Alfredo Paredes’s heritage-minded mix of metallic-finished oak, woven leather and mineral-toned tweed

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

The Lesire Collection, designed by Botswana-based furniture designer Peter Mabeo, founder of Mabeo Studio, translates the intricate lace crochet techniques of 1900s South African women into a line of hardwood furniture. The collection's name, "Lesire," meaning "wedding veil" in Tswana, refers to a textile characterized by its distinctive scalloped-edge detail, which serves as the primary inspiration for the furniture's aesthetic. This design philosophy not only honors traditional craftsmanship but also provides a global platform for local artisans, as the collection is now available through Design Within Reach. The core material for the Lesire Collection is panga panga wood, a durable hardwood native to Southeast Africa known for its resistance to insects and fungi. This choice of material firmly anchors the collection in its geographical context, a fundamental principle for Mabeo. The designer emphasizes the importance of drawing inspiration from one's immediate environment, believing that globally applicable design directions are more authentically achieved by engaging with familiar surroundings. This approach allows for a blend of innate understanding and acquired knowledge, fostering a sense of freedom in artistic expression. The panga panga wood used in the collection is ethically sourced from LevasFlor, a Mozambican company committed to sustainable harvesting practices and community involvement. LevasFlor's FSC certification ensures a balance between international sustainability standards and local inclusivity, aligning perfectly with Mabeo's vision for responsible and community-centric design. Each piece within the Lesire Collection is meticulously hand-carved by Mabeo's skilled artisans, who meticulously transfer the scalloped-edge motif onto various furniture items, including mirrors, tabletops, credenzas, and storage benches. The angular legs of the tables, credenzas, and benches complement the scalloped pattern, creating a dynamic visual interplay between structural elements and decorative details. The inherent richness and textured grain of the panga panga wood contribute to the natural elegance of each item, while the hand-carved elements highlight the exceptional craftsmanship of the local artisans. This fusion of heritage, artistry, and raw material beauty results in a collection that is both culturally resonant and aesthetically sophisticated. #FurnitureDesign #HardwoodFurniture #MabeoStudio #PeterMabeo #AfricanDesign #SustainableMaterials #HandCarved #CulturalInspiration #InteriorDesign

Western interior design, characterized by its rustic, yet refined aesthetic, is experiencing a significant resurgence in popularity, as evidenced by a 145% increase in Pinterest searches for 'vintage Americana' and 'Western gothic,' and its inclusion in Etsy's summer trend forecast. This design style draws inspiration from the American West, offering a blend of old-age charm, warmth, coziness, and comfort. It incorporates elements reminiscent of vast landscapes, raw beauty, and vintage Americana, appealing to those who appreciate a lived-in, ranch-like feel. While traditional Western design might evoke images of rural cabins, a contemporary interpretation, often referred to as 'Western 2.0,' integrates rural living aesthetics into modern spaces with brighter color schemes. However, a sub-trend, 'Gothic Western,' a darker and edgier version, is also emerging, though the article suggests focusing on a lighter, more earth-toned approach. Key to achieving this style are earth tones, natural materials such as reclaimed wood, leather, suede, and fringe, and an overall cabin-style ambiance. Interior designers emphasize the importance of using materials that reflect the locale, such as reclaimed wood coffee tables, linens, and simple iron chandeliers, and integrating subtle pops of color like green, especially in neutral environments with scenic views. Interior designers advise a subtle approach to incorporating Western themes to avoid an 'over-the-top yee-haw explosion.' This includes adding elements like leather furnishings, reclaimed wood, and Western accent colors such as silver, turquoise, and terracotta. The aesthetic can also be created by drawing inspiration from historical contexts, such as bespoke cabins designed with American culture and outdoor living in mind, blending natural materials with handcrafted pieces. The article outlines four main ways to integrate Western-inspired style into interiors. Firstly, by refining the color palette. This involves either creating a light and bright scheme or a more rustic and moody one, depending on personal preference. A neutral base of warm browns, sandy beiges, soft grays, and light blues can be enhanced with richer hues like worn reds, grassy greens, burnt sienna, and navy, all while adhering to warmer, earthy tones. Secondly, the use of rugged yet refined materials is crucial. This includes elements like reclaimed wood, distressed leather, and natural stone, which age gracefully and evoke the beauty of ranch living. Cowhide rugs, worn leather sofas, and raw wood paneling are key components, alongside natural wall coverings like coconut bark to bring the essence of the wilderness indoors. Thirdly, accessorizing with Western-inspired accents allows for personalization. This can range from paintings of horses and cattle, or vintage photographs, to horns, antlers, and even subtle displays of cowboy boots or hats. The emphasis is on curating these pieces to add character without making the space feel kitsch. Nature-inspired art, desert plants, vintage saddles, and antique horseshoes are also suggested elements. Finally, layering textiles in mismatched prints and patterns is a simple yet effective way to achieve a cozy, curated Western look. Mixing textures like leather, suede, and Native American patterns, alongside Pendleton-meets-Ralph Lauren fabrics, Navajo-style patterns, plaids, soft florals, and stripes, creates a warm and homely feel. This can involve draping sheepskin rugs over leather armchairs, piling kilim pillows on suede sofas, or layering Navajo blankets over plaid throws. Combining rough-hewn textiles like denim and burlap with luxurious fabrics such as velvet and silk adds a dynamic interplay of textures, while handwoven blankets, embroidered pillows, and quilted throws contribute to warmth, comfort, and a sense of heritage. These approaches collectively enable the creation of Western-inspired spaces that reflect individual style while honoring the spirit of the Wild West. #WesternInteriorDesign #RusticDecor #CowboyStyle #VintageAmericana #NaturalMaterials #TextileLayering #EarthyColorPalette #InteriorDesignTrends #HomeDecor

