IDEO Founder David Kelley Asks $13.5M for His Ettore Sottsass-Designed Masterpiece

The celebrated Stremmel House, located on a peak 1,000 feet above Reno, Nevada, is currently on the market for $3.75 million. This architectural gem offers 360-degree views, encompassing the city to the east and the Sierra Mountains to the west. Designed by renowned architect Mark Mack, the residence served as the home for art gallery owners Peter and Turkey Stremmel since its completion in 1995. Spanning 6,515 square feet, the Stremmel House features a comprehensive layout with four ensuite bedrooms, five full baths, and two half baths. The design emphasizes an open floor plan, incorporating a lofted library situated above the main living area. The property extends its living spaces outdoors with a terrace and an outdoor fireplace. Unique amenities include an indoor/outdoor dog kennel, an indoor aviary, and a heated lap pool. These features contribute to a luxurious and highly functional living environment, catering to diverse needs and preferences. The interiors of the Stremmel House are characterized by design elements that enhance both aesthetics and functionality. Recessed track lighting integrated into vaulted ceilings provides ample illumination and contributes to the spacious feel of the living areas. Walls of glass are strategically placed to offer panoramic views of the Great Basin valley, blurring the lines between indoor and outdoor environments. The use of stained, polished concrete floors adds a warm tone, complementing the modern architectural style. Throughout the day, patterns of light and shadow, created by vertical supports and horizontal trellis slats, add dynamic dimension to both the exterior and interior walls, highlighting the thoughtful design. The dining area is furnished with lacewood and oak tables, custom-designed by Terry Hunziker from Seattle. Glass walls on the east and west sides facilitate seamless access to the outdoor living spaces, promoting an integrated lifestyle. The kitchen is equipped with poured concrete counters, double convection ovens, and dual warming drawers and dishwashers, providing a high level of functionality for culinary activities. The master bedroom suite is a private retreat, featuring dual vanities, a steam shower, and a walk-in closet that opens onto its own patio. An adjacent study or exercise space and a separate bath further enhance the suite's comfort and utility. The exterior of the Stremmel House features a distinctive color palette of red and yellow, chosen to evoke the hues of the Sierra Nevada range. Architect Mark Mack explained this choice, stating that when combined, these colors create orange, which he associates with life, universal well-being, and energy. This thoughtful selection of materials and colors contributes to the house's unique character and its harmony with the natural landscape. The property has received notable recognition, with Architectural Record naming it House of the Year and Architectural Digest including it in its yearly AD100, underscoring its significance in architectural design. Peter Stremmel recounted his fascination with Mack's early sketches, reflecting the visionary approach taken during the design process. #StremmelHouse #MarkMack #ArchitecturalGem #LuxuryRealEstate #RenoNevada #ModernArchitecture #SierraMountainsViews #AwardWinningDesign #ArtAndArchitecture

This article highlights a one-bedroom loft situated in the heart of Soho's Cast Iron Historic District, currently listed for $3.25 million. Located at 85 Mercer Street, this co-op residence combines prewar architectural elements with modern design updates. Key historical features include original pressed tin ceilings and cast iron columns, contributing to its classic loft aesthetic. The property also benefits from abundant natural light, accentuated by oversized windows and 14-foot ceilings throughout the main living areas, creating an expansive and airy ambiance. The loft's interior is characterized by a spacious living room designed to accommodate various activities, from social gatherings to personal projects. Adjacent to this central space is a Valcucine kitchen, equipped with Vola fixtures, which allows for an open and interactive cooking and entertaining environment. The kitchen is outfitted with high-end appliances, including a Gaggenau 6-burner induction stove top and a Liebherr refrigerator and wine cooler, catering to gourmet cooking needs. A notable aspect of the loft's design is its unique sleeping arrangements. The floor plan currently includes a lofted sleeping area, accessible by a ladder, which may appeal to families with children. The master bedroom features an en suite bathroom, distinguished by corian counters and slate tile floors. However, the master bath's open layout, separated from the sleeping area only by a short set of stairs, is identified as a distinctive design choice. Despite this, the layout offers flexibility for future modifications, such as the potential addition of a second enclosed bedroom and a more private master en suite. Additional amenities of the loft include a dedicated home office, providing a functional workspace, and 200 square feet of basement storage, offering practical solutions for organization. The property is also described as pet-friendly, adding to its appeal for a broader range of prospective buyers. An open house is scheduled, allowing interested parties to view the property directly and observe its features, including stylish photo decals and a sleek second bathroom. The listing is managed by Noble Black and Justin Figari of Corcoran, with information available through CityRealty. #SohoLoft #CastIronHistoricDistrict #MercerStreet #LuxuryRealEstate #PrewarLoft #ModernDesign #ValcucineKitchen #NYCRealEstate #ArchitecturalFeatures

