note design studio forms furniture out of flooring material for tarkett's london showroom

Teklan Studio, led by designer Tekla Evelina Severin, has unveiled the "Newstalgia" flooring collection for Italian carpet brand Radici. This textile collection aims to reimagine the elaborate patterns and vibrant aesthetics of the 1970s and 1980s, offering a fresh perspective on nostalgic design for contemporary living. The collection has earned recognition by being longlisted in the textile design category of the Dezeen Awards 2025. The Newstalgia collection features eight distinct geometric patterns, each characterized by a playful manipulation of color and proportion. Severin's signature design approach is evident in the unconventional color pairings, which include combinations such as peach and black with burgundy and baby blue. The designer describes Newstalgia as a "love letter to the atmospheres of the past," emphasizing its dual focus on reinventing historical design elements for present-day applications and ensuring its adaptability for future architectural and interior design projects. Severin highlights the collection's flexibility, stating that its scale and color palettes are intended to be customizable to meet the specific requirements of architects and the unique premises of projects in upcoming decades. This forward-thinking design philosophy underscores the collection's potential for longevity and versatility within the evolving design landscape. The carpets are prototyped on Radici's Bloom Back textile flooring, a custom-printed base that plays a crucial role in the collection's sustainable credentials. The Bloom Back base is manufactured using Econyl yarn, a regenerated nylon-based fabric. This material is derived from industrial waste sources, including fabric scraps and discarded fishing nets, illustrating a commitment to circular economy principles. Radici emphasizes that Bloom Back is not only lightweight and soft but also possesses acoustic properties, making it an appropriate choice for high-end contract and hospitality environments. Severin reinforces the environmental benefits of the material, noting that its "regenerated to be regenerable approach is a perfect example of circular economy in action." This commitment to sustainability, combined with the collection's aesthetic appeal, positions Newstalgia as a significant contribution to both design innovation and environmental responsibility in the flooring industry. #FlooringDesign #TextileDesign #NostalgicDesign #GeometricPatterns #InteriorDesign #SustainableDesign #CircularEconomy #RadiciCarpets #TeklanStudio

Tali Roth, the founder of Studio Tali Roth, brings a distinctive and atmospheric design language to interiors, shaped by her Australian suburban upbringing and refined in New York. Roth's approach is deeply personal and eclectic, focusing on helping clients develop a sense of self through their living spaces. This philosophy stems from her childhood enjoyment of giving makeovers, which she now translates into interior design through a process she calls 'the glow-up'. Her designs often feature textured and colored wall finishes, wallpapers, carefully curated objects—sometimes with a balanced touch of the 'ugly'—and reupholstered vintage furnishings. After graduating from RMIT in interior design in 2013, Roth moved to New York without a definitive plan. In New York, she encountered a different approach to interior design compared to Australia, where large windows emphasize the interaction between indoor and outdoor spaces. In contrast, New York apartments often have smaller windows, necessitating a distinct skill set to create engaging interior environments. Roth observed that the American interior experience offered more opportunities for individual expression, aligning with the legacy of interior decorators like Elsie De Wolfe, who advocated for original treatments in every room to individualize interiors, especially during a period of burgeoning apartment buildings with repetitive floor plans. Roth worked on approximately 70 projects before establishing her New York-based studio in 2015. An example of her New York work, the '5th Avenue' project, showcases her ability to create varied atmospheric experiences within an apartment through eclectic colors, finishes, objects, and furniture. This project demonstrates how dark, textural volumes can transition into bright, warm interiors, reflecting the influence of New York's urban environment on her design methodology. In 2020, Roth returned to Melbourne to re-establish her practice. Upon her return, projects like 'Terrazzo Palazzo,' a family home, exemplify her continued commitment to deeply personalized and eclectic design. This project is characterized by its unique combination of colors, finishes, objects, and furniture, all chosen to evoke a specific feeling or experience for the inhabitants. Roth's ultimate goal is to create spaces that resonate emotionally with people. Her design philosophy emphasizes individualism and personality, using elements that might be considered unconventional but are intentionally balanced to contribute to a cohesive and unique aesthetic. She integrates vintage elements and bespoke finishes to ensure each space tells a story and reflects the client's identity rather than adhering to transient trends. This blend of Australian roots and New York sophistication has allowed her to cultivate a versatile and expressive design style that prioritizes atmospheric quality and personal connection over conventional norms. The article highlights Roth's journey and her dedication to crafting interiors that are not just visually appealing but also deeply meaningful and reflective of their occupants' personalities. #InteriorDesign #TaliRoth #StudioTaliRoth #EclecticStyle #NewYorkDesign #MelbourneDesign #PersonalizedInteriors #VintageFurnishings #AtmosphericDesign

Industrial designer Robin Grasby has launched a new furniture collection crafted from Altrock, a unique material he developed. Altrock is composed of marble offcuts, sourced from luxury marble workshops, suspended in resin. This innovative material, first unveiled at the end of last year, is 87 percent recycled stone, making it a sustainable alternative in the design industry. The inaugural furniture line, showcased at this year's London Design Fair, features three primary pieces: a coffee table, a console, and a dining table. Grasby's intention behind designing these fundamental items was to demonstrate the versatility and adaptability of Altrock. The base designs can be extensively customized to create a wide array of furniture, catering to diverse functional and spatial requirements. Altrock's fabrication method allows for a broad spectrum of colors, achieved by combining different resins with various types of reclaimed stone. The material's unique aesthetic highlights the raw beauty of marble, with its broken edges and chaotic shapes bringing out the natural textures and materiality often lost when marble is used in large, polished slabs. Grasby emphasizes that the material aims to showcase the inherent beauty of marble, which results from millions of years of natural geological processes. A key aspect of Altrock's design flexibility is its mitring technique. This method involves creating angled cuts in the Altrock slabs, which are then rejoined. This allows for the creation of various geometric shapes and gives the appearance of both a solid mass and a folded, sheet-like surface. The process is designed to be highly efficient, with minimal waste generated during cutting and 'folding.' The seamless appearance of the rejoined slabs is further enhanced by a meticulous color-matching technique. This process ensures that the resin used to bond the slabs perfectly complements the base color of the Altrock material and the colors of the embedded marble pieces. Altrock has already found practical applications, such as in Hølte's East London design studio. Here, the material is used to create made-to-order fronts and worktops for IKEA kitchens, showcasing its potential for integration into existing design systems. The launch of the Altrock furniture collection at the London Design Fair aligns with a broader trend towards sustainable design, a significant focus of this year's London Design Festival. The festival featured numerous projects emphasizing recycling and the reuse of materials that would otherwise contribute to landfill waste. Examples include tableware made from industrial clay waste and an exhibition composed entirely of wooden dowels leftover from a previous installation. Grasby's Altrock collection stands out as a notable contribution to this movement, demonstrating how waste materials can be transformed into high-quality, aesthetically pleasing, and customizable furniture pieces, thereby promoting a more circular economy in design. #Altrock #FurnitureDesign #ReclaimedMarble #SustainableMaterials #LondonDesignFair #Terrazzo #IndustrialDesign #MaterialInnovation #BespokeFurniture

