5 questions with Dana Romeis of Castle Design

Lisa Davis, an interior designer known for her work on a Back Bay Mansion featured in Boston Home magazine, shares insights into her career, design philosophy, and a new virtual design program. Davis transitioned into interior design after a career in fashion/retail merchandising, taking courses at RISD in color theory, drafting, and architectural history. She highlights the Boston Design Center as an invaluable resource for its comprehensive offerings, from fabrics to floor coverings. Other favorite vendors include Donghia for modern furnishings, Schumacher for transitional fabrics and wall coverings, and Stark Carpet and Steven King for diverse floor coverings. Davis considers color an indispensable design element, emphasizing its individual impact and using clients' preferred colors as a starting point for projects. Her designs are deeply inspired by travel, which provides visual experiences that build her design consciousness. She recounts a recent trip to Iceland, noting the raw, dark, and textured beauty of the landscape and the ethereal quality of its light as influential. Davis describes her personal aesthetic as a blend of old and new, worn and fresh, and smooth and textured, with a subtle and classic use of textures and patterns. She advises against mixing too many animal prints in one room, stating "only one species per room." She introduces her 'Design by Post' virtual interior design service, aimed at making interior design more accessible. This program allows clients to provide dimensions and design concepts virtually, enabling Davis to assist with floor plans, color schemes, furniture and fabric selections, window treatment designs, and floor and wall coverings. Clients can also order trade-only fabric samples through her. Davis acknowledges the guarded nature of designers when it comes to sharing sources but reveals her go-to custom work specialists. These include Franks Custom Draperies for soft treatments, PHD (Paperhanging and Design) with Greg Kahler for wall covering installations, Partners in Design for re-upholstery and custom upholstery, Art Applications for custom builds and painting, and Boston Binding for carpeting installation and area rug binding. For DIY decorators, Davis advocates for a mindful approach: "choose well, not often." She encourages investing in quality and craftsmanship over time, accumulating a collection of lasting pieces rather than frequently replacing low-quality items. Her preferred projects are those that start from the initial structural elements, like floors, kitchens, and bathrooms, and extend to the final decorative details, such as window treatment trim. This allows her to fully engage her design skills across all aspects of a space, including color, paint, wallpaper, living space planning, electronics placement, lighting control, furniture, upholstery, and accessories. Currently, Davis is working on an office space on Boylston Street, where budget limitations have spurred creative solutions. She expresses impressive satisfaction with the versatility and appearance of IKEA cabinetry, specifically recommending their Besta wall units for various spaces like offices, media rooms, wardrobes, and dressing rooms. This project demonstrates her ability to deliver high-quality design even with cost constraints, leveraging accessible options effectively. #InteriorDesign #LisaDavis #DesignPhilosophy #VirtualDesign #CustomWork #HomeDecor #BostonDesign #DIYDesign #TravelInspiration

This article features an interview with Andrea Schumacher, a prominent interior designer, who was named the city's top interior designer in 5280's Top Of The Town 2017. Schumacher's portfolio includes both private homes and commercial projects, such as Fluff Bar and Lime restaurant in downtown, and Mateo restaurant in Boulder. Her design aesthetic is characterized by glamour, color, boldness, and an innovative approach that often challenges conventional design norms. Schumacher elaborates on her creative process, highlighting that her creativity is sparked by art and fashion, with runway images being a particular source of inspiration. She shared her Pinterest pages for fashion and color, demonstrating her keen eye for visual aesthetics. When it comes to inspiring her designs, Schumacher emphasizes the importance of understanding her clients' lifestyles, personal preferences, favorite colors, and travel experiences. This client-centric approach allows her to create truly personalized and curated spaces. Her background as a Hollywood set designer has influenced her residential work, though she notes the distinction between creating a set and designing a living space. While set design is highly creative, residential design focuses on providing a backdrop for the real lives of the inhabitants. Schumacher observes that the heightened awareness of design, fueled by blogs, reality TV, and social media, has positively influenced the appreciation for good design, leading more people to seek it out. However, she cautions that TV shows, which condense the design process, can create unrealistic client expectations, emphasizing that truly curated homes require time and patience, as handcrafted products are often worth the wait. Regarding design trends, Schumacher adopts a