Go Inside the Home of One of Pittsburgh Ballet Theatre’s Principal Dancers

The COVID-19 pandemic led to the cancellation of the spring performance season for ballet dancers, forcing them to adapt their home environments into makeshift studios to maintain their rigorous practice schedules. This transition presented unique challenges, particularly concerning suitable flooring and space for large movements. Despite these obstacles, renowned dancers found creative solutions to continue their training. Isabella Boylston, a principal dancer at American Ballet Theatre, transformed her Downtown Brooklyn kitchen into a dance space. The kitchen, being the largest room in her new construction condo, allowed her to use the countertop as a barre. She addressed the issue of slippery wood floors by obtaining a piece of marley flooring, a material that provides necessary traction for pointe shoes. Boylston also incorporated personal touches into her space, including a well-stocked bar cart and an art wall featuring works by friends and family. While the kitchen served for her daily classes, she sought outdoor spaces like Brooklyn Bridge Park for grande allegro, or big jumps, to avoid shin splints on her hard kitchen floor. Dores André, a principal dancer with the San Francisco Ballet, approached her Twin Peaks apartment with a minimalist and utilitarian design, viewing it as a "canvas" dominated by white, wood, copper, and pink tones. Her open-plan living area, where she primarily dances, has a hard concrete floor, which she mitigated by placing a Harlequin marley floor over a carpet or yoga mat. André improvises with a chair or the back of a large canvas as a barre. She also has a small backyard where she practices jumps when the weather permits, occasionally having to move her numerous plants, which she affectionately names, to create space. Gonzalo Garcia, a principal dancer at the New York City Ballet, and his partner Ezra Hurwitz, purchased a parlor apartment in a brownstone on the Upper West Side of Manhattan. A significant draw was the charming backyard garden, which they meticulously transformed into an outdoor lounge and Garcia's primary ballet studio. This outdoor space is equipped with a professional ballet barre and mirror, surrounded by various plants. Their decor, inspired by the French Riviera and Mediterranean styles, includes yellow chairs from Article and furniture from CB2. When the weather is unfavorable, Garcia utilizes a large inherited mirror in his bedroom for practice. He initially found his living room floors too slippery and uneven for ballet, emphasizing the need for a stable and visible practice environment. Joseph Gordon and Adrian Danchig-Waring, also principal dancers with the New York City Ballet, temporarily relocated to a midcentury ranch-style home on Shelter Island, owned by friends. The house's open layout, featuring three skylights and a vaulted ceiling, offered ample space for their training. They personalized the rental with their own "wabi-sabi, boho-chic" style, adding items like Noguchi lanterns and Pendleton blankets. They utilize the sunroom's windowsill or a dining chair as makeshift barres, recognizing the height challenges these improvisations present. The expansive wraparound deck serves as an alternative outdoor dancing space. Both dancers acknowledged the surreal nature of training at home and the challenge of maintaining motivation without a ballet master's direct guidance, relying on each other for encouragement and adapting to the limitations of their unconventional practice environments while embracing a more flexible approach to their artistry. #WorkFromHome #BalletDancers #HomeStudios #InteriorDesign #CreativeSpaces #HomeTours #DanceTraining #DIYHome #PandemicLife

Angela Trimbur, a dancer, actress, choreographer, and writer, transformed her Brooklyn loft apartment into an 80s-inspired dance studio and living space after moving from Los Angeles. This decision was largely influenced by her desire for a fresh start following a battle with breast cancer and a period of healing during the pandemic. She aimed for an interior aesthetic reminiscent of the 80s, specifically citing the loft space from the movie 'Flashdance' as inspiration. Her key requirements for the new apartment included a true loft with a wall of windows, hardwood floors, a top-floor location to avoid noise from above, and a tin tile ceiling to enhance the vintage mood. Trimbur found her ideal spot in the historically industrial neighborhood of Bushwick, New York City. Before her cross-country move, she significantly downsized her belongings through an estate sale, embracing a clean slate for her New York life. Her primary goal for the Brooklyn space was to have it function as a half dance studio. To achieve this in a city known for its compact apartments, Trimbur deliberately minimized decor and furniture, dedicating a substantial area next to the windows as her dance zone. This setup prioritizes her professional needs over accommodating large social gatherings, reflecting her philosophy that her home is a personal 'playground' rather than a space designed for frequent hosting. Trimbur offers practical tips for creating a personal creative space within a home. First, she emphasizes the importance of intentionally making space, suggesting clearing an appropriately sized area for the intended activity. In her apartment, this involved mounting mirrors on one wall, placing a piano, and installing a ballet barre for stretching. She also advises making furniture easily movable; her lightweight couch can be effortlessly shifted to expand the dance area. Maintaining tidiness is another crucial aspect, treating the creative studio as a separate work area. Trimbur utilizes specific cleaning tools like a cordless mop and vacuum, and even enlisted a cleaning company, to keep her dance floor pristine and organized. She also highlights effective stain removers for unexpected messes, particularly relevant with pets. Regarding decor, Trimbur suggests allowing large furniture pieces to dictate the overall aesthetic. Her vintage cream-colored piano from Facebook Marketplace became the starting point for her black, white, and cream color palette. This was further developed with a vintage mirrored black lacquered bed and a custom black and white tiled kitchen counter. Identifying a recurring motif is another key strategy; for Trimbur, mirrors became a central theme, appearing in her headboard, TV stand, and wardrobes, effectively opening up the space and reinforcing the dance studio ambiance. She also incorporated unique vintage finds, such as glass bricks from a Coney Island ride, to enhance the 80s aesthetic. Trimbur advocates for a minimal approach to collecting furniture and decor, particularly in transient rental situations, to ensure ease of movement. Finally, she encourages embracing a visual theme authentically and allowing for decor mistakes, viewing them as opportunities for adjustment rather than failures. Her personal preference for her vintage desk, despite others' opinions, underscores the importance of trusting one's own aesthetic judgment. #RentalRevamp #LoftApartment #DanceStudio #EightySAesthetic #HomeDecor #CreativeSpace #NYCInteriors #SmallSpaceLiving #VintageFinds

