todd bracher + 3M feature virtual LED technology with 'lightfalls' architectural lighting

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

British design brand Tom Dixon and Austrian manufacturer Prolicht have unveiled their new 'Code' collection of LED track lights at the Virtual Design Festival (VDF). This collaboration introduces a unique approach to lighting design by celebrating, rather than concealing, the electronic circuits and components that are typically hidden within conventional track lighting systems. The 'Code' collection features bare LEDs mounted on printed circuit boards (PCBs), allowing for various configurations to create visually striking and graphic lighting sculptures. The genesis of this partnership began with a shared vision between Tom Dixon and Prolicht's founder, Walter Norz, to innovate within the track lighting sector. Their discussions, which started in Innsbruck, focused on developing a minimal track system that would strip away unnecessary embellishments and highlight the intrinsic beauty of the light engine itself. Tom Dixon expressed his curiosity regarding the prevalent industry practice of concealing these intricate and ubiquitous circuit boards, questioning how to showcase their simple yet complex aesthetics. The 'Code' collection offers designers and architects a versatile kit of parts, enabling infinite possibilities for creating customized lighting solutions. The LED light sources are available in three distinct shapes: Dot, Dash, and Grid. These can be combined to form various light structures, including blocks, spheres, strips, or columns of light. This modularity allows for a high degree of creative freedom in tailoring lighting arrangements to specific spaces and design intentions. The collaboration between Tom Dixon and Prolicht was characterized by a mutual reliance on each other's strengths. Prolicht contributed its extensive expertise in light engineering, while Tom Dixon provided the overarching design vision. This synergistic approach resulted in a collection that is both technically sophisticated and aesthetically decorative. Walter Norz, CEO of Prolicht, highlighted the swift and effective connection with Tom Dixon and his team, emphasizing that 'Code' exemplifies their collaborative spirit, producing something that neither party could have achieved independently. The collection is a testament to the successful merger of diverse backgrounds and complementary skills, culminating in a product that redefines the aesthetics of functional lighting. #TomDixon #Prolicht #CodeLighting #LEDTrackLights #LightingDesign #VirtualDesignFestival #ProductLaunch #HomeDecoration #CircuitBoardAesthetics

This article showcases a curated selection of innovative lighting designs observed throughout 2023, highlighting how designers continue to push the boundaries of functionality and aesthetics in illumination. The pieces presented demonstrate a wide array of approaches, from minimalist forms to highly sculptural and technologically integrated solutions, reflecting current trends and advancements in the field of lighting design. Among the featured designs is Atelier de Troupe's Kyoto series, sconce lights distinguished by their unexpected use of cast aluminum, offering a unique texture and materiality to a classic lighting fixture. Bernhard Osann's Bird is introduced as an elegant desk lamp that redefines conventional design by eliminating the base, presenting a clean and airy aesthetic. The article also notes an update to the VL 56 pendant lamps, originally designed by Vilhelm Lauritzen in 1956, showcasing how timeless designs can be reinterpreted for contemporary appeal. Yuchao Lin's Macrozone Fan Lamp presents a more unconventional approach, integrating hidden fan blades that deploy on demand, combining functionality with a sense of playful surprise. Further examples include the Kelvin Epos 300 by Minoko, a precisely adjustable film/photography light with a robust industrial aesthetic, and Jordi Canudas's Dipping Light, which employs a distinctive production method to color its glass lampshades, resulting in unique visual effects. A peculiar lamp from Japanese cosmetics company Shiseido is highlighted, conjectured to be a promotional item from the 1980s, indicating the broader application of lighting in branding and marketing. Lukas Bazle's Méduse pendant lamp offers user-transformable lampshades, allowing for dynamic control over light direction, while Maxime Prananto's Continuous Chandelier challenges traditional notions of luxury lighting by incorporating industrial elements like I-beams and chains with common fluorescent bulbs. Lucas Muñoz Muñoz's B.A.R.E. Lamps are presented as an embodiment of minimum viable product in lighting design, focusing on essential form and function. Studio Huub Ubbens' Unico series showcases sophisticated lamp switches and dimmers, emphasizing the often-overlooked tactile experience of lighting control. Christian Flindt's minimalist bollard lights are featured for their clean lines and suitability for both indoor and outdoor environments. The Bolita lamp by Kaschkasch introduces a kinetic interface, offering an interactive element to lighting. Concept designs like Renaud Defrancesco's Spot, with its dual user-adjustable rotating LEDs, and Naoto Fukasawa's Half Dome series, incorporating subtle haptic touches, point towards future directions in user interaction and sensory experience in lighting. The Dyson Lightcycle Morph Lamp is acknowledged for its intelligent design and multiple applications, despite an aesthetic that prioritizes engineering. Bookman Urban Visibility's lightweight, rechargeable safety lights are noted for their fun form factors catering to pedestrians and cyclists. A 1970s-style manually adjustable Bill lamp concept by Stefanie Kay evokes a nostalgic yet functional design. Inga Sempé's w153 Island offers an improved design for a clamp lamp, enhancing utility and versatility. Keiji Takeuchi's lacquered pendant lamps, inspired by traditional Japanese bowls, combine cultural heritage with modern design. The article also covers outside-the-box innovations such as Stefan Diez's Plusminus lighting system, which utilizes power-conducting webbing straps for flexible installations, and Daniel Schofield's Ray Lamp, a stylish portable lighting solution for both indoor and outdoor use. Alexey Danilin's Amulet Lamp merges hand-blown glass with LEDs for a unique visual effect, while the Funambulb by Superlife is designed for easy portability and hanging. Robert Dabi's Poise Lamp series introduces infinitely-adjustable, impossibly-thin ring-light-like lamps. The evolution of portable lighting is further exemplified by neck lights featuring magnetic, removable flashlights. The Skot lamps by Louis Poulsen, originally designed for maritime use, are highlighted for their aesthetic appeal in terrestrial settings. Govee Curtain Lights are shown to transform walls and windows into animated displays, akin to large-scale Lite-Brites. LED strip lighting on reels, commonly used by European construction workers, is presented as a practical and bright solution for jobsite illumination. Finally, the Philips Ellipse provokes thought on whether the light bulb itself should be considered a design object, encapsulating a broader trend towards aesthetics in every component of lighting. #LightingDesign #IndustrialDesign #ProductDesign #DesignInnovation #HomeLighting #ModernDesign #SustainableDesign #TechIntegration