balanced perspective. She acknowledges and observes trends but primarily focuses on the client's vision. She advises incorporating trendy items into easily changeable elements, like pillows or accessories, to maintain timelessness in core designs. Her love for patterns is evident, and she encourages bold applications, even on ceilings or fireplaces, to bring freshness to spaces. Current design obsessions include all things luxurious, such as wrapping a fireplace in fur, and incorporating shades of pink, which she refers to as "blush," into living rooms. She also expresses enthusiasm for trends in lighting, citing pieces by Avram Rusu Studio, and finds inspiration in Paris Flea Market finds, like amethyst and brass-and-Murano-glass Sputnik chandeliers. For a quick decorating trick, Schumacher suggests adding a touch of black to every room, whether through an accessory or a painted chair, to create a significant impact. When asked about a dream project in Colorado, she envisions designing a boutique hotel in Aspen, combining mountain living with global luxury elements to create a "mountain-modern with a travel vibe" aesthetic. Looking ahead, her firm is working on model units and a sales office for the St. Paul Collection in Cherry Creek North, signaling continued innovation and influence in the interior design landscape. Andrea Schumacher Interiors is located at 2406 W. 32nd Ave., Ste. D. #AndreaSchumacher #InteriorDesign #DenverDesign #DesignTrends #LuxuryInteriors #ResidentialDesign #CommercialDesign #CreativeProcess #DecoratingTips

This article features an interview with Vanessa Rome, an interior designer based in New York City, discussing her career, business philosophy, and personal recommendations. Rome attributes her success to a Type A personality, strong organizational skills, and an unwavering passion for interior design. She emphasizes that her work feels less like a job and more like a calling, which allows her to dedicate long hours and weekends to her projects without feeling burdened. Vanessa Rome Interiors operates as a boutique residential interior design studio in New York City. Rome deliberately limits the number of projects taken on each year to fewer than ten. This approach ensures that each client receives a high level of personalized attention and meticulous care, reflecting the standard of service she would expect as a client herself. A key lesson she has learned in her career is the critical importance of measuring and re-measuring everything to ensure accuracy and prevent errors in design execution. When asked about recommendations for a friend visiting New York City, Rome suggests a culinary and cultural tour. Her top dining picks include Indochine, a long-standing favorite from her NYU days, and upscale Asian restaurants like Nobu and Mr. Chow. For activities, she recommends walking through the neighborhoods of Tribeca and Soho to explore various clothing and furniture stores, indulging her passion for both fashion and home aesthetics. A stroll through Central Park is also highlighted for its people-watching opportunities and scenic beauty. Rome acknowledges the significant contributions of several individuals and groups to her professional journey. She expresses gratitude for the support of her husband and family, who provide her with the freedom and encouragement to pursue her demanding career. Her team also receives recognition, as she states that she could not achieve her goals without their collaboration and dedication. Additionally, she values her fellow interior designer colleagues, who serve as sources of inspiration, guidance, and emotional support during stressful periods. The article also provides contact information for Vanessa Rome Interiors, including her website (vanessaromeinteriors.com) and Instagram handle (@vanessaromeinteriors). The illustrations accompanying the article are credited to photographers Marco Ricca and Julia Lynn. The interview concludes by encouraging readers to nominate other deserving individuals for recognition through Shoutout Miami's platform, reinforcing the community-driven mission of the publication. #InteriorDesign #VanessaRome #Entrepreneurship #NewYorkCity #DesignStudio #WorkEthic #BoutiqueBusiness #PersonalInterview

The inaugural Dublin Design Week is poised to spotlight the significant contributions of Irish architects and interior designers, who are increasingly influential on both national and international stages. Among these prominent figures is Róisín Lafferty, an architect and interior designer renowned for her innovative and meticulously detailed interior architecture firm, House of Design. Lafferty’s portfolio spans a diverse range of projects, including private residences, hotels, unique work environments, spas, members’ clubs, and restaurants, with commissions extending across Ireland, France, Portugal, New York, Miami, and Saudi Arabia. Her distinctive approach involves creating bold, imaginative, and thought-provoking spaces, often incorporating unusual materials in unexpected ways. Her work has garnered recognition in prestigious publications such as *Architectural Digest*, *Elle Décor*, *Vogue Living*, and *THE GLOSS INTERIORS*. One featured project is the reimagining of a late-Georgian farmhouse. Initially a distinguished country residence