Talk Carpet has unveiled its new 3D Carpet, a flooring design inspired by the collections housed within the Prince Felipe Museum of Sciences in Valencia, Spain. This innovative carpet features a dark grey background adorned with gently curving lines in varying shades of white, grey, and black. The design specifically references the prehistoric animal skeletons exhibited at the Prince Felipe Museum of Sciences, aiming to evoke a sense of movement and depth through its unique linear patterns. The company highlights that these different shapes and colors contribute to the carpet's dynamic and dimensional appearance. The 3D Carpet is primarily designed for commercial applications, making it suitable for environments such as bars and restaurants. Its versatile nature allows for installation as a wall-to-wall carpet, creating a continuous and immersive visual experience, or as an oversized area rug, serving as a focal point within a larger space. Talk Carpet emphasizes the carpet's adaptability, noting its capacity to integrate seamlessly into a wide array of interior design aesthetics. The brand states that its linear design makes it particularly well-suited for extensive floor coverings or prominent lobby rugs. In line with Talk Carpet's commitment to sustainability, the 3D Carpet is offered in Econyl yarn. Econyl is a regenerated nylon fiber derived from recycled waste materials, including fishing nets, fabric scraps, and industrial plastic. By utilizing Econyl yarn, Talk Carpet aims to reduce consumer waste and promote a more circular economy within the textile industry. This choice underscores the brand's dedication to environmentally conscious manufacturing practices without compromising on design or durability. Additional details about the product, including its official name, manufacturer, and contact information, are provided for interested parties. The article also mentions that this content is part of the Dezeen Showroom, an initiative that provides brands with a platform to introduce new products and highlight their designers to a broad global audience. This collaboration signifies the carpet's place within the wider design community and its potential appeal to professionals seeking innovative and sustainable flooring solutions for commercial and hospitality projects. The design's artistic inspiration and practical applications position it as a notable offering in the contemporary flooring market. #3DCarpet #TalkCarpet #FlooringDesign #CommercialInteriors #PrinceFelipeMuseumOfSciences #EconylYarn #SustainableDesign #InteriorDecoration #DesignInnovation

The article highlights Heather Chontos's collaboration with Layered, focusing on a new rug collection that translates her abstract paintings into hand-tufted rugs. The collection aims to capture the depth, color, and shape of Chontos's artwork, making her vibrant and expressive pieces accessible as functional home decor. These rugs are presented as a unique way to bring art into interior spaces, offering both visual appeal and tactile quality through their hand-tufted construction. Following this, the article introduces Clé's refreshed Architect's Palette tile collection. Clé has updated this classic collection by introducing a silkier matte glaze and expanding the available color palette. This refresh aims to provide designers and homeowners with more sophisticated and versatile options for tiling projects, emphasizing an earthy touch that enhances the collection's aesthetic and functional appeal for various architectural and interior applications. The ORA Lamp Series by Dana Harel, from White Dirt Studio, is also featured, showcasing sculptural lighting crafted from gypsum cement, muslin, and brass. These lamps are noted for their unique forms and the way they play with light and shadow, adding an artistic element to any room. The design combines diverse materials to create visually compelling and structurally interesting lighting fixtures. Fireclay Tile's new customizable bath fittings collection marks the company's expansion beyond surface materials. This new venture allows for personalized bath designs, giving customers more control over the aesthetics of their bathrooms. The collection emphasizes customization, enabling a cohesive and unique look when paired with Fireclay's extensive tile offerings. Molteni&C's Milan showroom and its top products are explored, conceived as the home of an astute collector. The showroom acts as a curated space displaying a range of high-end furniture and decor that reflects a sophisticated and eclectic taste. This segment offers a glimpse into the brand's design philosophy and product highlights. Visionnaire's new Italian-luxe showroom in London's Design District is also presented, inviting readers to explore its opulent offerings. The showroom is designed to exhibit Visionnaire's luxurious furniture and home accessories, providing a destination for high-end interior design inspiration and purchases. Lawson-Fenning's NoHo shop in New York, designed by Josh Grene, is highlighted for its glowing terra-cotta hues. The shop's design creates a warm and inviting atmosphere, showcasing the brand's furniture and decor in a distinctive setting that emphasizes natural tones and materials. Ege and Snøhetta's collaboration on a carpet collection, Matter, is introduced, which reimagines flooring with generative flatweaves. This partnership combines innovative design with functional materiality, offering floor coverings that are both aesthetically engaging and practical for various commercial and residential applications. Finally, the article mentions several other product highlights, including an array of seating designs for a fall refresh, Carole Baijing’s understated furniture collection for Geiger, Slalom’s sustainable acoustic panels made with FSC-certified wood and recycled materials, Rop van Mierlo’s bold and shaggy rug series for CC-Tapis, Hem and Kusheda Mensah’s playful ottoman collaboration, Jiang Qiong Er’s poetic bamboo collection for Roche Bobois, Kevin Walz’s colorful collaboration with Ralph Pucci, Kriskadecor and Rafa Ortega’s nature-inspired Khronos collection with acoustic properties, and Jill Malek’s pastel glass mural panels inspired by natural phenomena. #InteriorDesign #ProductLaunch #HomeDecor #TileDesign #LightingDesign #FurnitureCollection #Showroom #TextileArt #AcousticPanels