Decimal, a company with bases in Vancouver and Mexico City, is at the forefront of integrating design and technology to produce innovative 3D printed light fixtures. The company emphasizes a novel approach to lighting, departing from the traditional lightbulb and socket paradigm that has persisted since 1879. Instead, Decimal centers its products around a single, high-quality LED module, engineered for longevity and superior performance. These LED modules are designed to last up to 70,000 hours, offering a sustainable and efficient lighting solution. The unique forms of Decimal's light fixtures are made possible through additive manufacturing, commonly known as 3D printing. This technology allows for the creation of intricate and previously impossible shapes and designs, offering a significant advancement in the aesthetic and functional possibilities of lighting. The company highlights that these fixtures are highly customizable, with a variety of attractive colors and finishings available to suit diverse preferences and interior design schemes. This level of customization ensures that each fixture can be tailored to meet specific aesthetic requirements. Decimal operates on a collaborative platform, engaging tech-savvy designers from around the globe to create its 3D printed shades. This international collaboration fosters a diverse range of design perspectives and constantly pushes the boundaries of lighting design. The company aims to appeal to individuals worldwide who possess a passion for both design and technology, offering them access to cutting-edge lighting solutions that merge artistry with engineering. The integration of LED technology and additive manufacturing represents a transformative period in the lighting industry. LED technology provides endless design possibilities by liberating designers from the constraints of traditional light sources, allowing for greater flexibility in form and function. Concurrently, additive manufacturing empowers the creation of complex geometries and intricate details that would be unachievable with conventional manufacturing methods. Decimal positions itself at this intersection, leveraging these advancements to deliver a new generation of light fixtures that are both visually striking and technologically sophisticated. By focusing on a single, optimized LED light source and utilizing the creative potential of 3D printing, Decimal is challenging conventional notions of lighting. Their products are not merely functional items but serve as contemporary design elements that embody the synergy of modern technology and global design talent. This approach promises to reshape consumer expectations for lighting, offering products that are durable, energy-efficient, customizable, and aesthetically revolutionary. #3DPrinting #LightFixtures #LEDTechnology #ProductDesign #AdditiveManufacturing #HomeDecor #TechnologicalInnovation #SustainableDesign

