This 1920s Home in the Berkshires Is the Epitome of Joyful Decorating

This article details the transformation of a 100-year-old American Craftsman home in the foothills of Colorado’s Rocky Mountains by the design firm Salvesen Graham. The project was initiated when a young couple, one American and one British, relocated from California and sought a home that blended their cultural traditions, offering both relaxation and elegance without being overly formal. The designers, Mary Graham and Nicole Salvesen, aimed to create a comfortable yet sophisticated living space. The house, part of a community of heritage homes dating back to the early 20th century, presented a unique opportunity for Salvesen Graham, a firm more accustomed to working with buildings over 100 years old in the UK. The designers meticulously preserved and enhanced the home's period features, such as its brick and shiplap exterior and expansive veranda. Their approach balanced respect for the original architecture with a desire to update it for modern living, rather than creating a "living museum" of a 1900s mining town house. In the entryway, a small-scale patterned wallpaper contributes to a Victorian aesthetic, complemented by an Arts and Crafts lantern. The designers made a conscious decision to paint some of the original pine woodwork a sage green to neutralize its overwhelming orange tones, allowing the unpainted sections of craftsmanship to be appreciated more easily. This thoughtful intervention highlights the delicate balance between preservation and contemporary adaptation. The drawing room was designed as a sophisticated space for entertaining, with the clients actively participating in sourcing art, including an abstract floral piece. The living room, in contrast, serves as a more casual gathering area. The project was significantly impacted by the early days of the COVID-19 pandemic, leading to initial client-designer interactions via Zoom. This period also amplified the British client's desire to infuse English design elements into the American architectural style. A central pass-through space in the house was transformed into a hallway-cum-library, offering an intentional quiet zone that connects different rooms. The kitchen, designed in a Shaker style, bridges functional utilitarianism with English charm. Its formal layout was maintained, rejecting the trend of open-plan spaces, and features fitted units and a large island painted in various shades of blue. The dining room, referred to as the "hearth room," provides an informal dining experience with windows on three sides, creating a sense of dining among treetops. The space incorporates a striped floral fabric for curtains and Roman shades, aligning with painted tongue-and-groove paneling on the ceiling. Upholstered dining chairs, vintage rattan chairs, and a vibrant green built-in window seat contribute to a layered aesthetic. The bedrooms, particularly the master suite, are characterized by a rich interplay of color and pattern, featuring florals, stripes, paisleys, and soft geometrics in a cheerful palette of pinks and greens. Salvesen Graham, founded in London in 2013 by Mary Graham and Nicole Salvesen, is known for its layered aesthetic and timeless approach, aiming to create warm and soft interiors inspired by Georgian England and 18th- and 19th-century Indian textiles, while bringing an edge to quintessential British charm. #HomeDesign #InteriorDesign #AmericanCraftsman #BritishCharm #SalvesenGraham #ColoradoHomes #HistoricRenovation #TraditionalModern #LayeredAesthetic

The article details the design process and outcome of a custom-built home in Dallas for Chris and Lynsey Synek, whose personal style, particularly Lynsey's "couture" fashion, heavily influenced the interior design. Faced with a limited real estate market offering homes that were either too old or too small, the Syneks decided to purchase a lot and embark on a custom build. They engaged designer Philip Thomas Vanderford of Studio Thomas James, Janson Luter Architects, and builder Faulkner Perrin to create their ideal home. The design aesthetic for the house was directly inspired by Lynsey Synek's curated and edgy fashion sense, characterized by precise editing and a specific color palette. This influence translated into the home's selection of deep charcoals, dusty whites, spicy mustards, eggplant, and sophisticated pinks, some enhanced with high-gloss finishes. These colors were balanced with natural elements like oak beams, flooring, and cabinetry, extending even to the office ceiling. Vanderford's approach focused on holistic design, ensuring seamless transitions and optimal mobility between spaces. The couple's preference for having all main living areas on the first floor guided the layout. A central feature of the home is the living room, designed as the nexus for family and guests, and considered one of the Syneks' favorite areas. To prevent the large room from feeling either overcrowded or empty, Vanderford implemented a "rule of two," using pairs of significant furniture pieces such as 85-inch settees, midcentury modern chairs, and coffee tables. This strategy aimed to improve circulation and flow, making the room feel both inviting and functional without appearing cartoonish, a common pitfall in oversized Texas rooms. The article also provides a room-by-room breakdown, highlighting specific design choices and sourced items. The entryway features an inky, textural wallcovering from National Solutions and custom black-and-white tile, complemented by a custom Riloh chandelier and a St. James Lighting lantern. The living room includes pieces from Paul Matter and Baker-McGuire, with a Stark rug. The family room, serving as a more informal entertaining space, contains chairs by Julian Chichester, a Visual Comfort & Co lamp, and a coffee table from Theodore Alexander. The kitchen is characterized by a wall of windows, warm oak cabinetry, and Bianco Superiore quartzite, furnished with vintage stools in Élitisfabric and Riloh pendants. Further sections detail the butler's pantry with Hapny hardware, a breakfast nook featuring a custom banquette and a Riloh chandelier, and a dining room painted in high-gloss Benjamin Moore Ciao Bella, accented with Carlucci draperies and a Jonathan Browning Studios chandelier. The wet bar, located opposite the living room, is equipped with Fyrn barstools. The powder room showcases terrazzo tile from Ann Sacks, Visual Comfort & Co sconces, and Phylrich fixtures. The primary bedroom features a supersized custom headboard and a pitched ceiling, with a Visual Comfort & Co chandelier and Thibaut wallcovering. The main level owners' suite and an outdoor cabana are also mentioned, completing the comprehensive tour of this custom-tailored Dallas residence. #InteriorDesign #HomeDecor #LuxuryHomes #CustomBuild #DallasRealEstate #InteriorArchitecture #ColorPalette #FurnitureArrangement #PhilipThomasVanderford