A Neo-Grec row house located at 137 St. Marks Avenue in the Prospect Heights Historic District is on the market for $5.5 million. Built in 1883 by owner and mason John Monas, with architect J.J. Gilligan, the house is a corner property featuring a garage and a triple-height bay window on the Carlton Avenue side, designed to maximize interior light. The facade largely retains its original Neo-Grec details, including a full-height angled bay with a box stoop, lintels, and a door hood with incised detailing. A bracketed wood cornice wraps around the property. While the interior currently presents some areas in need of extensive renovation, such as skim coating for walls and floor repairs, other rooms and existing kitchens and bathrooms are functional. The property is a legal three-family home, currently configured as two duplexes. A 3-D tour is available to provide a detailed view of the four floors of living space, highlighting surviving original features. These include fine plasterwork in the entry, a substantial pier mirror in the front parlor, and elaborate woodwork, albeit obscured by bright green paint in some areas. Throughout the house, five mantels are notable original features. The rear parlor contains a finely worked white-painted mantel with an original tile surround, alongside two arched niches and two original closets. The garden level features an updated kitchen with slab front cabinets, white counters, and an apron front sink, connected by a passthrough with built-ins to a bedroom. This bedroom, potentially the original dining room, includes a slate mantel with incised detailing. The lower duplex is completed by laundry facilities and a single full bathroom. The upper duplex offers two full bathrooms and three bedrooms, though a new owner might consider reconfiguring the layout. The living room on the penultimate floor, facing the street, boasts a mantel identical to the parlor level's, complete with original tiles and insert. The kitchen on this level, situated within the Carlton Avenue bay, is compact. A rear-facing bedroom showcases another mantel adorned with vibrant blue original hearth tiles. The top floor retains built-ins from the original passthrough between the front and rear bedrooms and features the fifth and final mantel. The property includes a small rear yard, accessible from the garden level, which contains a paved patio and planting beds, along with access to the garage. The house is being sold "as is," and the owners are looking for a spring closing. Listed by Miriam Driot of Barnes New York, the asking price is $5.5 million. This residence offers a blend of historical charm and potential for modernization in a desirable Brooklyn neighborhood, reflecting its enduring architectural character despite some current cosmetic needs. #ProspectHeights #NeoGrecArchitecture #Brownstone #HistoricHome #BrooklynRealEstate #OriginalDetails #HomeRenovation #ArchitecturalHeritage #NewYorkHomes

