In This Robert A.M. Stern–Designed House, the Art Is as Major as the Architecture

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

This article presents a curated selection of ten residential interiors, meticulously designed to highlight and integrate significant art collections. It serves as part of the Dezeen Lookbooks series, offering visual inspiration for individuals interested in design. The featured homes range from minimalist, gallery-like spaces that provide a neutral backdrop for art, to more eclectic and busy environments where the art is woven into the overall aesthetic. Each example demonstrates unique approaches to displaying various forms of art, including paintings, sculptures, ceramics, and even bespoke furniture. The Former Artists Studio in the UK, transformed by Rodić Davidson Architects, showcases an eclectic mix of furniture and art within whitewashed brick walls and an open-plan layout, illuminated by a glass sloped roof. Alison Brooks Architects extended a Georgian farmhouse in the UK to create Windward House, featuring a double-height gallery space with niches specifically designed for particular art pieces, and a staircase integrating a mini-gallery of 100 small works. In Canada, Ali Budd Interiors designed Muskoka Cottage with pure white walls, stained wood floors, and wood-lined ceilings to serve as a backdrop for a client's art collection. Noteworthy pieces like Faye Toogood's Roly Poly chair and Paul Rousso's graphic art are strategically placed. John Wardle Architects renovated Kew Residence in Australia, his own home, incorporating Victorian ash on walls, ceilings, and floors to create a neutral setting for his collection of Japanese sculptures, ceramics, and vibrant artworks. Built-in shelving and cabinetry discreetly store collections without detracting from views. i29's Home for the Arts in the Netherlands displays an extensive art collection across two levels of a loft-style apartment. Double-height larch wood and grey HPL shelving conceal a staircase while housing books and sculptures, with grey resin floors providing a blank canvas. The Artery Residence in the US, designed by Hufft, was conceived around its owner's vast art collection, featuring expansive wall spaces for paintings, photography, and sculpture, complemented by specialized lighting and climate control systems akin to those found in art galleries. Stern McCafferty Architects renovated a 20th-century country home in Massachusetts, the Cambridge Residence, to better exhibit art. White matte walls with large baseboards and pale wood floors evoke a gallery aesthetic while maintaining country heritage. Casa Salvatori in Milan, Italy, by Elissa Ossino Studio, is situated in a 200-year-old palazzo and features marble and stone furnishings, sculptures, and artworks set against original rippled terrazzo floors. A green-stained wood-lined ceiling complements the stone palette and green-hued artworks, with woven wicker and brown butterfly chairs offering textural contrast. Magdalena Keck's Four Seasons Residence in Tribeca, Manhattan, is a two-bedroom home characterized by a minimal, monochromatic design. Its pared-back material palette, high ceilings, and large windows create a sophisticated, gallery-like environment for displaying art, softened by herringbone floors and a mix of vintage, contemporary, and custom furnishings. Finally, the Residence for Two Collectors in Chicago, US, by Wheeler Kearns Architects, is a penthouse apartment designed for an art collector couple. The open-plan space with walnut flooring functions both as a welcoming home and an event venue, showcasing a range of artworks, including a George Nakashima bench, Harry Bertoia sculptures, and Paul Evans furniture. #ArtFilledInteriors #HomeDesign #InteriorDecoration #ResidentialArchitecture #ArtCollectionDisplay #GalleryLikeHomes #ModernInteriors #ArchitecturalDesign #DesignInspiration

