The Hidden Speakeasy in This 'California Meets Japan' Style Home Is Inspired by a Bar in Tokyo

This article highlights the comprehensive renovation of a contemporary Bay Area home, transformed by interior designer Noz Nozawa of Noz Design into a Japanese-inspired sanctuary. The project, initially a cosmetic update of the kitchen and bathrooms, escalated into a full gut renovation of the 4,000-square-foot residence. The homeowners, a young family, sought a visually tranquil, modern, and functional living space, drawing inspiration from the wife's Japanese upbringing. While significant structural changes were minimal, such as the addition of a Jack and Jill bathroom, nearly every aspect of the house was updated, including a new roof, exterior roller shades, and skylights. Nozawa adopted a restrained, material-focused palette to achieve an atmosphere of calm. She collaborated with Brimer Workshops to custom-design cabinetry and built-ins throughout the home. These pieces primarily utilized local, sustainably sourced wood varieties like silvered oak, gray elm, and red elm, ingeniously concealing clutter behind rich wooden surfaces. For artistic accents, Caroline Lizarraga Decorative Painting contributed a moody mural for the powder room, evoking San Francisco's city lights at night. The design incorporated features to support the family's entertaining needs. The living area was conceptualized with flexible seating arrangements, including a Flexform sectional, a daybed, and Ligne Roset swivel chairs. This setup allows guests to engage with hosts in the open kitchen or enjoy the panoramic city views. A transparent Da Vinci fireplace was chosen specifically to maintain unobstructed vistas. A unique request involved accommodating a collection of approximately 300 wine glasses for entertaining. Nozawa ingeniously integrated storage for about 150 glasses within kitchen drawers and dining area cabinetry, exemplifying the design's commitment to minimizing visual clutter. Further efforts to reduce clutter included wall-height cabinets crafted from salvaged red elm to house the family's guitar collection. To avoid traditional curtains in the window-heavy interior, a motorized exterior shade system from Lutron, controllable via smartphones, was installed for privacy and sun protection. Japanese cultural influences are subtly woven throughout the home, extending beyond the minimalist aesthetic. A 300-year-old Hinoki cypress slab, imported from Japan, serves as the dining table. A hidden broom closet door features a subtle reference to the Japanese mending technique of kintsugi. The home integrates heirloom pieces, such as Japanese Tansu chests and a dragon image symbolizing prosperity, alongside contemporary furniture from brands like B&B Italia and Cassina. The primary bathroom includes a Hinoki plunge tub, maintained at a constant 36 degrees Fahrenheit, with an external refrigeration unit to regulate its temperature. Nozawa, who is half-Japanese, consciously balanced a commitment to Japanese modern aesthetics with the home's inherently Western architecture. The entryway embodies the project's essence, combining contemporary and traditional elements. A supermodern, site-specific glass lighting installation by Jeff Zimmerman, resembling giant milk drips, provides a striking contrast to antique Japanese wall panels from the clients' collection. This blend of old and new, East and West, reflects the clients' current identity and heritage, creating a unique and harmonious living environment. #JapaneseInspired #CaliforniaHome #InteriorDesign #MinimalistAesthetic #CustomCabinetry #NaturalMaterials #FlexibleSeating #SmartHomeTechnology #CulturalIntegration

SHED Architecture & Design has completed the Cupertino Courtyard House in a quiet Cupertino, California neighborhood. The residence, situated near Apple’s campus and the city’s Eichler district, blends local architectural heritage with a modern aesthetic, standing apart from its Mission and Spanish Colonial-style surroundings. The exterior features white stucco landscape walls, referencing Mediterranean vernacular, combined with a dark, charred-wood upper volume clad in shou sugi ban, presenting a contemporary sensibility. The entry sequence begins with a slatted wood gate, leading to a secluded courtyard and a recessed “genkan,” a traditional Japanese threshold for removing shoes. The interior of the home is organized around a series of courtyards, which frame views of the outdoors and are integrated into the living spaces through floor-to-ceiling glass doors. This design approach blurs the boundaries between indoor and outdoor environments, allowing natural light to illuminate the plaster walls and oak finishes throughout the day. The main living areas, including the living, dining, and kitchen, are designed as an open-plan space along the rear of the property. Custom white oak built-ins provide both storage and seating, with a bench integrated into the kitchen island to create an informal gathering spot. The material palette emphasizes warmth and natural tactility, featuring clay plaster, wood, and slate. These materials introduce an earthy softness that contrasts with the home’s geometric black and white exterior. An “engawa,” a Japanese-style covered porch, extends the living spaces outdoors, offering a tranquil area for reflection. A central skylit stairwell functions as a sculptural element, connecting the two floors. Beyond its aesthetic role, it facilitates passive ventilation, channeling light and air while discreetly housing mechanical systems. On the second floor, the layout is efficiently designed to maximize space. The primary suite includes a slate-lined wet room and a cedar soaking tub, while the children’s rooms incorporate playful lofts for rest and imaginative play. Sustainability was a core principle in the home’s design and construction. The Cupertino Courtyard House exceeds net-zero energy standards, generating more power than it consumes through a rooftop solar array. It incorporates high-efficiency systems, such as heat pump HVAC and water heating, along with energy recovery ventilation. Advanced framing techniques and airtight insulation further contribute to minimizing waste and enhancing energy performance. Every fixture, material, and assembly was chosen for its longevity and environmental impact, reflecting a commitment to both aesthetic quality and sustainable living. #CaliforniaArchitecture #CourtyardHouse #JapaneseInspiredDesign #ModernHome #SustainableArchitecture #NetZeroEnergy #SHEDArchitectureAndDesign #InteriorDesign #ResidentialArchitecture

