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Eley Kishimoto Launches First Wallpaper Collection

Eley Kishimoto, renowned for its graphic patterns and print designs, has ventured into the wallpaper market with its inaugural hand-printed collection. This launch signifies a natural progression for the design studio, leveraging its extensive expertise in pattern and printmaking to transform interior spaces. The collection features 12 distinct designs, each engineered to create a striking visual impact on walls. These patterns are not limited to a single aesthetic but are presented in various colorways, ensuring a broad appeal and offering diverse options for consumers. Every colorway is characterized by its boldness and visual appeal, maintaining the studio's signature style. The collection includes several notable patterns, each with its own unique character. 'FISHBONE BORDERS' introduces an intricate, linear design, available in multiple color combinations. 'CAMO CHEVRON' reinterprets traditional camouflage with a modern, geometric chevron motif, providing a contemporary edge. 'VANITY CATS' offers a playful yet sophisticated design, incorporating feline elements in a stylized manner. 'SUN LOVING BOLLARDS' presents a more abstract and organic pattern, reminiscent of sun-drenched architectural forms. 'LIGHT ON LATTICE' explores geometric repetition with a sense of depth, creating an illusion of light passing through a lattice structure. Finally, 'MONSTER SKIN' and 'VENICE' showcase more adventurous and textural designs, pushing the boundaries of conventional wallpaper patterns. 'FRILLS' completes the collection with a design that suggests movement and soft, undulating forms. The studio's decision to launch a wallpaper collection underscores its commitment to applying its unique design philosophy across different mediums. The hand-printed nature of the wallpapers suggests a dedication to craftsmanship and quality, aiming to deliver a product that is both aesthetically pleasing and meticulously produced. By offering a range of patterns from intricate and geometric to playful and abstract, Eley Kishimoto seeks to cater to a diverse clientele with varying interior design preferences. Each design, with its multiple color options, is intended to provide homeowners and designers with versatile tools to personalize and enhance their living environments. The collection aims to bring a new dimension of artistic expression to walls, transforming them from mere backdrops into focal points of interior decor. #EleyKishimoto #WallpaperCollection #GraphicPatterns #PrintDesign #InteriorDesign #HomeDecor #PatternDesign #TextileArt #HandPrinted #EleyKishimoto #WallpaperCollection #GraphicPatterns #PrintDesign #InteriorDesign #HomeDecor #PatternDesign #TextileArt #HandPrinted

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London-based studio Custhom, founded by RCA graduates Nathan Philpott and Jemma Ooi, has introduced a new collection of digitally embroidered wallpapers that blend traditional embroidery patterns with contemporary digital stitching technology. The studio collaborated with skilled embroiderers in the North of England to adapt their techniques for use with paper, enabling the creation of large-scale designs that introduce both pattern and texture to walls. This innovative approach translates traditional embroidery styles using modern tools and digital techniques, imbuing organic designs with a clean, graphic quality. The collection features two distinct patterns: Berye and Aves. The Berye pattern, whose name is derived from the Middle English word for ‘berry’, draws inspiration from English historical patterns. It is produced by screen printing a base design by hand, which is then meticulously overlaid with digitally embroidered patterns. These embroidered elements are designed to mimic Crewel, a 17th-century embroidery technique, resulting in a multi-layered design featuring branches, leaves, and berries. The Berye design is characterized by flint grey and peach thread on a light grey background, creating a sophisticated and textured visual. The Aves pattern references traditional Mexican Otomi fabrics. This design showcases a variety of creatures, such as birds, stitched in either navy or soft grey threads onto either cream or dark charcoal paper backgrounds. The designers behind Custhom were particularly drawn to the narrative quality of Otomi designs, which traditionally utilize stitch and illustration to convey stories and cultural folklore. The research for these designs was conducted at the British Library, where the studio explored various traditional textiles and embroidery techniques. Custhom emphasized the rigorous development process involved in perfecting their technique, which required significant adaptation of textile craftsmen’s methods to suit paper as a medium. This careful development ensures that the wallpaper can withstand the perforation from embroidery needles without tearing, a crucial aspect given the delicate nature of paper. The wallpapers are manufactured using high-quality, FSC-certified non-woven paper, underscoring the studio’s commitment to sustainable materials. The Berye pattern has recently been launched to the public, while the Aves pattern made its debut earlier in the year at the Maison & Objet fair in Paris, a significant international event for interior design and home decor. Both patterns are produced in the UK, adhering to local manufacturing standards, and each roll measures 55 centimeters by one meter. This collection represents a fusion of historical craftsmanship and modern technology, offering a unique decorative option that adds depth, texture, and a narrative dimension to interior spaces. #Wallpaper #EmbroideredWallpaper #Custhom #DigitalEmbroidery #InteriorDesign #Homeware #DecorativeArts #TextileInnovation

The 1970s design aesthetic is experiencing a significant resurgence, with various decor trends from the era making a comeback, including mirrored walls and tubular lighting. Adding to this revival, Herman Miller has reintroduced eight iconic artworks by Alexander Girard in poster form. Girard, a legendary mid-century designer, directed Herman Miller’s textile division for over two decades, where his work was known for its genre-defying nature, bold energy, experimental flair, and distinct disco vibes. These designs were originally part of Herman Miller's Environmental Enrichment Panels, first produced in 1972. The panels were conceived to introduce a sense of levity and playfulness into office environments through the use of daring geometric patterns and striking, unconventional color combinations. The reissued high-resolution wall hangings are carefully recreated on 100 percent cotton paper, offering an affordable way for individuals to incorporate Girard’s maximalist style into their homes. The collection features easily recognizable designs such as Bouquet and Double Heart, alongside other vibrant prints, available in various sizes. Customers can purchase these unframed, with prices starting at $195. For those desiring a more premium presentation, optional black, white, or natural maple frames are available to protect the archival pieces. The article offers styling suggestions for these poster arts. One recommendation is to create a graphic gallery wall by combining multiple Girard masterpieces with other colorful artworks. Alternatively, for a singular focal point, a long and narrow piece can be hung in an otherwise challenging wall space, such as the area between two windows. The reintroduction of these prints serves as a testament to the enduring appeal of 1970s design and Alexander Girard’s influential artistic vision. The availability of these posters allows design enthusiasts to bring a piece of this iconic era into contemporary living spaces, emphasizing the lasting impact of the decade's aesthetic on modern home decor. #HermanMiller #AlexanderGirard #1970sDesign #PosterArt #MidCenturyModern #HomeDecor #RetroRevival #WallArt #InteriorDesignTrends