This article highlights the recent redesign of a four-bedroom farmhouse-style home located in Montecito, California, specifically in the Hedgerow neighborhood. The property, originally built in the 1970s, offers a secluded setting with a stunning garden and views of the Montecito mountains. Despite its idyllic location, the home presented interior design challenges before its transformation into a perfect retreat. The homeowners, a young family, enlisted interior designer Hayley English to create an unpretentious, youthful take on traditional farmhouse style, incorporating coastal decor elements. The primary goal was to establish a better backdrop for vacations and casual gatherings, as well as to improve the overall flow of the space. English focused on softening the home's original aesthetic and enhancing its warmth. In the kitchen, the designer opted for white units, moving beyond the often predictable and unremarkable nature of white kitchens. She introduced humble materials like a butcher block island and rattan chairs to create a surprisingly warm atmosphere. Feminine floral fabrics were used for drapery and upholstery, adding a softer touch, complemented by grosgrain cushion ties for a whimsical and chic feel. A vintage rug in muted shades of pink and gold further contributed to the warm color scheme. Key pieces in the kitchen include a pendant light from Hector Finch (Harbinger), barstools from Serena & Lily with Lisa Fine cushion fabric, and other fabrics from Soane Britain and Fermoie. The dining room, an open-plan area connected to the living room, was designed for a casual and comfortable ambiance. The wooden tabletop, intended to bear the marks of years of family gatherings, anchors the space. Chairs from Redford House with cushions from Schuyler Samperton (Jasper Showroom), Match Pewter candleholders, and table linen from Connected Goods complete the setting. For the living room, which serves as the first impression for guests, an open floor plan was strategically implemented to ensure optimal flow and an airy feel. A light color palette was chosen as a foundation, with pops of earth tones in the upholstery playing off the stone fireplace surround. Denim blues were integrated to introduce a coastal element. Antiques and vintage accessories were curated to create a traditional, relaxed, and welcoming atmosphere. The pitched ceiling with white clapboard paneling further reinforces the coastal theme. Notable items in this space include ottomans upholstered in Lisa Fine fabric, a coffee table from Redford House, a rug from Jamal Rugs, and throw pillows from Nickey Kehoe. The artwork throughout the home, including the living room, consists of vintage, commissioned, and antique pieces depicting California scenery, unifying the color schemes. The primary bedroom was designed to be unique and nostalgic, featuring a tall four-poster bed with crisp linen drapes that complement the cathedral ceiling. Key elements include a Serena & Lily bedframe, a bed cover from Chelsea Textiles, a quilt from Les Indiennes (Nickey Kehoe), drapery from Schumacher, and sconces by Mark Sikes for Hudson Valley Lighting. Another bedroom adopted a cheerful, English cottage style, featuring pale green walls painted in Benjamin Moore's 'Guilford Green.' This room stands out for its playful mix of patterns and colors. Drapery by Penny Morrison, a quilt from Nicky Kehoe, a lampshade from Maison Maison, and pillowcases from ST Frank (Over the Moon) contribute to its distinctive character. A third bedroom exhibits a sophisticated yet approachable design with a punchy palette. Cool blue walls, painted in Benjamin Moore's 'Woodlawn Blue,' and elements like a cane bed and woven wood shades incorporate coastal motifs. The bedframe is from Serena & Lily, the quilt from Neem (Nicky Kehoe), euro pillow fabric from Décors Barbares Tissus Tartares, and pillowcases from Annie Selke. All photographs for the project were taken by Sara Tramp, with styling by Lauren May. #MontecitoHome #FarmhouseStyle #CoastalDecor #InteriorDesign #HayleyEnglishInteriors #HomeRenovation #KitchenDesign #LivingRoomDecor #BedroomIdeas

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

This article highlights the renovation of a home at 1909 Baymiller Street in Cincinnati's West End, undertaken by Rosie Kovacs and Hayes Shanesy, the husband-and-wife team behind Brush Factory. The West End is presented as a vibrant neighborhood with a rich history, known for its unique homes and ongoing revitalization efforts, exemplified by previous renovations like a church-turned-home. The current owners' dedication to restoring historically significant buildings contributes to the area's distinct character. The renovation of the three-bedroom, three-bath home focused on maximizing square footage and enhancing the existing south-facing window exposure. A significant aspect of the project involved the complete rehabilitation of the staircase. Hayes Shanesy, with the assistance of his father, a retired master cabinetmaker, meticulously disassembled the curved cherry handrail and balusters. Each piece was stripped and refinished before being painstakingly reassembled, a process described as a labor of love due to the staircase's intricate design, wrapping around three flights. Custom woodwork is a prominent feature throughout the residence, reflecting the owners' craftsmanship. In the living room, built-in cabinets span the entire length of the space, offering both aesthetic appeal and practical storage. The kitchen showcases light wood cabinets paired with black hardware, creating a striking contrast against the tile backsplash. These custom elements contribute to the home's unique and refined interior design. The primary bathroom is another highlight, featuring a claw-foot tub, a walk-in shower, and a custom vanity. Adjacent to the bathroom, a door leads to a private deck, accessible from the owner's suite, providing an exclusive outdoor retreat. These details underscore the thoughtful design and high-quality finishes incorporated into the renovation. Shanesy reflects on the transformation of the property and the neighborhood, noting that when he purchased the house in 2016, it was a vacant, abandoned building in disrepair, a common sight on Baymiller Street at the time. He observes that most homes on the street have since been renovated, contributing to a beautiful streetscape. The owners appreciate the historical significance of the homes in the West End, particularly along Dayton Street's "Millionaire's Row," enjoying walks with their dog and daughter. The article concludes by emphasizing the neighborhood's romantic charm and its immense potential. #RosieKovacs #HayesShanesy #BrushFactory #Baymiller #WestEnd #HomeRenovation #CustomWoodwork #InteriorDesign #CincinnatiRealEstate

