Tour This Home Nestled In A Lush Canopy Of Los Angeles Trees

The article showcases a prefabricated home in Highland Park, Los Angeles, designed by Cover, which emphasizes blending indoor and outdoor living through extensive use of floor-to-ceiling windows. This dwelling is situated on a lush hilltop, offering panoramic views. The design draws inspiration from mid-century architecture, specifically referencing Richard Neutra’s Kaufmann House, but extends beyond traditional sensibilities to incorporate modern amenities and sustainable features. The project's location was a primary driver for its design, with existing views overlooking Highland Park becoming a central element. The interior designer, Oni Lazarus, highlighted the strategic decision to include floor-to-ceiling windows in the living room, kitchen, and a wraparound deck to maximize space utilization and capitalize on California's indoor-outdoor living philosophy. This choice also supports the home's potential as a one-bedroom with an office or a two-bedroom unit for renters. Key features of the home include a fully equipped kitchen with high-end Wolf and Sub-Zero appliances, such as a built-in refrigerator, induction cooktop with range hood, and oven. These appliances are integrated seamlessly with the cabinetry through matching faces and handles, ensuring a cohesive aesthetic throughout the built-in storage. Sustainability is a core aspect of the design, incorporating hydronic heating and cooling for energy efficiency, FSC certified woods, bamboo plywood for interior finishes, and windows with low-emissivity coating to reduce heat transfer. Furthermore, ultra-low flow fixtures, including Nebia showerheads, contribute to significant water savings, achieving 65% less water consumption compared to conventional showerheads. The floor plan is designed for functionality and natural light, featuring a three-pane slider at the front that illuminates the open living and dining areas throughout the day. The bedroom and home office are positioned at the rear, providing ambient light and privacy. The home's prefabricated nature allowed for customizability in layout, adapting to the specific property and homeowner's needs while maintaining the efficiency of a panelized building system. This system, which is patent-pending, utilizes an all-steel structure, floor-to-ceiling windows, hydronic heating and cooling, and custom-milled, integrated storage. A significant challenge during construction was the steep access to the building site. To mitigate disruption to the client, a prefabricated approach was adopted, where most of the construction occurred off-site. The client expressed satisfaction with this method, finding it simpler and quicker than traditional construction. The lead designer, Thomas Heyer, noted that the building system, designed with both form and function in mind from the outset, facilitates the seamless integration of features like flush outlets and recessed window frames, contributing to the home's sleek and integrated appearance. #LosAngelesHome #PrefabricatedHome #FloorToCeilingWindows #SustainableDesign #IndoorOutdoorLiving #ModernArchitecture #HighlandPark #CoverDesign #LuxuryAmenities

Content creator Rachel “Rocky” Barnes and photographer Matthew Cooper embarked on a significant home renovation in 2019 after purchasing what Cooper described as “The worst house on the block, by far” in Los Angeles. The 1958 ranch-style home, a three-bedroom property, presented a mix of styles, including terracotta floors with Greek columns, non-functional original appliances, and a general aesthetic that Barnes humorously called “Mid-century meets ’80s meets a bad remodel.” The couple discovered Barnes was pregnant two weeks after closing on the house, and their son, Jones, was born in New York by the time they secured permits in January 2020, just before the COVID-19 pandemic restrictions. Despite initial challenges, including clearing out mold and asbestos, the home's L-shaped layout remained largely intact. Architect Yoram Lepair was instrumental in opening up doorways, adding a parapet, and trimming the roof's eaves to enhance natural light and views of the expansive backyard, which features a pool and tall palm trees. The couple's vision for the home was to create a perpetual vacation-like environment, an idea reflected in their choice of the primary bedroom with direct access to the pool. This design decision aimed to evoke the serene feeling of a hotel stay. The backyard's plaster walls were deliberately maintained to mimic the aesthetic of the Amangiri desert resort in Utah, reinforcing the luxurious, retreat-like atmosphere. The interior design process, guided by Summer Jensen of Hawk & Co, involved a blend of Barnes's maximalist tendencies and Cooper's preference for clean, industrial styles. Ultimately, they settled on a calming palette and a sanctuary-like space filled with personal touches and collected items. These included an oil painting from Barnes’s uncle in Hawaii, thrifted pottery displayed in the kitchen, and a Sarah Ellison Huggy chair in the living room. Each piece contributed to a curated, global aesthetic. Individual preferences were accommodated in specific areas. Barnes transformed a former bedroom into a walk-in closet and office space, designed to showcase her extensive hat collection and facilitate her content creation and modeling work. Cooper's home office, featuring a denim blue sofa and a fireplace, served as his personal retreat and a space for quality time with their son. Although not initially designed with their growing family in mind, the open-plan kitchen proved ideal for casual meals and entertaining. The family now includes a second son, Charlie, and they frequently gather on their large orange circular daybed in the backyard, enjoying the home's resort-like ambiance. The renovation successfully transformed a challenging property into a personalized, luxurious, and family-friendly haven. #HomeTour #LosAngelesHome #HomeRenovation #InteriorDesign #LuxuryLiving #FamilyHome #OutdoorSpace #ModernRanch #CelebrityHome