A Connecticut-based couple, seeking to move closer to family, acquired several acres of farmland in Concord in 2017 with the intention of building their permanent residence. Their primary design challenge was to create a home that could accommodate their extensive contemporary art collection while still allowing for abundant natural light and an open connection to the outdoors. After reviewing multiple portfolios, the couple selected Hutker Architects, impressed by the firm's ability to design homes that harmoniously integrate with their surroundings, particularly important given Concord's historical significance. A critical requirement for the project was its completion by the following year, coinciding with their daughter's entry into 11th grade. Jim Cappuccino, a principal at Hutker Architects, and his associate Erin Levin, initiated the design process by first understanding the couple's lifestyle in their previous Connecticut home. They then collaboratively walked the Concord property with the clients, visualizing the new structure and meticulously documenting the couple's desires. A top priority for the homeowners was sufficient space to display their significant collection of contemporary art, acquired during their travels and from the husband's sister, who operates an art gallery in Barcelona. Concurrently, they wished for numerous windows and the ability to seamlessly open the house to the exterior. The challenge for the architectural team was to reconcile the need for ample wall space for art with the desire for a bright home featuring large windows. Hutker Architects responded to this challenge with a design for a sprawling, single-story dwelling oriented southward across a meadow. The central feature was a barn-like structure housing the living and dining areas, flanked by wings for bedrooms and workspaces. The couple expressed immediate admiration for these initial drawings, noting their alignment with their vision. The completed house integrates subtly into the meadow, which is adorned with mature trees. Upon entering, a gallery corridor extends across the central living area, providing extensive surfaces for art display. Beyond this, a combined living and dining room features vaulted ceilings and dormered windows, ensuring ample natural light. The adjacent kitchen is also well-lit, boasting a large skylight and twin quartz-topped islands, a space where the wife frequently hosts informal gatherings. The kitchen's design also incorporates unique features catering to the wife's preferences. During initial discussions, she conveyed missing the sound of lapping water from her previous oceanfront home. In response, the architects integrated two reflecting pools into the design: one positioned outside the kitchen and another adjacent to the den off the living room. This allows the family to enjoy the sound of trickling water by opening the kitchen's sliding glass doors. The layout provides distinct zones for family members; the children's wing, located to the left of the main living area, offers bedrooms with adjoining sitting rooms, personalized by the children. Their teenage daughter created a makeup room, while their son, a college student, requested a secret bookcase door for his sitting room. The master suite, along with the garage, mudroom, an art studio, and two offices, is situated on the opposite side of the living area. The wife appreciates the flexibility of being able to 'shrink the house' by closing off the children's wing when they are not home, ensuring comfort for both just the couple or for larger family gatherings and guests. The homeowners expressed complete satisfaction with the final result, particularly enjoying the dedicated spaces for their art collection, which previously had to be stored. They also reflected positively on the construction process, noting its unexpected lack of stress and enjoyable nature, despite a tight timeline and an interstate move. #ArchitecturalDesign #ContemporaryArtCollection #CustomHome #HutkerArchitects #ConcordMassachusetts #ResidentialArchitecture #ArtIntegration #NaturalLighting #InteriorDesign #LandscapeIntegration

The home of Dr. Srikant and Ruta Gir, located in the gated Nottoway subdivision near Poplar and Kirby, is presented as an evolving work of art, meticulously designed and crafted. The Girs, both born in India, drew inspiration from Srikant's childhood estate in Hyderabad, an architectural wonder with 30-foot ceilings, mosaic tile work, a fountain, and European chandeliers. This early exposure motivated Srikant to imbue his own home with similar architectural grandeur and detail, including custom-made chandeliers from Hong Kong that replicate those from his grandfather's home, and traditional Indian imagery throughout the decor. Beyond Indian influences, the Girs incorporated elements from their extensive travels to Europe and Southeast Asia. Srikant, an engineer and co-director of the University of Memphis’ Biofuel Energy and Sustainable Technologies Center, spent over three years conceptualizing floor plans and acquiring pieces for their nearly 7,000-square-foot residence. In 2008, construction began with the help of Memphis builders Millard and Bonnie Townsend, bringing their vision to life. The exterior and interior design prominently feature Balinese influences, a result of Srikant's annual visits to Bali to source artists and materials. The front entrance is framed by a hand-carved sandstone border and pillars, a direct reflection of Balinese design. Inside, similar hand-carved sandstone Corinthian columns and a large wall art panel depicting cranes and lotus flowers reinforce this theme, reminiscent of his grandfather's home. A focal point upon entering is the flowing steel stairway banister and second-floor railing, a creation by renowned Memphis artist Yvonne Bobo. This piece, which took nearly eight months to complete, features creeping vines, gold leafing, and Swarovski crystals that refract light. The sitting room showcases a magnificent collection of hand-carved Louis XVI-style chairs, crafted over two years by French artisan Jean Phillips in teak wood, featuring intricate details and gold leafing. The dining room table, a custom creation, features an old European marquetry look. The Girs spent seven months acquiring a 5-foot by 13-foot solid mahogany piece for the tabletop and then enlisted skilled artists in Bandung, Indonesia, for the marquetry work, which involved carving veneer organic patterns inlaid into the table's top and sides. The final wood finishing was done by Furniture Medics in Memphis. Another distinctive feature is an abalone shell sink in one of the bathrooms, with the abalone sourced from New Zealand and then crafted into a unique basin in Bali. The home boasts two kitchens: a spice kitchen for Ruta's Indian cuisine and a second for dining and entertaining. The European-style cabinetry in the main kitchen was hand-carved in Bali with an ivory marble finish, complemented by speckled Brazilian granite countertops sourced locally. Local handymen Bill and John Rush were responsible for cabinetry installation, trim work, and other finishing touches. The Girs are also planning an addition: an eighteenth-century sitting area, styled after traditional Indian homes, adjacent to the kitchen. This project underscores the Girs' belief that patient effort and collaboration with skilled artisans from around the world can transform ideas into tangible, artistic living spaces. #HomeDesign #ArtisanCraftsmanship #GlobalInfluences #CustomFurniture #ArchitecturalDetail #InteriorDesign #MemphisHomes #BalineseDesign #IndianCulture

