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The Lesire Collection: From Crochet Patterns to Hardwood Furniture

The Lesire Collection, designed by Botswana-based furniture designer Peter Mabeo, founder of Mabeo Studio, translates the intricate lace crochet techniques of 1900s South African women into a line of hardwood furniture. The collection's name, "Lesire," meaning "wedding veil" in Tswana, refers to a textile characterized by its distinctive scalloped-edge detail, which serves as the primary inspiration for the furniture's aesthetic. This design philosophy not only honors traditional craftsmanship but also provides a global platform for local artisans, as the collection is now available through Design Within Reach. The core material for the Lesire Collection is panga panga wood, a durable hardwood native to Southeast Africa known for its resistance to insects and fungi. This choice of material firmly anchors the collection in its geographical context, a fundamental principle for Mabeo. The designer emphasizes the importance of drawing inspiration from one's immediate environment, believing that globally applicable design directions are more authentically achieved by engaging with familiar surroundings. This approach allows for a blend of innate understanding and acquired knowledge, fostering a sense of freedom in artistic expression. The panga panga wood used in the collection is ethically sourced from LevasFlor, a Mozambican company committed to sustainable harvesting practices and community involvement. LevasFlor's FSC certification ensures a balance between international sustainability standards and local inclusivity, aligning perfectly with Mabeo's vision for responsible and community-centric design. Each piece within the Lesire Collection is meticulously hand-carved by Mabeo's skilled artisans, who meticulously transfer the scalloped-edge motif onto various furniture items, including mirrors, tabletops, credenzas, and storage benches. The angular legs of the tables, credenzas, and benches complement the scalloped pattern, creating a dynamic visual interplay between structural elements and decorative details. The inherent richness and textured grain of the panga panga wood contribute to the natural elegance of each item, while the hand-carved elements highlight the exceptional craftsmanship of the local artisans. This fusion of heritage, artistry, and raw material beauty results in a collection that is both culturally resonant and aesthetically sophisticated. #FurnitureDesign #HardwoodFurniture #MabeoStudio #PeterMabeo #AfricanDesign #SustainableMaterials #HandCarved #CulturalInspiration #InteriorDesign #FurnitureDesign #HardwoodFurniture #MabeoStudio #PeterMabeo #AfricanDesign #SustainableMaterials #HandCarved #CulturalInspiration #InteriorDesign

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A Little Furniture Shop, located on Wyle Cop in Shrewsbury, is offering upholstery classes at its workshop in Ellesmere. The business, run by Mark Swain and Heather Maskill, has been a fixture in Shrewsbury for nearly 25 years. Mark, a maker and restorer, began his trade at 16 and opened his own business at 21 before co-founding A Little Furniture Shop with Heather in May 2001. Two years ago, they expanded their offerings to include weekly upholstery classes, which have received positive feedback on their Facebook page. There are also plans to introduce a 'Make Your Own Headboard' full-day class in the near future. The classes are designed for individuals interested in learning a new skill or hobby, particularly those who wish to upholster their own furniture projects. Customers consistently praise the relaxed and non-judgmental environment of the workshops. All necessary tools are provided, and Mark, described as a master of his craft, offers expert guidance and instruction. Participants bring their own furniture pieces, which they strip down to the frame and then learn to reupholster. Mark also possesses the skills to repair wobbly dining chairs and other furniture needing structural attention. The complexity of upholstery is acknowledged, as no two items are identical. Techniques vary depending on the piece, incorporating traditional coil springs, tension springs, rubber webbing, foam, and traditional hair and fibre. Antique and modern pieces require different approaches. While some larger projects, like armchairs, can take several months to complete, students gain a sense of accomplishment and a durable, long-lasting piece of furniture. One poignant example involved a lady reupholstering her late father's chair as a tribute. Key skills taught in the classes include webbing a seat, applying hessian, tack rolling edges, traditional springing and hand-tying seats, stuffing and stitching seats, cutting and applying foam, fabric cutting and pattern matching, hand-stitched facings, and applying braid and studs for finishing. Students also have the option to clean and wax the woodwork of their furniture to complement the new upholstery. The classes run on Saturday mornings, afternoons, or as all-day sessions, with each session lasting 2.5 hours. A minimum commitment of 4 weeks (10 hours) is requested to allow sufficient time to engage with the craft, though further sessions can be booked if needed. The cost is £150 for 10 hours, covering tools and tuition; however, sundries like springs, foam, or calico are charged separately. Beyond the classes, A Little Furniture Shop continues to create its own furniture and sell restored Danish and mid-century pieces at its Shrewsbury store. Heather expresses her appreciation for the individuality of the restored and handmade furniture, the variety of fabrics offered, and the ongoing relationships with customers, some of whom have been clients since the shop's inception 24 years ago. For inquiries about classes or furniture, Heather can be contacted directly. #UpholsteryClasses #FurnitureRestoration #DIYHomeDecor #ShrewsburyBusinesses #CraftWorkshops #SkillDevelopment #InteriorDesign #HandmadeFurniture

The 'Nellie Jane for Mr. and Mrs. Howard' collection, designed by Nellie Howard Ossi for Sherrill Furniture, aims to blend elegant aesthetics with practical, family-friendly functionality. Ossi, who manages the Jacksonville Beach retail location of Mr. and Mrs. Howard Furniture and also conducts her own interior design work, emphasizes the importance of creating beautiful yet livable spaces. The collection is characterized by curvaceous shapes, gathered edges, skirts, scalloping, and button tufting, reflecting an updated take on Southern traditional design. Key pieces are designed to withstand the demands of family life, with all upholstered items available in performance fabrics. Ossi, a mother of two young boys, specifically incorporated features like concealed storage in ottomans and benches, such as the Rosie ottoman and Donna bench, to help manage clutter. The Myra sofa, for instance, features a tight back and a bench seat to prevent cushions from being dislodged by children, reflecting a design philosophy focused on reducing stress for homeowners. The collection also features items like the Lilly supper table, which presents an elongated, curvaceous scallop rather than a traditional sweetheart scallop, paired with tapered legs for a modern touch. The Ashley ottoman, named after Ossi's sister, is highlighted for its versatility and customizable features, including options for multiple fabrics, tassels, and custom cording, making it a stylish yet functional 'perching spot.' Ossi's designs offer a 'gather light' approach to traditional gathered edges and feature 'mini skirts' on chairs like the Bitsy, Angie, and May, reducing fabric volume to modernize the overall look without sacrificing elegance. An example of this modernization is seen in the Sloane bed, which incorporates a coastal wicker element and rattan button tufts for a fresh update on a traditional piece, steering clear of an overtly casual or beach-house aesthetic. The brand's roots as a small family business, founded by Ossi's parents, Phoebe and Jim Howard, underscore the collection's focus on creating enduring, livable pieces for families. The collection initially launched with 15 pieces and has since expanded with additional designs introduced at events like the High Point Furniture Market. Ossi's overarching goal for the Nellie Jane collection is to provide furniture that allows people to feel stylish and put together while also enabling them to relax and create memories in their homes, emphasizing that her designs are made for "real life." This consistent commitment to combining beauty with practicality remains the core principle guiding the collection's expansion. #FurnitureDesign #FamilyFriendlyHome #InteriorDesign #SouthernTraditional #PerformanceFabrics #HomeDecor #NellieJaneCollection #SherrillFurniture #DesignInnovation