Jason Krugman, a New York-based artist, creates captivating light sculptures using wire mesh forms embedded with thousands of hand-soldered LED bulbs. His journey into art began after a career in investment banking, leading him to study technology and art at NYU's Interactive Telecommunications Program (ITP). There, he learned about microcontrollers, soldering, digital fabrication, and new materials, which became foundational to his artistic practice. In 2009, Krugman established his studio in Brooklyn, focusing on the intersection of physical computing and fine art, transforming electricity into remarkable sculptures. Krugman's work is characterized by its fluid appearance, despite being constructed from static materials, often mimicking natural phenomena or intricate systems like swarms of mini-drones. He has developed several proprietary technologies, including a hand-soldered LED mesh, various cable systems, and custom printed circuit boards for LED artworks, holding two US patents. His designs are unique in that they often use the physical structure of the sculpture to conduct electricity to the light sources, eliminating the need for insulated wiring. This innovation allows thousands of LEDs to appear to float weightlessly within minimal wire forms, creating a soft, ethereal glow. His recent recognition includes a LIT Lighting Design Award for 'Capella Basket,' a large-scale installation described as a rectangular sheet of 2,000 LED bulbs rolled into a cannoli-like shape and seamed. This particular piece represents a decade of development, inspired by the challenge of shaping mesh material into complex forms. The 'Capella Basket' itself was a monumental undertaking, involving over 10,000 circuit boards, extensive prototyping in collaboration with Arup engineers, and fabrication with the support of the Brooklyn Navy Yard and other local businesses. Krugman views his work as a three-dimensional puzzle, where aesthetic form is deeply intertwined with functional utility. He believes that the beauty of his art is enhanced by its ability to perform, allowing viewers to engage with it intellectually and emotionally. The sculptures are shaped by their inherent capacity to efficiently distribute electricity. The artist's approach combines craft with technology, a process he manages by always building smaller versions and mockup sections, regardless of the project's scale or edition count. Feedback on Krugman's installations frequently highlights their resemblance to scientific structures and natural forms, fostering a sense of connection and collaboration with his audience. Looking ahead, Krugman aims to create even more complex forms while maintaining structural clarity. He also plans to explore folding and stretching techniques with different materials to delve deeper into surface creation, moving beyond his current focus on points and lines. He is also beginning to offer smaller sculptures for sale on his Instagram and website, providing more accessible ways for the public to engage with his art. #LightingDesign #ArtDesign #LightSculptures #LEDArt #InteractiveArt #PhysicalComputing #ContemporaryArt #Innovation #DesignProcess

Light designer Arnout Meijer has joined the roster of Victor Hunt Designart Dealer, a Brussels-based design gallery. Meijer is known for his innovative approach to light, which he treats as a sculptural medium rather than merely a source of illumination. His work explores the interplay between light, perception, and the viewer's position in space. The exhibition, titled 'One Point Perspective,' showcases eight new light sculptures, including floor lamps and wall-hanging pieces, all minimally presented as bare panels of glass. Meijer's creations are characterized by their simple geometric constructions, featuring arrangements of LED points. The patterns produced by these LEDs are dynamic, shifting and distorting as observers move around them. This optical phenomenon is central to his artistic vision, where the LED points serve not only as light sources but also as elements that define and depict intangible objects on the optical surface of the sculptures. The exhibition's title, 'One Point Perspective,' underscores this focus on how perspective influences the perception of his light installations. His ongoing research delves into the relationship between reality and illusion, often challenging conventional notions of sight. Meijer believes that optical illusions are not mere deceptions but fundamental aspects that shape human visual perception. By manipulating light and perspective, he aims to reveal the inherent subjectivity of vision and how our spatial relationship to an object can dramatically alter its perceived form and depth. The bare environment of the exhibition space is intentionally designed to enhance the impact of these illuminated patterns, allowing the viewer to fully immerse themselves in the transformative qualities of each piece. The collection represents an evolution of Meijer's continuous exploration into how light can be sculpted and how human perception interacts with these luminous forms. His designs encourage viewers to engage actively with the artworks, experiencing the profound changes in geometric patterns and depth as they shift their vantage point. Each lamp essentially encapsulates a shape of light that is fluid and dependent on the viewer's position, transforming from a clear geometrical pattern when viewed head-on to a distorted, depth-accelerated form when seen from an angle. This nuanced approach to light design offers a fresh perspective on how art can manipulate our visual understanding of space and form. #ArnoutMeijer #VictorHuntDesignartDealer #LightSculptures #LightingDesign #OpticalIllusion #PerceptionArt #ContemporaryDesign #Exhibition #BrusselsDesign

