From an Undulating Table to a Cocoon Swing, the Best Pieces from Louis Vuitton’s Booth at Design Miami

Louis Vuitton's design philosophy, originating from a foundation of structure, functionality, and elegance, began with its classic trunks and luggage. This initial venture evolved into a global design empire, extending beyond fashion accessories to encompass furniture and home decor that embodies the brand's signature playful yet refined aesthetic. At this year's Milan Design Week, Louis Vuitton unveiled significant additions across five of its esteemed home collections: Objet Nomades, Signature Collection, Exceptional Gaming, Home Decoration and Textiles, and Table Arts. Each collection thoughtfully integrates classic Louis Vuitton motifs with contemporary design elements. The Objet Nomades collection, which commenced in 2012, continues to represent an innovative and experimental approach to home furnishings. This year's showcase included the Kaleidoscope Cabinet, a series of eight unique pieces, each individually crafted. The collection's ethos is to continuously elevate its predecessors through exclusive designs. The Home Decor and Textiles collection introduced vibrant ceramics and leather items designed by Spanish artist Jaime Hayon, contributing a cheerful and colorful spirit ideal for the springtime season. Patricia Urquiola also contributed to this collection with catch-all trays and vases, drawing inspiration from the Objet Nomades line, thereby fostering a cohesive design narrative across the different collections. The Signature Collection is presented as the brand's intimate connection to the home, characterized by its use of warm woods and diverse textures. This collection features modular couches and other furniture pieces that exemplify comfort combined with elegance. It bridges historical Louis Vuitton motifs with contemporary designs, creating a space filled with cultural and spiritual connections. The Exceptional Gaming collection received a notable new entry: a pinball machine inspired by Louis Vuitton Men's SS25 runway show, conceptualized by menswear director Pharrell Williams. Furthermore, Estúdio Campana offered a fresh interpretation of a football table within this conceptual collection. The Table Arts collection was updated with a new deep black color option for the coiling collection, designed by Japanese artist Nendo. A portion of this collection also serves as an homage to the futurist designer Fortunato Depero, with tableware and textiles that echo his distinctive avant-garde style. Collectively, these new additions across Louis Vuitton's Home Collections underscore the brand's ongoing commitment to innovative design and its ability to blend heritage with modernity. #LouisVuitton #MilanDesignWeek #HomeDecor #LuxuryDesign #FurnitureDesign #ObjetNomades #InteriorDesign #FashionHome #DesignInnovation

Los Angeles-based designer Willett launched his eponymous furniture brand in September 2024, introducing a six-piece, locally made collection. His designs evoke a sense of nostalgia, combining golden-toned wood, silky-smooth lacquer, and soft angles that reference early 20th-century modernism while incorporating the playful aesthetic of the 1960s and 1970s. The debut collection includes the glossy black lacquered 'Popo' chair, 1960s-inspired credenzas with asymmetrical doors, a low-slung armchair with leather cushions, dining tables with integrated seating, a daybed, and a black lacquer coffee table featuring a recessed band of veneer inlay. Willett's journey into furniture design began during the pandemic after he and his wife, chef Molly Baz, relocated from New York to LA. Previously, he worked as an in-house creative director for brands like Nike and YZY GAP, where he focused on experiential spaces, making the transition to bespoke furniture for his own home a natural progression. Currently, Willett operates from his newly opened showroom in LA's Arts District, where he is developing new furniture designs for release next year and engaging in interior design and ground-up building projects. Before the end of 2024, Willett is scheduled to showcase his collection at Design Miami 2024 through installations with the Swiss furniture brand USM and the online marketplace Basic.Space. In an interview, Willett discusses how his experience designing for brands like Nike and YZY GAP influenced his holistic approach to interiors and furniture, emphasizing that every detail contributes to the overall experience. He aims for precision and efficiency in his designs, ensuring every element serves a purpose. Willett is drawn to materials like veneered bent plywood and lacquer because they are readily available and align with his vision of making good design accessible. He believes his pieces should feel familiar yet offer a refreshing perspective amidst market saturation. For Design Miami 2024, Willett is debuting his first dining chair, the 'WT G1 Popo' chair, in new colorways—Willett Red and Cream—alongside the previously released Ebony. These chairs are a contemporary interpretation of a modernist classic, designed to be versatile enough for sophisticated dining rooms or as standalone art pieces. His collaborations with USM and Basic.Space developed organically, stemming from a shared passion for design. Visitors to Willett's LA showroom can expect to see a rotating selection of his pieces, which he lives with and finesses before their official release, ranging from dining tables to daybeds and small stools. The showroom is intentionally pared back to allow the furniture to take center stage. Looking ahead to next year, Willett has several projects that explore the symbiotic relationship between his furniture and the spaces they inhabit. One ground-up build project will feature a roofline that echoes the silhouette of his 'WT G1 Baby Grand' coffee table, demonstrating his integrated design philosophy. He explains that each space is tailored to its environment while maintaining a consistent design language, creating what he refers to as a 'Willett Space.' For Willett, there is no distinction between creating spaces and designing furniture; he approaches both with the same objective: to enhance people's lives through thoughtfully crafted built environments. The Willett showroom is accessible by appointment only through his website. #FurnitureDesign #DesignMiami #Willett #InteriorDesign #Modernism #RetroStyle #LAdesign #ProductLaunch #LuxuryFurniture