Zachary Nestel-Patt, founder of Ah Um Design Studio, transitioned from a career in music to furniture design, finding parallels between the creative processes. For 35 years, his primary focus was music, studying jazz and classical bass. His entry into woodworking began with a part-time job sanding cremation urns in Los Angeles, which initially served as a means to fund his musical pursuits. However, over time, he discovered a new rhythm and passion in the craft of making, gradually shifting his career trajectory. Nestel-Patt's initial woodworking endeavors involved creating pieces for his own home. The positive reception he received after showcasing these items at a market prompted him to take his design work more seriously. This led to a full order book and sufficient interest to establish Ah Um Design Studio. The studio officially launched its inaugural collection, 'Jura,' during NYC x Design 2024. The 'Jura' Collection comprises 11 pieces, characterized by an expressive blend of materials and textures. Key design elements include zig-zagging wooden frames, mohair and boucle upholstery, and a distinctive application of tiles. These tiles are notably used to clad various pieces, including a chair, lamp, stool, and coffee table. The inspiration for incorporating tiles originated from Nestel-Patt's desire to use intricate tiles by Willem De Morgan, although he ultimately opted for tiles from Mexico that he felt possessed significant life and character. He appreciates how tiles bridge multiple categories, embodying both handmade and mass-produced qualities, vintage and modern aesthetics, and organic and industrial characteristics. Operating from Los Angeles, Nestel-Patt credits the city's vibrant creative community as a continuous source of inspiration for his design practice. He emphasizes that music remains a significant influence, noting the rewarding experience of drawing parallels between the processes of music making and furniture design. Ultimately, his motivation is rooted in a desire to create furniture he would personally enjoy living with, aiming to contribute to the global stock of aesthetically pleasing objects. #FurnitureDesign #AhUmDesignStudio #ZacharyNestelPatt #LAdesign #JuraCollection #TileDesign #Woodworking #CreativeProcess #InteriorDesign

The Dezeen Showroom highlights a diverse range of new products for interiors and design, featuring collaborations between designers and brands, and showcasing innovative materials and functionalities. The collection includes a padded, upholstered chair, a door pull made from colorful timber, vibrant bathroom lighting, a sturdy meeting table, versatile storage units, and eco-friendly wall tiles. The Amia chair, a collaboration between Italian brand Miniforms and design studio E-ggs, is presented as a key feature. This chair is described as being conceived like a sofa, with padding and upholstery covering all its surfaces. It features flat, thick legs and a round-cornered backrest, offering customization options with various bold fabrics and optional wooden armrests. The design blends comfort with contemporary aesthetics, making it suitable for modern living spaces. Another notable product is the Sensible Streaker door pull by Australian interior design studio YSG for Bankston Architectural. This slender door pull is crafted from alternating bands of naturally colorful timber, part of a wider collection. It comes in three unique colorways, each utilizing unusually-hued solid wood forms, emphasizing natural beauty and craftsmanship. The Pastello bathroom lighting collection by British brand Curiousa introduces a colorful assortment of wall-mounted lights. This collection includes posable, dish-shaped, or suspended lighting fixtures, all unified by a cohesive pastel color palette. The designs aim to bring a soft, artistic touch to bathroom interiors. For communal or office spaces, the Planar table by Rodolfo Dordoni for Spanish furniture brand Andreu World is featured. This broad and sturdy meeting table is characterized by A-shaped legs at each end and a top that combines a chunky lower section with a slim, contrasting tabletop, providing both stability and a sophisticated appearance. British workplace brand Bisley expands its MultiDrawer storage units, originally launched in 1958. The updated collection includes new colors and functionalities, offering various hues, including limited edition options, and different size formats. Some versions are designed to serve as bases for desks, enhancing their versatility in modern workspaces or home offices. Cicil, a US brand, presents its Tartan Shuttle Weave rugs, made from pure wool and featuring an exaggerated check print. These rugs are available in three color combinations: warm neutral Daylight, blue-and-burgundy Dusk, and cool neutral Twilight, offering timeless appeal with a contemporary twist. Elora Hardy for Bamboo Pure introduces the New Moon chair, a lounge chair with a sweeping backrest made from bamboo. This piece combines the design aesthetic of European steam-bent seats with bamboo, a sustainable and native material in Southeast Asia, highlighting eco-conscious design principles. Designtex's Borealis wall covering features multicolored, painterly strokes designed to create a calming effect in interiors. This product is intended for wellbeing, hospitality, and healthcare settings, emphasizing aesthetics that promote tranquility and comfort. Finally, Impact Acoustic's Archisonic Mycelium wall tiles showcase an innovative approach to materials. These wall tiles are grown from mycelium, the root network of fungi, rather than manufactured. They are available in a single natural color and possess innate sound-absorbing properties, offering a sustainable and functional solution for interior acoustics. Ted Todd expands its Project collection flooring, adding new shades, plank sizes, and thicknesses. The oak floor planks are available in a spectrum of shades, from pale Almond to rich, chocolate-hued Tattenhall, providing a wide range of options for flooring projects. This comprehensive overview demonstrates the breadth of new products available on Dezeen Showroom, catering to various design needs and preferences. #ProductDesign #Furniture #InteriorDesign #SustainableMaterials #Lighting #StorageSolutions #Rugs #WallCoverings #AcousticPanels #Flooring

