
Collector Celebrates Milk Cans
Ian Spellerberg, a collector from Christchurch, New Zealand, has amassed a collection of approximately 240 milk cans, encompassing various vintages, designs, and countries of origin. His passion for milk cans stems from their historical significance in dairy farming and their evolution into decorative items and collector's dreams. Spellerberg, author of "Milk Cans: A Celebration of their History, Use, and Design," began his research and collection journey about 15 years ago after realizing the lack of comprehensive literature on the subject.
Historically, milk cans were crucial for transporting dairy products from farms to markets, initially loaded onto trains or milk wagons for distribution to processing plants, cheese factories, or creameries. The design of some cans dates back a thousand years, with numerous U.S. patents issued in the 19th and 20th centuries for improvements. These cans were primarily made from galvanized iron, but also from wood, bamboo, steel, brass, copper, glass, tin, and plastic. Spellerberg's collection includes rare items like a china counter pan from circa 1896, used for decanting milk in dairies, and a small 1/8th pint can from England, used for cream before refrigeration was common.
Mark Nosbisch, co-operator of Rusty Relics Flea Market, notes that milk can collecting is an extension of dairy item collecting. Collectors often seek cans with embossed creamery names or brass tags indicating the farmer who owned them, as well as different sizes and materials like stainless steel for improved hygiene. Spellerberg's pursuit of milk cans has led him to travel extensively, searching for items in antique shops, recycling yards, and farm sales across continents. His collection features cans from diverse countries, highlighting the global history of dairy farming.
Caring for such a large collection involves strategic display, with cans placed around his farmhouse, in a purpose-built "Dairy Can Shed," and a dedicated display room. Each acquired can is photographed, measured, and restored if necessary. Steel milk cans often endure harsh conditions, leading to dents and damage, which historically supported an industry dedicated to their repair and thorough cleaning. Spellerberg also notes the thriving cottage industry of milk can art, where cans are painted after meticulous preparation to remove rust and ensure a clean surface. However, painting a rare milk can is discouraged as it can diminish its value.
For aspiring collectors, Spellerberg advises documenting every find, including photographs, dimensions, volume, location of acquisition, and price. He encourages researching the history of milk cans through patents, old photographs, and interviews with former dairy workers. For those with limited space, he suggests collecting miniature or toy milk cans. Above all, he emphasizes taking pride in one's collection and displaying it. Spellerberg's work underscores the cultural and historical significance of milk cans, transforming them from mere utilitarian objects into cherished collectibles and versatile home decor elements.
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