Highlights from Cersaie 2022

This article details the experience of attending Cersaie 2022, a major international trade show for the tile industry held in Bologna, Italy. The event, hosted at BolognaFiere, showcased the extensive capabilities and versatility of ceramic tiles, transforming what might be considered a mundane material into a product of spectacle and innovation. The author, a self-proclaimed recreational tile enthusiast, describes the overwhelming yet thrilling atmosphere of the exhibition, which featured over 90,000 manufacturers, salespeople, and enthusiasts across a venue large enough to dwarf multiple convention centers. A central theme emerging from the exhibition was the idea of tile as an optical illusion, where advanced manufacturing and design techniques allow ceramic to convincingly mimic other materials like rough-hewn wood, patinated copper, or various types of marble. While many tiles share a similar cool, flat feel, their visual representations are incredibly diverse and realistic. This versatility positions tile as a sustainable and practical alternative to natural materials, offering benefits in cost, transport, and maintenance, especially for large-scale applications like kitchen islands or backsplashes where natural stone would be prohibitively expensive or resource-intensive. The article highlights several key trends and innovative applications of tile observed at Cersaie. One prominent trend was "wallpaper tile," where ceramic tiles are designed to resemble wallpaper patterns. While not for everyone, these tiles offer a durable, easier-to-clean, and less fussy alternative to traditional wallpaper, suitable for areas like bathrooms or even for whimsical, maximalist floral designs in showers. Another significant trend was the hyper-realistic "marble tile," with manufacturers like Versace Tile pushing the boundaries of color and pattern to create opulent, fantastical marble aesthetics that would not be found in nature. The author notes the unique tactile experience of touching a faux marble tile that feels cool and ceramic rather than like natural stone. Furthermore, the exhibition featured tiles designed to imitate wood and copper. While wood-look tiles sometimes lack the natural warmth and texture of real wood, advancements in design allow some products to replicate both the look and feel of wood grain, catering to material purists. Copper-patina tiles were also showcased, offering an appealing and cost-effective alternative for feature walls or backsplashes. Beyond surface applications, the article delves into the emerging concept of "tile furniture." While ceramic-tiled coffee tables have existed, Cersaie presented more sophisticated pieces reminiscent of minimalist, stone-like aesthetics, suggesting tile as a lighter and more versatile option compared to heavy concrete for furniture. Finally, the article emphasizes a broader trend towards embracing color and playfulness in home design, advocating for the use of vibrantly colored tiles in unexpected ways to create cheerful and chic spaces, reflecting a post-pandemic desire for more exuberant home environments. #Cersaie2022 #TileTrends #CeramicDesign #HomeRenovation #InteriorDesign #SustainableMaterials #DecorativeTiles #MaterialInnovation #ItalianCeramics

The 42nd edition of Cersaie, the premier exhibition for ceramic and porcelain tiles, showcased significant advancements in the industry. Over two decades, Interior Design has observed the substantial growth and impressive innovation within this sector, with the 2025 event being no exception. Digital printing has achieved such realism that wood, stone, terrazzo, cement, and metallic appearances are virtually indistinguishable from their natural counterparts. Large-format slabs have become a prominent feature, now extending to dimensions of four by nine feet. This year's Cersaie highlighted a convergence of textures, patterns, and colors, all sharing top billing. Textures, including dowels, reliefs, incisions, and 3D surfaces, offered tactile experiences. Finishes introduced layers of complexity, such as combinations of glossy and matte surfaces that enhanced depth perception in ribbed designs. Ultra-shiny, iridescent faces played with light, exemplified by Cimento’s Boton, one of several introductions by Patricia Urquiola. Innovations also included glass embedded in the production process, particularly for thin listrelli strips, and sparkling sand-like finishes that imparted a unique glow. Mirrored surfaces further contributed to these luminous effects. A novel shagreen effect, known as _galuchat_, was seen on hand-painted Sardinian ceramics from Cerasarda, which also led this year's bold color