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

The article describes the interior design of a Spanish-style house in Houston's River Oaks neighborhood, a collaboration between Curtis & Windham architects and New York-based design studio Ashe Leandro. River Oaks is known for its opulent and historic homes, with strict 100-year-old deed restrictions regarding architectural styles, though some properties extend their boundaries. This particular house, though built only a few years ago, evokes the charm of an Old Hollywood Mediterranean-style home. Architect Bill Curtis highlights the robust stucco walls, while inside, the light and airy interiors are the work of Ashe Leandro, composed of architect Reinaldo Leandro and designer Ariel Ashe. Ashe Leandro had previously worked with the homeowner's sister in Austin. The homeowner, who works in real estate, drew inspiration from midcentury Italian design pillars like Villa Borsani and Villa Necchi Campiglio. Ariel Ashe notes the uniqueness of this project compared to her previous works, stating it closely aligns with her personal style, characterized by unrestrained color and character, curving woodwork, and playful lighting. The design blurs traditional timelines, creating an ambiance that could be interpreted as 1950s Italy, 1940s Santa Barbara, or contemporary 2024 Texas. The project energized the entire design team. Project manager Ian Carr enthusiastically shared details about acquiring vintage 1960s Afra and Tobia Scarpa chairs. Design director Brian Jones pointed out the subtle nod to Carlo Scarpa’s tilework in the living room’s cocktail table, emphasizing a contemporary design approach that prevents the room from feeling historically confined. The overall ethos aimed for a delicate, feminine Italian design without appearing overly precious. Key design elements include a kitchen featuring stainless steel countertops and blue cabinets, drawing inspiration from Stella Tennant's West Village apartment. The homeowner, a restaurant owner, admitted to overcompensating in the kitchen's design. The dining room boasts an emerald marble table, custom-designed by Ashe Leandro, and a vintage 1960s Max Ingrand lamp. Ashe expressed her desire to keep almost every piece from the house for her own home, including a 1950s Angelo Lelli chandelier in the primary bathroom and the Scarpa dining chairs. Despite her expertise in interior design, Ashe declines requests for holiday light displays, though the homeowner humorously stated plans to embrace River Oaks' famous Christmas lights for the first time in their new home. The article was originally featured in the November 2024 issue of ELLE Decor. #InteriorDesign #HomeDecor #Architecture #LuxuryHomes #TexasRealEstate #AsheLeandro #MediterraneanStyle #VintageFurniture #MidcenturyModern #HoustonHomes #ElleDecor

