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Inside High Point’s antiques boom
High Point, North Carolina, has emerged as a significant hub for antique and vintage furnishings, drawing designers and dealers alike due to its curated selection and growing year-round presence. This surge in popularity is attributed to the unique character and history that antiques bring to a space, an aesthetic highly sought after by designers. Dealers like Gosia Korsakowski of Architectural Anarchy have expanded their operations in High Point, recognizing the influx of serious buyers. Tami Ramsay of Cloth & Kind describes High Point as an indispensable resource for sourcing singular and cherished finds.
The demand for antiques in High Point has led to designers arriving days before the official Market opening to secure prime selections, demonstrating a sense of urgency and fear of missing out (FOMO) among buyers. Retailer and designer Rich Schell notes the sophisticated offerings in High Point compared to other antique markets. The Antique & Design Center of High Point, co-owned by Amanda Kinney, emphasizes the curated nature of their inventory, specifically catering to designers with a distinct aesthetic. This focus on quality and specific styles distinguishes High Point's antique scene.
Antiques are not only found in dedicated dealer shops but are also increasingly integrated into showrooms of furniture manufacturers at High Point Market. Companies such as Bobo Intriguing Objects, Gabby, Modern History, and South + English incorporate vintage and one-of-a-kind pieces to enhance their contemporary furniture displays and add character to their collections. Bobo Intriguing Objects, known for its French and Belgian commercial and garden antiques, initially partnered with Lee Industries in 2008 and has since become a major destination in High Point. Michael Beaver of Modern History frequently accessorizes with European Impressionist and Modernist paintings, while Palmer Smith of South + English specializes in unique vintage lighting.
The growing interest in antiques is also influenced by external factors, including supply chain disruptions and a heightened awareness of sustainability. These challenges have prompted designers who previously focused on new items to explore vintage and used furnishings. Jared Weinstein of Golden Oldies, a family-owned antique company, has observed an unprecedented boost in demand, leading to the opening of a new 20,000-square-foot multi-dealer venue, Chelsea on Green, which operates five days a week. Similarly, Jana Vaughan and Joey Marlowe launched the 26,000-square-foot Boxwood Antique Market, offering a diverse range of high-end antiques, designer decor, gifts, and vintage goods from 130 vendors and 100 consignors.
The increasing number of antique venues has created a vibrant and expanding market, with many dealers viewing the growth as an opportunity rather than competition. Charles La Vene, an antique and high-end fabric dealer, notes the proliferation of year-round antique malls, while Randall Tysinger, a long-time European antique dealer in High Point, believes that more stores help develop a larger customer base and generate interest. Several dealers are actively involved with High Point x Design, a nonprofit established to promote year-round shopping in High Point. This collective effort aims to elevate High Point's status as an antique destination, with some stakeholders envisioning it becoming a prominent antique sourcing location similar to Round Top. The rapid expansion of the antique market in High Point is seen as a significant transformation that has occurred relatively quickly, cementing its role as a key resource for the interior design industry.
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