Traditional Czechoslovakian glassmakers handcraft these multifaceted glass crystal light fixtures

Lasvit, a Prague-based manufacturer, continues a rich tradition of Czech glassmaking, creating bespoke lighting and sculptural installations that are both luxurious and awe-inspiring. Founded in 2007 by Leon Jakimič, the company distinguishes itself by collaborating with a diverse array of in-house and external designers, including renowned artists like Nendo, Ross Lovegrove, and Daniel Libeskind, whose works are celebrated in museums worldwide. This approach has earned Lasvit accolades, such as the Harper’s Bazaar 2015 Best Lighting Brand award. Among their standout creations is Petra Krausova’s "Supernova," which received first prize for its innovative design. This undulating light sculpture consists of hundreds of individual glass pieces connected by wires to a complex system of motors. These motors allow the sculpture to transition into infinite forms, with each glass 'tile' capable of being raised, lowered, and tilted through gesture control. While envisioned for large public spaces, the artistic merit and technological sophistication of the Supernova highlight Lasvit's commitment to pushing the boundaries of lighting design. For those seeking more modest, yet equally distinctive, lighting options, Lasvit offers pieces like "Bonbon." This pendant light, shaped like a wrapped candy, features a crimped paper-like top and an internal lamp that resembles a hard candy, priced at approximately $1,990. Another notable collection is "Crystal Rock," a family of pendants that blend modern aesthetics with a raw, geological feel. These glowing, hand-cut faceted shapes come in various colors—amber, blue, clear, opal, and red—with a laminated interior surface designed to maximize sparkle. Crystal Rock is available in single, triple, and quintuple configurations, with pricing available upon request. The "Neverending Glory" series, designed by Jan Plecháč & Henry Wielgus, reimagines chandeliers from iconic global venues such as Milan’s La Scala, Paris’ Palais Garnier, and New York’s Metropolitan Opera. The designers aimed to capture the blurred, dynamic forms these chandeliers would take if spinning rapidly, creating a unique fusion of classic elegance and contemporary motion. The collection includes various models, such as the La Scala version, and is available in opal and clear glass, each priced around $2,380. Concluding with a high-end example, "Twill," by Taťána Dvořáková, showcases a fabric of woven crystals that can be customized into nearly any shape or design. Featured at Harrods, this installation integrates pinhole LED lights above the crystal fabric, producing a dazzling, organic ceiling that creates a sophisticated ambiance. Given its bespoke nature, the pricing for Twill is reflective of its custom craftsmanship and luxurious appeal. Lasvit's products are not widely available in all locations, with showrooms primarily found in eastern and western coastal states of the USA, including New York, Los Angeles, Miami, and Washington D.C. The closest showroom to Dallas, for example, is Luminaire in Chicago. Beyond individual pieces, Lasvit also specializes in large-scale bespoke installations for hotels, offices, and public spaces, transforming environments with their innovative glass and lighting artistry. The company's work, often encountered unknowingly, consistently leaves a lasting impression due to its beauty and ingenuity. #LasvitLighting #CzechGlassmaking #LuxuryLighting #BespokeDesign #SculpturalInstallations #HomeDecoration #InteriorDesign #LightingInnovation #ArtisticGlass

The Flora lighting series, a collaboration between French-American designer Sophie Lou Jacobsen and Brooklyn-based studio In Common With, showcases a blend of distinct aesthetic viewpoints. This 20-piece collection, comprising glass light fixtures, chandeliers, table lamps, and sconces, integrates Jacobsen's characteristic glass objects with the minimalist approach of In Common With co-founders Felicia Hung and Nick Ozemba. The design process for Flora was deeply influenced by traditional Venetian glassmaking techniques, employing methods such as handblown, mold-blown, and slumped-glass. These historical techniques provide a foundation for the contemporary designs, ensuring a rich texture and form throughout the series. A notable aspect of the Flora collection is the incorporation of playful elements, such as applied geometric dots and fins, which add a modern and whimsical touch to the classic glass forms. The color palette further enhances the collection's appeal, featuring sophisticated pastels alongside vibrant, rich hues like Tobacco and Poppy Red. This diverse range of colors allows the fixtures to complement various interior design schemes, from subtle and elegant to bold and expressive. Each piece in the Flora series reflects a careful balance between artistic expression and functional design, demonstrating how traditional craftsmanship can be reinterpreted for contemporary spaces. One of the standout pieces in the collection is Fazzo, which draws its name and technique from the 2nd-century process of fazzoletto, an Italian word meaning handkerchief. This method involves allowing gravity to pull spinning molten glass downward, creating a uniquely flirty and organic shade. This technique not only highlights the material's fluidity but also showcases the designers' commitment to exploring historical glassmaking processes to achieve distinctive and innovative forms. The Fazzo fixture exemplifies the series' overarching theme of integrating historical depth with modern design sensibilities. The collaboration between Jacobsen and In Common With represents a successful merging of different creative voices, resulting in a cohesive yet varied collection. The designers' ability to synthesize their individual styles and technical expertise has led to the creation of lighting fixtures that are both aesthetically pleasing and technically sophisticated. The Flora series, therefore, serves as a testament to the power of collaborative design, where shared vision and respect for traditional methods lead to innovative and beautiful products for the modern home. Overall, the Flora collection by Sophie Lou Jacobsen and In Common With is a significant contribution to contemporary lighting design, offering pieces that are rooted in tradition yet forward-looking. The use of Venetian glassmaking techniques, combined with a modern aesthetic and a thoughtful application of color and form, makes these fixtures versatile and distinctive. They are designed not only to illuminate spaces but also to serve as artistic focal points, enriching the interior environment with their unique character and craftsmanship. The series embodies a new language in lighting, where history and innovation converge. #GlassLightFixtures #VenetianGlassmaking #SophieLouJacobsen #InCommonWith #LightingDesign #InteriorLighting #GlassArt #ContemporaryDesign #HomeDecoration