that had suffered from unsuitable alterations, it presented an opportunity for comprehensive restoration. Lafferty’s firm undertook a two-year design process to transform the farmhouse, addressing the clients' specific request for an "industrial aesthetic." The project involved accentuating the building's original features while configuring and decorating a newly built extension that was an open shell. The result is an unconventional layout with an interior that seamlessly blends historical elements with contemporary industrial design. Another notable project highlights a new-build home on the coast of Ireland, characterized by its ambitious and contemporary design. Located in an area of Special Conservation, the 30-acre working farm site presented unique topographical challenges. Architect Allister Coyne of Ailtireacht was responsible for the initial architectural vision. Lafferty was brought into the project during the early stages of construction to integrate a forward-thinking interior design with the existing architectural framework. The objective was to create a minimalist yet harmonious living space that resonated with the raw beauty of the surrounding landscape, providing a calm retreat from the bustling activities of the on-site stables. A third project, dubbed the “2-in-1” house, involved transforming two separate semi-detached houses into a single, unified living space. A key aspect of this design was the requirement to maintain the possibility of easily reversing the transformation, allowing the property to revert to two separate homes in the future. Lafferty’s team meticulously designed all systems—including heating, sound, electrics, and mechanical—to function as a unified whole while ensuring they could be readily separated if needed. This innovative approach addressed the challenge of creating a flexible, future-proof home. Róisín Lafferty will further discuss her design process and showcase additional projects at a "Design Talk" event during Dublin Design Week. The event, held at Anantara The Marker Dublin on Tuesday, May 20, from 12 pm to 1:30 pm, will feature Lafferty in conversation with architect and broadcaster Amanda Bone. Tickets for this event are priced at €35, with a discounted rate of €20 for students, and can be booked through the Design Week Dublin website, which also provides the full program for the 2025 Dublin Design Week. #InteriorDesign #RóisínLafferty #DublinDesignWeek #ArchitecturalDesign #HomeRenovation #ContemporaryDesign #GeorgianFarmhouse #CoastalHome #SustainableDesign

Architect Mariam Issoufou discusses her design philosophy and recent projects, including the Rolex Pavilion at the Venice Architecture Biennale and the upcoming Bët-bi museum in Senegal. Issoufou, founder of Mariam Issoufou Architecture and a professor of architecture heritage and sustainability at ETH Zurich, emphasizes a research-led approach that prioritizes local contexts, craftsmanship, and sustainable practices. Her work spans various regions, with a notable focus on projects within the African continent and Europe. The Rolex Pavilion, commissioned for the Venice Architecture Biennale, was designed to reflect Rolex's identity while addressing Carlo Ratti's 2025 theme of adaptation to climate change. Issoufou's design for the pavilion showcases a commitment to local materials and artisan collaboration. The facade is constructed from recycled wooden beams sourced locally, and the interior features a translucent colored ceiling crafted by Murano glassmakers, which creates dynamic light effects. The terrazzo flooring incorporates recycled Cottisso crushed glass. Issoufou aimed to honor Venice's heritage of making and to demonstrate how recycled and local materials can be used effectively in high-profile projects, similar to her work in Africa where materials like recycled metal, earth, and cement are commonly employed. Her design process for the Rolex Pavilion began by considering the unique shape of Venice, a city divided by the Grand Canal, which inspired the form and exhibition spaces of the structure. The project also focused on collaboration across different intelligences and showcased resource efficiency. Issoufou expressed pride in seeing the pavilion come together through the work of local glass, metal, and woodworkers, highlighting the successful integration of traditional Venetian artistry with contemporary sustainable design principles. Issoufou’s practice is characterized by a consistent research-led methodology across all her projects. Instead of imposing a design, she first investigates the architectural history, climate, and vulnerabilities of a specific location. Following this, she identifies and engages with local makers and their existing knowledge and skills. This collaborative and context-driven research then informs the design process, ensuring that each project is uniquely tailored to its environment and community. This approach allows the questions she asks in her projects to remain consistent, while the solutions and outcomes vary based on the specific research findings. Sustainability, for Issoufou, is an intersectional concept that extends beyond mere ecological considerations. She integrates green standards with social, cultural, and economic upliftment for the communities involved in her