Design Miami/ Basel returned for its 13th edition, showcasing a diverse collection of new creative projects, iconic designs, and conceptual interpretations within the design genre. The event, held in the Herzog & de Meuron-designed fairgrounds, featured 43 international galleries representing modern and contemporary design, alongside ten special Curio presentations and large-scale installations, marking a significant celebration of both culture and commerce. This overview highlights several key installations and collections that captured attention. One notable presentation was the ‘(Con)temporary Home’ by Brazilian brand ETEL, designed by Italian architecture firm Superluna. This Collectors Lounge was conceptualized as a domestic environment, enclosed within a steel frame that subtly separated it from the fair's activity. The interior featured a curated mix of contemporary and historical Brazilian design pieces, complemented by photographs from Ruy Teixeira. A significant portion of the furniture offered to guests for relaxation, accompanied by champagne, included pieces by Jorge Zalszupin, honoring the Brazilian master on his 96th birthday. New York gallery Friedman Benda presented Nendo’s 'Watercolour Collection,' a series of 18 pieces designed to evoke the illusion of watercolor paintings on paper. Crafted from folded metal sheets, these objects utilized a special finishing technique to mimic paper, then hand-painted to create a light blue watercolor effect. The collection reimagined traditional furniture forms into abstract compositions, with the paint interacting with the shapes to produce a poetic, illusory quality. Belgian gallery Maniera collaborated with Dutch architect Anne Holtrop to present new works, including furniture, lighting, and accessories. These pieces formed micro-architectures that reflected Holtrop's distinct aesthetic, characterized by his unique sense of shape and material. Maniera's ongoing commitment involves commissioning architects to translate their signature styles into smaller-scale design objects. Design at Large, the annual initiative by Design Miami/ Basel, was curated by photographer François Halard in 2018. Halard explored the enduring impact of design through a series of nine diverse projects from the 20th and 21st centuries. The exhibition featured architectural elements by Jean Prouvé, interiors by Gaetano Pesce for the Dujardin children’s store, and a micro-architecture by RDAI. Halard's curatorial vision aimed to connect past influences with present and future design trends, emphasizing the continuity of ideas in art and design. ‘A New Layer Taiwan,’ presented by Spazio Nobile Gallery, showcased an initiative by the National Taiwanese Craft Research and Development Institute. This project fostered collaborations between Taiwanese craftsmen and international designers. Curator Lise Coirier brought together seven designers who worked with local artisans to produce a range of pieces, including ceramic works by Anton Alvarez and BCXSY, bamboo furniture by Sebastian Herkner and Jin Kuramoto, and lacquer objects by Julie Richoz and Wonmin Park. Olivier van Herpt, an Eindhoven graduate, presented 'Blue and White' for VIVID. This collection highlighted his unique ceramic 3D printing technique, which creates a distinct aesthetic. The series drew inspiration from the Delft tradition of blue porcelain, with cobalt pigment applied by hand before extrusion, resulting in a radial gradient pattern that symbolizes the collaboration between human interaction and machine precision. This project was initially commissioned by the Gemeentemuseum Den Haag. Calvin Klein made its debut at Design Miami/ Basel with an installation featuring Gaetano Pesce’s 'Feltri' chair, designed in 1987 for Cassina. The installation, inspired by a barn, was reinterpreted by creative director Raf Simons using vintage American heirloom quilts from the 19th and 20th centuries. It showcased 100 limited edition numbered chairs, marking a unique cross-disciplinary presentation. Lastly, 'Origins: Design from the Ancient World' was presented by Galerie Chenel and Oscar Humphries. Following his successful Curio installation from the previous year, Humphries, in collaboration with Paris’ Galerie Chenel, displayed Roman design for the first time at a design fair. The collection featured Greco-Roman artifacts, design, and architectural elements from 200 BC to approximately 200 AD, including columns, capitals, urns, and fragmentary sections from interiors and furniture. This exhibition aimed to introduce this material to a new audience and provide a fresh context, demonstrating the fundamental synergy and enduring influence of ancient design on contemporary genres. #DesignMiamiBasel #CollectibleDesign #ContemporaryDesign #DesignExhibition #ArchitecturalDesign #FurnitureDesign #ArtAndDesign #InteriorDesign #Craftsmanship

Fendi's participation in Design Miami 2024 features a capsule collection titled 'Aenigma,' created in collaboration with furniture designer Lewis Kemmenoe. This collection marks Fendi's continued presence at Design Miami since 2008, known for showcasing luxury craftsmanship and rich materiality through innovative collaborations. Kemmenoe's inclusion places him among a distinguished group of designers who have previously partnered with Fendi for this event, signaling his rising prominence in the design world. The 'Aenigma' collection encompasses three chairs, a wall panel, vases, lamps, a table, and a cabinet. These pieces offer a contemporary interpretation of modernism, integrating functional and sculptural elements. The designs combine organic materials such as wood, bark, alabaster, and stone with metals like aluminum and brass. A distinctive feature is the use of patchworked panels, which subtly allude to the outlines found in garment patterns. Kemmenoe's creative process for this collection was significantly influenced by a visit to Fendi's headquarters in Rome. During this trip, he explored iconic Roman landmarks like the Vatican and the Borghese Gallery. The grandeur of the architecture and the organic forms in Caravaggio’s art resonated with his artistic vision, validating and enriching his existing exploration of organic shapes and tactile materials. He found particular inspiration in the Vatican's relief sculptures, noting how the placement of elements within these spaces informed the arrangement of organic forms in his furniture. Further inspiration came from Fendi’s archives, where he discovered handbags featuring leather and wood panels that mirrored his material sensibilities, bridging traditional craft with modern design. Kemmenoe's journey into furniture design evolved from his background in fine art at Central Saint Martins and design at the Royal College of Art, followed by freelance work in film and architecture. The Covid lockdowns provided the opportunity for him to shift his focus from abstract sculptural work to more functional furniture. By 2021, his distinctive aesthetic, characterized by material-led, midcentury-inspired designs, had gained significant recognition. His design philosophy is intuitive, allowing materials to dictate the final form. Kemmenoe, who is not a conventionally trained carpenter, approaches design with a unique perspective, often subverting traditional expectations. His work balances functionality with a sense of intrigue, drawing inspiration from Japanese and American modernism, particularly the works of George Nakashima. He admires Nakashima’s approach to materials, allowing them to speak for themselves, a principle Kemmenoe integrates into his own practice by working with, rather than against, the natural properties of wood and other textures. Fendi granted Kemmenoe significant creative freedom for the collection, which he describes as both exciting and challenging. This autonomy required him to trust his instincts in realizing his vision. The collection explores the intersection of art and design, exemplified by the chairs produced in contrasting brass and aluminum versions, creating a visual dialogue between materials. This contrast between rough and smooth textures is central to his practice. The 'Aenigma' collection also includes organic-shaped lamps inspired by Isamu Noguchi's paper light sculptures. Crafted from backlit wood veneer, they emphasize the material's grain and create a soft ambiance. Kemmenoe also incorporates alabaster, a material with historical ties to Rome, into a series of vases for the collection. He expresses interest in future collaborations, specifically with Fendi Casa, and aims to expand his global presence. #Fendi #DesignMiami #LewisKemmenoe #FurnitureDesign #LuxuryCraftsmanship #Modernism #InteriorDesign #Materiality #SculpturalFurniture

