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Local literary figure Rosemary James lavishes her 1910 home with period detail, art and antiques
Rosemary James, a designer and local literary figure, has meticulously transformed her 1910 Queen Anne-style home near Audubon Park into a personal sanctuary, dubbed the 'Putti Palace' by her late husband, Joseph DeSalvo. The 4,000-square-foot residence is a testament to James's passion for period detail, European antiques, and objects d'art, particularly those featuring winged infants known as putti. The home's design is heavily influenced by classical mythology, with Diana, the goddess of the moon, serving as its patron deity, and numerous images of Greek and Roman gods adorning its spaces.
The renovation of the home, which James and DeSalvo purchased in October 2019, was extensive, addressing both aesthetic desires and practical needs. The couple's previous residence, a four-story French Quarter building above Faulkner House Books, became unmanageable due to DeSalvo's severe spinal condition, necessitating a move to a home where an elevator could be installed. This 1910 house provided the ideal solution, despite James' initial dislike for its Dutch Revival façade. The property's existing allee of tea olive trees and tall wrought-iron fencing were appealing features. A serendipitous discovery during the renovation revealed that the home had previously been owned by the family of Tom Lowenburg, co-owner of Octavia Books, another independent bookstore, adding to its literary charm.
The renovation encompassed a complete overhaul, including rewiring, plumbing updates, and internal and external repainting. Significant structural and decorative changes were implemented, such as adding two bathrooms upstairs and incorporating Victorian embellishments like corbels, ornate door casings, and diamond-paned windows. The installation of classic marble in all bathrooms and the kitchen was a major undertaking, dictating much of the construction schedule due to high demand for the installer. Period-appropriate mantels replaced modern alternatives, enhancing the home's historical integrity.
A decorative artist was commissioned to create custom Diana transoms, stencil the library ceiling, and apply a Shagreen pattern to the library walls. The artist also crafted a screen, copying an expensive Venetian painting, to discreetly conceal the library's television. James herself took an active role in the design process, creating custom furniture, bookcases, pocket doors, and a fountain wall specifically for her beloved putti. The exterior was painted in Benjamin Moore’s Winds Breath, complemented by French blue shutters in Farrow & Ball's Lulworth Blue No. 89, and a versatile Chantilly Lace white for the trim.
James also restored the first floor's original layout, reinstating walls that had been removed over the house's 110-year history. This decision re-established distinct functional spaces, with the foyer serving as a clear transition point to public areas, the staircase to the second floor, or a hallway leading to the library and a full bath. James expressed her disdain for open-concept layouts, citing practical concerns regarding privacy, kitchen mess visibility, and heating/cooling efficiency.
On the second floor, six bedrooms were reconfigured into three: a primary bedroom and two guest rooms. Another room was converted into a dressing room, with the potential to serve as an overflow bedroom. A primary bathroom was created from one of the former bedrooms, featuring a cabana-style shower. A rear exit and utility closet were also added, addressing practical storage needs. James lived in the home with DeSalvo until his passing in December 2020. Since then, she has continued to enhance the property, transforming a former garage into a rentable guest house and dedicating significant time to maintaining the extensive gardens surrounding the pool and driveway, likening the effort to farming.
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