projects. This holistic view ensures that her architectural interventions contribute positively to the broader well-being of people and places, preserving cultural heritage and fostering economic opportunities. Beyond the Rolex Pavilion, Issoufou is currently focused on the construction phases of two significant projects: the Bët-bi museum in Senegal and the Ellen Johnson Sirleaf Presidential Center in Monrovia, Liberia. The Bët-bi museum, commissioned by the Josef and Anni Albers Foundation and Le Korsa, will be a 1,000-square-meter center for contemporary and historic African art, also serving as a temporary home for repatriated objects. Its triangular form is inspired by the Indigenous Serer people's belief system, symbolizing the relationship between elements, the living, and the dead. The museum will be built into the landscape using sustainable, traditional materials with the help of local artisans, reflecting Issoufou’s commitment to culturally resonant and environmentally responsible design. The Ellen Johnson Sirleaf Presidential Center, where Issoufou is the lead architect, involves collaborations with Sumayya Vally and Karen Richards Barnes, further exemplifying her collaborative and community-focused design ethos. These ongoing projects underscore her dedication to creating spaces that are deeply rooted in their cultural and environmental contexts while promoting sustainability and community engagement. #Architecture #SustainableDesign #VeniceArchitectureBiennale #RolexPavilion #MariamIssoufou #CulturalHeritage #CommunityEngagement #AfricanArchitecture #LocalCraftsmanship

Naomi Coe, founder of Little Crown Interiors, has become a prominent figure in modern nursery design. She emphasizes creating sophisticated spaces that cater to parents' tastes, ensuring they feel calm and happy, which in turn positively influences the child. Her designs aim for longevity, ensuring babies do not quickly outgrow their rooms. Coe's specialization in nurseries and children's rooms was an accidental discovery after graduating from design school during the 2007 recession. She found fulfillment in this niche, appreciating the blend of creativity and the consistent need for essential baby items and safety considerations. This led her to co-found her own design studio in 2008. During the pandemic, Coe published "Your Perfect Nursery: A Step-by-Step Approach to Creating the Nursery of Your Dreams." The book addresses a gap in the market for comprehensive nursery design resources, offering guidance on aspects like shopping and budgeting, similar to how wedding planning books cater to every detail. It aims to alleviate stress for expecting parents. One of the most significant trends Coe has observed recently is the prevalence of layered neutral colors in nurseries. She attributes this to the increased time people spent at home during the Covid-19 pandemic, leading to a preference for calm and cozy environments. Additionally, more parents are choosing to keep the baby's sex a surprise, further driving the demand for gender-neutral designs. Coe believes this neutral trend is not fleeting but a long-term shift, though she anticipates a return of more vibrant colors alongside neutrals. For 2023, Coe predicts a shift away from gold as the primary metallic accent, with increasing requests for silver, bronze, and black. She also foresees a resurgence of sophisticated traditional elements, such as picture frame molding and embellished furniture, even within modern homes. Her favorite color, muted mossy green, is expected to gain popularity in nursery designs. Regarding furniture sourcing, Coe highly recommends Babyletto for stylish and affordable cribs, and Nursery Works for high-end options. For dressers, she prefers mixing and matching pieces from design showrooms, often adding a changing tray, or exploring online and retail stores like Anthropologie and Restoration Hardware. Essential nursery items include a safe sleeping space (bassinet or crib), a comfortable glider for feeding and rocking, and a changing area (dresser or changing table). In a minimalist approach, a safe sleep space and a monitor are sufficient. When styling a nursery, lighting is a critical element, especially since nurseries often lack ample natural light. Multiple light sources and the correct bulb color can significantly enhance the room's aesthetic. Incorporating real or faux plants and flowers is another key styling trick to bring life into the space, with faux options being safer for nurseries. #NurseryDesign #InteriorDesignTrends #NaomiCoe #BabyRoomDecor #ModernNursery #NeutralNurseries #BabyFurniture #DesignTips #HomeDecoration #ParentingDesign