Milan Design Week annually transforms the city's historic streets with a multitude of installations, performances, and interventions, captivating visitors with creative displays in shop windows and hidden courtyards. In recent years, fashion brands have increasingly participated, extending their design expertise to furniture, interiors, and architectural spaces. This integration showcases a growing trend of interdisciplinary collaboration between fashion and design industries. Among the highlights of Milan Design Week 2019, Marni's 'Moon Walk' installation draws inspiration from celestial themes, merging 'primitive fascinations with the imagination of the future.' This project features a collection of brightly colored chairs, loungers, stools, and tables crafted from innovative materials by Colombian artisans, with whom Marni has a long-standing collaboration. The designs reflect an exploration of unexplored forms and textures, bringing a unique artisanal touch to the event. Jil Sander's 'Adjacent Field' installation, a collaboration between creative directors Lucie and Luke Meier and artist Linda Tegg, emphasizes sustainability and spontaneity. The Jil Sander headquarters in Milan houses a botanical display comprising mosses, succulents, weeds, herbs, and flowers, illuminated by a sophisticated lighting design by Nic Burnham. This installation transforms the space into a natural oasis, highlighting the beauty and importance of biophilia in urban environments. COS, an early adopter of Milan Design Week participation since 2012, partnered with architect Arthur Mamou-Mani for 'Conifera.' This futuristic bower, constructed from 3D printed wood and bioplastic conical bricks, occupied the courtyard of the historic Palazzo Isimbardi. The project exemplifies the brand's commitment to innovative design and sustainable practices through the use of advanced manufacturing techniques and eco-friendly materials. Tod's No_Code Shelter, a joint effort between Tod's and architect Andrea Caputo, created a multi-room exhibition within a cavernous space adjacent to the National Museum of Science and Technology. Surrounded by reconstructions of Leonardo da Vinci's inventions, the installation delved into themes of shelter, sustainability, and safety in contemporary society, prompting reflection on modern living challenges and solutions. Miu Miu presented 'M/Matching Colourstool,' a playful collaboration with creative agency M/M Paris. This design features a perforated linden wood stool that allows for customization with over 300 colored 'matchsticks,' offering owners a personalized decorative experience. The stool debuted at Milan's Teatro Gerolamo, underscoring Miu Miu's vibrant aesthetic and engagement with artistic expression. Issey Miyake, on its third appearance at Milan Design Week, collaborated with architect Jólan van der Wiel for 'The Strange Attraction of Water.' The piece, 'Journey of a Raindrop,' integrates water and design to simulate a raindrop's journey through various elements, showcasing an understanding of the natural world and its influence on creative expression. This installation offers an immersive experience, blending natural phenomena with artistic interpretation. Finally, Raf Simons and Kvadrat continued their collaboration with 'No Man's Land,' an installation at Garage 21 that explores the 'microarchitecture of yarn.' The exhibit featured apocalyptically styled soft furnishings, a prefab house by Jean Prouvé, and catering from London's Rochelle Canteen. This project highlights the innovative use of textiles and examines the intersection of fashion, architecture, and interior design in creating conceptual spaces. #MilanDesignWeek #FashionInstallations #InteriorDesign #ArchitecturalSpaces #SustainableDesign #ArtisanCraftsmanship #Biophilia #3DPrinting #TextileInnovation #CustomizableFurniture

Shutterstock founder Jon Oringer and his wife Talia embarked on a search for a home in Miami Beach that would align with their vision of a welcoming oasis, distinct from the prevailing aesthetic characterized by aggressive geometrics and glossy surfaces. Their quest led them to a property overlooking Biscayne Bay, which, despite requiring significant renovation, offered an exceptional location and views. To transform this property into their dream home, they enlisted the expertise of AD100 interior designer Kelly Behun, who had previously worked on their Bridgehampton residence. Behun is recognized for her ability to create interiors that blend fanciful elements with refined sophistication, resulting in spaces that are both imaginative and serene. The home’s architectural transformation was initiated by Blaze Makoid of BMA Architects, who softened the exterior’s angularity with bronze and wood accents and introduced a sculptural staircase to enhance the interior’s dynamism. This established a visual language emphasizing fluidity and warmth, a quality the homeowners desired. Behun further collaborated with To Better Days Building, another AD PRO Directory firm, to realize the couple's vision. Within this architectural framework, Behun curated a vibrant collection of pieces from a global network of artisans, combining them with striking art and vintage items. Each room's design is often anchored by a central element, such as a unique lighting fixture or a captivating artwork, which harmonizes the color, pattern, and scale. Contemporary materials like white oak, plush fabrics, and muted metals are employed in sculptural forms, grounding the whimsical elements in an atmosphere of elegance and luxury. The entryway, for instance, features a custom stained glass light fixture by Greek artist Kostas Lambridis, whose design reflects the client's personal narrative. This piece hangs above a Mimi table by Garcé & Dimofski, complemented by Martino Gamper circus stools and a woven chair from Space Available Studio, all echoing the fixture's colors. Similarly, a stained glass fixture by Maarten de Ceulaer commands attention in the dining room, balancing a substantial table by Yabu Pushelberg. In the double-height library, four ceiling pendants by Bennet Schlesinger, inspired by cumulus clouds, playfully disrupt the room's formal upholstered seating arrangements. The lounge is enlivened by a cut-paper collage of dancing women by Heidi Lanino, set against curvaceous furniture by designers like Achille Salvagni and Chris Wolston. For the children’s playroom, a Nuage fixture by Wout Wessemius creates an ethereal ambiance. Beyond individual pieces, foliage plays a crucial role in animating the spaces. Large Alocasia Calidora leaves at the second-floor atrium window add drama to the primary bedroom. Landscape architect Raymond Jungles collaborated on the home's vegetation, including an immense American oil palm at the entryway that helps scale down the property, contributing to a relaxed and comfortable atmosphere despite its grandeur. The overall design achieves a ravishing and rejuvenating effect, perceived as both sublime and sensual by the homeowners. Jon Oringer praised Behun’s capacity to translate their identity into the living space, affirming that the designer successfully delivered a home that is uniquely theirs. #HomeDesign #InteriorDesign #LuxuryHomes #MiamiArchitecture #ContemporaryDesign #CustomFurniture #ArtCollection #LandscapeDesign #ArchitecturalDigest