Sanda Stojakovic, a Chicago-based designer and blogger, transformed her large, characterless formal living room into a dream home library as part of the One Room Challenge. Before this significant makeover, the room had undergone minor updates, including a gray paint job over the original yellow walls, the addition of chair rail molding, and a darker stain for the honey oak floors. However, these changes did not fully reflect Stojakovic's preference for bold colors and patterns, leaving the room largely underutilized for storing extra rugs and furniture. Stojakovic's design philosophy for the renovation was deeply influenced by her family's relocation from the sunny climates of California and Texas to the often-gloomy Midwest. She aimed to create a vibrant and cheerful atmosphere to counteract the potential negative effects of cold, gray days. The color scheme was inspired by two peach French chairs she had thrifted previously. For the built-ins and wainscoting, she selected Benjamin Moore’s Blueberry paint, providing a rich, deep blue hue. To introduce warmth and a sense of joy, in line with color healing therapy, the ceiling was painted with Benjamin Moore’s Ambrosia, a soft peach shade, as peaches and oranges are associated with happiness. The integration of patterns was a key element in the library's transformation. An Art Deco geometric wallpaper by Brewster was incorporated, along with curtains crafted from fabric by Calico. A black-and-white area rug from Rugs USA further contributed to the patterned aesthetic. A unique feature of the library is the extensive use of over 300 _Reader’s Digest_ books, acquired from a defunct travel-themed restaurant, whose covers collectively present a myriad of patterns on the bookshelves. The furniture and decorative accents were carefully chosen to achieve a balance between vintage and modern styles. Glamorous touches were added through a Crystorama chandelier and matching sconces, complementing a Frontgate chesterfield sofa and side chairs. Vintage pieces, such as a burl wood table and a gold convex mirror, enhanced the room's unique character. This blend of styles created a space that is both formal and casual, offering Stojakovic an ideal retreat to relax and immerse herself in reading. The overall design successfully transformed a neglected living room into a personalized and inviting home library. #HomeLibrary #InteriorDesign #PatternMixing #ColorPalette #VintageModernMix #HomeRenovation #DesignerHome

Leah Darling, owner of Beving & Dall, a boutique upholstery shop based in Chardon, Ohio, embarked on her journey into the craft after a significant career shift. Seven years prior, while working at a contemporary art museum in Colorado, Darling sought a change from her then-current profession. Despite lacking formal experience in upholstery, her interest was piqued by a Craigslist advertisement seeking an experienced upholsterer. Having previously engaged in sewing, including crafting her own prom dress from black velvet and champagne pink ostrich feathers, Darling pursued an apprenticeship. This three-year immersive experience provided her with comprehensive training in the art of upholstery. In 2014, Darling relocated back to Chardon and established Beving & Dall. The inspiration for her business stems from her deep appreciation for the traditional craftsmanship inherent in upholstery, particularly the 'Old World techniques' that can be applied to restoration. A core principle of Beving & Dall is the ability to restore severely damaged furniture pieces. Darling's training emphasizes rebuilding items from their foundational frame outwards, ensuring that even the most deteriorated furniture can be brought back to life. She recounts an instance where a client's grandfather's chair, which was in complete disrepair, was stripped down to its frame, repaired, and meticulously rebuilt, showcasing the extent of her restorative capabilities. Initially, Darling honed her skills by acquiring pieces from flea markets and antique stores, rebuilding them, and then selling them. However, recognizing a demand for professional reupholstering services, she transitioned her business model to primarily focus on client and commercial projects. This strategic shift proved successful, as her client base grew significantly from approximately five clients in her inaugural year to a point where she now experiences continuous project engagements without much downtime. Darling's approach to upholstery is characterized by thoroughness and attention to detail. While an average upholsterer might complete a chair in one or two days, Darling dedicates around four days to fully rebuild a chair. This extended timeframe allows her to meticulously address every aspect of the restoration, ensuring that springs and webbing are robust and, when applicable, historically accurate for antique or heirloom pieces. This dedication to quality also extends to understanding the provenance and sentimental value of each piece, fostering a deeper connection with her clients. In addition to her upholstery services, Darling draws inspiration from her travels to create unique home decor items. Her leather sheepskin pillows, priced between $129 and $170, are influenced by her experiences in the Colorado mountains, featuring neutral browns and grays with white poufs that evoke the natural landscape. Another line of alpaca pillows, priced at $69, reflects her travels to Guatemala, utilizing alpaca fur dyed with fresh fruits to achieve vibrant hues such as magenta and orange. These products reflect her commitment to offering distinctive, one-of-a-kind items that complement her upholstery work and showcase her global inspirations. #Upholstery #HomeDecor #FurnitureRestoration #BoutiqueShop #Craftsmanship #LeahDarling #SmallBusiness #DesignInspiration #HandmadeGoods