Julia Kramer, a former Bon Appétit editor, and her husband, Zach Kaplan, purchased a Craftsman home in Koreatown, Los Angeles, sight unseen during the early days of the pandemic. The decision was primarily influenced by a stained-glass peacock window in the dining room, which resonated with their family's experience visiting live peacocks at the Cathedral of St. John the Divine in New York City. This personal connection served as a significant sign, making the long-distance purchase feel destined. The couple, still residing in their two-bedroom apartment in New York’s Upper West Side, relied on an L.A.-based friend to view the property shortly after it was listed before making an offer. Following the purchase, and with only six weeks until their move, Kramer and Kaplan enlisted the help of Jamie Haller, an experienced Craftsman restorer and shoe designer. Haller's primary task was to modernize certain aspects of the home while also stripping away inappropriate additions, such as built-in speaker systems in the living room and kitchen, and numerous recessed lights. The goal was to preserve the original character and 'good stuff' of the Craftsman style. Kramer, who was largely put off by the ubiquity of newly remodeled kitchens featuring subway tile and open shelves during her house hunt, found the untouched, wood-heavy kitchen of this home particularly appealing. She expressed a preference for living without common countertop materials like marble and granite and appreciated the kitchen's separation from other rooms, allowing her personal space while cooking. Restoration efforts in the kitchen focused on subtle yet crucial updates. Haller oversaw the replacement of awning window chains with historically accurate hardware, a task that required considerable effort to source and install. She emphasized 'restraint' in the renovation process, focusing on making the space functional without sacrificing its original charm. A carpenter was brought in to repair the track of the old-fashioned bread box's garage door, ensuring its safe operation. While the kitchen lacks modern amenities like soft-close hinges, it retains a distinct 'soul' that appealed to the owners. One of the most challenging projects was the living room, where plaster walls had been covered in blue silk dupioni fabric and secured with an estimated 45,000 staples. Removing these staples was a laborious process, taking a week of manual effort. The focal point of the revitalized living room became Kramer’s vintage coffee table, a 1stdibs acquisition, which uniquely functions as a champagne and shrimp cocktail station, with its inverted center perfectly accommodating her ice bucket. Haller also had to source new lighting fixtures, as the previous owners took the originals. She turned to a salvage shop in Los Angeles known for preserving lights from Old Hollywood celebrity homes, finding an antique sconce for the guest bedroom’s salvaged sink that once belonged to Buster Keaton. Distinguishing this Craftsman from others, the home features dark, purple-hued mahogany wood rather than the typical red-orange Douglas fir. This unique wood tone harmonizes surprisingly well with subtle pink accents, such as the original fireplace grout and the new dining room walls, which were painted a soft dusty lavender-gray. Haller noted that the natural light interacting with these elements creates a warm glow. Due to the tight renovation schedule, restoring the painted wood trim was not feasible. Instead, it was repainted in Farrow & Ball’s dark navy shade, Railings, to achieve a cohesive look. In contrast to the home’s more vibrant areas, the main bedroom adopted a softer palette, transforming its previous purple walls into a serene cream. Kramer, typically drawn to maximalist designs, was swayed by Haller’s vision for a neutral, tranquil space. The bedroom renovation included creating two closets on either side of the bed by reallocating space from an adjacent children’s room, and adding a built-in reading nook with a tufted cushion, which serves as Kramer’s preferred work-from-home spot. For the children’s bedrooms, Kramer and Haller exercised a different form of restraint, opting for allover wallpapers with prints that strike a balance between kid-friendly and adult-approved aesthetics. Kramer expressed her desire to postpone 'ugly child spaces,' choosing whimsical crane designs by House of Hackney for her youngest son's room and a floral print by the same brand for the bathroom. She found that the numerous built-ins in the large bathroom helped to break up the busy floral pattern effectively. The various bird motifs throughout the home, from the initial peacock window to the crane wallpaper, have become a personal symbol of good fortune for Kramer. #HomeTour #CraftsmanHome #LosAngelesRealEstate #InteriorDesign #HomeRenovation #SightUnseenPurchase #HistoricPreservation #VintageDecor #FamilyHome