Art Deco, a style characterized by geometric patterns, animal prints, and glitz, continues to captivate over a century after its inception. While genuine Art Deco residences from the 1920s and '30s are rare, many individuals seek to infuse this historic style into modern homes. This article showcases seven distinctive homes that either preserve original Art Deco elements or are inspired by its opulent aesthetic. One featured residence is designer Wesley Moon's Park Avenue apartment, where gilded wall panels, reminiscent of Paris’s Restaurant Le Gabriel, utilize customized wallpaper to create a delicate and neutral backdrop for salon-style art. Moon’s approach involves reinterpreting classical elements for contemporary times, as seen in a marble fireplace mantel embossed with python scales and turquoise molding, a collaboration with Cocobolo gallery director Benjamin Wiener. The apartment blends Old World grandeur with modern sensibilities. In Melbourne, interior designer Greg Natale transformed a 4,000-square-foot penthouse into a lavish space inspired by the owners' luxury watch and jewelry business. Natale infused the formerly minimalist apartment with jewel tones, particularly pink and maroon, creating a grand entrance with mirrored panels and arches. Sculptural Kelly Wearstler lights and a postmodern Art Deco rug further enhance the glamorous and sultry ambiance, reflecting both the owners' and Natale's love for luxury. Washington, D.C.-based interior designer Lorna Gross reimagined an 1870 row house in Georgetown, drawing inspiration from the golden age of travel and the Orient Express. The client, a writer and historian, desired a home that evoked the feel of a bespoke train car. Gross installed antique furnishings and lighting from the 1930s on the first level, creating an Art Deco-period atmosphere in the long and narrow space. Antique chandeliers were re-envisioned, and wall coverings provided a warm setting for a mix of antique and contemporary pieces. In a New York City high-rise, designer Alexander Doherty and architect Danielle Albert undertook a dramatic renovation of a top-floor unit. To achieve a unique and refined interior, they reworked the layout, extended the living space, and increased ceiling height by relocating ductwork. A lake-like depression in the ceiling, covered in 24-carat gold leaf, adds glimmer and enlarges the room. Doherty selected Art Deco and modernist pieces from Paris galleries and international auction houses to furnish the space, creating a style that complements the contemporary glass structure. A Dublin home, designed by LyonsKelly, transforms an unassuming 1930s semi-detached house into a spacious, arching gallery. The design firm created a unified architectural and interior vision, resulting in a three-story house with a basement. The procession of rooms on the ground floor, with formal areas at the front and family spaces overlooking the garden, embodies an Art Deco spirit while maintaining a timeless appeal. Celebrity chef turned interior designer Travis London found his ideal home in a 1940 Miami town house. The property featured pristine original Art Deco details, including a fireplace, travertine floors, and interior arches. London embraced the home's character, using it as a canvas for self-expression and a showcase for his design business, Studio London Co. The dining area, for instance, features Jonathan Adler chairs in pink velvet around a brass Boca do Lobo table, exemplifying a chic and grown-up aesthetic. Finally, a Chicago co-op in a prestigious 1920s building underwent a significant transformation by Jessica LaGrange. Moving away from its dated decor, LaGrange guided the design with the building's history, creating a high-contrast home. A custom terrazzo-and-bronze circular design, inlaid in the foyer, serves as a focal point, radiating like a sunburst and setting an Art Deco-inspired yet exceedingly modern tone for the art-collecting couple's pied-à-terre. #ArtDeco #InteriorDesign #HomeDecor #LuxuryHomes #ArchitecturalRenovation #DesignInspiration #ModernArtDeco #HistoricHomes #GlamorousInteriors

This article delves into the holiday home of prominent gallerists Kadee Robbins, director of the Michael Werner Gallery in London, and Stefan Ratibor, director of the Gagosian in London. Their residence is a 17th-century baroque manor in the Danube valley, about half an hour from Vienna, Austria. The property, initially found and purchased by Ratibor in 2005, became a shared project and a labor of love after he and Robbins began their relationship. The manor was once owned by an "aged and reclusive opera singer" and had fallen into disrepair, described as being hidden in a forest and overrun with flora. With the assistance of architect Annabelle Selldorf, a friend of the couple known for her work on projects like the Frick Collection extension in New York, the manor underwent a comprehensive restoration. The renovation focused on removing clutter both inside and outside the structure and simplifying its layout to create a more relaxed and airy living space. The goal was to transform the historical property into a comfortable family home, suitable for the couple and their three young children. The family typically uses the home for holidays during Christmas, Easter, and a summer period. A central feature of the home is its extensive collection of contemporary art, carefully curated by Robbins and Ratibor. The collection includes pieces by artists they have collaborated with, befriended, or admired, such as Ed Ruscha, Peter Doig, Franz West, and Jeff Koons. Robbins emphasizes that this collection was assembled organically over time, rather than through a predefined grand plan. Despite the high value of the artworks, she maintains a pragmatic approach, acknowledging that the house is a living space for children. She notes that while the pieces are lovingly cared for, the family remains philosophical about potential wear and tear, joking about a Carsten Höller yellow rhino sculpture in the upstairs hall that has likely been sat upon by the children. The article highlights several specific artworks and design elements within the home. For instance, the master bedroom features a picture by American artist Aaron Young, created from motorcyclists driving across primed panels, leaving skid marks. This room also contains 1960s Italian chairs and a carpet from Azerbaijan. A photograph by Douglas Gordon is flanked by baroque chairs inherited from Ratibor’s great-aunt, with a 1960s French lamp. A neon artwork by Tracey Emin is displayed above a 19th-century sofa, which is a Ratibor family heirloom. The guest bedroom showcases works by Glenn Brown and Ed Ruscha, with an Iranian carpet and a chocolate velvet chaise longue from Robbins's previous life in New York. The first-floor sitting room includes sofas by 20th-century Italian designer Guglielmo Ulrich, a mirror by Jeff Koons, a sculpture by Franz West, and a painting by Adam McEwen, all set against an original mantelpiece. In the garden, there is a sculpture by the late Franz West, an Austrian artist and close friend of the owners. These details illustrate the blend of historical architecture, contemporary art, and personal touches that define the couple's unique holiday home. #HolidayHome #BaroqueManor #ContemporaryArt #InteriorDesign #AustrianArchitecture #ArtCollection #GalleristHome #AnnabelleSelldorf #FamilyHome