Milan Design Week 2022 showcased a variety of temporary installations designed to captivate the design community. These installations frequently leveraged unique settings, ranging from abandoned nunneries and military hospitals to former sports venues and historic villas, to create impactful experiences. The event featured nine notable installations that demonstrated innovative approaches to design and material use. One featured installation was “A Statement of Form” by Gaggenau, a kitchen manufacturer, which was located in the Villa Necchi Campiglio, a historic Italian villa known from the film “House of Gucci.” This installation, a collaboration with architecture firm 1zu33, marble expert Salvatori, and ceramic specialist Kaufmann, presented a sleek kitchen design within a luxurious setting. Another highlight was "Monumental Wonders" by SolidNature, exhibited at Alcova’s Lavanderia building. This installation showcased the versatility of natural and semi-precious stones, featuring nine types of onyx in a dramatic entry portal. OMA designed a stone-wrapped doorway and marble-and-onyx furniture pieces, including a rotating cabinet and a bed with hidden storage. Sabine Marcelis contributed a pink onyx bathroom sculpture, demonstrating the material’s aesthetic and functional potential. “Silentscape” by Isabella Del Grandi for Slalom, also at Alcova, focused on acoustics. This colorful sound studio installation integrated soft surfacing materials and suspended upholstered spheres to create a calming, sound-absorbing environment, highlighting acoustic system solutions. Hermès presented "Houses" by Charlotte Macaux Perelman, a luminous installation of ash wood and translucent colored paper structures at La Palota. Inspired by water towers, these glowing geometric forms displayed new cashmere fabric designs for the home. Flos’s “See the Stars Again” exhibition, curated by Calvi Brambilla at the Fabbrica Orobia, introduced 14 new lighting products. A key feature was the anniversary edition of the Arco lamp, Arco K, which showcased its lead-free crystal base. The exhibition also included sculptural displays and indoor gardens. Lee Broom’s “Divine Inspiration” presented six new lighting collections and 30 products in a gallery setting. Drawing inspiration from religious architecture, the exhibition featured unique moods in each room and included limited-edition hand-sculpted pieces, such as a broken pendant light in the Requiem collection. Amine El Gotaibi’s 300-pound ceiling-mounted weaving for Beni Rugs, titled Spoken Lines, was unveiled at Alcova. This site-specific artwork, made from 80 feet of natural wool, set the stage for a collection of 10 rugs and was crafted by a cooperative of female weavers in Morocco. Caffè Populaire, a collaboration between Lambert & Fils and DWA Design Studio, offered an _aperitivo_ garden at Alcova. The installation combined sculptural lighting from Lambert & Fils with flowered wallpaper by Superflower and various plantings. It featured an elevated interior garden and a water sculpture, contrasting Brutalist lighting forms with hyperrealistic floral imagery. Finally, "Holotype" by Refractory, a newly launched furniture brand, was presented at Alcova’s E/Space building. The installation created a unique sensory experience with the scent and visual presence of turmeric, used to tint concrete walls and piled on the ground. This backdrop framed Refractory’s artisanal furniture and lighting pieces, crafted from materials like cast bronze and solid black walnut, and incorporated paleontological specimens and imagery of America’s West. #MilanDesignWeek #InstallationArt #ProductDesign #InteriorDecor #FurnitureDesign #LightingDesign #TextileArt #MaterialInnovation #ExperientialDesign

This comprehensive guide highlights a curated selection of Los Angeles's premier design and furniture stores, catering to a wide array of interior design preferences and budgets. The article serves as a resource for individuals seeking to furnish or redecorate their homes, offering alternatives to larger retail chains like Ikea and Restoration Hardware by focusing on independent boutiques and showrooms with unique inventories. Each listed store offers a distinct style and product range. Amsterdam Modern, for instance, specializes in pristine midcentury modern seating and lighting imported from Holland, complementing its New Made LA shop which features vintage-inspired modern goods crafted locally. Badia Design is presented as a haven for 'Gypset' decor enthusiasts, providing Moroccan imports such as carved wood cabinets, decorative mirrors, brass and glass lamps, colorful leather poufs, and handmade mosaic tile tables, ideal for creating a globally-inspired living space. For those interested in American craftsmanship, Bauer Pottery Showroom showcases vibrant pottery. Big Daddy's Antiques in Culver City is described as an antiques wonderland, popular with set decorators and designers for its eclectic industrial tables, decorative crocodile skulls, and ornate vintage cabinets. Cisco Home on Melrose Avenue emphasizes sustainable and eco-friendly furnishings, vintage decor, and kitchen linens. Consort, founded by interior designers Mat Sanders and Brandon Quattrone, blends Italian modern with Miami Vice aesthetics and global inspirations, offering items like printed pillows, sleek bedsheets, brass bar carts, celebrity designer furniture, and handmade ceramics. deKor, by Swedish interior designer Isabelle Dahlin, features globally-inspired home furnishings, including midcentury modern seating, primitive mixing bowls, vintage pillows, and industrial lighting, along with custom vintage-inspired furniture. Other notable mentions include Nickey Kehoe and Galerie Half, which appear to offer unique design selections, and Gold Bug in Pasadena, presented as a treasure trove of unique items. Grace Home Furnishings in Brentwood Village focuses on contemporary decor, merging East Coast refinement and Old Hollywood glamour with Southern California living. Hammer And Spear in the Arts District provides a mix of vintage fur rugs, WWII-era bric-a-brac, midcentury modern chairs, luxe leather accessories, and home fragrances. H.D. Buttercup, with its extensive Culver City outpost, provides a vast selection of vintage, antique, and modern furnishings, lighting, and rugs, known for its significant sales. Huset on Abbot Kinney Boulevard offers playful and smart Scandinavian design, including ceramics, furniture, kitchen goods, and apparel. JF Chen Antiques and Lawrence Of La Brea also offer distinct antique and home decor selections. Lawson-fenning further contributes to the design scene with its unique offerings. L'Éclaireur showcases exclusive Fornasetti furniture and other luxurious design pieces. The Mart Collective functions as a collective for various design and antique vendors. Nick Metropolis provides an eclectic mix of items for home decoration. Midcentury LA, a 12,000-square-foot showroom, is dedicated to midcentury modern furniture, lighting, and decor imported from Denmark and Sweden. Modernica is highlighted for its authentic fiberglass shell chairs, Case Study furniture, and George Nelson bubble lamps, catering to enthusiasts of midcentury modern classics. Finally, Rolling Greens offers botanical elements and garden-inspired decor, while Sunbeam Vintage specializes in vintage finds. Tortoise General Store in Venice, inspired by Tokyo, provides minimalist Japanese-style home goods, including scrubbers, coffee and tea essentials, stationery, and Hasami Porcelain tableware. This guide aims to assist individuals in discovering diverse options for enhancing their living spaces in Los Angeles. #LosAngelesDesign #FurnitureStoresLA #InteriorDesign #HomeDecor #MidcenturyModern #VintageFurniture #MoroccanDecor #ScandinavianDesign #AntiquesLA #LuxuryHomeFurnishings

