Lighting is most important element in design: Egyptian Designer Hisham Mahdy

The article introduces the 'Nest Lamp' by Bored Eye, a design studio founded by industrial product designer Liam de la Bedoyere, as their submission to the Render Weekly challenge. The challenge tasked designers with creating a custom light shade that seamlessly integrates with a provided socket. Bored Eye's innovative approach for the Nest Lamp focuses on accentuating the light's long cables, turning what is typically hidden into a central design feature. This concept was partly inspired by Gantri's ethos and their use of 3D printing in lighting products. The Nest Lamp is designed with a minimalistic aesthetic, appearing as a nest for a large 'egg lamp.' Its body is crafted from a plant polymer, which provides a soft-touch matte finish. This material choice is intended to avoid harsh, unflattering lighting, contributing to a more comfortable and natural illumination. The design philosophy behind the Nest Lamp aims to transform a seemingly messy pile of cables into a relatable and functional art piece, which Bedoyere believes is achievable by most users. Key features of the Nest Lamp include its eclectic warm opal shade, which effectively diffuses light to produce a natural and evenly distributed glow. Furthermore, the lamp boasts an extra-long cord, offering greater flexibility in terms of placement and how users can interact with the lamp within their environment. This extended cord length not only enhances the lamp's functionality but also contributes to its unique visual identity, reinforcing the idea of the cables as an integral part of the design rather than a component to be concealed. The design studio Bored Eye, based in Essex, UK, aims to create conceptual objects that blend function, style, and imagination. Liam de la Bedoyere, the founder, emphasizes crafting products that are far from conventional or 'boring,' focusing on unique solutions to common design challenges. The Nest Lamp exemplifies this by reimagining the functional elements of a light fixture as aesthetic components. This product represents a shift from traditional lamp designs where cables are typically hidden, instead embracing them as a core element that defines the lamp's form and interaction. #LightingDesign #ConceptDesign #InnovationDesign #IndustrialDesign #ProductDesign #SustainableDesign #HomeDecor #MinimalisticDesign

This article showcases a curated selection of innovative lighting designs observed throughout 2023, highlighting how designers continue to push the boundaries of functionality and aesthetics in illumination. The pieces presented demonstrate a wide array of approaches, from minimalist forms to highly sculptural and technologically integrated solutions, reflecting current trends and advancements in the field of lighting design. Among the featured designs is Atelier de Troupe's Kyoto series, sconce lights distinguished by their unexpected use of cast aluminum, offering a unique texture and materiality to a classic lighting fixture. Bernhard Osann's Bird is introduced as an elegant desk lamp that redefines conventional design by eliminating the base, presenting a clean and airy aesthetic. The article also notes an update to the VL 56 pendant lamps, originally designed by Vilhelm Lauritzen in 1956, showcasing how timeless designs can be reinterpreted for contemporary appeal. Yuchao Lin's Macrozone Fan Lamp presents a more unconventional approach, integrating hidden fan blades that deploy on demand, combining functionality with a sense of playful surprise. Further examples include the Kelvin Epos 300 by Minoko, a precisely adjustable film/photography light with a robust industrial aesthetic, and Jordi Canudas's Dipping Light, which employs a distinctive production method to color its glass lampshades, resulting in unique visual effects. A peculiar lamp from Japanese cosmetics company Shiseido is highlighted, conjectured to be a promotional item from the 1980s, indicating the broader application of lighting in branding and marketing. Lukas Bazle's Méduse pendant lamp offers user-transformable lampshades, allowing for dynamic control over light direction, while Maxime Prananto's Continuous Chandelier challenges traditional notions of luxury lighting by incorporating industrial elements like I-beams and chains with common fluorescent bulbs. Lucas Muñoz Muñoz's B.A.R.E. Lamps are presented as an embodiment of minimum viable product in lighting design, focusing on essential form and function. Studio Huub Ubbens' Unico series showcases sophisticated lamp switches and dimmers, emphasizing the often-overlooked tactile experience of lighting control. Christian Flindt's minimalist bollard lights are featured for their clean lines and suitability for both indoor and outdoor environments. The Bolita lamp by Kaschkasch introduces a kinetic interface, offering an interactive element to lighting. Concept designs like Renaud Defrancesco's Spot, with its dual user-adjustable rotating LEDs, and Naoto Fukasawa's Half Dome series, incorporating subtle haptic touches, point towards future directions in user interaction and sensory experience in lighting. The Dyson Lightcycle Morph Lamp is acknowledged for its intelligent design and multiple applications, despite an aesthetic that prioritizes engineering. Bookman Urban Visibility's lightweight, rechargeable safety lights are noted for their fun form factors catering to pedestrians and cyclists. A 1970s-style manually adjustable Bill lamp concept by Stefanie Kay evokes a nostalgic yet functional design. Inga Sempé's w153 Island offers an improved design for a clamp lamp, enhancing utility and versatility. Keiji Takeuchi's lacquered pendant lamps, inspired by traditional Japanese bowls, combine cultural heritage with modern design. The article also covers outside-the-box innovations such as Stefan Diez's Plusminus lighting system, which utilizes power-conducting webbing straps for flexible installations, and Daniel Schofield's Ray Lamp, a stylish portable lighting solution for both indoor and outdoor use. Alexey Danilin's Amulet Lamp merges hand-blown glass with LEDs for a unique visual effect, while the Funambulb by Superlife is designed for easy portability and hanging. Robert Dabi's Poise Lamp series introduces infinitely-adjustable, impossibly-thin ring-light-like lamps. The evolution of portable lighting is further exemplified by neck lights featuring magnetic, removable flashlights. The Skot lamps by Louis Poulsen, originally designed for maritime use, are highlighted for their aesthetic appeal in terrestrial settings. Govee Curtain Lights are shown to transform walls and windows into animated displays, akin to large-scale Lite-Brites. LED strip lighting on reels, commonly used by European construction workers, is presented as a practical and bright solution for jobsite illumination. Finally, the Philips Ellipse provokes thought on whether the light bulb itself should be considered a design object, encapsulating a broader trend towards aesthetics in every component of lighting. #LightingDesign #IndustrialDesign #ProductDesign #DesignInnovation #HomeLighting #ModernDesign #SustainableDesign #TechIntegration