Gilles Clement, an acclaimed designer and art dealer based in Greenwich, transformed a Colonial-style home in Purchase, New York, for a family of five. Clement's design philosophy challenges the conventional idea of aligning interior aesthetics with exterior architecture, emphasizing that personal identity and taste should dictate home design rather than architectural style or geographical location. His approach incorporates a bold, internationally inspired aesthetic, drawing from European flair and global influences, which is also reflected in his eponymous art gallery. The project began unexpectedly when Clement's future client purchased a distinctive and expensive Visionnaire console from his gallery. This uncommon purchase, made without Clement's direct sales involvement, piqued his interest, leading to a meeting that revealed the client's desire for a full home renovation. The client, who had lived in Manhattan, traveled extensively, and developed a strong appreciation for design and aesthetics, proved to be an ideal muse for Clement's distinctive style. She resonated deeply with his gallery's curated collection, which blends old and new elements and features art from international artists like David Datuna, Debra Franses Bean, Clement Kamena, Devorah Sperber, and Curtis Cutshaw. Clement characterizes his design style as "transitional and contemporary," opulent and luxurious, a sensibility that extends to the art, furniture, and decor showcased in his gallery and, ultimately, in his clients' homes. The Purchase home's transformation is anchored by its art collection, beginning with the Visionnaire console in the hallway, an Italian piece with a bold design featuring black beveled glass and cascading chains. Above it hangs a three-dimensional rendition of Vermeer's 'Girl with a Pearl Earring' by Clement Kamena, a creative duo composed of Clement's parents. This piece is part of their 'Jar Memory' series, which reinterprets art history masterpieces within jars, aligning with Clement's vision of making art accessible and collectible. The hallway is further enhanced by two Italian Terzani pendants, each crafted with seven handblown crystal balls. In the living room, an Il Pezzo Mancante lighting fixture, another Italian creation, acts as a central sculptural element, featuring handblown crystal balls and polished nickel and black powder-coated lacquer rods. The room also showcases another Clement Kamena 'Jar Memory' piece, a representation of Jeff Koons' 'Diamond,' chosen for its scale, color, and vibrant presence. Additional artwork includes a mixed-media piece by Natalia Kldiashvili, celebrating Coco Chanel's life through historical clippings and fashion collages. The space is completed with a luxurious silk rug from Nepal, distinctive Klismos chairs in black piano lacquer, and Clement's signature feather-adorned pillows. The powder room, curated around the homeowner's photograph of a woman with ostrich feathers, demonstrates Clement's commitment to integrating existing art into new designs. Despite its small size, the room achieves a "jewel box" aesthetic with dark paint, a mosaic brass-tile floor, a Maison Valentina vanity from Portugal, and a black toilet, an unconventional choice that Clement defends for its ability to blend seamlessly with the gold-leaf Japanese wallpaper and diamond-shaped lighting fixture from Holland. Clement emphasizes the critical role of lighting, often choosing sculptural, artistic fixtures from Europe that also serve as art statements. The kitchen, previously outdated, was expanded and reconfigured to accommodate the family of five and visiting grandparents. Clement personally designed the custom chandeliers, inspired by Brand van Egmond, to mirror the client's love for jewelry and glamour. The cabinetry, custom-built in Clement’s workshop, features piano lacquer with brass inserts. A backsplash combining solid brass and Nero Marquina marble, along with two angled Calacatta Gold Ultra Quartz islands, provides both luxury and functionality. The breakfast nook, an extension of the kitchen, features a Paolo Castelli chandelier, a custom silver-leaf ceiling, and Portuguese brass furniture. The dining room continues the opulent theme with Terzani lighting, Elitis wallpaper, custom furniture with Romo Zinc fabric, a custom rug, and a unique video artwork by MARCK from Switzerland. Throughout the home, Clement's design ethos is to create environments that are not only aesthetically pleasing but also mood-enhancing, viewing art as the "soul of the home" and a vital element in improving daily life. #HomeDesign #InteriorDesign #ArtCollection #LuxuryLiving #GillesClementDesigns #ContemporaryDesign #InternationalInfluence #CustomFurniture #WestchesterHome

