features a suite of graphic patterns available in four distinct color families, bringing a contemporary aesthetic to Bisazza's classic Cementiles. Rockwell's long-standing admiration for Bisazza tiles, which he has used in his projects for years, motivated him to seek a unique contribution for this collaboration. His choice to work with the Cementiles was influenced by his early experiences in Mexico, where he developed an affinity for this material. Rosella Bisazza noted that Rockwell was given complete freedom in designing and selecting patterns for the collection. He also requested the addition of a new blue shade to Bisazza's palette, which has since been named 'David Rockwell Blue' in his honor. The essence of Rockwell's design philosophy for the 'Tonal' collection lies in the interplay of craftsmanship, light, and the concept of transition. He was particularly drawn to the subtle variations inherent in each Cementile tile, which he describes as slightly different. This characteristic inspired him to incorporate the notion of ombre, or gradual color transition, into his designs. Rockwell explains that the "in-between spaces" are often the most captivating, and the illusion created by colors fading into one another resonates with his work in both theatre and architecture. Within these guiding principles, Rockwell developed a series of graphic patterns, including bold chromatic stripes and a vivid end grain motif. These patterns are designed to be highly versatile, allowing for numerous combination possibilities. The four color palettes – a sepia-toned warm neutral, a charcoal cool neutral, a family of rust, and the newly introduced blues – are meticulously chosen to complement the matte finish of the tiles. These palettes contribute to a latent energy and a sense of dynamic movement when applied to larger spaces. Rockwell emphasized that the simpler patterns intentionally highlight the material's inherent quality without distracting from it. He believes that this boldness distinguishes the collection in a market often saturated with intricate details, making it stand out as a unique offering. #DavidRockwell #BisazzaTiles #TileDesign #InteriorDesign #Cementiles #GraphicPatterns #ColorPalettes #DesignCollaboration #HomeDecoration

Bisazza, an Italian company established half a century ago in Northern Italy’s Alte Vicenza region, is recognized for its innovative production of glass mosaics. The company's recent offering, The Crystal Collection, merges classic design with contemporary decoration by incorporating Swarovski crystals into its mosaic tiles. This collection features six distinct patterns: Skulls & Crowns, Robots & Hearts, Corals & Seahorses, Flash, Stars, and Rain. The designs within The Crystal Collection are simplified into basic forms and presented on monochromatic backgrounds, available in white, blue, and black tones. Skulls & Crowns utilizes bold imagery, drawing inspiration from corsair themes with skeleton heads and royal crowns, elements that have gained popularity in fashion over recent years. In contrast, patterns such as Flash and Rain adopt a more understated aesthetic, characterized by small, shimmering circles that create a unique sense of depth. Each pattern offers a different visual experience, ranging from overtly decorative to subtly intricate. Bisazza's approach with this collection reflects a continuous effort to push the boundaries of traditional mosaic art, integrating precious materials like Swarovski crystals to enhance aesthetic appeal and perceived value. The use of crystals adds a luxurious dimension to the glass tiles, transforming them into decorative elements suitable for various interior design applications. The choice of monochromatic backgrounds for outlining the patterns ensures that the embedded crystals and the patterns themselves remain the focal point, allowing for versatile integration into different design schemes. The collection is strategically distributed through Bisazza's global network of flagship stores and select retailers, ensuring accessibility for a wide range of customers interested in high-end decorative solutions. This distribution model helps maintain the brand's premium image and allows clients to experience the quality and visual impact of the mosaics firsthand. The blend of advanced technical solutions in glass mosaic production with artistic collaborations and material innovation positions Bisazza as a key player in the luxury interior decoration market, continuously evolving its offerings to meet contemporary design demands while honoring its heritage. #Bisazza #CrystalCollection #GlassMosaics #SwarovskiCrystals #InteriorDesign #HomeDecoration #LuxuryTiles #ItalianDesign #WallDecor

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