The article focuses on how a designer transformed an unattractive, builder-grade air vent into an aesthetically pleasing design element using a simple, affordable purchase. Anthony Rodriguez, creator of 136 Home, found himself consistently bothered by a standard white air vent located near his kitchen, which became a daily eyesore due to its prominent placement. His belief that small details significantly impact a home's overall design prompted him to seek a more elegant solution for this common fixture. Rodriguez's search led him to a $28 brass plate from Signature Hardware, featuring an Art Deco-inspired pattern, which he used to replace the original vent. The replacement process was straightforward, requiring only a screwdriver to remove the old vent, clean the opening, and install the new one. He emphasized the importance of ensuring the new plate's damper box matched the existing opening for a seamless fit. Rodriguez also applied caulk around the edges to compensate for an uneven wall surface, further perfecting the installation. Beyond Rodriguez's personal project, the article explores additional creative approaches to disguising air vents, drawing inspiration from Washington, D.C.-based designer Zoe Feldman. Feldman's methods include integrating decorative wire-mesh panels into media cabinets to conceal vents, making them appear as intentional design features rather than functional necessities. Another technique involves customizing grilles by painting them to match the surrounding wall's plaster finish, thereby harmonizing them with the room's aesthetic. Additionally, Feldman suggests extending wallpaper patterns onto the outer edges of vents to seamlessly blend them into the wall design, enhancing the room's visual continuity and sophistication. The article highlights that addressing these minor, often overlooked design elements can significantly elevate a home's interior. It suggests that such small-scale renovations do not necessarily require extensive effort or high costs but can yield substantial improvements in the overall look and feel of a space. The examples provided demonstrate various techniques, from simple swaps to more integrated design solutions, to transform functional but unsightly fixtures into integral parts of a cohesive interior design scheme. This approach underscores the impact of meticulous attention to detail in home aesthetics, offering practical and inspiring ideas for homeowners seeking to refine their living environments. #HomeRenovation #InteriorDesign #DIYProject #HomeImprovement #AestheticUpgrade #DesignSolutions #SmallDetails #BudgetFriendlyDesign

This article details a Neo-Grec brownstone located at 213 St. Johns Place in the Park Slope Historic District of Brooklyn, currently listed for $3.25 million. Constructed between 1880 and 1881 by William Gubbins, who is credited as both architect and builder for this specific property, the house stands as part of a stretch of brownstones. The three-story residence features a full-height angled bay with incised ornament on the lintels and a bracketed cornice, reflecting its late 19th-century Neo-Grec architectural style. The single-family house has remained under the same ownership since the late 1960s, a factor that has contributed to the preservation of many of its original details. The interior layout largely maintains its 19th-century configuration, with the kitchen and dining room situated on the garden level, formal parlors on the floor above, and five bedrooms and two full bathrooms distributed across the upper two floors. The entry area of the house showcases an unusual patchwork wood floor, wainscoting, an integrated mirror, and an ornate newel post, setting a historical tone. The double parlor is designed as a bibliophile's space, featuring extensive bookshelves that frame an ornately carved wood mantel with a mirrored overmantel. This area includes a library ladder, original hearth tiles, and an inlaid border on the wood floor, highlighting the craftsmanship of the period. Pocket doors with their original ornate surrounds lead to a rear parlor, which contains built-ins within a niche and a wood "rug" with an inlaid border, further emphasizing the historical aesthetic. On the garden level, the dining room at the front of the house is equipped with a green-slate mantel, complete with its original insert, a ceiling medallion, and paisley wallpaper, maintaining a Victorian ambiance. Adjacent to the dining room is the kitchen, which presents a 1960s-era aesthetic, characterized by exposed brick, a wood-burning fireplace, minimalist white cabinets, and retro appliances. The property boasts a total of eight fireplaces, with at least one mantel appearing in a street-facing bedroom that also features a niche under a plaster arch and parquet flooring. One of the bathrooms shown includes a mix of design elements from various eras, such as bead board wainscoting, white fixtures, and wallpaper. The rear garden is described as lush, offering outdoor space. The property is listed by Alexandra Como Saghir and Tyson Lewis of Compass. This detailed examination of 213 St. Johns Place highlights its historical significance, preserved architectural features, and the blend of original and period-specific updates, providing a comprehensive overview for potential buyers or those interested in historic Park Slope residences. #ParkSlope #Brownstone #NeoGrecArchitecture #HistoricHome #BrooklynRealEstate #Woodwork #Mantels #BuiltIns