This article highlights the extensive renovation of a 1927 Santa Monica bungalow, originally designed by architect and Academy Award-nominated art director Leland Fuller. The house, which had been featured in Good Housekeeping in 1932, held significant historical charm, including a Dutch door, exposed beams, and a Latin inscription above the fireplace. Despite its historical value, the bungalow's original 1,200 square feet felt cramped to its current owner, an entertainment and media executive who purchased the home in 2010. The home suffered from a cluttered kitchen, a small breakfast area that doubled as a side entry, and a single bathroom, leading to a lack of a proper foyer or 'drop zone.' Lisa Henderson of Harvest Architecture was enlisted to undertake a comprehensive makeover. The owner desired a larger extension at the back of the house to accommodate a dining room and kitchen, suitable for entertaining. She also expressed interest in blending the existing English cottage aesthetic with contemporary materials like steel and glass doors and windows, along with brightly colored tiles. A key part of the vision was to create an outdoor space that flowed from an upper patio to a lower area, transforming the old driveway into a functional outdoor living space. The renovation process involved touching almost every inch of the original structure, with the exception of the hall bathroom. Approximately 350 square feet were added, and the floor plan of the entire back portion of the house—encompassing the kitchen, dining room, living room, and primary suite—was reconfigured. The project included installing new windows, roofing, HVAC systems, electrical wiring, plumbing, and fresh paint. A notable design challenge arose when the owner felt the living room ceiling, despite its original beams, was too low. The ceiling was subsequently raised by four inches, a modification that Lisa Henderson noted had a significant psychological impact on the perception of space and brightness. The finished renovation resulted in a brighter and airier home, characterized by bold colors, unique fixtures, and custom-made furnishings and accents. Nearly everything, from the book-matched marble in the kitchen to the hand-painted tiles in the primary bathroom, was custom-designed. The Riviera Bronze doors were a significant element, enhancing the connection between the indoor and outdoor spaces. The owner expressed immense satisfaction with the renovation, praising the collaborative design process and the final outcome, which she felt maintained the home's unique charm while meeting modern needs. The house now feels both cozy and unique, a successful blend of historical preservation and contemporary enhancement. #BungalowRenovation #SantaMonica #HomeTour #LelandFuller #HarvestArchitecture #InteriorDesign #CustomHome #HistoricPreservation #HomeMakeover

This blog post showcases a Chestnut Hill home designed by Michelle Gage, known for its vibrant and saturated color palette. The homeowner, a writer and mother of two, expressed a clear preference for bold colors, art, and brass, which became the foundational elements for the home's interior design. The design process began with a specific request for a hot pink velvet sofa, setting the tone for the playful and colorful aesthetic that permeates the entire residence. A significant challenge addressed by Gage was the open-concept layout of the first floor. This design choice necessitated a careful approach to ensure that each area, while distinct, harmonized with the overall flow of the space. Gage achieved this by utilizing a range of vibrant but complementary hues, and by incorporating unifying elements such as art, rugs, and brass accents throughout the connecting rooms. In more self-contained spaces, such as the entryway, mudroom, and bathrooms, Gage intensified the whimsical feel by layering multiple patterns, a signature aspect of her design style. The kitchen area features blue cabinets and is further enhanced by apricot-hued island seating and a patterned window treatment created by Claudia Clobes Yudis of Urban Loft Design Studio. A brass credenza in the adjacent family room establishes a cohesive metallic theme with the kitchen. The dining area is furnished with an expandable round table crafted by Chad Barranco of Salvage Works in Downingtown, complemented by oxblood chairs. In the living room, the central hot pink velvet sofa was chosen for its durability, making it suitable for a household with children and a dog. This bold piece is balanced by a gray vintage rug and drapery that echo the kitchen's cabinet color. An Anthropologie throw pillow and a ceramic table, repurposed from a patio, add further personalized touches to the space. The entryway makes a strong first impression with a vibrant wallpaper that perfectly matches the existing floor tiles. This area also displays one of 25 art pieces selected by Gage and the homeowner from The Little Gallery in Chestnut Hill. The primary bedroom continues the home's colorful theme with lively wallpaper and a striking purple bed frame. Rounded wooden side tables soften the bed's strong color, and additional pillows from Anthropologie complete the room's inviting atmosphere. This article was originally published as “Color Me Happy” in the January/February 2021 issue of Philadelphia magazine. #InteriorDesign #HomeDecor #ColorfulHomes #ChestnutHill #MichelleGage #OpenConcept #VibrantLiving #PhiladelphiaMagazine