New York-based design studio Trueing has unveiled its latest lighting collection, Cerine, at this year's NYCxDesign festival. The collection, which includes two pendants, a floor lamp, and a sconce, features bold, hand-formed chain links made from thick borosilicate glass in a variety of vibrant colors. The Brooklyn studio, co-founded by Aiden Bowman and Josh Metersky, aimed to offer an "interesting spin on the familiar" by reinterpreting traditional chain motifs found in jewelry, industrial settings, and architectural ornamentation. The design draws inspiration from diverse sources, such as delicate golden chain necklaces, robust metal chains seen in shipyards, and the decorative elements on Beaux-Arts building facades. Metersky explains that while chain is a common element in traditional lighting design, Trueing sought to create a fresh interpretation, making the chain itself the focal point rather than merely a functional component. Each individual chain link is precisely seven centimeters wide and twelve centimeters tall, and can be customized in seven opaque or transparent color options to suit various bespoke arrangements. Beyond their aesthetic contribution, the glass chains play a crucial role in the structural integrity of the lights, allowing them to be positioned and held in place. The metal finishes accompanying the glass elements are available in brushed brass, satin or polished nickel, and oil-rubbed bronze, providing a range of complementary material options. Metersky highlights the unique character of the hand-made links, noting that their individual imperfections contribute to a cohesive and natural overall appearance. The Cerine series showcases different applications of these distinctive chains to support mouth-blown glass bulbs. One pendant design uses two hooks to suspend the fixture from the ceiling, creating a significant, inverse-arch-like droop. The sconce variant incorporates three glass links that dangle from a metal arm, which in turn holds the light bulb. The floor lamp design features nine stacked pieces of Carrara marble forming its base, with five pastel pink glass links suspended from an arched arm that supports the glass orb. The glass orb itself can be specified in classic white opaline or a selection of custom colors. Trueing launched the Cerine collection through a partnership with Pas De Calais, a Japanese clothing store situated in Manhattan's Soho district. This collaboration was deemed a natural fit due to the shared design sensibilities between Trueing and the fashion label, both prioritizing purity, nostalgia, and a refined, elemental approach to traditional forms. Bowman emphasized that the collection's essence—recalling traditional design pieces rendered in a reductive manner—aligns perfectly with Pas De Calais's ethos and aesthetic. The Cerine exhibition at 482 Broome Street was open until the end of May, coinciding with NYCxDesign 2019, which ran from May 10th to 22nd. This marks Trueing's second collection, following their debut range launched in January at The Future Perfect in Manhattan. The NYCxDesign festival also featured other notable exhibits, including Workstead and Calico Wallpaper's designs showcased at New York's Arcade Bakery, and an immersive lighting installation by Snarkitecture. Photography for the Cerine collection was provided by Lauren Coleman, with additional images by Alan Tansey for the installation at Pas De Calais. #LightingDesign #GlassChains #NYCxDesign #ProductDesign #InteriorDesign #TrueingStudio #HandFormedGlass #DesignExhibition #CerineCollection

This article explores four iconic glassware traditions from different parts of the world, highlighting their historical significance, unique characteristics, and contemporary interpretations suitable for modern homes. It encourages readers to consider glassware as a meaningful souvenir or a way to bring global design into their living spaces, even without international travel. The first tradition examined is Moroccan Beldi Glass, deeply rooted in Moroccan hospitality. Traditionally made from recycled materials like beer or wine bottles, Beldi glass is recognized by its small, conical shape and often a distinct grass-green hue. The article mentions both gilded examples and the classic green, which has been produced with similar techniques since the 1940s. For those unable to visit Marrakech, modern interpretations include Kickie Chudikova’s Danube Carafe with a matching cup that echoes Beldi shapes, and Verve Culture’s set, which utilizes recycled Heineken bottles to achieve the traditional green. Next, the article delves into Murano Glass, a Venetian tradition dating back to the tenth century. Early Murano artisans were relocated to islands to prevent fire hazards from glass-making ovens, and for centuries, their techniques were closely guarded secrets. Initially prized for its clarity, known as _cristallo_, Murano glass evolved to incorporate vibrant, saturated colors. Key characteristics of Murano glass include millefiori, where colored glass rods form flower-like patterns, and latticinio, which involves adding opaque, often white, glass to create intricate designs. Contemporary pieces inspired by Murano include Kiki Goti’s humorous Irini vase, which resembles a person with hands on hips, and Carl Hansen & Søn’s Bora glass, a wobbly drinking vessel with cheerful stripes. The third tradition discussed is Liuli Glass from China. _Liuli_ refers to decorative glass art, with Chinese glassmaking history tracing back to the fifth century BCE, possibly introduced from Mesopotamia. Historically, glass in China was a luxury reserved for the elite, who collected various ornate items. After a period of decline following the Han Dynasty’s foreign imports, glasswork saw a resurgence. Modern Liuli is often crafted using _pâte de verre_, or lost-wax casting, a meticulous process where molten glass is poured into a wax mold, allowing for exceptionally detailed forms. Contemporary designs reflecting this style include Sophie Lou Jacobsen’s Giardino Segreto candlesticks, known for their whimsical quality. For a more traditional approach, the article points to Liuli, a company founded in Taiwan in 1987, highlighting their amber-hued candleholder as an example of discerning taste. Finally, the article explores Czech Crystal, originating from Bohemia in the sixth century CE. Slavic artisans introduced a new glass-making process, discovering that adding potash and chalk to the mixture resulted in a clear, stronger glass. This allowed for intricate cuts and decorations, becoming the hallmark of Bohemian crystal. Due to its exclusivity and beauty, Czech crystal became highly sought after by European aristocrats, adorning their palaces with stemware, vessels, and chandeliers. Modern interpretations continue this legacy of luster, with examples like Lalique’s Caldera vase, featuring finely wrought etching, and Moser’s blue-tinted Irises vase with its delicate floral design, both of which would complement both historical and contemporary settings. #GlasswareTraditions #MoroccanBeldiGlass #MuranoGlass #LiuliGlass #CzechCrystal #HomeDecor #GlobalDesign #ModernInterpretations #ArtisanCrafts