Art history frequently features paintings of home interiors, offering valuable insights into artists' lives and working environments. For example, Henri Matisse's 1911 painting, *Red Studio*, not only showcases his identifiable artworks and objects but also reveals the arrangement of his studio, functioning as a historical record of his artistic space. Recognizing the historical and personal significance embedded within these interior paintings, the creative agency NeoMam, in collaboration with the home-improvement service HomeAdvisor, embarked on a project to re-imagine six such historically significant rooms. They transformed these famous art-historical interiors into realistic computer-generated (CG) renderings, presenting a modern interpretation of how these spaces might appear today. One of the re-imagined rooms is Vincent van Gogh's *The Bedroom* (1888), which provides an intimate glimpse into his personal life in Arles, France. Van Gogh intended the painting to evoke peace and relaxation. Historical analysis by the Van Gogh Museum in Amsterdam indicates that the vibrant, strongly contrasting colors seen today are partly due to years of discoloration; the walls and doors were originally purple, not the blue that is now prominent. Another featured interior is from Grant Wood's 1928 painting *The Sun Shine on the Corner*. Wood, a Midwestern realist painter renowned for his rural American depictions, including *American Gothic* (1930), presents a charming and inviting nook in this work. The painting's muted, earthy color palette contributes to its welcoming atmosphere. Wassily Kandinsky's 1909 painting *Interior (My Dining Room)* is also among the chosen works. Kandinsky, a pioneer of abstraction, used this painting not only to explore color and texture but also to depict his home. The eclectic palette employed in the artwork imbues the space with a distinct personality, reflecting his artistic approach even in a domestic setting. Konstantin Korovin's 1913 painting *Interior* portrays a Russian Impressionist setting. Korovin, known for his landscapes, portraits, and still lifes, used rose and beige hues, complemented by the view of winter snow outside the window, to create a quiet and comforting environment in this work, emphasizing warmth and tranquility through its depiction of bare wood. Finally, the project includes Roy Lichtenstein’s 1991 work, *Interior With Restful Paintings*. This piece, representative of Lichtenstein’s mature Pop Art style, is part of his “Interiors” series. In this series, he depicted domestic environments, often drawing inspiration from furniture advertisements. A recurring element in these works is an artwork placed within the artwork itself, here positioned above a couch. The CG rendering of this interior provides a contemporary view of Lichtenstein's distinct flat pop imagery in a three-dimensional context. The collection also highlights Eduard Petrovich Hau’s 1835 watercolor of *Empress Alexandra Feodorovna’s Sitting Room*, detailing the opulent interior of Russia's last empress's living space with rich ornamentation. #ArtHistory #InteriorDesign #FamousPaintings #DigitalArt #CGIRenderings #HomeDecor #ArtInterpretation #VisualCulture

Lisa and Gary Mieran, owners of Akyrah Kitchens, designed and largely built their two-storey, industrial-style home with modernist influences in Gympie, Queensland. The house, completed in December 2019 after a two-stage construction, is situated on land historically owned by Lisa's family. The design draws inspiration from Heide II, a modernist icon in Melbourne, celebrating concrete, timber, abundant light, and earthy tones. Lisa envisioned a home that would rise organically from the earth, becoming an integral part of the landscape and improving with age. The structure features off-form concrete, walls of glass, and tactile timbers, with the lower storey clad in cedar and the upper storey in recycled hardwood. Steel balustrading, handcrafted by Gary, complements the exterior, which also includes a swimming pool with Andorra limestone pavers. The interior features a breezeway offering spectacular views and airflow, with ceilings made of Henley Oak Grove engineered timber. The foyer includes a BassamFellows 'Geometric' day bed and artworks by Steve Waller. Given their expertise with Akyrah Kitchens, the kitchen in their home is a highlight, featuring blackbutt veneer doors, Basaltina benchtops, Circa taps from Brodware, and Inax 'Ceravio G' tiles. The living areas include a guest sitting area with a B&B Italia 'Le Bambole' sofa and a living room with a Cheminées Philippe fireplace and Jardan furnishings. The home was built in two stages to accommodate their grown children, Taren and Kirra. The first stage was a self-contained flat, which served as their temporary residence during the main build and now functions as a guest wing. The main house and another guest wing are connected by glassed walkways, with the main bedroom suite located upstairs. This design allows for three self-contained bedrooms with ensuites, providing private quarters for everyone while centralizing communal living spaces. Practicality and functionality are key design principles, evident in the integrated laundry within the bathroom behind a blackbutt joinery feature wall, and the kitchen's two large islands designed for simplicity and ample storage. The materials used throughout the home emphasize natural elements. Recycled timber is used for the upper storey and blackbutt joinery adds warmth, while the seamless flow of concrete from exterior to interior reinforces the architectural aesthetic. The home is designed for climate control, with generous light for winter warmth and cross-breezes for summer cooling. Lisa also undertook the landscaping, incorporating native plants like Xanthorrhoea, pandanus, native grasses, and succulents. The furniture, much of it Australian-made from brands like Jardan, is chosen for its timeless appeal and durability, reflecting the couple's preference for classic design over fleeting trends. The house stands as a testament to the couple's comprehensive involvement and shared vision, combining their professional skills with personal passions to create a harmonious and functional living space. #ModernistArchitecture #IndustrialStyle #ConcreteDesign #TimberAccents #SustainableMaterials #HomeDesign #OwnerBuilt #QueenslandHome #InteriorDesign