Case Real, a Fukuoka prefecture-based design and architecture firm, has undertaken a partial renovation of the Yamaguchi Sake Brewery in Kurume city, Japan. The project involved updating a traditional cedar-beam property, originally constructed in the early 1800s by the Yamaguchi family ancestors. Designers Koichi Futatusmata and Koichi Shimohira were responsible for infusing contemporary architectural thought into the historic site. The core of the renovation addressed the client's desire to effectively utilize the courtyard situated between the aged main house and a warehouse on the same premise, while ensuring continuity between the two structures. To achieve this, Case Real connected the buildings with a washed-finished cement floor and a stair. Additionally, large openings in the lounge space of the main house were re-arranged to foster a closer connection between the two previously distinct areas. The design facilitates the delicate sake brewing process, which requires gentle handling of rice milling and precise humidity levels in the rooms. The newly created connective courtyard allows for a more comfortable flow of this intricate process. A key feature of the renovation is the secret garden, intentionally sparsely ornamented with slim native trees and anchored by off-white pebbles. This garden is designed to provide a distinct and meditative area, offering brewers a serene space to unwind during their shifts. In conjunction with the garden, a new, dedicated lounge space was created. This lounge is conceptualized as a zen environment that respects the brewery's historical roots while embracing a contemporary outlook. The walls within this space are rendered in modern sweet-chestnut shades, and vast windows are strategically placed to maximize natural light. The flooring incorporates characterful, polished stone, referencing the structure's early days. Overhead, the original cedar beams remain sturdy, serving as a constant reminder of the Yamaguchi family’s long-standing heritage in sake brewing. Case Real has a history of designing functional workspaces that prioritize employee freedom and creativity, as seen in their previous projects such as a Japanese storehouse live-work conversion and minimalist designs for brands like Aesop. This renovation of the Yamaguchi Sake Brewery continues that tradition, blending historical preservation with modern functionality and a tranquil aesthetic. The project exemplifies a harmonious integration of old and new, creating a refreshed environment that supports both the traditional craft of sake brewing and the well-being of its practitioners. #JapaneseArchitecture #SakeBrewery #MinimalistDesign #SecretGarden #ArchitecturalRenovation #WorkspaceDesign #TraditionalCraft #ZenDesign #CaseReal

Sunny Simmons and Caroline Smith, a husband and wife duo, transformed a former auto body shop in San Francisco into Onsen, a Japanese-inspired bathhouse and restaurant. This ambitious three-year project involved a complete revamp of the space, with the couple even residing in an Airstream inside the automotive building during the renovation period. Sunny, a craft builder, prioritized retaining the original character of the building while integrating modern amenities. He meticulously collected wood over time, which was then used throughout the building, contributing to its unique aesthetic and connection to the past. The aesthetic of Onsen is deeply influenced by Japanese bathhouse culture, yet it incorporates the couple's personal touch and a focus on community. Caroline curated the art that adorns the walls of the treatment rooms and the restaurant, adding a distinct artistic dimension to the space. The bathhouse section of Onsen features six treatment rooms and a communal bathing area. A notable highlight is the cold plunge shower installation, which draws inspiration from steampunk fiction, providing a distinctive and invigorating experience for patrons. Each treatment room within the bathhouse offers a unique environment. One room is a dry sauna constructed entirely from redwood, evoking the feel of a traditional sauna. Another room showcases striking black and white tiles, adding a graphic element to its design. The communal bathing room’s five-head cold shower plunge system exemplifies the blend of traditional inspiration with a unique, artistic interpretation. The walls are further decorated with a collection of bathhouse tickets from various locations around the world, adding to the authentic and global feel of the space. Beyond the bathhouse, Onsen features an intimate, chef-driven restaurant and tearoom at the front of the building. This culinary space offers fresh, seasonal cuisine and tea service, complementing the tranquil and rejuvenating experience of the bathhouse. The owners' commitment extends beyond commercial enterprise to community engagement. On Tuesdays, when the business is closed, Simmons and Smith plan to open their facility to the neighborhood, offering services to those who might not otherwise have access. This initiative reflects their dedication to giving back and fostering a sense of community. The entire transformation, from an industrial auto body shop to a serene Japanese-inspired haven, showcases a blend of historical preservation, modern design, and community spirit. #ZenBathhouse #JapaneseDesign #SanFrancisco #AdaptiveReuse #InteriorDesign #CommunitySpace #CraftBuilding #Wellness