This article highlights various innovative design pieces from global makers, showcasing a blend of traditional craftsmanship and contemporary materials. The featured designers and studios, hailing from locations such as Brooklyn, Copenhagen, and Ukraine, emphasize unique artistic visions and sustainable practices in their creations. Each piece is a testament to meticulous design and material exploration, ranging from intricate glass sculptures to furniture made from reclaimed materials. The article begins by introducing Reevein Studios, specifically Sara Rosa Oppermann and Alice Soro Cilliara, who create mouth-blown glass sculptures. Their 'Spora' sculpture, available in amber and electric blue, demonstrates the artistic manipulation of glass into fluid forms. Following this, Djivan Schapira's 'Divergent' foyer and low tables are presented, characterized by resin inlaid with bronze wire, offering a modern aesthetic with intricate detailing. Kateryna Sokolova's 'Flock' chair for Noom, featuring an upholstered injection-molded soft-foam body and stained-ash feet, illustrates a combination of comfort and sculptural form. Faina's Victoria Yakusha contributes the 'Sontsehryv' sculpture, which stands out for its sustainable composition. This piece is crafted from Ztista, a proprietary blend of cellulose, clay, flax fiber, wood chips, and biopolymer, reflecting a commitment to eco-conscious design. Streicher Goods, led by Ethan Streicher, showcases a collection of lamps—Archie, Ping Pong, and Drum—fabricated using various stoneware clays, underglazes, mid-range glazes, and sometimes blown glass or 3D-printing processes. These lamps explore diverse material combinations and manufacturing techniques. Mansi Shah of Manu Nanu presents an interlocking vase made of hand-blown borosilicate glass in amber and cobalt-blue, demonstrating a sophisticated approach to color and form in glasswork. Nathan Litera's side table combines natural rope and grand antique marble, offering a textural and material contrast that evokes both rustic and luxurious sensibilities. Astraeus Clarke, by Chelsie and Jacob Starley, features the 'Lenox Small' three-globe light, available in wall sconce and chandelier formats, constructed from powder-coated steel, brass, and glass, indicating a versatile lighting solution. Eduardo Rivas of ERM Studio contributes the 'Materia Digital' cast-aluminum coffee table with a glass top, showcasing a blend of industrial materials with a refined finish. Kiki Goti's 'Belted and Buttoned Up' wall lights, made from aluminum, polished nickel, and steel, exemplify a contemporary and structured lighting design. Feyza Kemahlioglu of Feyz Studio, through Wexler Gallery, introduces the 'Glowing Sentiments' lighting collection, which incorporates hand-blown Murrine glass, brass chain, and Meerschaum, a hand-carved clay mineral, highlighting intricate details and unique material sourcing. Ciara Jade Dockery’s 'Creature Comforts' collection includes a Flokati wool pouf, a Mohair bench crafted from vintage rugs, and a Ply occasional table made of FSC-certified plywood. These pieces emphasize comfort, sustainability, and the repurposing of materials. Matt McKay presents the 'Jib' shearling and lacquer stool, the 'Ahoo' cashmere-upholstered lounge chair, and the 'Cap' resin and lacquer coffee table, all demonstrating a focus on tactile luxury and modern forms. Finally, Michelle McLaughlin of Calyer Ceramics features the 'Sprig' floor lamp, which features a ceramic stoneware base with a handmade glaze and a linen shade, showcasing a handcrafted approach to lighting. #MaterialInnovation #ProductDesign #SustainableDesign #Handcrafted #Ceramics #GlassArt #FurnitureDesign #LightingDesign #InteriorDecor

Architects Serene Kim and Elliot Meier, recognizing a common challenge in the design world, have launched Equal Equal, a new lighting studio dedicated to creating functional yet aesthetically pleasing light fixtures. The ongoing joke among architects and interior designers highlights the common issue where a visually striking light fixture often fails to adequately illuminate a room. Kim and Meier, having consistently encountered this problem on various projects, began custom-designing fixtures to bridge this gap between form and function. Their accumulated experience over a decade in crafting bespoke lighting solutions for projects ultimately led to the official launch of Equal Equal in May. The studio's name, Equal Equal, draws inspiration from the architectural symbol for equidistant length, 'EQ', reflecting their commitment to precise and balanced design. The company offers made-to-order pieces directly to consumers, encapsulating the architects' meticulous approach to design. Equal Equal's initial offerings include two distinct collections: the Frankie and the Vianne. The Frankie collection features classic ceramic lights, meticulously pressed and glazed in their New York City studio. These lights are highly customizable, available in an extensive palette of 18 color and glaze combinations. Expanding on the Frankie collection, the Sena light incorporates a hand-blown glass shade atop a Frankie light base, allowing for playful and unique color pairings that enhance the visual appeal. The Vianne collection introduces the Jessica pendant, a design that pays homage to the vibrant glasswork prevalent in 1920s French collectives, known for their bold colors and distinctive shapes. The glass components for the Jessica pendant are custom-produced at Brooklyn's KEEP studio, ensuring unique craftsmanship. Kim and Meier then personally assemble these pieces, integrating them with warm, contemporary hardware to create a harmonious blend of vintage inspiration and modern sensibility. The Jessica pendant is designed for versatility, capable of enhancing diverse spaces, from a dining area with a wooden table to a bathroom featuring tiled walls. Meier humorously likens the fixture's role to an award-winning supporting actor in a film, emphasizing its crucial yet complementary function. Despite the potentially bold color combinations, such as a pink-and-yellow sconce in a white-walled hallway, Kim and Meier encourage clients to embrace an open-minded approach to design. Kim articulates their philosophy, stating their goal is to demonstrate that color accents do not need to be overtly loud to create a significant impact. They believe that often, the most unexpected color combinations can result in the most harmonious and visually appealing outcomes, challenging traditional notions of color application in interior lighting. #LightingDesign #ArchitecturalLighting #CeramicLighting #GlassArt #HomeDecor #CustomLighting #InteriorDesign #ProductLaunch