This article offers an exclusive look into the interior design of 'Meraki Beauty & Wellness,' a salon and spa located in Lahore, co-founded by sisters Saba and Fatima. The establishment is presented as a tranquil retreat, offering a complete beauty experience in a Zen-like environment, strategically located away from the bustling commercial areas of Gulberg and near the burgeoning DHA Phase 5. The salon's interior design is characterized by a harmonious blend of modern and industrial elements, creating a stylish yet comfortable space. The designers deliberately moved away from opulent decorations like typical chandeliers and vibrant colors, opting instead for a minimalist, contemporary aesthetic that promotes serenity and inner peace. This approach is evident in the choice of a muted color palette and natural materials, which define the three distinct zones of the salon. The entry from the staircase area is designed as a dark transition space, leading into a lighter, more open main reception and hair styling area. The second floor features grey-shaded sofa seats for manicure and pedicure sessions, alongside separate rooms for makeup and massage. Additionally, three nail art stations are decorated in shades of navy blue, benefiting from natural sunlight and outside views. Strategic lighting plays a crucial role in enhancing the ambiance and highlighting key interior design elements. The second floor, in particular, exudes a bright and cheerful atmosphere. The owners, Saba and Fatima, emphasize the importance of hygiene, client satisfaction, and continuous in-house training, with Saba having completed multiple training courses in skin and hair from Dubai and New York. The waiting area provides ample seating, and the overall artsy design, infused with contemporary touches, is given a warm character through bright pops of pink and purple against a backdrop of black and grey, breaking potential monotony. The interior is also designed to optimize space, incorporating areas for Pilates and yoga classes, along with a small health bar, creating a homely setting for clients. Functionality and ease of maintenance are also key considerations, as demonstrated by the use of leather upholstered furniture and wall panels that are easy to clean. The decor maintains a simple and functional appeal, reminiscent of a traditional living room, yet includes occasional glamorous accents. Wrought iron encased lights contribute to the sophisticated look without being ostentatious, and subtle gold strokes add an elegant touch. Laser-cut separators and the salon's logo in gold and black serve as central design features. The sisters, strong advocates of minimalism, frequently intend to refresh the salon's look to provide a novel experience for their clientele, ensuring every detail is meticulously managed to offer a high-quality, personalized service. The spa area further exemplifies thoughtful space planning with wooden flooring, racks, and display furniture, complemented by planters and cozy sofas that create a soothing ambiance, catering to the city's style-conscious clientele. #SalonInteriorDesign #SpaWellness #LahoreBeauty #MinimalistDecor #ModernIndustrial #ZenEnvironment #PersonalizedService #SpacePlanning #ClientExperience

This article explores a curated selection of vintage design classics that have been reissued with modern technologies and sustainable updates, demonstrating how iconic pieces from the past can be reimagined for contemporary living. The focus is on a variety of furniture and lighting designs from leading brands and design masters, each offering a blend of historical significance and renewed functionality. One featured piece is the ‘Parigi’ armchair by Aldo Rossi, reissued by UniFor. Originally part of Rossi's vision for an ideal office at the end of the 1980s, this armchair exemplifies his architectural background combined with furniture functionality. Its distinctive slanted black aluminium frame supports a bright red, surprisingly soft polyurethane foam seat, reflecting Rossi's desire to translate personal, fantastic elements into rational, repeatable pieces. The reissue, a Wallpaper* Design Award 2022 winner, maintains the original aesthetic while adapting to modern sensibilities. Charlotte Perriand’s ‘Petit Bureau en Forme Libre’, reissued by Cassina, is another highlight. Designed in 1952 for Perriand's own Montparnasse studio, this freeform desk showcases her pioneering approach to design with its curved forms that allow flexible use. Crafted from solid Canaletto Walnut and available in black, the updated version includes an optional compartment for sockets and cables, seamlessly integrating modern practicalities without compromising its innovative form. This piece also received a Wallpaper* Design Award 2022. The ‘265 Chromatica’ lamp by Paolo Rizzatto for Flos, designed in 1973, is reissued in its original colour-coded concept. Rizzatto's first lighting design, the lamp was initially based on drawings using blue for the moving arm, yellow for the counterweight, and red for the lampshade. This new chromatic edition celebrates Rizzatto's belief that colour defines light and its function within architecture, earning it a Wallpaper* Design Award 2022. The article also revisits Clara Porset’s ‘Butaque’ chair, reissued by Luteca. Porset, a Cuban-born designer who worked in Mexico, is celebrated for her reinterpretation of the traditional Latin American 'Butaque' chair, merging Spanish colonial and pre-Colombian forms. Luteca collaborated with the National Autonomous University of Mexico to faithfully recreate Porset’s 1940s design. CB2 has reissued several pieces by American designer Paul McCobb, including the 1952 ‘Pavilion’ outdoor collection and the 1951 ‘Exposior’ lighting range. The ‘Pavilion’ collection features delicate iron frames and Sunbrella fabrics, while ‘Exposior’ lighting combines brass, wood, and travertine, making these designs accessible to a wider audience while preserving McCobb's legacy. Mario Bellini's ‘Camaleonda’ sofa, designed 50 years ago, is reissued by B&B Italia with a strong sustainable focus. While retaining its modular, contemporary aesthetic, the internal structure is now made from FSC-certified beech wood and recyclable materials, with feet from recycled wood, emphasizing ease of disassembly and environmental responsibility. Very Good & Proper and Isokon Plus have reissued two tables by Bauhaus designer Marcel Breuer, based on blueprints from 1937. One was previously produced at Bauhaus, while the other remained unproduced. The reissue utilizes energy-efficient and environmentally conscious processes, honoring the original experimental designs and their inherent modernist values. Another Mario Bellini design, the ‘Duc-Duc’ sofa from 1976, has been reissued by Cassina. This modular piece, reflecting the free design spirit of its era, maintains faithfulness to the original while incorporating updated measurements and materials for enhanced comfort, including a 100% recycled fibre made from ocean-recovered PET. Acerbis, under new creative direction, has relaunched Giotto Stoppino’s ‘Menhir’ tables. These totemic compositions of colourful marble modules, originally created with company founder Lodovico Acerbis, represent a blend of pioneering Italian design and a commitment to bringing iconic midcentury pieces back to life. Nanna Ditzel’s ‘Arkade’ chair, originally designed in 1983, has been revisited by Brdr Krüger. This piece showcases Ditzel’s blend of traditional craftsmanship, new materials, and elegant geometries, with customization options for fabrics like Kvadrat’s ‘Hallingdal’. Gianfranco Frattini’s ‘Kyoto’ table, inspired by Japanese and Northern Italian woodworking techniques from his 1974 trip to Japan, has been reissued by Poltrona Frau. This table features an interlocking structure with a grid surface of 1,681 squares, where wooden elements dovetail to create a self-supporting, reconfigurable composition, embodying functional design without superfluous decoration. Finally, Cassina and Ginori 1735 collaborated to reissue Le Corbusier’s ‘Prunier’ tableware. Created in 1961 for London’s Prunier restaurant and inspired by his earlier tapestry work, these plates feature stylised motifs hand-applied on enameled white porcelain, merging quality and form. Achille Castiglioni’s ‘Diabolo’ lamp, his last lighting design for Flos from 1998, also returns in three new shades, maintaining its minimal design while referencing traditional Chinese toys. #VintageDesign #DesignClassics #FurnitureDesign #LightingDesign #SustainableDesign #ModernistDesign #ReissuedDesign #InteriorDesign #HomeDecor