Architect Andrew Lister designed a distinctive home for actor Yuri Kinugawa and film producer Owen Hughes in the Auckland suburb of Waterview. The residence, characterized by its tall silhouette, narrow upper window, and a blank cedar-clad facade, adheres to the principles of the Direct Compass, a Japanese discipline akin to feng shui. The home's exterior, covered in cedar weatherboards, initially appears utilitarian, yet conceals a thoughtfully designed interior. The house's structure is composed of two primary boxes connected by a passageway and an adjoining bathroom. Despite its compact footprint, the design creates an illusion of greater spaciousness, as noted by Hughes. A prominent feature of the living room is a two-story bookcase spanning the entire northern wall, housing Hughes’ extensive book collection. This vertical storage solution ingeniously maximizes space, drawing the eye upwards and adding visual texture without encroaching on floor area. The central area of the home is laid out efficiently, with the kitchen to the left and the bedroom to the right. Above these spaces, two offices are stacked, accessible via a stairway at the rear of the room. The interior is enriched by family antiques and Japanese textiles, which introduce complementary textures, transforming the angular space into a welcoming environment. Following Direct Compass principles, the bedroom, considered vital for family relationships, overlooks a small zen garden on the south side of the house. This placement is believed to promote mental clarity due to cooler temperatures. A six-foot-long passageway clearly delineates the transition from the public kitchen and dining areas to the private bedroom. The traditional Japanese bathroom, situated off the central passageway, serves as a space for washing before bathing in a wood-lined onsen (tub). While the north side of the house offers views of an estuary, the street-facing facade maintains a minimalist, private appearance. In stark contrast, the west-facing side features a double-height glass wall that can be fully opened, merging the living space with a veranda. This outdoor area overlooks the garden, estuary, and harbor, providing a setting for observing sunsets and occasional dolphin sightings. The home's exterior features low-maintenance Canadian cedar cladding and aluminum joinery, designed to age gracefully and harmonize with the surrounding garden's sculptural desert plants. The durability of these materials is crucial, given the home's exposure to south-westerly winds laden with salt from the estuary, a condition the chosen plants tolerate well. #JapaneseDesign #BoxHome #TwoStoryBookcase #SmallSpaceLiving #DirectCompass #AucklandArchitecture #CedarCladding #ZenGarden #OpenPlanLiving

Ryo Kan MX, a boutique hotel in Mexico City, offers a tranquil escape designed to emulate traditional Japanese countryside inns, known as ryokans. Situated near one of Mexico City’s prominent avenues, this establishment distinguishes itself with its serene atmosphere and unique architectural and interior design. The hotel features an origami-inspired sculptural facade and houses only 10 rooms, each embodying a blend of Japanese aesthetics and Mexican craftsmanship. The design of Ryo Kan MX was spearheaded by architect Regina Galvanduque of GLVDK Studio, who oversaw not only the architectural framework but also the interior decor, art selection, branding, and even the tableware. The overarching design philosophy emphasizes the integration of Japanese hospitality principles with local Mexican materials and contemporary technology. Throughout the hotel, a commitment to locally sourced materials and textures is evident, coupled with styling that draws heavily from Japanese design traditions. Collaborations with local designers and artisans were crucial in developing and selecting furnishings that reflect this fusion. The hotel’s design is rich in sensory details, incorporating handmade crafts such as ceramics and textiles throughout the property. The light-filled welcome area provides an inviting space with an open library, comfortable seating, and a zen garden, establishing a calm ambiance upon arrival. This zen garden, located at the core of the ryokan, is specifically designed to create a dialogue between Eastern and Western influences, and traditional versus contemporary styles. Each of the ten guest rooms is named after a Japanese number and is conceived to mirror traditional ryokan spaces while incorporating modern automated conveniences. Features like automated lighting, controllable via the hotel’s in-house app, enhance guest comfort. Some of the more spacious tatami bedrooms offer views of the interior garden, a mini-bar, and an independent lounge area within their 225 square feet. The rooms are further customized with locally sourced materials like bejuco, a vine used in Mayan architecture, alongside terrazzo and oak, adding a distinct local flavor to the Japanese-inspired decor. Sliding modular doors, reminiscent of traditional Japanese shoji screens, are also a prominent feature. Ryo Kan MX aims to introduce the concept of 'mindful hospitality' to Mexico City, aligning with Japanese cultural values such as simplicity, reverence for nature, appreciation for local natural materials, and community. The hotel staff articulate that this approach combines these values with a meticulous service style, fostering a new perspective on responsible tourism through a blend of Japanese and Mexican cultures. The intention is to redefine the standards for small lodges within a large metropolitan area. A highlight of the hotel is its rooftop deck, which offers four private onsen baths providing panoramic city views, further enhancing the tranquil and luxurious experience. #JapaneseDesign #MexicanCraftsmanship #BoutiqueHotel #MindfulHospitality #ZenGarden #TatamiRooms #OnsenBaths #ArchitecturalDesign #InteriorDesign