The Barrow Collection by Toronto-based designer Mary Ratcliffe represents an expansion of her design philosophy, initially introduced with the Barrow Dining Table in 2021. The collection, which now includes a bench, side tables, and a mirror, is unified by its sculptural aesthetic and a distinctive approach to woodworking, drawing inspiration from the centuries-old coopering technique of barrel-making. This method involves shaping repeated trapezoidal staves into curved, yet angular, volumes, thereby creating a visual language that blends traditional craftsmanship with modern design principles. Ratcliffe's work is characterized by a dialogue with wood as a dynamic material. The design process emphasizes the manipulation of wood's inherent properties to achieve precise, repeatable forms. This involves taking traditional rules governing wood movement and applying a contemporary interpretation, simplifying these principles to create shapes that evoke a sense of thoughtful repetition and sculptural meditation. The resulting pieces maintain a balance between a monumental presence and an approachable feel, defining a softness that also highlights a nuanced aspect of brutalism in design. The Barrow Table exemplifies this design approach through its clustered or split bases. The angled cuts within these bases interact with light and shadow, creating an illusion of lightness despite the table's substantial form. The Barrow Bench reinterprets the table's forms, applying them to its edges, which in turn reveals the precision of the design from different perspectives. A subtle six-degree contour in the bench's seat is incorporated to enhance comfort, demonstrating an attention to user experience alongside aesthetic considerations. The Barrow Side Tables, scaled-down iterations of the collection's larger pieces, feature cantilevered marble tops. These elements introduce negative space, creating visual breaks that contribute to a lighter overall composition. The side tables can be arranged individually or as a nested pair, offering flexibility in their display and function. The Barrow Mirror extends the collection's geometric language, featuring a hand-polished aluminum frame complemented by faceted wooden 'claws.' This design choice refines the collection's aesthetic into a more intricate, jewel-like, and wall-mounted form. The development of the Barrow Collection involved significant technical challenges, particularly in achieving the signature angled cuts. Ensuring these cuts were crisp, repeatable, and stable, despite wood's natural tendencies, required years of experimentation, the development of custom jigs, and a crucial innovation in construction. This breakthrough involved replacing solid sections with a veneered, hollow-core build, allowing for the precise execution of the designs. The evolution of these pieces, from initial concept to final form, reflects a hard-won technical journey that culminates in a seemingly inevitable design. The collection is presented in blackened oak, a deliberate choice intended to minimize the visual distraction of wood grain and allow the ethereal qualities of the forms to take precedence. When viewed as a cohesive unit, the pieces appear less as individual objects and more as a unified set of artifacts. They evoke the impression of originating from a shared architectural concept, embodying a tradition that values material honesty, conscientious construction, substantial presence, and the subtle drama inherent in well-defined forms. Ratcliffe's work redefines brutalism, presenting it not as cold but as a language of precision, patience, and craft delivered with warmth, emphasizing the human element in production through a small, dedicated team overseeing the process from raw material to finished product. #HomeFurnishings #InteriorDesign #FurnitureDesign #ModernDesign #Woodworking #ProductDesign #SculpturalFurniture #MinimalistDesign #DesignProcess

The annual WOW!house at Design Centre, Chelsea Harbour, showcases 22 immersive spaces designed by a mix of established and emerging talents. This year's exhibition, on view from June 2 to July 3, offers a comprehensive look at current design trends, featuring contributions from designers like Alessandra Branca, Chad Dorsey, and Peter Mikic. The showhouse serves as a source of inspiration for both full-scale redesigns and minor refreshes, highlighting innovative approaches to spatial planning, color palettes, and luxurious yet livable layering. The following outlines key design ideas observed at the showhouse. The entrance hall, designed by Victoria Davar of Maison Artefact, creates a theatrical ambiance reminiscent of a country château. Davar raised the ceiling to five meters and installed a floating staircase, an antique stone floor, and traditional joinery. The space is adorned with an 18th-century Norwegian table and Pierre Forsell candleholders. A spiraling ‘Oak Leaf’ chandelier by Cox London serves as a dramatic focal point, emphasizing the impact of nature-inspired, large-scale pieces in an entryway. Chad Dorsey’s Fromental Drawing Room combines American and British Arts and Crafts influences. The room features a bespoke Strike fireplace, Alexander Lamont’s ‘Kita’ lamp, Kyle Bunting’s custom leather chequerboard rug, and Romo’s cinnamon chevron textiles. Fromental’s hand-painted ‘Kiku’ wallcovering extends across the walls, ceiling, and door casings, creating an immersive, atmospheric effect. Tommaso Franchi of Tomèf Design created a Venetian-inspired primary bedroom and sitting room, showcasing Italian craftsmanship. Franchi blended modern and historic elements using Fortuny textiles, Bonacina’s handwoven rattan, and Barovier&Toso;’s Murano glass. Draped fabric panels on the walls and upholstered doors add softness, warmth, and a cinematic quality to the space. Ben Pentreath Studio’s unfitted kitchen presents a Greco-Gothic fantasy with bold colors, eccentric details, and a focus on craft. Designed by Rupert Cunningham, Leo Kary, and Alice Montgomery, the kitchen features delicate wooden storage shelving from Lopen Joinery, allowing the architectural background and wall color to show through, blending practicality with poetic design. Alessandra Branca’s bedroom features a canopy bed wrapped in Casa Branca’s patterned linens, inspired by Mongiardino and David Hicks. The design combines classical references with sculptural pieces by Timothy Schreiber and Francis Sultana. ‘Paisley’ walls and striped drapery, alongside antiques from Rose Uniacke and Hawker Antiques, create a soft, luxurious, and hospitable environment. Alex Dauley’s media room, in collaboration with Nucleus, is a warm, cocoon-like space. Fully upholstered walls, ceilings, and a fitted custom rug in amber and walnut shades create an enveloping atmosphere. Hidden smart sound and lighting technology from Nucleus, along with handcrafted walnut and bronze shelving and sculptural lighting, add sophistication. The room also highlights pieces by Black artisans, including Darren Appiagyei’s raw wood vessels and Danielle McKinney’s giclée print. Emma Sims-Hilditch’s courtyard room, a boot room and dog snug, demonstrates that functional spaces can be stylish. It incorporates a marble sink for muddy vegetables and an elegant dog shower. Layered with antiques, bespoke craft, and hand-painted Delft tiles by Marlborough Tiles, this space highlights a modern trend of dedicating comfortable areas for pets. Daniel Slowik’s chartreuse morning room, designed with Treasure House Fair, emphasizes romantic restraint. The walls are covered in hand screen-printed cotton poplin with a trompe-l’œil pattern. Notably, large, ruffled frilled cushions made from Nuthall Temple fabrics add a witty and indulgent contrast to the room's unique antiques and art. Nicola Harding’s powder room, created with Drummonds, features a tented aubergine silk ceiling, transforming the small space into a magical retreat. Layers of patterned fabric, glossy tiles, and brass and mirrored finishes create a sensory experience. Harding’s bespoke rug-covered cabinetry and playful furnishings, combined with Drummonds’ elegant fittings, show how small spaces can achieve significant dramatic impact. Pirajean Lees’ circular sanctuary, wrapped in Dedar fabrics, is a sensory experience inspired by music, particularly jazz. Wool satin curtains, wild silk, and velvet mohair cover custom bookcases and a desk, with case designs referencing musical instrument trunks. A curving bespoke sofa, a custom Jennifer Manners rug, and a sculptural “Record” chair invite deep listening and pause. Peter Mikic’s dining room is a vibrant celebration of color, featuring Benjamin Moore’s ‘Broadway Lights’ yellow. The room includes an atomic chandelier, a bespoke dining table by Kaizen inlaid with semi-precious stones, and hand-painted trompe l’oeil panels. Billy Metcalfe’s abstract mural electrifies the back wall with sweeping strokes of green, blue, and red, creating a full-color feast. #DesignTrends #ShowhouseDesign #InteriorDecor #LuxuryInteriors #ColorPalettes #CustomFurnishings #ArchitecturalDetails #LondonDesign #HomeStyling