Marazzi, an Italian ceramics company, has launched its new Crogiolo Rice collection, a line of porcelain tiles designed with an authentic, handmade aesthetic. These tiles feature hand-painted designs and subtle irregularities, such as pitting, smears, and variations in texture, which contribute to their unique character and vibrant appearance when installed. The collection is inspired by thick-glazed majolica tiles, giving them a lustrous, glossy finish. The color palette primarily consists of whites and blues, aiming to impart a lively and welcoming atmosphere to interiors. The Crogiolo Rice tiles are part of Marazzi's broader Crogiolo collection, which represents the company's commitment to blending traditional craftsmanship with industrial technology. This approach allows for the creation of ceramic products that celebrate authentic, colorful, and decorated designs while benefiting from modern manufacturing processes. The brand emphasizes that the minor imperfections in each tile, including grainy surfaces or slight chipping around the edges, are intentional features that enhance the handmade feel and ensure no two pieces are identical. Rectified edges allow for minimal joint lines, further highlighting the tiles' surface qualities. The collection is available in three distinct sizes: 15 by 15 centimeters, five by 15 centimeters, and 7.5 by 20 centimeters. These varying dimensions offer flexibility for different design applications. The subtle shifts in color tone, shadowing, and minute variations in the concave-convex forms are carefully controlled to create a visually rich and dynamic effect. Marazzi's design philosophy for the Crogiolo collection draws from its rich heritage, particularly from a series of booklets developed in the 1980s called 'Il Crogiolo.' These booklets documented 112 projects, illustrating various decorative techniques and capturing insights from potters and designers. This historical resource continues to serve as a source of inspiration for Marazzi's current product development, ensuring a continuity of craft and innovation. The Crogiolo Rice collection is positioned as a testament to Marazzi's ongoing research into materials, colors, glazes, and technological advancements, all while preserving the essence of handmade artistry. The tiles are suitable for various applications, bringing a touch of traditional charm and modern sophistication to residential and commercial spaces. #Marazzi #PorcelainTiles #Ceramics #HandmadeDesign #TileCollection #InteriorDesign #HomeDecoration #BuildingMaterials #SurfaceDesign

Nikki Chu, an interior designer with over two decades of experience, has launched her inaugural tile collection exclusively with The Tile Shop. Despite not having previously designed tiles, Chu leveraged her extensive knowledge of incorporating tiles into various rooms to create a line that reflects her signature “global modernism” aesthetic. Her collection stands out by focusing on organic, impactful patterns rendered in versatile, earthy neutral tones, a departure from the often brightly colored or overly patterned options she found lacking in the market. Chu emphasizes that while vibrant colors are readily available, finding sophisticated neutral patterns has historically been a challenge. The inspiration for Chu's tile collection, much like her previous lines of decorative pillows, bedding, and rugs, is rooted in her global travels. She specifically cites Africa, Indonesia, and Bali as primary sources, drawing from the textiles and cultural patterns observed in bazaars and markets. These elements are then simplified and refined to be palatable for a wide range of decor styles, maintaining a clean, soft, and contemporary feel without an abundance of color, aligning with her brand's established reputation for neutral textures. The collection features three distinct tile designs: Zulu, Tangier, and Luxor. The Zulu ceramic tile is praised for its modern versatility, allowing for various layout configurations—alternating horizontal and vertical patterns—to create eclectic visual texture while maintaining a peaceful, subtly colored aesthetic. Chu is installing this tile in her own home, highlighting its longevity and classic appeal. Zulu is available in Graphite, Pumice, and Cement colorways, all offering quiet, understated hues. Tangier, a porcelain pattern, showcases loose, concentric diamonds that deliver a bold impact. Its hand-drawn quality lends it a timeless simplicity, preventing it from feeling dated. Chu notes that Tangier's patterns are “flowy, easy-to-understand,” and substantial enough to make a statement without being overwhelming. She plans to use Tangier on a lanai floor for a celebrity client, bordered by Zulu tiles, to create a durable, rug-like effect. Luxor comprises ceramic subway tiles designed to complement Zulu and Tangier. These tiles, available in Winter White, Cement, and Pumice, feature an organic, handmade feel with intentional inconsistencies in texture and slight color variations. Chu’s aim with Luxor was to provide a clean yet artisanal option that enhances the collection's overall aesthetic. Her overarching design philosophy for this collection was to achieve a balance between extremes, creating patterns that are modern and contemporary without being excessively so, thus occupying a “sweet spot” that she intends to build upon in future designs. #NikkiChu #TileDesign #GlobalModernism #InteriorDesign #NeutralTones #PatternedTile #HomeDecor #TheTileShop #CeramicTile #PorcelainTile