Masiero, an Italian lighting company established in 1981, has grown from a small workshop in Northern Italy to a global leader in lighting. The company’s success is attributed to its dedication to merging traditional Italian craftsmanship with contemporary aesthetics, as well as its collaborative approach with internationally renowned designers. Masiero works closely with designers and its in-house R&D department to produce distinctive lighting fixtures that shape its product portfolio. The collaborative process typically begins with Masiero providing designers with a brief outlining mood, product type, price range, and materials. However, Masiero also welcomes proposals from designers inspired by their own concepts. This fosters a unique relationship between designers and Masiero’s internal team, focusing on achieving optimal shapes and finishes. Masiero emphasizes the challenge of industrializing a designer's vision while maintaining economic sustainability, leveraging its expertise in metal processing and technological innovation in light management and flexibility. This flexibility, especially concerning color and size, is crucial for designers managing diverse projects. Masiero further supports these collaborations with a commercial network spanning 80 countries and robust marketing efforts, both online and offline. Alessia D’Alesio, Masiero's Global Marketing Manager, highlights the Horo collection by Pierre Gonalons as a particularly successful collaboration, having won the Good Design Award 2021. Gonalons' creative concept for Horo, featuring a sandwich construction of two prismatic glass circles within an outer frame, was faithfully translated into the final product. Masiero's internal team meticulously worked on optimizing illumination, refining the frame's finish, and selecting a decorative yet delicate glass. Gonalons describes Horo as a disk of light that simultaneously offers a light show, emphasizing his passion for handcrafted materials that narrate a story. He appreciates Masiero’s expertise in material and finish selection, which facilitated a natural development of the collaboration. The prototyping phase involved significant modification and improvement, demonstrating a strong collaborative spirit. Gonalons also praises the unique quality of Masiero’s hand-finished metalwork, achieved in their workshop, especially considering its competitive price point. Giovanni Battista Gianola's Sound collection was inspired by the artisans' ability to create perfect curves from shiny tubes, evoking musical instruments. This inspiration translated into lighting fixtures where material and shape are integral to the lamp’s aesthetic, much like they are to an instrument’s sound. The collection features gracefully shaped arms supporting glass diffusers encased by wide metal shades, resulting in layered sconces, floor lamps, chandeliers, and pendant lights. Gianola emphasizes that creating a new lamp involves a deep understanding of the brand's DNA, selecting materials that reflect its heritage, such as Masiero’s crystals, shining metals, and warm light. He views Masiero as having an eclectic spirit rooted in Venetian heritage, pursuing a distinctive path driven by a love for materials rather than fleeting trends. Marco Zito's Nappe collection, developed in 2018, showcases Masiero's material processing capabilities and the potential for a contemporary yet timeless language that integrates design technology with an artisanal approach. Zito's vision for Nappe drew inspiration from Venetian 'nappine' (tassels), reinterpreting this classical ornament into 10 modern pendant designs that can be combined for various installations. He believes such collaborative work generates virtuous processes and knowledge exchange, leading to innovative forms. Oriano Favaretto, who created the Honicé collection in 2018, commends Masiero's extensive experience and ability to balance contemporary designs with its foundational values of quality craftsmanship, noble materials, and ongoing research. He values the company's family-oriented approach to projects and shared perspectives. The Honicé collection, consisting of suspension lamps and wall lights, features a striking blend of opaque gold or brass finishes with natural onyx diffusers, paying homage to Masiero's history. Successful collaborations, according to Gonalons, involve a thorough assessment of the strengths of both the company and the designer. Masiero has honed this skill over the years, understanding his creative identity while he grasped their history and production capabilities. Masiero's D’Alesio notes that designers serve as a rich source of ideas, providing essential creative input from external perspectives. The brand encourages designers to express their creativity while considering the potential client's needs, offering 40 years of experience to produce beautiful, functional, well-finished, and recognizable items. #LightingDesign #ItalianCraftsmanship #DesignCollaboration #MasieroLighting #InteriorDesign #ProductDesign #ContemporaryAesthetics #DesignInnovation #LuxuryLighting