Dezeen Showroom highlights eight new product designs, including furniture, lighting, and textiles, focusing on versatility, sustainability, and contemporary aesthetics. Fredericia's Plan Chair, designed in collaboration with Barber Osgerby, leads the selection with its minimalist form and extensive customization options, making it suitable for a variety of interior settings, from dining areas to offices. Its design allows for personalization of the back, seat, and base, ensuring adaptability to diverse preferences and environments. Karakter reissues Gijs Bakker's 1972 GB Lounge chair, a modular seating system known for its flexibility. Individual segments can function as armchairs or be combined with other modules and poufs using connectors, enabling users to create custom seating arrangements. This revival emphasizes the enduring appeal of adaptable furniture solutions. Dizz Concept introduces the Dizzone workstation, a versatile pod designed for home working, learning, or gaming. This unit integrates a desk with ample space for monitors, shelving, and storage, and when closed, it compacts into a large cabinet, optimizing space in multi-functional rooms. The design addresses the increasing demand for integrated home office solutions. Miniforms, in collaboration with E-ggs, presents the Bice chair, distinguished by its curved backrest. The chair's unique shape allows it to serve as a standalone piece in residential interiors or as part of larger arrangements in commercial settings, where its stackable feature facilitates efficient storage. NOOE's Config01 Desk Set aims to enhance productivity by minimizing workspace clutter. This collection of desk accessories includes a laptop stand, mobile phone stand, desk rug, desk tray, and cable organizer. Crafted from materials like suede, aluminum, and natural American walnut, these accessories combine functionality with a refined aesthetic. Konstantin Grcic's Myto chair for Plank is re-released in a lighter, more flexible, and recyclable plastic. Originally launched in 2007, the updated version maintains its stackable design and is available in multiple colors, including black, white, traffic red, pure orange, yellow green, and light blue, offering both durability and environmental consciousness. Arcana's Doinyo tile collection replicates the appearance of high-quality marble. These tiles feature digitally printed grey, blue, and beige shades, along with inclusions and veining characteristic of natural marble, providing an elegant and durable surface solution without the maintenance associated with natural stone. Finally, Camira's Main Line Twist upholstery fabric blends wool and flax to create a contemporary take on tweed. Available in 15 colorways, this textile offers a durable and aesthetically pleasing option for upholstery, contributing to both the comfort and visual appeal of furniture pieces. #ProductDesign #Furniture #Chairs #HomeOffice #InteriorDesign #ModularDesign #SustainableMaterials #Textiles #Tiles

The 'Connected' project, a collaboration between British furniture brand Benchmark and the American Hardwood Export Council (AHEC), emerged from the unique challenges posed by a global pandemic. This initiative brought together nine designers to create furniture pieces aimed at enhancing the working-from-home experience. A significant aspect of this project was the designers' inability to physically visit the workshop or interact directly with their creations, necessitating reliance on remote communication tools like Zoom and WhatsApp, and a considerable degree of trust in the craftspeople at Benchmark. Sean Sutcliffe, co-founder of Benchmark, highlighted the increased leap of faith required from designers in trusting the technical, visual, and sensory aspects of the craftsmanship without in-person observation. An example of the innovative problem-solving employed by Benchmark is demonstrated in Studio Swine’s chair, which required its red oak and cherry wood components to be submerged in the River Kennet for a week to facilitate steam-bending. This resourcefulness is characteristic of Benchmark's workshop, which boasts 58 skilled craftspeople. Sabine Marcelis, a Wallpaper* Designer of the Year, praised Benchmark's willingness to push creative and technical boundaries, a stark contrast to the limitations often encountered with other manufacturers. Marcelis's contribution to 'Connected' is the 'Candy Cubicle,' a maple-veneer box designed to conceal home-working tools, including her partner’s monitor, with a surprising acid-yellow interior. Sustainability is a core principle of 'Connected,' mirroring previous collaborations between AHEC and Benchmark. Designers selected from red oak, maple, and cherry—woods that represent 40 percent of American hardwood forests but are often underutilized. David Venables, European director at AHEC, explained the council's mission to reintroduce these 'unfashionable' woods to designers and consumers, thereby promoting the sustainable use of all natural resources. The project underscores how consumer choices influence forest composition, advocating for a broader appreciation of timber species beyond the obvious choices. The pandemic and the chosen materials appear to have fostered a renewed appreciation for nature among the designers. Works range from Thomas Heatherwick’s biomimicry-inspired maple planters to Studiopepe’s 'Pink Moon' chair, reflecting a collective desire to connect with the natural world. Despite a common theme of natural inspiration, each designer's individuality is evident. Maria Bruun created a Scandinavian-style table from rippled maple, while Jaime Hayon’s 'Mesamachine' showcases complex, humorous, and movable cherry wood components. Ini Archibong's 'The Gate,' an outdoor collection, draws inspiration from the Giant’s Causeway, featuring a hexagonal plinth of red oak and cherry and a green-lacquered red oak top with brass inlays. Maria Jeglinska-Adamczewska's seat utilizes barrel-making techniques for its curved form, and Sebastian Herkner designed 'Stammtisch,' a modern Lazy Susan with sliding trays made from various woods and finishes. The designers will see their completed pieces in person for the first time at London's Design Museum, where 'Connected' will be exhibited from September 11 to October 11. This exhibition marks the culmination of a project that navigated unprecedented challenges through remote collaboration, trust, and a shared commitment to design and sustainability. #FurnitureDesign #Woodworking #RemoteCollaboration #SustainableDesign #HomeOffice #Craftsmanship #DesignMuseum #HardwoodExports #InteriorInnovation