Design Week Dublin, an event co-founded by Jane and Sarah McDonnell, commenced with a successful launch at Róisín Lafferty’s newly established gallery. This gallery, located at 23 Fitzwilliam Square, also serves as her practice's headquarters and studio. Following this initial event, Róisín Lafferty, an internationally recognized interior designer, conducted a sold-out Design Talk at Anantara The Marker in Grand Canal Dock, addressing a large audience eager to learn about her work and career trajectory. The event began with Ciara Doherty, representing the Design Week Dublin founders, extending a welcome to the attendees. Architect and broadcaster Amanda Bone then introduced Lafferty, setting the stage for a presentation that featured video clips and images showcasing Lafferty's diverse portfolio. During her talk, Lafferty recounted her early career experiences as an interior designer, emphasizing the hands-on learning she gained by collaborating with various professionals in construction, engineering, architecture, and quantity surveying. She highlighted the importance of understanding the intricate processes involved in each role on a construction site, often immersing herself directly in the work to grasp foundational principles. She specifically mentioned her active participation in site deconstruction, observing tradespeople to gain practical insight. Lafferty established her independent practice in Dublin in 2010, after an initial period working in partnership with another designer. The audience was presented with visual examples of her projects, which predominantly included residential designs. Amanda Bone posed a question regarding Lafferty's ability to consistently create unique schemes without repetition, underscoring the originality evident in her work. Lafferty’s firm currently employs a team of ten designers. The renovated Georgian townhouse at 23 Fitzwilliam Square functions as a multifaceted space. It is the central office for Lafferty’s design practice, a studio for creative work, and a gallery that exhibits her original furniture and lighting collections. Additionally, the gallery features vintage pieces and artworks, alongside a furniture and lighting collection by Bryan O’Sullivan, exclusively available at this location. Lafferty expressed that establishing such a comprehensive space was a long-held ambition, realized through the extensive restoration and renovation of the townhouse. The article recommends a visit to the gallery to experience Lafferty's recent 'Sphere' collection and to observe the detailed interior design of the space. #DesignWeekDublin #RóisínLafferty #InteriorDesign #ArchitecturalDesign #GeorgianTownhouse #FurnitureDesign #LightingDesign #IrishDesign #DesignGallery

Tali Roth, a Melbourne-born interior designer, has carved out a unique niche in New York's design scene, bringing a fresh, personal touch to interiors, particularly within the city's prevalent rental market. After moving to New York in 2013 with her husband and limited funds, Roth initially faced challenges in securing a traditional design role. Leveraging her background in psychology and fashion, she found an opportunity with a start-up agency that facilitated freelance designers, allowing her to utilize social media to build her own brand. This ultimately led to the establishment of her independent design business and the launch of 'The Playhouse,' her innovative 'shoppable office.' Roth's design philosophy is significantly shaped by New York's renting culture, which contrasts with Australia's emphasis on home ownership. She believes that living in a rental for decades necessitates making it comfortable and personalized, demonstrating that extensive decoration and even reversible renovations are achievable. For instance, she transformed her own Chelsea loft by applying a faux concrete finish to the walls and adding wainscoting in a previous apartment, all with the understanding that these changes could be reversed without issue. Her approach challenges the conventional limitations of decorating rental properties, emphasizing comfort and personalization over strict adherence to original conditions. Over six years in Manhattan, Roth has refined her signature aesthetic, describing it as 'pretty but not overly feminine, clean-lined but with a warm, mid-century edge.' Her design rule dictates that every interior should incorporate a mix of vintage, custom, and affordable or retro-fitted pieces, creating a harmonious and layered look. For artwork, she often draws inspiration from Australia, featuring pieces from artists like Minnie Pwerle, Adam Pyett, Stephen Baker, and Leila Jeffreys, and introducing clients to Australian brands such as Dinosaur Designs and Contemporary Editions, as well as glass artist Amanda Dziedzic. Currently, Roth is engaged in diverse projects, including the design of a flagship coffee venue for Bluestone Lane in SoHo, the offices for AWAY luggage, a multi-residential development in Brooklyn, and numerous private apartments, including one for a high-profile couple in the entertainment industry. Her material preferences lean towards glass, wood, and marble, favoring natural states and avoiding overly stained timber. While clients seek her distinct style, Roth prioritizes integrating their personalities into the space. She avoids being prescriptive, preferring to incorporate client-provided items, such as a grandmother's vase, even if they don't align with her personal taste, believing that these sentimental pieces bring joy and contribute to the overall balance and unique character of a home. #InteriorDesign #NewYork #RentalDecorating #HomeDecor #DesignPhilosophy #TaliRoth #MidCenturyModern #AustralianDesignInfluences #PersonalizedInteriors