This article highlights the fashionable Soho loft of renowned jewelry designer, Aurora Lopez Mejia, which is currently on the market for $4.95 million. The property is described as an “oasis in Soho,” a fitting epithet for its unique and luxurious features. The loft boasts impressive 11-foot ceilings and custom wood beams, distinguishing it from conventional living spaces. It is configured as a one-bedroom, one-and-a-half bathroom residence, offering both comfort and style. A standout feature of the loft is its expansive open kitchen, designed to cater to modern living and entertaining. The integration of sliding glass doors provides a versatile solution for spatial organization, allowing the living room to be completely separated from the office or library area. This adaptability makes the loft suitable for a work/live arrangement, appealing to individuals who require a dedicated workspace within their home. The design elements emphasize both aesthetic appeal and practical functionality, creating a harmonious environment. Further enhancing the luxurious appeal of the loft is the en-suite master bedroom. This private sanctuary is outfitted with custom cabinetry and additional wooden beams, contributing to the overall sophisticated ambiance. The master bathroom is particularly noteworthy, featuring an expansive layout with a freestanding soaking tub and elegant Carrera marble finishes. These details underscore the high-end nature of the property and its meticulous design. Storage is another practical aspect addressed in the loft's design. The sunny residence offers ample closet space, with at least seven closets indicated on the floorplan. This generous provision ensures that residents have sufficient storage solutions, maintaining the uncluttered and spacious feel of the loft. The combination of elegant design, practical features, and a prime Soho location positions this loft as a desirable property for discerning buyers. #SohoLoft #LuxuryRealEstate #HomeDesign #NewYorkCity #InteriorDesign #WorkLiveSpace #AuroraLopezMejia #ManhattanApartment

This blog post offers a curated overview of significant happenings in the world of interior design, focusing on a major auction event, the expansion of a renowned design firm, the release of a new book on modern architecture, and a luxury home accessories collaboration. The final installment of the Ann and Gordon Getty sale at Christie's, titled '_Wheatland_', is highlighted as a significant event. This auction concludes a series that began a year prior and features items from Ann Getty's childhood home in Northern California, which she transformed into an English country house. The collection showcases a blend of antique furniture, textiles, extensive use of fabric shades, lamps, and Far Eastern accessories. Notable items include an early George III Ebony and Chinese reverse-painted library bookcase, George II Giltwood armchairs, a royal George III Ormolu-mounted white marble mantel clock, and Chinese export mirror paintings, alongside Dutch paintings reflecting Getty's heritage. Christie's Deputy Chairman, Americas, Jonathan Rendell, emphasizes Ann Getty's discerning eye that integrated history, art, and nature into a tapestry of elegance at the Wheatland estate. The auction is scheduled for October 18 and 19 in New York City, with an online sale ending October 20. In parallel, Martin Kemp Design, a London-based firm known for its international luxury projects in Europe and Asia, is expanding its presence into the United States with a new outpost in New York City. The firm, which caters to clients with superyachts and chateaus, is recognized for its ability to merge international luxury with the specific aesthetics and materials of the project's location. Examples provided include a modern English country house-inspired townhouse in London, a Bayview Penthouse in Guangzhou featuring Chinese screen paintings, and a private jet design for a Zurich client that reflects ultra-luxe and streamlined designs. CEO Jemimah Graff will lead the US expansion. The post also introduces architect Celeste Robbins's first book, '_The Meaningful Modern Home: Soulful Architecture and Interiors_,' published by Monacelli Press. Robbins, principal architect of Robbins Architecture, explores modern architecture's relationship with nature, characterized by angular shapes, ample windows, and open spaces that foster a connection to the outdoors. The book, set for release on September 20th, features 175 photographs by Roger Davies showcasing nine of Robbins's projects across the United States. It challenges the perception of modern architecture as cold, advocating for a holistic vision that integrates architecture, interior design, and landscape. Robbins's own childhood in a mid-century modern home with wood paneling, floor-to-ceiling glass, and flat roofs has profoundly influenced her professional work. Finally, Dior Maison's new line of home accessories, created in collaboration with Paris-based interior designer Pierre Yovanovitch, is presented. Yovanovitch, who transitioned from a career with Pierre Cardin, is celebrated for his mastery of volumes, proportions, and light. The collection includes essential items such as trays, candleholders, pencil pots, and trinket dishes, all featuring a darker palette and embossed leather. The line also incorporates playful elements like a deck of cards designed by Roman artist Pietro Ruffo and a set of dominoes, aiming to elevate everyday objects. #InteriorDesign #LuxuryHomeDecor #Auction #ModernArchitecture #DesignFirmExpansion #DiorMaison #PierreYovanovitch #CelesteRobbins #AnnGettyCollection