Ann Buehler, who began dancing at 2½ years old due to a medical recommendation for leg braces, developed a lifelong passion for dance, eventually teaching beginner classes at 16. She pursued various dance forms during her time at Southwest Missouri State University and, after graduating, balanced a career as a second-grade teacher with teaching dance on the side. Initially, she taught as 'Ann’s Dancers' in a church basement in Mt. Vernon, progressively expanding and operating studios in both Mt. Vernon and Springfield. Buehler transitioned to full-time dance instruction, founding Ann’s Performing Arts Centre in 1992. After years in a studio that no longer met her needs, an opportunity arose when Paula Daugherty, whose children were Buehler’s students, and her husband, developers of the new Paige Reese Plaza in south Springfield, invited Ann’s to establish a new location. Buehler collaborated with Daugherty and architect Brian Kubik of Buxton Kubik Dodd Creative to design an optimal space based on her extensive experience. Kubik translated Buehler's requirements into architectural plans, while Daugherty oversaw the interior design. The resulting studio features an open and airy layout, incorporating modern furnishings with accents of red and crystal chandeliers. Key areas include an open lobby, a locker room, a tumbling room, two main dance studios, an office, and an upstairs area for staff with a study nook for students. The lobby serves as a communal space for families, equipped with a kitchenette for snacks. The locker room, furnished with 100 lockers, is a popular gathering spot for students. The tumbling room is designed for younger dancers, equipped with mirrors, mats, and safety gear, with all tumbling activities tailored to support dance training. The second level provides a comfortable retreat for employees, featuring a seating area and kitchenette, and offers views into Studio A and the lobby. The two main dance studios are versatile, separated by a garage door that allows them to be combined into one large space for special events. Both studios are outfitted with Marley Sprung floors, mirrors, ballet bars, and stall bars. The studio also accommodates 'The Company,' a group of select dancers who participate in competitive dance, with their photos displayed in the lobby. The new center is celebrated by Buehler for its chic, sleek, and fun aesthetic. #DanceStudio #PerformingArts #InteriorDesign #Architecture #SpringfieldMissouri #DanceEducation #CommercialDesign

Danielle Bernstein, the founder of WeWoreWhat, showcased her recently renovated Tribeca loft in New York City, which she describes as her dream home and a "zen, happy place." The apartment, situated in a former spice warehouse, features a Wabi Sabi-inspired design, characterized by an appreciation for imperfection and natural elements. Bernstein's renovation focused on creating a serene and minimalist environment while preserving the industrial character of the building. The loft boasts a massive open-concept layout that integrates the kitchen, living room, and dining area. This space is defined by exposed wood-beamed ceilings and industrial columns, retaining a subtle cinnamon scent from the building's historical use. To maintain a clean and uncluttered aesthetic, Bernstein incorporated custom compartments that conceal her television and bar area, allowing them to be hidden when not in use. Her design choices reflect a blend of modern luxury and rustic charm. The kitchen cabinetry is painted in a soft chocolate brown, complementing the darker-stained floors, which contribute to a moody ambiance that aligns with her personal style. Among the notable furnishings are rattan dining chairs, described as an investment piece, with each costing between $6,000 and $8,000. These chairs are noted for their fragility and Indian origin. A significant feature of the loft is the transformation of two bedrooms into dedicated walk-in closets. One closet is meticulously organized for accessories, housing her extensive collection of designer shoes, purses, sunglasses, and jewelry. Bernstein refers to this as her "Carrie Bradshaw, 'Sex and the City' closet." The second closet is dedicated to her clothing, organized by style and color, resembling a showroom to facilitate her fashion career. This practical yet luxurious organization system is essential for her work as a fashion influencer. The master bedroom is designed to be tranquil and light, featuring a plush king-sized bed with white bedding and a rustic wood headboard. The room is further enhanced by a fuzzy cream chair and a Noguchi lantern, contributing to the overall serene atmosphere. A light wood desk and matching dresser, along with a large TV, complete the bedroom's functional elements. The primary bathroom is equipped with marble finishes, two sinks, and a freestanding bathtub that Bernstein utilizes weekly for self-care rituals. It also includes heated floors and an LED lighting mirror, which she states is where she spends a significant amount of time getting ready. She previously resided in a SoHo apartment that was featured in Architectural Digest before moving to Tribeca, following a breakup with her long-term boyfriend. She is now in a new relationship with Cooper Weisman, who has been seen spending time in her newly designed loft. #TribecaLoft #WabiSabiDesign #DanielleBernstein #InteriorDesign #LuxuryRealEstate #FashionInfluencer #WalkInClosets #NewYorkCityRealEstate #HomeDecor