Frances Merrill, an acclaimed interior designer based in Los Angeles, known for her vibrant use of color and pattern, undertook the transformation of a turn-of-the-20th-century Craftsman-style house for a family of five. With a background rooted in Greenwich Village and professional experience at Commune Design, including work on projects like the Ace Hotel Palm Springs, Merrill established her own firm, Reath Design, in 2009. Her design philosophy emphasizes decorating with vivid colors and lively patterns. The primary challenge of this project involved addressing the home's low-lying and slanted ceilings, which contributed to darker interiors. Merrill strategically utilized a rich and glowing palette of pigments to introduce light and brightness. For instance, the entryway was painted in a violet tone, the powder room in a peachy pink, and the living room in a sea glass blue. This approach ensured that, with the exception of the naturally well-lit sunroom and kitchen, every room in the house received an illuminating shade. Merrill noted that this bold use of color was both liberating and daunting, serving to compensate for the lack of natural light with a boost of spirit. A distinctive aspect of Merrill's design is her confident application of varied patterns and her skill in combining unexpected textiles. This is evident in her choice of Fornasetti floral wallpaper for the playroom and a fresh flora-and-fauna print for the master bedroom. Her design mastery is particularly highlighted by her ability to layer even more audacious art and textiles, such as faux bois upholstery, motion photography, and deep-hued fabrics, without overwhelming the space. She advises a balanced approach to patterns, suggesting a mix of florals, graphics, unexpected textures, and stripes. Merrill also humorously noted that interiors tend to look better after being lived in, suggesting a relaxed approach to perfection. Through her innovative use of color to brighten dim spaces and her adept layering of diverse patterns, Merrill successfully modernized a historic Craftsman home. The project demonstrates how strategic paint choices can counteract architectural limitations like low ceilings, making spaces feel more open and vibrant. The home, originally featured in the Spring 2016 issue as "Color Shift," stands as a testament to Merrill's ability to infuse historical homes with contemporary flair and personal character. #InteriorDesign #HomeRenovation #ColorPalette #CraftsmanHome #TextileMixing #PatternPlay #LosAngelesDesign #FrancesMerrill #DesignInspiration

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

Heidi Caillier, an interior designer known for her expertise in color and texture, undertook the task of decorating a newly constructed home on Fox Island in the southern Puget Sound area for a young, entertainment-oriented Seattle family. The objective was to infuse the blank canvas of the new house with the clients' personality, creating a space that was both sophisticated and approachable, reflecting their frequent hosting of wine tastings and social gatherings. Caillier's design philosophy centers on functionality and understanding her clients' lifestyles. She engaged the couple in creating Pinterest boards to delve into their personal style, initially observing a preference for conventional elements like white subway tile and black-and-white flooring. However, Caillier discerned a deeper, more discerning taste, identifying a desire for a unique space that transcended specific aesthetics or eras. Her proposal introduced moody paint colors, all-over prints, and extensive upholstery, which, despite initial skepticism from the clients, ultimately aligned with their willingness to embrace an 'envelope-pushing' vision. The design process progressed smoothly, with most rooms adhering to the initial presentations. The media room, however, underwent a notable evolution. Originally conceived with a single fabric for the sofa, walls, and drapes, it transformed into a vibrant showpiece. The client's initial rejection of a fabric option due to its pattern led Caillier to discover a printed blue Scalamandré floral, which became the room's focal point. The design incorporated a Ligne Roset Togo sectional as the central element, complemented by subtle striped wallpaper and small-scale prints. Caillier emphasizes the importance of scale in balancing prints, pairing large-scale florals with modern elements like stripes or checks to create a harmonious feel. This deliberate interplay of patterns extends throughout the home. A powder room features a bold floral wallpaper balanced by geometric floor tiles. In the living room, vintage BDDW armchairs are upholstered in a ditsy floral, which, when combined with neutral checked throw pillows and a Moroccan-inspired rug, functions as a solid texture. The kitchen showcases custom cabinetry, a BDDW dining table, Moller dining chairs from Design Within Reach, and distinctive lighting fixtures, including an Apparatus chandelier and RW Guild pendant lights, along with a vintage rug. Given the family includes two small children, the home's design also prioritized functionality. Easy-to-clean leather bar stools were incorporated, and Caillier aimed to demonstrate that a beautifully curated home is achievable even with young children. She highlighted that bold prints can effectively camouflage stains, allowing clients to invest in quality furnishings without undue concern for wear and tear from children. #InteriorDesign #HomeDecor #Upholstery #PatternMixing #HeidiCaillier #FoxIslandHome #FunctionalDesign #LuxuryInteriors #TextileDesign

Mia Jung, the New York–based interiors director at Kligerman Architecture & Design, shares her current inspirations through a curated flat lay. Jung describes her aesthetic as gravitating towards textiles that are "soft, delicate and tranquil," favoring understated yet masterfully crafted pieces over more ostentatious designs. Her mood board, envisioned for a "dream bedroom," celebrates individual materials and their purposeful provenance, reflecting a "quiet beauty" derived from dedicated craftsmanship. The assemblage showcases a variety of artfully executed bespoke styles and handmade designs, encompassing items from hand-blown tinted glass light fixtures to multi-tonal embroideries. Jung emphasizes a feeling of happiness and appreciation when observing these pieces, noting the extensive skill and thought invested in their creation. The detailed breakdown of her selections highlights 14 distinct items, each chosen for its unique contribution to the overall serene and sophisticated mood. Among her selections is a bespoke rug by Sabina Fay Braxton, admired for its dreamy look and feel, and its complex yet simple composition. A hand-silvered Murano glass sample for a Cloud Console by Mia Jung at Charles Burnand Gallery is noted for its remarkable control and technique. For fabrics, she includes Key West linen in 2002 by Sette, valued for its humble, natural quality and versatility, and the soft, subtle hand-woven alpaca chenille DW-149 bespoke fabric by Mitchell Denburg, which adds richness to upholstery. Lauren Hwang New York's Khadi Jute fabric in Stone is chosen as a fundamental natural fabric, serving as a background for layering. Additional fabric choices include Byram fabric in Juniper by Colefax and Fowler at Cowtan & Tout, which provides saturation and texture without being overpowering, and a custom embroidery by Lesage Intérieurs, appreciated for its handmade quality and ability to add depth. Lighting is represented by Cherry Bomb Pendants in White and Olive Green samples by Lindsey Adelman, described as soft, pastel, and star-like. For furniture, a Yarrow Cabinet in dyed parchment by Roman Thomas is highlighted for its beautiful color and simple form, allowing the material to shine. Decorative elements include a Living World églomisé panel in Peonies sample by Confluent Studios, which Jung suggests using as an art piece within furniture, and a custom surface art sample by Studio HK, featuring an ash rose-colored ombre plaster ideal for stunning walls. Finally, for floor coverings and hardware, she selects a mohair curtain in a custom colorway by FJ Hakimian for its wonderful weave and color, a GK Series crystal door knob by E.R. Butler & Co. for its feminine and crisp jewelry-like touch, and a light blue mohair carpet by FJ Hakimian, valued for its beautiful color absorption and interesting variations. #InteriorDesign #HomeDecor #DesignInspiration #MaterialSelection #HandmadeDesigns #TextileArt #LuxuryInteriors #BespokeFurniture #Craftsmanship