The Lido Key home of Dan Denton, founder of Sarasota Magazine, is currently on the market for $4.95 million. This four-bedroom, four-bathroom residence at 117 S. Polk Drive exemplifies the Sarasota modern style, a significant architectural movement that gained international recognition from the mid-1940s through the 1960s. Denton, 71, recognized the enduring appeal of this style long before it was formally categorized as the “Sarasota School of Architecture.” He attended the 1982 American Institute of Architects convention where Gene Leedy, one of the movement's pioneers, officially coined the term. Denton, who admires architects like Paul Rudolph and Victor Lundy, acquired the home in 1989. At that time, the Sarasota School was a niche interest, with Mediterranean Revival being the predominant style. Denton was drawn to the home's flat roof, wide overhangs, terrazzo floors, and other midcentury characteristics, viewing it as a hidden gem reflecting the Sarasota School aesthetic, similar to a ranch version of the Umbrella House. Over 35 years, Denton undertook three significant renovations to transform the property into a pure embodiment of the Sarasota modern style. While the specific costs of these renovations are not disclosed, each decision was meticulously considered, with numerous architectural drawings and plans, including an idea for a second floor, ultimately not implemented. The initial layout, with rooms concentrated at one end, was reconfigured to a split floor plan. The guest wing is now arranged in a U-shape, creating a private courtyard at the back, mirroring another courtyard at the front, thereby maximizing outdoor living spaces. The backyard features a pool, spa, and fire pit, and a guest house is accessible via the kitchen in the main house's other wing. Architectural features include floating overhangs for shade and extensive use of windows and glass sliders, designed to enhance cross-ventilation and views. The first renovation in 1990, led by designer Robert Beardsworth, introduced a new pool and kitchen. Ten years later, Beardsworth’s partner, Robert Neal, and architect Michael Epstein of Seibert Architects (a firm founded by Tim Seibert, another Sarasota School leader and former draftsman for Paul Rudolph) collaborated on the second phase. The most recent renovation, completed in 2021, added an open pavilion to the garden, further integrating indoor and outdoor living. The front wall of the living and dining area was replaced with floor-to-ceiling windows, and screen-holding beams on the screened porch were removed to create unobstructed views of the pool. This renovation earned the home a Florida AIA Design Award in 2022. The home is adorned with Denton’s art collection and midcentury furniture, though these will accompany him to his new residence. Notable exceptions include a copper sculpture by Jack Cartlidge in the front yard and a colorful PVC pipe cylinder sculpture by James Renfro in the backyard, both of which will remain. The property does not have historical designation, offering flexibility for future modifications, but Denton hopes the next owner will share his appreciation for the home's unique style, expressing a desire to avoid a buyer who might consider demolition. He notes the challenge and interest in balancing replacements while maintaining the vintage aesthetic, exemplified by his decision to preserve the original pink tile in one of the bathrooms. Denton is downsizing but remaining in the local area. Kim Ogilvie of Michael Saunders & Company is handling the listing, emphasizing the home's prime location, offering access to the beach, boating, and dining without requiring a car, and highlighting the rarity of such expertly remodeled midcentury-modern homes on the market. #SarasotaModern #LidoKeyRealEstate #MidcenturyArchitecture #SarasotaSchoolOfArchitecture #HomeRenovation #LuxuryHomes #DanDenton #ArchitecturalDesign #FloridaAIAAward