The Forager’s Cottage, a 1930s Australian weatherboard bungalow, is home to Helen May Petschel, a retired French homewares dealer. The cottage, steeped in history, showcases a deep appreciation for the past, with original features meticulously preserved by Helen over four decades. Golden autumn sunlight illuminates the interiors at 6 AM, highlighting the seasonal arrangements made from berries and foliage gathered from the garden. Helen expresses her preference for antique and vintage items, particularly European and rural primitive decor, over modern living, emphasizing that everything she acquires is from a bygone era. Her philosophy centers on authenticity, rustic charm, and utility, filling every space with pieces that hold a lifetime of memories. The kitchen is described as the most enchanting space, featuring an old enamel sink, original to the cottage, with a wooden draining board and a green pressed tin splashback that adds period charm. It is filled with well-worn pots and pans, chopping boards, and colorful jars of bottled fruits. Instead of a fitted kitchen, Helen opted for freestanding antique furniture when she and her late husband, Steve, purchased the property. This choice allowed for flexible arrangements over the years with minimal cost. A 1930 original larder remains intact, serving as storage for Helen’s utensils and food. Each item in the cottage carries personal significance, such as an antique dresser in the kitchen, a Christmas gift from Steve, which Helen connects to Beatrix Potter books. This dresser displays her collection of old wares, butter molds, breadboards, earthenware jugs, and bowls, all sourced from Europe. Helen, the second generation to live in the cottage, shares a profound connection to her modest home, which has provided solace through significant personal losses. In 2001, she and Steve lost their 19-year-old son, Phil, to a brain aneurysm, and in 2021, Steve, her husband of 41 years, passed away. Born in England, Helen experienced a transient childhood, frequently moving and never truly having a stable home. A brief, joyful period with her grandfather in Broad Chalke, Wiltshire, ignited her passion for English cottage decor, as the Australian bungalow reminded her of his Tudor cottage. The cottage’s original features contribute to its ethereal atmosphere. Helen recalls her first encounter with the property as stepping into a "time capsule," with everything preserved from 1930, including an old wood stove, a claw-foot bathtub, an old wooden draining board with an enamel sink, and a lead splashback, all of which remain today. In the dining room, an old seamstress’s worktable is repurposed as a dining table, set against Dulux’s ‘Vintage Green’ walls. The living room also features Dulux’s ‘Antique Green,’ enhancing its heritage ambiance. Helen finds joy in simple routines, like collecting pinecones for the evening fire, and appreciates the scent of pine and the sound of wind in the trees during this season. Her interiors, though unpolished, possess a raw charm, showcasing a lifetime of collected treasures that reflect her love for authentic vintage design. Despite its cracks and original paint, Helen chooses not to modernize the cottage, viewing it as a comforting refuge that has supported her through life’s tragedies and heartaches. #EnglishCountryLiving #VintageDecor #AntiqueFurniture #CottageInteriors #PreservedHistory #RusticCharm #HeirloomTreasures #Homemaking #InteriorDesign

This article offers a detailed house tour of Agi Dmochowska's Victorian end-of-terrace home in Portsmouth city center, UK. Agi, her husband Bart, and their two children, Hanna (6) and Leon (5), reside in the 1,184-square-foot house, which they have owned for nine years. The family has redecorated the home twice and undertaken structural work to open up the downstairs space, aiming for a family-friendly layout. The decor is described as eclectic, colorful, and comfy, achieved on a limited budget, yet effectively reflecting the family's personalities. Key features of the home include a cozy living room with a gray armchair, patterned rug, cactus, framed art, and string lights, showcasing a blend of textures and decorative elements. Another living area features dark walls, a wooden dresser, a blue chair, various plants, and gold hanging decor, contributing to the eclectic aesthetic. A bedroom is adorned with a pink bedspread, pink pillows, and pink floral wallpaper, highlighting a playful and personalized touch. The modern kitchen features dark teal walls, wooden countertops, a hanging light, a cactus, and a neon sign that reads "make cakes not war," demonstrating a unique and whimsical approach to design. Agi's favorite room is the downstairs living/dining area, chosen for its versatility and family-friendly atmosphere, which resulted from knocking down walls to create a more open-plan layout. If she could change one thing, Agi would move the kitchen to the back of the property and install large bi-fold doors to enhance access to the garden. The most recent addition to their home decor is an olive green velvet sofa from Sofa.com, a long-desired item that adds a touch of luxury and comfort. When asked which fictional character would feel most at home in their space, Agi suggested the Mad Hatter, describing their house as fun and a bit wacky, indicating a vibrant and unconventional style. Agi's advice for creating a beloved home is to be bold and brave, emphasizing that the home should be a comfortable space that its occupants love. She also highlights the importance of utilizing wall space for decoration, noting its often-neglected potential.