In the quiet Italian town of Spilimbergo, the Scuola dei Mosaicisti del Friuli stands as a unique institution dedicated to the preservation and evolution of mosaic art. Established in 1922, the school was founded to formalize training for local artisans and maintain a mosaic tradition deeply rooted in the region's history, extending back to the Roman Empire. Today, it remains the sole academic institution globally focused exclusively on mosaic arts, attracting students from diverse backgrounds and ages, from recent high school graduates to seasoned professionals, all seeking to master this intricate craft. The three-year program at the school is rigorous, immersing students in historical mosaic techniques such as Greco-Roman patterns and Byzantine compositions, before encouraging experimentation with contemporary, freeform designs. Annually, approximately 40 students are admitted, but only about 15 successfully complete the full curriculum, earning the esteemed title of _maestri mosaicisti_ (mosaic masters). A select few, typically six, further pursue a fourth year, likened to a master's degree, to refine their skills even more. Director Gian Piero Brovedani emphasizes that becoming a maestro mosaicista demands significant effort and discipline, highlighting the craft's humbling and exacting nature, which fosters patience, attention to detail, and an appreciation for repetitive tasks. Mosaic creation is an exceptionally precise art form, requiring artists to meticulously arrange hundreds, or even thousands, of tiny pieces called _tesserae_—some as small as 0.5cm—to construct elaborate patterns and lifelike scenes. These tesserae, made from materials like marble, glass, _smalto_ (opaque glass tiles), and shells, necessitate careful craftsmanship and an intuitive understanding of rhythm and placement. Cristina de Leoni, a third-year teacher, notes the collaborative and selfless aspect of mosaic-making, where individual tiles only gain significance when combined with others, creating a collective artwork without emphasizing individual ego. The rich history of mosaics, tracing back to Mesopotamia in the 3rd millennium BCE and spanning various cultures including Greek, Maya, Byzantine, and Islamic civilizations, underscores its reliance on anonymous virtuosity rather than individual artistic fame. Friuli-Venezia Giulia has remained a stronghold of this tradition, fueled by an abundance of stones from the Tagliamento river and strong cultural links to Venice. In the 19th century, Friulian artist Gian Domenico Facchina revolutionized the craft with the _rovescio su carta_ (reverse on paper) method, enabling off-site assembly of large mosaic panels, a technique first showcased in the foyer of Paris' Opéra Garnier. Today, Friulian mosaicists, many trained in Spilimbergo, have contributed to prominent projects worldwide, from Rome's Foro Italico to the New York City subway at the World Trade Center, and from Jerusalem's Church of the Holy Sepulchre to galleries in Tokyo. The art form continues to evolve, embracing both precision and expression. Purnima Allinger, a student, describes mosaics as a meditative yet expressive craft that keeps artists fully engaged. Amos Carcano, a Swiss maestro mosaicista, highlights the blend of manual work, invention, and exploration of texture, color, and patterns in contemporary mosaics. Carcano is currently part of a team working on a monumental 1,265-sq-m mosaic floor for the school's courtyard, depicting Friuli's native flora and fauna. The school operates as a _bottega_ (workshop), where students learn through hands-on practice, as explained by mosaic history teacher Danila Venuto. Visitors can also engage with the art through _corsi brevi_ (short courses) ranging from four-day to week-long programs, offering an introduction to mosaic creation. Guided and independent tours provide access to an archive of over 800 mosaic works and opportunities to observe students and masters at work. Spilimbergo itself serves as an open-air gallery, with mosaics adorning buildings, shops, and restaurants. The town also hosts mosaic shops and showrooms, displaying works by alumni, and offers visits to Fabbrica di Mosaici Mario Donà, a historic kiln producing enamels for mosaics. The region's natural landscape, particularly the _grave_ (river-washed stones) from the Tagliamento and the Magredi plain, provides the essential materials and inspiration for many Friulian mosaics, underscoring the deep connection between the art and its environment. Mosaic-making is a central part of Friuli's cultural identity, and the school invites curious individuals to partake in this enduring legacy. #MosaicArt #ItalianCraftsmanship #ArtEducation #Spilimbergo #FriuliVeneziaGiulia #AncientTradition #ContemporaryArt #ArtisanalSkills #TravelDestination