Tavia Forbes and Monet Masters, the Atlanta-based duo behind Forbes Masters, have launched their first wallpaper and textiles collection in collaboration with Mitchell Black. This new venture adds to their recent successes, which include extensive media coverage and a growing client base. The collection, which was initially showcased at AmericasMart in Atlanta, emphasizes their distinctive textural style, drawing inspiration from their cultural heritage. Each wallpaper design within the collection is named with an African origin, further connecting to their roots. The wallpapers feature intentional geometric patterns characterized by depth and contrast. The color palette employed is soothing, rich, and earthy, incorporating shades such as terra cotta, olive, peach, and charcoal. This combination of colors and patterns aims to create an ambiance that is both calming and provocative, allowing customers to introduce character-filled elements into their spaces. The collection offers digitally printed traditional wallpaper and a PVC-free peel-and-stick option, catering to various installation preferences. Commercial-grade versions are also available, indicating suitability for a broader range of applications. New patterns are expected to be rolled out periodically, expanding the collection over time. Forbes expressed that establishing a wallpaper collection was a significant goal in their mission to influence home aesthetics. She highlighted their passion for texture, patterns, and pattern play, stating that the collection is designed to encourage customers to explore these elements. According to Forbes, wallpaper provides a simple yet effective method for adding character to a room, with each design possessing a unique personality. The collaboration with Mitchell Black was a deliberate choice for Forbes Masters, underscoring their commitment to supporting diverse businesses. Lynai Jones, the founder of Mitchell Black, noted that she was immediately struck by Forbes and Masters' exquisite taste upon meeting them at a Black Interior Designers Network conference. She also mentioned their shared Jamaican heritage, which she believes contributes to the collection's blend of class and style. Masters affirmed the importance of aligning their business practices with their values, emphasizing that partnering with Mitchell Black, a woman-owned Black business, was consistent with their principles of supporting and showcasing diverse enterprises. This partnership represents a fusion of design vision and shared values, bringing a distinct aesthetic to the interior design market. #ForbesMasters #MitchellBlack #WallpaperCollection #InteriorDesign #HomeDecor #AtlantaDesign #TexturalDesign #GeometricPatterns #BlackOwnedBusiness

Diptyque, the Parisian luxury brand, has expanded its Home Décor collection with a new tabletop line called 'Artist’s Palette' and a range of wallpaper designs. This expansion builds upon the brand's 60th-anniversary celebration last year, which marked its initial foray into homeware. The brand's deep artistic heritage is evident in these new offerings, stemming from its origins in the 1960s at 34 Boulevard St Germain. This original store functioned as a creative salon, drawing inspiration from a diverse clientele of literary and artistic figures. The three founders, Christiane Montadre-Gautrot, Desmond Knox-Leet, and Yves Coueslant, a decorator, painter, and designer respectively, collaborated to establish an extensive archive of art, patterns, and designs, some of which are now part of the collections at the Museum of Decorative Arts in Paris. Diptyque has become synonymous with a cultivated chic and sensory pleasure, notably pioneering the widespread appreciation for scented objects like luxury candles. The Home Décor collections allow consumers to further immerse themselves in Diptyque’s distinctive sensory world, extending its recognizable aesthetic to tableware and wall coverings through a variety of textures and materials. The 'Artist’s Palette' range is a permanent addition to the collection, joining existing tableware lines such as 'Basile.' Unlike the monochromatic lines and curves of 'Basile,' 'Artist’s Palette' introduces a vibrant color scheme, featuring cerulean blues and soft greens that adorn vases, dishes, glasses, and trays. These collections are designed to complement each other, enabling the creation of unique and elaborate tablescapes. The newly introduced wallpaper designs are equally inspiring, drawing significantly from the maison’s extensive historical archive. These designs effectively showcase Diptyque’s heritage patterns; for instance, 'Pretorian' incorporates distinctive oval shapes reminiscent of ancient Roman shields, while the black and white 'Basile' design offers a bold and dramatic statement. The wallcovering range is characterized by its theatrical and sometimes unexpected nature, presenting a rich assortment of patterns and hues. Among these are three panorama wallpaper patterns—'Landscape,' 'Les Lilas,' and 'Jardin Clos'—which are directly inspired by the travel journals and pointillist sketches of Desmond Knox-Leet. Demonstrating a commitment to sustainability, Diptyque has opted for digital printing techniques on non-woven wallpaper, moving away from fabric-based alternatives. This approach utilizes advanced contemporary methods, ensuring a high level of precision during the printing process. Diptyque’s venture into wall décor represents a comprehensive journey through its history, showcasing its evolution into a contemporary titan of style. The new collections provide an opportunity to integrate the brand's unique aesthetic and rich heritage directly into home environments, offering both visual appeal and a continuation of its sensory design philosophy. #Diptyque #HomeDecor #ArtistPalette #Tableware #WallpaperDesigns #LuxuryHomeware #InteriorDesign #SensoryExperience #Sustainability

The latest collection from Arte, named L’invite, draws inspiration from French Haute Couture and fashion, offering a sophisticated range of wallcoverings. This collection, showcased at HIX, features six distinct designs that blend geometric patterns, Greek scenes, and elegant plain textures. L’invite adopts a neoclassical style, presenting a modern color palette that includes soft pastels, deep blues, vibrant greens, and various earthy tones. These designs ingeniously imitate natural textiles and textures, such as rattan, delicate lace, intricately woven paper, and traditional French Toile de Jouy. Crafted for both aesthetic appeal and practicality, the L’invite collection is designed to be washable, lightfast, and highly durable. These non-woven wallcoverings are suitable for both residential and commercial applications, particularly in areas with high foot traffic. A notable characteristic of the collection is its ability to create a trompe l’oeil effect, where each design appears layered and texturally rich. This gives the illusion of tactile elements like lace, natural fibers, rattan, and woven jacquard patterns, all contributing to a dynamic interplay of color and subtle light and shadow. Among the featured designs is ‘Le Sommet,’ a playful zigzag pattern that aims to evoke a sense of height and elegance through geometric motifs inspired by various global cultures. Its color options range from muted natural shades to bold blues and deep reds. ‘Le Papier Tissé’ is another design, capturing the intricate patterns found in woven paper. It highlights the fine structure of paper strips and natural fibers, with linear details providing subtle color nuances and delicate textural interest. This design is available in a soft palette of natural hues including lavender, pistachio, honey, and eggshell. ‘Le Rotin’ offers a convincing imitation of natural rattan with a tone-on-tone pattern, blending a contemporary hand-woven aesthetic with a hint of nostalgia. The design incorporates imperfect variegation of fibers, creating a nuanced play of light and dark shadows, which is further enhanced by the colored background. ‘Le Mythe’ transports viewers to the rich historical landscapes of ancient Greece, featuring stately temples and mythical narratives. This monochrome design reinterprets French Toile de Jouy, replicating its detailed, romantic fabric print on wallpaper. ‘Le Prestige’ embodies luxury with its layered patterned design, drawing inspiration from lace and jacquard woven textiles. Despite its delicate appearance, this design is durable and hardwearing, achieving a balance between elegance and resilience. It incorporates small, geometric shapes combined with relief inks. Finally, ‘L’Extase’ features intricate, closed geometric shapes in a mobile pattern, reminiscent of fine lace, instantly conveying a sense of luxury. Arte is recognized as a recommended supplier and frequently contributes to supplier news in the industry. #Wallcoverings #HotelDesign #InteriorDesign #LuxuryDecor #HauteCoutureInspiration #TextileInnovation #HIXEvent #ArteInternational