The article highlights the home of Kat Rogers in Birmingham, Alabama, showcasing how designer Caroline Gidiere transformed the space by integrating family antiques with contemporary touches. Kat Rogers, facing a new home and an upcoming dinner party, enlisted Gidiere's help to furnish her dining room, primarily using pieces inherited from her aunt who was downsizing. This initial collaboration set the tone for decorating the entire house, as Rogers had access to a trove of sentimental family furniture, which Gidiere skillfully incorporated into each room. The design philosophy employed in Rogers' home aligns with the 'grandmillennial' style, a growing trend that blends traditional aesthetics, often featuring inherited or antique items, with modern elements. Gidiere explains that this style resonates with many, particularly after recent global events, as it encourages a return to roots and a preference for meaningful, historical pieces over new, custom-made furniture that might involve long lead times. Kat Rogers expresses deep appreciation for this approach, finding joy and heritage in seeing her grandmother's beloved items actively used and cherished in her own home. The article details several key design strategies Gidiere used throughout the house. In the dining room, for instance, Gidiere refreshed antique furniture with vibrant colors and patterns, including new seat covers and floral wallpaper, and introduced contemporary accents to reflect Rogers' personality. For the foyer, Gidiere requested a chest of drawers and two chairs, which Rogers sourced from family members, allowing Gidiere to enhance them with lively hues and prints. This process of incorporating existing family pieces continued across various rooms, each time revitalized with Gidiere's design expertise. Specific examples of Gidiere's work include the integration of a chest of drawers with intricate inlay work alongside a French mirror, Central Asian-inspired prints, and a mid-century-style chandelier, demonstrating a balance between traditional and modern elements. In the kitchen, Gidiere modernized a 1990s layout while maintaining a classic feel by adding beaded board backsplashes, cabinet brackets, and latch-style hardware, complementing the existing antiques. A new built-in bar area was also added to facilitate entertaining. The dining room, almost entirely furnished with handed-down pieces, achieves cohesion through a scenic wallpaper and a consistent blue color scheme, with a custom-colored chandelier chosen to match the draperies and rug. Gidiere emphasizes her intuitive approach to design, mixing various styles of lamps and furniture legs to create an eclectic yet harmonious environment. The 'adult den' features a screen from Rogers' mother's house as its centerpiece, around which Gidiere built the room's design with a blue color palette encompassing painted ceilings, grass cloth walls, and a performance velvet sectional, ensuring the space is both stylish and family-friendly. Pattern play is another significant aspect of Gidiere's design, guided by her philosophy that 'more is less when it comes to prints' – meaning a bolder use of patterns can sometimes make them blend in more seamlessly. This is evident in a younger daughter's room with a sophisticated yet playful wallpaper and in the primary bedroom, where Brunschwig & Fils wallpaper was chosen to complement existing turquoise armchairs. Even the screened porch was updated by refreshing antique iron furniture, swapping a wood tabletop for glass, and adding warm woven accents, using vintage textile patterns like 'Chrysanthemum by Tillett' for upholstery to tie everything together. The overall design successfully marries the past with the present, creating a home that is rich in history and personal meaning. #HomeDecor #InteriorDesign #GrandmillennialStyle #FamilyAntiques #BirminghamHome #CarolineGidiere #SentimentalStyle #TraditionalDecor #ModernEclecticism

This blog post details a significant renovation of a 1970s South County residence, focusing on how lighting fixtures from Metro Lighting, in collaboration with KH Interiors, transformed the home. The project was led by interior designer Krista Howard of KH Interiors and Heidi Sanders of Metro Lighting, aiming to create a practical yet elevated space for a busy family of five. The renovation extended beyond a simple kitchen update, evolving into a two-story expansion that now includes a spacious cooking and dining area, along with a covered outdoor porch. Each design element was meticulously chosen to accommodate the family's active lifestyle, encompassing sports schedules, entertaining needs, and daily functionality. The team involved architect William Cover, Lurk’s Custom Cabinets, and photographer Anne Mathias, with Metro Lighting playing a crucial role in curating the home's lighting. In the reimagined kitchen, two large orb pendants are prominently featured above dual islands, one dedicated to storage and the other to function. These orbs are complemented by onyx stone cylinder fixtures that not only echo the kitchen's stone details but also cast a soft, sculptural glow. Above the breakfast table, a sleek gold fixture introduces a contrasting element, its simplicity providing a calm balance to the kitchen's more dynamic design features, creating a cohesive and visually appealing central gathering space. The lighting design extends thoughtfully into other areas of the home, transforming even transitional spaces. A hallway adjacent to the kitchen, referred to as the “kitchen hall,” connects bedrooms to public areas. Here, lighting is strategically used to gently illuminate stone accents, turning a functional corridor into a refined and welcoming passage. This attention to detail ensures that lighting serves both an aesthetic and practical purpose throughout the residence. The powder room and the adjacent lower-level pool changing area draw inspiration from the past, featuring brass vertical sconces reminiscent of 1940s design. These fixtures are paired with playful wallpaper to create an inviting retro-modern ambiance. The lighting in these areas is described as “quiet and classic,” designed to support the functionality of the space without becoming the dominant focal point, allowing other design elements to shine while providing adequate illumination. Beyond its aesthetic contributions, the home incorporates smart lighting and automated window treatments, enhancing both convenience and energy efficiency. These modern features allow the family to easily adjust their living environment, whether for hosting guests, relaxing in the evening, or quickly departing the house, all without compromising the home's timeless design integrity. Lurk’s Custom Cabinets further anchored the space with exceptional craftsmanship, coordinating finishes and cabinetry details with the overall lighting plan to ensure a harmonious visual flow between the kitchen and adjoining rooms. Ultimately, this South County residence represents more than just a renovation; it is a testament to thoughtful design, sustained collaboration, and the transformative power of architectural lighting. The project effectively elevates not only the home’s structure and aesthetics but also significantly enhances the family’s daily living experience. Through the combined expertise of Metro Lighting and KH Interiors, a once-dated kitchen has been revitalized into a radiant and central hub for connection and comfort within the home. #HomeRenovation #InteriorDesign #LightingDesign #KitchenRemodel #SmartHome #ArchitecturalLighting #KHInteriors #MetroLighting