Photographer Sebastian Erras, known for his captivating series of mosaic floors, continues to expand his project by documenting diverse and imaginative tiled patterns across Europe and Cuba. Erras initially focused on the intricate floors found throughout Paris, meticulously capturing their unique designs. Over time, his project broadened to include other European cities such as Barcelona and London, where he discovered equally stunning examples of floor artistry. His work is primarily showcased on his Instagram account, @parisianfloors, where he shares his downward-facing photographic finds. The article highlights several of Erras's recent captures, including two distinct perspectives of a sea-themed floor located at the restaurant Le Bon Pecheur in Paris. One image features a friendly-looking crab rendered in mosaic, while another depicts a fantastically detailed conical shell. These examples demonstrate the variety and charm of the mosaic and tile work that Erras seeks out. The photographer's dedication to this niche subject reveals the often-overlooked beauty beneath our feet, transforming everyday surfaces into works of art. His collection serves as a visual archive of these intricate designs, many of which embody historical and cultural narratives through their patterns and motifs. By presenting these floors from a unique, direct-overhead perspective, Erras invites viewers to appreciate the craftsmanship and aesthetic appeal of these architectural elements, encouraging a closer look at the details that contribute to a space's character. His ongoing project underscores the importance of preserving and recognizing these traditional forms of interior design, which are often integral to the identity of the buildings they adorn. Erras's work not only documents these beautiful floors but also brings them to a wider audience, fostering an appreciation for the artistic heritage embedded in urban environments. The expansion of his project beyond Paris to other European and even Cuban locations signifies the universal appeal and presence of such decorative floorings, indicating a rich tapestry of design history waiting to be explored. #FloorArt #MosaicPhotography #TileDesign #SebastianErras #EuropeanFloors #ParisianFloors #ArchitecturalDetails #InteriorDesign #VisualCulture

The article reflects on the artistic legacy of Mark Podwal, who passed away at 79, with a particular focus on his last major work: a Jewish Zodiac mosaic floor installed at the Museum at Eldridge Street. Podwal, known for his prolific career as an artist, author, and dermatologist, is described as a polymath whose work blended tradition with modern interpretation. The author recalls a personal encounter with Podwal in May 2023 at an exhibit at Eldridge Street, a 19th-century synagogue on the Lower East Side. Podwal was showcasing his modern adaptations of 16th-century woodcuts from the "Sefer Minhagim" (Book of Customs). Examples of his artistic modernization include adding a microwave to a scene of matzo-baking Israelites and a "Monty Python-esque hand" with a scalpel to a bris scene. During this meeting, Podwal wore a rosette from the French Ministry of Culture, highlighting his international recognition as an officer of the Order of Arts and Letters. He patiently explained the rabbinic sources that informed his contemporary artistic choices. The article mentions a previous review by the author of Podwal's "Jewish Bestiary," where the author had expressed disappointment with Podwal's depiction of the Leviathan. Podwal later clarified that the seemingly ordinary fish in his artwork was meant to encircle the entire Earth, a detail the author admits to having overlooked, acknowledging Podwal's valid critique. Podwal's extensive body of work spanned various mediums and venues, including designing posters for Metropolitan Opera productions (particularly those of Mozart, his favorite composer), creating textiles for synagogues in the Czech Republic, and illustrating books, notably those of Elie Wiesel. His final major project, the Jewish Zodiac mosaic, was particularly meaningful to him, especially given his roots in New York City. The mosaic, installed in the vestibule of the Eldridge Street synagogue's sanctuary, features a vibrant color palette, a departure from his earlier black-and-white editorial cartoons for The New York Times. Podwal's son, Ariel, noted that despite being a mosaic, it retained the distinct qualities of his father's painted lines. Two artisans from Progetto Arte Poli in Verona, Italy, were brought in for the installation, which Podwal was able to oversee before its unveiling in June. The mosaic is rich in historical and religious research, combining traditional zodiac motifs with corresponding Hebrew months and letters, infused with Podwal's characteristic whimsy. Notable examples from the mosaic include Gemini depicted as the twin tablets of the law, received in the month of Sivan, instead of human twins. Libra (Tishrei) features scales of justice balanced with a shofar, symbolizing the judgment of Yom Kippur. Pisces (Adar) shows two fish with hamantaschen heads, a nod to Purim, swimming in an aleph. The article details how these images are designed to provoke questions and encourage learning about Jewish tradition and symbolism, a purpose Podwal highly valued. The mosaic's visual impact, with its shimmering blue tiles and gold flecks, complements the synagogue's other architectural features, including Kiki Smith’s rose window. The article concludes by emphasizing that photographs do not fully capture the vibrancy and depth of Podwal's mosaic, underscoring its significance as a lasting reminder of his artistic genius. #MarkPodwal #JewishArt #EldridgeStreetMuseum #MosaicArt #JewishZodiac #CulturalHeritage #NewYorkCity #SynagogueArt #ContemporaryJewishArt