Acne Studios has introduced a limited-edition home decor collection, announced on December 6, that merges contemporary style with cozy aesthetics, drawing inspiration from and utilizing the brand's popular scarves. The capsule collection, available online and in select Acne Studios stores for a brief period, includes oversized patchwork blankets, accent pillows, and mugs. These items are crafted from the brand's Fall/Winter 2018 scarf collection, known for its bold colors and vivid patterns. The collection offers a unique way to integrate high fashion into home interiors, providing distinct and stylish decorative pieces. The patchwork pillows and blankets are notable for their vibrant and eclectic designs, featuring bright pinks and sunny yellows juxtaposed with cool blues and grass greens. Each piece is unique, offering an instant focal point for any room. For instance, pillows are available in various sizes, priced between $300 and $480, while the large blankets are priced at $650. These items are designed to add both comfort and visual interest, suitable for draping over armchairs or placing on sofas. Complementing the textile items are limited-edition coordinating mugs, priced at $130 each. These mugs mimic the colors and patterns of the scarves, encouraging a mix-and-match approach to decor. Available patterns include blue and pink checks, yellow and tan dip-dyed designs, and pink ombré variations. The mugs have been particularly popular, with several colorways, such as the brown and blue dip-dyed versions, quickly selling out. A key characteristic of this collection is that no two pieces are exactly alike, ensuring individuality while maintaining a cohesive aesthetic due to Acne Studios' design expertise. The collection is presented as an ideal choice for individuals seeking unique, fashion-forward home accessories that also provide warmth and coziness during the colder months. Given the limited availability and rapid sales, potential buyers are encouraged to act quickly to acquire items from this capsule collection. The article also suggests pairing the home decor items with matching scarves from Acne Studios' broader collection. #AcneStudios #HomeDecor #LimitedEdition #FashionHome #InteriorDesign #LuxuryDecor #CapsuleCollection #CozyHome #PatchworkDesign

Jiun Ho, founder and president of a multidisciplinary firm specializing in residential and commercial design, furniture, lighting, and art, has released a new textile collection inspired by Japan. Ho, who has traveled to over a hundred countries, considers Japan his constant source of inspiration, stemming from his first visit as a boy from Malaysia. His latest collection draws from the natural elements and harmonious color palettes of Kyoto, the former capital of Japan and a hub of history and culture. Ho describes Kyoto as a city where old shops with aged-wood detailing line the streets, and geishas clad in hand-woven kimonos attend traditional tea ceremonies. He appreciates the subtlety, craftsmanship, and wabi-sabi aesthetic of the city. The color names in the new textile collection reflect various aspects of Kyoto, such as greens and golds inspired by Kinkakuji, a temple known for its gold leaf and cypress trees. Ho plans to return to Japan for personal rituals, including bike rides to explore Kyoto's temples like Kiyomizu-dera and its gardens, hoping to witness the cherry blossoms in bloom. Ho emphasizes that Japanese culture uniquely allows materials to speak for themselves, whether in textiles, cuisine, or ceramics. He details the designs within the Kyoto collection: **Ami:** This performance textile features a partially buried boucle, giving its ribbed surface a texture reminiscent of flowering trees. It comes in Washi, Rice Paper, and Enoki. Ho notes that most textiles in the collection are high-performance, utilizing the latest generation of polypropylene for a softer feel and enhanced resistance to abrasion and pilling, making them suitable for residential, commercial, and yacht use. **Hanakago:** Named after traditional Japanese flower baskets, this is Ho's first indoor-outdoor print, showcasing an organic graphic design with vibrant color pops. He explains that while Japanese culture is often seen as calm, it also has a vibrant side, which he sought to capture. For example, the Japanese Maple colorway features deep brown, pink, red, gold, and orange, mimicking the tree's hues. Indigo references the shibori dyeing technique with interwoven green for contrast, while Matcha reverses this with dominant green and light blue. Black Sesame, his personal favorite, pairs bright yellow against a deep charcoal background. **Lava:** This popular fabric, known for its linen-like feel and volcanic stone-inspired texture, is reintroduced with lighter neutrals: Rice Paper and Pearl. It is an indoor-outdoor polypropylene. **Raku:** Inspired by a 16th-century Japanese pottery style characterized by unique, organic, and slightly rough pieces, this high-performance fabric has a "crackled" texture with multiple shadings. Colorways include Shiitake (mushroom tones), Matcha (tea greens), and Mizu (deep blues). Kintsugi, named after the Japanese art of repairing broken ceramics with gold, features gold threads woven into darker yarns, symbolizing the celebration of imperfection. **Salar II:** Inspired by Ho's journey to the Salar de Uyuni salt flats in Bolivia, this re-released fabric comes in Salt, Platinum, and Onyx. The chenille fabric has a slight sheen and reflectivity, and its pattern directly translates photographs of the salt flats. **Tatami:** Named after classic Japanese floor mats, this textile has an irregularly ribbed surface and a dry hand, yet is surprisingly soft and exceptionally durable. It is ideal for seating and headboards due to its high performance and easy care, making it family-friendly. One colorway, Sureto, means "black" or "charred" in Japanese. **Umami:** Woven at a Belgian mill using a jacquard technique and seven distinct types of yarn, this linen-blend fabric has a tactile boucle slub texture. Its six colorways, including Sea Salt, Toro, Shiso, and Whiskey, evoke complex flavors. Ho envisions it for upholstery and drapery in traditional Western homes. **Yugen:** Lighter and more ethereal than Umami, Yugen is an indoor-outdoor performance fabric that defies the perception of performance fabrics being tough. Its chenille composition provides a soft hand. Colorways include neutrals like Washi, Taro, and Rock Garden, as well as saturated options like Wasabi (chartreuse green) and Mizu (blue). Yugen, an aesthetic concept describing subtle, mysterious grace, aptly rounds out the collection inspired by Kyoto's nuances. #JiunHo #TextileCollection #KyotoInspiration #JapaneseDesign #InteriorDesign #PerformanceFabrics #LuxuryTextiles #HomeDecor #ProductLaunch