This article details the restoration and renovation of a historic Spanish Revival home in Montecito, CA, originally designed by renowned architect Wallace Neff in 1922. The recent renovation, led by interior designer Bridgid Williams, focused on peeling back previous unsympathetic changes to highlight the home's period details and original character. The redesign emphasizes a transitional scheme rich in warmth and character, achieved through a blend of beautifully crafted new and old furniture, exquisite details, and specific finishes. Key elements of the restoration include preserving unique and handcrafted decorative details. The entryway, for instance, features original handmade terracotta tiles, which informed the home's overall color palette. The decision to reinstate soft white plaster walls, characteristic of Spanish colonial revival architecture, helps accentuate the decorative tile details on the stair risers and ironwork. The renovation also saw the reintroduction of bullnose corners and the elimination of baseboards, allowing plaster walls to meet the flooring directly. A notable detail in the terracotta floors is a century-old dog paw print, which was intentionally preserved, symbolizing an appreciation for imperfection and adding a unique narrative to the home. The kitchen and dining areas showcase a thoughtful combination of heirloom pieces and well-crafted new furniture. In the kitchen, a vintage Welsh potboard is paired with a custom-built island designed to resemble a furniture piece, serving as a focal point for displaying the homeowner's collected treasures. Classic details were reinstated, such as replacing a stainless steel extractor hood with a traditional-style white plaster one and incorporating a warm Tadelakt plaster backsplash. The original terracotta floors dictated the design, with sophisticated navy cabinetry (Farrow & Ball’s Black Blue) chosen to complement their rich rust color, benefiting from ample natural light. The dining room, merged with the kitchen, features vintage pieces like visually lighter wicker dining chairs to prevent overwhelming the space. An architectural intervention involved creating a thick three-centered arch between the kitchen and dining room, opening the space for entertaining while reintroducing a softness lost in previous remodels. This arch now acts as a central axis for the rear of the house. Custom furniture, such as a white oak racetrack dining table by Petersen Antiques and a Linear chandelier from Currey & Co, complete the setting. The living room retains unique original details, including an orchestra balcony that once hosted performers, adding an unexpected layer of interest. The original fireplace, iron railings, and stairs leading to the balcony remain intact, contributing to the home's charm. The restoration emphasized highlighting vaulted ceilings and arched openings, though the goal was not to create a museum-like environment. Instead, the focus was on incorporating living finishes and materials that would age and patina over time. The long living space was divided into two sitting areas, unified by identical jute rugs and infused with pops of green through various decorative elements. Bedrooms feature earthy tones that reflect Mediterranean hues, aligning with the relaxed California style and traditional Spanish aesthetics. An original corner bedroom fireplace, with its rounded profile and stucco chimney breast, serves as a charming focal point in the guest suite. In the primary bathroom, waterproof plaster walls create a spa-like, calming retreat, allowing elements like a chandelier and custom reeded cabinetry to stand out without competition. Texture is used to add depth, as seen in the custom double vanity with its reeded detailing. For the grandkids' room, bobbin beds, refinished in Benjamin Moore Galapagos Green, provide a contemporary yet traditional touch. Custom pieces were commissioned when vintage options were unavailable, such as a barley twist leg vanity in the grandchildren's en suite from Paul Smith Studios, which maximizes space and adds nostalgic character. The exterior landscaping, designed by Alexander Champagne Landscape Design, integrates seamlessly with the architecture, enhancing the indoor-outdoor experience and providing a perfect finishing touch to the meticulously restored home. #HistoricHomeRenovation #SpanishRevivalArchitecture #InteriorDesign #BridgidWilliams #MontecitoCalifornia #TerracottaTiles #VintageFurniture #CustomCabinetry #PlasterWalls

This article highlights some of the leading interior designers in Britain who excel in blending the classic English Country House style with modern living requirements. The designers featured are known for their distinct approaches, ranging from opulent traditional designs to fresh, contemporary interpretations. Alidad Mahloudji, known professionally as Alidad, specializes in grand country-house aesthetics, as showcased in his Legend Room at WOW!house, which featured richly layered and inviting styles. Eadie & Crole, founded by Sophie Eadie and Fi Crole, create elegant interiors using subtle hues, natural textures, antiques, and contemporary art, also offering a collection of furniture, fabrics, and wallpapers. Edward Bulmer, an interior designer and architectural historian, focuses on heritage building restoration and environmental sustainability, using his own natural paint line. His projects include his Queen Anne home and work at Pitshill and Althorp. Nels Crosthwaite Eyre of Eyre Interiors is praised for her light and bright interpretation of English country-house style, suitable for new generations. She integrates practicality for family life with vintage textiles, art, and antique furniture. Guy Goodfellow, with over two decades of experience, designs classic interiors by combining heritage architecture knowledge with an eye for color and comfort, now collaborating with creative director Steven Rodel. His collection of fabrics and wallpapers is inspired by historic textiles. Isabella Worsley, based in London, runs a studio known for its confident use of color and pattern, celebrating British artists and craftspeople in both residential and commercial projects. Janine Stone & Co. offers a comprehensive service encompassing architecture, interior design, construction, and project management for private residences, focusing on timeless designs tailored to client lifestyles. Kit Kemp, co-founder of Firmdale Hotels, is admired for her colorful and inviting interiors. Her design studio, which includes her daughters, undertakes residential projects globally and collaborates with various design brands. Lonika Chande specializes in multi-faceted interiors for young families, blending color, texture, and pattern with practicality, often incorporating antiques and modern elements. Lucy Cunningham brings new life to classic English country-house style through pattern, color, interesting textiles, and antiques. Lucy Elworthy, a former decoration editor, designs timeless rooms that appear to have evolved over time, often collaborating with architect John Comparelli. Max Rollitt, an interior designer, furniture-maker, and antiques dealer, is recognized for his distinctive style that combines antique originals with his bespoke furniture. Nina Campbell, an OBE recipient, is involved in diverse projects including care homes and pubs, and has ongoing collaborations for rugs, tiles, fabrics, and homewares. Her eponymous shop offers chic tableware and accessories. Oliver Laws, led by Guy Oliver, focuses on elegant and timeless interiors that highlight bespoke craftsmanship, with projects including the Connaught hotel renovation. Bee Osborn of Osborn Interiors creates restful interiors that emphasize natural materials and an 'organic luxury' aesthetic. Pippa Paton Design is known for transforming historic properties in the Cotswolds into inviting modern spaces by combining spatial planning with natural beauty. Rita Konig blends traditional decoration with a fresh, modern verve, working in the UK and US, and has launched a fabric and wallpaper collection. The practice of Robert Kime, now headed by Orlando Atty, continues to create traditional yet unstuffy interiors filled with antiques and colorful textiles. Sean Symington, a rising designer, blends a building's character with elegant style, often mixing antiques with modern pieces. Sibyl Colefax & John Fowler, a venerable firm founded in the 1930s, is known for quintessentially English style and undertakes diverse projects worldwide. Sims Hilditch offers a fresh take on English country-house style, working on projects including show apartments and country estates. Lady Henrietta Spencer-Churchill of Spencer-Churchill Designs specializes in grand English country-house style, drawing inspiration from Blenheim Palace. Susie Atkinson of Studio Atkinson creates contemporary interiors with understated luxury for private houses and boutique hotels. Thorp, celebrating its 40th anniversary, provides full architecture, interior design, and project management services for an international clientele. James Thurstan Waterworth of Thurstan brings history to life through antique finds and aged materials, creating atmospheric interiors. Todhunter Earle Interiors, led by Emily Todhunter and Kate Earle, is highly regarded for imaginative designs that balance contemporary living with historic houses. Turner Pocock, led by Bunny Turner and Emma Pocock, is admired for its creativity and confident use of color and pattern in various residential projects. Veere Grenney Associates' interiors are rooted in classical tradition, with projects spanning the UK, Switzerland, Italy, and the Middle East. Henriette von Stockhausen of VSP Interiors is known for designing large country properties with a classic, colorfully eclectic style. #InteriorDesign #BritishDesigners #CountryHouseStyle #LuxuryInteriors #ArchitecturalDesign #HomeDecoration #TimelessDesign #Renovation #SustainableDesign