Marie Lu, a bestselling author, and Primo Gallanossa, a game designer, sought a flexible and inspiring urban sanctuary in downtown Los Angeles's Arts District. They commissioned architecture firm CHA:COL to transform a 1,450-square-foot live/work loft into a space that could accommodate their writing and game design needs between frequent travels. The design brief emphasized creating a creative den for work, relaxation, and retreat. CHA:COL, led by design principals Apurva Pande and Chinmaya Misra, drew inspiration from the couple's professional backgrounds, particularly the game "Monument Valley" and the whimsical geometries of M.C. Escher. The central element of the loft is the "Writer’s Block," a custom-designed, multifaceted piece of oak veneer millwork. This versatile unit functions as a desk on one side, a lounge on the other, and incorporates shelving, effectively dividing the space while offering multiple uses. The design aimed to allow the clients to navigate and inhabit the loft in unique ways, much like Princess Ida moves through different levels in the Monument Valley game. The loft's design integrates both two-dimensional and three-dimensional elements. For example, white oak planks from the Writer’s Block seamlessly transition into FLOR carpet tiles that extend up an opposing wall, complemented by a matching mural. This playful mashup creates an optical illusion, making the two-dimensional elements appear three-dimensional and vice versa. Extensive studies were conducted to achieve the precise geometry for the wall art, eventually simplifying to paint swatches to complete the effect. Beyond the primary workspace, the loft also includes dedicated sleeping and kitchen areas. The kitchen features IKEA cabinets and a peninsular bar designed to encourage social interaction. Acoustic considerations were incorporated into the design, and the space is illuminated by a Zaneen pendant in addition to natural light from a facade of windows. The bathroom features a minimalist, monochromatic aesthetic with a custom white lacquer vanity and Porcelanosa tiles. The sleeping area is discreetly tucked away at the back of the loft, illuminated by a George Nelson Saucer Lamp. The project successfully created a highly functional and creatively stimulating environment. Initially conceived as an occasional getaway, the loft proved so effective that the clients found themselves spending more time there, reducing their need for frequent commuting. The design prioritized a simple, streamlined palette and carefully selected light fixtures that enhanced the spatial flow and movement within the loft, creating an urban oasis that fosters creativity and well-being. #LiveWorkLoft #CreativeSpace #GameDesignInspired #MultifunctionalFurniture #LosAngelesArchitecture #SmallSpaces #InteriorDesign #CustomMillwork

This article offers a glimpse into the home of Joa Studholme, the colour curator for Farrow & Ball, located in a 19th-century converted schoolhouse in Somerset. Studholme, responsible for many of Farrow & Ball's popular paint colours and their whimsical names, discusses how her home serves as both a personal canvas and an inspiration for new shades. The house, which she shares with her husband and their dog, Tufnell, features distinctive elements such as huge arched windows overlooking rolling hills. Studholme details the colour choices throughout her home, starting with the entrance hall painted in 'Bancha,' a Japanese green tea-inspired hue she created to extend the feeling of the garden indoors and evoke protection. Her journey with Farrow & Ball began in 1996, and she is slated to appear in a TV show about the company's 75-year history. The hall transitions into a library area with bookshelves painted in 'Railings' to create a cozy atmosphere, contrasting with the main living area's vaulted double-height ceilings, a former classroom, which is painted in 'School House White,' a soft white created by Studholme to harmonize with exposed limestone and reflect light. She explains her creative process for developing colours and names, noting that sometimes the colour comes first, as with 'Bancha,' and other times the name, like 'Stiffkey Blue,' inspired by childhood memories, or 'Cromarty,' derived from a shipping forecast. 'Nancy’s Blushes' was named after her daughter’s teething cheeks. The article highlights unique features of the schoolhouse, such as an elevated floor in the living area, originally designed to prevent children from looking out windows during lessons. Studholme and her husband frequently debate whether to lower this floor for more space, weighing it against losing the views. Practicality also influences her choices, as seen in the floor of the living area, which she painted in 'Mouse’s Back,' an earthy, forgiving shade chosen for its ability to merge with garden mud and create warmth. Studholme advocates for painting walls, ceilings, and woodwork in the same colour, arguing that white ceilings do not necessarily make spaces appear larger and that painting window frames the same colour as walls directs focus to the view rather than the frame. The sitting room features concealed up-lighting that highlights the rafters and Tom Dixon silver globes for a contemporary touch. The home's decor emphasizes sustainability, with furniture sourced from previous homes, family inheritances, antique fairs, and flea markets. Studholme describes her approach as 'not overthinking things.' The kitchen incorporates a 'Babouche' yellow accent around a window reveal, chosen simply for fun, and features colourful bistro chairs as recent additions. The interior of the floor-to-ceiling kitchen cupboards is adorned with Farrow & Ball wallpaper samples, a lockdown project she suggests for those hesitant to use bold colours. She also mentions 'Jitney,' a colour she created to mark the end of 'grey mania,' inspired by a bus from the TV show Gossip Girl. Studholme observes a growing preference for earthy colours due to increased connection with nature during lockdown. The article concludes with her clever decor tips, including painting a stained lampshade, using wallpaper samples in an apothecary cabinet, and creating an illusion of light in a narrow corridor with a two-tone paint scheme. #HomeDesign #InteriorDesign #FarrowAndBall #ColourCurator #ConvertedSchoolhouse #PaintChoices #SustainableDecor #HomeRenovation #JoaStudholme