D’Decor introduces its 'Curated Concepts' series, a collection of meticulously designed fabrics aimed at the modern, global homeowner. This series features a blend of contemporary themes, designs, and materials, designed to add character to minimalist, urban living spaces. The article highlights four distinct collections: The Fragments Collection, The Impressions Collection, The Fusion Collection, and The Ethnic Collection I and II. The Fragments Collection is characterized by geometric patterns and a sophisticated color palette, including mustard with navy, chartreuse with silver, and gold with grey. It incorporates Jacquard curtains and velvets, alongside plain fabrics. Key features include a satin jacquard with a tessellated 3D design, printed sheers with colorful patterns, and bright printed velvets and velvet jacquards featuring maze patterns, all complemented by coordinating curtain plains. The Impressions Collection draws inspiration from brush strokes, presenting vivid colors on vibrant designs. This collection utilizes 100% cotton printed fabric with impressionist stripes and geometric motifs. A stippled ombre stripe, printed on sheer and textured satin, adds depth. The collection also includes jacquard upholstery with distressed chevron and abstract textures, along with curtain jacquard that showcases an interplay of satin weave and fancy yarn, creating rich textures. The Fusion Collection translates earthy, handcrafted designs into diverse fabric substrates, offering a global ethnic aesthetic. It features curtain jacquard with a floral shibori design, distressed block-print-looking chevron, and stripes. Jacquard sheers with an 'ikat' dot and digitally printed sheers with Shibori patterns complement the main curtains. Upholstery options include printed velvet with a contemporary batik pattern and jacquard fabric with a floral block print. Plain fabrics, such as a raw-silk-look curtain plain and a chenille upholstery solid with a chevron texture, further enhance the collection. The Ethnic Collection I and II celebrate the art and craftsmanship of the Indian sub-continent. It reinterprets classical, stylized motifs through various techniques like digital print, jacquard, embroidery, velvets, and plains. The regal and vintage patterns are invigorated by a vibrant, contemporary color palette, offered in two volumes, each with three color stories. Highlights include a delicate Jacobean floral print contrasting with a monotonal jacquard upholstery, satin jacquards with stylized stripes and damasks, embroidered trellises, and Mughal scroll patterns for decorative accents. A broad, multi-colored panel stripe on cotton satin serves as a showstopper, supported by plains with distinctive characters, a handsome velvet stripe, and a delicate wide satin pinstripe. Beyond these showcased collections, D’Decor offers the ‘Flowing Jacquards Collection Two’ with botanical and geometric jacquards, and the ‘Reflections Collection Two’ focusing on sheers and solids. The brand also promotes eco-friendliness with ‘Nova’ bedlinen, introduces ‘Evita’ premium bed covers, and an easy-care range with anti-wrinkle and stain-resistant properties. ‘Bedsuites’ offers curated top-of-bed ensembles, premium dohars, jacquard collections, and kids' bed linen. D’Decor maintains a significant retail presence across the country, with 20 stores currently open and a 21st location planned for Hyderabad. These experience centers offer over 10,000 home fabric options, mood board creation tools, and an intuitive furnishing journey facilitated by the D’Decor app. The stores provide inspiration boards, a welcoming shopping atmosphere, and dedicated services for interior decor professionals, including relationship managers, swatch services, fabric customization, and special previews. #DDecor #HomeMakeover #FabricCollections #InteriorDesign #CuratedConcepts #ContemporaryHome #EthnicDecor #LuxuryFabrics #HomeFurnishing

Leanne Ford, a renowned interior designer, has launched her debut 25-piece rug and pillow collection in collaboration with Loloi, joining a distinguished roster of designers including Joanna Gaines and Jeremiah Brent. This collection is characterized by its grounded, tactile nature, linear patterns, and organic restraint, drawing inspiration from the children's classic, 'The Secret Garden'. Ford emphasizes that the rugs are designed for everyday living, meant to be walked on, lounged on, and loved, prioritizing comfort and durability over excessive preciousness, making them suitable for busy households and even holiday gatherings. The collection features a variety of textures, from low-pile options ideal for high-traffic areas to plush, soft rugs perfect for floor-sitting. A notable example is the Craven line, which utilizes space-dyed wool to achieve a subtle, imperfect stripe pattern. Ford explains that this approach aims for a softer, more painterly aesthetic than sharp, graphic stripes, ensuring timeless appeal. The Weatherstaff rugs, another highlight, are flatwoven jute designs that are thin enough to fit under door swings while still providing natural texture and warmth in high-traffic zones. The Lennox collection showcases undyed wool, offering a tonal effect with rich texture that adds soul to a space. Ford's design philosophy embraces imperfection, believing that it adds magic and character to interiors. She sees her rugs as timeless pieces that can seamlessly integrate into various styles and rooms. Beyond traditional placement, Ford offers innovative ideas for using smaller rugs, such as defining zones under a coffee table in a large living room or layering multiple rugs to create distinct seating areas in open-plan spaces, drawing parallels to hotel lobby designs. The collection's human quality is evident in its fluid lines and hand-drawn patterns, which stem from Ford's creative process of sketching with paper and charcoal rather than relying on digital tools. This personal touch imbues the stripes and checkers with unique personality, making them feel both classic and contemporary. In addition to rugs, the collection includes throw pillows in organic greens and terracotta hues, such as the olive-toned Captain Decorative Pillow Cover and the Medlock Decorative Pillow Cover, which reinterprets the Craven rug's organic stripes. These pillows are designed to complement the nature-inspired palette of the rugs and can be mixed, matched, or allowed to stand alone as focal points. Ford asserts that the collection's earthy, neutral palette aligns with her overarching design aesthetic, aiming to create a sense of calm and exhale within a home. The article concludes by stressing the importance of rug placement, suggesting that even with trendy designs, strategic positioning, potentially guided by principles like feng shui, is crucial for maximizing their impact and functionality within a space. #LeanneFord #LoloiRugs #InteriorDesign #RugCollection #HomeDecor #TextileDesign #DesignPhilosophy #HomeAccessories #StripedRugs