trends. Similarly, 41 Zero 42, based in Modena, featured super-saturated Yves Klein blue and liquid jade effects. A diverse palette of blues, greens, terra cottas, and sage tones were popular, especially for bricks. Faded grayed tones, such as chambray, and dusty rose offered alternatives to traditional pastels. Volumetric designs, like Marca Corona’s Arialuce and Cerasarda’s Jalousie lattices, pushed dimensionality, creating forms that functioned almost as building materials rather than mere decorative elements. Graphics and painterly techniques were masterfully executed. Riccardo Capuzzo’s Atlantis City from Gruppo Bardelli's Aquatic Creatures collection brought a whimsical touch, evoking associations with Wes Anderson’s filmography. Antiche Fornaci d’Agostino’s Capri collection, with its azure and lemon strokes, transported visitors to the Italian _isola_. Ceramica Francesco de Maio’s expanded Van Gogh collection of hand-painted majolicas offered an experience akin to visiting the master's museum. Moooi made its debut in the tile sector with 'The Nesting Room' for ABK, a collection by Marcel Wanders that created an immersive installation dedicated to wellness, meditation, and warmth. Wanders’ designs drew inspiration from real and extinct animals, featuring elements like the Hypnotic Owl, Rheki Rhea (ostrich), and Cloistered Dove. Other notable designers present included Paola Navone/Otto Studio, who contributed additions to ABK’s Poetry Stone and Poetry Net Reloaded, and Piero Lissoni, who presented the furnishings group Tratto for Atlas Concorde. The event provided a comprehensive overview of cutting-edge tile designs and their applications in interior architecture. #Cersaie2025 #TileDesign #CeramicTiles #PorcelainTiles #InteriorDesignTrends #ArchitecturalSurfaces #DesignInnovation #TextureAndFinish #ColorPalette

The Cersaie 2022 trade fair showcases significant advancements in ceramic flooring, highlighting technological innovation, sustainability, and aesthetic research. The event features a diverse array of materials inspired by natural elements such as stone, marble, and wood, reflecting a growing trend towards versatile and high-performance ceramic solutions for contemporary interior design. Architects and designers are presented with a comprehensive toolkit of options, demonstrating how ceramics can replicate the visual and tactile qualities of natural materials with remarkable accuracy and creative flexibility. Key exhibitors at Cersaie 2022 introduce collections that redefine ceramic applications. Oversized porcelain stoneware slabs are central to many installations, offering impactful visual and sensory details. These large formats, often nearly jointless, enhance spatial continuity and allow for a greater expression of the intricate colors, textures, and patterns found in natural stone and wood. This approach signifies a new era in conceiving spatial boundaries within modern living environments. Marble-effect ceramic floors are prominently featured, with collections like Keope’s Element Lux, which meticulously reproduces the veining and shading of prized marbles such as Calacatta Statuarietto and Calacatta Verde in maxi-formats. Atlas Concorde commemorates the tenth anniversary of its Marvel World project with the Marvel Gala capsule collection, presenting five new ceramic marble varieties inspired by exotic natural settings. These include Crystal White, Desert Soul, Exotic Green, Amazzonite, and Calcutta Black, translating intense natural colors onto large slabs. Atlas Concorde also introduces the Marvel X collection, blending classic and modern aesthetics with five iconic marbles reinterpreted in elegant whites and refined greys, featuring a unique hammered finish that mimics split stone. Iris Ceramica Group highlights its 4D Ceramics, an avant-garde material developed through a revolutionary re-engineering process. This ceramic slab boasts the durability of stone, with textures, veining, and colors consistent throughout its interior thickness, blurring the distinction between interior and exterior. This production method is deeply rooted in sustainability, aligning with the company's H2 Factory, the world's first ceramic factory powered by green hydrogen. Cotto d’Este presents StarLight, a collection of Kerlite 3plus laminated porcelain stoneware that achieves high graphic definition and chromatic intensity. Utilizing sophisticated digital technology, StarLight reproduces eight rare marbles, including Apuano, White Carrara, and Calacatta, in ultra-thin slabs with a glossy finish. Nexion’s Marble Gallery offers an original aesthetic approach, reinterpreting nature rather than merely imitating it. Its marble-effect