This month's ELLE DECORANDUM, a shopping memo from the editors of ELLE DECOR, unveils several new design launches, focusing on a French-inspired outdoor furniture collection, unique home decor, distinctive hardware, and elevated grocery shopping experiences, culminating with an artful tableware collection. The article highlights the debut of 'Vestige,' a new outdoor furniture collection from California-based Olive Ateliers. Inspired by French antiques and gardens, the collection features 14 pieces ranging from furniture to decor, characterized by soft silhouettes, sculptural lines, and an old-world romantic aesthetic. Co-founder Laura Sotelo notes the inspiration drawn from aged materials and the harmony of French gardens, offering a sophisticated option for alfresco living, with prices ranging from $65 to $2,995. Next, William White, founded by Will Cooper, introduces a home decor line alongside a fashion presentation titled 'Off The Clock – On The Clock.' This immersive installation, reminiscent of David Hicks' 1970s decorating style, utilizes over 500 yards of blue shirting fabric to cloak an entire space, including ceiling drapery, upholstered furniture, and bespoke lamps. Collaborating with artist Aleksandar Duravcevic and curator Ysabel Pinyol Blasi, the project blurs the lines between fashion, art, and home, creating a dreamy, made-to-measure world where minimalist design speaks volumes. Prices for these unique pieces are available upon request. The article also features a new hardware collection from Nest Studio, in collaboration with ELLE DECOR A-List interior designer Jessica Davis of Atelier Davis and Laura Jenkins. The 'Profile Series' is Nest Studio’s first designer collaboration and Jenkins’ inaugural hardware collection. Comprising ten pieces, the collection draws inspiration from Bauhaus aesthetics, offering knobs, pulls, and mounts that function as both sculptural art and practical elements, described as a blend of Giacometti and Cocteau with an asymmetric twist. The Disc pull is particularly highlighted for its clean, punchy, and dramatic appeal, with prices starting from $50. Big Night, a provisions shop in Greenpoint, Brooklyn, owned by former Infatuation editor Katherine Lewin, is expanding its footprint and offerings. The shop, known for transforming grocery shopping into a stylish ritual, features carefully curated items like jewel-toned tinned fish, olive oils resembling perfume bottles, and graphically packaged dry goods. The expanded space includes a kitchen-inspired central island with vivid ceramics and eccentric candlesticks, and a bar area above the checkout counter designed by East Otis Studio, turning a mundane task into a celebratory experience. Finally, East Fork, the Asheville-based B Corp known for handcrafted pottery, introduces the 'Matisse Collection,' a permanent line honoring Henri Matisse. This collection is a deeply personal project by East Fork founder Alex Matisse, the great-grandson of the iconic artist. With the blessing of Les Héritiers Matisse, the collection translates Henri Matisse's visual language into surface decoration and new colorways across plates, mugs, and other items, blending artistic heritage with modern craftsmanship to elevate everyday tableware. Prices for the Matisse Collection start at $68. #OutdoorFurniture #FrenchInspiredDesign #HomeDecor #WilliamWhite #NestStudioHardware #FigurativeDesign #GroceryShoppingExperience #EastForkPottery #MatisseCollection

Milan Design Week transforms the city into a global design hub, attracting attendees to both Salone del Mobile and Fuorisalone. This year's event showcases a diverse range of installations, highlighting innovative approaches to design, lighting, and materiality. Atelier Biagetti, a recurring favorite at Fuorisalone, presents "The King," an exploration of obsessions inspired by Elvis Presley. Their installation reimagines a fantastical living room featuring "The King Sofa," a modular piece accompanied by guitar cases cleverly reinterpreted as tables with intricate Ravenna mosaics. This piece exemplifies their propensity for the impossible and their unique artistic vision. Ross Gardam, an Australian lighting designer, offers "Transcendence," an exhibit focused on the allure of illuminated glass. Gardam, known for creating meditative moods with his fixtures, demonstrates his broad talents and deep fascination with glass's ability to transcend physical boundaries. The installation promises a dynamic curation of luminaires, showcasing the material's unparalleled qualities. Giopato & Coombes, Treviso-based lighting masters, unveil "18 Pockets" after six years of dedicated research. This exhibit provides a glimpse into their creative process, highlighting the magical qualities of the immaterial. Their previous fixtures are transformed into 18 unique luminaires through a complex system of weight and balance, creating charming and poetic combinations. Galerie Philia's "Desacralized" exhibition takes place in a deconsecrated 11th-century Milanese church, fittingly exploring the theme of desacralization. Over 20 artists from the gallery's roster contribute to this unique setting. Notable pieces include Studiopepe's octagonal marble side table, inspired by Italian baptisteries, Kar Studio’s chair, drawing inspiration from ancient Chinese Shang Dynasty script, and a monumental chandelier by Morghen Studio, designed to offer a transformative experience of light within the historic space. SolidNature returns with "Beyond the Surface," an OMA-designed installation that metaphorically connects quarrying stone with the act of dreaming across seven distinct rooms. A highlight is Sabine Marcelis’s lustrous table, an ombré glass coffee table anchored by impressive stone blocks, demonstrating her experimental approach to materials. Objects of Common Interest, composed of Eleni Petaloti and Leonidas Trampoukis, presents "Poikilos." Inspired by ancient Greek references to iridescence and insights from Romanian artisan Ovidiu Colea, their ethereal objects and tables with opalescent finishes and sinuous curves inject energy into the Nilufar Depot. Loewe Chairs, under Jonathan Anderson's direction, reinterprets chairs into distinctive totems through an emphasis on texture, personality, color, and weaving. The display integrates materials close to Loewe’s brand identity, such as leather and raffia, with unexpected techniques like incorporating thermal blankets, elevating the humble stick chair into a canvas for elaborate woven decoration. Suchi Reddy, founder of Reddymade Architecture and Design, collaborates with Lexus on "Shaped by Air," an installation focused on carbon neutrality. Visitors navigate a forest of Matisse-like forms to discover a life-sized interpretation of the Lexus Electrified Sport, designed to evoke the sensation of being shaped by air. Lastly, "Bar Flora" is a collaboration between Sophie Lou Jacobsen, Nick Ozemba, and Felicia Hung of In Common With. Building on their Flora Collection, which employs Venetian glassmaking techniques to mimic natural forms, this installation transforms Palinurobar into a floral oasis. It introduces two new additions, including a sandblasted amber colorway, further enhancing their partnership. Byredo, known for its unconventional approach to fragrance, showcases "Bal D’Afrique by Dozie Kanu." Founder Ben Gorham teamed with Portugal-based artist Dozie Kanu to capture the essence of the beloved fragrance through a showcase that merges Kanu's unique objects with photographic negatives from Adjoa Armah’s _saman archive_, creating a multi-sensory experience that extends beyond traditional perfumery. #MilanDesignWeek #DesignInstallations #Fuorisalone #LightingDesign #FurnitureDesign #MaterialInnovation #CollectibleDesign #ArtAndDesign