Lighting design encompasses the strategic use of illumination to achieve both practical functionality and aesthetic appeal in various environments. This field involves the selection and arrangement of both artificial light sources, such as lamps and light fixtures, and enhanced performance lighting systems. The ultimate goal is to improve the visual impact and overall ambiance of a designated area. The scope of lighting design extends to diverse applications, including interactive lighting series that utilize air pressure to activate inflating lamp structures, showcasing innovative approaches to dynamic illumination. Other creative examples include upcycled lighting collections that blend vintage object parts with natural wax, offering a sustainable and artistic dimension to lighting. Designers are also reimagining traditional forms, such as Philippe Tabet's transformation of industrial bulkhead lamps into face-like fixtures, and Yusuke Kawai's modular 'Kawara' lighting crafted from Japanese roof tiles, demonstrating a fusion of heritage and contemporary design. Further advancements in the field involve the use of novel materials and technologies. Bacterial cellulose is being transformed into translucent, ruffled lighting sculptures, while 3D-printed ceramics by Jolie Ngo introduce vibrant and sculptural elements into lighting. Exhibitions like 'Nuts + Bolts' highlight the potential of everyday hardware store supplies to be repurposed into DIY lighting solutions, emphasizing accessibility and resourcefulness. Artists like Carmen D'Apollonio create glass and ceramic characters that illuminate spaces, blurring the lines between art and functional lighting. The 'WA' upcycled table lamp, made from retired Tokyo train parts, exemplifies innovative reuse in design. Technological innovations also play a crucial role, as seen in WINT design lab's collaborative effort to create a lamp that adjusts brightness through a stretchable textile interface. Custom-made LED walls, such as those found in Huit Sushi Restaurant in Montreux, demonstrate how lighting can dramatically shape commercial spaces. Installations like 'Blind Lucid Umbrella' by Tony Tao Li explore the symbolic and experiential qualities of blue light through LED modules. Designers like Karim+Elias use desert sand to create luminous wall lamps and sculptural vases, showcasing the artistic possibilities of natural materials. The field also explores historical and cultural influences, with Formafantasma reflecting on American domestic furniture archetypes through lighting design. Kurahito Craft's flexible and see-through lampshade covers, crafted from slabs of wood, illustrate a sophisticated approach to material manipulation. The continuous evolution of lighting design is further demonstrated by annual events such as Milan Design Week, where designers like Michael Anastassiades present modular lighting installations in historic settings, and Lachlan Turczan's interactive halo light sculptures are featured at Google's exhibitions. Studio Lugo's 'Anachron' furniture series, combining horsehair with steel, and A-POC ABLE ISSEY MIYAKE and atelier oï's innovative use of cloth and wire to illuminate spaces, collectively showcase the boundless creativity and interdisciplinary nature of contemporary lighting design. #LightingDesign #HomeDecoration #InteriorLighting #SustainableDesign #InteractiveLighting #InnovativeMaterials #ProductDesign #ArtisticLighting #SmartLighting

The article details the 'Destinations' exhibition, a key component of Dubai Design Week, which brought together six international design weeks to showcase emerging brands with a focus on lighting. The event served as a global platform, highlighting diverse design approaches from cities including Mexico City, Beijing, Helsinki, Istanbul, Melbourne, and San Francisco. Each participating design week presented three emerging brands, demonstrating a variety of innovative lighting solutions. From Melbourne International Design Week, Lab De Stu, founded by Andre Hnatojko, featured highly modern and oversized Popper lamps. Ben Tovim contributed pieces that explore geometric structures and material values, while Christopher Boots presented graphical works that combine traditional and contemporary techniques. San Francisco Design Week showcased Lumio lamps, which are designed to open like a book, creating a unique illumination experience. Beijing Design Week's contribution included Eoq lamps, known for their Moiré effect, adding a distinctive visual element to lighting design. Helsinki Design Week featured Saas Instruments, which innovated with Alexander Lervik's crystal glass Sparkle pendant and Sense Light Swing lamps, offering both aesthetic beauty and functional versatility. Mexico City's Abierto Mexicano De Diseño highlighted craft-led and pattern-projected lighting solutions from Ediciones Jalapas, alongside Tributo's materially rich and formally sound designs. The exhibition emphasized how specific materials are utilized to reflect the distinct regional contexts in which these light sources are produced. The 'Destinations' exhibition underscored the global nature of design, where creativity converges from various corners of the world. The diverse range of styles and applications presented at Downtown Design Dubai demonstrated that despite geographical and cultural differences, the sublime qualities of light possess the potential to unify and connect communities worldwide. The showcase allowed for the appreciation of different interpretations of lighting, from clean geometry and ingenious references to intricate weaving techniques and crystal refraction, all contributing to the transformation of an essential resource into an art form. #DowntownDesignDubai #LightingDesign #DubaiDesignWeek #InternationalDesign #EmergingBrands #DesignInnovation #GlobalDesign #ArchitecturalLighting #HomeDecor

The article explores the profound impact of texture, especially when combined with light, on the perception and atmosphere of architectural spaces. It draws inspiration from Juhani Pallasmaa's seminal work, "The Eyes of the Skin," which emphasizes the importance of multi-sensory perception in architecture, particularly the often-neglected sense of touch. Pallasmaa argues that contemporary design, overly reliant on visual media and technology, has overlooked the tactile qualities that are crucial for a complete understanding and appreciation of an environment. Flat and polished surfaces are contrasted with raw, natural materials, highlighting how the former can evoke feelings of coldness and sterility, while the latter create warmth and connection, triggering memories and emotions through touch. The discussion then focuses on Vibia's "Knit" range of lamps, designed by German designer Meike Harde. These luminaires exemplify the integration of light and texture to craft unique atmospheres. Harde's design approach is rooted in her passion for materials and their performance, leading to simple yet sculptural forms that interact dynamically with light and textile. The Knit collection utilizes a three-dimensional Lycra cover, manufactured using a "technical knitting" technique commonly found in sportswear. This innovative application creates an interplay between light, tone, and texture, making the fixtures tactile and inviting. The collection includes both floor and pendant lamps, which vary in proportion, curves, and dimensions, allowing them to adapt to diverse interior settings. A key feature of the Knit lamps is the way they sift light. Soft light permeates through the knitted fabric and is diffused by a translucent layer, reducing harshness. The two-tone stitching of the Lycra, combined with varying levels of density, creates subtle hues, ranging from warm grays and ochres to burnished copper and pink. The beige yarns of the Lycra coating produce a peculiar sheen, and the material's rough surface and uneven cross-section enhance diffuse reflection, enveloping the space in warmth and tangibility. The darker ribs of the knit provide a contrast to the loosely knitted areas, generating a 360-degree glow that adds depth and dynamism to a room. This design ensures that the lamps harmonize with various natural interior elements such as wood, soft carpets, and heavy curtains, offering a versatile solution for creating inviting and warm atmospheres. Meike Harde's philosophy emphasizes the emotional aspect of lighting design, viewing it as an opportunity to create an experience rather than merely provide illumination. Her designs transform spaces into welcoming sanctuaries, fostering intimacy, comfort, and familiarity. The Knit luminaires are presented as a solution for professionals seeking quality indoor lighting with charisma, offering both aesthetic appeal and practical features like easy installation and dimming capabilities. The article concludes by reiterating how these lamps, through their sensory and textured lighting, offer a distinctive and captivating solution for interior design. #ArchitecturalDesign #LightingDesign #InteriorDesign #SensoryPerception #TexturedLighting #Materiality #VibiaKnit #MeikeHarde