surfaces fuse natural preciousness with the high-tech properties of sintered stone, providing exceptional brilliance and figurative fidelity in variants like Black Onyx and Aqua Green Quartz. Ceramica Sant’Agostino introduces the Paradiso collection, inspired by Azzurrite, featuring five varieties in brilliant and soft green and celeste hues. This porcelain stoneware collection conveys an airy and calm ambiance, complete with decorative elements that combine marble and wood effects. The stone-effect ceramic category also sees a strong focus on travertine. Ceramiche Keope's Omnia collection introduces Tivoli Ivory and Romano Sand, inspired by Lazio's travertine quarries, available in various sizes for both walls and floors. Atlas Concorde’s Marvel Travertine collection, a collaboration with Hirsch Bedner Associates HBA, offers a ceramic version of travertine for luxury interior design projects. This partnership combines Italian style and manufacturing expertise with HBA's creative vision, resulting in porcelain stoneware surfaces with geometric patterns and precious material inclusions. Coem's Touch Stone series reinterprets travertine through innovative Matter on Top technology, enhancing tactile effects and natural chromatic intensity in White, Gold, and Grey, available in both Vein and Touch graphic variants. Ceramiche Keope’s Percorsi Frame collection offers a seamless transition between indoor and outdoor spaces, reproducing rare stone varieties like Onsernone, Plima del Val Martello, and Cosmic Black Brazilian granite in porcelain stoneware. Cotto d’Este’s Advance Skin, a stone-effect collection, features a balanced graphic mix of slate and limestone shades, presented in ultra-thin Kerlite 3plus slabs suitable for various architectural applications in four color variants. Nexion's Stone Gallery extends beyond natural imitation, offering sintered stones with elevated performance in shades like Roccia Portoghese, Vicenza Beige, Basalto Grigio, and Gabbro Sfumato. Atlas Concorde’s Boost Mix revisits Milanese architecture’s Ceppo di Gré, modernizing its pebbled look through three color tones (Ivory, Pearl, and Smoke) that complement concrete-effect surfaces. Panaria’s Frame collection of stone-effect ceramic tiles provides versatile solutions for dynamic spaces, translating sedimentary rock aesthetics into porcelain stoneware with tonal gradations and decorative elements for both indoor and outdoor use. Florim’s Plimatech collection, inspired by South Tyrolean Plima granite, reproduces its natural appearance with brilliant crystals and speckles across three colorations (Plimagrey, Plimawhite, and Plimabeige) and three graphic variants. Mutina’s Kosei, designed by Vincent Van Duysen, is a new ceramic flooring collection inspired by volcanic rock and obsidian, offering a timeless and tactile material for both indoor and outdoor applications in five exclusive colors. Wood-effect ceramics continue to gain popularity due to technological advancements that allow porcelain stoneware to mimic the aesthetic performance of natural wood while offering enhanced resistance and durability. Panaria’s Kairos collection captures the aged look of old oak plank flooring, featuring realistic textures with knots and scratches in various formats and six colors. Atlas Concorde’s Entice collection pays homage to Italian oak, meticulously reproducing its surface details in two graphic versions: Natural (untreated raw wood) and Elegant (oiled and polished wood), available in a palette of honey, amber, and grey-sand tones. Flaviker’s Four Seasons project expands on wood-effect tiles with three chromatic variants (Chocolate, Honey, and Biscuit) that evoke oak surfaces, suitable for diverse contexts from domestic to hospitality. Florim’s Woodslate Life is a multi-material collection that blends oak and slate effects, creating a versatile and decorative interior design backdrop through herringbone patterns and a palette of grey and hazelnut. These collections collectively highlight ceramics as a material that perfectly balances aesthetic appeal with technical performance, reflecting a strong connection to nature in contemporary design. #Cersaie2022 #CeramicFlooring #MarbleEffect #StoneEffect #WoodEffect #InteriorDesign #SustainableMaterials #ArchitecturalDesign #SurfaceFinishes