Architectural and interior design duo Arya and Michael Martin, founders of Studio OSKLO, have spent three years meticulously crafting their biophilic home in the Hollywood Hills. Their design philosophy focuses on integrating nature and minimalist aesthetics, blurring the lines between indoor and outdoor living. The property, located in the exclusive Doheny Estates, features an earthy color palette and natural materials, harmonizing with the surrounding granite hillside. The home incorporates elements typical of 1960s and 1970s Los Angeles architecture, such as architectural columns that conceal a series of interconnecting terraces accessible from every living space. A central atrium with a second-floor overlook brings greenery into the heart of the home, complemented by walls of rift oak and matte plaster detailing. Large retracting glass panels and expansive corridors create an open atmosphere, offering views of black olive trees, grasses, and aged stepping stones. The exterior uses white and cream tones to soften the columns, which are exposed to direct sunlight. Hinoki-inspired wooden paneling wraps the second-floor terraces to provide privacy. A limestone promenade leads to a zero-edge pool, a private dining garden with a fireplace, and a granite rock formation inspired by the luxury hotel Amangiri in Utah. Inside, the plasterwork is predominantly white, with exceptions in the taupe cloakroom and the oak-paneled TV room. The sitting room features a fireplace carved from a two-ton block of Paloma limestone, assembled on-site by 16 men. The kitchen boasts Calacatta Paonazzo marble, lending a vintage feel to the contemporary space, while a Calacatta gold marble bar adds warmth. Each bedroom is designed with a unique palette to enhance personality. The interiors are furnished with a rich mix of textures, including boucle, velvet, mohair, and linen. Irani carpets, inherited from Arya’s family, blend seamlessly with pieces by notable designers like Vladimir Kagan, Gio Ponti, and Rick Owens. The couple also incorporated collectibles from their travels to Madrid, São Paulo, and Marrakech, creating a curated global aesthetic. Many furniture pieces were custom-made by Studio OSKLO, characterized by gentle abstract shapes and textures. Accessories from Tokyo, sourced during their trips to Japan in 2021 and 2022, contribute an Eastern influence to the Los Angeles views. Pottery, 19th-century bronzes, and clay objects are artfully displayed on built-ins, shelving, and tabletops. The dining room features a Tamara de Lempicka artwork, and a 1960s-era bronze bust adorns the second-floor hallway, reflecting the Martins’ personal tastes and careful attention to every detail in their home. #BiophilicDesign #HollywoodHills #StudioOSKLO #MinimalistInteriors #NaturalMaterials #EarthyPalette #LuxuryHomes #CustomFurniture #ArchitecturalDesign #InteriorDesigners

This article highlights the comprehensive renovation of a contemporary Bay Area home, transformed by interior designer Noz Nozawa of Noz Design into a Japanese-inspired sanctuary. The project, initially a cosmetic update of the kitchen and bathrooms, escalated into a full gut renovation of the 4,000-square-foot residence. The homeowners, a young family, sought a visually tranquil, modern, and functional living space, drawing inspiration from the wife's Japanese upbringing. While significant structural changes were minimal, such as the addition of a Jack and Jill bathroom, nearly every aspect of the house was updated, including a new roof, exterior roller shades, and skylights. Nozawa adopted a restrained, material-focused palette to achieve an atmosphere of calm. She collaborated with Brimer Workshops to custom-design cabinetry and built-ins throughout the home. These pieces primarily utilized local, sustainably sourced wood varieties like silvered oak, gray elm, and red elm, ingeniously concealing clutter behind rich wooden surfaces. For artistic accents, Caroline Lizarraga Decorative Painting contributed a moody mural for the powder room, evoking San Francisco's city lights at night. The design incorporated features to support the family's entertaining needs. The living area was conceptualized with flexible seating arrangements, including a Flexform sectional, a daybed, and Ligne Roset swivel chairs. This setup allows guests to engage with hosts in the open kitchen or enjoy the panoramic city views. A transparent Da Vinci fireplace was chosen specifically to maintain unobstructed vistas. A unique request involved accommodating a collection of approximately 300 wine glasses for entertaining. Nozawa ingeniously integrated storage for about 150 glasses within kitchen drawers and dining area cabinetry, exemplifying the design's commitment to minimizing visual clutter. Further efforts to reduce clutter included wall-height cabinets crafted from salvaged red elm to house the family's guitar collection. To avoid traditional curtains in the window-heavy interior, a motorized exterior shade system from Lutron, controllable via smartphones, was installed for privacy and sun protection. Japanese cultural influences are subtly woven throughout the home, extending beyond the minimalist aesthetic. A 300-year-old Hinoki cypress slab, imported from Japan, serves as the dining table. A hidden broom closet door features a subtle reference to the Japanese mending technique of kintsugi. The home integrates heirloom pieces, such as Japanese Tansu chests and a dragon image symbolizing prosperity, alongside contemporary furniture from brands like B&B Italia and Cassina. The primary bathroom includes a Hinoki plunge tub, maintained at a constant 36 degrees Fahrenheit, with an external refrigeration unit to regulate its temperature. Nozawa, who is half-Japanese, consciously balanced a commitment to Japanese modern aesthetics with the home's inherently Western architecture. The entryway embodies the project's essence, combining contemporary and traditional elements. A supermodern, site-specific glass lighting installation by Jeff Zimmerman, resembling giant milk drips, provides a striking contrast to antique Japanese wall panels from the clients' collection. This blend of old and new, East and West, reflects the clients' current identity and heritage, creating a unique and harmonious living environment. #JapaneseInspired #CaliforniaHome #InteriorDesign #MinimalistAesthetic #CustomCabinetry #NaturalMaterials #FlexibleSeating #SmartHomeTechnology #CulturalIntegration