This compilation from Dezeen Showroom showcases nine distinct lighting designs, featuring contributions from various international brands and studios. The selection highlights innovative approaches to materials, modularity, and aesthetic inspiration in contemporary lighting. Among the featured items are the Couro pendant lights, a collaboration between Spanish designer Ceci Ferrero and decor brand Let's Pause. These pendants are notable for their shades, which are crafted from dried fronds of American palm trees. The natural origin of the material gives them a deep brown hue, and their structure is supported by an internal aluminum frame, emphasizing sustainable and organic design elements. The Dune light by German brand Moss is another modular statement piece inspired by the shifting forms of sand dunes. Constructed from lightweight aluminum, its components are linked by slim connectors, enabling the creation of diverse custom shapes. This design focuses on adaptability and a minimalist aesthetic that can be tailored to various interior spaces. Curiousa, a British lighting design company, presents its Wave II pendant lighting collection. This series is an evolution of their signature modular lamp, incorporating hand-blown glass segments in candy-colored palettes. The Wave II collection allows for customization through combinations of transparent and translucent components, along with metal, wooden discs, and decorative tassels, offering a playful and bespoke lighting solution. Voltra introduces the Hemera lamp, a trio of table lamps that draw inspiration from ancient Greek mythological narratives. These lamps are distinguished by their glass shades, which consist of two concentric glazed domes. The outer dome is clear, while the inner one is grey, creating a subtle and refined light diffusion that alludes to classical elegance. From a collaboration between Swedish design duo Front and Zero Lighting comes the Curve Cluster chandelier. This collection of pendant lamps features a branching, tree-like frame and is available with various bulb options and colorways. It is designed to be displayed either individually or in clusters, providing versatile illumination for different settings. Brand van Egmond, a Dutch lighting company, developed the Bubbles lighting collection, chandeliers that emulate the effervescent appearance of bubbles. The pieces integrate hidden lighting elements within some of the glass bubble forms, producing a soft, glowing effect that adds a whimsical touch to any environment. Sarah Dehandschutter's LLLL.08 lamp for her brand LLLL is characterized by its distinctive wave-like form, achieved through the contrasting use of materials. The lamp features an aluminum frame with polyester fabric stretched across it, concealing LED strip lighting that emits a warm glow across the material, highlighting its sculptural qualities. Benjamin Hopf, a German designer, created the Mirror lighting collection for Formagenda. These slimline pendant lights are suspended by fine wires and function dually as mirrors. Available in three colorways and three sizes, they can be arranged in groups or as standalone pieces, adding both light and reflective surfaces to a space. Finally, Australian designer Tom Fereday partnered with Rakumba to produce the Port lighting collection. This series of blocky mood lights includes a slimline metal base and a smooth glass block. The Port lighting, offered as table and wall lights in lozenge-shaped or round formats, incorporates an internal stepped glass inclusion that can be flipped to alter light refraction, demonstrating thoughtful consideration for light interaction and ambiance. #LightingDesign #PendantLights #TableLamps #ModularDesign #InteriorLighting #DesignInnovation #SustainableMaterials #HandBlownGlass #ContemporaryLighting

The Bocci 118 Pendant Light showcases a design philosophy where the creation process itself is integral to the aesthetic outcome. Designer and Bocci co-founder Omer Arbel developed this lighting fixture through extensive research into fabrication methods that yield unique forms. The 118 Pendant Light features opal glass globes, each containing numerous small, feather-like details and intricacies that become more pronounced when illuminated from within. Each 118 globe is produced using a consistent method: molten glass is blown through a steel cage. However, the final result of every piece is distinct, influenced by a range of uncontrollable factors. These factors include environmental conditions such as the weather outside the workshop, the individual mood and technique of the glassblower, and the precise chemical composition of the glass used. This interplay of controlled process and unpredictable elements ensures that no two 118 pendant lights are exactly alike, making each one a unique work of art. The manufacturing technique involves pushing molten glass into the recesses of the steel cage by blowing air into the glass's core. As the glass expands within the cage, gravity and heat interact to shape and elongate the unique tendrils and forms visible within the globe. This physical interaction between the molten glass and the steel structure is what imprints the distinctive patterns and textures onto the finished product. The visible signs of the steel cage on the glass surface are not imperfections but rather intrinsic marks of the design process, highlighting the forces that shaped the light. After the glass has been shaped and allowed to cool, the steel cage is carefully sheared off. The cage is then cleaned and prepared for reuse in the creation of subsequent 118 globes. This sustainable approach to the tooling allows for continuous production while maintaining the inherent uniqueness of each piece. The contrast between the rigid, industrial steel cage and the fluid, organic glass form is central to the design narrative of the 118 Pendant Light. The Bocci 118 Pendant Light is more than just a source of illumination; it is a testament to the beauty found in process and imperfection. The ethereal quality of the glass spheres, combined with the visible traces of their formation, offers a compelling visual experience. The lighting fixture serves as a conversation starter, drawing attention to the craftsmanship and the nuanced story behind its creation, and offering a sophisticated addition to any interior space seeking both functionality and artistic expression. #Bocci #PendantLight #LightingDesign #GlassArt #OmerArbel #ProductDesign #HomeFurnishings #InteriorDesign #ArtisanCraftsmanship

In an era increasingly defined by mass production, handmade lighting stands as a significant testament to the enduring value of craftsmanship. Each piece, shaped by human hands, emits a unique warmth, instilling a sense of individuality within a room. The materials used, ranging from the smooth finish of hand-turned wood to the complex designs of handwoven rattan, echo a rich history of artisanal traditions that have been preserved and passed down through generations. These lamps are not merely sources of illumination; they embody history, culture, and artistic expression. The article highlights nine distinct lamps, each showcasing unique qualities and craftsmanship. The first, the Atelier MVM Ceramic Polychrome Marbled Shroom Lamp, features an idiosyncratic glazing technique and mystical color palette, playfully exploring the form of a mushroom. Next, the Ben and Aja Blanc Table Lamp No. 10 is distinguished by its unexpected incorporation of horsehair and silver threads, elevating a modern, organic design. The Danny Kaplan Griffin Lamp, hand-thrown in stoneware, blends ancient ceramic methods with contemporary aesthetics, and is offered with a Vellum shade and customization options. Following these, the In Common With Gemma Table Lamp, Small, designed in collaboration with Sophie Lou Jacobsen, exhibits marble-like dots, a nod to centuries-old glass adornment techniques. The Shayd Table Lamp, crafted from a single sheet of clay, is noted for its gracefully folded shade, which reflects the precision and artistry of Japanese origami. James Cherry's Juno Table Lamp blurs the lines between lighting and sculpture, utilizing recycled materials to create its distinctive and original form. Further examples include the Kawabi Souvenir Lamp, where designers Irisa and Aaron Kawabi draw upon their diaspora heritage to inform a piece that symbolizes a spiritual gateway. The Jessica Stambaugh Hand-Turned Wooden Lamp showcases the American craft tradition of wood turning, with Stambaugh sculpting classical forms anew. Finally, the Soane Rattan Turkic Lamp, a popular choice among decorators, reinterprets a 13th-century Islamic jar shape using rattan, fostering a dedicated following. While these lamps come with higher price points than mass-produced alternatives, they are presented as collectible items, akin to functional, three-dimensional art. Embracing such handcrafted lighting celebrates established craft traditions while contributing to a future characterized by authentic and original design. #HandmadeLamps #ArtisanalLighting #HomeDecor #InteriorDesign #Craftsmanship #UniqueLamps #LightingDesign #HomeAccessories #FunctionalArt