This Melbourne residence, owned by artist Kylie Thomas and her husband Tim Collier, underwent a significant transformation, evolving from a Federation home with a dated 1990s extension into a versatile space that functions both as a grand art gallery and a comfortable family sanctuary. When the couple acquired the property in 2015, they were drawn to its generous garden and the original Federation architecture, characterized by ornate timber detailing, bay windows, and a wraparound verandah. However, the existing open-plan addition from the 1990s presented challenges with poor flow, lack of zoning, and an awkward 45-degree angle that didn't integrate seamlessly with the older part of the house. The prevalent red timbers also contributed to an outdated aesthetic. Architect Chris Stanley of Splinter Society was tasked with a multi-faceted brief: to incorporate concrete's monumentality, which the owners appreciated, while maintaining sensitivity to the heritage home's elegant and flamboyant details. Additionally, a coastal feel, with weathered, driftwood tones, was desired to soften the concrete elements. The overarching goal was to harmoniously blend contrasting styles—old and new, grandeur and family warmth—and ensure a seamless connection with the extensive backyard. Stanley addressed the 1990s addition by replacing it with a new extension featuring a striking colonnade of windows framing the pool. These concrete columns visually echo the timber uprights of the Federation verandah, establishing a commonality between the heritage and modern sections. The colonnade extends throughout the new areas, mitigating sunlight and providing a monumental presence without being overwhelming. Infilled with banquettes and lit with spotlights, these spaces also serve as display areas for Kylie's art. A new entry on the south side now acts as a clear transition point between the old and new, creating distinct zones for family living. The original section of the house, previously a living room, has been reconfigured to house the children's bedrooms, each with an ensuite, emphasizing private spaces. The new open-plan extension, while maintaining connectivity, is effectively zoned by the columns, which function as nib walls, allowing family members to engage in different activities simultaneously. The material palette includes light-toned concrete, chosen to evoke a washed, coastal aesthetic, complemented by limed timber floors in the original section. The design prioritizes warmth through the strategic use of timber, curtains, and rugs, and incorporates judicious pops of color in furnishings, selected with the assistance of interior designer Danielle Balscheit. The kitchen, designed as a central gathering space, integrates the colonnade and concrete with metal-framed windows, a scalloped metal bench finish, and a soaring raked ceiling with a skylight, enhancing natural light. This area fosters a strong indoor-outdoor connection with views of the meadow, creating a feeling of spaciousness and height. The home also features practical considerations like heated concrete floors, providing comfort year-round. This thoughtful renovation has successfully transformed the property into a dynamic space that balances the homeowner's artistic inclinations with the needs of a modern family, bridging historical elegance with contemporary design. #HeritageHomeRenovation #ModernExtension #ArchitecturalTransformation #ConcreteDesign #ArtGalleryHome #FamilyLiving #CoastalInteriors #IndoorOutdoorFlow #FederationArchitecture