In early 2020, Julie Chung and Kent Yu, cofounders of the hair-tool brand T3, and their three children faced increasing space constraints in their 4,000-square-foot Spanish-style home in the Pacific Palisades due to the pandemic's stay-at-home era. Despite having no initial plans to move, a nearby 11,000-square-foot spec house, previously deemed too large, began to look appealing. They purchased the newly completed property and enlisted interior designer Sierra Fox of Studio Mtn to personalize it and counteract its 'spec house' feel. The primary goal was to 'de-spec' the home and introduce warmth, as the house was originally painted entirely in white. Fox aimed to make the expansive spaces feel inviting rather than cavernous, addressing common issues with non-custom homes where certain areas might go unused. One significant change involved removing a prominent bar between two living spaces on the first floor, which, though central, did not align with the family's lifestyle. It was replaced with a piano, played by all three children. The formal living room was transformed with vintage Kagan sofas, providing comfortable seating that encouraged use, a departure from their previous home's rigid furniture. The design ethos was inspired by nature, but with a refined, old-world element, while maintaining practicality, ensuring the house wasn't a 'museum.' A standout feature is an 18-foot oak-leaf chandelier crafted by Cox London, conceived by Chung as a 'giant upside-down tree' in place of a traditional crystal foyer chandelier. This piece involved a nine-month design and construction process, including extensive sampling for leaf colors and a life-size paper mockup to ensure precise placement along the staircase. Attention to detail extended to more subtle elements, such as a faint hand-painted mural in the dining room, which took an artist three weeks to complete. This abstract and subtle mural reveals its depth upon closer inspection. Bathroom design was also crucial for the couple, given their background with T3. A previously all-white bathroom with black details was warmed up with brass fixtures, a vintage mirror, wallpaper, and a rose marble vanity. The office space, where Yu spends considerable time, was designed to be more engaging than just a desk and computer. The family's favorite spot, however, is the finished basement, which is not visible from the main living areas. Initially an empty white shell, it was transformed into a cozy library, wine cellar, and movie room. Inspired by a photo of a black bookcase, the space was designed with dark, chocolate brown tones, curved furniture, and rich textures. The basement also includes sofas that convert into twin-size beds, ideal for sleepovers. Chung initially had reservations about the dark color palette but was convinced once the wallpaper was installed, appreciating the distinct ambiance it created, making it feel like an escape within their own home. #HomeTour #InteriorDesign #LuxuryHome #PacificPalisades #Chandelier #CustomDesign #FamilyHome #SierraFox #SpecHouseRenovation

The article details the thoughtful renovation of a Spanish Revival home in Los Angeles by interior design studio Ome Dezin, in collaboration with interior designer and content creator Marco Zamora. The project aimed to restore the home's historical essence while integrating modern design sensibilities, culminating in an interior that is both soothing and European-inspired. Located in the historic Outpost Estates neighbourhood, the renovation respects the architectural roots of the Spanish Revival style, which was prominent in 20th-century California, characterized by clay tile roofs, white stucco walls, arched doorways, exposed wooden beams, carved doors, and wrought ironwork. The design approach by Ome Dezin and Zamora blends old-world European-Spanish textures with contemporary, clean-lined elements. The chosen colour palette features earthy neutrals, including deep-stained woods, terracotta tiles, and marble, creating a calming atmosphere. Natural materials contribute to the home's soulful character, while touches of stainless steel introduce a sophisticated tension. The interior styling involves a curated mix of vintage and modern pieces, sourced from various places including Amsterdam Modern, Ruemmler, Lulu and Georgia, Nordic Knots, and European flea markets. This eclectic yet refined selection emphasizes the impact of a few well-chosen elements over visual extravagance. A key aspect of Spanish Revival architecture, the integration of indoor and outdoor spaces, is meticulously addressed in the renovation. The project extends the backyard with a deck that cantilevers over a canyon, featuring a secluded outdoor kitchen surrounded by lush greenery and tall trees. Winding paths lead to hidden sections of the property, including a meditation hut offering expansive views of the hills. Every design decision, from material choices to object selection, reflects a balance between preserving heritage and embracing a modern aesthetic. The result is a home that does not adhere strictly to past or present trends but rather occupies a thoughtful middle ground, creating a timeless and serene living environment. This renovation is part of Wallpaper's series, "The Inside Story," which spotlights innovative interior design projects. The article highlights how the collaboration successfully captures the nostalgic spirit of 1950s Los Angeles while adapting it for contemporary living. The project underscores the importance of a nuanced design approach that respects a home's history while infusing it with new light and functionality. #SpanishRevival #LosAngeles #HomeRenovation #InteriorDesign #OmeDezin #MarcoZamora #ArchitecturalHistory #EuropeanDesign #OutdoorLiving