A townhome in Lewes has been transformed into a mindfulness retreat, drawing inspiration from Japanese architecture and aesthetics. The project, designed by Scott Edmonston, principal of Millville-based SEA Studio Architects, in collaboration with Camenisch Company Inc., sought to create a serene escape for a bachelor who desired a quiet space for writing, away from his primary residence in Manhattan, while also accommodating occasional family visits. The design implicitly embraces several Japanese principles, including *wabi-sabi*, which celebrates the beauty of transience and imperfection; *shibui*, emphasizing simplicity, subtlety, and economy of line; and *miyabi*, denoting refinement and polish. These concepts were expertly integrated by the project’s contractor, Milton’s Camenisch Company. The homeowner's desire for a mindful retreat, coupled with the structural limitations—an HOA mandate against external or window configuration changes—led to a design that maximized internal flexibility and aesthetic coherence. The two-story home, an award winner at the 2022 AIA Delaware, functions to promote mental clarity and a healthy lifestyle, encouraging occupants to slow down and immerse themselves in their surroundings. This is achieved through thoughtful architectural choices that foster a sense of calm and remove daily stressors. Key design elements include custom built-in furniture, such as a sofa in the living room and cabinetry in the kitchen and primary bedroom, fabricated by Alleghany Woodworks. The kitchen features vertical-grain white oak cabinetry with concealed hardware and Pental Quartz countertops and backsplash, designed to seamlessly integrate into the living space and even disappear when not in use. Throughout the home, the flooring is white oak with a custom finish. Light plays a pivotal role in the design, with natural illumination flooding the spaces. The existing clerestory windows are augmented by a system of Japanese *shoji* screens, built by Brian Holcombe Woodworker. These screens not only enhance the aesthetic but also provide flexibility in partitioning space, allowing small areas to feel larger and offering privacy when needed, particularly in the 130-square-foot “bunk room” which can adapt to host varying numbers of guests. The primary bathroom is a standout feature, designed as an open-style wet room with built-in seating, multiple shower fixtures, and a deep soaking tub from Signature Hardware. This space evokes the tranquility of Japanese *onsens*. The materials used, such as Riad Tile in Zellige natural white for walls and Tilebar’s Bronx Collection for flooring, contribute to the serene ambiance. The interior is further curated with select furniture and art, including a Japanese banner that translates to “clear skies for 1,000 miles,” symbolizing both the views of the nearby bay and the clarity of mind the home aims to inspire. #JapaneseDesign #TownhomeLiving #MindfulnessRetreat #CoastalHome #InteriorArchitecture #CustomBuiltIns #ShojiScreens #WabiSabi #Shibui

