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9 Movies With Stunning Interiors Every Design Lover Must See
The article highlights nine films praised for their exceptional interior design, presenting them as a source of aesthetic inspiration for design enthusiasts. The author notes a personal connection to art that evokes a strong sense of recognition, comparing it to the experience of being profoundly moved by a film's set design, often more so than by the dialogue or performances. This phenomenon is illustrated with examples like Nancy Meyers' films, where interiors often feel like characters in themselves.
The first film mentioned is "Breakfast at Tiffany's" (1961), lauded for Audrey Hepburn's character, Holly Golightly's, Upper East Side apartment. Despite its minimalist, all-white aesthetic with just a few key pieces like a couch and a boxy coffee table, every detail, including fuchsia pillows, is described as arresting and memorable. Following this, "The Danish Girl" (2015) is presented, a film based on Lili Elbe's story. Beyond its narrative and performances, the article praises the old-world European interiors, especially the Copenhagen apartment of the main characters, which is depicted as moody and ethereal with dusty steel blues and tapestries that reflect the characters' artistic sensibilities. The film also showcases lavish Baroque designs in Paris and rich settings in England.
Nancy Meyers' "It's Complicated" (2009) is featured, specifically Meryl Streep's Santa Barbara kitchen. This kitchen is described as a dream set, characterized by a marble-topped island, open shelving displaying white ceramics, wooden spoons in stone vessels, and a window opening to natural light, embodying a highly coveted domestic aesthetic. "The Shape of Water" (2017), a Best Picture winner, is noted for its dreamlike and eerie plot and the captivating loft apartment of Sally Hawkins' character. This apartment, perched above a theater with a half-moon window and water-stained wood floors, is highlighted as a masterpiece of set decoration. Tom Ford's debut film, "A Single Man" (2009), set in John Lautner's iconic Schaffer House, is recognized for its midcentury modernist design, composed of wood and glass, blending organically with the Hollywood Hills. This home provides a minimalist yet commanding backdrop for the film's emotional depth.
"Don't Worry Darling" (2022) is cited for its midcentury modernism, showcasing a suburban home and neighborhood in Palm Springs. The set is praised for its authentic portrayal of the style, conveying a subtle eeriness that distinguishes it from a mere fetishization of midcentury décor. "I Am Love" (2009) features Tilda Swinton and the elaborate Villa Necchi Campiglio in Italy. The grand home, with its buttery yellow dining room and mint green kitchen, is described as having a performance-like quality due to its grandeur and the film's Technicolor brilliance. The article also mentions "Last Night" (2010), an indie film featuring a spacious yet understated Soho loft in New York. The set design is appreciated for its practical, lived-in feel, with casually tossed books, a messy kitchen, and an unmade bed, alongside high ceilings and large windows overlooking Manhattan.
Finally, "Call Me By Your Name" (2017) is highlighted for its tender narrative and the picturesque summer house in Italy's Lombardy countryside where the story unfolds. This grand home is characterized by its gorgeous, imperfect details, including a kitchen with copper pots, hallways with windows opening to Italian greenery, and a study filled with books. The director Luca Guadagnino's collaboration with Violante Visconti di Modrone for the set design is credited for creating a profoundly visual, emotional, and somatic experience. #InteriorDesign #FilmAesthetics #SetDesign #CinematicInspiration #HomeDecor #DesignTrends #MovieInteriors #AestheticEscapism #ArchitectureInFilm
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