Molly Mahon, a pattern designer, has transformed her English country cottage into a vibrant and highly personalized home, showcasing her unique block-printed designs throughout. The cottage, which dates back to the 1600s in its oldest parts, underwent significant renovations a decade ago, including moving the staircase to improve flow and lowering ceilings to accommodate her tall husband. During this period, Mahon and her family lived in tents in the garden for eight months, an experience she now humorously reflects on as a time of simplified living. Mahon's design philosophy centers on layering her own colorful fabrics and wall coverings, which she block-prints herself. She aimed to use her own creations, making the decorating process feel more intuitive. A prominent feature of her home's aesthetic is the extensive use of pink, specifically Farrow & Ball’s Pink Ground paint. Despite the cottage's forest location, which could make it feel dark, Mahon strategically applied pink in multiple rooms, noting its warm and comforting glow. She even admits that if she had her way, the entire house would be pink. Her home is filled with accumulated furniture and objects from previous residences. Mahon actively engages in DIY projects, such as creating needlework cushions backed with fabrics from her studio. The fireplace mantel is adorned with paintwork inspired by the nearby Charleston estate, a historical gathering place for the Bloomsbury Group. In the kitchen, plain shelves are given an inexpensive yet distinctive touch with block-printed paper edges cut into scallops, demonstrating her resourcefulness with scrap materials. The unstructured "skirt" lampshades found throughout the house are another example of her DIY approach, a design she loved so much that she began selling them. Mahon challenges the notion of craft being "granny-ish," emphasizing its transformative impact on her life. She also advocates for the use of bold patterns in tight spaces, such as hallways or staircases, to create a sense of depth and openness. Her own "ridiculously narrow" landing features oak leaf wallpaper, block-printed by her on-site, which effectively expands the visual space. The primary bedroom embodies a maximalist approach with clashing prints. Mahon, disliking white rooms, used a large swath of fabric behind the headboard as an alternative to a four-poster bed or framed artwork, providing a safe and stylish solution. Simple slatted-wood bedside tables with glass tops are strategically placed to incorporate more soft furnishings. The children's bedrooms, designed with her own upholstered fabrics, are intended to be timeless, accommodating their growth through teenage years. Guest accommodations are flexible, with Lani's room, for instance, featuring two movable single beds to facilitate sleepovers. Each room is designed to have its own character while remaining comfortable for anyone, aligning with Mahon's overarching aim of creating an inviting and personal living space. #HomeTour #TextileDesign #BlockPrinting #EnglishCottage #DIYHomeDecor #MaximalistDecor #PinkInteriors #PatternDesign

This article highlights the enduring legacy and contemporary excellence of British textile design, emphasizing the importance of supporting homegrown talent. It begins by acknowledging Britain's rich heritage in textile manufacturing and how a new generation of designers is upholding these traditions while infusing them with modern sensibilities. The piece encourages readers to consider British craftsmanship when updating their homes, whether through re-upholstering furniture, refreshing curtains, or redesigning sofa cushions, aligning with current trends of sustainability and upcycling. Various British textile designers and brands are featured, each with a unique aesthetic and approach. Ellen Merchant draws inspiration from William Morris and the British Arts & Crafts movement, creating hand-drawn botanical forms using traditional skills. Chelsea Gem, founded in Chelsea, offers abstract fabrics and wallpapers with a muted, contemporary palette, hand-drawn and printed locally, and sourced sustainably. Chelsea Textiles, established by Monica Perlhagen, specializes in recreating antique embroidery with authentic materials, now collaborating with prominent designers and furnishing prestigious hotels. Christopher Farr Cloth, known for its playful and colorful designs, draws influences from diverse cultures and 20th-century artists, focusing on fine materials and traditional craftsmanship. Clovelly Cloth's designs are inspired by Victorian botanicals and the Arts and Crafts era, hand screen printed in soft mineral colorways, with many designs also available as wallpapers. Cole & Son, a brand founded in 1873, is celebrated for its bold wallpapers and fabrics featuring distinctive patterns like tropical birds, tigers, and florals. Colefax & Fowler, a leading example of British textile manufacturing since the 1930s, is renowned for its quality and evolving range of fabrics and wallpapers that balance traditional English roots with contemporary flair. Designers Guild, a firm British favorite since the 1970s, is recognized for its versatility and stylish interiors, with collections that reinvent florals in luxurious jacquards and printed velvets. Fermoie, founded by Farrow & Ball creators, is committed to sustainability, using natural dyes and raw materials for its wide range of collections. George Smith, primarily a furniture maker, also produces responsibly-sourced, sustainable, and British-made upholstery fabrics in classic, understated designs. GP & J Baker, a Royal Warrant holder, has a long history of supplying fabrics and wallpapers to the Royal household, adapting its vast archive of designs to modern tastes. House of Hackney, known for its quirky and colorful patterns, offers distinctive designs inspired by its London roots and collaborations with various creatives. Jessica Osborne's fabrics are inspired by wild and natural environments, printed in England on 100 percent linen, featuring vibrant repetitive patterns in highly pigmented colorways. Madeaux, based in East Sussex, produces charming fabrics and wallcoverings inspired by vintage tapestries and British wildlife. Nina Campbell's textiles are recognized for their playful, feminine patterns and timeless appeal, blending traditional florals with bold contemporary designs. Osborne & Little, launched in the 1960s, is celebrated for its imaginative approach, quality, and creative innovation, offering a mix of contemporary and classic designs. Parker & Jules, founded by Nancy Parker and Juliet O’Carroll, creates vibrant and maximalist fabrics inspired by British homes, fashion, and folklore. Penny Morrison's distinctive and characterful patterns are a staple in stylish homes, featuring bright colorways and collaborations. Rapture & Wright is unique for its hand-printed designs, ecological production in Gloucestershire, and use of British suppliers. Rose Uniacke has expanded her collection with organic and recycled fabrics, drawing inspiration from various historical and artistic periods. Sanderson, since 1860, is known for its elegant hand-drawn designs, bold colors, and patterns inspired by the English countryside and global influences. Finally, Soane Britain offers fabrics and wallpapers inspired by founder Lulu Lytle's antique collections, made in British mills using traditional methods, with a custom service available. #BritishTextileDesigners #HomeDecor #InteriorDesign #TextileManufacturing #SustainableDesign #ArtsAndCrafts #LuxuryFabrics #HomeFurnishings #Upholstery