This article showcases a curated selection of innovative lighting designs, originally featured in the October 2023 issue of Wallpaper* magazine, derived from highlights of Euroluce at Milan's Salone del Mobile 2023. The featured products span offerings from established brands like Lasvit, Cassina, and Flos, as well as independent studios such as Pelle and Ross Gardam. The presentation of these designs emphasizes a unique photographic approach, employing both digital and film techniques, with a particular focus on film photography to create optical contrasts and surface textures, exploring the interplay of light and shadow. Among the showcased designs is the 'Polaris' floor lamp by David Rockwell for Lasvit, part of the Constellation collection. Inspired by the celestial mural at Grand Central Terminal, this hand-crafted metal and glass lamp functions as both a dazzling focal point and a unifying element within any setting. Laurids Gallée's 'Pool 02' lamp, a limited-edition polymer resin light, explores the incorporation of traditional elements with experimental materials. This ice-blue lamp, which emits a warm yellow glow when illuminated, features a fluid shape and soft ridges that evoke the dynamic reflections of light on water. Herzog & de Meuron's 'Dreispitz' lamp, produced for Artemide, is a graphically appealing pendant available in black, silver, and a vibrant green. Originally conceived for the architects' Dreispitz project in Helsinki, this lamp can accommodate three distinct light sources that integrate into its triangular base, forming a clover-like profile. It offers various lengths and lighting options, designed for environmental sustainability through its high efficiency, optimized industrial processes, and the use of partially recycled and recyclable materials. Dirk Winkel's 'W225 Ion' lamp for Wästberg represents a deceptively simple design, the culmination of extensive research focused on creating well-being through optimal lighting. Its core innovation is a sophisticated miniature friction joint with a cordless power connection, enabling 360-degree rotation. The lamp's versatility is enhanced by a choice of arm lengths, mounting options, and two optical systems, providing illumination for wide-angle workspaces or focused reading. The 'Vestige' table lamp by Ross Gardam and Peter Kovacsy aims to evoke a sense of wonder. This brutalist-inspired sculptural form features a solid parabolic cone of cast crystal glass, created by Peter Kovacsy, emerging from a rectangular base. The design celebrates the allure and texture of glass, with bubbles within the glass creating a speckled pattern when illuminated, and is paired with a raw aluminum base and a machined conical dimmer. Bocci's '44T' table lamp distinguishes itself with its unique, irregular aluminum canopy, formed through various processes like blowing, pouring, carving, and polishing. Each lamp is individual, reflecting Bocci’s research into dendrite-like shapes. A notable feature is the use of spherical light bulbs that glow without visible electrical cables, as low-voltage electricity passes directly through the cast metal structure. The 'Channel' lamp by Pelle, known for its 'Bubble' chandelier, addresses the practical need for illuminating large table surfaces while brightening the overall room. This ceiling fixture comprises a sleek horizontal body in waxed brushed aluminum, housing four lighting components—two upward-facing and two downward-facing beams—with thin steel cables serving as power conduits. Michele Groppi’s 'Vis à Vis' table lamp for Davide Groppi is designed to seamlessly integrate into any environment. Made entirely of transparent glass, from its thin cylindrical stem to its circular canopy, it appears to float lightly and is rechargeable, allowing for mobility without visible electric cables. Finally, Philippe Malouin’s 'Bilboquet' table lamps for Flos, his first design for the brand, are based on experiments with magnetic elements. Named after a 16th-century French game, the lamp consists of two colored cylinders connected by a magnetic sphere, allowing for flexible orientation and acting as a decorative element, designed to adapt to changing lighting needs throughout the day. Jordi Canudas' 'Dipping' pendant for Marset, inspired by an experiment of dipping a switched-on light-bulb in paint, features a brilliant white hand-blown glass globe, hand-dipped multiple times to create concentric rings of color in various hues, with different layers of paint moderating light intensity. The 'Bijou' pendants by Antoni Arola for Santa & Cole and the 'Eitie' table lamp and pendant by Tobia Scarpa for Cassina offer further examples of innovative design, with 'Bijou' providing exceptional lighting and reflections, and 'Eitie' offering reconfigurable luminous strokes through unique black metal circular connectors. #LightingDesign #InteriorDesign #Euroluce #SaloneDelMobile #ProductDesign #ArchitecturalLighting #ContemporaryDesign #SustainableDesign #ArtisanCraft