Camille Jobe and Ada Corral, principals of Jobe Corral Architects, a women-owned-and-operated architecture firm based in Austin, Texas, discuss their design philosophy, recent projects, and collaborative working style. The firm specializes in residential architecture and interiors, with a strong emphasis on adapting designs to the unique and often harsh climate of Texas. Their work frequently incorporates sustainable and context-specific building methods, while also maintaining a strong aesthetic. One of their notable projects, River Ranch, is a modern house located in the Texas Hill Country. For this residence, the architects utilized traditional rammed earth construction, a method chosen to conceptually link the structure to the clients' deep appreciation for the land. The rammed earth, composed of decomposed granite, Portland cement, and water, is poured in layers to create distinct, striated walls that are a central design element throughout the home. These walls dictated particular attention to texture, color, and the interplay of warmth and coolness in adjacent materials and furnishings. The interior furnishings for River Ranch were selected to complement the bespoke nature of the structure, focusing on well-crafted items with notable provenance or distinctive assembly, transforming them into new 'artifacts' within the space. Looking ahead, Jobe Corral Architects are engaged in diverse projects. They are designing the architecture and interior for a young company's headquarters in Austin, aiming to imbue the large commercial space with a residential feel. Additionally, they are working on a public restroom project for Lady Bird Lake in Austin, contributing sculptural, boutique-style facilities constructed from terracotta tile, concrete, and steel, featuring a repurposed concrete pipe for the sink. Their working relationship is defined by a clear division of roles: Jobe focuses on the 'big picture,' while Corral manages the details. Both principals reside in post-World War II concrete block houses on the same street, and they jointly designed additions for their homes post-partnership. Their individual backgrounds significantly influence their creative approach; Jobe, from a family of engineers and artists, found her niche in architecture as a blend of rationality and creativity. Corral, hailing from Puerto Rico, where smaller, efficient homes are common due to climate and resources, emphasizes functionality and efficiency in her designs. The Texas climate and lifestyle play a crucial role in their design thinking. The extremes of cold and heat, coupled with high humidity, directly inform architectural forms and how living spaces function. The informal nature of Texas life also influences their designs, leading to considerations like the traditional role of a 'front door' in a casual, expansive environment. The relatively young architectural landscape of Austin, with fewer historical constraints, offers a 'clean slate' for their contemporary designs. Both architects stress the importance of physical activity—Jobe as a rower and Corral as a runner—as a vital component for managing the stresses of an architectural practice and maintaining well-being. #ArchitecturalDesign #ResidentialArchitecture #InteriorDesign #SustainableConstruction #RammedEarth #TexasDesign #WomenInArchitecture #ModernArchitecture #DesignPhilosophy

This article compiles a series of expert responses from Celia Rufey, addressing a variety of common furniture-related queries from readers. The questions span a range of topics including sourcing specific furniture styles, dealing with furniture issues, and seeking advice on decor and restoration. The initial query focuses on finding a two-seater Knole-style sofa with simpler lines within a budget of approximately £3,000. Celia suggests exploring companies like Sofa.com and Seriously Sofas, highlighting that some offer customization options like adjusting proportions or removable covers, which can help achieve the desired aesthetic and stay within budget. For example, Sofa.com's Descartes or Avalon models can be modified for around £2,000 even with increased arm and back height. Bespoke Sofa London and independent upholsterers are also recommended for custom pieces. The second question concerns sourcing vintage factory stools or chairs for a kitchen. The Old Cinema is recommended for restored vintage industrial furniture, particularly swivel chairs from the 1930s to 1950s, priced between £80 and £200. Ormston Saint, an online supplier, offers 1950s Bauhaus swivel chairs and 1940s machinists' chairs for £250 to £395. For new industrial-style stools, Cult Furniture and Cox & Cox are suggested. A reader seeking a large, contemporary white dining table for around £400, capable of seating 10 and suitable for both parties and children's activities, is advised that this is a challenging request within the budget. Suggestions include the Lia 10-seater table from John Lewis for £299, the Multi matt white lacquer dining table from Go Modern for £510, or the Bramante from Made for £499. Less contemporary but robust options like the Halland Extendable table from Fashion For Home and the Beaufort table from The Cotswold Company are also mentioned, with an emphasis on solid wood tops for refinishing. For a plain-framed four-poster bed without detailing, Raft offers a substantial option in reclaimed teak. Benchmark provides a slim-profile oak bed, while Lombok features a dramatic black lacquer style. The Natural Bed