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

DLT Interiors designer Debbie Travin undertook a project to "warm up" a recently purchased, expansive six-bedroom Hamptons-style house in Scarsdale for a young family, Ashley and Brian Davis. Having previously lived in Battery Park and furnished apartments with inexpensive items, the couple, now with two young daughters, sought a sophisticated yet family-friendly design that would accommodate their growing family and endure over time. The 6,800 sq. ft. home, while in pristine condition, required a design approach that merged their Manhattan-style aesthetic with practical, durable elements suitable for children. The initial phase of the design focused on the most critical areas, primarily the great room, which encompasses the family room and the eat-in kitchen on the lower level. The Davises desired a space that was both inviting for entertaining and resilient against the wear and tear of family life. Travin addressed this by creating a luxurious, airy color palette and utilizing high-performance, easy-to-clean, and stain-resistant fabrics from reputable brands like Schumacher, Romo Group, and Thibaut for custom upholstery and furniture. The open-plan layout necessitated a cohesive design, prompting Travin to extend the family room's aqua blue accents into the dining area and kitchen through elements like window treatments. The kitchen, already featuring a large island, was enhanced with contemporary Circa Lighting pendants to add a polished touch and anchor the space. A spacious table between the family room and kitchen was designated for everyday family meals, prioritizing functionality over a formal dining room for the present. Moving to the upper level, Travin focused on enhancing architectural details, such as the entryway where a custom Stark Carpet runner was paired with vinyl grasscloth wallpaper on the wainscoting. This choice not only added textural contrast and visual appeal but also offered practical benefits due to the vinyl's durability and ease of cleaning. The master bedroom was conceived as Ashley’s personal sanctuary. Travin incorporated Ashley's preference for lavender, blending it with gray and teal accents to create a glamorous yet warm and relaxing atmosphere. An antique mirrored console and velvet upholstered chairs with a subtle animal print contributed to the luxurious feel, while decorative artwork in antique metal frames provided a transitional aesthetic. This balance between contemporary and traditional elements was a key design principle throughout the home, ensuring it felt neither too cold and modern nor overly heavy and traditional. For the guest room, a soft blue color palette was used, combining high-end and more affordable furnishings. Custom pillows and window treatments elevated the overall aesthetic, complemented by the homeowner's artwork and antique silver lamps. The guest bathroom was also given special attention, featuring paneled walls, chic contemporary sconces, and a custom linen shade, reflecting the Davises' penchant for hosting. The overarching goal of the project was to deliver a versatile home environment where parents, children, and guests could all enjoy themselves without worry, thanks to the extensive use of stain-resistant and high-performance materials. #InteriorDesign #HomeDecor #ScarsdaleHomes #FamilyFriendlyDesign #LuxuryInteriors #HighPerformanceFabrics #ColorPalette #TransitionalStyle #CustomUpholstery

Banana Republic has expanded its BR Home line, which initially launched with home textiles, to include a comprehensive range of furniture, lighting, and interior accessories for bedrooms, living rooms, and dining areas. This expansion reflects the brand's long-standing design philosophy of reimagining classics with a global influence to create modern, timeless pieces. The furniture collection emphasizes a minimalist palette of natural materials and colors, designed for versatility and easy integration across different interiors. Key pieces highlighted include the Rose Pendant, crafted from hand-pressed clay petals by South African collective The Handmade Story, paired with the Sydney coffee table (handcrafted from cast aluminum in India) and the Stinson Sofa, which reinterprets midcentury modernism. Another ensemble features Napa End Tables made from solid mango wood with brass inlays, a Brooklyn Coffee Table showcasing Spanish Marquina marble, and Celeste Table Lamps with marble bases and aluminum shades. The Rio Sectional, handmade in North Carolina from modular units, is presented with Kent Coffee Tables made from hammered brass and painted glass. Lighting fixtures such as the Merrick pendant, with its hand-woven wire petals, are designed to make a visual statement and are juxtaposed with geometric forms like the Savannah Round Dining Table in European white oak. The collection is rooted in a dedication to quality craftsmanship and the use of opulent textiles and natural materials. This commitment is evident in the bedding, which utilizes European linen, cotton cashmere, and organic cotton, as well as in hand-rolled clay beading, hand-knotted wool rugs, and teak furniture hand-carved in Java. The collaboration with The Handmade Story for pendants and chandeliers underscores BR Home's focus on artisan-made pieces that also support ethical production, as the collective empowers women and families affected by HIV. The design team emphasizes meticulous attention to detail, including exaggerated stitching, linings, and trims, to elevate the overall aesthetic and quality of the products. Each furniture collection is named after a destination or concept that reflects its character, such as the London sofas with their modernist silhouette, the Brooklyn collection's bold forms from handcrafted marble, Lisbon's organic modernism in oak, and Sydney's streamlined, textural beauty. BR Home also offers home styling advice through the BR Atelier, providing one-on-one appointments with stylists to assist customers with selecting individual pieces or developing complete interior schemes. This service aims to empower customers to create impactful spaces with the versatile and carefully curated BR Home range. The expansion into a full furniture line maintains the brand's core values of discovery, self-expression, and a rich, textured aesthetic that has defined Banana Republic since its inception in 1978. #BRHome #FurnitureCollection #HomeDecor #InteriorDesign #HandcraftedFurniture #NaturalMaterials #ModernDesign #TextileArt #GlobalInspiration