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

This blog post details the collaborative design process behind a sophisticated ranch-style home nestled in the Aspen mountains, a project born from the vision of architect Cristof Eigelberger and interior designer Shawn Henderson. Eigelberger, whose designs are heavily influenced by his Colorado upbringing and love for the outdoors, aimed to create a residence that seamlessly integrates with its rustic, natural surroundings while maintaining a modern aesthetic. Henderson, an AD100 interior designer, brought an understated elegance to the interiors, ensuring warmth and preventing distraction from the architectural elements. The five-bedroom residence features expansive 30-foot openings that visually merge the interior spaces with the breathtaking vistas of the surrounding mountains, including Ajax, Aspen Highlands, Snowmass, and Buttermilk. The living and dining areas are crowned by lofty, wood-vaulted ceilings, imbuing the spaces with both warmth and a sense of grandeur. An open-plan kitchen and family room incorporate a breakfast nook with a gabled glass end, designed to flood the entire area with natural light and offer uninterrupted mountain views. This seamless integration of indoor and outdoor elements is a hallmark of the home’s design. A central and distinctive feature of the residence is an open-air winter sculpture garden, conceptualized by Eigelberger. This intimate courtyard, positioned at the heart of the home, serves as a space where art and nature converge. The homeowners, avid art collectors, commissioned artist Will Ryman to create a site-specific sculpture for this space. Ryman’s contribution is a striking piece featuring soaring red and pink rose blossoms, crafted from fiberglass and stainless steel, reaching heights of 15 feet. Eigelberger describes this space as both dynamic and personal, offering a moment of stillness within the home and acting as a 'lantern' that allows filtered light to penetrate the surrounding rooms. Henderson's interior design approach focused on complementing Eigelberger’s architecture. He utilized organic textures and strong, simple forms, allowing the clients’ distinctive style to emerge. The color palette throughout the home is subdued, creating a serene environment that supports rather than competes with the architecture. Henderson, known for his unpretentious luxury, emphasized the symbiotic relationship between the interior design and the structural elements. He aimed to create inviting and visually stimulating environments that also provided cozy sanctuaries for the family. The homeowners, a New York couple with two children, now reside full-time in the 7,700-square-foot residence, which is situated on a five-acre property carved from a family ranch. The property boasts unobstructed views of all four Aspen mountains. The collaboration between Eigelberger and Henderson is highlighted by the clients as inspiring, noting a strong symbiotic relationship between the architect and designer from the project’s inception. The result is a home that balances the natural beauty of Aspen with a sophisticated, urbane interior sensibility, creating a unique mountain retreat. #AspenHome #RanchStyle #ModernArchitecture #InteriorDesign #MountainViews #CristofEigelberger #ShawnHenderson #SculptureGarden #ArtIntegration #LuxuryLiving

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

In 2013, artist Jesse Bransford acquired a historic octagonal home in Catskill, New York, an acquisition he believes was destined due to its unique characteristics and his evolving artistic path. The 1860 brick house, set on two and a half landscaped acres, features an intricate design centered around a three-story spiral staircase leading to a domed cupola. This cupola offers panoramic views and is painted to evoke celestial imagery, which Bransford believes is central to the home's original purpose. The initial inspection of the 3,000-square-foot property revealed it to be in surprisingly good condition, despite its age. The home's layout includes a rambling first floor with a library, dining area, and sitting room, and four bedrooms on the second floor, each with unique, irregularly shaped nooks. Bransford's friend, initially brought along for a reality check, was also captivated by the house, affirming its profound appeal. Bransford's personal journey, from his upbringing in the New South to his art education at Parsons School of Design and Columbia's MFA program in New York City, led him to the Hudson Valley. His artistic focus on surrealism, psychology, symbolism, and alchemy gradually drew him away from the commercial art scene of Manhattan. He also developed a deep interest in the Hudson River School of art, realizing the region's significance to its history. The octagonal house, a serendipitous discovery that aligned with an inheritance, became a new anchor for his life and work, offering a sense of peace he hadn't found in the city. The home's design was inspired by Orson Squire Fowler’s 1853 book, "The Octagon House: A Home for All," which advocated for the octagonal shape to maximize light, space, and air circulation, believing it prevented "miasma." The original owner, David Van Gelder, a local farmer and bridge builder, constructed the house on Cherry Hill, incorporating an orchard and extensive gardens as per Fowler's designs. Beyond practical considerations, Fowler's philosophy was deeply rooted in the spiritualist movement, suggesting that octagonal structures encouraged visitations from spirits. Bransford elaborates on this spiritual aspect, describing the house as a "lighthouse for wayward spirits." The eight sides of the house, facing the cardinal directions, and the central stairwell are believed to act as a conduit for spirits to pass through. Though he acknowledges the home is "pretty haunted," Bransford clarifies that the presence is not malevolent. After Van Gelder, the house passed through several owners, eventually being abandoned before Mark Phillips stabilized it and listed it on the National Register in 1997. Subsequent owners maintained the property, allowing Bransford to focus on its preservation and historical exploration. Over nearly a decade of living in the home, Bransford has come to understand its unique atmosphere, likening the spiritual presences to "spiritual squirrels in the attic." He describes them as "concrescences of energies that are attracted to other energies." While respecting varied belief systems, he embraces the narrative and the house's powerful history, channeling its ambiance into his creative practice and research into the esoteric. He has also learned to manage these spiritual interactions, occasionally directing the entities to the stairwell when their presence becomes overwhelming, a method he humorously notes "seems to work." The article also highlights Bransford's interior design choices, which blend old and new elements, such as a handmade Thai wood canopy bed paired with antique 1940s school chairs. His study houses an extensive library on alternative historical movements, spiritualism, and art, reflecting his intellectual pursuits. A fireplace mantel serves as an altar, adorned with an alchemical print and found objects, emphasizing the home's deep connection to his work and beliefs. Bransford's expertise in color theory, which he teaches at NYU, also informs his artistic and interior design sensibilities, connecting the history of color to that of magic, creating a "mind-blowing" synthesis. The house not only serves as his residence but also as a venue for events like sound baths and seances, which he believes the house "really seems to enjoy." #ArtistHome #Catskill #OctagonalHouse #HistoricHome #Spiritualism #JesseBransford #HudsonValley #ArtAndArchitecture #HomeDesign