Stillmade, a Brooklyn-based furniture manufacturer and designer known for its support of emerging designers, has launched its inaugural Collaborative Series. This new initiative combines Stillmade's manufacturing capabilities with the creative visions of four distinct artists and designers: Danny Kaplan, Pat Kim, Michele Quan, and Stillmade's founder and creative director, Paul Mignogna, through his Mignogna Studio. The series features a collection of furniture pieces, including a sofa, credenza, hutch, side table, and two coffee tables, each reflecting a blend of artisan craftsmanship and a modern aesthetic. The collaboration with Pat Kim, a celebrated industrial designer and artist, introduces a playful and sculptural element to the series. His contributions include the Kim Coffee Table and Kim Side Table. These pieces are distinguished by their organically shaped bases, finished in hand-troweled, lime-based plaster. Sculpted wooden arms support circular tabletops, adding warmth and a natural touch to the contemporary designs. The interplay of materials and forms highlights Kim's unique aesthetic. Ceramicist Michele Quan's involvement marks her first foray into furniture design. For the Collaborative Series, her iconic celestial ceramic half-moon sculptures have been reimagined as functional cabinet pulls for two large-scale cabinet pieces: the Painted Credenza and the Painted Hutch. These pieces showcase a seamless integration of fine art into functional furniture, offering a distinctive and artistic approach to home storage. Danny Kaplan's Jane Coffee Table draws inspiration from Roger Capron's ceramic inlay tables. Kaplan designed a set of unique tiles that are set into the top of Stillmade’s minimalist solid wood table base. This design creates a compelling visual contrast between the base's clean lines and the organic geometry and textured surfaces of the rounded and oval-shaped tiles. The table exemplifies a harmonious blend of classic inspiration and modern execution. Paul Mignogna's own design practice, Mignogna Studio, contributes the Clifton Sofa to the series. This sofa prioritizes comfort and lounging while maintaining a sleek and minimal aesthetic. The design purposefully highlights Stillmade's manufacturing expertise through an exposed wooden frame and intricate joinery, demonstrating the brand's commitment to quality craftsmanship and thoughtful design. The Clifton Sofa embodies a contemporary approach to comfort and structural integrity. The Collaborative Series underscores Stillmade's decade-long commitment to making high-quality production accessible to smaller, innovative designers. By partnering with these artists, Stillmade not only showcases diverse creative talents but also reaffirms its dedication to producing furniture that embodies both artistic expression and functional elegance. The collection is a testament to the power of collaboration in the design world, resulting in unique and well-crafted pieces that bridge art and utility. #Stillmade #CollaborativeSeries #FurnitureDesign #ArtisanCraftsmanship #ModernAesthetic #HomeFurnishings #PatKim #MicheleQuan #DannyKaplan #MignognaStudio

British architect John Pawson has partnered with Danish timber brand Dinesen to introduce a new furniture collection. This collaboration marks Pawson's latest venture into product design, following a long-standing relationship between the architect and the 125-year-old wood company. The collection, characterized by its pared-back aesthetic and minimal design, features a range of tables and seating options crafted primarily from Dinesen's signature ash wood. The launch encompasses a Lounge Series, which includes a stool, a daybed, and an armchair. These upholstered pieces are available with textiles from the renowned brand Kvadrat, adding a touch of softness to the otherwise austere wooden frames. Additionally, the collection introduces a Dining Series, comprising various tables and complementary seating. The design philosophy behind these pieces reflects Pawson's well-known minimalist approach, emphasizing clean lines, functional forms, and the inherent beauty of the natural material. The partnership between Pawson and Dinesen dates back approximately three decades, originating from the architect's need for simple, custom-made furniture for his London residence. Pawson initially crafted these pieces from Dinesen's ash wood planks, effectively laying the groundwork for this official collaboration. Both Pawson and Hans Peter Dinesen, the fifth-generation brand director, share a profound appreciation for wood as a foundational element in design. They view furniture not merely as objects but as stages upon which life unfolds, highlighting its role in shaping personal narratives within the home. Hans Peter Dinesen articulates this sentiment by stating that furniture serves as a medium for shared stories, particularly within domestic settings. Pawson further emphasizes the significance of furniture placement, noting that even minor adjustments can profoundly impact a space's ambiance and functionality. This attention to detail and thoughtful arrangement underscores the collection's alignment with principles of intentional living and design. To formally unveil the collection, Pawson and Dinesen are preparing a special presentation for the upcoming 3 Days of Design festival in Copenhagen. During this event, Dinesen's Copenhagen showroom will be transformed into a model apartment, meticulously furnished with pieces from the new line. This immersive experience will allow visitors to witness the collection in a realistic setting, demonstrating its versatility and integration within a residential environment. The exhibition will also serve as a practical demonstration of Pawson's philosophy on furniture arrangement and its impact on living spaces. #JohnPawson #Dinesen #FurnitureCollection #MinimalistDesign #WoodFurniture #InteriorDesign #DanishDesign #DesignCollaboration #ContemporaryFurniture