This article explores the favored shopping destinations of leading Southern interior designers, highlighting unique retailers across 11 cities in the region. These designers share insights into where they find distinctive home decor items, from antique furniture and vintage finds to contemporary art, artisanal pottery, luxury linens, and specialty plants, catering to diverse design needs and client preferences. In Atlanta, Georgia, designers recommend a variety of shops. Leah Alexander of Beauty is Abundant sources accessories from SustainAble Home Goods, emphasizing their ethical commitment to artisan communities. Whitney Durham of Whitney Durham Interiors frequents local antique shops like Antiques & Beyond and Interiors Market for one-of-a-kind vintage pieces. For original art, she suggests Anne Irwin Fine Art and Gregg Irby Gallery, while Stanton Home Furnishings is her choice for quality, reasonably priced substantial furniture. Maggie Griffin of Maggie Griffin Design praises House of Hazen for its curated gifts and home accessories, Gramercy for luxury linens, and Marguerite’s on Dresden for high-quality items suitable for various occasions. Dawn Marie Heuer of Heuer Design Collective considers B.D. Jeffries her top choice for meticulously curated home goods and Westside Market for its eclectic mix of antiques and independent vendor offerings, also recommending JJ’s Flower Shop for floral needs. Moving to Baton Rouge, Louisiana, Arianne Bellizaire of Arianne Bellizaire Interiors prefers The Foyer for local artisan art and objects, and Patti Dupree for furniture and accessories. In Charlottesville, Virginia, Victoria Pouncey of Folly Charlottesville suggests Laurie Holladay Interiors for lampshades and Ivy Nursery for orchid centerpieces. Dallas, Texas, offers several notable spots. Michelle Lynne of Michelle Lynne Interiors Group likes Mecox Dallas for a Hampton-inspired aesthetic and Burlington Design Gallery for unique tiles, flooring, and custom pieces. Magic Hour is her go-to for handmade goods, and Urban Spikes for both live and faux greenery. Durham, North Carolina, features Nomadic Trading Co., a favorite of Liz Goldberg of CAROLYNLEONA for vintage furniture and rugs that add character and history to projects. Greensboro, North Carolina, is rich in antique stores; Anne Wagoner of Anne Wagoner Interiors mentions Caroline Faison Antiques for French and Swedish pieces and Acquisitions, Ltd. for English antiques, alongside gift shops like Carolyn Todd’s and Quintessentials. Houston, Texas, provides a wealth of antique shops and consignment stores like Memorial Antiques & Interiors and Heights Antiques on Yale, according to Hallie Henley Sims of Hallie Henley Design. She also highlights FOUND for its blend of new upholstery, fine antiques, and contemporary art, and Paloma & Co for unique art selections. In Jackson, Mississippi, Betsey Mosby of Betsey Mosby Interiors recommends Nancy Price for vintage and antique items, and various galleries such as VIEW GALLERY, Brown’s Fine Art, and Fischer Galleries for art. Lavish Fleur is her choice for flowers, and her own store, The Finery, for high-end gifts and accessories. Jupiter, Florida, features Pineapples, Palms, Etc., a preferred source for McCall Dulkys of Interiors By McCall for a modern coastal aesthetic. Knoxville, Tennessee, offers unique finds at OP Jenkins for lighting and antiques, Bliss Home for accessories, and Bradley’s for finishing touches and treats, as noted by Annie Tipton of Annie B. Designs. Finally, in Richmond, Virginia, Lizzie Cox of Lizzie Cox Interiors suggests Paper Plus for decorative items and Reynolds Gallery and Quirk Gallery for art and unique gifts. Kim Faison Antiques is recommended for rare European antiques. Angela Wilson Lee of Wilson Lee Interiors relies on Flowers Make Scents for floral arrangements and The Great Big Greenhouse for indoor plants, emphasizing their health and happiness benefits. #InteriorDesign #HomeDecor #SouthernDesign #ShoppingGuide #Antiques #ArtGalleries #LuxuryLinens #ArtisanGoods #VintageFinds #LocalBusinesses #DesignInspiration

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

Moiré, a rippling silk textile known for its distinctive wavy pattern, is experiencing a significant resurgence in fashion and interior design. Historically, this fabric, often referred to as "watered silk," first emerged in Europe as early as the 18th century. Its characteristic wood-grain appearance was traditionally created by pressing and steaming two layers of horizontally ribbed fabric together, with misaligned ribs forming the unique wave. While modern techniques can replicate the moiré effect through printing and weaving, the authentic "moiré antique" method involves meticulous craftsmanship, as demonstrated by Humphries Weaving during the 2014 refurbishment of the Cumberland Art Gallery at Hampton Court Palace. The current revival sees moiré appearing in diverse applications, from high fashion runways to sophisticated interior spaces. Designer Christian Siriano showcased a maximalist cape ensemble in acid green moiré silk in his Spring/Summer 2022 collection, while Tanya Taylor's pre-fall 2022 collection features textured taffeta with ruffles. For those looking to incorporate moiré into their wardrobe, options range from J. Crew shoes to a sleek little black dress by Brandon Maxwell. The trend also extends beyond traditional silk, with items like a Schumacher throw woven from merino wool featuring a moiré design, similar to faux bois. In interior design, moiré is being embraced for its luxurious glamour and historical resonance. Robert McKinley utilized salmon-colored moiré silk to cover the walls of the dining rooms at the Sant Ambroeus location in New York's Financial District. McKinley found the fabric to be an elegant yet versatile choice, drawing inspiration from classic European textiles found in Italian theaters and 18th- and 19th-century cafés, as well as formalwear. He aimed for a material that evokes a sense of recognition and connection, albeit from a distant past. Design duo Duncan Campbell and Charlotte Rey also incorporated moiré into their "Fabrizia cocktail chair" for the Invisible Collection, upholstering it in a vibrant lavender Dedar moiré fabric. Campbell explains that the fabric's layered historical associations made it ideal for a piece that blends the elegance of a Jean-Antoine Watteau gown with the geometric impact of David Hicks's interiors, offering a historically anchored, light, fun, and irreverent aesthetic. Rey emphasizes the desire for permanence and the idea of furniture as future heirlooms, noting moiré's versatility and chic decorative quality without being overly frilly or chintzy. Fiona Leahy, another designer, is lining her London bedroom walls with pale pink moiré fabric, a decision that is both aesthetic and symbolic. Following a house flood, the "watered silk" provided a poetic solution, signaling feminine refinement while cheekily acknowledging the mishap. She appreciates moiré's subtle, almost invisible pattern, which she describes as an illusion of a shadow. Additionally, she connects moiré with festive occasions, associating it with evening dresses, beautiful ribbons, and grand architectural spaces, giving her room a perpetually celebratory ambiance, even during quiet hibernation, as seen in a moiré-covered powder room in a Brooklyn apartment designed by Jett Projects. This widespread adoption underscores moiré's return as a prominent and adaptable trend. #MoiréFabric #InteriorDesignTrends #FashionTrends #HomeDecor #TextileHistory #LuxuryFabrics #DesignRevival #ElegantInteriors