Bisazza, a company renowned for its glass tile mosaics, is expanding its product line by introducing new cement tile collections, following its initial debut at Cersaie last September. This week, during Salone del Mobile, Bisazza launched a new collection designed by French architect and designer India Mahdavi. Mahdavi's collaboration with Bisazza marks a significant new direction for the firm, building upon previous successful cement tile collections by designers such as Jaime Hayon, Carlo Dal Bianco, and Paola Navone, which were introduced just seven months prior. Rossella Bisazza, the brand's director of communications and daughter of its late founder Renato Bisazza, initiated the collaboration with India Mahdavi. She expressed long-standing admiration for Mahdavi's work and a desire to collaborate. Mahdavi, known for her professionalism and clear vision, quickly developed the collection within three months after expressing her interest in designing cement tiles. Rossella, who co-manages the company with her brother Piero, believes that this product diversification has strengthened the brand and attracted a new segment of customers. She describes the cement tiles as possessing a rustic yet contemporary appeal, largely due to the contributions of internationally acclaimed designers. A unique aspect of the design selection process at Bisazza is that Rossella typically selects women designers, while her brother Piero selects men, a dynamic she finds effective despite its unconventional nature. This approach has led to collaborations with distinguished female designers like Andrée Putman, Patricia Urquiola, Paola Navone, and now India Mahdavi. Mahdavi's collection features bold geometric designs that evoke '70s pop patterns, contributing to the collection's modern aesthetic. The cement tiles are handcrafted in Tunisia, a region with a rich tradition of cement tile production spanning generations. Bisazza operates its own production facility, ensuring meticulous attention to detail. Rossella highlights that Bisazza's tiles are distinguished by more refined colors and a softer texture compared to traditional versions. The handmade nature of the tiles ensures that each piece is unique, offering a distinct character unlike mass-produced ceramic tiles. This results in a product with a living quality and a silky, non-shiny texture that is appealing to the touch. Bisazza anticipates a busy year ahead, with several upcoming initiatives. These include the opening of a new showroom in New York during ICFF, the launch of a mosaic collection by British designer Tricia Guild of Designers Guild at London’s Chelsea Flower Show, and a new cement tile collection by an as-yet-unannounced British designer slated for September. These plans underscore Bisazza’s continued commitment to innovation and expansion within the design industry. #BisazzaTiles #IndiaMahdavi #CementTiles #SaloneDelMobile #InteriorDesign #ProductDiversification #DesignCollaboration #HandmadeTiles #GeometricDesigns

Studio GdB, founded by Gilles de Brock and Jaap Giesen in ‘s-Hertogenbosch, The Netherlands, has revolutionized ceramic tile production through the development of a custom-built digital printer. This innovative machine allows for the computer-controlled application of liquid glazes onto ceramic tiles in their biscuit state, resulting in unique and highly customizable designs. The studio's process addresses a previous limitation in finding suitable finishes for their design vision, prompting them to engineer their own solution. This bespoke technology enables them to create a diverse range of patterns and vibrant color schemes, offering endless possibilities for aesthetic expression in tile design. The tiles produced by Studio GdB are characterized by their bold colors and visually complex, almost psychedelic patterns, which evoke a handmade quality despite being digitally fabricated. This blend of precision engineering and artistic flair allows for a broad spectrum of design choices, from subtle and understated to highly intricate and elaborate, catering to various design preferences. The custom printer's capability to accurately apply liquid glazes directly onto the ceramic surface ensures a high level of detail and consistency in each tile, surpassing the limitations of conventional manufacturing methods. The development of this specialized machinery highlights a creative approach to overcoming technical challenges in the design and production of ceramic tiles. By taking control of the manufacturing process, Studio GdB has opened up new avenues for customization and artistic experimentation within the realm of interior design materials. The studio's commitment to innovation has enabled them to achieve desired finishes that were previously unavailable, offering designers and consumers access to truly distinct and personalized tile options for various applications, from staircases to coffee tables and backsplashes. The resulting product line from Studio GdB provides an opportunity for integrating unique and visually striking elements into interior spaces, allowing for highly personalized and dynamic environments. The ability to create seemingly infinite patterns and color combinations means that each project can feature a bespoke tile installation, reflecting individual tastes and design concepts. This innovative method bridges the gap between traditional craftsmanship and modern technology, creating ceramic tiles that are both a functional building material and a work of art. The tiles are suitable for diverse settings, adding a distinctive touch to both residential and commercial projects. #CeramicTiles #DigitalPrinting #CustomDesign #InteriorDesign #StudioGdB #HomeDecor #ArchitecturalSurfaces #GlazeApplication #InnovativeManufacturing