The "Vegas" lighting collection, a collaboration between Italian artisanal manufacturer MASIERO and industrial designer Marc Sadler, reinterprets iconic glass and metal Art Deco lights. This collection aims for a luxurious and high-end aesthetic, blending contemporary design with a timeless quality, inspired by the bold and flamboyant energy of Las Vegas. The partnership brings together MASIERO's in-house artisanal manufacturing capabilities in northern Italy and Marc Sadler's extensive experience and technical design prowess, recognized by multiple international design awards including the Compasso d’Oro ADI. Sadler, known for pioneering innovative uses of materials, has a diverse background, having worked across Europe, Asia, and North America, with his designs featured in permanent collections at the MOMA in New York and the Beaubourg in Paris. The Vegas collection is characterized by its meticulous combination of glass and metal. Transparent glass strips are precisely positioned around a metal structure, held in place by invisible eyelets and an ultraviolet gluing process, eliminating the need for visible screws or drilling. The bases, stems, and internal structures are crafted from metal, beautifully gilded in champagne gold leaf, though other metal finishes are available to meet customer preferences. Illumination is provided by dimmable LED strip lights, integrated along the frame and protected by plexiglass for easy cleaning. The aesthetic of the Vegas collection is opulent and refined, achieving a classical feel through the use of soft gold and clear, textured glass. The glass strips evoke both ice and precious jewels when illuminated, contributing to a sculptural quality where they appear delicately suspended. The inner metal structure provides a clean geometric form, and when viewed through the glass, it creates a rippled gold effect, adding depth, particularly striking in the curved vertical wall lights. Each glass strip is unique, featuring a ‘rock’ effect created by a special heat process that deliberately deforms thick glass pieces, incorporating trapped air bubbles. This technique imparts an "emotional allure" reminiscent of the work of master glass artisans. The collection offers an extensive range of individual pieces, unified by consistent materiality and the repeated use of curved glass strips nestled over a gold band. Pendant styles include single lights from 12cm to 60cm in diameter, as well as circular clusters of three or five lights, with the largest cluster measuring 80cm. Rectangular alignments of pendant lights are available with three, five, or seven drops, and variations with multiple vertical tiers exist, including a tall piece at 175cm in height with a 27cm diameter. For larger surfaces like dining tables or billiard rooms, there are sweeping oval shapes with vertical glass strips and long tubular forms that run horizontally, echoing the tiered drops. The collection also comprises curved vertical wall lights and ceiling variations, along with an oval table lamp. This broad array of refined shapes, resulting from dedicated experimentation and adherence to the design concept, makes the Vegas collection highly versatile for both commercial and residential applications. Its dramatic and sculptural presence is designed to be a focal point in any space, offering a refined flair. #LightingDesign #LuxuryLighting #ArtDecoInfluence #GlassAndMetal #ArtisanalCraftsmanship #ContemporaryClassic #MarcSadler #Masiero #InteriorDesign

The article explores the top 10 lighting trends predicted to shape interior design in 2025, emphasizing a blend of style, sustainability, functionality, and aesthetic appeal. These trends offer diverse options for illuminating spaces, catering to various tastes and design philosophies. Vintage-style lighting is set to be a major trend, valued for its timeless character, craftsmanship, and inherent sustainability. This approach incorporates classic pieces such as ornate chandeliers, retro pendants, and mid-century modern table lamps, all designed for longevity and to infuse spaces with a sense of history and individuality. Experts note that vintage lighting acts as both a functional item and an artistic focal point, rooted in traditional values of quality and originality, aligning with the growing preference for eclectic design. Smoked glass emerges as another significant trend, offering versatility and visual impact through its large-scale pendant lighting and statement pieces. The grey tint of smoked glass provides a soft, diffused light, contributing a touch of glamour and moody elegance to interiors. Its timeless appeal is highlighted as a wise, long-term investment for any home, ensuring it remains stylish without succumbing to fleeting fads. Biophilic lighting, a trend centered on reconnecting indoor spaces with nature, aims to reduce stress and enhance wellbeing. This style integrates organic shapes and natural tones, utilizing materials like rattan, wood, bamboo, and recycled glass to introduce warmth and texture. The goal is to create harmonious, calming, and restorative environments by mirroring natural light and incorporating natural elements, making it suitable for all areas, particularly home offices. Copper makes a comeback in 2025 as the preferred metal for lighting design due to its warm, rich, and inviting qualities. Its adaptability allows it to complement both bold and neutral color palettes, adding a sense of coziness and luxury. Copper’s durability also supports the shift towards more sustainable design practices, appearing in various forms from floor lamps to ceiling fixtures and even smaller accents like plug sockets. Mixed metals represent a modern twist, encouraging the combination of different metallic finishes such as brass with nickel, or bronze with brushed chrome. This trend adds visual depth and flexibility to lighting schemes, with a noticeable increase in demand for bronze, silvered tones, and both brushed and polished chrome finishes. The layering of different metals creates a dynamic and sophisticated look. Layered lighting is presented as essential for creating flexible, mood-driven interiors. Moving beyond single ceiling pendants, this approach involves combining multiple light sources—table lamps, floor lamps, wall sconces, and dimmable overhead lighting—to transform a space’s atmosphere and functionality throughout the day. This technique is crucial for influencing both the aesthetic and the wellbeing of occupants. The 'soft industrial' aesthetic merges the raw, edgy elements of industrial design with a warm and inviting feel. This trend features exposed metals, matte finishes, and natural materials, but with gentler silhouettes and a sleek sophistication. It allows industrial lighting styles to integrate seamlessly into modern homes, balancing function and form without appearing overly harsh. Playful and artful lighting continues to be a strong trend, with vibrant-colored and patterned lampshades taking center stage. These lampshades are not merely functional but serve as artistic statements, allowing for the injection of personality into interiors. Changing lampshades seasonally is suggested as an affordable method to refresh a color scheme without extensive redecoration, positioning lighting as 'jewelry for the home'. Curved and wavy shapes are dominating lighting designs, offering a way to introduce softness and movement into angular interiors. This style, characterized by scalloped designs, waves, and fluid curves, aims for elegance, sophistication, and whimsy. It is ideal for creating cozy, intimate areas or standout focal points in various rooms, balancing the rigidity of modern spaces. Finally, the natural look emphasizes a growing demand for organic materials like rattan, bamboo, and reclaimed wood in lighting designs. This trend brings warmth, texture, and a contemporary feel, contributing to effortlessly inviting rooms. The lightweight nature of these materials allows for experimental layouts, and their eco-conscious appeal aligns with current mindful aesthetic preferences. #LightingTrends #InteriorDesign #HomeDecor #VintageLighting #SmokedGlass #BiophilicDesign #CopperAccents #MixedMetals #LayeredLighting #SoftIndustrial #PlayfulLighting #CurvedShapes #NaturalMaterials