The 2016 edition of Cersaie, a prominent tile exhibition in Bologna, Italy, showcased a diverse array of innovative ceramic tiles from various manufacturers. Interior Design's deputy editor, Edie Cohen, alongside designer Joan Michaels of 2Michaels, attended the event and highlighted several notable collections. These selections offer a glimpse into the trends and advancements in ceramic tile design, catering to a range of aesthetic preferences and functional requirements for modern interior spaces. The featured manufacturers demonstrated a commitment to both traditional craftsmanship and contemporary innovation, presenting tiles suitable for various applications, from flooring and wall coverings to decorative accents. Antiche Fornaci D’Agostino presented tiles that likely emphasized classic Italian ceramic traditions, possibly featuring intricate patterns or historical motifs, reflecting a deep heritage in tile manufacturing. Bardelli, another distinguished manufacturer, showcased designs that often combine artistic flair with high-quality ceramics, known for their unique decorative patterns and collaborations with renowned designers. Cedit Ceramiche d’Italia introduced two distinct collections: Euridice and Archeologie. Euridice might have focused on modern, elegant aesthetics with refined textures and subtle color palettes, while Archeologie could have drawn inspiration from ancient surfaces and aged materials, offering a sense of history and depth to contemporary interiors. Florim, a major player in the ceramic industry, likely presented a broad spectrum of products, including large-format slabs, technical porcelain, or innovative surface finishes that mimic natural materials like stone, wood, or concrete. Francesco Di Maio's display included a Gio Ponti edition, indicating a collection that pays homage to the iconic Italian architect and designer, possibly featuring geometric patterns, vibrant colors, or a revival of classic designs from Ponti's oeuvre. Leonardo Ceramica showcased its District collection, which could have focused on urban-inspired designs, industrial aesthetics, or versatile modular systems suitable for modern architectural projects. Savoia presented multiple tile collections, suggesting a diverse range of styles from classic to contemporary, perhaps including varied textures, colors, and sizes that cater to different design sensibilities and functional needs. Lastly, Imola Ceramica featured its Marmononmaro collection. This particular line likely highlighted sophisticated marble-effect tiles, a perennial favorite in interior design for its luxurious appearance and durability. The "non-marmo" part of the name might suggest a twist on traditional marble, possibly incorporating unique veining, color variations, or a more contemporary interpretation of natural stone. These selections collectively illustrate the breadth of creativity and technological advancements within the ceramic tile industry, offering designers and homeowners alike a wealth of options for enhancing both the aesthetic and functional aspects of interior and exterior spaces. The Cersaie exhibition served as a critical platform for these manufacturers to unveil their latest innovations and set trends for the upcoming year in surface design. #Cersaie2016 #CeramicTile #InteriorDesign #TileTrends #ItalianCeramics #DesignExhibition #SurfaceMaterials #ArchitecturalSurfaces

Cersaie, the International Exhibition of Ceramic Tile and Bathroom Furnishings, returned to Bologna for its 38th edition from September 27 to October 1, 2021, attracting over 62,000 visitors after a year's postponement due to the pandemic. A prominent trend observed across the 623 booths was a shift by tile manufacturers towards designs inspired by the natural world, reflecting a sense of optimism following a period of global uncertainty. The exhibition highlighted decorative wall solutions that positioned tile as a viable and often superior alternative to traditional wallpaper. The featured collections demonstrated the advancements in digital printing technologies, combined with diverse glaze applications and textures, allowing ceramic tiles to exhibit the decorative and expressive qualities typically associated with wallpaper. This innovation provided the added benefits of tile's inherent durability and versatility. Several notable collections showcased this trend. GIOIA by Gardenia Orchidea presented a new collection available in 10 plain colors and 7 patterns, including optimistic florals and bold geometric motifs. These 24-by-47-inch tiles were designed for easy installation on both walls and floors. CHROMAGIC from CIR Manifatture Ceramiche offered porcelain stoneware "ceramic wallpaper" tiles in 10 colors, distinguished by a unique resin texture. The collection also included a variety of third firing wall decorations, facilitating mixing and matching with other neutral tiles. FAP Ceramiche's MILANO MOOD introduced a new Murals slab collection featuring vibrant tropical and floral patterns. These 31-by-63-inch tiles incorporated glossy iridescent