The "Africa Now" collection by Italian brand Mosaico+ introduces a new line of mosaic tiles that draw inspiration from the vibrant patterns and textures of African fabrics. This collection aims to blend traditional African aesthetics with a contemporary design sensibility, offering bold, graphic patterns for modern interiors. The tiles utilize contrasting color palettes, such as black and pink, or black and silver, to create a striking visual effect that evokes the intricate weaves and prints found in traditional African textiles. The collection features two distinct designs: "Pivot" and "Twist." The "Pivot" design is characterized by its sophisticated, geometric pattern, which is constructed from Mosaico+ Concerto and Perle 15x15mm tiles. This design offers versatility, allowing for creation with either monochromatic schemes for a subtle yet impactful look or with contrasting colors to enhance its dynamic geometry. The varied composition options enable designers and homeowners to customize the tile arrangement to suit specific aesthetic preferences and spatial requirements. Conversely, the "Twist" design employs larger 20x20mm tiles from the Tanticolori collection. A key feature of the Tanticolori collection is its soft, matte surface, which imparts a tactile quality to the bold motifs of the "Twist" design. This textural element adds depth and an inviting feel to the tiles, differentiating them from typical smooth-surfaced mosaics. The larger tile size further emphasizes the graphic nature of the patterns, making them a focal point in any room. The combination of vivid patterns and tactile surfaces in both "Pivot" and "Twist" designs allows the tiles to serve as a statement piece, enhancing the overall decor with cultural richness and modern flair. These mosaic tiles are designed not only to be visually appealing but also to evoke the cultural heritage of African fabrics in a refined, contemporary manner. The "Africa Now" collection by Mosaico+ demonstrates how traditional inspirations can be reimagined through modern design and material use, creating products that are both aesthetically innovative and culturally resonant. The tiles are suitable for various applications, offering durable and artistic solutions for walls, floors, or decorative accents in residential and commercial spaces seeking a distinctive and artistic touch. #MosaicTiles #AfricanFabrics #InteriorDesign #MosaicoPlus #PivotDesign #TwistDesign #HomeDecor #GeometricPatterns #TextileInspired

Echo Petersen, founder of E Lee Designs, has found a creative outlet for her artistic passion by creating a variety of home decor and kitchen items featuring unique swirled acrylic paint designs. Petersen's work, which includes handblown coasters, trivets, charcuterie boards, and holiday ornaments, will be showcased at the 605 Made Holiday Market in Sioux Falls. Her designs are characterized by their vibrant colors and intricate patterns, achieved through a technique of blowing acrylic paints with drinking straws onto surfaces like ceramic tiles, wooden cutting boards, and canvases. This method allows colors to remain separate and distinct without blending, resulting in visually striking pieces. Petersen's journey into this craft began after she retired from her career as a financial assistant. Inspired by a set of handblown coasters she encountered during a trip to Fort Collins, Colorado, she dedicated herself to learning and mastering the technique. This involved extensive research through online videos and significant experimentation to develop her own proprietary mix of acrylic artist paints. Her husband, Bryce, supports her endeavors by creating custom oak frames for her canvas pieces. Each item crafted by Petersen undergoes a meticulous, multi-stage process that spans approximately one week. After the initial paint application, the piece requires time to dry and for the paint to cure. Following this, Petersen prepares the item by sanding its back and carefully taping it before applying a resin layer, which then takes an additional three days to dry. This commitment to quality ensures the durability and longevity of her handmade products. E Lee Designs offers a range of items, from small porcelain tile coasters to larger six-inch porcelain trivets and various wooden cutting boards. A particularly popular item that frequently sells out is her bamboo charcuterie board, which features pullout drawers and includes small wooden