Interior designer Susannah Talley, after moving from a 3,000-square-foot carriage house in Prides Crossing, Massachusetts, downsized to a 475-square-foot studio on the Upper East Side, which she affectionately refers to as her “treehouse.” This transition occurred 27 years ago. In 2008, Talley's experience with small-space living gained an additional dimension when she discovered an abandoned dollhouse and undertook its restoration. This project, detailed in her 2015 self-published book, *The Dollhouse: A Love Story*, became a shared creative endeavor with her husband, Truman “Mac” Talley, during his illness. The living room of Talley’s studio is designed to evoke the ambiance of a country home, featuring family portraits and comfortable chairs arranged around a decorative fireplace. This fireplace ingeniously conceals a flat-screen TV. The armchairs are upholstered in a mixed “Tree of Life” patterned fabric from Jofa, complemented by wall-to-wall carpeting from Patterson, Flynn & Martin. Talley offers practical advice for maximizing small spaces, such as utilizing floor-to-ceiling mirrored walls in strategic locations to create the illusion of greater depth. She emphasizes the importance of selecting furniture that is appropriately scaled for the space, advising against oversized sectional seating due to its potential to overwhelm a room and complicate the placement of reading lamps. Instead, she recommends comfortable club chairs paired with well-positioned reading lamps and movable ottomans over traditional sofas. Upon entering the studio, the inviting decor immediately conveys Talley's expertise in creating beautiful and welcoming environments. A notable design element is the decorative fireplace, which, upon closer inspection, reveals a crackling fire image displayed on a flat-screen TV. Above the fireplace hangs an unsigned family portrait. Talley ingeniously converted a closet space into a functional bar area. This space features checked skirting fabric from Schumacher, wallpaper from Cole and Sons at Jofa, and paint from Farrow & Ball. Talley advocates for varying wall surfaces through different wallpapers and paint colors to create the perception of distinct rooms within a small area. She also prefers wool wall-to-wall carpeting for its ability to hide dirt, eliminating the need for guests to remove their shoes, which she considers an imposition. Another clever design solution within the studio is a functional dressing table integrated into a deep window sill near the bed. This was achieved by inserting a “sandwich of decorative wallpaper within two curved pieces of glass,” with decorative trim providing a finished edge. Hidden right-angle brackets offer structural support for this feature. The dollhouse, found abandoned on the street, was a significant project for Talley. She recounts her immediate connection to the dollhouse, seeing it as an answer to her desire for a creative project. She meticulously sanded away crayon and marker scribbles, drilled holes for lighting using Christmas-tree lights, and painted the exterior a deep eggplant shade to harmonize with her apartment’s decor. Together with her husband, Mac, she embarked on furnishing and decorating the dollhouse’s rooms. Talley sourced miniature items for the dollhouse from The Tiny Dollhouse Store on East 78th Street, acquiring objects like a two-inch dog bed, a thimble-sized bunch of bananas, and a fist-sized baby grand piano. The dollhouse kitchen is meticulously detailed, complete with tiny pots, pans, plates, cookbooks, and a miniature bottle of wine. The dollhouse's boudoir features a black-and-gold japanned bed and matching chairs, a gift from her sister. The walls are adorned with deep pewter-blue damask, and the floor is covered with navy-blue felt serving as wall-to-wall carpeting. A purple cocktail coaster from India was repurposed as a bedspread, and an upside-down beaded votive holder functions as a perfectly scaled bedside table. A painting by Talley’s daughter, Expressionist painter Isabelle Peabody, hangs on the wall. The dollhouse also includes a miniature menagerie of four-legged friends, completing the domestic scene. This project became a poignant and creative outlet, providing a miniature world within their real-life small space. #homeDesign #smallSpaces #interiorDesign #studioApartment #dollhouseRenovation #decoratingTips #creativeLiving #upperEastSide #SusannahTalley

Broadway dressing rooms, historically cramped and unglamorous, are undergoing a significant transformation, evolving into personalized and luxurious retreats for A-list stars. This shift is driven by a recent influx of celebrities to Broadway stages, leading to a demand for more comfortable and inspiring backstage environments. Interior decorators are now specializing in redesigning these small spaces, working with limited budgets to create spa-like sanctuaries. Devin Sparkles, an interior decorator, is one such professional known for transforming these modest rooms for celebrities like Nick Jonas, Eddie Redmayne, and Lea Michele. Similarly, Krysta Rodriguez, a Broadway actress and interior decorator, emphasizes the importance of these rooms as an actor’s “Midtown apartment,” recognizing the hours performers spend there to prepare for shows. Given the temporary nature of many Broadway productions, decorators operate with tight budgets, often around a thousand dollars for hundred-square-foot rooms. This necessitates a focus on thrifting and utilizing platforms like Facebook Marketplace rather than high-end options like Minotti. In some instances, producers fund these transformations to attract stars, while other celebrities personally invest to enhance their dressing rooms. Designer Mike Harrison, who began his career in dressing room design with Leslie Odom Jr. during his initial 'Hamilton' run, has since designed over a hundred such spaces. He notes a significant increase in dressing room makeovers across the Theater District. These redesigned rooms serve not only as places of rest but also as extensions of an actor's craft. Jonathan Groff, for example, had his dressing room for 'Just in Time' transformed to reflect his character, Bobby Darin, creating an atmosphere akin to a green room before a major performance. For Nick Jonas's dressing room in 'The Last Five Years,' Sparkles worked with a $2,300 budget to achieve a “California chic” and “gentlemanly” aesthetic. This involved incorporating a forest green sofa, a wooden mid-century accent chair, and personal touches like portraits of his family. Megan Hilty, starring in 'Death Becomes Her,' collaborated with Rodriguez to design a serene, spa-like space featuring a bouclé curved sofa, a textured-stone coffee table, soft-colored textiles, and decorative branches. Michelle Williams of Destiny's Child opted for a vibrant, purple-themed room for her role, aligning with her character’s aesthetic and personal preference. The accessibility of materials like peel-and-stick wallpaper and the ease of buying and selling furniture through platforms like Facebook Marketplace have made these temporary transformations more feasible. Despite quick turnaround times, sometimes as short as three days, these projects are highly rewarding for decorators. The positive impact on an actor's comfort and performance is a significant motivator, creating a ripple effect that enhances the overall theatrical experience. #Broadway #DressingRoomDesign #InteriorDecorating #CelebrityStyle #TheaterDistrict #HomeDecor #BudgetDecor #PersonalizedSpaces