This article, part of a weekly series spotlighting the latest product debuts in the marketplace, presents a curated selection of new launches in home furnishings and materials. The featured introductions span various categories, from furniture and wallcoverings to surfaces, lighting, and textiles, offering a comprehensive overview of recent innovations in interior design. RH's fall 2025 “RH Interiors” sourcebook is highlighted for its reinterpretation of classic designs with a modern sensibility. Key pieces include the 1970s brutalist Adilon tables, the Modena sofa featuring a sleek slipcover, the Calamette chandelier by Jonathan Browning with onyx paneling, and the Toulouse canopy bed, a Julie Lawrence creation crafted from sand-cast solid iron. These pieces collectively showcase a blend of historical inspiration and contemporary execution, emphasizing sophisticated aesthetics and materiality. Fromental's "Phantasm" wallcovering, designed by Amy Lau, is another notable debut. This wet-dyed silk mural, originally a custom piece for Lau's home, draws inspiration from iridescent Loetz glass. It features a painterly polychromatic pattern and metallic accents reminiscent of Gustav Klimt's work. A portion of the proceeds from its sale supports causes selected by Lau’s family, adding a philanthropic dimension to the product. Cambria introduces four new quartz surfaces, expanding its collection of American-made materials. These include "Traymore Bay," a misty neutral; "Claremont," characterized by chocolate and taupe veining; "Kenwood," a marbled ivory design; and "St. Isley," a bold blue-gray with dark wavy lines and white crackles. These surfaces provide diverse options for countertops and other applications, catering to various aesthetic preferences. To commemorate a decade of collaboration, Brooklyn-based Remains Lighting and Los Angeles design studio Commune launched an anniversary collection. The collection features eight new lighting designs, such as blown-glass Cylinder lanterns and brass-mesh Linear sconces. Additionally, it includes the curvaceous Halo mirrors and a range of storage accessories with faceted edges and perforated detailing, blending functionality with distinct design elements. Nurture by Nature, a collectible design gallery in Burlington, Vermont, is set to launch with its inaugural exhibition, “Unknown Friends.” This exhibit will feature 34 handcrafted works by 15 makers, available for public viewing and purchase. Featured pieces include Yuxuan Huang’s Lamp I, made from bamboo and hand-painted mashi paper; Luke Malaney’s reclaimed-wood Gambler cabinet; and Anna Gukov’s ceramic Tassel Il sculpture, showcasing a commitment to artisanal craftsmanship and unique design. Chaddock unveiled its first collaboration with Palm Beach County designer Allison Paladino. This made-to-order, 14-piece collection, produced in North Carolina, includes the French deco-inspired Kuester ottoman, the architectural Randee chair, and the Sir Martin mitered sectional. The sectional is distinguished by its clean lines, canted front, and column-like ends, reflecting a focus on tailored design and quality. OuterClé, a division of Clé Tile, introduced the "Lido Splash" collection of graphic pool tile mosaics. Designed to evoke a Mediterranean aesthetic, the collection features 18 distinct mosaics in various multitonal hues, such as "Pavone" (cool blue) and "Meraviglia" (warm neutral). These tiles can be combined to create customized focal points in outdoor spaces. Pindler’s "Mini Prints" collection showcases small-scale patterns printed on a cotton-linen ground. Available in seven colors, the collection includes designs such as the striped "Tilly," the floral "Fearne," the ikat-esque "Imogen," the dotted "Evienne," and the quatrefoil "Gemma." These textiles offer versatile options for adding subtle pattern and color to interiors. Studio Abrash, an India-based rug manufacturer, launched a new line inspired by William Morris and the Arts & Crafts movement. This collection features 10 hand-knotted rugs made from pure wool and silk, incorporating art nouveau botanical designs. Examples include the acanthus-clad "Eden," the marigold-covered "Mary," and the iris-filled "Luna," reflecting a revival of historical textile motifs. Finally, WallPops collaborated with Bangladeshi American designer Nabela Noor on a line of peel-and-stick wallpapers. The collection features four South Asian block print–style patterns: the sari-inspired "Aliviya," the banded "Zareen," the paisley-accented "Faiza," and "Safia," which features a traditional buta motif. This collaboration brings culturally inspired designs to accessible home decor solutions. #ProductPreview #HomeFurnishings #InteriorDesign #NewArrivals #LuxuryDecor #TextileDesign #SurfaceMaterials #LightingDesign #FurnitureDesign