This article details the transformation of a former San Francisco warehouse into a raw yet refined living space and art studio for art dealer Francis Mill. Collaborating with designer Stephan Jones, Mill sought to create an environment that embraced the building's industrial past while providing a flexible and functional backdrop for his extensive art collection. The 1,200-square-foot loft, originally a pharmaceuticals warehouse from 1937, boasted 11-foot ceilings and raw wooden door frames, which were preserved and highlighted. The design philosophy centered on incorporating the space’s idiosyncrasies, such as original Y-shaped concrete columns, and creating uninterrupted vistas often punctuated by sculptures and defined by curtains. Recognizing Mill's tendency for frequent art and furniture rearrangements, Jones designed many elements to be modular and flexible. This included “anchor zones” with stationary furniture, like a minimalist wooden banquette and daybed in the living room niche, and low-profile pieces to maintain clear sight lines. A pivoting blackened-steel door serves both as a focal point and a space divider, while a built-in steel bookcase with staggered black-painted wooden boxes pays homage to sculptor Louise Nevelson. Jones and Mill intentionally enhanced the loft's industrial character by further chiseling the pitted concrete walls, moving away from a previous attempt to polish them. This approach aimed for a more soulful space that would serve as a versatile setting for Mill's evolving art collection, aligning with his philosophy of continuously engaging with art rather than seeing a space as 'finished.' The once-large, open kitchen was reconfigured into a discreet galley kitchen. An initial hesitation from Mill about adding a dropped ceiling led to a compromise: a partial ceiling that exposes a structural pillar and concrete, emphasizing the building’s original texture while delineating the space. The kitchen’s lack of natural light was creatively leveraged, allowing for the display of delicate works on paper and the installation of a projection screen. In the master bedroom, a conventional sliding-door closet was replaced with an art-inspired concept for wardrobe storage. Mill describes it as a 'Donald Judd–style plywood box' crashing into the bedroom, fitted with steel shelving for shoes, often left open. Throughout the home, unexpected details contribute to the space's unique charm, such as flat files in the art studio containing white Legos, a feather collection, and sand, which Mill refers to as his 'urban sandbox.' Even massive works, like a floor-to-ceiling black steel sculpture by Brian Wall, offer intimate details due to the human-scaled proportions of the space. The design reflects a continuous work in progress, embodying Mill's dynamic approach to living with art. #WarehouseConversion #LoftDesign #ArtGalleryHome #SanFranciscoInteriors #IndustrialChic #ModularFurniture #StephanJonesDesign #FrancisMill #ArtCollectionDisplay

This article details the transformation of a four-bedroom California bungalow on Sydney's Lower North Shore, owned by designer Jennie Cadman of Periwinkle Interiors. The renovation was undertaken to accommodate her growing family, which includes her husband and four children, aged between two and 12. Despite having completed a renovation on their previous home nearby, it proved insufficient for their needs, prompting the family to acquire this bungalow in 2018. The property was appealing due to its 'great bones,' featuring high ceilings, spacious bedrooms, a predominantly single-level layout, and a generous backyard. Previous owners had also effectively utilized the attic space, converting it into an additional bedroom and a family room. However, the bungalow presented challenges, particularly its dark and inefficient floor plan in the 1990s addition. This section included a bedroom and laundry overlooking the garden, a space Jennie felt was better suited for a living area. A significant issue was the lack of kitchen bench space, compelling Jennie to prepare meals on the stovetop. To address these functional shortcomings and improve the home's flow, the family engaged architect Adam Hampton of Hampton Architecture in 2019. Their primary goals were to design a new extension with a living area that maximized garden views, reconfigure the misplaced bedroom, and incorporate an ensuite for their eldest child, who needed a private bathroom. Today, the renovated home features an open-plan kitchen, dining, and living area that occupies almost the entire left side of the house. A distinct sitting room is situated between this open-plan space and the entry, while the main bedroom suite and family bathroom are located to the right of the entry. The children’s bedrooms now overlook the backyard, and the pitched roof of the upper level houses a study and a family room. The kitchen, designed as the central hub, connects seamlessly to the new living room and the backyard. A notable architectural feature of the extension is its pitched roofline, which mirrors the original front facade and achieves an impressive height of approximately 4 meters, enhanced by skylights, to create an expansive and airy feel. Innovative design choices include a 1.4x1.1-meter cool room in place of a traditional fridge, providing an efficient way to store groceries. Jennie also specifically requested that all storage be below bench height, accommodating her stature. In the dining area, French doors were added, opening onto a deck overlooking the front garden and pool, with a sheltered sitting area beneath. Windows in the children’s bedrooms were enlarged, and the attic family room gained a balcony to further integrate indoor and outdoor spaces. The main bedroom was reconfigured to enlarge both the ensuite and walk-in wardrobe. The interior design, largely overseen by Jennie, showcases a bold navy blue palette, particularly prominent in the sitting room through artworks and soft furnishings. This is contrasted with vibrant pops of red and orange, seen in a Knoll ‘Womb’ chair and a patchwork kilim in the dining area. Jennie intentionally created a contrast between formal and informal spaces, with the casual living room being bright and airy, and the sitting room designed to be darker and more intimate. Texture plays a crucial role, with materials such as a linen modular sofa, linen curtains, timber floors, tongue-and-groove joinery, a concrete plinth, and a marble coffee table in the family room. The main bathroom features smooth marble, while the kitchen employs dolomite for benchtops and splashbacks, complemented by walnut veneer and brass finishes. Jennie identifies the sitting room as her favorite space, appreciating its cozy and enveloping atmosphere. #CaliforniaBungalow #HomeRenovation #InteriorDesign #FamilyHome #ArchitecturalExtension #OpenPlanLiving #NavyInteriors #CathedralCeilings #KitchenDesign #OutdoorLiving