The article highlights the expansion of Meridiani, a renowned Italian furniture brand, with the opening of its new flagship store in New York's NoMad design district in October 2023. Meridiani, established in 1996, is recognized for its timeless furniture collections that blend tradition with modernity, appealing to diverse decorating styles. The brand's global presence extends to over 50 countries, with stores in major cities like Milan, Rome, Singapore, Paris, and London. The Manhattan location, conceptualized by Andrea Parisio, Meridiani's designer and art director, is a two-level showroom designed to demonstrate the brand's comprehensive residential project capabilities. The space features distinct yet interconnected living, dining, and sleeping areas, providing a cohesive experience for visitors. The store aims to showcase both recent furniture collections and iconic pieces that define Meridiani's aesthetic. Currently, the Max modular sofa is prominently featured in one of the living areas. This versatile sofa, known for its clean lines and precise angles, offers customizable configurations to fit various room sizes and seating requirements. It can incorporate side tables between cushions or at the ends, enhancing both functionality and visual appeal through textural contrasts. Alongside the Max sofa, the new Nora armchair, also designed by Parisio, is displayed. The Nora armchair exhibits a playful, curvy form and can be upholstered in various materials such as fabric or leather, with options for solid wood or fabric-covered legs. The dining area displays highlight the Gong table, another bestseller designed by Parisio. The article notes that the Gong table, available in numerous variations, exemplifies Meridiani’s design versatility and ability to create captivating combinations of colors, shapes, and materials. Both the base and top of this sculptural table can be customized using materials like glass, lacquer, marble, metal, and wood, and are offered in a wide array of hues. The store's interior design complements the furniture pieces through a layout that spans the building's depth and a consistent monochrome white-and-ivory color scheme. This palette ensures that the pieces are framed effectively and integrate seamlessly into different display environments. Andrea Parisio emphasizes the company's commitment to innovation, ensuring new collections harmonize with previous ones while consistently prioritizing high-quality fabrics and materials. This approach results in a distinctly Italian character imbued with international inspiration, solidifying Meridiani's reputation for sophisticated and comfortable Italian furniture on a global scale. #ItalianDesign #Furniture #LuxuryInteriors #HomeDecor #NewYorkDesign #Meridiani #AndreaParisio