Jason Krugman, a New York-based artist, creates captivating light sculptures using wire mesh forms embedded with thousands of hand-soldered LED bulbs. His journey into art began after a career in investment banking, leading him to study technology and art at NYU's Interactive Telecommunications Program (ITP). There, he learned about microcontrollers, soldering, digital fabrication, and new materials, which became foundational to his artistic practice. In 2009, Krugman established his studio in Brooklyn, focusing on the intersection of physical computing and fine art, transforming electricity into remarkable sculptures. Krugman's work is characterized by its fluid appearance, despite being constructed from static materials, often mimicking natural phenomena or intricate systems like swarms of mini-drones. He has developed several proprietary technologies, including a hand-soldered LED mesh, various cable systems, and custom printed circuit boards for LED artworks, holding two US patents. His designs are unique in that they often use the physical structure of the sculpture to conduct electricity to the light sources, eliminating the need for insulated wiring. This innovation allows thousands of LEDs to appear to float weightlessly within minimal wire forms, creating a soft, ethereal glow. His recent recognition includes a LIT Lighting Design Award for 'Capella Basket,' a large-scale installation described as a rectangular sheet of 2,000 LED bulbs rolled into a cannoli-like shape and seamed. This particular piece represents a decade of development, inspired by the challenge of shaping mesh material into complex forms. The 'Capella Basket' itself was a monumental undertaking, involving over 10,000 circuit boards, extensive prototyping in collaboration with Arup engineers, and fabrication with the support of the Brooklyn Navy Yard and other local businesses. Krugman views his work as a three-dimensional puzzle, where aesthetic form is deeply intertwined with functional utility. He believes that the beauty of his art is enhanced by its ability to perform, allowing viewers to engage with it intellectually and emotionally. The sculptures are shaped by their inherent capacity to efficiently distribute electricity. The artist's approach combines craft with technology, a process he manages by always building smaller versions and mockup sections, regardless of the project's scale or edition count. Feedback on Krugman's installations frequently highlights their resemblance to scientific structures and natural forms, fostering a sense of connection and collaboration with his audience. Looking ahead, Krugman aims to create even more complex forms while maintaining structural clarity. He also plans to explore folding and stretching techniques with different materials to delve deeper into surface creation, moving beyond his current focus on points and lines. He is also beginning to offer smaller sculptures for sale on his Instagram and website, providing more accessible ways for the public to engage with his art. #LightingDesign #ArtDesign #LightSculptures #LEDArt #InteractiveArt #PhysicalComputing #ContemporaryArt #Innovation #DesignProcess

This article details the journey of Ivy Karlsgodt, a former costume designer who founded Ace of Shades, a Brooklyn-based business specializing in handmade lampshades. During the 2020 COVID lockdown, Karlsgodt, laid off from her costume industry job, began making lampshades to personalize her apartment, driven by a long-standing appreciation for vintage glamour and maximalism. This newfound hobby quickly evolved into a passion, leading her to document her intricate lampshade-making process through videos shared on Instagram and TikTok. Her online presence rapidly cultivated a significant following, captivated by both the soothing nature of her process videos, often set to old-timey music, and the visual appeal of her finished products. These creations are characterized by unique color palettes and opulent combinations of silk, lace, beads, and fringes, drawing inspiration from Victorian, Art Deco, and Art Nouveau aesthetics, yet with a modern twist. Her work is also recognized for its meticulous, slow craftsmanship, a refreshing contrast to the fast and inexpensive production common in today's market. Karlsgodt's approach to learning the craft was largely self-taught, building upon her extensive professional background in sewing and hat-making techniques. She utilized instructional DVDs by Mary Maxwell for foundational knowledge but largely developed her own methods. She emphasizes that while her videos are crucial for business growth and exposure, she only records a fraction of her work, prioritizing unique or particularly ornate commissions due to her heavy workload. The recording process, although sometimes disruptive, is deemed worthwhile due to its impact on her business success. She notes that the formulaic nature of her videos and efficient editing help mitigate the time commitment. Her design process is iterative, often starting with a specific frame shape, fabric, or color combination, then building the rest of the design around that initial inspiration. She utilizes an iPad for detailed drawings, comparing various material and color options before finalizing a design and sourcing supplies. When working on commissions, she offers clients extensive involvement in the design process, often presenting multiple versions for their selection. Materials for her lampshades are sourced globally, including custom-made frames from LA, wholesale fringe and braid from Spain, and fabrics and trims from NYC's Garment District, Etsy, and eBay. She also prioritizes the reuse of vintage materials, such as old dresses or embroidery, to create unique lampshades. Karlsgodt expresses surprise at the unexpected evolution of her hobby into a full-fledged business, a path she had not initially envisioned for her career. Her proudest moment to date involved her work being licensed for Stevie Nicks' concert backdrop, a significant full-circle experience given Nicks' influence on her style. This unexpected journey highlights the power of combining traditional craftsmanship with modern digital platforms to build a successful and personally fulfilling enterprise. #LampshadeDesign #HandmadeCrafts #SocialMediaMarketing #HomeDecor #MaximalistDecor #DesignProcess #CostumeDesignInfluence #VintageGlamour #ArtisanEntrepreneurship