Milan Design Week, also known as Salone del Mobile, traditionally serves as a pivotal event for design enthusiasts and a leading international exhibition for furniture and interior design. In recent years, the event has expanded its scope, attracting significant participation from the fashion industry. Brands such as Gucci and Loro Piana are increasingly featured alongside established home brands, presenting events and new product launches that blur the lines between fashion and home design. Among the highlights of Milan Design Week 2025 is Miu Miu's Literary Club, which dedicates two days to exploring the works of French philosopher and writer Simone de Beauvoir. Concurrently, Prada Frames will host a symposium centered on the multifaceted concept of transportation. Louis Vuitton is set to introduce a new home collection, further solidifying the convergence of high fashion and interior aesthetics. La DoubleJ will host tarot card readings at its new headquarters, adding a unique experiential element to the design week offerings. Loewe, marking its ninth appearance at Salone, has collaborated with 25 artists, designers, and architects to create a collection of teapots. These pieces, crafted by figures such as Edmund de Waal, Walter Prince, and David Chipperfield, explore the cultural significance and conventions surrounding tea, ranging from highly literal to abstract interpretations. Loewe is also offering a Salone homewares collection, which includes coasters and leather charms. Prada Frames, the annual symposium organized by Prada, focuses this year on “In Transit,” investigating the infrastructures that facilitate the movement of both people and ideas. Discussions are held in unique historical settings, including the recently restored 1950s train, Arlecchino, designed by Gio Ponti and Giulio Minoletti, and the ornate Padiglione Reale, a former royal waiting area at Milan’s Central Station. Louis Vuitton is launching its inaugural home collection, showcased at Milan’s Palazzo Serbelloni. This new line encompasses furniture, lighting, tableware, textiles, and games, with a pinball machine reportedly inspired by Pharrell. The collection complements the brand’s existing Objets Nomades, a series of limited-edition pieces created by notable designers like India Mahdavi and the Campana brothers, which will also be on display. La DoubleJ is celebrating its 10-year anniversary by unveiling its new five-story headquarters, dubbed the “LDJ Starquarters,” in Milan’s Navigli district. This new space is designed to foster positive energy and will host a week of events, including tarot card readings and sound healing sessions in the newly opened Gong Temple on its rooftop. The brand is also releasing new versions of its Napoli Rosa homeware collection. Miu Miu's Literary Club returns for its second chapter, “A Woman’s Education,” building on last year's “Writing Life.” This year’s program explores themes of girlhood and love through the works of Simone de Beauvoir and Japanese author Fumiko Enchi, featuring performances and talks by authors such as Lauren Elkin, Geetanjali Shree, and Naoise Dolan. Gucci presents “Bamboo Encounters,” an exhibition at the 16th-century Milan monastery Chiostri di San Simpliciano. Curated by architect Ippolito Pestellini Laparelli, the exhibit highlights bamboo’s historical significance to the house through multidisciplinary works, including sculptures, bamboo baskets, and kites. Kartell is commemorating 25 years of its lighting line with an exhibition at its Milan flagship store, featuring iconic lamps and lighting pieces. The Kartell Museum, also celebrating its 25th anniversary, will host a retrospective on Italian industrial designer Joe Colombo. New products and re-editions, including a reissue of Colombo’s 1964 KD28 lamp, will also be released. Finally, Loro Piana has partnered with Dimoremilano to create “La Prima Notte di Quiete,” an installation transforming the courtyard of Loro Piana’s headquarters into a 1970s-style home. The space features furniture by Dimorestudio for Loro Piana Interiors, Dimorestudio pieces with Loro Piana fabrics, items from Loro Piana’s The Art of Good Living collection, and artworks from Milanese galleries. #MilanDesignWeek #FashionHomeCrossover #LuxuryInteriors #ArtAndDesign #PradaFrames #LouisVuittonHome #LaDoubleJ #MiuMiuLiteraryClub #GucciBamboo #KartellLighting #LoroPianaDimoremilano

The article presents a curated selection of ten notable furniture and lighting designs created by prominent architects and studios, which were showcased at Milan Design Week. These designs span a range of products from chairs and tables to various lighting fixtures, highlighting the intersection of architecture and product design. Among the featured pieces is "La Magie du Bois" by Swiss studio Herzog & de Meuron, a furniture collection developed in collaboration with Marta Sala Editions Milano. This collection emphasizes wooden craftsmanship and includes four series, notably the Meninas armchairs, crafted from Canaletto walnut and fabric, specifically designed for the renovation of Hotel Les Trois Rois in Basel. The collection was exhibited at Salone del Mobile. Danish architecture studio BIG showcased their "Arctic" lamp collection at the Euroluce 2025 exhibition. This lighting series is characterized by geometric components that create a play of light and reflection, inspired by the geometry of ice crystals. The lamps feature a sculptural Archimedean form with mirrored surfaces and a central core that diffuses light, while the mirrored surfaces reflect the surroundings when the light is off. Phantom Hands, a furniture brand, collaborated with the Geoffrey Bawa Trust to reintroduce Sri Lankan architect Geoffrey Bawa’s furniture collection. This collection, encompassing chairs, tables, and lighting, recreates pieces originally developed between the mid-1960s and mid-1990s, including wood and metal furniture like the curvaceous Kandalama chairs. Gae Aulenti’s "Alcinoo" table lamp was reinterpreted by lighting brand Artemide, 50 years after its initial design. The lamp features a rounded form of blown glass encased within a cylindrical metal cage, balancing transparency and structural strength. A sphere emerges from the top, and three internal light sources filter through its transparent exterior. Japanese architect Kengo Kuma collaborated with Spanish outdoor design brand Gandia Blasco to create the limited-edition HOS collection, which includes a deckchair and stool. These pieces, displayed at Salone del Mobile, feature wooden joints, reflecting Japanese architectural traditions, and are made with tactile fabrics from recycled PET fibers. Lebanese architect Aline Asmar d'Amman presented "The Power of Tenderness," a furniture series comprising bookshelves, tables, and chairs made from marble, concrete, and stone. The Béton Littéraire series includes a bookshelf made from books and rough concrete, while other pieces like the Stone Cloud table series and Georgia lounge seating range feature plush finishes and swivel bases. Brazilian architect Marcio Kogan of Studio MK27, in collaboration with Minotti, launched the "Bézier" and "Bézier Cord Outdoor" collections. These collections, known for their organic forms, feature modular seating systems with plush finishes and coffee and dining tables with textured surfaces. Engineering firm Arup introduced "Internode," a lamp crafted from bamboo and aluminum components. Showcased at Artemide's Euroluce exhibition, this task light uses spring-free joints, relying on friction and equilibrium for its function. Norwegian studio Snøhetta, in partnership with Italian lighting manufacturer Viabizzuno, launched the "Aura" lighting collection. This collection focuses on optimizing light quality through transparent "light prisms" rather than the fixture itself. Swiss architect Mario Botta collaborated with Italian design company Alias to create the "Saturno" table collection and "Zeta" stool. The Zeta stool, built from colored MDF, is inspired by the letter Z, while the Saturno series features tables with solid central bases, reflecting Botta’s architectural style. These designs represent a blend of architectural principles and furniture aesthetics, offering functional and artistic pieces for contemporary spaces. #MilanDesignWeek #FurnitureDesign #LightingDesign #ArchitecturalFurniture #ProductDesign #ContemporaryDesign #InteriorDesign #SaloneDelMobile