The year 2024 saw a resurgence of bold and enthusiastic approaches in designer wallpaper and fabric launches, moving away from the quiet luxury aesthetic. This shift was evident from events like Paris Deco Off, showcasing vibrant palettes and daring colorways. The trends observed included heritage brands reinterpreting archival prints and contemporary labels embracing psychedelic influences. One prominent trend was the celebration of Japanese design principles, known as 'Travels to Japan.' This included homages to wabi-sabi, Japandi fusions, and kanso, which manifested in textiles as love letters to Japan's natural landscapes and artistry. Collections like De Gournay's Byōbu and Fromental's New Gilded Age, with its Kiku Garden and Haiku designs, drew inspiration from the Edo Period and traditional Japanese painting. Designers Paolo Moschino and Philip Vergeylen referenced Imari porcelain, while Pierre Frey's Soleil Levant collection incorporated ukiyo-e woodblock prints and silk obi patterns. Clarence House's À La Japonaise collection featured prints inspired by ink painting, Nara's deer, and Noh theatrical costumes. The 'After Dark' trend showcased neo-Victorian influences, with British brands like House of Hackney and Soane introducing striking floral prints on dark backgrounds. Soane's Violas and Mabille, for example, presented dynamic large-scale designs. Pierre Frey's Sceaux fabric in Nocturne evoked famille-noire porcelain, and Casamance’s Xalapa offered a tropical feel. Élitis’s Arabesque contributed to this trend with abstract, pulsating shapes, creating an invigorating high-contrast aesthetic. Another theme, 'Day at the Museum,' drew inspiration from art and cultural institutions. S. Harris's Identity collection channeled Abstract Expressionists and Color Field painting. Harlequin’s Onburo wallpaper offered Rothko-like meditative stripes. Breegan Jane's collection for Clarke & Clarke transformed African wildlife into Pop art and painterly fabrics, with Malindi wallpaper featuring graphic repeats reminiscent of Warhol and Nairobi wall covering evoking Monet's waterlilies. Aux Abris’s Woodlands collection featured floral prints in the style of Sonia Delaunay's 1930s drawings. Pierre Frey’s Azuma wall covering depicted furoshiki, with bundles resembling Yayoi Kusama’s gourds. Other art-inspired releases included S. Harris's Cubist print for Georges Braque and Maharam's collaborations with artist Jacob Hashimoto. The 'Acid Trip' trend highlighted designers' embrace of bold, psychedelic colors. Élitis’s Excentrique line and Morris & Co.’s Bedford Park collection reimagined archival prints in vibrant new colorways, such as Strawberry Thief in fuchsia and turquoise. Rubelli's Formafantasma adopted a Lite-Brite palette in the Gardens collection, while Sahco's 2024 collection featured delicate, disparately arranged petals in scintillating cranberry, citron, frothy orange, and turquoise. Dedar’s Jamu Jungle and Déjà Vu Jamais showcased kaleidoscopic labyrinths in vivid hues like flamingo pink. Maharam also planned to introduce Nova by Sander Lak, featuring a pattern that captures the flow and movement of color. 'Woodland Embarking' focused on arboreal themes, with chic tree designs appearing throughout 2024. Sahco’s Art Deco–esque Sariska print, Arte’s Riverbank jacquard, and Aux Abris’s Sheltering Pond mural took inspiration from forests and natural landscapes. Dedar’s Il Giardino In Una Stanza and House of Hackney’s Trees Please print offered magical, storybook-like imagery. Larsen debuted a leaf-like printed fabric as a versatile alternative to palm prints. The 'Stamp of Approval' trend saw brands putting twists on stamped motifs, from delicate florals to bold geometrics. Fermoie’s Ruffle and Rapture & Wright’s Pablo’s Polka were abstract highlights. Textile studio Otea launched offerings inspired by block prints and folk art. Maison Venu, Schuyler Samperton Textiles, Peter Dunham Textiles, and Nina Campbell incorporated pops of color through printed petals, embracing the imperfections of handmade crafts. 'Dialing Up the Charm' featured novelty prints that brought personality to interiors. Nina Campbell’s Dallimore collection for Osborne & Little included the Tudeley fabric with jubilant potted plants. GP&J; Baker’s collaboration with Kit Kemp reimagined archival imagery and included Robina’s Dinner Party with animal-emblazoned plates. Ralph Lauren’s Boatyard print offered a nautical twist, while bows and berries appeared in releases from Schumacher and Molly Mahon. Animal novelty prints continued with Schumacher’s A Country Life collection and Teil Duncan’s whimsical creatures. De Gournay’s Celestial Atlas provided a unique offering with a Zodiac ceiling mural. 'Blue Is the New Neutral' observed the prevalence of dusty, icy cerulean shades as an antidote to electric hues. Ronsard, a tapestry-inspired floral from Quenin 1865, was revived by Lelièvre. The Vale London’s Shaw and Noreen patterns, with hibiscus flowers, epitomized the coastal-grandmother aesthetic. Schumacher and Caroline Lizarraga for Parete created distinctive blue patterns. Flora Soames’s Stockton fabric infused blue into a historic Jacobean-inspired print, and Loro Piana Interiors’ Hebrides offered a deep cerulean herringbone tweed. French blues also appeared in collections from Elliston House and Weitzner. 'Better With Age' explored the English country house aesthetic, featuring moody faded florals and withered roses. Ralph Lauren’s Dorset Garden fabrics included plaids, damasks, and floral prints in muted hues, with Espalier Vintage Rose being reintroduced. Guy Goodfellow, Leah O’Connell Textiles, and Sanderson also presented blossoms on cream and beige grounds. Zak+Fox and Colefax and Fowler gave plaids and stripes a settled-in effect, and Amber Interiors drew inspiration from shibori for her line with Studio Four NYC. Linen grounds were popular for imbuing fabrics with subtle age and lightness. 'To Be a Dragonfly on the Wall' highlighted the enduring charm of dragonfly motifs in novelty prints. Clarence House’s Tonbo print referenced Japanese woodblock prints and folk art, symbolizing victory and agility. Aux Abris’s Kelmscott collection included a kaleidoscopic Dragonfly paper. Harlequin’s Demosille design and Teil Duncan’s Dragonfly Stripe offered modern, candy-colored updates. S. Harris reintroduced Bugskins with colorful embroidered insects on a dark linen-blend ground. Finally, 'Nature-Made' showcased sophisticated textured wall coverings crafted from natural materials. Straw, wood, and other elements were adapted by artisans, leading to experiments in pattern-making. Arte’s Hawaiian-inspired Lanai collection featured hand-crafted rattan and raffia elements. Weitzner and Omexco harnessed natural materials in their Imprint and Intuition collections. Osborne & Little integrated color into wovens using age-old paper-weaving techniques, as seen in the Papyrus wall covering. Phillip Jeffries’ Enchanting Planks created a geometric collage from banana leaves, and CMO Paris’s Sisal Murals offered eye-catching neutral tones and marquetry. These trends collectively represent a dynamic and enthusiastic year in designer wallpaper and fabric, emphasizing diverse cultural inspirations, artistic influences, and a departure from subdued aesthetics. #WallpaperTrends #FabricTrends #InteriorDesign #HomeDecor #JapaneseDesign #ArtInspired #ColorTrends #NaturalMaterials #ArchivalPrints #NoveltyPrints