The Prisma Lighting Series, created by Lucie Koldova, artistic director of Brokis, draws inspiration from Brutalist architecture, a design movement often associated with large-scale, raw concrete buildings. Koldova's approach reinterprets this style for smaller, interior objects, specifically lighting fixtures. The collection is characterized by its inherent strength and structural qualities, reflecting the foundational principles of Brutalism. The name "Prisma" directly refers to the decagonal metal prism structure that forms the core of each lighting piece. This geometric form is crucial to the design, as it interacts with light in a dynamic way, creating varied reflections depending on the observer's viewing angle. The angular, robust nature of the metal prism contrasts with the softer elements of the design, creating a balanced aesthetic. Complementing the metal prism, each end of the fixture features a handblown glass sphere. These glass spheres are responsible for emitting light and are designed to illuminate unexpected shapes and patterns from within, adding an artistic and intricate dimension to the otherwise straightforward Brutalist inspiration. The combination of industrial-grade metal and delicate handblown glass highlights a thoughtful interplay of materials and textures. The Prisma series offers versatility in its application, being available as both a pendant light and a table lamp. This dual offering allows the lights to be integrated into various interior settings, serving different functional and aesthetic needs. The collection also comes in three distinct finishes: brushed steel, galvanized yellow zinc gloss, and galvanized yellow zinc matte. These finish options provide designers and homeowners with choices to match different interior palettes and desired visual effects, from a sleek, modern look to a more industrial or rustic feel. When incorporated into an interior space, the Prisma lighting series aims to introduce an industrial and architectural element. The strong lines and geometric forms of the lights contribute to a sense of structure and modernity within a room. Despite this emphasis on form and material strength, the design simultaneously prioritizes the creation of a soft and inviting ambiance. The interaction of light with the prism and glass spheres is engineered to produce a gentle, diffused glow, ensuring that the lights enhance the atmosphere rather than overpowering it. This balance between raw industrialism and gentle illumination is a hallmark of the Prisma series, making it a distinctive addition to contemporary home furnishings. #PrismaLighting #BrutalistArchitecture #LucieKoldova #Brokis #GeometricDesign #HandblownGlass #InteriorLighting #IndustrialDesign #HomeFurnishings

D’Lightus, founded by French duo Sandrine Farges and Jean Khelifi-Duprat, specializes in mid-century modern European designer lighting, decor, and jewelry. The company originated from their shared passion to bring beautiful, high-end European lighting to the United States. Sandrine and Jean moved from France to Los Angeles in 2000, bringing with them a curated selection of lighting pieces, which they initially sold to prominent mid-century and antique stores in Los Angeles and New York. Their unique offerings quickly attracted a celebrity clientele from the film and music industries, many of whom remain loyal customers today. While discreet about naming individuals, the company’s success led them to expand their physical presence, opening showrooms in New York, West Palm Beach, Houston, Dallas, and Boston. Currently, D’Lightus operates showrooms in Dallas and Boston, and has significantly broadened its reach through various online platforms, including dlightus.com, 1stdibs, Incollect, Decaso, and Pamono. This multi-channel approach allows them to serve a wide range of clients across major U.S. cities, including interior designers in San Francisco, New York, Chicago, and Palm Beach, in addition to their established markets. The Dallas showroom, in particular, has seen a growing clientele over the past few years. Sandrine and Jean are dedicated to continuously sourcing new and unique items, ensuring fresh inventory is added to their online stores weekly and shipped to their Dallas showroom monthly. All vintage lighting pieces are professionally rewired to meet U.S. standards, and worldwide shipping is available. D’Lightus plans to further expand its physical presence with a new showroom in Houston by the end of the next year. Previously, they maintained a popular double showroom within Antiques of River Oaks for five to six years until the store closed due to its owners' retirement. The company caters to both direct consumers and interior designers, offering special trade discounts. A core philosophy for D’Lightus is to maintain accessible pricing, as Sandrine emphasizes their desire for client satisfaction and happiness. The company’s primary focus since its inception has been on sourcing exceptional Murano glass pieces, particularly from the 1920s to the 1980s, a period they consider the most creative and sophisticated for lighting design. During visits to Murano, the founders discovered opportunities to acquire vintage stocks directly from factories, allowing them to consistently offer distinct and personality-filled glass and lighting fixtures. They value noble materials and sophisticated handwork, drawing endless inspiration from Murano glass while also appreciating marble, brass, and chrome. D’Lightus features lighting from renowned French and Italian designers such as Mazzega, Venini, Stilnovo, Barovier & Toso, Fontana Arte, La Murrina, Vistosi, Maison Bagues, and Maison Charles. In addition to lighting, their collection includes select Italian designer furniture from the 1960s, mirrors, vases, and other European decor items, alongside a unique line of contemporary Murano glass jewelry by artist Paola B. The founders prioritize timelessness in their selections, seeking pieces that can seamlessly integrate into various interior styles, from contemporary to neoclassical. Their selection criteria emphasize quality, excellent condition, authenticity, style, and a balance of simplicity and sophistication. Sandrine notes a prevailing trend in France, now emerging in the U.S., of mixing mid-century design with other styles. She finds this trend satisfying, believing that such stylistic integration creates the most beautiful and interesting interiors. When contemporary armchairs are paired with vintage mid-century Murano chandeliers, for example, each piece gains individuality and can be appreciated as a work of art, enhancing the overall value of the space. #EuropeanLighting #MidCenturyModern #MuranoGlass #InteriorDesign #DallasDesign #HomeDecor #LuxuryLighting #VintageLighting #DesignShowroom