Maya Newlin, the driving force behind KAMO Studio, shares her entrepreneurial journey, detailing the motivations and experiences that led her to establish her own interior design business. From a young age, Newlin harbored aspirations of entrepreneurship, often sketching floor plans and envisioning room transformations. Her passion for design was nurtured through a childhood fascination with a Victorian dollhouse, which served as an early outlet for her creativity in curating and storytelling within spaces. Prior to founding KAMO Studio, Newlin pursued a career as a national competitive figure skater, a background that instilled in her ambition and a strong-willed approach. Her professional path included a significant role as an Imagineer for Walt Disney Imagineering. While initially perceived as a dream job, the large-scale, impersonal nature of designing for global audiences at Disney led her to realize a longing for more intimate, one-on-one creative problem-solving. This experience, though valuable for fostering creativity, reinforced her desire to work independently, leading her to pursue a Master's degree in Interior Architecture, complemented by business courses, to equip her for launching her own venture. KAMO Studio, co-founded with business partner Jasmine, specializes in residential and boutique hospitality projects. The studio's philosophy centers on creating personalized spaces that genuinely reflect their clients' personalities and life stories. They emphasize incorporating unique elements like vintage finds and generational heirlooms into contemporary designs, aiming to celebrate everyday moments and evoke specific emotions within a space. The focus is on achieving an effortless aesthetic that also boasts hidden functionality, a skill KAMO Studio has refined and prides itself on. Newlin highlights the matchmaking aspect of design, where understanding and translating a client's often unarticulated desires into a tangible design is paramount. The studio guides clients beyond transient trends, encouraging them to trust their instincts and create spaces that resonate deeply with their individual needs. Newlin also provides a detailed, week-long itinerary for experiencing Los Angeles, offering a glimpse into her personal preferences and local favorites. The itinerary covers a range of activities, from active pursuits like rollerblading from Venice to Malibu and hiking in the Vicente Bluffs Reserve, to cultural experiences such as visiting art exhibitions at Hauser & Wirth. Dining recommendations span various cuisines and atmospheres, including Gjusta for baked goods, Ospi Venice for handmade pasta, Blueys Santa Monica for brunch, Le Great Outdoor for farm-to-table fare, Manuela or Bavel in the Arts District, and Broad Street Oyster Company for seafood. The itinerary also includes shopping excursions at Abbot Kinney and ROW DTLA, a nightcap at the DTLA Proper hotel, exploring Culver City's Citizen Public Market, and a day in Malibu with a visit to Cielo Farms for wine tasting. Sundays are reserved for the Brentwood farmers market and Jon & Vinny's for Italian food, showcasing a balance of local exploration, culinary delights, and relaxation. Finally, Newlin dedicates a "shoutout" to her mother, Kathy, acknowledging her as a primary source of inspiration and support. Her mother's pioneering career as one of the first female scientists in STEM, despite facing challenges, serves as a powerful role model for Newlin as a female entrepreneur. This recognition underscores the personal influences that have shaped Newlin's drive and resilience in building her business. #InteriorDesign #SmallBusinessOwner #Entrepreneurship #KAMOStudio #WaltDisneyImagineering #LosAngelesTravel #DesignPhilosophy #FemaleEntrepreneur #BusinessJourney