New York–based designer Dani Arps, co-CEO of Artisan, frequently employs a neutral palette in both residential and commercial spaces, utilizing shades of vanilla, cream, and oatmeal, occasionally accented with black and soft hues like sage blue. This color scheme, offering comfort in winter and coolness in summer, aims for a luxurious yet understated dynamism, achieving richness and interest through varied textures and materials. Arps's design philosophy emphasizes the layering of different shades of one color across diverse materials, such as laser-patterned cowhide, ultra-plush corduroy, and thick alpaca, to create a cohesive and sophisticated interior. Her mood board illustrates this approach with elements like Miksi’s Cay Alpaca Rug in Chalk, described as exceptionally luxurious and cloud-like. Calacatta Viola Marble in a honed finish from BAS Stone introduces a vibrant touch with its purple and gold veining, suitable for a striking border or a full wall application. Maharam’s Mohair Extreme Fabric in Lichen adds a rich, counterbalancing texture, ideal for throws or poufs. To ground the palette, Arps incorporates black accents, such as an atypical and abstract objet d’art from Industry West, and a matte black stoneware mug from Lolly Lolly Ceramics, which doubles as a sculptural piece. The selection also highlights artistic and cultural considerations. A print from Barkley L. Hendricks, sourced from The Studio Museum Harlem, represents a broader interest in Black art and portraiture, with Arps suggesting its display in a natural wood frame to emphasize the art itself while supporting the museum. Further textural variety comes from Camira’s Main Line Flax Fabric in Upminster, a light, warm-toned, and appealingly textured base material. Durability and investment pieces are noted with Miksi for Radnor’s Dune Rug in Rock Stone, a resilient cowhide rug with a unique lasered pattern. Lighting and hardware selections contribute to the refined aesthetic. Studio Luddite’s Pell Wall Sconce, featuring bronze framework and stacked leather disks, offers a luxurious look at an accessible price. Petra’s unlacquered brass finish for its Block knob, with its intriguing shape, provides an amorphous touch to cabinet hardware. Apparatus’s oil-rubbed bronze finish, typically for sconces, is envisioned for cabinet hardware or kitchen fixtures, imparting a welcoming, weathered feel. The palette is further enriched by Waterworks’ Architectonics2 Field Tile in Cobble Matte Solid, a calming, handmade-looking tile, and The Hudson Company’s Bare, European Oak Flooring, chosen for its elegance, timelessness, wide planks, and character-filled knots. Additional elements reinforce the material richness and subtle luxury. Artistic Tile’s Abbey Road Onyx Mosaic in Vanilla provides a tone-on-tone effect with multiple white variations, enhancing the sense of space when paired with plaster. Lutron’s Palladiom Keypad in White offers customizable, sleek control for lighting scenarios. Senso’s white plaster wall finish, though trendy, is considered timeless for its warmth and luxury, adding depth to plain white walls. Holly Hunt’s Mane Attraction Hair-on-Hide Textile in Autumn is suggested for upholstery to introduce unexpected roughness to elegant silhouettes, while Schumacher’s Wyatt Corduroy Fabric in Mushroom adds playful graphic dynamism through its texture and vertical/horizontal application possibilities. Arps states that this palette creates a calm atmosphere conducive to both work and relaxation, making it a space she could inhabit indefinitely without boredom. #DaniArps #InteriorDesign #NeutralPalette #TextureLayering #HighEndFabric #HomeDecor #DesignInspiration #MaterialSelection #LuxuryInteriors

West Haddon Hall, a Los Angeles-based furniture company, is introducing its new Collection II, which focuses on creating future heirlooms through well-considered and thoughtfully designed furniture. Founder and interior designer Kate Driver emphasizes that good design ages better, underscoring the brand's commitment to longevity and timelessness. The collection, comprising seven distinct pieces, draws inspiration from classicism and organic forms, integrating centuries-old artisanal techniques such as straw marquetry and caning, alongside sensitive upholstery detailing. Key pieces include the Brooks armchair, featuring a geometric wooden frame with caning and a gently curved upholstered top rail, and the Mulberry armchair, as well as the Wyngate Marquetry cocktail table. The philosophy behind West Haddon Hall's new collection is rooted in creating pieces that are not only aesthetically pleasing but also functional and enduring. Driver believes that decorators, given their understanding of client needs and daily living, are uniquely positioned to design furniture that integrates seamlessly into homes and is cherished for generations. This approach contrasts with the trend of fast furniture, offering an edited and usable collection where functionality and the end-user's experience are paramount. Driver often references her own treasured family heirloom, an old Welsh dresser, as an inspiration for preserving the memory and value of old objects in new designs. To showcase Collection II, Kate Driver meticulously staged each piece within an architecturally significant 1921 home designed by Francis Pierpoint Davis. This backdrop, chosen for its historical significance and recent renovation that preserved original details, allowed the new furniture to be presented alongside vintage pieces and antiques. This contextualization highlights how West Haddon Hall's designs can integrate into diverse environments, illustrating the potential for new items like the Elliston daybed and Ivy side table (from Collection I, now available in a new Champagne color) to coexist harmoniously with cherished older items, fostering a personal and unique living space. True craftsmanship is a cornerstone of West Haddon Hall's collection. Driver actively seeks collaborations with artisans and craftspeople to ensure the revival and continuation of traditional techniques. She expresses a particular interest in marquetry and caning, emphasizing the importance of preserving these rare arts from fading into obscurity. The new floating credenza, for instance, prominently features natural caning and honeyed oak, showcasing the brand's dedication to these intricate skills. The company also offers customization options, allowing clients and trade professionals to specify different sizes or materials, thereby providing original, bespoke, and timeless quality furniture. #FurnitureDesign #HeirloomFurniture #InteriorDesign #ArtisanalCrafts #SustainableDesign #TimelessDesign #WestHaddonHall #KateDriver #LuxuryFurniture