Traditional Japanese rural homes, known as kominka, are facing widespread demolition in Japan due to urbanization, population decline, and maintenance challenges. These timber-framed structures, historically serving as single-family dwellings for multiple generations, are increasingly being abandoned or torn down to make way for new construction, as their cultural and historical significance often goes unrecognized in their native land. A survey by Japan’s Ministry of Internal Affairs and Communications indicated a 13% decrease in kominka between 2008 and 2013, with experts estimating only about 1.25 million remaining. The decline is further fueled by issues such as the lack of central heating and adequate insulation for harsh winters, concerns about earthquake resistance under modern building codes, and significant costs associated with repairing water or insect damage. Additionally, a diminishing number of carpenters possess the traditional skills required to work on these homes, and financial incentives for renovation are often difficult to access. This situation leads many owners to prefer demolition and new construction over preservation. In response to this loss, organizations such as the Kominka Collective, with offices in Japan and the U.S., Toda Komuten, and the Japan Kominka Association are actively working to salvage and repurpose these structures. Their efforts are guided by the Japanese concept of "mottainai," which emphasizes avoiding waste. These groups identify abandoned or dilapidated kominka, often through networks of traditional builders and artisans, and prioritize rescuing them from demolition. The salvaging process involves carefully disassembling the homes, labeling each joint and frame member, and transporting them to a warehouse for cleaning, inspection, and repair. Components like ceramic roof tiles, tatami mats, doors, and shoji screens are also salvaged whenever possible. The timber frames are then reassembled to ensure structural integrity, documented, and finally disassembled again for shipping, often to other countries. One notable project involved the reconstruction of a kominka in northeastern Oregon. Eric Carlson, a long-time admirer of Japanese architecture, initiated this endeavor after observing discarded materials from old houses in Japan. Collaborating with Kunito Niwa and members of Toda Komuten, he helped establish the Kominka Collective to export these frames to North America. The first frame was used to build a 600-sq.-ft. structure on Carlson's property. Inspired by this, neighbors Bill Oliver and Kiyomi Koike commissioned the Collective to build a tea and guesthouse, expanding their initial request for a small studio. The project involved a hybrid design, blending traditional Japanese elements with modern building practices to meet local codes. The reconstruction process in Oregon combined salvaged sills, floor joists, and exposed timber roof framing with modern materials and Western building assemblies. New foundations were laid, and the salvaged 6x8 cypress beams were installed using traditional timber-frame joinery. The space between exterior posts was infilled with 2x6 walls, and mortise-and-tenon joints were secured with hidden structural lag bolts for code compliance. The reclaimed kominka roof framing, with its complex arrangement of crossbeams and natural shapes, was left exposed to the interior, providing an aesthetic connection to the home’s heritage. An over-roof with 2x12 rafters and R-40 fiberglass insulation was added to enhance comfort and energy efficiency. Lightweight enameled steel panels were used for the roofing, mimicking traditional Japanese tiles without adding excessive weight, and Japanese cypress was utilized for exterior wood details due to its weather resistance. The exterior walls featured a plaster finish achieved by applying a limestone-based stucco over tile backer panels, as traditional Japanese plaster was difficult to source. Decorative frame-and-panel details made of enameled steel were also incorporated at the lower portion of the exterior walls. The project, which took nearly a year, including delays from weather and the global pandemic, allowed for careful design decisions. The owners expressed that the completed Zen House Kominka offers a unique blend of vibrancy and serenity, transcending cultural boundaries. This initiative not only preserves traditional building arts but also offers an appreciation for kominka and the ancient Japanese timber-framing tradition, known for its flexible joinery and resilience against earthquakes, exemplified by structures like the Horyu-ji Temple, one of the oldest wooden-framed buildings in the world. #KominkaCollective #JapaneseArchitecture #TimberFrame #HistoricPreservation #SustainableBuilding #CulturalHeritage #HomeDesign #TraditionalCraftsmanship #OregonConstruction

Micke Grove Park in Lodi, Northern California, offers a serene Japanese garden that serves as a tranquil escape. The park itself is a comprehensive recreational area featuring the Micke Grove Zoo, Wortley Lake, the Historical Museum, and Fun Town, catering to various interests. The Japanese garden, however, stands out as a focal point for nature enthusiasts, boasting traditional elements such as cherry blossom trees, a tea house, and a Koi pond. The garden's origins date back to 1959, initiated by "Duke" Yoshimura, a park worker. Yoshimura envisioned the garden as a symbol of unity and solidarity between the Japanese community and the residents of San Joaquin County. This historical context adds a layer of cultural significance to the garden, reflecting a period of community building and appreciation for Japanese heritage in the region. The design of the Lodi Japanese garden was undertaken by Nagao Sakurai, a renowned landscape architect known for his work on various gardens across the United States. His expertise ensured the garden's authenticity and aesthetic appeal, incorporating traditional Japanese landscaping principles. The garden was officially dedicated in 1965, and since then, it has provided a peaceful sanctuary for Lodi's residents, offering a quiet space for contemplation and enjoyment of nature. Among the garden's most engaging features is the Koi fish pond. Koi fish, known for their vibrant colors and potential longevity—some living up to 200 years and growing up to three feet in length—offer a mesmerizing spectacle for visitors. The garden also includes a distinctive red arch bridge, a classic element in Japanese garden design. This bridge, set against a backdrop of flowering cherry trees, enhances the garden's visual appeal and contributes to its overall charm, making it a notable Japanese garden in Northern California. The Japanese garden in Micke Grove Park is presented as an ideal destination for those seeking to immerse themselves in nature without distractions. Its careful design, historical significance, and beautiful natural elements make it a hidden treasure in San Joaquin County, inviting visitors to experience its peaceful atmosphere. #MickeGrovePark #JapaneseGarden #NorthernCalifornia #Lodi #HiddenGem #NatureLover #KoiPond #CherryBlossom #TeaHouse