Acquiring art for one's home can be a deeply personal endeavor, expressing the homeowner's personality and the unique story of their living space. While traditional art acquisition was often limited to local stores or art galleries, the digital age has ushered in a plethora of online platforms, democratizing access to a vast array of art. This expansion of choice, however, can also lead to decision paralysis, making it challenging to navigate the extensive online art market. This guide curates seven distinguished online art retailers, each catering to specific preferences and needs, simplifying the process of discovering and purchasing wall art. Minted, for instance, stands out for its customizable prints by independent artists. Operating as a community-first marketplace since 2008, Minted hosts monthly challenges where design enthusiasts vote on submissions, ensuring that the curated collection resonates with popular taste. While this model guarantees a wide selection of decor-worthy art, it can also lead to the prevalence of certain trends. Minted offers extensive customization options for size, orientation, and color, alongside practical features like an augmented reality tool to visualize art on one's wall and free styling advice from experts. Its prints are numbered limited editions by artists from over 100 countries, though standard shipping can take up to ten days. For those new to art collecting, Uprise Art provides an accessible entry point to original contemporary art. It aims to demystify the traditional gallery experience by presenting artworks online, categorized by medium, curated collections, or artist profiles. The platform also offers free art advisors to guide new collectors. Chairish is highlighted as the premier destination for secondhand and vintage art, boasting an immense collection that is easily searchable by various criteria, including style, color, and even proximity for local pickup. This platform fosters direct negotiation between buyers and sellers and continuously updates its inventory. Tappan Collective is recommended for individuals seeking modern art that makes a striking statement. It showcases original and limited-edition works from artists across diverse mediums, with a focus on pieces that can serve as focal points for an entire room's design. The platform offers curated collections and guest curations by renowned tastemakers, along with personal art consultations. While its offerings are generally higher-priced due to their original and limited-edition nature, they represent an investment in the artists' careers. 20x200 operates under the motto "Art for everyone," specializing in museum-quality, limited-edition prints made with archival inks on cotton rag paper, each accompanied by a signed and numbered certificate of authenticity. It presents a broad spectrum of artists, from emerging talents to legendary figures, and features a unique "Browse by Mood" tool to help customers find art that aligns with their desired room ambiance. Artfully Walls is distinguished by its affordable prints and robust interactive tools designed for wall planning. It offers an extensive range of prints and provides inspiration for gallery walls, along with a "Wall Designer" feature that allows users to mock up art arrangements in a virtual room. Lastly, Everything But the House (EBTH) brings the excitement of estate sales online, offering a dynamic auction-based platform for unique vintage art finds, along with other collectibles. When choosing art, factors such as whether the artist is emerging or established, the medium of the art (painting, photography, sculpture, etc.), and whether the piece is an original, limited-edition reproduction, or general print run significantly impact price and value. Many online shops provide framing options, but custom framing services are also available. Proper styling involves experimenting with placement, considering eye-level hanging, and maintaining appropriate spacing above furniture. For renters, options like Command Strips or monkey hooks offer solutions for hanging art without extensive wall damage. Creating a gallery wall benefits from pre-planning by laying out pieces on the floor to finalize arrangements before hanging. Affordable art can also be sourced from thrift stores, antique shops, or by repurposing art books and engaging in DIY projects. Ultimately, the best art for any space is one that brings joy and enhances the home's aesthetic, with numerous online avenues available to suit diverse tastes and budgets. #WallArt #OnlineArt #HomeDecor #ArtCollecting #InteriorDesign #CustomizablePrints #VintageArt #ModernArt #LimitedEditionPrints

Nikki Chu, an interior designer with over two decades of experience, has launched her inaugural tile collection exclusively with The Tile Shop. Despite not having previously designed tiles, Chu leveraged her extensive knowledge of incorporating tiles into various rooms to create a line that reflects her signature “global modernism” aesthetic. Her collection stands out by focusing on organic, impactful patterns rendered in versatile, earthy neutral tones, a departure from the often brightly colored or overly patterned options she found lacking in the market. Chu emphasizes that while vibrant colors are readily available, finding sophisticated neutral patterns has historically been a challenge. The inspiration for Chu's tile collection, much like her previous lines of decorative pillows, bedding, and rugs, is rooted in her global travels. She specifically cites Africa, Indonesia, and Bali as primary sources, drawing from the textiles and cultural patterns observed in bazaars and markets. These elements are then simplified and refined to be palatable for a wide range of decor styles, maintaining a clean, soft, and contemporary feel without an abundance of color, aligning with her brand's established reputation for neutral textures. The collection features three distinct tile designs: Zulu, Tangier, and Luxor. The Zulu ceramic tile is praised for its modern versatility, allowing for various layout configurations—alternating horizontal and vertical patterns—to create eclectic visual texture while maintaining a peaceful, subtly colored aesthetic. Chu is installing this tile in her own home, highlighting its longevity and classic appeal. Zulu is available in Graphite, Pumice, and Cement colorways, all offering quiet, understated hues. Tangier, a porcelain pattern, showcases loose, concentric diamonds that deliver a bold impact. Its hand-drawn quality lends it a timeless simplicity, preventing it from feeling dated. Chu notes that Tangier's patterns are “flowy, easy-to-understand,” and substantial enough to make a statement without being overwhelming. She plans to use Tangier on a lanai floor for a celebrity client, bordered by Zulu tiles, to create a durable, rug-like effect. Luxor comprises ceramic subway tiles designed to complement Zulu and Tangier. These tiles, available in Winter White, Cement, and Pumice, feature an organic, handmade feel with intentional inconsistencies in texture and slight color variations. Chu’s aim with Luxor was to provide a clean yet artisanal option that enhances the collection's overall aesthetic. Her overarching design philosophy for this collection was to achieve a balance between extremes, creating patterns that are modern and contemporary without being excessively so, thus occupying a “sweet spot” that she intends to build upon in future designs. #NikkiChu #TileDesign #GlobalModernism #InteriorDesign #NeutralTones #PatternedTile #HomeDecor #TheTileShop #CeramicTile #PorcelainTile

Backdrop, a company known for its curated paint colors and high-quality supplies, has expanded its offerings with the launch of its first wallpaper collection. The brand, which was acquired by Schumacher last May and has previously collaborated with Madewell and Coming Soon, is now introducing five distinct wallpaper patterns designed to complement its existing popular paint shades. This initial collection, named Backdrop 1, was developed in founders Natalie and Caleb Ebel’s downtown Los Angeles studio and features graphic designs that originated as hand-drawn or cutout geometric prints, digitally produced in Brooklyn. The article highlights specific pairings of these new wallpapers with Backdrop's established paint colors, offering design suggestions for various rooms within a home. The first pairing discussed is the 'White Lotus' wallpaper with 'Tanlines' paint. 'White Lotus' is described as Backdrop’s interpretation of a botanical motif, created by cutting angular shapes from construction paper, and features mustard yellow stripes. This pattern is recommended for a powder room, with 'Tanlines' paint suggested for the baseboards to create an immersive, dramatic effect. Next, the article introduces 'Hyperion' wallpaper, characterized by subtle and soft large blobs derived from an ink-wash process. This print is suggested for a dining room, paired with 'Moonlight,' a warm off-white paint color, to be applied to the ceiling. This combination aims to highlight the wallpaper's grandeur and create a high-contrast treatment. For a cheerful and light aesthetic, 'New Beat' wallpaper is presented, influenced by the movement in Abstract and modern art with a peachy background. This pattern is recommended for an office or a teen’s room to brighten the space, with the coordinating 'Earthly Delights' paint color suggested for the door to provide a burst of happiness upon entry. The fourth pattern, '1975,' draws inspiration from the groovy energy and curved shapes of the 1970s but features a contemporary color palette. This winding design is envisioned for a nursery, while 'The Early Stuff,' a cool blue-gray paint, is proposed for transforming a plain wood dresser or changing station to complement the wallpaper. Finally, 'Bloomsbury' wallpaper is introduced, featuring multidirectional arches reminiscent of London’s Georgian architecture. The article suggests this moody combination of navy and olive green for a den or movie room, or any space where a dark, cozy atmosphere is desired. To enhance the cocoon-like ambiance, if there are windows in such a space, swathing the trim in a dark green paint like 'Weekend Upstate' is recommended. These strategic pairings provide homeowners with coordinated design solutions, simplifying the process of creating a cohesive and stylish interior. #WallpaperCollection #PaintPairings #HomeDecor #InteriorDesign #BackdropHome #ColorCoordination #ModernDesign #GeometricPrints #DesignInspiration