The 'Rich Ranch' interior design trend merges rugged Western aesthetics with elevated, luxurious principles, offering a chic and sophisticated take on the traditional cowboy look. This trend is gaining significant traction, inspired by popular media like 'Yellowstone' and 'Landman,' which showcase rich, natural materials and desert landscapes. Interior designers emphasize the versatility and timeless appeal of Rich Ranch, making it suitable for various home spaces, particularly kitchens. Key to implementing the Rich Ranch style in a kitchen involves using natural materials and Western-inspired color schemes. Instead of conventional shaker cabinets, tongue-and-groove cabinet doors painted in earthy tones can impart a Western flair. Dark oak, when paired with warm metal accents and subway tile, contributes to a rustic yet cool farmhouse vibe, creating a welcoming and cozy atmosphere. The trend's enduring nature ensures it remains stylish beyond its current popularity. Layering textures and incorporating warm shades are crucial for visual interest in a Rich Ranch space. The aesthetic thrives on contrasting materials like rough-hewn woods with soft upholstery, woven textiles, and raw stone surfaces. Natural fiber rugs or layered cowhides add depth and define areas, contributing to the luxurious feel. Investing in high-quality, mid-tone caramel and cognac leathers, rather than darker shades, helps maintain an upscale appearance. Sustainable sourcing for items like hide rugs is also encouraged to ensure ethical and quality choices. Smokey wood accents are integral to this trend, favoring darker, warmer wood tones over paler, Scandi-inspired ones. Flooring options like smoked walnut add drama and contrast, enhancing the bright ambiance of a room while creating an inviting atmosphere. Beyond flooring, incorporating vintage wooden furniture such as chests, stools, and accessories like wooden bowls and chopping boards subtly introduces these rich wood tones into the decor. Inspiration from classic Western landscapes guides the color palette, predominantly featuring neutrals like creams and greiges for a modern, luxurious scheme. Alternatively, designers suggest drawing colors from Western outfits, such as denim blues, roughout suede tones, and chambray, to inform interior choices. Introducing greenery, like potted plants or succulents, further enhances the natural, outdoor ambiance, with cacti being particularly fitting for the Rich Ranch aesthetic. Finally, subtle Western motifs complete the cowboy chic room without making it feel gimmicky. Decorative elements like horseshoes, abstract cowboy art, or tasteful Navajo-inspired patterns add personality. A cow-print chair or a classic hide rug can tastefully infuse Western character, ensuring the space feels both authentic and refined. The Rich Ranch trend offers a harmonious blend of rustic comfort and elevated style, providing a timeless and cozy yet sophisticated design solution for contemporary homes. #InteriorDesign #RichRanchTrend #WesternStyle #HomeDecor #RusticLuxury #NaturalMaterials #EarthyColors #TextureLayering #SmokeyWoodAccents

The article explores the preferred antique pieces of six interior designers, detailing how these items are consistently incorporated into various client projects due to their aesthetic appeal, versatility, and ability to add character and history to a space. Each designer shares their specific antique choice and provides insights into why these selections are so impactful. Max Humphrey, a designer from Portland, Oregon, frequently uses folk and tramp art frames. He frames artwork with them or converts them into mirrors, noting that these pieces add a 'camp' aesthetic, particularly when paired with items like Hudson's Bay blankets. Nathan Turner, a Los Angeles-based designer, favors William and Mary chests, which are distinguished by their ornate carvings and patina. He highlights their adaptability, using them as nightstands, entry pieces, or even as a base for a bar setup in a living room, blending them seamlessly into traditional, English, and Spanish interiors. Kerri Pilchik of Ridgewood, New Jersey, often integrates Louis XVI–style commodes into her designs. She values their clean, classic, yet elegant lines, finding them suitable for various functions such as entryway storage, bathroom vanities, bedside tables, or dressers, especially in homes with limited square footage. Elly Poston from Richmond, Virginia, expresses a preference for Japanned or Chinese lacquer pieces, including boxes, trays, secretaries, and tables. Her appreciation stems from the unique patina and the sophisticated touch that a hint of black lacquer adds to any room, regardless of its overall aesthetic. Katie Rosenfeld, a designer based in Wellesley, Massachusetts, consistently incorporates vintage art, particularly mid-century oil paintings from Sweden. She believes these artworks introduce a 'cool and crusty edge' that contrasts effectively with more delicate or 'sweet' surroundings. Christina Salway, a New York City designer, is drawn to hand-painted Scandinavian or Bavarian armoires, hutches, and primitive hand-carved wooden chairs. She emphasizes the warmth, texture, subtle color, and visible 'human touch' these handmade items bring, enriching spaces with a sense of history and individuality. #InteriorDesign #AntiqueFurniture #HomeDecor #VintageStyle #DesignersFavorites #HomeStyling #Patina #FolkArt #EuropeanAntiques