lacquer accents on matte backgrounds, designed to create a striking visual impact. Gigacer's TELE slab collection exuded vintage charm through its natural palettes and six unique patterns, ideal for creating accent walls. This collection emphasized an expressive aesthetic. The FRESCO collection by Gruppo Cerdisa Ricchetti drew inspiration from 18th-century European architecture, mimicking the appearance of plasters and wall frescos but with 21st-century performance standards. Unlike traditional frescos, these tiles maintain their color over time and are suitable for both indoor and outdoor applications, available in four sizes and seven colors. Imola expanded its popular Azuma collection with five new colors. These full-body porcelain stoneware tiles were offered in five sizes, including large formats up to 47 by 102 inches. Serenissima's SHOWALL collection provided numerous options for modular or continuous pattern solutions, suitable for various spaces from dining rooms to hotel lobbies. This collection comprised 22 patterns, created using advanced digital printing techniques on porcelain stoneware slabs. NAXOS presented the TIMELESS collection, aimed at fostering relaxing environments through natural patterns and a serene color palette of green and blue hues. These matte white-body wall and floor tiles hinted at traditional wallpaper designs, enhanced with metallic details. Finally, Florim's MATCHUP collection allowed for seamless combinations of surfaces, styles, and colors, showcasing a variety of material effects from marble to concrete. A prominent example was the Earl Grey Tropico pattern, one of several jungle-themed prints launched at Cersaie, highlighting the trend of bringing the outdoors in through tile design. #Cersaie2021 #CeramicTile #WallpaperAlternative #DigitalPrinting #InteriorDesign #HomeDecor #Wallcoverings #ArchitecturalTrends #DesignInnovation

The article explores the evolving landscape of decorative ceramic tiles, drawing inspiration from historical designs, contemporary graphics, and multi-color patterns, as showcased at Cersaie 2022. It highlights how these tiles are transitioning from invisible coverings to central elements of home décor, capable of defining spaces and enriching surfaces. The ease of installation, particularly with classic 20x20 cm tiles, facilitates their versatile application. Several brands are leading this design revolution. Ceramica Vietrese, for instance, introduced its 'Melody' collection of hand-decorated double-fired tiles. This line features a wide array of geometric patterns inspired by musical rhythms and the vibrant colors of the Amalfi coast, reinterpreted through precise graphics. Ceramica Francesco De Maio presented the 'Il Duomo' collection, meticulously hand-painted with geometric motifs reminiscent of the Amalfi Cathedral. This collection fuses traditions, cultures, and architectural styles, translating historical elements from Moorish, Gothic, and Baroque influences into stylized forms. Additionally, the brand collaborated with Giuliano Andrea dell’Uva to create the 'Carpet' collection, which emulates the visual effect of rugs on floors, incorporating Mediterranean color palettes and a distinctive fringed pattern. Marca Corona's 'Terracreta' collection transforms raw material into a creative medium, offering diverse formats and vibrant surface treatments. Primarily designed for domestic environments, it combines the tactile qualities of clay with artisanal decorative techniques on porcelain stoneware. This approach results in realistic handmade effects and ornamental motifs that alternate between glossy, matte, and three-dimensional finishes, enlivening walls and floors with dynamic patterns. The Terracreta series offers four neutral backgrounds complemented by three decoration types—'Incisione,' 'Inclusione,' and 'Dipinto'—allowing for flexible pairing and expressive material potential. Ceramica Sant’Agostino expanded its 'Insideart' collection with 'Insideart Color,' introducing five new vibrant shades: Mint, Sunset, Aloe, Aqua, and Forest. This line also features 'Paint,' a mini-collection of 20x20 cm tiles with geometric designs that create dynamic textures through serial repetition, blending a resin effect with graphic artistry. CIR-Manifatture Ceramiche’s 'Tadelakt' collection draws inspiration from the ancient Moroccan lime technique, featuring rich colors and shades. This collection offers a synthesis of craftsmanship and design, interpreting contemporary wall coverings with a historical touch. It builds an organic design concept around bold color palettes, integrating floors, walls, mosaics, and wallpaper decorations. Paola Navone’s 'Poetry Decor' collection