Interior designer Nicole Fisher of BNR Interiors transformed a four-bedroom, builder-grade row house in Hudson, Upstate New York, into a vibrant home with British charm. The initial state of the house, purchased by a developer, lacked character with generic hardware store moldings and fixtures. Fisher's primary goal was to infuse personality and warmth into the space, moving away from the common 'white on white' aesthetic prevalent in the region. The design process began with selecting a cohesive color palette, largely inspired by House of Hackney’s Avalon wallpaper, a striped and floral pattern used in the dining room. This wallpaper dictated the selection of 14 different paint colors applied throughout the house, aiming to create a distinctly British, rather than farmhouse, atmosphere. The homeowners, being British themselves, were receptive to a bold and layered approach to interior design, having previously embraced unconventional choices like a lime green kitchen in their London home. Fisher embraced the British tendency for playful interiors, characterized by multiple patterns and layers, creating spaces that feel timeless rather than confined to a specific era. The philosophy was to choose elements that the homeowners loved, ensuring they would work together harmoniously if executed correctly. A significant feature of the renovation included the incorporation of two hidden doors—one leading to a pantry and another in the TV room. These hidden spaces serve both functional and aesthetic purposes, providing privacy in a house where the entire length is visible from the front door, and offering practical solutions for entertaining by concealing clutter or creating a 'speakeasy' feel. Attention to detail extends to specific rooms, such as the primary bedroom, where multiple patterns are successfully integrated. The key to this success lies in a common color thread, specifically a cranberry hue, which is consistently pulled through various elements like the bed, wallpaper, and chair tassels. Additionally, Fisher employed variations in scale, combining small and large patterns, such as a chunky floral fabric from Liberty (which held sentimental value for the homeowner as her wedding dress designer) for the headboard. This approach creates a collected, aged feel, reminiscent of a modern grandmother's country house, avoiding a 'too new' or 'too precious' ambiance. The kitchen also showcases unique finds, including a faux marble island sourced from 1stDibs. This island, with its colors complementing the chosen wallpaper, became a central element that set the tone for the rest of the kitchen, contributing to the overall layered and inviting aesthetic Fisher aimed for. Other notable design choices include Sanderson’s Stapleton Park Wallpaper in the dressing room, Farrow & Ball’s Potted Shrimp for the den walls, Phillip Jeffries’s Island Raffia in the living room, Cole & Son’s Frutta e Geometrico in the bar area, Soane’s Scrolling Acanthus in Bloom in the primary bedroom, John Derian wallpaper in another bedroom, and Scalamandre’s Magnus in Indigo Blue in the laundry room. These selections highlight a rich interplay of patterns, textures, and colors, successfully transforming a generic space into a home filled with character and warmth, deeply influenced by British design sensibilities. #InteriorDesign #HomeRenovation #BritishCharm #PatternMixing #WallpaperDesign #ColorPalette #HiddenDoors #HudsonHome #BNRInteriors