Company and The Four Poster Bed Company are also listed for various wood options. Another reader inquired about a glass-framed coffee table and side tables with a metal frame, excluding brass. Tom Faulkner's Madison range, available in various finishes and sizes, is suggested, with a large rectangular coffee table costing £1,199 and side tables from £499. Finding a purple velvet corner sofa for approximately £2,500 is addressed by suggesting Sofa.com for its competitive pricing and fabric options like Crushed Florentine and Pure Cotton Matt. Sofas & Stuff also offers competitive pricing and a range of velvet choices. For a stone coffee table, Conservatory Interiors by Vale's Rectangular Stone Coffee Table is recommended, or custom options from Mosaic & Stone. Console tables similar to a butler's table are available at Nordic House and John Lewis. Furniture restoration advice includes tackling unpleasant odors in cherry bedroom furniture, likely caused by mildew or mold. Solutions involve bicarbonate of soda, airing, dehumidifiers, and products like Moso Air Purifying Bag or Furniture Clinic's Mould Remover. For a blonde wood apothecary cabinet, Raft and Shimu are suggested for various drawer configurations and wood finishes, alongside The Cotswold Company. Courses for understanding antiques are offered by Regent Academy, Christie's Education, and Sotheby's Institute of Art, with West Dean College providing furniture restoration courses. Replacing unlacquered swan-neck brass handles for an antique chest of drawers is possible through Armac Martin, which can supply unlacquered handles that will naturally mellow over time. K Restorations is recommended for replacing desk leather, offering different qualities and colors with DIY instructions. For a chair similar to a vintage folding chair, I & JL Brown and Christopher Clarke Antiques are suggested, with options for new reproductions or sourcing antique pieces. Advice for furnishing a narrow living room includes zoning techniques with sofas and low tables, or creating a strong decorative focus with a console table or desk. Specific furniture requests include a three-seat, low-armed sofa with three cushions, where Ikea and Sofa Workshop are mentioned, along with high-end options from George Smith, Sean Cooper, and The Odd Chair Company. For a rectangular glass coffee table, Richard Taylor Designs and Glass Domain offer similar styles. Antique oak dining tables suitable for a panelled room can be found at I & JL Brown, Antique Tables & Country Furniture, and Alexander Paul Antiques. Metal chairs in bright colors are available at Alexander & Pearl. Suggestions for large, antique-style sideboards include JVB, Willis & Gambier, and India Jane. Dressing tables to fit a bay window are offered by Leporello (Swedish-style and bespoke), and Greenhill Design (contemporary). Extra-wide armchairs are available in John Lewis's Snuggler collection, Wesley-Barrell, and Content by Conran. Fitting a gas fire unit into a 1930s tiled fireplace is addressed by 20th Century Fires, which offers suitable inserts and installation advice. Bar stools with woven rattan tops are available from Lloyd Loom. Repairing canework furniture is covered by Joan Gilbert and the British Antique Furniture Restorers' Association. Sourcing exotic or dramatic furniture is possible through Osborne & Brown, House Couturier, and Aiveen Daly. Finally, for Victorian-style balloon-back chairs, Leather Chairs and The Odd Chair Company are recommended. Sliding glass room dividers are available from Go Glass, Preedy Glass, and Space Slide. Restoring Moroccan leather seats is handled by The Leather Conservation Centre. Repairing pre-woven cane chairs can be a DIY project using supplies from The Cane Store. Extendable oak tables are offered by Christian Harold, New Heights, and Oak Furniture Solutions. Contemporary writing desks are available at The Conran Shop, Heal's, and Mufti, with Just Desks also offering custom options. Gilding a rattan chest of drawers with metallic paints from Ardenbrite or Beckers is also discussed, emphasizing proper priming and protection. #FurnitureSourcing #HomeDecor #FurnitureRestoration #InteriorDesign #SofaSelection #DiningTables #BedroomFurniture #CoffeeTables #AntiqueFurniture

The article emphasizes the transformative power of design in real estate, asserting that innovative design can significantly impact business growth, create value, and help organizations achieve their strategic objectives. It highlights JLL's approach to design, focusing on creating human-centric experiences that are both functional and inspiring. This comprehensive design philosophy aims to meet diverse client needs, ranging from corporate workplaces to retail environments. JLL's design services are structured around three core principles: actionable insights, future-focused design, and comprehensive solutions. Actionable insights involve leveraging data-driven business intelligence to formulate a design strategy centered on the needs of people. This approach ensures that design decisions are informed by concrete data, leading to spaces that are not only aesthetically pleasing but also highly effective and aligned with organizational goals. By understanding user behavior and preferences, JLL aims to create environments that enhance