Perched on a hill in Los Angeles, this 1,300-square-foot Echo Park residence, designed by OWIU Design for creative producer Sue Chan, merges Japanese minimalism with a cabin-like warmth. The home functions as both a tranquil retreat from the city and an ideal workspace, catering to Chan’s frequent travel between New York and Los Angeles by offering a curated environment that highlights the best of the West Coast. The property features a main house and a separate, newly constructed office unit. A curved walkway introduces visitors to the home, which is strategically built to embrace its natural surroundings. OWIU Design meticulously integrated existing trees into the fencing, creating openings for branches to continue their growth, thus blurring the lines between built structure and nature. The elevated position of the home provides expansive views of East Los Angeles, which are maximized through thoughtful architectural choices. The living room, designed for entertaining, seamlessly transitions to an outdoor deck overlooking the Echo Park hills, allowing for open-air gatherings. The interior layout is open-plan, connecting the kitchen directly to the living area. Privacy in the bedroom is achieved through a custom-fabricated shoji screen by local Japanese artisans. The bedroom itself is set on a discreetly raised platform, a signature design intervention by OWIU to subtly delineate spaces for meditation without the need for traditional walls. In the kitchen, co-designed with Reform, a slanted skylight ensures abundant natural light. The material palette, characterized by continuous cedar and oak finishes throughout the house, imbues the space with an earthy warmth reminiscent of a cabin. OWIU and Reform collaborated to optimize the compact kitchen space, incorporating hidden storage solutions and floating shelves to maintain a minimalist aesthetic and functionality. The separate office unit mirrors the main house in its use of cedar clad siding and oak finishes, maintaining material continuity while establishing a distinct functional purpose. This unit, unlike the main house designed for entertaining, is conceived as a sanctuary or hideaway. Similar to the main house's bedroom, the office features a raised platform, signifying a space of retreat and privacy. A prominent picture-window in the office frames views of the surrounding trees, further connecting the interior with the natural landscape and enhancing the sense of calm and focus. #EchoParkHome #OWIUDesign #SueChan #JapaneseMinimalism #CabinInspired #LosAngelesArchitecture #HomeOfficeDesign #IndoorOutdoorLiving

The "Hide Out" house, a Frank Gehry-designed residence from the 1970s located in Los Angeles' Sawtelle Japantown, has undergone a significant renovation by local studio Dan Brunn Architecture. Commissioned by art collectors, the project aimed to restore and reinterpret Gehry’s original minimalist aesthetic, which had been altered by previous owners, the Janss Family. The renovation focused on creating an open and art-friendly space while integrating elements of Japanese design to complement the neighborhood's character. The 3,600-square-foot home was redesigned to feature an open-air area on the first floor, intended for displaying artwork by one of the new owners, artist James Jean. Dan Brunn Architecture reincorporated architectural details typical of Gehry's style from the 1970s and 1980s, which had been removed during the Janss Family's ownership. A notable exception was the oversized rectangular skylight, a key original feature that was preserved and continues to flood the central part of the home with natural light. The material palette of the renovated Hide Out is deliberately simple, consisting primarily of walnut, concrete, and glass. White walls and pale concrete floors establish a clean, gallery-like backdrop, contrasted by striking walnut elements. A handcrafted, sculptural walnut staircase serves as a central feature, adding warmth and visual interest. The design emphasizes an open-plan layout, with minimal furnishings to ensure that the art collection remains the focal point. Inspiration from Japanese design is evident throughout the home, particularly in the furnishing choices and a unique architectural insertion. For instance, a reclaimed timber coffee table was custom-made using traditional Japanese joinery techniques. A standout feature is a walnut volume, inspired by traditional Japanese tearooms, which is integrated into the living space. This versatile nook functions as a reading area, a meeting space, or a meditation room, offering a secluded and serene environment. This Japanese-inspired reading nook is strategically positioned to overlook a lush garden planted with traditional Japanese flora, including bamboo, gingko, and maple. This integration of indoor and outdoor spaces enhances the tranquil atmosphere of the nook and connects the home with its surroundings. The renovation by Dan Brunn Architecture successfully blends the architectural legacy of Frank Gehry with modern minimalist and Japanese influences, creating a functional yet artistic residence that reflects the tastes of its art-collecting owners. #FrankGehry #DanBrunnArchitecture #JapaneseInspiredDesign #HomeRenovation #ReadingNook #MinimalistDesign #WalnutInteriors #LosAngelesArchitecture #SawtelleJapantown #ArtCollectorsHome