Designers Louisa Pierce and Emily Ward, known for their unique blend of old-world charm and modern ease in interior design, have collaborated with West Elm to launch a 100-piece vintage-inspired home collection. Their signature style, which emphasizes thoughtfully layered patterns, plush textures, nature-inspired palettes, and handpicked antiques, has earned them a celebrity clientele including Leonardo DiCaprio, Dakota Johnson, Kate Hudson, and Emma Roberts. This collaboration aims to make their distinctive aesthetic accessible to a wider audience, eliminating the need for extensive treasure hunting. The collection, developed over a year and a half, is designed to feel cohesive, as if all pieces could organically fit within the same home, reflecting the designers' approach to sourcing without a predetermined placement. The range includes stately furniture items such as a burl wood rounded dining table, velvet dining chairs, and an upholstered channel sofa. Smaller decorative pieces like a marble side table and a striped vanity stool are also featured, alongside pattern-rich pillows reminiscent of those sold in their Los Feliz storefront, ensuring options for various tastes and budgets. Pierce and Ward considered both large and small living spaces during the design process, ensuring that the collection caters to a diverse clientele, from those with expansive homes to individuals living in smaller apartments. This approach addresses the fact that not everyone has the means or necessity to hire an interior designer, offering a comprehensive way to achieve the "Pierce & Ward look" from top to bottom. The pricing for the collection is set to accommodate different budgets, with decor and accent items starting at $29 and larger furniture pieces reaching up to $1,699. A key focus during the creation of this line was functionality and comfort. Louisa Pierce highlighted the importance of items not only being aesthetically pleasing but also practical for everyday living. Emily Ward expressed admiration for West Elm's commitment to developing unique and fresh finishes that align with their original design principles. The collection showcases a variety of materials, including burl wood for the vanity, walnut for the coat rack, and metal legs for the stool, all chosen to reflect the duo's core beliefs and design philosophy. Among the pieces, Pierce particularly favors the walnut coat rack, appreciating its simple form and sculptural quality. #InteriorDesign #HomeDecor #WestElm #PierceAndWard #VintageInspired #FurnitureCollection #DesignCollaboration #ModernHeirlooms #HomeFurnishings

This comprehensive guide highlights a curated selection of Los Angeles's premier design and furniture stores, catering to a wide array of interior design preferences and budgets. The article serves as a resource for individuals seeking to furnish or redecorate their homes, offering alternatives to larger retail chains like Ikea and Restoration Hardware by focusing on independent boutiques and showrooms with unique inventories. Each listed store offers a distinct style and product range. Amsterdam Modern, for instance, specializes in pristine midcentury modern seating and lighting imported from Holland, complementing its New Made LA shop which features vintage-inspired modern goods crafted locally. Badia Design is presented as a haven for 'Gypset' decor enthusiasts, providing Moroccan imports such as carved wood cabinets, decorative mirrors, brass and glass lamps, colorful leather poufs, and handmade mosaic tile tables, ideal for creating a globally-inspired living space. For those interested in American craftsmanship, Bauer Pottery Showroom showcases vibrant pottery. Big Daddy's Antiques in Culver City is described as an antiques wonderland, popular with set decorators and designers for its eclectic industrial tables, decorative crocodile skulls, and ornate vintage cabinets. Cisco Home on Melrose Avenue emphasizes sustainable and eco-friendly furnishings, vintage decor, and kitchen linens. Consort, founded by interior designers Mat Sanders and Brandon Quattrone, blends Italian modern with Miami Vice aesthetics and global inspirations, offering items like printed pillows, sleek bedsheets, brass bar carts, celebrity designer furniture, and handmade ceramics. deKor, by Swedish interior designer Isabelle Dahlin, features globally-inspired home furnishings, including midcentury modern seating, primitive mixing bowls, vintage pillows, and industrial lighting, along with custom vintage-inspired furniture. Other notable mentions include Nickey Kehoe and Galerie Half, which appear to offer unique design selections, and Gold Bug in Pasadena, presented as a treasure trove of unique items. Grace Home Furnishings in Brentwood Village focuses on contemporary decor, merging East Coast refinement and Old Hollywood glamour with Southern California living. Hammer And Spear in the Arts District provides a mix of vintage fur rugs, WWII-era bric-a-brac, midcentury modern chairs, luxe leather accessories, and home fragrances. H.D. Buttercup, with its extensive Culver City outpost, provides a vast selection of vintage, antique, and modern furnishings, lighting, and rugs, known for its significant sales. Huset on Abbot Kinney Boulevard offers playful and smart Scandinavian design, including ceramics, furniture, kitchen goods, and apparel. JF Chen Antiques and Lawrence Of La Brea also offer distinct antique and home decor selections. Lawson-fenning further contributes to the design scene with its unique offerings. L'Éclaireur showcases exclusive Fornasetti furniture and other luxurious design pieces. The Mart Collective functions as a collective for various design and antique vendors. Nick Metropolis provides an eclectic mix of items for home decoration. Midcentury LA, a 12,000-square-foot showroom, is dedicated to midcentury modern furniture, lighting, and decor imported from Denmark and Sweden. Modernica is highlighted for its authentic fiberglass shell chairs, Case Study furniture, and George Nelson bubble lamps, catering to enthusiasts of midcentury modern classics. Finally, Rolling Greens offers botanical elements and garden-inspired decor, while Sunbeam Vintage specializes in vintage finds. Tortoise General Store in Venice, inspired by Tokyo, provides minimalist Japanese-style home goods, including scrubbers, coffee and tea essentials, stationery, and Hasami Porcelain tableware. This guide aims to assist individuals in discovering diverse options for enhancing their living spaces in Los Angeles. #LosAngelesDesign #FurnitureStoresLA #InteriorDesign #HomeDecor #MidcenturyModern #VintageFurniture #MoroccanDecor #ScandinavianDesign #AntiquesLA #LuxuryHomeFurnishings