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

A shopper has demonstrated a creative do-it-yourself (DIY) method to produce an aesthetically pleasing piece of art on a limited budget, utilizing an unconventional item from Kmart. The individual, identified as Michelle, recognized the artistic potential within a $10 floral printed tablecloth available at Kmart. Her intention was to transform this everyday item into a large-scale canvas artwork. Michelle documented her process in an Instagram reel, detailing the steps involved in this DIY project. She commenced with an old, large canvas print that she had previously considered discarding. To prevent the original dark sections of the canvas from showing through the new fabric, she first painted these areas white. Following this preparation, she meticulously attached the floral printed tablecloth to the canvas using a staple gun. The result was a new, large piece of artwork that appears significantly more expensive than its actual cost. The project highlights an innovative approach to home decoration, demonstrating how readily available and inexpensive items can be repurposed into stylish and personalized decor. By utilizing materials she already possessed, primarily the old canvas, the total expenditure for this project was limited to the $10 cost of the Kmart tablecloth. The finished artwork, with its floral pattern, effectively disguises its origins, presenting itself as a sophisticated decorative element. The success of the project is further emphasized by the fact that the leftover fabric from the tablecloth was ingeniously used to craft a matching cushion, thereby extending the decorative theme and maximizing the utility of the initial purchase. The DIY art project has garnered considerable positive feedback from Michelle's followers on social media. Many expressed their admiration for the idea and indicated their eagerness to replicate the project themselves. Comments from followers included appreciation for the unique approach to sourcing material for art and crafts, particularly noting the cost-effectiveness compared to buying fabric by the meter. This hack resonates with individuals seeking budget-friendly yet impactful home decor solutions. The article also mentions previous instances where Kmart products, such as tea towels and quilt covers, have been creatively transformed into various items, including bowl cozies, fabric gift bags, and children's clothing, underscoring a broader trend of Kmart DIY hacks within the online community. #Kmart #DIY #HomeDecor #BudgetDecor #Artwork #Repurposing #CreativeCrafts #HomeHacks #InteriorDesign

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

In 1967, fiber artist Sheila Hicks collaborated with architect Warren Platner to design two linen-and-silk wall panels for the Ford Foundation headquarters in New York City. Platner was responsible for the interiors of the 12-story modernist landmark, designed by Kevin Roche John Dinkeloo and Associates. Hicks's original wall panels, which featured rosettes threaded around metal discs, suffered significant damage over the years due to an attempted fire retardation treatment in the 1980s, the abrasion from Eames executive chairs in the conference room, and cigarette smoke in the auditorium. Recognizing the historical and artistic importance of these pieces, Ford Foundation President Darren Walker, appointed in 2013, initiated their replacement. He commissioned Hicks to recreate the murals. Hicks accepted the project without an artist's fee, underscoring her commitment to the foundation and her artwork. The re-installation took place in August 2014, with Hicks overseeing the process. This reprisal of her work for the Ford Foundation coincided with a broader resurgence of interest in Hicks's art, marked by other large-scale public commissions, including a yearlong exhibition at the Palais de Tokyo in Paris, and a general renewal of appreciation for weaving as an art form. The modern tapestry was produced in smaller, modular sections by Enrico Martignoni, the chief installer, and project leader Dominique Pastor. This modular approach was adopted to facilitate easier replacement if any section were to be damaged in the future. Crucially, the new silk-blend threads will not undergo the same caustic chemical fire-proofing treatment that damaged the original works. Additionally, the new panels are more cost-effective, utilizing a silk-blend thread and plastic discs in place of the original metal components. The article also touches upon the broader design elements of the Ford Foundation building. Warren Platner, known for his opulent modernist style, integrated bold metallics into his interiors, such as the gold-plated, floor-to-ceiling doors leading to the subterranean auditorium. The landscape designer Dan Kiley, celebrated for his work on projects like the Miller House and the St. Louis Arch, created the lush indoor urban garden within the Ford Foundation. Architects Kevin Roche and John Dinkeloo designed the headquarters with the employee in mind, reversing the traditional skyscraper layout to ensure every office had exterior views or overlooked the indoor park within the ten-story glass atrium. Skylights at the top of the atrium, framed in Cor-Ten steel, allow natural daylight to flood the space. Even the executive chairs, modified by Charles and Ray Eames, featured brown leather upholstery and brass accents to complement Platner's design, and notably, still included pull-out ashtrays. #SheilaHicks #FordFoundation #TextileArt #ModernistDesign #InteriorDesign #ArchitecturalRenovation #ArtInstallation #WarrenPlatner #KevinRocheJohnDinkeloo