The article showcases the opulent and expansive walk-in wardrobes and dressing rooms of various celebrities, highlighting their unique designs and impressive collections of fashion items. These spaces are presented as essential elements of a celebrity home, filled with designer shoes, clothes, and accessories that often surpass typical expectations. Each celebrity's wardrobe reflects their personal style and often features custom-built storage solutions, luxurious finishes, and thoughtful organizational systems. Victoria Beckham's wardrobes are featured prominently, with a specific mention of her stunning dressing room in her Miami penthouse, which offers floor-to-ceiling windows and city skyline views. Her London home's walk-in wardrobe is also described as seriously spacious, flooded with natural light, mirrors, and sleek white storage. This space includes a navy rug, stylish black and green furniture, and crystal chandeliers, emphasizing its luxurious ambiance and design. Ruth Langsford's walk-in wardrobe garnered significant attention for its Hollywood-worthy appeal. Fans were impressed by the light grey fitted wardrobes with multiple doors, adorned with silver fittings and handles, contributing to a chic finish. Kate Hudson's shoe closet is highlighted for its perfect organization, showcasing her extensive footwear collection on floor-to-ceiling shelving. Similarly, Catherine Zeta-Jones unveiled a dream-like shoe cupboard filled with designer footwear, a testament to her passion for shoes. Jenna Dewan's perfectly organized walk-in wardrobe, achieved with the help of a professional organizer, includes multiple rails for clothing, a glass display cabinet for shoes, and hats neatly arranged on top shelves. Kim Kardashian's wardrobe is so vast it could be mistaken for a shopping mall, featuring neat rows of shoes and bags. Mollie King's walk-in wardrobe boasts white cupboards, minimalist silver handles, and color-coordinated clothes, complemented by cream roses and a jeweled lampshade. Ferne McCann invested in a walk-in wardrobe styled with herringbone flooring and grey wooden wraparound units, providing ample space for clothing, accessories, and drawers. Millie Mackintosh's wardrobe, tackled by the Style Sisters, features floor-to-ceiling shelving for shoes, rails for colorful dresses, and a dedicated cupboard for knitwear. Khloé Kardashian is noted for having two specialized wardrobes: a 150-square-foot space for her fitness gear, customized by LA Closet Design, complete with trainers, sports bras, and a mini-fridge; and another dedicated solely to her color-coordinated hair extensions and wigs. Khloé's glam room is also described as a beauty counter, equipped with large mirrors, marble counters, and an extensive collection of hair and makeup products, designed by Martyn Lawrence Bullard to reflect her personality. Rachel Stevens’ dressing room features a stylish Millennial pink shade, an Instagram-worthy shelving unit with vases and faux plants, and vast wardrobes. Frankie Bridge and her husband Wayne share a large walk-in wardrobe with custom shelving and rails, showcasing an enviable footwear collection and unique items like an original S Club Juniors denim jacket. Blake Lively's impeccable style is reflected in her incredible shoe wardrobe, filled with designers like Givenchy, Charlotte Olympia, and Manolo Blahnik. Kylie Jenner's walk-in wardrobe, akin to a designer shoe shop, houses an extensive collection of footwear, accessories, and clothing. Kris Jenner's mansion features a huge wardrobe with a special display for her Birkin handbags. Mariah Carey considers her walk-in wardrobe her favorite room, with floor-to-ceiling shelving for shoes and a plush pink and gold armchair. Paris Hilton's wardrobe is characterized by organized chaos, with colorful clothes, jewelry, accessories, and a dazzling chandelier. Finally, Mark Zuckerberg's understated wardrobe and Mindy Kaling's closet with multi-colored zig-zag carpets, white shelves, and a full-length mirror complete the showcase. #CelebrityHomes #WalkInWardrobe #HomeDesign #InteriorDesign #LuxuryLiving #FashionStorage #DressingRoomGoals #CelebrityStyle

The article delves into the domestic life of Kelvin and Liz Fletcher, stars of "Fletchers’ Family Farm," who reside in the Peak District with their four children: Marnie, Milo, and two-year-old twins Mateusz and Maximus. The interview offers a glimpse into their daily routines, home preferences, and even their pet peeves, providing insights into how they manage their busy lives as parents, farmers, and actors. Upon entering their home, Kelvin consistently takes off his shoes and hangs jackets, though he notes the difficulty in reaching hangers due to the previous inhabitants' height. Liz, on the other hand, often finds herself navigating a trail of mess created by their children. The kitchen emerges as Liz's 'happy place,' whether it's a quiet sanctuary for a cup of tea or a bustling hub of family activity. Kelvin reveals a practical addiction to storage solutions, frequently purchasing giant plastic boxes to maintain organization. Liz’s homeware addictions include candles and vases, in addition to a collection of breadboards. A lighthearted conflict arises from Kelvin’s habit of placing plates on top of the dishwasher rather than inside it, a habit Liz wishes he would break. When it comes to homeware shopping, Kelvin favors Arighi Bianchi, a fifth-generation family furniture business known for high-end items, and John Lewis, appreciating its British and classic appeal. Liz recalls her pregnant days when she frequented Housing Units, a department store, primarily for their ham sandwiches but often ending up with home purchases. As hosts, Kelvin ensures guests never pay for takeaway, while Liz finds Sunday roasts the easiest meal to prepare, much to the surprise of their visitors who are often served it exclusively. Despite their demanding schedules, which encompass four full-time jobs, moments of stillness are rare. Kelvin fondly remembers sitting on their decking area by an open fire with Liz, enjoying a glass of wine or hot chocolate after the children were asleep, a simple pleasure now less frequent. The Fletchers also share quick preferences on various home topics: shoes are always off indoors; meals are eaten at the table; lighting is preferred moody over bright. Liz opts for quick showers, while Kelvin enjoys long ones. Liz leans towards neutral and earthy color palettes, embracing "creative chaos," whereas Kelvin admits to being a "neat freak." When the children are in bed, Liz’s ultimate preference is peace and quiet. Season two of "Fletchers Family Farm" is scheduled for late 2024 on ITV and ITVBe. The Fletchers maintain an active presence on Instagram, and Kelvin supports the "Mind Your Head" campaign, which aims to raise awareness about mental health challenges faced by British farmers. #CelebrityHome #FamilyLife #HomeDecor #HomeOrganization #FarmLife #Interview #InteriorDesign #DomesticHabits