This article highlights the work of interior designer Chad Graci of Graci Interiors, focusing on a specific project for a young couple with two daughters in Metairie. The couple acquired a new, in-progress house and sought Graci's expertise to infuse it with a blend of tradition and modern freshness, a style Graci terms "21st-century New Traditionalism." The wife, a long-time admirer of Graci's aesthetic, desired a "grown-up" house that was both rooted in classic design and vibrant and fun. Graci notes a shift in younger generations' interest, where "brown furniture" and antiques, once considered outdated, are now being re-embraced for their depth and longevity. He clarifies that this isn't a recreation of past design but a reinterpretation through a new lens, incorporating more color, pattern, and texture while maintaining classic elements. The house, built by Brett Wynn of Quigley Construction, featured a pared-down traditional architectural style, which served as a white framework for Graci's design. The design strategy involved selecting timeless finishes to prevent the house from appearing too new. Graci employed a serene color palette of cream, celadon, peach, brown, and pale blues, punctuated by unexpected color splashes. This approach allows for easier updates over time, as a neutral backdrop with accent hues is less prone to quickly dating than trendy colors. The client expressed immense trust in Graci's decisive guidance, noting that his choices often surpassed her own initial preferences. The design process was organic, starting with the main downstairs living areas: the kitchen, family room, and a sitting room that also functions as a home office. Graci began by anchoring these spaces with quality upholstered pieces, designed with streamlined forms to maximize comfortable seating for the family. He emphasizes the importance of details, such as the roll of an arm, in setting a room's tone. Key principles in Graci's work include scale, custom designs, and supporting local artists and artisans. The project features furniture and art from local talents like Kathy Slater Designs, Christopher Wynn, Chris Wynn, Amanda Tally, Kevin Gillentine Gallery, and Palm Orleans, as well as contemporary abstract paintings by his sister, Christina Graci. Graci also integrates one-of-a-kind pieces sourced from auctions, estate sales, consignment stores, and even his travels, such as a porcelain Chinoiserie lamp, an African stool, and a Chinese console, to create interesting, layered, and complete spaces that avoid predictable choices. Subtle repetition of shapes and colors creates cohesion throughout the home. For instance, the celadon of the lacquered front door is echoed inside, and the modernist Saarinen dining table's oval shape and dark/light contrast are mirrored in the antique Louis XV-style chairs. Philippe Starck ghost counter chairs at the kitchen island reference the Louis chairs. The master bedroom's blue alcove ceiling color is reflected in a Swedish armoire and a Chinoiserie panel. Contrasting elements, like vibrant long-necked azure blue birds and leopard prints, which Graci considers a new neutral, add lively accents. The design also incorporated the couple's existing pieces, giving them new prominence. A vintage gold velvet 1940s chair from the wife's grandmother found a daring new context in the master bedroom's blue tones, and a mirrored inherited from the same grandmother became part of a gallery wall. Graci balanced aesthetics with functionality and budget constraints. The durable Saarinen table serves as both a dining surface and a children's workspace, and the acrylic counter chairs are easy to clean. A sheer gray basket-weave shade was added to the front door to provide privacy while maintaining an open feel. Graci's expertise lies in mixing high and low-priced items, prioritizing quality, scale, and color in all selections. The client praised Graci for making decisions easy and creating a comforting, continuous, and peaceful family home. #InteriorDesign #ChadGraci #NewTraditionalism #HomeDecor #AntiquesIntegration #ColorPalette #LocalArtisans #MetairieHome #FamilyLiving