The article explores seven prominent lighting trends predicted to define interior design in 2025 and beyond, emphasizing that lighting should be a primary consideration in decorating, rather than an afterthought. Renee Killian-Dawson, founder of Killian-Dawson, highlights a growing emphasis on individuality, color, and pattern in lighting design. These trends are moving away from purely functional illumination towards more artistic and expressive fixtures. One significant trend is the rise of artful glass in lighting. Showcased at events like Milan Design Week and High Point Market, glass fixtures are becoming increasingly colorful, glamorous, and unique, described as dazzling jewelry pieces for a room. Veranda Style Director Rachael Rummel notes innovations such as aged mercury glass from Visual Comfort, colored Murano glass from Wildwood, and smoky ombré glass from Arteriors, all demonstrating special craftsmanship. Another emerging trend is elevated portable lighting. Rechargeable, portable options are gaining popularity, blending playfulness with chic design. Examples include Issey Miyake’s O-Series portable lights, developed in collaboration with Ambientec, and Visual Comfort’s solid glass portable lamp, which illuminates from within a metal base. These fixtures offer flexibility and convenience, allowing for versatile lighting arrangements. Bespoke shades are also making a strong statement. Jo Plant, head of design at Pooky, emphasizes the transformative power of lampshades, noting their ability to instantly change a room's aesthetic. The market is seeing an influx of colorful and playfully patterned shades. Currey & Co. has launched a range of bespoke shades for various fixtures, while Pooky and Killian-Dawson have collaborated on a collection of block print shades in vibrant hues like raspberry, petal, seafoam, and soft blue. Outdoor elegance is extending living spaces to the garden. Plant points out that outdoor areas are increasingly being treated as extensions of indoor rooms, leading to more deliberate lighting choices for maximum utility and style. While rechargeable lamps and solar-powered lanterns have been popular, the trend is shifting towards organic shades and durable fixtures that seamlessly integrate indoor aesthetics with outdoor environments. Many are using basket and fabric lampshades outdoors to personalize these spaces. The use of rattan and other natural materials continues to influence lighting design. While traditional nature-inspired motifs like intricate metalwork remain, there’s a move towards subtle, natural influences in materials and colors. Plant observes a trend for “pared-back” looks featuring soft natural materials such as palm, rattan, or seagrass, creating a calm and neutral palette that complements garden spaces. Cortney Bishop’s new line for Hudson Valley Lighting, featuring abaca and rattan, exemplifies this trend. Midcentury-inspired lighting is also making a comeback, with sculptural shapes that function as art pieces while offering a sense of familiarity. Modern interpretations incorporate organic approaches, dark wood bases, and nature-inspired colors, providing a fresh contemporary feel. Classic pieces like the vintage Arco floor lamp and colorful Louis Poulsen pendants remain timeless. Finally, alabaster lighting fixtures are drawing significant attention. This mineral material offers a soft, ambient glow that pairs well with popular rich browns, burgundies, and blues. Alabaster also introduces an earthy, grounding element to more traditional interiors. #LightingTrends #InteriorDesign #HomeDecor #GlassLighting #PortableLighting #Lampshades #OutdoorLighting #NaturalMaterials #MidcenturyModern #AlabasterLighting

This blog post explores the versatile applications of glass and mirrors in home design, highlighting their ability to enhance aesthetics, create illusions of space, and offer practical solutions. The article showcases various ways these materials can be integrated into different areas of the home, from functional items to decorative accents and architectural features. For instance, glass shelves with brass frames are presented as an alternative to traditional shelving, offering a lighter visual presence and giving the appearance that decorative objects are floating. This design choice contributes to an airy and open feel in a room. Mirrors are shown to be highly adaptable, capable of being incorporated into gallery walls alongside framed artwork, thus adding depth and reflective qualities that can brighten a space. Mirrored bar shelves, particularly those with antiqued finishes, are suggested as stylish and space-saving solutions for smaller areas, bringing a touch of glamour above consoles or buffets. The use of shelf cubes with mirrored backs is also highlighted for displaying collectibles, with the option to group multiple cubes for increased storage and visual impact. Glass extends its utility to dinnerware, with recycled clear glass sets elevating tablescapes with a coastal aesthetic. Decorative mirrors, such as sunburst designs, are featured as effective focal points in any room, reflecting light and adding a finishing touch that draws attention. In bathrooms, individual mirrors are gaining popularity, providing both functionality and ornamental value through their unique shapes. Sunburst mirrors with wood frames, resembling sunflower petals, are also identified as statement pieces suitable for entryways or other prominent areas of a home. The article also delves into custom glass and mirror applications through examples from Birmingham Glass & Mirror and Imagio Glass Design. Antiqued mirror samples demonstrate the potential for bespoke pieces to transform spaces, while custom textured glass backsplashes are shown to create beautiful backdrops for home bars, visually expanding the area. Textured glass doors offer a balance of light filtration and privacy, making them suitable for various interior spaces. Collaborations with cabinetmakers result in unique furniture pieces like colorful mirrored dressers, designed to be conversation starters. Custom antiqued wall mirrors are shown in diverse shapes and sizes, and their strategic placement flanking fireplaces can add glamour while visually enlarging the room. In kitchens, glass backsplashes are presented as a modern and practical choice. Examples include backsplashes that mimic weathered brick or dazzling designs simulating rain with custom color fades, providing a focal point. Solid glass backsplashes can replicate the look of subway tile without grout lines, and others feature designs like white reclaimed barnwood, accented with glass outlet plates. Innovative uses extend to backlit glass shower panels that display custom art scans of oil paintings, creating vibrant visual displays. Kitchen backsplashes with original art, such as one overlooking Traverse Bay, further illustrate the potential for personalization. Glass backsplashes incorporating stacked stone designs and even prayers demonstrate customization capabilities. Even subtle patterns on solid glass backsplashes can contribute to making smaller kitchens appear more spacious due to their seamless appearance. Finally, a corner wall in a kitchen wrapped with solid glass imaged with a high-definition Detroit skyline showcases how glass can create a dramatic, expansive backdrop, emphasizing the transformative power of these materials in interior design. #HomeDesign #InteriorDecoration #GlassElements #MirroredDecor #SpaceEnhancement #CustomGlasswork #KitchenDesign #BathroomDesign