for ABK reinterprets decorated tiles by drawing on global inspirations. This collection boldly mixes materialistic effects with ornamental patterns, creating unique combinations that evoke worn plaster, oxidized sheet metal, and original graphic textures with a handmade feel. Finally, the 'Riggiole' collection by Fioranese, a collaboration with Davide Tonelli, modernizes traditional Neapolitan decorative ceramic tiles. It employs a striking black and white contrast and incorporates intentionally imperfect handmade marks and worn surface effects. The collection also features an unusual 90x90 cm format that reproduces ornamental motifs in a macro version, alongside classic 20x20 cm tiles that can be freely mixed and matched from 30 available graphics, thus blending historical references with contemporary appeal. #CeramicTiles #HomeDecor #InteriorDesign #Cersaie2022 #ArchitecturalSurfaces #HandmadeTiles #PorcelainStoneware #DecorativePatterns

Every fall, Bologna, Italy, hosts Cersaie, the International Exhibition of Ceramic Tile and Bathroom Furnishings, where tile manufacturers reveal the latest trends for architects, designers, and consumers. The 39th edition, held from September 26th to 30th, showcased manufacturers' efforts to overcome challenges like the persistent pandemic, inflation, and rising energy prices by presenting an array of new and updated products. The show featured standard product updates such as large-format tiles, innovative textures, and specialty glazes, indicating an evolution rather than a disappearance of these established trends. A prominent theme this year was nature-inspired tiles, which were ubiquitous. These included wallpaper-like floral prints, as well as motifs of leaves, grass, and other biophilic patterns, designed to bring elements of the natural world indoors. Manufacturers like Cotto d’Este, ABK, and Gigacer utilized color to evoke nature, offering a palette of earth tones ranging from warm reds, burgundies, and violets to terracottas, ochres, and greens. The enduring influence of Scandinavian design was also evident in the numerous taupe-y hues, which appeared subtly tinged with daylight or sun-bleached. Porcelain tiles continued to demonstrate their strength in mimicking other materials, largely due to advancements in digital printing technology. This year saw the introduction of new tiles that closely resembled cement and stone, alongside a wide variety of wood-look options. Almost every manufacturer showcased improved wood-look tiles that were so convincing, only touch could distinguish them from real wood. These faux planks varied from stained or raw wood to sun-bleached barn siding and exotic species typically used in boat building. However, the dominant trend was the hyper-realistic imitation of natural stone, with exact replicas of slate, sandstone, onyx, marble, soapstone, and travertine. Manufacturers have refined the depth, patterns, and movement of real stones, and even developed new stone options. Cristina Faedi, manager of promotional activities at Ceramics of Italy, noted that "Ceramic stone is back," and companies are enhancing patterns and colors to create stone designs that do not exist in nature. Unlike previous years, the show was notable for the absence of deeply textured tiles with three-dimensional surfaces, as few manufacturers, such as Ceramica Bardelli, showcased them. Instead, subtler looks and restrained textures prevailed. The article highlights several new collections: Ceramiche Refin’s Feel reinterprets concrete with a mottled appearance and stone aggregate depth; Cotto D’este’s Pura collection is inspired by natural limestone; Atlas Concorde’s Marvel Travertine offers a travertine marble effect in porcelain; Lea Ceramiche’s Anthology features large Slimtech slabs inspired by marble and stone; Ceramica Sant’ Agostino’s INSIDEART COLOR provides ceramic tiles with subtle hues and a colored-resin effect; Sunwood Jardin from Ceramica Sant’ Agostino presents six decorative options with lush, flourishing nature motifs; ABKStone’s FULLVEIN3D collection offers enhanced realism for marble-effect ceramic surfaces through digitally controlled mixing of raw materials; Naxos’s CHROMATICA includes porcelain stoneware with a cement effect and muted solid colors; and Ceramiche Coem’s SASSIEPIETRE provides an updated interpretation of natural stone with dynamic light effects. #Cersaie #CeramicTile #BathroomFurnishings #TileTrends #NatureInspiredDesign #PorcelainTile #DigitalPrinting #NaturalStoneLook #InteriorDesign