This article serves as a comprehensive guide to 12 prominent fabric brands, specifically curated for individuals looking to incorporate custom upholstery and textiles into their home interiors. The author, an expert in interior design, acknowledges that moving beyond off-the-shelf furnishings to bespoke options can be an overwhelming yet rewarding step in one's interior design journey. The selection presented leans towards modern styles but also includes brands that offer a blend of traditional and contemporary designs, ensuring a wide appeal. The guide begins with Casamance, a Parisian brand known for its romantic and painterly textiles, offering a soft approach to geometric patterns and a diverse range of materials from wools to silks, suitable for curtains, upholstery, and even outdoor furniture. Jane Churchill follows, an interior brand with traditional British roots, featuring structured florals, heritage stripes, and East Asian-inspired patterns that bring sophistication to both classic and modern spaces. Dedar, an Italian fabric brand, is highlighted for its innovative, sleek, and glamorous designs, with a global footprint and a reputation for luxury boucles, tapestry-like linens, and its iconic 'Tiger Mountain' jacquard velvet. GP & J Baker Group, though more traditional with a Royal Warrant, is presented as a brand offering classic quality plains and charmingly creative patterns through collaborations, such as with Kit Kemp, bridging traditional and contemporary design. House of Hackney is identified for its mainstream crossover appeal, known for creative, maximalist patterns in textiles and wallpapers, offering edgy palettes and dramatic florals suitable for clashing or pattern-drenching effects. ILIV, a rapidly growing UK brand, caters to a wide range of styles from luxurious velvets to country-chic, and retro to modern, with all designs created in-house. Liberty, an iconic brand, is celebrated for its intricately detailed patterns rooted in British art and design history, offering romantic florals and Art Deco flourishes in velvets, weaves, and linens for interiors. Kvadrat, a Scandinavian design brand, stands out as a modern choice favored by contemporary interior designers and architects for its clean lines, futuristic aesthetics, and minimalist textures, with separate collections for upholstery and lighter curtain fabrics. MINDTHEGAP, a Transylvanian brand, offers a unique aesthetic with folk-like inspirations and bohemian qualities, featuring intricate patterns that range from whimsical illustrations to historical frescoes. Prestigious Textiles is recommended as a go-to for interior designers seeking mid-range price points without compromising on quality, offering a large selection of in-house designed fabrics and wallpapers with a classic, timeless style. The Romo Group is presented as a collection of diverse fabric brands, each with its distinct identity: Romo for timeless patterns, Zinc Textiles for edgy luxury, Black Edition for contemporary elegance, Kirkby Design for graphic patterns with retro flair, Villa Nova for earthy organic qualities, and Mark Alexander for sophisticated, couture-like textiles. Finally, the Sanderson Group rounds out the list, encompassing Sanderson for traditional country-chic styles, Harlequin for modern and playful designs, Morris & Co for heritage prints, Clarke & Clarke for accessible yet stylish options, Zoffany for rich and opulent textures, and Scion for playful, Scandinavian-inspired graphic prints. Each brand offers a unique approach to textile design, enabling homeowners to curate a personalized mood and tell their home's story through custom fabrics. #FabricBrands #CustomUpholstery #TextileDesign #InteriorDesign #HomeDecor #BespokeFurnishings #ModernInteriors #TraditionalFabrics #DesignTrends

Dedar, a family-run Italian fabric house, is renowned for its unconventional approach to pattern and texture. Co-run by Caterina Fabrizio and her brother Raffaele, the company's philosophy emphasizes evoking emotions through fabrics, often incorporating diverse influences from their extensive travels and the architecture of Northern Italy. This unique perspective has garnered them a clientele that includes film director Luca Guadagnino, interior designer Michele Bönan, and even a collaboration with Hermès since 2011. Dedar was founded in 1976 by Caterina's parents, Nicola and Elda Fabrizio. Nicola initially focused on selling limited-edition lithographs and silk screens by postwar and Pop artists. When this venture proved unsuccessful, the couple shifted to producing hand-woven textiles and sourcing antique tribal rugs globally, often bringing their children on international buying trips. In the early 1990s, after significant encounters with textile figure Jack Lenor Larsen and designer Jacques Garcia, who chose Dedar fabrics for the Hôtel Costes in Paris, the company decided to concentrate on artisanal fabrics. The firm distinguishes itself through its commitment to experimentation, working with skilled craftspeople to develop innovative techniques. They create synthetics that emulate silk and jacquards with an appearance of reverse weaving, all while integrating rich colors and historical motifs, ranging from Japanese xylography to 17th-century Chinese decorative screens. Today, Dedar continues to combine traditional designs with new materials, producing exquisite textiles with a contemporary refinement. These fabrics, crafted by artisans across Italy, France, Belgium, and India, are designed for everyday use, exemplified by popular offerings like SN Schwarzwald, a water and stain-resistant blend that mimics a 17th-century verdure tapestry. Caterina Fabrizio's weekend home near Lake Como, a converted 1960s Modernist structure, exemplifies her relaxed yet luxurious design philosophy. The 3,550-square-foot, three-story open-plan house is filled with vintage furniture, chosen for emotional connection rather than utility, creating an eclectic and seemingly random aesthetic. After acquiring the house in 2001, Caterina collaborated with her brother Raffaele, an architect, and interior designer Vittorio Locatelli to reconfigure the building. Raffaele, drawing inspiration from the region's Rationalist architecture of the 1930s, particularly Giuseppe Terragni's Casa del Fascio, installed horizontal plate glass across the facade and a polished slate spiral staircase. He positioned the bedrooms on the ground floor, leaving the upper two floors open to create an airy environment. The neutral white walls and Lavagna stone and oak floors provide a backdrop for Caterina's diverse collection. The home's decor, however, most vividly expresses Caterina's passion through its fabrics. The textiles, ranging from striped curtains to textured bedspreads, deliberately avoid traditional beach house clichés despite the lakeside location. A striking feature is the third-floor sunroom, which overlooks a terrace with palm trees and cacti. Its walls and ceiling are adorned with a vibrant jungle-patterned wallpaper produced by Dedar for Hermès. The room also features 1960s wicker chairs upholstered in an African-inspired geometric woven silk and a faded Indian kilim, contributing to its layered and eclectic appeal. Caterina credits her parents for her artistic sensibility and the company's existence. She moved back to Como in 2001 to raise her sons in a more relaxed environment, a decision that, like her home's design, required a leap of faith. She believes that selecting Dedar's fabrics for interiors involves a similar hopeful imagination, transforming spaces with their unique appeal. The ultimate reaction, she notes, is either strong dislike or profound affection, with the latter leading to lasting impressions. #FabricDesign #InteriorDesign #HomeDecor #ItalianDesign #TextileInnovation #LakeComo #VintageFurniture #EclecticStyle