In 2022, facing a challenging real estate market, Cody and Ashley Spencer, along with Cody’s brother and sister-in-law, collaboratively purchased a property in Langley. This acquisition laid the groundwork for their company, Homestead Design Build, which specializes in multi-generational living projects. Their clientele often includes younger generations struggling to enter the housing market, leading to creative solutions like parents moving into basements or building laneways. The Spencers' personal project involved renovating an existing house for Cody's brother and sister-in-law while constructing a new home for themselves on the opposite end of the deep, forest-bordered lot. Initial plans for a sprawling rancher were re-evaluated due to the lot's narrow profile and proximity to a creek, leading them to design a two-storey, 1,950-square-foot residence. Inspired by storybook European cottages, the new home blends modern aesthetics with a cozy, timeless appeal. The exterior features steeply pitched rooflines, board-and-batten siding, and warm cedar accents against a charcoal-on-black color scheme. A covered back patio, sheltered by a vaulted ceiling with exposed beams and slim skylights, provides a three-season outdoor living space amidst Douglas fir and cedar trees, fostering a seamless connection between indoor and outdoor environments. Inside, dual-panel sliding-glass doors open into a living room dominated by a floor-to-ceiling stone fireplace, continuing the European cottage theme. The interior design incorporates an eclectic mix of vintage and modern furnishings, including a minimalist gallery wall and a dining area with spindle-back chairs, modern benches, and a traditional console. The kitchen is a focal point with a custom-framed hood fan, built-in shelves, and a striking quartz slab backsplash in a soft green hue. Defying convention, a framed artwork hangs above the range. A fieldstone feature wall near the farmhouse-style sink and brushed-gold faucet visually links to the living room fireplace. White and rift-cut white oak cabinetry with polished-chrome hardware contributes to a light, modern feel, while the Caesarstone-topped island features reeded side paneling and an integrated feeding nook for the family dog. The main floor powder room introduces a bold touch with walls and wainscotting drenched in Sherwin Williams Evergreen Fog. Upstairs, the primary bathroom offers a spa-like retreat with a freestanding tub, ceramic herringbone floor tile, and large-format wall tiles mitered into the windows with quartz sills, creating a durable, waterproof wet area. The daughter's bedroom is decorated in bright pink, complemented by a green and rose bathroom with playful terrazzo hex floor tile and a practical pull-out stool from the vanity for accessibility. The couple’s home office, where they work side-by-side on projects, reflects their collaborative design-build approach. While the Spencers thoughtfully designed their home for longevity and adaptability to their family's growth, they acknowledge that minor details can be refreshed over time, ensuring the home remains both functional and aesthetically pleasing for years to come. #HomeDesign #CottagecoreStyle #MultiGenerationalLiving #HomesteadDesignBuild #CustomHome #InteriorDesign #EuropeanCottage #OutdoorLiving #FamilyHome

This article explores the transformation of an unloved 1904 Edwardian house in Buckinghamshire, UK, into a comfortable and welcoming home by its owner, Chris Myers, and her husband, Neil. The couple undertook extensive renovations, including knocking through rooms to create an open-plan layout, adding an extension, and refreshing the downstairs, ultimately featuring a New England-style porch and an abundant cottage garden. Chris Myers, an author, crafter, and founder of The Cozy Club workshops, infused the home with a nostalgic and welcoming aesthetic, utilizing upcycled vintage furniture, chintzy fabrics, and handmade patchwork quilts, while Neil repurposed salvaged materials. The renovation began by interconnecting the kitchen, sitting room, and dining room. The kitchen, designed with a classic Edwardian feel, features a double Aga range cooker set into the original fireplace alcove with a nostalgic tiled backsplash. The original quarry tiles were retained, and the space is adorned with a patchwork quilt tablecloth and mismatched vintage china, contributing to a homey atmosphere. The dining room embraces a vintage Scandi style, incorporating layers of winter whites, Gustavian-style cabinets, and a handmade wooden picket-fence pelmet replacing a formal fabric one. This room serves both for entertaining and for The Cozy Club's crafting sessions. The living room maintains the property's historical integrity with an original wooden fireplace, while bay windows are dressed with Colefax & Fowler’s Bowood chintz curtains. The floor throughout the house is painted white to enhance natural light. Furnishings include a sofa covered with a homemade quilt and an armchair re-covered in vintage French linen sheets. A salvaged wood door cleverly conceals the television in an alcove, with a curtain below hiding other essentials, balancing comfort with practicality. A mud room, created as part of the new additions, features a simple brick floor, tongue and groove paneling, and storage solutions using shelves, baskets, and crates, all decorated with vintage fabrics to maintain the nostalgic theme. The bedrooms are a highlight, with exquisite schemes. A guest room showcases a snug sleigh bed layered with homemade cushions and quilts, wallpapered with a vintage Colefax & Fowler print, and complemented by wooden storage crates and an antique wall cupboard. A child's room, prepared for grandchildren, includes gingham fabrics and patchwork quilts, notably featuring a Second World War hospital bed. The attic room, with its dormer window, is adorned with floral wallpaper extending to the ceiling, painted floorboards, and a quiet reading nook. All four bedrooms and three bathrooms underwent vintage or period-style makeovers. The spacious en suite bathroom, formerly the main bedroom, is a standout feature, with a roll-top cast-iron bath placed in the bay window to offer scenic views. The significant challenge of moving the heavy tub upstairs required professional movers. Outside, the New England-style veranda, inspired by Chris's Canadian childhood, adds curb appeal. It features shiplap cladding, a handmade scallop-edged pelmet, cherished quilts, chintz fabrics, and vintage furniture, blending seamlessly with the house's overall design. The front of the Edwardian home is characterized by an abundant cottage-style garden, complete with a rose arch and a pebble and brick pathway. The original 1904 windows at the back of the house are preserved despite being draughty, underscoring Chris's commitment to maintaining the property's historical character. #EdwardianHome #VintageDecor #HandmadeQuilts #CottageGarden #HomeRenovation #InteriorDesign #NostalgicInteriors #UpcycledFurniture #CountryStyle #TheCozyClub