Gisue and Mojgan Hariri: 2005 Hall of Fame Inductees

Hariri & Hariri, an architecture firm founded in 1986 by sisters Gisue and Mojgan Hariri, has established an international reputation for its distinctive conceptual and experiential designs. The firm, based in New York City and led by the Cornell-educated siblings, integrates dynamic architectural forms, digital technology, inventive materials, and a strong social agenda into its practice, a methodology that has characterized their work for over two decades. Their consistent creativity and evocative designs have positioned them as leaders in the field, evidenced by their highly visible multi-family housing developments, commercial and institutional projects, and private residences of both national and international significance. The philosophy of Hariri & Hariri centers on the belief that design is crucial for enhancing the quality of life. They advocate for an integrated, unified approach to design, aiming to create a comprehensive work of art through each project. This dedication to innovative ideas and construction methods has led to commissions for numerous high-profile endeavors. Among these is the iconic Sagaponac House, a pivotal project within Richard Meier's "Houses at Sagaponac" development in Long Island, New York, which featured homes by internationally acclaimed architects. In August 2006, the firm won an international competition for "Sternbrauerei Salzburg," an $80 million USD residential and mixed-use development situated near Salzburg, Austria's historic center. This complex includes eight new apartment buildings, an art gallery, spa facilities, and a public garden and promenade, offering a range of amenities for residents, and is nearing completion. Hariri & Hariri's diverse portfolio extends to collaborations with leading international corporations, developers, fashion labels, and cultural, institutional, and private clients. Notable past projects include a $200 million master plan competition for the St. Mark's Coptic Canadian Village in Toronto in 2003. They also received an honorable mention in the High Line Ideas Competition for a series of towers envisioned for the proposed Olympic 2012-Village along the High Line, which was subsequently featured in an exhibition at Grand Central Terminal. Their Juan Valdez Flagship Café in New York City garnered the 2005 Hospitality Design Magazine "Debut" Award, along with substantial international media coverage. The firm has also received accolades for numerous residential projects, including Barry's Bay Cottage (Architectural Record House, 1995) and New Canaan House (Architectural Record House, 1993). Further recognition includes their induction into Interior Design Magazine's 2005 Design Hall of Fame, the Architectural League of New York's Emerging Voice Award, and inclusion in Architectural Digest Magazine's "AD 100" list of top designers globally. Their work has been exhibited internationally at prestigious venues such as the Museum of Modern Art's "Unprivate House" exhibition, the National Building Museum in Washington D.C., the Deutsches Architektur Museum in Frankfurt, and the Museu d'Art Contemporani de Barcelona. The firm has published two monographs: "Hariri & Hariri Houses" in March 2006 by Rizzoli International Publications, featuring a foreword by Richard Meier and an introduction by Paul Goldberger, chronicling two decades of residential projects across various locations; and "Hariri & Hariri – Buildings & Projects" in 2010 by The Images Publishing Group. Current projects include a mixed-use residential/retail development in Xi'an, China, a residential development in Cape Cod, a mixed-use office/residential building in Dallas's new Arts Center, and a Masterplan for the City of New Rochelle's Armory and Waterfront Area. #ArchitectureFirm #DesignExcellence #HaririAndHariri #ArchitecturalAwards #ResidentialDesign #CommercialProjects #UrbanDevelopment #DesignPhilosophy #HallOfFame #ArchitectureFirm #DesignExcellence #HaririAndHariri #ArchitecturalAwards #ResidentialDesign #CommercialProjects #UrbanDevelopment #DesignPhilosophy #HallOfFame

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Shigeru Ban: 2010 Hall of Fame Inductee

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Gene Moore: 1995 Hall of Fame Inductee