Calico Wallpaper, a Brooklyn-based company specializing in bespoke wallcoverings, is expanding its reach into the European market this month with debuts at Maison&Objet; in Paris and the London Design Festival. Founders Nick and Rachel Cope identified a growing international interest in their products, prompting this strategic expansion, particularly focusing on France and the U.K. due to their strong wallcovering traditions. Nick Cope specifically noted London's significant demand for wallcoverings as a key factor in their decision to enhance their presence there. During the London Design Festival, commencing September 14, Calico Wallpaper will unveil its new Prism collection at SCP, a prominent furniture manufacturer and retailer. The Prism collection draws inspiration from the subtle, rainbow-colored reflections produced when light passes through crystals. Rachel Cope developed this concept by experimenting with various prismatic forms and photographing the resulting light effects, which then served as the foundation for the wallcovering patterns. Her aim was to capture the dynamic and ethereal quality of moving prisms on walls, an idea she had contemplated for years after being captivated by the visual effects of crystal refractions. Concurrently, at Maison&Objet;, running until September 10, Calico Wallpaper is presenting a distinct collection called Singing Sand. This collection is featured within a mirage-like installation at Triode, titled "Visions / Perceptions," which explores the interplay between material reality and optical illusions. The installation will remain on view until October 5 and was a collaborative effort with John Hogan and New York-based Ladies & Gentleman Studio. It incorporates a conceptual kinetic sculpture, glassworks by Hogan, and actual sand to create an environment that reflects the essence of the Singing Sand wallcovering. The Singing Sand collection, handcrafted by Rachel Cope, is designed to evoke the fluid granularity of desert dunes. It mimics the constant movement of a desert landscape, illustrating how grains of sand shift and slide with the wind to form meditative patterns. Rachel Cope expressed her fascination with the digital effects of a mirage and her desire to translate that phenomenon into a wallcovering, specifically aiming to capture the movement and rhythm of actual sand dunes. Calico Wallpaper is recognized for its unique approach of blending artisanal techniques with advanced digital technologies. The company previously received a 2019 NYCxDESIGN Award for its Relic Collection, which features layers of translucent paper, and has also collaborated with artist Faye Toogood on a collection for Salone del Mobile. #CalicoWallpaper #EuropeanDebut #MaisonEtObjet #LondonDesignFestival #PrismCollection #SingingSand #Wallcoverings #InteriorDesign #BespokeDesign

The article highlights the recent collaboration between Mark & Graham, a personalized lifestyle brand, and Sanderson, a British design group, which introduces a new collection of gifts and decor featuring Sanderson's iconic floral prints. This partnership is particularly exciting for those looking to infuse their homes with vibrant colors and soft floral patterns, especially during the colder months. The collaboration draws upon Sanderson's rich heritage, a brand that was granted a Royal Warrant in 1924 for supplying fabrics and wallcoverings to the British royal family, signifying over a century of trusted elegance. Mark & Graham's in-house design team meticulously selected six signature floral prints from Sanderson's extensive archives, some dating back over a hundred years, such as the Rose & Peony print from 1914 and the recolored Hollyhocks print. These historic designs are now featured across a diverse range of products, including everything from practical items like beach totes and pet bowls to decorative pieces like ceramic tissue box covers, luxury chess sets, and elegant packing cubes. The collection incorporates various textures and patterns, including woven raffia, subtle stripes, blooming flowers, and distinct inky botanical motifs. The article showcases several key items from the collection that stand out for their design and functionality. Among the recommended pieces are a Sanderson Ceramic Ring Holder, a versatile 3-in-1 Chess, Checkers, and Dominoes Game Set, and a 5-Piece Packing Cube Set, all adorned with the unique floral patterns. Other notable items include the Sanderson Ceramic Frame, featuring a scalloped trim and patterned border, and the Sanderson Ceramic Vase, available in different sizes and patterns to suit various floral arrangements. Additionally, the collection offers a Sanderson Dresser Top Jewelry Box, a Sanderson Dual Travel Organizer to keep accessories neat on the go, a Sanderson Scalloped Ceramic Catchall for everyday essentials, a Sanderson Scalloped Raffia Box for stylish storage, and a Sanderson Ceramic Tissue Box, designed to elevate mundane household items. The collaboration provides an opportunity for individuals to incorporate a touch of 'grandmillennial flair' into their living spaces, blending classic elegance with modern functionality. These pieces are presented as ideal options for housewarming gifts or as personal additions to one's home decor, offering a blend of historical charm and contemporary appeal. The collection celebrates timeless floral designs, making them accessible for everyday use and home enhancement. #MarkAndGraham #Sanderson #FloralDecor #HomeAccessories #BritishDesign #RoyalWarrant #SpringDecor #GrandmillennialStyle #InteriorDesign