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

The 2025 Salone del Mobile in Milan showcased a variety of furniture and lighting innovations, with Moooi's collection of sculptural lighting fixtures standing out among the exhibitors. Moooi, a Dutch design company, presented pieces that merge artistic expression with practical functionality, embodying the exhibition's theme of "A Life Extraordinary." Their display featured designs from both emerging talents and renowned international designers, emphasizing dynamic movement and aesthetic appeal in lighting solutions. Among the notable contributions was Umut Yamac's 'Perch' series, characterized by lamps resembling paper origami birds. These fixtures offer an elegant design that diffuses soft light, while also functioning as kinetic sculptures. The birds are designed to gently sway, adding a subtle, dynamic element to interior spaces. The 'Perch' series is versatile, suitable for individual sconces or as part of larger, tree-like light installations, demonstrating how lighting can contribute to a home's artistic ambiance. Another compelling collection was Moooi's 'Raimond II' series, originally conceived by Raimond Putts in 2009. These spherical lights, punctuated by numerous LED bulbs, create captivating shadow patterns as they twist and turn. The series was presented in various models at Salone del Mobile, illustrating its capacity to transform a room into an engaging visual experience, reminiscent of a contemporary disco ball. The interplay of light and shadow highlights the theatrical potential of well-designed illumination. Adding to Moooi's innovative offerings is the 'Serpentine' suspension lamp, a new fixture designed by the Swedish studio Front. This lamp features interconnected elements that resemble a series of interlocking paper fans. Its design allows for diffuse lighting, and its serpentine form suggests continuous movement, contributing to a sense of fluidity and dynamism within a space. The 'Serpentine' exemplifies Moooi's commitment to exploring novel forms and functionalities in lighting design. Moooi's approach involves collaborating with individual designers, ensuring a continuous stream of fresh and inventive products. This strategy allows the brand to maintain its position at the forefront of design innovation, showcasing that design can seamlessly integrate artistic vision with everyday utility. The company's presentation at Salone del Mobile underscored its philosophy that lighting fixtures can transcend their primary function to become significant art pieces within a living environment. For those interested in acquiring these lighting solutions, Moooi provides a store locator on its website, detailing both physical retail locations and online purchasing options. #SaloneDelMobile #Moooi #SculpturalLighting #UmutYamac #RaimondPutts #FrontDesign #InteriorDesign #ModernLighting #DesignInnovation

Arteriors, in collaboration with design and architecture firm Workshop/APD, has launched a new collection of 54 lighting and decor pieces. This partnership marks Arteriors' first venture with a design and architecture firm, showcasing a distinctive minimal aesthetic that diverges from its past traditional offerings. Workshop/APD's 'crafted modern' approach is evident throughout the collection, which is designed for both residential and commercial interiors. The conceptual foundation of this collection, termed 'meaning in making,' emphasizes traditional techniques such as glazing, rolling clay, and slumping or etching glass. Andrew Kotchen, founding principal of Workshop/APD, highlights the collaborative nature of the project, which leveraged the diverse creative perspectives within his firm and the expertise of Arteriors' team and global network of craftspeople. The resulting collection aims to strip away unnecessary embellishment, focusing instead on technique, materiality, simplicity, and scale. Andrew Kline, design director and senior associate at Workshop/APD, along with product designer Ruoxi Wang, prioritized the creation of versatile pieces. This versatility allows the items to transcend various design typologies, styles, and regions. The lighting elements form the core of the collection, with each sconce and pendant designed to function effectively both as a standalone accent piece in a residential setting and in multiples or combinations within complementary styles. Matthew Berman, another founding principal of Workshop/APD, underscores the multifunctional aspect of each piece, offering designers significant flexibility to incorporate them into a wide range of projects. The collection includes various lighting fixtures such as sculptural sconces, linear chandeliers, flushmount lights, and pendants, alongside decorative items like candlesticks, trays, and mirrors. The Workshop/APD for Arteriors collection is part of Arteriors’ Spring/Summer 2021 Collection. It is available for purchase online and at Arteriors’ showrooms located in New York, Dallas, Los Angeles, and London. The collaboration aims to provide a compelling offering that combines modern design principles with handcrafted artistry. #LightingDesign #HomeDecor #ModernDesign #InteriorDesign #CollaborativeDesign #Arteriors #WorkshopAPD #HomeFurnishings #CraftedModern

The Ebe collection, designed by Nicola Gallizia Design Studio for Masiero, draws inspiration from the reflections of the moon and is named after the goddess symbolizing youth and moonlight. The collection aims to create a warm and intimate atmosphere in contemporary homes through its unique design and material choices. The design process began with a formal and functional idea, evolving through continuous dialogue with the manufacturing company, Masiero, highlighting the importance of collaboration in design development. A central feature of the Ebe collection is the use of galvanized colored steel fabric. This material choice is deliberate, as it filters and modulates light to produce an effect that is both magical and rich, embodying Nicola Gallizia’s design philosophy of synthesis to enhance the value of materials and the illuminating function of the product. The collection’s aesthetic is characterized by its essential lines contrasted with the richness of its materials, allowing it to harmoniously interact with diverse decorative and architectural elements within a space. From the designer's perspective, the Ebe collection introduces a softer design language to the Masiero catalog, catering to the evolving needs of contemporary living. Modern homeowners are increasingly seeking warm, welcoming, and serene domestic spaces that reflect their personal style. Therefore, the lighting in these homes needs to be warm, delicate, and possess a magical quality, which the Ebe collection aims to provide. The versatility of the Ebe collection makes it suitable for various environments within a home. Its design, reminiscent of a jewel-object, is particularly well-suited for minimalist settings but can also complement other styles. The collection's ability to engage in a dialogue with surrounding elements due to its material richness and clean lines allows for aesthetic synergy, making it an adaptable choice for architects and interior designers. The collection stands out for its capacity to blend into different interior design schemes while offering a distinct character inspired by celestial luminescence. The collaboration between Nicola Gallizia Design Studio and Masiero has resulted in a product that is not only visually appealing but also versatile and adaptable, aligning with modern preferences for personalized and intimate living spaces. The Ebe collection is presented as an evolution in lighting design, offering a blend of classical inspiration and contemporary application to enhance the ambiance of residential interiors. #LightingDesign #InteriorDesign #NicolaGalliziaStudio #Masiero #MilanDesignWeek #HomeDecor #ContemporaryLighting #DesignCollaboration