This article showcases a newly constructed Tuscan-style villa in Valley Village, Los Angeles, designed by Shlomi Sfadia of SLS Properties. Completed in 2024, the five-bedroom home integrates contemporary Italian style with relaxed California living, drawing inspiration from Sfadia's travels in Italy to create a unique blend of rustic, organic, and modern aesthetics. The designer aimed to infuse the brand-new property with character and warmth, transforming it into a space that transports its inhabitants. The design focuses on creating a sense of 'La Dolce Vita' in California. The kitchen, situated at the heart of an open-plan family room, features white oak cabinetry, natural plaster walls, and a large island with a white countertop and built-in stovetop. It also incorporates classic modern farmhouse elements like open shelves with rustic pegs and a farmhouse sink. The living room, adjacent to the kitchen, is defined by a Mediterranean-revival arched fireplace and natural lime plaster walls, which soften the new construction and provide a rustic, organic backdrop. Reclaimed wood alcove shelves add a touch of patina and character. Spaciousness is a key design element, with natural wood flooring and a wall of sliding glass doors in the living area opening to a landscaped backyard. The outdoor space is designed as a continuation of the Tuscan theme, featuring plants commonly found in Italian villas such as olive trees, cypress, rosemary, and lavender, ensuring a cohesive design from inside out. The downstairs area, while open-plan, maintains distinct zones, including a cozy dining alcove with an elegant arched window. A classic Mediterranean-style arch also frames the staircase. One of the home's highlights is the upstairs landing, treated as a room in its own right, complete with a rustic lime plaster fireplace and a built-in bench seat, aligning with current staircase trends. The primary bedroom combines rustic and textural details, featuring a contemporary paneled accent wall that bridges the gap between the lime plaster and modern villa aesthetics. Steel-framed glass doors and a balcony connect the bedroom to the outdoors. The seven bathrooms in the house feature clean, minimal plaster finishes, inspired by historic Moroccan designs, and the primary bathroom strategically positions a freestanding tub to maximize exterior views. The pool house offers a bolder color palette, deviating from the neutral tones of the main house with rich wine-colored lime plaster walls and limestone flagstone flooring from Eco-Outdoor, extending to the patio. Custom white oak cabinets and vaulted ceilings with reclaimed wood beams complete this space, which Sfadia considers his favorite part of the project due to its unique and expressive design. #LosAngelesHome #ItalianStyle #CaliforniaLiving #ModernRustic #TuscanVilla #InteriorDesign #HomeTour #LuxuryHomes #ArchitecturalDesign

This blog post showcases the 700-square-foot bungalow of fashion designer Christie Torgerson, located in Glassell Park, Los Angeles, which she rents for $2,000 per month and shares with her two cats, Klaus and Frida. The article highlights how Christie has transformed this small space into a vibrant and personalized home, emphasizing her love for textiles, patterns, colors, and art. The initial appeal of the bungalow for Christie was its inviting front patio, shaded by mature loquat trees, which provided an ideal setting for her passion for gardening. The home's layout, despite its compact size, has been effectively utilized to create distinct and comfortable living areas. Christie, a creative professional, describes her home's style as a "pattern mix, colorful, warm, cozy." This aesthetic is evident throughout the bungalow, which is filled with an eclectic blend of patterns harmonized by warm wood furnishings. A significant portion of the artwork displayed in her home is created by friends, adding a personal and meaningful touch to the decor. Her cats, Klaus and Frida, are also an integral part of the home's atmosphere, often found lounging or observing the outdoor wildlife from the windows, reinforcing the cozy and lived-in feel. When asked about her favorite part of the home, Christie points to the combined living room/bedroom area, primarily due to her collection of unique lamps. She recently acquired an exceptional lamp from her friend, Mallory Anita Lawson, who handcrafts both the ceramic bases and the shades. This acquisition exemplifies Christie's approach to home decor: seeking out special items, often from artists or makers, that resonate with her personal taste. Christie's advice for cultivating a beloved home centers on personalization and meaning. She encourages individuals to make every item in their home special, whether through customizing store-bought pieces with new paint or hardware, discovering unique treasures at flea markets, or investing in art from cherished artists. For Christie, her home is a collection of memories and stories, with each item contributing to her overall sense of joy and personal connection to the space. The article effectively conveys how a small rental can be imbued with significant personal character and charm through thoughtful decoration and a focus on meaningful possessions. #Bungalow #LosAngeles #HomeDecor #EclecticStyle #SmallSpaceLiving #FashionDesigner #RentalHome #InteriorDesign #HouseTour