Adriano Rachele's latest collection for SLAMP, named Drusa, draws inspiration from naturally occurring crystal formations that emerge from rocks. This concept is translated into a series of contemporary lighting fixtures designed to mimic the multifaceted appearance and light-play of these geological wonders. The Drusa fixtures are crafted from Lentiflex®, a proprietary material developed by SLAMP, which is then finished with a Velvet print. This combination of material and printing technique is engineered to create a dynamic kaleidoscope effect when light interacts with the numerous surfaces and angles of the fixture. The design principle behind the Drusa collection centers on a central light source within each fixture. This strategic placement ensures that light reaches and reflects off every individual facet and angle in a distinct manner. The result is an illusion of dynamic depth and texture, which changes depending on the viewer's perspective and the ambient lighting conditions. This careful consideration of light interaction aims to create an engaging visual experience, transforming the static fixture into an object that constantly shimmers and shifts with perceived movement. The Drusa collection offers versatility in its application, catering to various interior design needs. It is available in two primary configurations: a suspension version and a ceiling/wall version. The suspension fixtures are designed to hang from above, making them suitable for illuminating specific areas or serving as central decorative elements in a room. The ceiling/wall versions offer a more integrated lighting solution, suitable for general ambient lighting or for creating focal points on vertical surfaces. This dual offering allows designers and homeowners to incorporate the crystal-inspired aesthetic into different spaces and for diverse functional purposes. SLAMP, the manufacturer, is known for its innovative use of technopolymers in lighting design. Lentiflex®, the material utilized in the Drusa collection, is one such technopolymer chosen for its unique light-diffusing properties. The addition of the Velvet print further enhances these properties, creating a soft yet reflective surface that contributes to the overall crystal-like effect. The collaboration with Adriano Rachele, a designer recognized for his sculptural approach to lighting, underscores SLAMP's commitment to combining artistic vision with advanced material science to produce distinctive and functional lighting solutions. Overall, the Drusa collection by Adriano Rachele for SLAMP represents a modern interpretation of a natural phenomenon. By leveraging advanced materials and thoughtful design, the fixtures aim to bring the mesmerizing beauty of crystals into contemporary interior spaces. The collection's various forms and the intricate play of light and shadow are intended to create visually rich and engaging environments, enhancing the aesthetic appeal of any room where they are installed. The fixtures are presented as both functional lighting elements and sculptural pieces of art, embodying a fusion of nature-inspired design and modern manufacturing techniques. #LightingDesign #ModernLighting #HomeFurnishings #CrystalInspired #AdrianoRachele #SLAMPLighting #InteriorDesign #SculpturalLighting

Shakúff, a Brooklyn-based design and manufacturing studio, has unveiled its latest lighting fixture, the Tamar Wand pendant light. This innovative design showcases a tubular shade meticulously enveloped in delicate strings of blown glass, offering a distinctive visual and textural appeal. The creation of the Tamar Wand involves skilled glassblowers who intricately stretch borosilicate glass into thin strands and then artfully swirl them around the exterior of a central glass tube. This specialized technique results in a unique drizzled surface that is designed to capture and refract light, creating a mesmerizing effect. Joseph Sidof, the creative director of Shakúff, expressed his admiration for the glassblowing process itself, describing it as a captivating cycle of blowing, melting, and reshaping. He noted that the name 'Tamar Wand' playfully alludes to the inherent magic and transformative nature of this ancient craft. The Tamar Wand is an evolution of Shakúff's existing Tamar pendant, incorporating modern advancements while retaining its artisanal core. The illumination for the pendant comes from internal LED strips, which are integrated along a stainless-steel rod. This rod serves a dual purpose: it acts as a conductor for the LEDs and aids in their cooling, ensuring optimal performance and longevity. The design philosophy behind the Tamar Wand aimed to bridge traditional craftsmanship with contemporary aesthetics, making it suitable for modern, linear architectural spaces. To further enhance its contemporary feel, the pendant light is accented with brushed brass or chrome detailing. These metallic finishes provide a sophisticated contrast to the organic texture of the blown glass, reinforcing the fixture's appeal in modern interior design schemes. The Tamar Wand represents a harmonious blend of traditional glassblowing artistry and cutting-edge lighting technology, offering an elegant and eye-catching lighting solution for various environments. The product details specify the Tamar Wand as the product name and Shakúff as the brand. This product is featured on Dezeen Showroom, a platform that provides an accessible avenue for brands to introduce new products and display their design achievements to a wide global audience. The article emphasizes that Dezeen Showroom content is an example of partnership content, indicating a collaborative promotional effort. This new lighting piece reflects Shakúff's ongoing commitment to exploring innovative ways to incorporate classic techniques into modern design. #LightingDesign #PendantLight #BlownGlass #BorosilicateGlass #InteriorDesign #ModernLighting #Shakuff #DesignInnovation