The Cersaie 2019 exhibition highlighted a significant resurgence in the use of decorative ceramic tiles as a versatile and expressive cladding material. This trend showcases ceramics' ability to emulate natural materials such as wood, stone, marble, and concrete, while also establishing its unique aesthetic identity through innovative decorative applications. Manufacturers presented a wide array of formats, colors, and designs, transforming surfaces into opportunities for artistic and formal experimentation, with a particular focus on covering large areas using maxi slabs and extra-large tiles to ensure graphic continuity. Del Conca, celebrating its 40th anniversary, introduced the 'Timeline Seventy-Nine' collection, characterized by soft tones and sweeping surfaces. The decorative motifs in this collection draw inspiration from imperfection, featuring textile textures with interrupted designs that evoke the elegance of aged tapestries or rugs, adding a sense of dilapidated sophistication to walls. Ragno's new 'Maiora_Concrete Effect Botanical' line combines large, thin slabs with intricate natural and floral graphics. This collection, including three extra-large models (120x278 cm), can be used individually or in bold wall compositions. The designs uniquely contrast concrete-effect backgrounds with vintage botanical decorations, pushing the boundaries of ceramic surface application. 41zero42 unveiled 'Louis,' a new family of decorated tiles with floral inspirations, as part of their 'Paper41 Lux' collection. This line utilizes photographic hyper-realism and advanced digital printing, incorporating a resin into the ceramic mix to achieve particularly brilliant, resistant surfaces with vivid reflections and chromatic intensity. Florim, in collaboration with Rubelli, presented 'i Filati di Rex,' a collection that meticulously translates motifs from prized textiles onto ceramic surfaces. This innovative stylistic approach enhances the material's expressive potential, creating visually detailed surfaces that resemble fabric wallpapers, with nine decorative motifs inspired by nature and art spread across large tiles. Devon&Devon;'s 'Décor Slabs' collection uses pure gold as its foundation, offering large-format ceramic slabs that interpret Art Deco motifs through advanced digital inkjet printing. The extra-large sizes minimize seams, ensuring a clean and perfect aesthetic. The collection features two themes: 'Acanthus,' inspired by acanthus leaves and available in six colors, and 'Peacock,' a stylized reinterpretation of peacock plumage on white or sage backgrounds. Fap Ceramiche introduced 'Bloom,' a collection of large 80x160 cm tiles designed to create a wallpaper effect with remarkable materialistic and graphic qualities. These lightweight tiles are easy to install, with maxi decorations ranging from floral themes to warm, faded colors and sparkling metallic inserts. Mutina's ceramic decorations emphasize the versatility of clay, a moldable mineral compound used for tactile and chromatic experimentation. Their display at Cersaie 2019, an 'Alphabet' stand, showcased over ten years of production, highlighting their consistent exploration of whites, blacks, and neutral tones. Ceramiche Refin's 'Vetri' collection focuses on brightness and transparency, utilizing advanced production technologies to give porcelain stoneware the expressive qualities of crystal. Delicate shades at tile borders create depth, while a glossy finish reflects light. The collection features an evanescent color range and natural glass tones, with geometric decors like 'Piet' inspired by Mondrian. Marca Corona's 'Victoria' collection, exhibited at Cersaie 2019, features geometries and reliefs inspired by classic English aesthetics. These ceramic surfaces create exclusive environments with soft tones like aqua green, silver grey, and beige vanilla. Ornamental tiles include three-dimensional textures and molded panels with a boiserie effect, reimagining Victorian-era bathrooms. Another collection from Marca Corona, 'Overclay,' presents decorative porcelain stoneware with sandy shades inspired by desert tones, evoking Moroccan souks through faded and dilapidated effects, creating relaxing atmospheres with Rose and Cotto accents. Finally, Ceramica Sant’Agostino’s 'Spring' collection utilizes glazed double-firing to enhance vibrant colors and decorative textures, expressed through 3D reliefs or fantastical graphics that mimic wallpaper effects. Ceramica Francesco De Maio reissued Gio Ponti's 'Blu Ponti' collection, featuring 33 decorated majolica tiles in white and blue, showcasing hand-printed designs that pay tribute to Italian ceramic heritage and design mastery. #DecorativeTiles #CeramicCladding #Cersaie2019 #InteriorDesignTrends #ArchitecturalSurfaces #MaterialInnovation #HomeDecoration #SurfaceDesign #TileTrends