The article explores the concept of timelessness in design, challenging the often-overused descriptor and advocating for a focus on longevity, circularity, and adaptability in design processes. It begins by questioning the premature claims of timelessness made by designers, suggesting that true timelessness is earned over time, rather than declared. The piece highlights the subjectivity inherent in defining timelessness, arguing that it's difficult to establish universal principles for "good design" that transcend trends, technology, or personal taste. The author points out that terms like "iconic," "sustainable," "classic," and "authentic" are frequently employed with similar lack of critical examination. Despite the critique of the term itself, the article emphasizes the crucial importance of designing for the long term. It proposes that instead of focusing on "timelessness" as a product attribute, the industry should adopt terms such as circular, renewable, repairable, dismountable, adaptable, and regenerative to describe the design process and system. This shift in vocabulary aims to ground the concept of enduring design in tangible, responsible practices. The article suggests that acknowledging the extractive nature of design and striving for endurance becomes the primary viable claim of responsibility for designers and manufacturers. Throughout the discussion, the article showcases a curated selection of furniture, lighting, objects, and materials that embody a commitment to longevity. These examples include both historical pieces, some reissued with modern relevance, and contemporary designs that integrate principles of durability and adaptability. Specific items mentioned include the ‘Martini’ table by Eddie Olin, the ‘Drinking Set No. 238 Patrician III’ wine glass by Josef Hoffmann, the ‘Argento Liquido’ daybed by Supersedia, the ‘Tetrami’ console and ‘Topan’ lamp by Verner Panton, the ‘Juicy Salif’ squeezer by Philippe Starck, candy dishes by Oswald Haerdtl, the ‘Tua’ pitcher by Mario Botta, and the Beogram 4000c turntable by Bang & Olufsen. Also featured are a sculpture by Eva and Peter Moritz, the ‘Superwire’ floor lamp by Formafantasma, the ‘Alpaca Natural’ rug, and fabrics like ‘Déjà Vu Jamais’ by Dedar and ‘Ancient Writing 1936’ by Anni Albers. The article continues to present diverse pieces such as the ‘Réaction Poétique’ tray by Jaime Hayon, the ‘Nara’ console by Jean-Marie Massaud, the ‘Pan’ daybed and armchair by Gordon Guillaumier, the ‘Porthole’ mirror by Willo Perron, and the ‘Lofty’ chair by Piergiorgio Cazzaniga. Other notable items include the ‘Etruscan’ pitcher by Mentze Ottenstein, the ‘Toio’ floor lamp by Achille and Pier Giacomo Castiglioni, the ‘Grand’ rug by Nordic Knots, and ‘Feral’ fabric by Formafantasma. Further examples highlight the ‘Brutalist’ speaker by Transparent, the ‘Nymphenburg’ coat stand by Otto Blümel, a media unit by Fritz Haller for USM, ‘Perspectives’ candleholders by Mathias Kiss, the ‘Pigreco’ chair by Tobia Scarpa, ‘Table No. II’ by Devin Wilde, and custom tiles by Palet. The ‘CH07 Shell’ chair by Hans J Wegner, ‘Sculptural House Numbers’ by Reinoud Oudshoorn, the ‘Opus’ floor lamp by Walter Manici, the ‘Dylan Small’ sofa by Rodolfo Dordoni, the ‘Butterfly’ stool by Sori Yanagi, the ‘Rio’ coffee table by Charlotte Perriand, ‘Dinner Service’ cups and plate by Donald Judd, ‘Random Solo’ pendants by Chia-Ying Lee, the ‘C’ chair by ERM Studio, the ‘Saarinen’ table by Eero Saarinen, and the ‘123 chair by Michael Anastassiades are also included. Finally, the ‘Infilled’ chair by Soft Baroque, the ‘Floor Mobile Chandelier’ by Michael Anastassiades, the ‘Seconda’ chair by Mario Botta, and the ‘Nocturne Shell’ room divider by Middernacht & Alexander are presented, all demonstrating various facets of enduring design—whether through innovation, reissuing, guaranteed repairability, or inherent adaptability. The article concludes by asserting that these chosen pieces, old or new, are expected to withstand the test of time, with time itself ultimately serving as the final arbiter. #TimelessDesign #LongevityInDesign #SustainableDesign #ProductDesign #InteriorDesign #DesignPhilosophy #FurnitureDesign #LightingDesign #MaterialSelection

Architecture firm BIG has designed a new furniture collection called Lily for the Danish brand Skagerak. The collection, which includes a table, bench, and chair, is characterized by its lack of sharp corners, drawing inspiration from the gently sloping, oval shape of lily pads. This design choice is a recurring motif for BIG, which has previously incorporated similar organic, super-elliptical forms into other projects to encourage movement within spaces. The Lily collection is constructed from golden teak wood and supported by stainless steel X-frames. These materials were specifically chosen for their durability and suitability for both indoor and outdoor use. Erik Berg Kreider, a senior industrial designer at BIG, noted that the materials are expected to age gracefully over time, with the teak developing a lighter patina. The design prioritizes the natural beauty of the wood and steel by eschewing any additional paints or finishes. BIG's affinity for lily pad forms extends beyond this furniture collection. The firm previously designed oversized, lily pad-shaped floor cushions for children at WeWork's New York primary school. Berg Kreider highlighted that this soft, organic shape is a frequent design element for BIG because it promotes a natural flow of movement in various environments, suggesting that the furniture pieces are intended to be integral elements that guide interaction within a space. Functionality and versatility are key aspects of the Lily collection. The pieces are designed to be multifunctional, allowing them to transition seamlessly between indoor and outdoor settings. For instance, the bench can serve as both seating and a low coffee table, enabling flexible arrangements for dining or lounging. This adaptability aligns with a contemporary approach to living spaces, where furniture often needs to serve multiple purposes. The campaign images for the Lily collection were captured in BIG's Urban Rigger, a floating student housing project in Copenhagen made from shipping containers. This location was chosen due to its inherent combination of indoor and outdoor living elements, including balconies and a swimming platform, which resonated with the collection's design philosophy. The Urban Rigger itself is inspired by the maritime environment of Denmark, further connecting the furniture's water-themed inspiration with its promotional setting. Scheduled for release through Danish furniture brand Skagerak in March 2020, the Lily collection represents BIG's continued exploration of natural forms and multifunctional design. This project follows other notable home designs by BIG, such as the VIA57 lounge chair, inspired by their New York apartment tower, and the blown-glass Gople lamp, which is designed to aid indoor plant growth. These designs collectively showcase BIG's commitment to creating innovative and contextually relevant products for various living and working environments. #FurnitureDesign #BIGArchitecture #Skagerak #IndoorOutdoorFurniture #TeakWood #SustainableMaterials #OrganicDesign #DanishDesign #MultifunctionalFurniture