This article details the transformation of artist John Alexander's SoHo loft into a family home, meticulously designed by Richard Mishaan, without compromising its inherent bohemian character. John Alexander, who moved to New York in 1980, initially occupied a raw, expansive loft characterized by 20-foot pressed-tin ceilings, abundant natural light, and minimal internal divisions. The original space featured a rudimentary kitchen and a storage room used as a bedroom, epitomizing the typical 1970s artist's loft experience. Over a decade, Alexander made some structural improvements, adding a couple of bedrooms and upgrading the kitchen and bathrooms. However, the loft largely retained its open, airy quality, serving primarily as a vast studio and living area. The dynamic of the space shifted significantly with the arrival of Fiona Waterstreet and her son, Harrison, in the early 1990s. Waterstreet undertook the task of domesticating the loft, integrating her global textile collection, chintz furniture, and ceramic artwork. Despite these personal touches, Waterstreet desired more defined rooms and a greater sense of English-style coziness, which the open-plan loft inherently lacked. The opportunity for a more cohesive design arose when Waterstreet engaged with designer Richard Mishaan, whom she and Alexander knew socially. Mishaan, an art collector whose wife, Marcia, had studied under Alexander, had a pre-existing appreciation for their artistic sensibilities and their unique living space. Mishaan's challenge was to introduce structure and warmth without sacrificing the loft's expansive dimensions or its artistic, unpretentious spirit, a concern particularly voiced by Alexander, who valued the open layout. Mishaan's solution involved creating ingenious 17-foot-tall screens made from ebonized-oak frames and natural linen panels, along with metallic open bookshelves. These elements were strategically used to delineate various zones within the once-undivided living area, establishing an entryway, dining area, living area, a den for Alexander’s sports viewing, and a small sitting area adjacent to the bedroom and kitchen. This configuration, which Mishaan compared to a presidential suite, effectively introduced distinct rooms while maintaining a sense of fluidity and openness. The design incorporated Waterstreet’s existing textiles and art. The new screens also served a practical purpose, featuring gallery rods for displaying a rotating collection of small artworks and the linen panels providing crucial acoustic dampening. The metallic bookshelves offered storage for books previously scattered on the floor and showcased Waterstreet’s ceramic pieces. Fabrics from Waterstreet’s collection, such as a chevron print and an ikat, were used to reupholster furniture, including a pair of French chairs. A suzani from Homer adorned a daybed. The furniture arrangements were designed to be flexible, with chairs and zebra-print cubes easily moved between the dining room and other areas, and the screens themselves light enough to be repositioned. Mishaan’s approach was one of preservation and enhancement, ensuring that the loft’s original features, such as the metal ceilings and unstained floors, were maintained. He also exercised restraint in the use of color and pattern, allowing the resident artists' significant artwork to remain the focal point. Mishaan even persuaded Waterstreet to keep a chintz-covered camelback sofa, refreshing it with a vibrant burnt orange upholstery that complemented Alexander’s blue hollyhock painting, proving that effective decorating could amplify, rather than diminish, the impact of the art and the space’s intrinsic charm. This thoughtful transformation successfully blended bohemian spirit with functional family living, creating a harmonious and aesthetically rich environment. #SoHoLoft #RichardMishaan #InteriorDesign #ArtistHome #BohemianStyle #HomeTransformation #ArtisticInteriors #NYCInteriors

An art director, after a decade of renting in Los Angeles's Hancock Park neighborhood, purchased a 1934 Spanish-style house in 2018. The acquisition followed four years of being outbid in a competitive housing market. The opportunity arose unexpectedly when he discovered the house with a 'reduced' sticker during a walk to a local restaurant, leading to him being in escrow within 24 hours. Given his architectural background, the prospect of restoring a Spanish-style home within a historic preservation district was appealing. He enlisted the help of project manager Ari Engelman from Tim Barber Architects and interior designer Tricia Portelli of Scribe Studio to undertake the renovation. The renovation began with addressing dated elements, including magnesite tile in the entry and stairwell, and a 'ketchup-and-mustard' color scheme in the kitchen, all slated for removal. A unique challenge was the faux wood ceiling in the dining room, which the homeowner insisted on keeping despite its red and orange hues. Portelli strategically incorporated an almost-black shade of green paint, 'Nitty Gritty' by Portola, on the walls to connect with the ceiling and create a cohesive atmosphere for entertaining. The den, which doubles as a game room, features existing wood paneling and reclaimed doors that received a fresh stain. The color palette for the home was inspired by a beloved pie chest in the primary bedroom, an antique acquired in Nantucket, and also by the homeowner's travels to safari lodges and various collected objects. A significant design decision involved the entryway, which was initially dim. To introduce more light, a custom rondel glass door was installed. This door, crafted by J. Michael Designs and Leslie Osinoff of Osinoff General Contractors, incorporates round glass disks characteristic of 1930s homes in the area. This design ensures privacy while allowing ample natural light to enter the space. In the primary bathroom, a marble-clad soaking tub is a focal point. Wood flooring extends into this area for visual warmth, and a brass shower enclosure was extended to the ceiling to create a makeshift steam room when the ventilation window is closed. The homeowner's personal preferences also influenced the home's ambiance, notably his choice of incense, 'Tuscon' by Astier de Villatte, discovered at the Nickey Keyhoe store. This scent has become a signature element of the home, frequently noted by visitors. The overall renovation focused on blending the home's historic Spanish style with contemporary design elements, personal collections, and practical functionality, transforming the house into a personalized living space. #HomeTour #SpanishStyleHouse #LosAngelesRealEstate #HistoricPreservation #InteriorDesign #HomeRenovation #ArchitecturalRestoration #DesignInspiration #HancockPark