The article explores the top 10 lighting trends predicted to dominate home interiors in 2026, moving beyond mere functionality to emphasize mood, color, and decorative impact. Great lighting schemes are built upon a foundation of layered lighting, balancing ambient, task, and accent illumination. Once this fundamental aspect is established, the focus shifts to the form, finish, and overall aesthetic of the light fittings. One significant trend is the emergence of flexible fittings, such as modular designs that allow for customization in width, height, and layout. These adaptable systems provide creative freedom for designers and homeowners to sculpt light to fit specific spaces, addressing challenges like tricky ceiling beams or off-center areas. Kayli Rowsell, Design Manager at Arteriors, highlights how these multi-point suspension systems enable experimentation with form and balance, treating lighting as a sculptural element. Another trend is "multiplicity," where lighting collections offer a complete family of coordinating fixtures, including chandeliers, wall lights, pendants, floor lamps, and flush mounts, all sharing a consistent design aesthetic. This approach brings continuity and cohesion to open-concept living spaces, simplifying design decisions and ensuring a unified look without being overly matchy. Multiplicity also supports sustainability by encouraging the reuse of materials and components across collections. Mixed materials are also gaining prominence, with designers combining diverse elements like stone composites, metal mesh, leather tassels, and faux shagreen. This trend reflects a desire for warmth and tactility, making light fixtures feel like curated art objects. Brands like Contardi, Crudo Designs, Apparatus Studio, and Arteriors are leading this movement, creating pieces that offer rich textures and visual interest, often with subtle contrasts that enhance the overall design. Color dosing is another key trend, with lighting fixtures becoming a primary source of color accents through boldly tinted glass, enamel, and resin. This provides an immediate burst of personality and elevates the mood of a room. Esther Patterson, founder of Curiousa, notes that colorful lighting can transform a space's ambiance, allowing for vibrant accents or even serving as the central color element in a room. Craftsmanship is being celebrated, with an emphasis on artisanal, hand-finished light fittings that bring authenticity and tactile luxury. Designers like Lee Broom, Tom Raffield, and Inglis Hall are creating pieces that are not only functional but also works of art, using materials such as Carrara marble, steam-bent wood, and brass. This trend reflects an appreciation for personal, enduring designs that can become future heirlooms. Supersize style is making a bold statement, featuring elongated chandeliers, dramatic pendant clusters, and sculptural floor lamps that act as focal points. Rachel Morrison, principal designer at Morrison Interiors, explains that these generous fittings add drama and unexpectedness, commanding attention without overwhelming the space. Their transparency often keeps rooms feeling open and airy, while their scale anchors the design. Sculptural installations are transforming lighting into an art form, moving beyond traditional placements. Interior designers are suspending lights at unexpected angles, clustering them asymmetrically, or scattering them across ceilings to create dynamic and personalized spaces. Benjamin Johnston's use of Wren globe lights is cited as an example of how creative placement can infuse whimsy and shift the mood of a room. Conscious illumination emphasizes sustainability, with designers focusing on provenance, purpose, and storytelling in their creations. Studio Gräfling and Felix Kultau, for instance, transform granite offcuts into luminous sculptures, giving discarded materials a second life. Will Earl of J. Adams & Co. highlights the importance of preserving traditional craftsmanship and creating timeless pieces with a meaningful narrative. Fluid forms are replacing rigid geometry, introducing curves, waves, and organic silhouettes that are inviting and sensual. This shift is driven by a desire for softness, tactility, and emotional resonance in interiors. Jo Annah Kornak, Creative Lead at Holly Hunt, notes that advancements in lighting technology enable more sculptural and expressive forms, exemplified by the Dune Hanging Light, which captures movement in solid alabaster. Finally, quiet lighting, inspired by the quiet luxury trend, focuses on subtle, diffused illumination that creates a cocooning and calm atmosphere without glare. This involves using materials like frosted glass, alabaster, and linen shades, along with hidden LEDs that wash walls and surfaces with warmth. Susie Pfeiffer, founder of Pfeiffer Design, emphasizes the shift towards enhancing a room through discreet, layered lighting that brings calm and balance. #LightingTrends #InteriorDesign #HomeDecor #FlexibleLighting #MultiplicityLighting #MixedMaterials #ColorDosing #Craftsmanship #SupersizeLighting #SculpturalInstallations #ConsciousIllumination #FluidForms #QuietLighting

