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Mark van der Gronden's Storage Furniture from Repurposed Industrial Crates
The article highlights Mark van der Gronden's Krattenkast, a line of storage furniture made from repurposed industrial crates. These units, first showcased at the Milan show, feature steel frames produced by Dutch contract furniture manufacturer Lensvelt. The design incorporates plastic industrial containers of various shapes and sizes as drawers, which are then integrated into the steel framework.
The Krattenkast is characterized by its robust construction, simplicity, and its use of repurposed materials, aligning with principles of sustainable design. A notable aspect of the furniture is the deliberate randomness in the variety of crates used, which depends on the availability of materials from recyclers. This approach results in a diverse palette of colors and designs for each unit, ensuring that no two Krattenkasts are identical. The article emphasizes that the collection of crates continuously varies, leading to an endless number of different models and colors, contributing to the unique aesthetic of each piece.
The steel frames are designed to accommodate these varied crates, allowing for flexible configurations. For instance, a cabinet with three or four crates can achieve the same height as one with five, due to the indiscriminate stacking and varied dimensions of the repurposed containers. This modularity allows for adaptability in terms of size and appearance, making each Krattenkast a distinctive item.
Comments from readers discuss various aspects of the product. One comment questions the pricing, suggesting that the cost seems high for repurposed materials and a design that might not be entirely original. Another comment points to a similar design by Mauricio Arruda, suggesting a lack of unique identity for the Krattenkast. A third comment mentions a prior sighting of a similar design in 2006 by Christiane Hoegner, questioning the true pioneer of this concept. A final comment posits that designs utilizing recycled products are difficult to 'own' as intellectual property, implying that anyone could replicate such a concept, while still acknowledging the sweetness of the overall idea. These comments reflect a broader discussion on originality, pricing, and the nature of intellectual property in sustainable and repurposed design.
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