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Shigeru Ban, born in 1957, is a Japanese architect renowned for his innovative use of cardboard tubing in architectural design, a material he began experimenting with in his 20s. His early work, such as the 1986 Alvar Aalto exhibition at Tokyo’s Axis Gallery, showcased his concept of "paper architecture," which utilized recycled-paper tubes to create temporary installations, avoiding the waste of more precious materials. Ban's approach challenges conventional notions of durability in architecture, drawing a parallel between seemingly ephemeral paper structures and concrete buildings, which he notes can suddenly fail during earthquakes. His paper architecture has proven resilient, notably in disaster relief efforts. Following the 1995 Kobe earthquake, Ban designed and helped construct a Paper Church in just five weeks with the assistance of 160 volunteers. His commitment to disaster relief was further demonstrated when he collaborated with fellow Interior Design Hall of Fame member Calvin Tsao after the 2008 Chengdu, China earthquake, leading to Ban’s design for a temporary school. This responsiveness highlights his practical and humanitarian approach to architecture. Ban's work extends beyond disaster relief to more permanent and high-profile projects. When his firm, Shigeru Ban Architects, was involved in the design team for the Centre Pompidou-Metz, a satellite museum in Metz, France, he established a temporary Paris studio using cardboard. This pavilion, built on a terrace of the Pompidou’s Beaubourg headquarters, showcased his material innovation and cost-effective solutions. The studio was later disassembled but is planned to be re-erected for the Paris museum staff, underscoring the versatility and reusability of his designs. In New York, Ban designed the Metal Shutter House, an apartment building featuring perforated-steel security gates that can be rolled down to transform its exterior. This project exemplifies his ability to integrate functional elements with aesthetic appeal, creating what he describes as "improbable poetry." Despite his serious demeanor, Ban possesses a subtle wit, as evidenced by projects like the 1995 Curtain Wall House, which replaced traditional glass and steel with a billowing, wind-whipped two-story drapery. Dean Maltz, Ban's American business partner, attests to his character, noting a lighter side to the architect. Maltz collaborated with Ban on the 2005 Nomadic Museum on a New York pier, a temporary structure that utilized cardboard trusses and walls made from 148 locally sourced shipping containers. The reuse of identical containers in Los Angeles for a subsequent reinstallation of the museum further illustrates Ban's innovative and sustainable design philosophy. Ban's work consistently demonstrates a commitment to material innovation, humanitarian design, and a style that eschews fashionable trends in favor of functional and poetic solutions. #ShigeruBan #ArchitecturalInnovation #CardboardArchitecture #DisasterRelief #SustainableDesign #JapaneseArchitect #MetalShutterHouse #CurtainWallHouse #NomadicMuseum

Gene Moore, born and raised in Birmingham, embarked on a remarkable career in design after attending the Chicago Academy of Fine Arts and moving to New York in the mid-1930s. Despite the economic challenges of the era, he began his professional journey with various roles, including delivery boy, busboy, and cruise waiter, before transitioning into the display industry. His entry into retail display began at I. Miller, a prominent shoe store of its time, where he honed his skills in visual merchandising. Moore's talent led him to work for several prestigious establishments, including Bergdorf Goodman, Delman, and Bonwit Teller, before he joined Tiffany & Co. in 1955. His tenure at Tiffany spanned almost 40 years, during which he became renowned as the "wizard of window design." His creative window displays on Fifth Avenue and 57th Street drew considerable attention, attracting both local residents and tourists. His Christmas scenes, in particular, became an annual tradition for many, highlighting his significant impact on the visual culture of New York City. Beyond his iconic work at Tiffany, Moore's creative endeavors were diverse and extensive. He designed theatrical costumes and sets, contributing to the performing arts. He also curated museum exhibits, demonstrating his expertise in art and presentation. His skills extended to interior design and product design, showcasing his versatility across various design disciplines. Furthermore, Moore was an accomplished photographer, adding another dimension to his creative portfolio. Throughout his career, he received numerous awards, acknowledging his significant contributions and innovative spirit in the field of design. His career trajectory, from humble beginnings to becoming a celebrated figure in design, underscores his adaptability, creativity, and enduring influence. Moore's ability to captivate audiences through his window displays transformed retail presentation into an art form, making his work a notable part of design history. His multifaceted career, encompassing various creative fields, solidified his reputation as a true polymath in the world of art and design. #GeneMoore #HallOfFame #InteriorDesign #WindowDisplay #TiffanyAndCo #TheatricalDesign #ProductDesign #Photography #VisualMerchandising

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Gisue and Mojgan Hariri: 2005 Hall of Fame Inductees