Lucifer Lighting, a company that has grown from a family business to a global entity, is headquartered in San Antonio, Texas, on a 13-acre campus alongside Salado Creek. This facility serves as the hub for all creative processes, including design, assembly, prototyping, and management. The spaces are adorned with art, and the building offers access to 20 miles of walking and biking trails. In addition to its Texas headquarters, Lucifer Lighting expanded its presence by opening a showroom in San Francisco's Jackson Square in 2022, followed by its first New York City showroom in 2023. The company continues its expansion, with 2025 being particularly active, marked by the debut of its new decorative fixture, Stellaris, at Euroluce during Milan Design Week. Gilbert Mathews, the founder of Lucifer Lighting, discussed the evolution of their decorative fixtures. He noted that Stellar, their first decorative fixture, was launched in 2020 to commemorate the company's 40th anniversary. While Stellar is characterized by its elegance and modest scale, Stellaris, their latest creation, measures approximately 30 inches in diameter and is designed to command a striking presence, capable of defining the ambiance of a space independently. A key innovation in Stellaris is its ability to integrate both downlight and volumetric light within a single form. Mathews expressed particular pride in the patented fold design, which incorporates discrete, concealed LEDs within the waveguide, creating a mesmerizing effect that prompts observers to question the light source. Stellaris is slated for an official launch in September 2025. The Stellaris design comprises two primary components: a suspended enclosure featuring internally illuminated tubes and a translucent barrier that defines the fixture. This design was a collaborative effort with the architecture firm Gensler, which also designed Lucifer Lighting's showrooms. All of Lucifer Lighting's finished products are assembled in the United States, with 93% of the fixture components sourced from North America. Mathews emphasized the company's philosophy regarding architectural lighting, stating that “the best lighting is the kind that no one notices.” He explained that their architectural lighting can be customized with special baffles, kick reflectors, and discrete aiming and adjustment mechanisms, allowing for precise illumination without drawing attention to the light source itself. Their motto, “Design, Define, Disappear,” highlights this paradoxical approach where beautifully crafted fixtures are designed not to be the focal point. Mathews noted that this philosophy represents a departure from traditional American lighting product design, which he found to be largely utilitarian and purely functional. He drew inspiration from European lighting fixture design, appreciating its sleek aesthetic, and sought to elevate this approach through Lucifer Lighting's engineering and fabrication capabilities. He finds inspiration in the seamlessly integrated surfaces of sculptural forms, comparing them to fine watches, cameras, and Italian sports cars. The company's work has graced prominent hotels and flagship stores globally, including The Peninsula, The Standard, Four Seasons, Mandarin, St. Regis, Rosewood, and The Ritz Carlton, as well as retail spaces for Apple, Chanel, Cartier, Gucci, Louis Vuitton, Ralph Lauren, and Tiffany & Co. The company's name, Lucifer Lighting, originated from its first strip light, the Lucifer Light, derived from the Latin root "luciferous," meaning "light-bringing," a name that proved memorable and distinctive. #LuciferLighting #LightingDesign #MilanDesignWeek #Stellaris #ArchitecturalLighting #InteriorDesign #ProductInnovation #LuxuryLighting

The choice of a lamp can be highly indicative of an individual's personal decorating style, reflecting various aesthetics and preferences. This article explores how different lamp styles, from postmodern and contemporary to whimsical and scholarly, reveal insights into a homeowner's personality and design leanings. Insights from several interior design experts, including the Brownstone Boys, Kaitlin Smith, Meghan Jay, Thiara Borges, Connie Vernich, Amber Guyton, Laetitia Laurent, Laura Chappetto, and Julee Wray, provide a comprehensive guide to understanding what specific lamps communicate about interior design choices. The article begins by discussing the 'Eccentric' style, exemplified by the Postmodern Martini Lamp by David Krys. Designers note that owners of this lamp likely possess a substantial collection of contemporary art and have a strong, iconic sense of style, often acquired through dedicated searching. This lamp pairs well with mod coffee tables, brightly colored rugs, and mid-century chairs. Conversely, the 'Basic' 'Dorm Room Core' Lamp, often found in college settings, is described as practical for its light output in small spaces but generally not recommended for a mature home. If kept, it is suggested to place it in front of colorful, patterned draperies to minimize its impact, although designers often associate it with a less refined aesthetic. The 'Contemporary' Nesso Table Lamp, an international icon of 1960s futuristic design, signifies a lover of modern aesthetics. Its sleek and timeless design makes it versatile, complementing items from Design Within Reach, Eames Chairs, and Egg Chairs, often paired with chrome and velvety fabrics. The 'Timeless' Tiffany Lamp, a classic, is often associated with antique lovers and individuals with an 'old soul.' Designers suggest that owning this lamp implies a preference for beautiful, classic pieces. While a focal point due to its intricate mosaic, it can be modernized by pairing it with streamlined, transitional pieces for an 'American grandma-chic' look. For the 'Modern' aesthetic, the Flowerpot Table Lamp indicates a sophisticated, carefree individual with bold tastes. Its minimal design allows it to fit into various settings, from maximalist to minimalist. It is best styled with other modern furniture, pop art, and bold patterns. The 'Minimalist' Arched Floor Lamp appeals to those who favor airy, spacious living rooms with tall ceilings and minimalist styles. It evokes comfort and is ideal for reading nooks or designated chairs, though its size requires ample space to be aesthetically pleasing. The 'Zen' Himalayan Salt Lamp suggests an owner deeply aware of their environment, passionate about health and wellness, and leaning towards simpler design. It complements beach house aesthetics with soft colors, neutral palettes, natural rattan, and sumptuous fabrics, also serving as an organic visual interest on bookshelves. Finally, the 'Whimsical' Glass Mushroom Lamp appeals to stylish individuals who value items with character. This popular lamp, reminiscent of Alice in Wonderland, pairs well with pastel upholstered chairs, light rattan end tables, marble martini tables, and light-neutral Turkish rugs. The 'Scholarly' Bankers Desk Lamp points to an ivy league lawyer or someone interested in traditional design elements, aligning with dark academia and 'bookshelf wealth' aesthetics, best paired with deep wood tones, leather chairs, and moody wallpaper. The 'Retro' Lava Lamp suggests a '90s baby revival' enthusiast who appreciates kitsch and bold whimsy. It can be elevated with bright red, mod sofas or white rounded accent chairs, and accessories that evoke joy and retro-inspired themes. #LampDesign #InteriorDesign #DecoratingStyle #HomeAccessories #DesignTrends #HomeDecor #Lighting #PersonalStyle #DesignExperts