The Ivy House Designer Showhome, a collaborative effort by Jewel and Vincent Centanni of Ivy Residential Concepts, served as a showcase for high-end interior design while also contributing to philanthropy through ticket proceeds benefiting Basket of Hope. This article focuses on the private areas of the home, which include five distinct bedrooms, a lounge, an impressive bathroom, a study, and laundry facilities. Each space was curated by different designers, offering diverse aesthetic perspectives and innovative design solutions. Ty Larkins designed the main bedroom, opting to reintroduce the color red not as a dominant hue but as a sophisticated accent. The room features a backdrop of Benjamin Moore’s “Kendall Charcoal” on walls and ceiling, allowing rich red elements such as a vintage Oushak rug, a large Cecil Touchon artwork, and a custom linen pillow to stand out. Other notable features in this bedroom include a gold-leafed Oly four-poster bed, a grid of 30 architectural drawings that complements the room’s structural elements, and an oversized tripod reflector floor lamp by Thomas O’Brien for Visual Comfort. Larkins’ approach demonstrates how strong colors can be used with restraint to create impactful, memorable spaces without overwhelming them. The primary bathroom, envisioned by Ivy Residential Concept’s Jewel Centanni, combines classic elegance with contemporary flair. It showcases the liberal use of heavily veined Calacatta Caldia marble, including modern waterfall edges and curved details. The marble is contrasted with clean white walls painted in Benjamin Moore’s “White Dove.” High-quality fixtures from Rohl and Hydro Systems, lighting from Visual Comfort, and accessories from Texture BR complete the space. A reeded vanity serves as a subtle nod to design elements found in the home’s foyer, creating a cohesive design narrative throughout the residence. Albert Nolan designed a serene first-floor bedroom, drawing inspiration from the home’s open layout and clean aesthetic. Nolan focused on creating a clean and fresh atmosphere infused with warmth. The room includes 18th-century French side chests from Provence Antiques, a four-poster bed with an ocean blue velvet coverlet and fox fur lumbar pillows, and a bamboo silk rug. A modern chandelier by Bliss Studio and custom Ingot banded draperies by Stroheim enhance the room’s elegant yet comforting ambiance. Nolan’s design philosophy emphasizes balancing purity with inviting warmth. Another bedroom, designed by Erin Mixson, showcases a rich blend of antiques, floral patterns, and diverse artwork, highlighting the potential for personal expression in private spaces. Mixson’s initial inspiration for a light fixture faced supply chain delays, leading to the selection of a beautiful antique chandelier from Fireside Antiques that ultimately became a central feature. The room also includes an antique buffet à deux corps with an upholstered interior, a 19th-century French gilded mirror, and a gallery wall featuring contemporary art and antique paper pieces. Paintings, ceramics, and glass sculptures sourced from Ann Connelly Fine Art, along with a custom floral bed pillow, contribute to the room’s unique character. The fifth bedroom was transformed into a sophisticated gentleman’s lounge by the McMillin Interiors team, consisting of Meghann Landry, Dan Bergeron, and Paul Nguyen. This space draws inspiration from Ralph Lauren’s classic aesthetic, featuring a paisley-wallpapered ceiling with grosgrain trim and deep blue walls. A gallery wall displays both modern and traditional prints. The room is anchored by a bar cabinet with handpainted and gold-leafed doors, offering a refined setting for social gatherings. Custom furniture, such as a Taylor King chaise and a Ralph Lauren upholstered bench, provides luxurious seating options. The designers utilized a dark wall color to create a moody, enveloping atmosphere, enhancing the room's luxurious feel. The expansive laundry room, designed by Rachel Cannon, challenges the notion of utilitarian spaces by elevating it into a room of intentional design and aesthetic appeal. Leveraging the room's 12-foot ceilings and abundant natural light, Cannon painted the walls in a deep green. A salon wall features original artworks from Ann Connelly Fine Art, with a large Carlos Ramirez painting uniquely suspended from chains in front of a window. Dark soapstone countertops from Triton Stone complement the color scheme, while glass vessels for laundry essentials add a touch of sophistication. Custom cabinets by RTE Cabinets & Millwork conceal a dog bed, and a gilded light fixture from Capital City Lighting adds a final touch of elegance to this functional yet beautiful space. The study, designed by Colleen Waguespack, embraces South Louisiana culture by prominently featuring a 10-point buck mount, challenging traditional perceptions of animal trophies in interior design. Waguespack integrates this element with a bar cart beneath, creating a functional and culturally resonant display. A custom papier-mâché peacock by New Orleans artist Kaki Foley serves as a focal point within a built-in wall by RTE Cabinets & Millwork, flanked by antique pots, leather books from Fireside Antiques, and small artworks. Recognizing the rise of remote work, the study is designed to function as a home office while also being suitable for entertaining, complete with a custom desk by Conrad Freeman and David Cano, and an additional seating area, offering a versatile and distinct space for modern living. #InteriorDesign #LuxuryHomes #Showhome #HomeDecor #BatonRouge #ResidentialDesign #EclecticStyle #SouthernCharm