productivity, well-being, and overall satisfaction. Future-focused design is another critical aspect, focusing on creating spaces that are adaptable and sustainable over time. This involves anticipating future trends and technological advancements, ensuring that the designed spaces can evolve and remain relevant in a rapidly changing world. The emphasis is on blending innovation with foresight, thereby creating enduring value for clients. This proactive approach helps clients avoid premature obsolescence and ensures their real estate assets continue to serve their needs effectively for years to come. Comprehensive solutions involve crafting tailored workplace and retail experiences through meticulous analysis of client needs. JLL's team designs environments that inspire users and drive business success at any scale, whether it's a new office layout, a retail store revamp, or a large-scale development project. The article showcases several client stories that exemplify JLL's design capabilities. For instance, JLL assisted Bob’s Discount Furniture in reimagining their in-store experience to facilitate nationwide expansion, demonstrating how design can directly support business growth and market reach. Similarly, ALDI's "Modern Market" project redefined the new-generation shopping experience by introducing innovative in-store journeys and facilitating widespread store rollouts, highlighting design's role in enhancing customer engagement and brand perception. Furthermore, the article points to JLL's own East Bay office as a testament to thoughtful design, integrating sustainability, functionality, and local community aesthetics. This internal project underscores JLL's commitment to practicing what it preaches, creating an office space that reflects contemporary design principles and supports employee well-being. Another client story details how AVI-SPL, a global collaboration technology provider, partnered with JLL to create a tech-driven office space aimed at boosting team collaboration, illustrating the integration of technology and design to foster a productive work environment. JLL also shares its outlook on top trends influencing the design of places and spaces for 2025 and beyond, indicating a forward-thinking approach to design that considers emerging societal and technological shifts. The article concludes by inviting potential clients to contact JLL's design experts, such as Stephen Jay, Global Design Advisory Retail and Branding Lead, to explore how their services can transform real estate challenges into strategic advantages, optimize portfolios, and enhance value and performance. #DesignSolutions #RealEstateDesign #WorkplaceStrategy #RetailExperience #FutureOfSpaces #ClientStories #ProjectManagement #SustainableDesign #Innovation

Interior Design magazine hosted its first ArtbyDesign talk at its new office in PENN1, Manhattan, featuring artist Rebecca Moses and editor-in-chief Cindy Allen. The event, held in collaboration with Garden on the Wall, aimed to provide a platform for emerging designers to network and gain insights from established creatives. Cindy Allen introduced Rebecca Moses, highlighting her significant impact on people's lives through her work. Moses began the discussion by recounting her early ambition to become a fashion designer, which she pursued by graduating from FIT and subsequently working with Pierre Cardin. She emphasized the importance of embracing risks, illustrating this by sharing her experience of moving from New York to Paris to launch her own collection. Moses advocated for confronting fear, asserting that failure can lead to discovery and fuel career progression. Her career path led her to Italy, where she continued to evolve professionally and personally. Moses discussed her fascination with the manufacturing process, stressing that understanding how things are made fuels creative energy. This principle became particularly significant during challenging periods in her life. Following the death of her husband, Giacomo Festa Bianchet, Moses transitioned from fashion design to art, creating illustrations for various magazines. The onset of the COVID-19 pandemic prompted another significant shift in her work. She engaged with communities through social media, offering portrait drawings in exchange for personal insights into people's lives at home. This initiative culminated in “The Stay Home Sisters,” a project dedicated to honoring the contributions of women who worked as nurses during the pandemic. The talk also served as an opportunity for Moses to offer guidance to the young designers in attendance. She encouraged them to tap into their innate creativity and personal resources, advising them to utilize their "mystery inside." The event underscored the value of adaptability, resilience, and continuous creative exploration in the design industry. It provided a platform for networking and inspiration, fostering a sense of community among designers, and offering practical advice on navigating career transitions and challenges. The inaugural ArtbyDesign talk set a precedent for future events aimed at supporting and guiding the next generation of design professionals. #ArtbyDesign #RebeccaMoses #CindyAllen #InteriorDesign #PENN1 #FashionDesign #ArtisticJourney #CreativeProcess #DesignTalk