This article details the transformation of a modernist glass-and-steel villa in Guadalajara, Mexico, into a warm, colorful, and charming family home. The homeowners, a young family, enlisted their longtime friend, designer Alejandra Redo, to infuse personality and coziness into the architecturally sleek 6,500-square-foot residence. Architects Imanol Legorreta and Pablo Sepúlveda meticulously crafted the two-level house from steel, glass, and wood, with concrete, zinc, and walnut cladding, strategically designed to embrace Guadalajara's climate and natural light. However, the owners desired a more inviting interior, which led them to Redo, known for her vibrant use of color and pattern. Redo's approach to decorating the modern space involved a careful curation of individual pieces rather than her usual whimsical style. Her first significant acquisition was a midcentury black-and-gold table lamp by Arturo Pani, which became the focal point of the living room. The color palette in the living room is muted, featuring deep gray velour sofas and an ottoman, complemented by two red velvet chairs that add warmth, echoing the hues of an antique Persian rug. Mexican fabrics are prominently featured, with rebozos draped over furniture and cushions made from local textiles, reflecting Redo’s signature aesthetic. The dining room, adjacent to the living area, features Mexican walnut paneling that contrasts with the cool steel structure and marble surfaces, providing a sense of warmth. The entrance hall showcases Redo's eclectic sensibility, with a pine tree piercing both the ceiling and floor. A modern painting by Cuban-born artist Leslie Sardinias is displayed above a reproduction Louis XV console, and a custom Venetian-style mirror adds an artistic touch to the guest bath. Redo emphasizes her comfort in mixing different periods, colors, and designers to create an eclectic environment. The family room is another example of Redo’s unique design philosophy, anchored by a silk wall hanging crafted from a traditional Bhutanese man's robe. This is juxtaposed with a geometric cotton rug designed by Redo and made in India. The space also features a vintage Arco floor lamp by Achille and Pier Giacomo Castiglioni, a family heirloom, alongside a modern sofa and Wegner cowhide Shell chairs, demonstrating a blend of new and old. This room opens onto a garden and a deck, facilitating family gatherings and entertaining. Bedrooms, located downstairs, are characterized by their simplicity and abundant natural light. Redo incorporated playful colors for the children's rooms, with a pink scheme for the girl and a blue-and-red theme for the boy. An eccentric detail in the boy's room is the red wallpaper featuring leaping zebras pursued by arrows, a design reminiscent of Gino's, a historic Italian restaurant in New York. This touch highlights Redo’s ability to bring a lively and personal spirit to the serene modernist house, ultimately making the contemporary architecture feel cozy and lived-in. #InteriorDesign #ModernArchitecture #MexicanDecor #HomeDecor #EclecticStyle #GuadalajaraHome #ResidentialDesign

Shutterstock founder Jon Oringer and his wife Talia embarked on a search for a home in Miami Beach that would align with their vision of a welcoming oasis, distinct from the prevailing aesthetic characterized by aggressive geometrics and glossy surfaces. Their quest led them to a property overlooking Biscayne Bay, which, despite requiring significant renovation, offered an exceptional location and views. To transform this property into their dream home, they enlisted the expertise of AD100 interior designer Kelly Behun, who had previously worked on their Bridgehampton residence. Behun is recognized for her ability to create interiors that blend fanciful elements with refined sophistication, resulting in spaces that are both imaginative and serene. The home’s architectural transformation was initiated by Blaze Makoid of BMA Architects, who softened the exterior’s angularity with bronze and wood accents and introduced a sculptural staircase to enhance the interior’s dynamism. This established a visual language emphasizing fluidity and warmth, a quality the homeowners desired. Behun further collaborated with To Better Days Building, another AD PRO Directory firm, to realize the couple's vision. Within this architectural framework, Behun curated a vibrant collection of pieces from a global network of artisans, combining them with striking art and vintage items. Each room's design is often anchored by a central element, such as a unique lighting fixture or a captivating artwork, which harmonizes the color, pattern, and scale. Contemporary materials like white oak, plush fabrics, and muted metals are employed in sculptural forms, grounding the whimsical elements in an atmosphere of elegance and luxury. The entryway, for instance, features a custom stained glass light fixture by Greek artist Kostas Lambridis, whose design reflects the client's personal narrative. This piece hangs above a Mimi table by Garcé & Dimofski, complemented by Martino Gamper circus stools and a woven chair from Space Available Studio, all echoing the fixture's colors. Similarly, a stained glass fixture by Maarten de Ceulaer commands attention in the dining room, balancing a substantial table by Yabu Pushelberg. In the double-height library, four ceiling pendants by Bennet Schlesinger, inspired by cumulus clouds, playfully disrupt the room's formal upholstered seating arrangements. The lounge is enlivened by a cut-paper collage of dancing women by Heidi Lanino, set against curvaceous furniture by designers like Achille Salvagni and Chris Wolston. For the children’s playroom, a Nuage fixture by Wout Wessemius creates an ethereal ambiance. Beyond individual pieces, foliage plays a crucial role in animating the spaces. Large Alocasia Calidora leaves at the second-floor atrium window add drama to the primary bedroom. Landscape architect Raymond Jungles collaborated on the home's vegetation, including an immense American oil palm at the entryway that helps scale down the property, contributing to a relaxed and comfortable atmosphere despite its grandeur. The overall design achieves a ravishing and rejuvenating effect, perceived as both sublime and sensual by the homeowners. Jon Oringer praised Behun’s capacity to translate their identity into the living space, affirming that the designer successfully delivered a home that is uniquely theirs. #HomeDesign #InteriorDesign #LuxuryHomes #MiamiArchitecture #ContemporaryDesign #CustomFurniture #ArtCollection #LandscapeDesign #ArchitecturalDigest