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Tom Blachford brings Palm Springs houses and classic cars into moonlit focus
Melbourne-based photographer Tom Blachford presents the third installment of his 'Midnight Modern' series at the Black Eye Gallery in Sydney. This ongoing project focuses on capturing the modernist architecture of Palm Springs under moonlight, offering a unique and darker perspective of the city typically known for its sunny, hedonistic atmosphere. Blachford's initial inspiration for the series stemmed from a chance night shoot during his first visit to Palm Springs, where he discovered the dramatic potential of photographing the homes in the absence of sunlight.
The series, which began with covert photography, evolved significantly after Blachford connected with the president of the Palm Springs Modernist Committee (PS-MODCOM). This collaboration granted him unprecedented access to the modernist properties and introduced a collection of vintage cars, which have become integral to the latest iteration of his work. These classic cars, dating from the late 1950s to mid-1960s, serve as symbolic characters within his compositions, allowing viewers to construct their own narratives about the lives unfolding behind the illuminated walls of these iconic homes. Blachford intentionally refrains from including human figures, preserving the viewer's opportunity to imagine the scenarios.
Blachford describes the houses as 'shrines to hedonism, cocktails and the sun,' and views his work as a form of 'time travel' to an era he couldn't personally experience. His photographic technique emphasizes tension, creating still-frames that suggest an imminent or recently concluded cinematic event, characterized by a heavy silence and anticipation. The photographer has honed his craft with each visit, improving his understanding of moonlight photography. For this latest exhibition, he experimented with elements such as wet roads and techniques to 'freeze' stars, further enhancing the cinematic and meticulously composed quality of his images.
Each photograph in the series is a precisely rendered vignette, where details from shadows to architectural lines are in sharp focus. Blachford notes that his long-exposure technique allows for the compression of moments into a single, viewable image, revealing details that might escape immediate human perception. This process also creates a temporal distortion, making the houses and cars appear as they did five decades ago, effectively functioning as 'portals in time.'
Despite the extensive body of work, Blachford considers the series incomplete, with plans for a future book. He still aims to photograph two specific John Lautner homes located on the hills of Palm Springs, which he refers to as his 'Holy grails.' Beyond the aesthetic and historical exploration of Palm Springs' decadent modernism, Blachford expresses a desire to delve into the area's sensitive social history. He acknowledges the contradiction between the era's significant design achievements and the concurrent struggles for civil rights and equality, an aspect he intends to explore further in his ongoing work.
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