utensils, all adorned with her signature handblown paint designs. Petersen prioritizes using high-quality materials to ensure customer satisfaction and product resilience. In her creative process, Petersen pays close attention to current interior design trends, specifically monitoring popular colors in furniture and granite countertops. This awareness guides her selection of hues, ensuring her designs complement contemporary home aesthetics. She also incorporates micro powder glitter into her paints to add a subtle shimmer to the finished pieces. Popular color palettes in her collection include gray-beige, purple, and various autumn colors, while her personal favorite combination involves navy blue, moss green, and gold. This will be E Lee Designs' first participation in the 605 Made Holiday Market, though Petersen has previously showcased her work at vendor shows across South Dakota in cities such as Brookings, Pierre, Aberdeen, and Yankton. The 605 Made Holiday Market, an event organized by Knotty Gnome Variety & Salvage, Sew Doggy Boutique, and SiouxFalls.Business, and sponsored by The First National Bank in Sioux Falls and Dakota Business Finance, will feature over 40 makers. It is scheduled for Saturday, December 7, from 10 a.m. to 4 p.m. at Cherapa Place in downtown Sioux Falls, with free admission for attendees. #E Lee Designs #HandmadeDecor #AcrylicPouring #HomeDecor #HolidayMarket #Craftsmanship #ArtisanProducts #SmallBusiness #SiouxFallsEvents

Italian ceramic brand Ceramiche Refin has unveiled its latest collection of porcelain tiles, named Affrescati, drawing inspiration from the rich textures and vibrant colors of traditional frescos. The collection aims to capture the historical artistry of fresco painting, a mural technique involving the application of dry-powder pigment onto wet plaster, and translate it into a modern, durable ceramic surface. Ceramiche Refin's design team meticulously researched and replicated authentic fresco paintings in their laboratory, utilizing traditional pigments and lime to understand the intricate heritage of this art form. This extensive research allowed them to recreate the characteristics of frescos in a ceramic tile, focusing on achieving an almost three-dimensional surface appearance that mirrors the depth and detail of genuine frescos. The Affrescati collection is a testament to Ceramiche Refin's craft-based approach, combining historical artistry with advanced production expertise and state-of-the-art technologies. The result is an exclusive ceramic tile product that encapsulates the charm of a millennia-old tradition. Despite the smooth finish of porcelain, the tiles visually mimic the textured appearance of frescos, including subtle spatula marks and imperfections that define the authentic aesthetic. This innovative approach allows the tiles to be suitable for both wall and floor applications, providing a versatile solution for contemporary interiors while retaining a classic, aged look. The collection offers five distinct color options, each designed to evoke the swirling shades and nuanced tones characteristic of traditional fresco pigments. These include Ombra, a blend of grey tones reminiscent of shadows; Lapis, featuring moody shades of blue; Ocra, with various yellow and cream hues; Calce, an eclectic mix of white tones; and Terra, a warm, neutral composition of sienna and burnt earth. The design emphasizes a particular 'vintage' appearance, accentuated by signs and marks that replicate the natural attenuation of colors resulting from the interaction between lime and pigments in traditional frescos, creating a gently dilapidated yet sophisticated effect. Furthermore, the Affrescati collection introduces an embellishment option: Giotto star-shapes. These decorative elements are inspired by the comet-like stars found in the murals of the renowned Florentine painter and architect Giotto di Bondone. This allows for an added layer of historical and artistic detail, enabling designers and homeowners to further personalize their spaces with a touch of classical elegance. By bringing the allure of frescos to floors for the first time through the multifaceted qualities of stoneware, Ceramiche Refin expands the possibilities for integrating this historic aesthetic into modern design, offering a unique blend of tradition and innovation for various interior applications. #CeramicheRefin #PorcelainTiles #AffrescatiCollection #FrescoInspired #InteriorDesign #Homeware #TileDesign #ArchitecturalSurfaces