Homepolish designer Tali Roth offers practical advice for renters looking to personalize their temporary living spaces, emphasizing that a rental unit's potential should not be wasted due to its temporary nature. She asserts that individuals often reside in rentals longer than anticipated, making it essential to create a comfortable and personalized environment rather than living in a state of limbo. Roth's own Chelsea loft serves as a prime example of how to infuse personal style into a rental without undertaking extensive, permanent renovations that could jeopardize a security deposit. Roth suggests focusing on easily modifiable elements within a rental. Lighting and window treatments are identified as key areas for impactful changes. For instance, an existing, generic light fixture can be replaced with a more aesthetically pleasing one. In her dining room, Roth replaced an IKEA light with a Synapse chandelier by Apparatus Studio, which helped to make the space feel cozier by lowering the ceiling's visual height. For those hesitant to alter existing wiring, sculptural wall lamps that plug into outlets and can be mounted high are presented as a viable alternative. Installing blinds and full-length curtains is also recommended to add warmth, texture, and privacy, with Roth opting for gray Belgian flax linen curtains to complement her home's modern color scheme. The article highlights Roth's innovative approach to customizing furniture, particularly her collaboration with Semihandmade to transform standard IKEA cabinet systems. Through this, she added custom taupe doors, a counter, and brass hardware to her units, demonstrating how affordable, modular furniture can be elevated to appear bespoke. One of the most significant transformations in Roth's loft was the application of faux concrete to a large wall by i faux. This technique was used to address the challenge of vast, white rental walls, adding significant texture and depth to prevent the space from feeling like a stark, empty box. Roth's design philosophy embraces geometric patterns and chunky forms, which she refers to as a "Flintstones aesthetic," influenced by her appreciation for modernism. This theme is consistently applied throughout her home, evident in sculptural vases, Hubble Wall Sconces by Pietro Russo for Baxter in the living room, and terrazzo wallpaper in the bathroom. While Roth chose traditional wallpaper, the article also suggests removable wallpaper options for renters seeking less commitment. The process of designing each rental space is also presented as a learning opportunity, allowing individuals to refine their tastes and understand what works best for their lifestyle, including considerations for living with young children. Roth shares a personal insight regarding her velvet couch, noting that its susceptibility to watermarks might lead her to choose a different material in future rentals, at least until her son is older. Ultimately, Roth emphasizes that customizing a rental is a common practice, particularly in cities like New York, where landlords generally expect tenants to personalize their living spaces. She reassures renters that most lease agreements simply require the unit to be returned to its original state, detailing her plans to reverse her changes, such as reinstalling the original light fixture, deconstructing the faux concrete, removing wallpaper, and repainting walls white, before moving out. #RentalDesign #LoftLiving #InteriorDecor #HomepolishDesigner #TaliRoth #DIYDecor #ApartmentRenovation #ModernAesthetic #IKEAHacks

This article highlights the increasing popularity of virtual home tours, particularly through platforms like Openhaus, which allow users to explore and shop items from influencers' homes. The focus is on influencer Anni Vanderbeek's two-bedroom Floridian condo, showcasing her 'cozy and moody eclectic style.' Vanderbeek refers to her chosen items as “unnecessary necessities,” emphasizing how small, thoughtful details enhance a living space. Her home tour offers a direct shopping experience, enabling viewers to purchase featured items directly from Amazon. The Openhaus platform simplifies the virtual home tour experience by allowing users to navigate rooms through a 3D interface and utilize dedicated icons to browse and buy products. This innovative approach to interior design inspiration streamlines the process from discovery to purchase. The article then spotlights ten specific items from Vanderbeek's home tour that exemplify her aesthetic and are available for purchase. These items range from statement lighting to functional kitchenware and decorative accents, providing a comprehensive look into her interior choices. The curated selection includes a Dellemade Sputnik Chandelier, noted for its modern appeal and potential for dramatic customization with gold chain accents. For the kitchen, HVH 12 oz Ramekins with Lids are featured, praised for their versatility in cooking and their display-worthy design. LandHope Glass Olive Oil Dispenser Bottles are presented as a solution for maintaining neat and minimalist countertops, with a focus on their no-drip spout and dust-resistant features. Storage and organization are addressed with the Hipiwe Mirrored Glass Keepsake Box, which offers a stylish way to store jewelry and can be customized by arranging smaller boxes within a larger one. Bathroom essentials include Tommy Bahama Bath Towels, highlighted for their plush, 100 percent cotton waffle-knit material, high absorbency, fade resistance, and low-linting properties. For art display, Luxsway Wireless Picture Lights for Paintings are introduced as an effective way to elevate any room by creating a personal art gallery. The Nuloom Rigo Hand Woven Farmhouse Jute Area Rug is recommended for layering, valued for its neutral, textural quality that adds depth to a space. A Gold Circle Wall Mirror is suggested for entryways, chosen for its ideal 36-inch size that complements console tables without overwhelming wall space. Table decor is covered with Lebenze Black Candlestick Holders, appreciated for their elegant design, sturdy base, and stackable nature for easy storage. Lastly, the Breville Barista Express Espresso Machine is presented as a high-end appliance for coffee enthusiasts, promising barista-quality drinks at home. Each item description includes its price and a link for direct purchase, reinforcing the shoppable nature of the virtual tour and the article itself. The overall presentation emphasizes practical yet stylish home decor solutions that align with an eclectic aesthetic. #HomeDecor #InteriorDesign #EclecticStyle #VirtualHomeTour #InfluencerHome #ShoppableHome #AmazonFinds #HomeStyling #FloridaCondo

The article details the home staging project of a 1970s Post and Beam style home in the Topanga Mountains of Los Angeles by celebrity interior designer and home stager Francesca Grace. The home, spanning 2,834 square feet, features three bedrooms, four bathrooms, a detached guesthouse, and a children’s playhouse, alongside notable elements such as rock fireplaces, mountain views, and outdoor entertaining spaces including a sauna. Post and Beam homes are characterized by their exposed wooden beams, vaulted ceilings, and expansive, open rooms, which present a unique challenge in decorating: balancing the home's inherent architectural beauty with personalized touches through furniture and accessories. Francesca Grace and her team aimed to honor the home's architecture while injecting personality, focusing on making the space inviting and functional for a family. Their approach involved considering the home's style, the client's needs, and the narrative they wished to convey. To complement the existing architectural style and outdoor surroundings, the team furnished the home with natural and organic materials, incorporating colors that mirrored the exterior environment. The design strategy also included the use of rich colors, a variety of fabrics and textures, minimal patterns, and modern, architecturally forward pieces to create a unique and welcoming atmosphere. A significant challenge encountered during the staging process was the primary bedroom's unconventional layout. However, Francesca Grace and her team successfully arranged the furniture to ensure the space felt proportional and functional, addressing potential difficulties buyers might have in visualizing such layouts. The staging was well-received, particularly the impact of the dramatic living room with its large windows and high ceilings, which, combined with the interior design, created a memorable impression. The project's success underscored the importance of staging older homes to help potential buyers envision the space's full potential and functionality. The overall outcome highlighted the team's ability to create a harmonious blend of the home's original character with contemporary design, setting the stage for new owners to begin their story in the beautifully transformed residence. #HomeStaging #PostAndBeam #InteriorDesign #TopangaMountains #FrancescaGrace #HomeDecor #ArchitecturalStyle #LuxuryRealEstate #DesignChallenges

