
Creating a dramatic dining room inspired by candlelit dinners
Colette Archambault, cofounder of Hunter Hill Interiors, transformed her Wellesley home's dining room into an intimate and dramatic space, drawing inspiration from The Ned hotel in London. With her husband, Archambault moved from the Seaport, envisioning a functional dining area for entertaining. The design's cornerstone is a moody-blue lacquered ceiling, painted in Sherwin-Williams’s Loyal Blue, a saturated mid-tone blue chosen for its vibrant character and reflective qualities that enhance the flickering glow of candlelight. The ceiling is paired with matching millwork, establishing a cohesive and immersive ambiance.
To complement the energetic backdrop, Archambault selected an oak dining table by Theodore Alexander, featuring clean lines and a herringbone parquetry top that introduces a subtle texture. Surrounding the table are bamboo fretwork chairs with a chinoiserie influence, contributing to the room's eclectic aesthetic. The use of black in these pieces provides a grounding element within the space. A sideboard from Frontgate, inspired by an 18th-century French antique, was chosen for its honed marble top, making it practical for serving. Its creamy finish and a light-colored rug brighten the room, balancing the darker elements.
Personal touches and existing pieces were integrated into the design. A Hollywood Regency-style mirror from Archambault’s childhood home reflects natural light, expanding the perceived space. Currey & Company porcelain lamps, previously in her city living room, were repurposed. A vintage travel poster from Details, Inc. in Harwich Port, depicting Monte Carlo, Monaco, serves as a nostalgic reminder of the couple's honeymoon. These elements infuse the room with personal history and unique character.
The walls are adorned with Peter Dunham sisal grass-cloth wallpaper, featuring a large-scale block-printed paisley pattern. This choice introduces a textural contrast with the high-gloss ceiling, adding depth and visual interest. For lighting, Archambault opted for two brass-lotus pendant lights by Jamie Young Co. instead of a single chandelier. These pendants are designed to direct light downward, creating a more intimate and focused illumination suitable for a dining setting, rather than broadly diffusing light. The overall design harmonizes bold color, varied textures, and personal artifacts to achieve a dramatic yet inviting atmosphere for dining and entertaining.
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