The article features the 1966 Richard Neutra-designed home at 3737 Oakfield Drive in Sherman Oaks, California, which is currently on the market for $1.55 million. This residence is one of 17 'stilt homes' known as Platform Houses, characterized by their significant cantilevering structures that extend over the steep valley slopes, offering dramatic views. The 1,800-square-foot house embodies classic Neutra design principles, including expansive floor-to-ceiling glass, an open and simple floor plan, and a strong horizontal architectural emphasis. From the street, the property presents as a typical midcentury home with a flat overhanging roof, stucco and wood cladding, and conventional punched windows. A privacy fence constructed from wood and weathered steel enhances its street-facing facade. However, upon entering, the interior reveals a dramatic contrast, particularly at the rear, where large floor-to-ceiling windows frame views of the valley. The open-plan living and dining areas are centrally oriented to these views, complemented by an original wood-burning fireplace clad in fieldstone, which adds a textured and earthy element to the space. The home has undergone various updates over the years, carefully balancing modernization with the preservation of its original character. Technological enhancements include a Sonos system, Control 4 smart home technology, automated blackout shades, a drop-down projection screen, a theater-grade projector, and a 7.1 surround sound system, creating a high-quality home theater experience. The kitchen and bathrooms have been renovated with stone counters and simple white cabinetry. The master en-suite bathroom boasts heated floors and a steam shower. An outdoor terrace is accessible through large sliding glass doors, extending the living space outdoors. The property also features a tranquil Zen side garden and a second bedroom equipped with a walk-in closet and views of the garden. The side yard's Zen garden includes local plantings and a partially covered area under a cantilevering roof. The residence's distinctive design and picturesque setting have made it a frequent location for movies and television shows. Michelle Schwartz of The Agency currently lists 3737 Oakfield Drive. #RichardNeutra #MidcenturyModern #PlatformHouse #ShermanOaks #CaliforniaArchitecture #RealEstate #ArchitecturalDesign #CantileveredHome #SmartHome

The "Innesti" series, developed by designers Alexandra Denton and Sofia Lazzeri, introduces a collection of vessels that seamlessly integrate glass and textiles. The name "Innesti" is derived from the Italian word for grafting, a botanical process involving the fusion of tissues from two distinct plants to cultivate new varieties. This concept serves as the foundational principle for the project, which aims to merge disparate materials to generate novel forms and aesthetic experiences. The core idea behind Innesti is to combine the inherent qualities of a hard, rigid material like glass with the soft, pliable nature of textiles. This juxtaposition results in a compelling visual and tactile harmony, where the seemingly contradictory characteristics of the materials complement each other, creating a sense of belonging and unity. The designers intentionally chose these materials to highlight their individual voices and to stimulate an aesthetic appreciation that thrives on contrasts. This approach celebrates the unique properties of each component while showcasing how they can be harmoniously integrated. Innesti is not merely about combining materials; it is also a deliberate exploration of knowledge and tradition within design. By drawing inspiration from the ancient technique of grafting, Denton and Lazzeri infuse their contemporary design with a reverence for established practices. The project underscores the potential for innovation when traditional methods are reinterpreted through a modern lens, emphasizing the enduring relevance of craftsmanship and material understanding. The series was prominently featured at Greenhouse during Stockholm Design Week, an event recognized for showcasing emerging talent and innovative design concepts. Its exhibition there highlights the project's significance in the broader design landscape, drawing attention to its inventive use of materials and its thoughtful conceptual framework. The public presentation allowed for a wider appreciation of how Innesti challenges conventional perceptions of material compatibility and opens new avenues for design exploration. Through Innesti, Alexandra Denton and Sofia Lazzeri offer a compelling narrative about the transformative power of material synthesis. Their work demonstrates that by thoughtfully combining diverse elements, designers can create objects that are not only visually striking but also imbued with deeper meaning, fostering a richer aesthetic and intellectual engagement with everyday objects. The project serves as an example of how designers can push boundaries by exploring the interplay between contrasting textures and forms, ultimately enriching the discourse on material innovation and design artistry. #InnestiVessels #AlexandraDenton #SofiaLazzeri #GlassTextileDesign #MaterialFusion #DesignInnovation #StockholmDesignWeek #ContemporaryDesign #HomeFurnishings