This article from T Magazine highlights a range of cultural and lifestyle recommendations, featuring a former N.F.L. player turned furniture designer, a new art gallery in TriBeCa, a botanical-inspired wallpaper collection, an Athens restaurant showcasing contemporary Greek art, a homey Seattle hotel, and a hand-painted apparel line. Each section provides details about the featured subject, including their background, inspiration, notable works, and practical information for visitors or consumers. Michael Bennett, a former N.F.L. player, founded Studio Kër after retiring from football in 2020. His furniture designs are deeply inspired by his activism work for racial justice, his upbringing in Louisiana and Texas, and his ancestral roots in Senegal. Bennett’s inaugural exhibition, “We Gotta Get Back to the Crib,” features an 11-piece collection of sculptural furniture that reinterprets objects found in communal Black spaces. Key pieces include the Gumbo lounge chair, a sophisticated take on the monobloc chair, and the Pew couch, inspired by church benches, crafted from leather and ekki wood. The exhibition debuted at Theaster Gates’s Rebuild Foundation in Chicago and is scheduled to travel to Houston. In TriBeCa, New York, gallerist Jack Shainman opened a new 20,000-square-foot gallery called The Hall in the historic Clock Tower Building. This Beaux-Arts space, built around 1898 and formerly home to the New York Life Insurance Company, has been renovated and restored. The gallery serves as a new cultural center offering free exhibits, allowing visitors to appreciate both contemporary art and the historic Manhattan architecture, including its preserved bank vault and 29-foot-high coffered wood ceilings. The Hall plans to officially open in September with a 16-foot-tall bronze sculpture by artist Nick Cave. Currently, it features Richard Mosse’s immersive 74-minute multi-spectral video installation, “Broken Spectre,” which addresses the destruction of the Amazon rainforest. Mosse emphasizes the historical connection between the building’s past, built on wealth from enslaved people, and ongoing global issues like environmental destruction. Marian McEvoy, a former fashion and design editor, launched a new wallpaper and fabric collection with Schumacher, inspired by her botanical collages and illustrations. After nearly 30 years in Paris and Manhattan, McEvoy moved to a cottage on the Hudson River, where she creates her art. Her collaboration with Schumacher features six wallcoverings and four fabrics, including prints like Thistle Vine, Polka-Dot Jungle, and Bow-Wow-Wow, all reflecting her signature use of strong colors and lines. McEvoy has incorporated these designs into her own home, showcasing her personal approval of the collection. In Athens, entrepreneur and art collector Philippos Tsangrides opened Gallina, a restaurant designed by Objects of Common Interest. The interiors blend diverse materials such as red marble, pink leather, terrazzo, and wood, creating an unexpected aesthetic. Gallina also displays pieces from Tsangrides’s private art collection, including a silk tapestry by Jannis Varelas and a neon sign by Olga Migliaressi-Phoca. A notable design element is a sinuous white light tube by the architects. The menu, curated by chef Pavlos Kiriakis, features dishes with no specific provenance, such as chicken with miso beurre blanc and truffle, and wild mushrooms with white chocolate béarnaise. Tsangrides intends to open a wine bar nearby. Julian Hagood and Jake Santelli opened Harry’s Guest House, a two-room hotel in Seattle’s Capitol Hill, inspired by their neighbor Winnie. The Dutch Colonial home was purchased from Winnie, whose drawings and wooden writing desk are now integrated into the hotel’s design. One suite is named after Winnie, and the other after the couple’s dog, Lucy. The interiors combine vintage and contemporary furniture and textiles, featuring a 1940s hand-carved wardrobe and Zak+Fox fabrics. Guests can also enjoy in-room dining from Harry’s Fine Foods, Hagood’s adjacent restaurant. Artists Julia Dault and Hannah Whitaker launched Signs Point to Yes, a line of hand-painted apparel. Their sweatshirts and pants feature designs like metallic tulips, sherbet-hued confetti, and smiley (and sad) faces, often painted using ketchup bottles to achieve a gestural, imperfect style. The brand name, inspired by a Magic 8 Ball, conveys a sense of optimistic humor. The artists selected comfortable cotton garments as their canvases, recognizing their popularity during the pandemic and their continued appeal beyond loungewear. #SculpturalFurniture #ArtExhibition #Design #ArtGallery #InteriorDesign #HomeDecor #Restaurants #Hotels #Fashion

At Milan Design Week 2025, Belgian design house NOËL & MARQUET, in collaboration with Milanese design collective studioutte, unveiled Galerie Rouge. This independent showcase presented an evocative, monochromatic installation that reimagined decorative mouldings as sculptural elements. The exhibition, bathed in a bespoke burgundy hue developed with Sigma Coatings, offered visitors an immersive experience highlighting the expressive potential of wall décor. It blended classical inspiration with contemporary aesthetics, focusing on symmetry, texture, and mood to redefine the role of walls in interior design. The core of the Galerie Rouge experience featured a curated selection of NOËL & MARQUET’s three-dimensional wall panels. These panels were presented not as mere embellishments but as distinct design statements, functioning as sculptural and intentional elements. A notable piece was DORIQUE, which draws inspiration from ancient Greek Doric columns, translating this historical symbol into a contemporary context with its vertical rhythm and structured lines to imbue modern interiors with timeless elegance. Expanding on this concept, DORIQUE FLEX, set to launch in May 2025, introduces fluidity by adapting to curved surfaces such as pillars, counters, and rounded walls, thus providing designers with enhanced freedom in spatial arrangement and movement. Further demonstrating the brand's vision, the CANELÉ S and L panels incorporate gentle, wave-like textures that introduce softness to geometric forms. These panels evoke the serene minimalism found in Scandinavian and mid-century design, subtly altering a room's atmosphere by adding depth and calm without being overwhelming. In contrast, the ARC S and ARC L panels offer a bolder and more playful aesthetic with their sweeping curves and smooth surfaces, reflecting the retro-futurism of the 1970s, an era characterized by optimism, rounded shapes, and tactile qualities in interiors. These panels can be used individually or in combination to inject personality into various settings. Collectively, these wall panels articulate NOËL & MARQUET’s belief that surfaces are not merely to be covered but should be celebrated, shaped, and experienced as integral parts of design. Beyond the wall panels, NOËL & MARQUET exhibited a selection of decorative profiles, emphasizing their role as subtle yet impactful design elements that enhance architecture through meticulous detail, establishing visual rhythm and continuity within an interior. Among these were the IL8 and IL12 lighting profiles, which discreetly integrate LED lighting to cast a warm, ambient glow, transforming ceilings and walls into sources of atmosphere and depth, treating lighting as architectural poetry rather than a mere function. The Z52 cornice made a stronger statement with its sharp, geometric lines, forming a clean, linear connection between wall and ceiling, creating dynamic shadows that add texture and definition to a room without dominance. For designers seeking both structure and subtlety, the Z13 and Z1360 chair rails offer versatility, serving to divide color fields, frame specific areas, or introduce layered visual interest, acting as tools for precision and personalized expression. The collection is completed by the FL2 skirting, which provides a refined connection between the floor and wall, grounding the space with elegance. Studioutte, founded by Guglielmo Giagnotti and Patrizio Gola, applied its signature "warm minimalism" approach to the project, conceptualizing NOËL & MARQUET’s components as artifacts. The exhibit functioned as a modern temple of decorative arts, where light, texture, and silence converged into a sensory experience. Galerie Rouge underscored that walls are not merely backdrops but canvases for emotional and architectural narratives, with NOËL & MARQUET reaffirming its commitment to "Create Unique Living Spaces," where intricate details become foundational design elements and traditional forms are reinterpreted with contemporary expression. #MilanDesignWeek #ArchitecturalInstallation #WallPanels #InteriorDesign #DecorativeMouldings #Studioutte #NOELMARQUET #MonochromaticDesign #ProductLaunch