Interior designer Susan Ferrier, a partner at McAlpine, undertook the renovation of her 1920s Atlanta home, transforming what was originally a guest bedroom into a master closet. Initially, the space was disorganized, with clothes on rolling racks and jewelry in stackable bins. Ferrier sought the expertise of Calais McGuinness from California Closets to convert the room into a highly functional and aesthetically pleasing dressing area. The design was heavily influenced by her existing wooden blinds, which she maintained throughout the front-facing windows of her historic Tudor facade to ensure consistency. McGuinness's design process began with a thorough analysis of Ferrier's daily routine and lifestyle. This detailed assessment led to personalized solutions, including dedicated space for a washer and dryer to accommodate her laundry habits, ample storage for luggage due to her frequent travel, and a comfortable seating area for checking emails. This approach ensured the closet was not merely a storage space but an integral part of her daily life. A significant portion of the design focused on her extensive wardrobe and jewelry collection. McGuinness incorporated brass accents throughout the closet, which harmonized with the warm gray and glossy white finishes. Special attention was given to her jewelry, with hooks meticulously placed at the perfect height for various necklaces and custom-fitted drawers lined with black velvet for rings, bracelets, and earrings. The shoe closet, illuminated by LEDs, was designed to hold 70 to 80 pairs, with specialized sections for boots, heels, and flats. The central feature of the closet is a custom-designed island, specified by Ferrier, featuring a thick, mink-colored leather counter with a waterfall edge, further enhanced by brass accents. Ferrier emphasizes the importance of honesty in closet design, stating that an accurate assessment of one's organizational habits is crucial for a successful outcome. The renovated closet significantly improved her daily routine, transforming it into a peaceful and efficient space where she spends the first two hours of her day, from getting ready to planning her schedule. A pop-up power station adds to the functionality, accommodating various electronic devices and a hair dryer. #ClosetDesign #HomeRenovation #InteriorDesign #LuxuryClosets #OrganizationalSolutions #CustomStorage #AtlantaHomes #SusanFerrier #CaliforniaClosets

This blog post offers an exclusive tour of Dallas-based interior designer Erin Sander's custom-built home in University Park, highlighting her unique design philosophy of 'relaxed, refined luxury' and 'Belgian farmhouse' aesthetic. The 5,000-square-foot estate, featuring four bedrooms and five baths, was constructed from the ground up on a quarter-acre lot, with Sander herself drawing the floor and architectural plans. The design emphasizes natural light and understated yet impactful details, drawing inspiration from her travels and other design projects. The home’s architectural features include a long hallway terminating in a window, with steps leading to the second floor, designed to create visually appealing focal points. Custom light fixtures and detailed wood flooring were also designed by Sander. The living room, a space optimized for practicality for her young children, features performance fabrics, a custom grasscloth-covered coffee table, and artwork by Katrine Hildebrandt. An annex, originally Sander's home office, now serves as a family study. This vaulted, story-and-a-half space offers ample storage and privacy. The kitchen is a central highlight, showcasing rift-sawn white oak flooring and hand-hewn Douglas fir beams. A striking pale blue Lacanche oven range, chosen early in the design process due to its year-long procurement time, sets the tone for other blue accents in the space. Other notable kitchen elements include an unlacquered brass faucet by Waterstone and a backsplash by Clé Tile. Over the eye-catching island, custom-made fixtures from Urban Electric Company in a hand-hewn brass finish are suspended. Scandinavian-designed stools provide practical seating, and decorative bowls, including a vintage piece from Sander’s grandmother and ceramics by Sara Kersten, add personal touches. The honed marble countertops were intentionally chosen to observe their wear and tear over time, informing her client recommendations. Café curtains made from hand-blocked fabric by Galbraith & Paul add another layer of detail. The dining room combines vintage McGuire chairs, re-covered in Peter Dunham fabric, with contemporary art by Addie Chapin. Exposed brick and a light fixture from Currey & Company contribute to a modern yet cozy atmosphere. A collection of pewter dishes, including pieces from her mother and finds from the vendor Unrefined, adds dark contrast and personal history to the dining area. A custom coffee station, a testament to the family’s love for coffee, features a La Spaziale espresso machine with walnut panels, open shelving, and an Ann Sacks’ Savoy series backsplash. This functional space is equipped with refrigerator drawers for coffee essentials. The primary bedroom boasts a whimsical Oly Studio light fixture depicting a flock of birds, vintage cabinets from Juxtaposition Home, custom lamps, and quadrille bedding. The master bathroom includes custom white oak vanities and hand-cut limestone floors laid in a unique pattern, accented with tiny blue celeste marble mosaics. The home's exterior features a mix of materials like lime-washed brick and cedar shake, surrounded by live oaks and potted olive trees, creating an approachable street view. A custom wood bench from David Sutherland is nestled among Savannah holly trees in the backyard. The article provides a comprehensive look into an interior designer's personal residence, showcasing a blend of functionality, luxury, and personal style. #InteriorDesign #CustomHome #DallasHomes #HomeFeatures #LuxuryInteriors #BelgianFarmhouse #DesignerHome #HomeDecor #ErinSanderDesign