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In a Brooklyn Brownstone, Two Designers Knew Exactly How to Bridge History and Heritage
This article highlights the work of Ishka Designs, a New York City studio led by Anishka Clarke and Niya Bascom, who specialize in creating stripped-back, functional spaces using natural materials and incorporating clients' identities without resorting to clichés. Their design philosophy emphasizes giving more with less, focusing on constant growth and a subtle integration of cultural heritage. This approach was particularly evident in their 2019 Brooklyn brownstone project for a couple of Pakistani and Haitian lineage, who desired an open-plan home that authentically reflected them.
The brownstone, originally built in 1899, underwent interior architecture renovations by Harper Design + Build before Ishka Designs took over the interior decoration. Harper Design + Build was responsible for preserving original details while modernizing the structure with higher ceilings and increased depth across its five stories. The clients' main request was a space that felt personal and comfortable for their young family, which Ishka Designs addressed by deploying a recurring circular motif throughout the house, symbolizing constant growth without a definitive beginning or end.
Each of the five floors in the renovated brownstone serves a distinct purpose. The cellar, located below the garden level, houses a gym, a DJ room, and a craft area. The basement features a shared office adorned with Romo wallpaper mimicking an old Persian rug, showcasing a subtle use of pattern. The parlor level, where guests enter, features an airy living room divided into two sitting areas, both centered around round rugs that continue the circular theme. This space includes a 1970s Metafora Lella and Massimo Vignelli cocktail table, a Flos lamp, and a reissued Mathieu Matégot chair, all contributing to the sophisticated ambiance. A significant piece in the living room is the Erased Heritage rug by Jan Kath, which subtly references the complex colonial histories of the homeowners' countries of origin.
Ishka Designs masterfully balanced a minimalist aesthetic with the clients' desire for texture and depth by incorporating contemporary artworks from artists like Ndidi Emefiele, Prince Gyasi, and Shreya Mehta. The designers also selected rich floor and wall coverings that added vibrant touches. Particularly noteworthy are the spaces designed for the couple's child, born after the house's completion. The playroom on the top floor features a bookcase that merges the geographies of Pakistan and Haiti with ocean-hued shapes reminiscent of Memphis Design. The nursery includes mango accents and graphic silver-and-white Juju wallpaper, adding playful yet refined elements.
Subtle cultural references are woven throughout the home, such as a jali-inspired screen framing a staircase, carved wooden doors forming a headboard in the primary suite, and a Moroccan moucharaby-style cocktail table in the den. While these pieces do not originate from the clients' specific countries, they collectively honor non-Western craft and design traditions. This careful curation allows the home to acknowledge the past while embracing the present, reflecting the designers' and clients' shared vision of moving forward while honoring heritage.
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