Starbucks in Japan has achieved remarkable popularity, extending beyond its global presence to cultivate a fervent local following since its debut in Ginza in 1996. With over 1,917 stores nationwide, the brand's rapid expansion and enthusiastic reception are noteworthy. A notable instance of this widespread appeal occurred in 2015, when the opening of a Starbucks in Tottori, Japan's least populated prefecture, drew a crowd of a thousand people who queued from early morning. The launch of the world's largest Starbucks Reserve Roastery in Meguro in 2019 further exemplified its popularity, necessitating a lottery system to manage visitor access through time-slotted tickets. The brand's success in Japan is attributed to several factors, including its consistent introduction of seasonal, limited-edition beverages and merchandise, many of which are exclusive to the Japanese market. Additionally, Starbucks has adeptly integrated with local culture by creating visually appealing and distinctive spaces. These locations often incorporate innovative architecture and design, frequently blending with their inspiring surroundings to offer unique aesthetic experiences. The designs are so integrated into their environments that they often do not immediately appear to be a Starbucks until the familiar green mermaid logo is spotted. Examples of these architecturally significant Starbucks locations include the Hakodate Bayside store in Hokkaido, situated in a heritage building within the Kanemori Red Brick Warehouse district. This two-story former warehouse, dating back to the Meiji era, preserves its historic ambiance with original wooden flooring and staircase. It offers views of Hakodate Bay and a fireplace for warmth during Hokkaido's cold winters. The Hirosaki Koen-mae store in Aomori is housed within the Daihachi Dancho Kansha, a former division commander's residence built in 1917. This location, a Tangible Cultural Property, blends Western aesthetics with Japanese design elements like shoji doors and traditional wall scrolls. It also features local crafts, such as light fixtures made from beech wood using the bunaco technique and sofa backrests embroidered with Tsugaru style kogin-zashi patterns. In Kawagoe, Saitama, the Kanetsuki-dori store mirrors the 'Little Edo' townscape with a traditional warehouse-like structure, featuring a local cedarwood exterior and a tiled roof. Its interior incorporates repurposed fusuma sliding panels as framed artworks and cushions made from local Kawagoe tozan kimono fabric, tied with ume musubi-style cords. An outdoor terrace provides access to a Japanese garden, where patrons can occasionally hear the nearby Tsuki no Kane bell tower. The Starbucks Reserve Roastery Tokyo in Meguro, designed by Kengo Kuma, is one of the brand's largest roasteries globally. This four-story structure on the Meguro River features a roasting factory, an Arriviamo cocktail bar, a Teavana tea room, and a Princi bakery. Its fourth-floor terrace offers views of cherry blossoms during spring. The Yomiuriland Hana Biyori store in Tokyo is uniquely situated within a greenhouse at Yomiuriland’s Hana Biyori garden. This location provides a floral environment with blooming flower walls and hanging baskets. It features an open, light-filled space with abundant greenery, a communal table with a water feature, and counter seats overlooking an 8m-long aquarium with Okinawan coral fish. Entry requires a ticket to the botanical garden. The Nineizaka Yasaka Chaya store in Kyoto occupies a 100-year-old machiya (townhouse) from the Taisho period, seamlessly blending into the historic neighborhood. Recognized with the Kyoto Scenery Award, it preserves a traditional daibei wooden wall and features three inner courtyards converted into Japanese gardens. The upper floor resembles a classic Japanese tea house with tatami floors, zabuton cushions made from Tango kimono fabric, and tokonoma spaces displaying wall scrolls. The Meriken Park store in Kobe is located at the city’s picturesque harbor, near the Kobe Port Tower. Its facade, resembling fish scales, is constructed using the traditional hishibuki technique with diamond-shaped metal plates. The first floor offers views of the lawn and harbor, while the second floor, designed like a ship's bow with a curved glass wall, provides a cruise-like experience. The store is particularly scenic in the evening when surrounding landmarks are illuminated. The Dogo Onsen Ekisha store in Ehime is housed in a two-story Meiji-era structure built in 1912, part of the Dogo Onsen train station. Its design combines Western and traditional Japanese aesthetics with lattice windows, Victorian-style fencing, and a wooden facade. The interior features a bar counter and communal table made from repurposed railway sleepers and tracks, reflecting the area's heritage. Finally, the Dazaifu Tenmangu Omotesando store in Fukuoka, designed by Kengo Kuma, is an avant-garde installation along the pedestrian street to Dazaifu Tenmangu shrine. Its signature feature is a criss-crossing mass of 2,000 cedar wood bars, pieced together using the traditional kigumi technique without nails. The interior features zigzagging sofa seats and natural light, creating a bright and airy atmosphere. #StarbucksJapan #ArchitecturalDesign #UniqueCafes #JapaneseCulture #HeritageBuildings #KengoKuma #KyotoMachiya #TokyoArchitecture #HokkaidoHistory