Paris Design Week 2025 showcased a diverse array of innovative and luxurious home decor and furniture designs from various international brands and designers. The event featured installations and new product launches across different venues, including Maison&Objet; and Déco Off, attracting interior design professionals and enthusiasts. Pierre Frey transformed the historic Hôtel de Guise into an immersive experience, presenting its first in-house furniture line, the sand-dune-inspired Déserts collection, and Chroma, a plush cotton velvet created in collaboration with India Mahdavi. The installation was enveloped in scenography by French artist Elizabeth Leriche, showcasing a rich array of patterns and textures. Design Rendezvous, a pop-up on Rue Guénard, featured collaborative works. Jiun Ho's Piedra chair was displayed with JG Switzer’s hand-felted upholstery, alongside Sarah Von Dreele’s metallic cork Ascend wallcovering, and Parete’s new collaboration with Scottish rug designer Wendy Morrison, highlighting unique textures and artistic expressions. Lala Curio's founder, Laura Cheung Wolf, unveiled the Feuillage collection at her private home. This couture-quality series of 10 intricately detailed wall panels, inspired by Japan's Yakushima Island, included designs like Fuki, Cabinet of Curiosities, and the namesake Feuillage, which incorporated wooden beadwork, raffia, and paillettes. Faye Toogood, named Maison&Objet;’s Designer of the Year 2025, presented “Womanifesto!”, a four-part retrospective. The exhibition featured archival furniture in surrealistic settings, such as drawing-room-inspired spaces with anthropometric lounge chairs and a forest-themed room adorned with tree-sized cardboard sunflowers and Toogood’s Woodlands wallcovering for Calico Wallpaper. Samuel & Sons collaborated with passementerie artist Elizabeth Ashdown for the vibrant Kaleidoscope collection. This line included 12 bold, multitonal woven designs, such as pom-pom fringes, scalloped braids, and tasseled borders, all crafted using centuries-old passementerie techniques. Tai Ping unveiled the Nakashima Edition, a collection of rugs that reimagines two original George Nakashima rug prototypes from 1959. The eight distinct designs included Migration I, Dark Moon II, and Bird Star II, paying homage to the late American architect and woodworker. De Gournay’s new introductions at Déco Off were inspired by avant-garde fashion designer Paul Poiret. The collections featured designs like the stippled, gilded silk Dunand and Pietra Dura, a colorful, vignette-style wallcovering accented with hand-painted blooms and birds, designed to evoke inlaid marble. Dedar showcased new textile designs, including the kid-mohair-covered Thank You for Sending Me an Angel velvet, the cloud-flecked Lilaz, and Queneau, a water-repellent wool satin available in over two dozen colorways. Aux Abris founder Karen Robert introduced the Alchemy collection, an old-world-style series printed on gleaming metal leaf grounds. Highlights included the Japanese mural-inspired Paradiso, the Italian Renaissance–driven Palazzo, the marbled Cosmo, and the olive-dotted Martini. The Pollack|Weitzner apartment featured playful patterns, with Pollack’s rhythmic Open Studio series and Spring 2025 additions to the Spring Street line. Lori Weitzner presented her Moorish architecture–inspired Alhambra as Muse collection, which included the polychromatic printed velvet, Intrigue. Zoffany’s previews attracted a notable crowd. The Indienne collection showcased block-print designs and collaborations with artists Charlie Calder-Potts and Melissa White. Upcoming launches included the historically informed Rare Textiles series and the pattern-rich Domino Velvets line. Féau Boiseries celebrated its 150th anniversary with a showcase from The Invisible Collection. The exhibition featured new Garcé & Dimofski–designed floorcoverings from Beni Rugs, sculptural pieces by Indian designer Ashiesh Shah, and newly acquired pieces from Mobilier National, such as Maison Leleu’s Panter chair. Fabricut presented Barry Dixon’s Elysium collection for Vervain, featuring designs like the marbleized ombre Pan Atlas, the pastoral Birds & Bittervine, and Cacao Nut, an enchanting trim with egg-shaped pom-poms. Schumacher’s showroom featured artisanal beauty, including a collection of fabric-sheathed light fixtures by French ceramist Elsa Foulon and a botanical fabric design, Flemish Tapestry, based on a 17th-century Belgian tapestry. Ralph Lauren Home released the Rue Bohème collection, a range of runway-ready textiles available through Designers Guild. The line, inspired by the fashion designer’s Spring 2024 fashion collection, included distressed cotton-linen florals, silk-blend ticking stripes, paint-splattered velvets, and botanical embroideries. CMO Paris introduced designs from its 2025 collection, including the braided Bamboo Petit Chevron wallcovering, the sheer, hand-spun Cashmere Degradé curtain fabric, and Wild Water Lily, a serene mural fashioned from all-natural aquatic fibers. Giobagnara showcased its latest designs, including Kelly Wearstler’s leather-accented Maris line, Glenn Sestig’s minimalist walnut Tanell bar table, and an Elie Saab monogram-stamped folding side table. The Vale London’s founder, Melinda Marquardt, unveiled the Maddox line, an homage to Bauhaus pioneers. The primary-color-drenched collection included 16 designs, such as the zigzagging Diana Stripe fabric, the Roman Holiday wallcovering, and the geometric Charlie upholstery. Belgian wallcoverings brand Omexco launched three collections: Light at Night, with 10 glimmering metallic designs like Stardust; Oase, featuring nine textural paper-weave patterns; and Pure, comprising a dozen soothing monochrome styles like Sensitive and Refined Earth. French furniture designer Franck Genser introduced the Morse series at his Parisian showroom apartment. The three-piece collection featured walrus-inspired designs, including a marble-topped coffee table with tusk-shaped legs and an iridescent neoprene-upholstered settee with a coordinating armchair. Arte’s Luster collection showcased four ultradimensional wall designs hand-inlaid with pearlescent capiz shells: Perula, Lucea, Abalone, and Cornice, available in multiple hues. Uchronia’s “What’s New? In Hospitality” installation, designed by Julien Sebban, featured a retro-fueled aesthetic with a hand-curated color palette by Tonester Paints. The display included a round, 1970s-style bed by Treca Paris and Diesel Living’s dinnerware for Seletti. L’Objet collaborated with South African artist Ruan Hoffmann for a highly collectible ceramic line. The 13 playful pieces, adorned with 24-karat gold finishes, included the three-dimensional Love You More plate and a three-wick candle with a mask-like lid. These debuts collectively demonstrated a trend towards luxurious materials, artisanal craftsmanship, historical inspirations, and bold artistic expressions, offering a comprehensive glimpse into the future of interior design. #ParisDesignWeek #MaisonObjet #DecoOff #InteriorDesign #HomeDecor #FurnitureDesign #TextileDesign #Wallcovering #LuxuryDesign