This blog post showcases the intriguing work of Felice Varini, a Swiss-born artist renowned for his unique optical art installations. Varini's artistic approach involves creating geometric patterns that appear to float in space when viewed from a very specific vantage point. These ephemeral designs are often applied directly to architectural surfaces, both indoors and outdoors, transforming the perception of the environment. The article highlights that Varini uses a light projector to precisely plot these figures onto walls and other structures before meticulously painting or adhering them. The magic of his work lies in its dependence on the viewer's position; from most angles, the patterns appear as fragmented, illogical scribbles or disjointed shapes across various surfaces. However, upon finding the designated viewpoint, these disparate elements coalesce into perfect geometric forms, such as circles, squares, or lines, creating a powerful illusion of three-dimensionality. Several examples of Varini's work are presented, illustrating the diversity of his installations and the impact they have on their surroundings. One instance described involves an art piece in Cardiff Bay, where seemingly random markings on a structure resolve into a coherent design from a particular perspective. Another example shows abstract lines and shapes within a museum setting, which, from afar, form a unified artistic statement. The article also mentions a prominent red line running around a museum, suggesting how Varini integrates his art with existing architecture to alter spatial perception. Further examples include patterns applied to a piano, creating a fringed effect, and other seemingly chaotic lines that resolve into defined geometric shapes. The art is not confined to indoor spaces; the blog notes its appearance in townscapes, where large-scale installations interact with urban environments. The beauty of the reflections of these patterns on floors is also highlighted, adding another layer to the visual experience. The diverse illustrations demonstrate how these artworks, initially resembling mere sticky tape or random markings from a casual glance, reveal their intricate design and purpose when viewed from the correct angle. The blog concludes by encouraging readers to explore more of Felice Varini's extensive portfolio on his official website, providing links for further immersion into his captivating world of optical illusions and architectural interventions. #FeliceVarini #OpticalArt #GeometricPatterns #InstallationArt #ArchitecturalArt #Illusion #PublicArt #VisualPerception #ContemporaryArt

This article introduces Shadé Akanbi, a Brooklyn-based freelance pattern designer and the Creative Director and Designer behind Printed Pattern People. Akanbi's design philosophy is rooted in her multicultural upbringing, which has instilled in her a passion for creating global fusion lifestyle and brands. Her work involves translating traditional ethnic patterns and textiles into contemporary interpretations suitable for everyday use. Akanbi's creative process often begins with identifying a specific motif or detail from traditional textiles. This chosen element then serves as the central inspiration, around which she constructs new patterns using fresh colors and additional details. She is prolific in her output, creating between one to six prints daily, drawing inspiration from personal collections, client ideas, or a combination of both. Akanbi is known for her collaborations with various brands, in addition to maintaining her extensive collection of global textiles. Her first major collaboration was with Anthropologie in early 2020, where her artwork was featured in an accessories and sleepwear collection. Since then, she has partnered with notable brands such as Intermix, Zuri, S'well, Chasing Paper, Netflix, and Target. Her most recent collaboration at the time of the article's publication was with Bounty Paper Towels, as part of their Inclusive Artists Project initiative. This partnership involved her artwork being featured on the Bounty Prints collection paper towels and her image appearing on the packaging, an experience she described as surreal due to the widespread nature of the household item. The article highlights Akanbi's ambition and future aspirations. As an avid traveler, she expresses a desire to collaborate with airlines and boutique hotel brands, specifically mentioning Delta, Jetblue, Kimpton, and Hyatt, envisioning these as platforms to showcase diverse art mediums. Her interest extends to athletic footwear brands like Nike, Adidas, Puma, and Vans, reflecting her passion as a sneaker collector. Furthermore, her background as a collegiate basketball player and a fan of the NBA/WNBA drives her dream to work with her favorite sports teams. Ultimately, Akanbi seeks to partner with brands with which she shares strong personal connections, aiming to utilize these collaborations as unique avenues for artistic expression. Her personal history significantly influences her artistic vision. Akanbi recounts how her upbringing, from her mother's styling choices to her father's Nigerian cooking, and her early travels, particularly her first trip to Nigeria, profoundly shaped her as an artist. These diverse experiences, encompassing sights, sounds, textures, tastes, and emotions, have cumulatively impacted her design sensibility. Her ability to blend cultural influences and her innovative approach to pattern design underscore her unique position in the design world. The article concludes by encouraging readers to explore more of Shadé Akanbi's work via her Instagram and mentions a past collaboration where she provided a Designer Desktop wallpaper for Design Milk. #PatternDesign #ShadeAkanbi #TextileArt #CulturalFusion #BrandCollaborations #ArtisticProcess #DesignInspiration #GlobalTextiles #CreativeDirector