Marguerite Rodgers Interior Design undertook a comprehensive makeover of a 19th-century townhouse in Rittenhouse Square, transforming it into a space that harmoniously blends historical elements with modern and Japanese-inspired aesthetics. The clients, who had a strong appreciation for the Far East, sought a design that would reflect their experiences while respecting the building's historical context. The townhouse, despite its grand origins, had undergone numerous renovations over the years, leaving only the original staircase and a living room fireplace intact. The design team, led by Marco Angelucci, aimed to create a hybrid space that gradually transitions from traditional public areas to more overtly modern and Asian-influenced private spaces. The main floor showcases this gradual transition. The living room, located at the front of the house, retains the most traditional detail, complementing the existing fireplace with newly introduced classical architectural references. The furniture in this space, while modern, pays homage to traditional designs, such as the contemporary chairs inspired by wingback chairs. A postmodern chandelier with floral motifs provides an early indication of the modern sensibility that pervades the rest of the home. Moving through the main floor, the dining room acts as a stylistic bridge, incorporating Streamline Moderne influences while retaining traditional baseboards and ceiling trim. The kitchen, at the rear, embraces a fully modern aesthetic with contemporary furniture and a striking metal sculpture. However, even in this modern space, subtle nods to tradition are present in the coffered cabinetry, mullioned sliding doors, and sofa detailing. The Japanese influence becomes more prominent in the private areas of the house. The main-floor powder room features a hand-painted traditional Japanese landscape by local artist Chris Lynn, which can be removed and relocated if the clients move. The primary suite and other upstairs bathrooms also heavily feature a Japanese sensibility. Many second-floor rooms integrate elements of Moderne design with traditional accents, while the primary bedroom subtly hints at tradition, bringing modern and Asian themes to the forefront. Floating nightstands, integrated into recesses flanking the bed, exemplify this blend. The primary bathroom evokes a Zen-like atmosphere with Chinese red accents on the vanity and a wooden surround for the soaking tub. The basement media lounge is entirely modern, serving as the dedicated space for televisions, which the clients preferred not to have in other rooms. This space is designed for both conversation and media viewing, featuring a unique orange chair with a single arm and back, allowing for flexible seating arrangements. A clever design element in the basement is a large artwork that conceals an electrical panel and other mechanical controls. The basement was also excavated to achieve higher ceilings, further enhancing the modern feel. The project was a collaborative effort involving Peter Zimmerman Architects, lighting designer Filament 33, landscape designer Digs, and contractor Shay Construction, with Marguerite Rodgers Interior Design leading the coordination and execution to deliver a space that truly reflects the clients' personalities and vision. #InteriorDesign #RittenhouseSquare #TownhouseMakeover #JapaneseInspired #ModernAesthetic #HistoricalRenovation #MargueriteRodgers #PhiladelphiaHomes #LuxuryDesign

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

Summer Jensen, CEO and principal of Hawk & Co., designed the interiors of a California coastal home, emphasizing the connection between indoor and outdoor spaces. The design draws inspiration from the home's sweeping views and the rustic-meets-industrial architectural style, reminiscent of Napa Valley. Jensen, influenced by her Hawaiian upbringing, prioritizes nature in her designs, ensuring ample natural light and seamless transitions between interior and exterior living areas. The home's structure, created by Brandon Architects, provided a minimalist foundation. Jensen focused on architectural cues to inform the interior design, integrating elements like a staggered batten wood-paneled wall near the fireplace that extended to disguise kitchen cabinets. Skylights, particularly in the primary bath, were incorporated to harness natural light, aiding in regulating circadian rhythms. The design also features innovative solutions like barely perceptible kitchen cabinets, veiled by the same staggered batten wood-paneling for a cohesive look. One distinctive feature is a brewmaster’s bar on the lower level, equipped with 16 microbrews on tap and illuminated by a unique lighting sculpture, offering a sophisticated and entertaining space. The living room opens directly onto a patio, further enhancing the indoor-outdoor living experience and maximizing the coastal views. Throughout the home, warm wood tones create a sense of continuity, extending into the primary bedroom. The exterior of the home also aligns with the rustic-industrial aesthetic, reflecting the design inspiration from Napa Valley. The project highlights a harmonious blend of architectural simplicity, natural inspiration, and functional design, creating a striking and livable coastal retreat. #CoastalLiving #CaliforniaHomes #IndoorOutdoorDesign #SummerJensen #HawkAndCo #RusticIndustrial #NaturalLight #HomeInteriors #ResidentialDesign