Color Atelier has introduced a new limewash collection in collaboration with AD100 designer Sarah Sherman Samuel. This collection features seven distinct shades of limewash paint, known for their rich matte finish and unique depth of texture. The partnership emphasizes environmentally friendly, artisanally crafted, and luxuriously opaque mineral-based paints, which are produced in small batches at Color Atelier's California facility to ensure high quality and meticulous attention to detail. The Sarah Sherman Samuel for Color Atelier collection includes a diverse palette designed to enhance any space. The seven shades are White Sands, a warm ivory for an airy feel; Buttercup Yellow, a soft and inviting creamy yellow; Sweet Berry, a deep, rich berry hue for a sophisticated ambiance; Desert Red, with earthy orange-brown tones reminiscent of brick and clay; Olive You, a grounding olive green; Summer Sky, a cool blue with a hint of lavender; and Warm Night, a warm black with subtle brown undertones. This range offers both muted options and natural tones, ensuring versatility for various design aesthetics. Limewash paint is currently a popular choice in interior design due to its distinctive textural qualities that cannot be replicated by other finishes. The application process allows for subtle variations, creating a textured surface that can appear either semi-opaque or fully solid depending on the layering technique. Each application is unique, contributing to the paint's artisanal appeal. Beyond its aesthetic benefits, limewash paint boasts significant sustainability advantages. With a history spanning over two millennia, limewash paint is inherently natural and eco-friendly. It is composed simply of limestone dust, water, and pigment, containing no harsh chemicals. This makes it an ideal choice for health-conscious consumers and families with children, as it promotes a healthier indoor environment. The paint aligns with a philosophical approach to design, where the lifecycle and environmental impact of products are carefully considered, offering a beautiful and non-toxic alternative to conventional wall coverings. Color Atelier, founded by Burcu K. and Olivier Garnier, is committed to quality and sustainability, values that resonate with Sarah Sherman Samuel's design philosophy. Samuel, an AD 100 designer, is recognized for her unique approach to interiors, product design, and styling. Her platform, The SSS Edit, serves as a comprehensive design reference, showcasing client projects, decor selections, fashion insights, and travel guides. The collaboration reflects a shared dedication to artistry and mindful design practices, bringing together Color Atelier’s expertise in mineral paints with Samuel’s discerning eye for aesthetics. This collection aims to bring the sophisticated and sustainable qualities of limewash to a broader audience, allowing individuals to create inviting and texturally rich environments while adhering to eco-conscious principles. The modern, reserved, and functional nature of the colors ensures that the inherent texture of the limewash remains the focal point, elevating the overall design of any room. #LimewashPaint #InteriorDesign #SarahShermanSamuel #ColorAtelier #SustainableDesign #HomeDecor #MineralPaint #TexturalWalls #EcoFriendly

This article features an interview with artist Kylie Daniel, who discusses her life as a creative, her artistic journey, and her unique approach to art. At 53, Daniel expresses contentment and reflects on a diverse creative past that includes radio announcing, festival MCing, feature writing, and co-owning a guitar teaching clinic, all while consistently painting. She has been actively developing her distinct artistic style for many years. Kylie Daniel draws her primary inspiration from the Australian outback, particularly its vast, unforested landscapes. She finds solace and a sense of simplicity in these regions, viewing them as opportunities to disconnect from modern technology. Her art is characterized as unconventional, moving beyond typical pretty landscapes to focus on the geological formations of the land itself. She aims to capture the earth's surface changes resulting from events like fire, drought, and flood. Daniel incorporates various finishes to emphasize the textures and sheens of the landscape, inviting viewers to engage with her work not just visually but also tactilely, experiencing the physical sensation of the Australian Outback. Her artwork has gained significant recognition through its feature on "The Block," an Australian reality television series focused on house renovations. Following a successful placement last year with contestants Steph & Gian, Daniel's art was again selected for the show this year, with three pieces chosen by Kristian & Mimi. She views this exposure as a validation of her hard work and dedication. Her art was strategically placed in prominent areas within the homes, such as the entry and a hallway, and received positive commentary from judges, including Neale Whittaker. Daniel attributes the ongoing success to the support from The Block, The Block Shop, Artist Lane, and the contestants. Being a Block Shop artist is profoundly meaningful to Daniel, offering validation for her unique artistic style and chosen color palette, which she believes resonates with the public. When asked about her favorite Block couple, she playfully names Kristian & Mimi but also acknowledges the authenticity of Haydn & Ricky. Among artists, she expresses admiration for Jackson Pollock, valuing artists who break traditional molds and pioneer distinctive styles. Daniel finds inspiration in the idea of creating something entirely new and recognizable as her own. Her creative process often takes place outdoors, where she feels most inspired by nature, surrounded by wildlife. While working, she enjoys listening to country rock music, finding that its themes of land and country life align with the imagery she aims to convey in her art. A typical day involves managing her online presence, including social media and website interactions, before heading to her studio. She often works on multiple pieces simultaneously, as her heavy-textured works require several drying applications. Daniel can spend entire days and nights immersed in her art, describing it as her dream job. For holidays, she consistently chooses the Outback, specifically mentioning places like Cobar, Broken Hill, and Dubbo, where the landscape takes center stage. If she were to shop at The Block Shop, her obsession with Manchester would lead her to purchase sheet sets and quilt covers. Her favorite house decorating trend is "Japandi" due to its earthy, warm aesthetic and ease of pairing with furnishings, a style she believes has lasting appeal. Finally, her most cherished artwork is an original piece by Grace Brown, a respected Indigenous artist. #KylieDaniel #ArtistSpotlight #AustralianOutbackArt #TheBlock #HomeDecor #JapandiStyle #ArtisticProcess #InteriorDesign #TexturedArt

Parete, a new wallpaper brand co-founded by Daniela Guarin, Michael Freedman, and Matthew Wagman, aims to inject humor and personality into the wallcovering industry. The founders, who previously worked together at a large wallcovering company, felt that the industry often took itself too seriously and lacked originality in product naming and design approach. Their goal with Parete is to create designs that are witty and reflective of their personalities, moving away from the traditional, often elitist, language and aesthetic of luxury interior products. The brand distinguishes itself by giving its wallpapers playful and memorable names like 'Ombre is My Nombre,' 'Make My Daisy,' and 'Riunite on Ice,' a deliberate contrast to the common practice of naming designs after European cities. This approach signifies their commitment to not taking themselves "too seriously" while maintaining a strong focus on high-quality design and customer experience. The founders emphasize that while their naming conventions and overall brand tone are lighthearted, they are deeply serious about the quality of their products and the overall design process. Parete also prioritizes environmental responsibility, advocating for a small manufacturing footprint that results in less waste and a gentler impact on the planet. This commitment to sustainability is a core aspect of their business model, aligning with contemporary consumer values that favor eco-conscious brands. The brand plans to release new products through regular "drops," a strategy inspired by the fashion and art worlds rather than traditional interior design, further underscoring their innovative and unconventional approach. The founders, Guarin and Freedman, noted their desire to "speak through our voices and reflect our personalities" in their designs, creating a brand that feels authentic and accessible. They aim to make the process of selecting and installing wallpaper an enjoyable experience, rather than a stuffy or overly formal one. Their products are available to the trade through Pholio Co in Dallas, demonstrating their entry into the professional design market with a fresh perspective. Parete seeks to redefine the perception of wallcoverings by combining artistic expression, playful humor, and a commitment to quality and sustainability. #WallpaperDesign #InteriorDecor #HomeStyling #PopCultureInspired #SustainableDesign #BrandLaunch #Wallcoverings