The blog post presents a curated guide to London's most inspiring design shopping destinations, emphasizing the experiential nature of browsing through the city's varied streets and shops. It details a suggested itinerary for a full day of design-focused exploration, starting with a morning routine. The morning begins in Fitzrovia with coffee at Kaffeine, followed by a visit to Pentreath & Hall, known for its marbled lampshades and ceramic candlesticks. The itinerary then moves south towards Covent Garden, recommending a stop at Choosing Keeping for Italian notebooks and Japanese pens, and a second coffee break at Monmouth Coffee for a croissant. These early stops focus on unique decorative items and stationery, setting a tone for discovery. Midday shifts to the east, recommending a visit to Clerkenwell and Holborn to explore Present & Correct for stationery. Further east in Shoreditch, the guide highlights Labour and Wait, a store recognized for enamelware and striped dishcloths, with a suggestion to explore its vintage-inspired perfumes and bath accessories. Lunch is recommended at the Old Spitalfields Market, keeping it simple to allow for a more indulgent afternoon of shopping. The afternoon segment suggests a leisurely visit to Petersham Nurseries in Richmond or Covent Garden, depending on one's energy, for garden accoutrements and a glass of rosé. This is followed by a visit to 8 Holland Street, which offers a gallery-meets-home shopping experience, and Collins & Green Art for antique and vintage artworks, available by appointment. Nearby, Penny Morrison and Guy Goodfellow are recommended for their textiles, antiques, and home decor, underscoring their importance in a design shopping tour. The evening portion of the guide leads to Straw London for playful pieces made from natural materials, including baskets and ceramic serving items. The day concludes with a retreat to The Mandrake Hotel, described as a bohemian anchor with a dream-like design, lush fabrics, and surreal art, creating an opulent yet intimate atmosphere. The suggestion is to order a dirty martini in its courtyard garden. The article concludes by emphasizing that London's design shopping is not just about purchases but about the experience of discovery through its streets, coffee stops, and unexpected treasures, suggesting that true engagement with the city involves bringing home unique, hand-carried items as mementos. #LondonDesign #ShoppingGuide #InteriorDesign #HomeDecor #Antiques #Textiles #Stationery #BoutiqueHotels #Travel

Industrial-style interiors are characterized by their raw materials such as wood beams, concrete floors, exposed pipes, and brick walls, often found in refurbished spaces. The key to successful industrial design lies in creating a balanced interior that honors its industrial heritage while maintaining a comfortable and livable atmosphere. This balance can be achieved through a thoughtful blend of colors, textures, and patterns, which introduce warmth to what might otherwise be perceived as a cool or stark environment. Oversized furnishings also play a crucial role in enhancing comfort and defining scale within these often large and open spaces. When designing an industrial space, scale is paramount due to the typically large and open layouts. Lighting, furnishings, and art should be chosen to reflect a human scale, counteracting the potential for pieces to appear too small or disproportionate. Large lighting fixtures, floor-to-ceiling drapery, and expansive area rugs are effective starting points, followed by layering in additional textures and fabrics. Oversized curved sofas can help tie together large open floor plans, preventing the space from feeling barren or cold. The careful selection of large-scale furnishings is also essential for creating boundaries in open-concept industrial homes, guiding traffic flow and preventing the space from feeling cold or empty. Examples include large sectional sofas, tall shelving units, oversized cabinets, and long benches. Artwork is another vital element for balancing scale and injecting personality. Oversized art pieces can fill expansive walls and serve as focal points, reflecting the homeowner's unique style and adding an intimate touch. Personal details, such as curated vignettes, heirloom pieces, a personal library, or framed family photographs, are crucial for making an industrial space feel intimate and connected to its inhabitants. These items add soul and counterpoint to the industrial backdrop. Lighting should be bold and substantial, as small fixtures can get lost in high-ceilinged industrial spaces. Larger pendant fixtures, floor, and table lamps with graphical presence are recommended. Michele Plachter's use of a hand-blown glass chandelier that reflects light patterns exemplifies how lighting can be both functional and decorative. Utilizing dimmers on warm decorative lighting is also advised to create a cozy ambiance, avoiding cool LEDs or solely recessed downlights. Embracing texture is a powerful way to introduce warmth and comfort. Pairing rich, varied materials with raw industrial elements, such as plush rugs, pillows, and drapery, can instantly transform the interior. Fabrics in warm colors like reds, browns, pinks, and purples, or neutral furnishings layered with patterned accents, contribute to this effect. Area rugs are particularly important for concrete or distressed wood floors, adding color, texture, and defining activity areas. Floor-to-ceiling drapery can add significant warmth to large industrial windows. Throw pillows and blankets are simple additions that make seating areas feel cozier. Pops of color are critical for preventing industrial spaces from appearing monochromatic and bleak. Strategic use of vibrant hues, like a yellow painting against exposed brick, can dramatically change the mood and add vibrancy. Incorporating warm woods, whether as ceiling or floor elements or through furnishings, provides a natural contrast to industrial metals and concrete, grounding the space and connecting it to nature. Finally, organic and natural materials, such as natural fiber rugs or waxed wood tables, offer a sense of quietness and an enveloping feel, juxtaposing the raw industrial elements with soft, inviting forms. #IndustrialDesign #InteriorDecorating #HomeComfort #ScaleInDesign #LightingDesign #TexturalElements #ColorAccents #OrganicMaterials #WarmWoods