The Cochran family, including parents Sheryl and David, and sons Luke and Matt (with wife Courtney), shares a distinct interior design aesthetic characterized by a blend of modern, vintage, and quirky elements. This aesthetic has evolved through their shared love for music, art, and eclectic pieces, with the parents' curated home inspiring their sons' living spaces. David Cochran, an artist, contributes significantly to their art collections, and family painting sessions further enrich their homes' decor. The siblings' individual design choices also influence each other, with new finds by one often sparking ideas for the other. Courtney and Matt Cochran’s historic home in the Fan District, built in 1909, exemplifies this shared style. They meticulously preserved the home's original charm, refinishing floors and retaining existing chandeliers to maintain its inherent grandeur. Their approach to furnishing involved a slow and deliberate process of acquiring pieces from estate sales, antique markets, and local stores like Class and Trash. The entryway features an original crystal chandelier juxtaposed with an industrial console table and an African elephant mask, showcasing their ability to blend diverse styles. The dining and living area combines a West Elm dining table with midcentury modern chairs and a velvet sofa, illuminated by vintage stained-glass panels. The use of subtle color notes and carefully chosen art and decor creates a harmonious space that seamlessly merges new and old. Luke Cochran's South Side Richmond home also reflects the family's aesthetic, with his mother, Sheryl, providing design guidance. Renovations in Luke's home were minimal, primarily focusing on removing walls to create a more open layout, thereby preserving its original character. His design philosophy centers around unique pieces, such as an antique carved wooden cabinet sourced from Circa in Charlottesville, which is contrasted with contemporary gold lamps. The dining room features deep blue walls and modern cabinets, softened by a wooden pantry door from Caravati’s in Ashland. A retrofuturistic Sputnik-inspired light fixture bridges modern features with warm wooden elements, resulting in a refined yet comfortable atmosphere. Across both homes, a consistent theme emerges: the juxtaposition of furniture with eclectic art collections and luxurious mirrors. This common stylistic thread connects the generations, illustrating how a shared passion for design can manifest uniquely in different living spaces while still retaining a familial signature. Each home, while reflecting the individual tastes and travel experiences of its occupants, maintains an inviting ambiance where art, music, and creativity are central to the living experience. This intergenerational influence and the conscious curation of diverse elements define the Cochran family's interior design approach. #homes #interiorDesign #homeDecor #families #antiques #vintageStyle #artCollections #eclecticDecor

Perched on a steep Sausalito hillside with expansive views of the San Francisco Bay, a unique home known as Lighthouse II, originally designed in the mid-1980s by architect Kirk Hillman, has undergone a significant renovation by San Francisco architect Mark English. The house, one of a pair of 'fraternal twins' with a distinctive pinwheel shape and hexagonal three-story plan, was acquired in 2014 by art and furniture collectors Fred and Robin Seegal. Their primary motivation for purchasing the property was its location and the immersive experience of living on the tram-accessible hillside. The original structure, while charming with its wooden elements and sloping eaves, was characterized by its closed-off, compartment-like rooms. English’s renovation aimed to transform this into an open and light-filled space, maximizing the stunning views without sacrificing the home’s inherent quirks. A major challenge in this endeavor was the property's location on a cliff in an earthquake zone, necessitating the replacement of the original timber frame with a seismic steel structure. This robust new framework was intentionally left exposed in parts, contributing a subtle industrial aesthetic to the otherwise white interiors. To open up the house, English removed most of the interior walls, particularly on the second floor where the kitchen, a central hub for Fred, now boasts a 180-degree view of the bay. Two fireplaces that obstructed the eastern view were also eliminated, and the eaves were raised to accommodate floor-to-ceiling windows and sliding glass doors. These structural changes effectively dissolved the traditional division of rooms, creating a fluid sequence of spaces where functionality is delineated by furniture arrangement, artwork, varying floor and ceiling heights, and shifts in light. This design approach allows for continuous discoveries and changing perspectives as one moves through the home, offering fresh interpretations of the surrounding bayscape and the couple's extensive art collection. The renovation process, which lasted two years, was complicated by the challenging site. All construction materials, including structural steel, windows, doors, and concrete, had to be transported by barge and then either craned or carried up from the dock. Despite these logistical difficulties and considerable effort, the Seegals found the breathtaking views and the transformation of their home well worth it. Following the successful renovation of Lighthouse II, the couple acquired the adjacent Lighthouse I, with Mark English slated to undertake a similar transformation. #ArchitecturalRenovation #SanFranciscoBay #ArtCollection #ModernHome #SausalitoArchitecture #MarkEnglishArchitects #PinwheelFloorPlan #SeismicUpgrade