The field of interior design is undergoing a significant transformation, moving beyond traditional aesthetics to embrace technology-driven experiences. This shift is highlighted by David Taglione of ICRAVE, a multidimensional design studio, who emphasizes the integration of physical, digital, and virtual elements to create immersive environments. The article outlines how digital technology is drastically changing how physical environments are created, requiring designers to think multidimensionally and incorporate digital strategy and customer journey mapping into their briefs. The evolution of interior design now prioritizes "experience design," where spaces are crafted to engage patrons through immersive brand experiences, integrating digital and immersive design with strong visual narratives. Key examples illustrate this evolution, starting with Sphere in Las Vegas, a project that demonstrates the critical role of emerging technology in the entertainment industry. For Sphere, a high-tech architectural lighting system was implemented to manipulate the venue's mood and energy, ensuring an immersive connection for guests and building anticipation for events. Another project, TSX Broadway in Times Square, aims to revolutionize artist-fan connections by blending physical and virtual worlds. This multi-use building incorporates augmented retail, futuristic showrooms with LED screens, a retractable stage, and a 'Retail Alley' with a programmable tunnel, offering both real-life and metaverse experiences. The project leverages Web3 capabilities to unite entertainment-seekers and level the playing field for artists and brands. The impact of virtual and digital technologies extends to healthcare and travel, as seen in the Memorial Sloan Kettering Cancer Center project. Here, technology was used to enhance the patient and family experience, making cancer care less anxiety-inducing. A personalized Real-Time Locating System (RTLS) device was introduced to allow patients, caregivers, and staff to move more freely within the facility, providing patients with greater agency and control over their time during treatment. This approach aims to create a more hospitable and less restrictive environment, enabling patients to use their time more thoughtfully and productively. Digital technology is also instrumental in revitalizing historical destinations and exhibitions. For London's iconic Battersea Station, digital elements such as animated technical drawings and interactive tables with AR web apps were integrated to engage a new generation of audiences. These digital tools worked together to tell a cohesive story, allowing visitors to participate actively in the Power Station's rich history, transforming it into a dynamic entertainment destination. Since its reopening, Battersea Station has attracted over 11 million visitors, demonstrating the success of combining historical reverence with modern technological engagement. As a result of these advancements, the role of interior designers has expanded significantly. Designers are now tasked with finding technological solutions that harmonize with physical spaces and connect emotionally with consumers. The shift from focusing purely on aesthetics to creating multidimensional experiences signifies a new era in design, where technology is not just a tool but a fundamental component in crafting engaging and impactful environments. #InteriorDesign #DigitalTransformation #ExperienceDesign #ImmersiveExperiences #TechnologicalInnovation #SphereLasVegas #TSXBroadway #HealthcareDesign #ArchitecturalLighting

The article explores the growing adoption of Virtual Reality (VR) platforms within the Architecture, Engineering, and Construction (AEC) industry, highlighting how these tools revolutionize building design and collaboration. Traditionally, designers relied on Computer-Aided Design (CAD) to create 3D wireframes viewed on 2D screens. However, VR technology now allows clients, architects, contractors, and interior designers to virtually experience and walk through a structure before its physical construction. The article identifies three prominent VR platforms optimized for AEC: The Wild, InsiteVR (including its product Resolve), and IrisVR. These platforms facilitate collaborative design processes, enabling multiple users to interact with and edit virtual models in real-time. This real-time collaboration with sketching tools is noted to enhance the creative vision of a design, allowing for revisions and customizations, and providing a strong sense of presence without the need for physical construction. Key features of these VR platforms include dynamic editing tools such as annotation with pens, speech-to-text commands, customizable colors, and geometric shapes. These tools aid in iterating on design ideas and blueprints. The Wild, for instance, is integrated with Autodesk Construction Cloud and is praised by users for its ease of use and powerful capabilities. IrisVR also allows users to import complex architectural 3D models and integrate with various 3D modeling software like Revit, Rhino, Sketchup, and Navisworks. It enables meeting hosts to guide participants through virtual walkthroughs, with freehand and spatially aware annotations that can be flagged and reviewed later. InsiteVR, also integrated with Autodesk Construction Cloud, focuses on reducing late-stage construction errors through immersive coordination meetings. It allows remote users to gather within a 3D Building Information Model (BIM) to inspect, annotate, and revise models at any scale and from any perspective. The platform provides access to BIM metadata within the virtual environment, enabling detailed inspection of elements. Notably, Resolve prioritizes the Oculus Quest for rendering complex BIMs with up to 500 million polygons, addressing limitations often found in other AEC visualization platforms. Scale plays a significant role in the VR experience, allowing users to adjust their perspective from a 1:1 human scale to that of a skyscraper, offering unique insights into design aspects that might be overlooked on a 2D screen. Models themselves can also be scaled and precisely measured within the virtual environment. Environmental factors like the time of day can also be simulated, further enhancing the realism of the walkthroughs. Gensler, one of the world's largest architecture firms, utilizes 3D programs like Fuzor and IrisVR for design visualization and employs commercial game engines such as Unity and Unreal Engine for high-quality rendering, lighting, animation, and model accuracy, moving beyond the often 'cartoony' appearance of traditional CAD software. Gensler also provides a mobile VR app, Gensler VR, which allows clients to view 360-degree panoramic computer models of their designs. The firm emphasizes that clients now expect highly detailed and complex 3D visualizations, which are considered superior to traditional physical models, though physical models are still produced for presentation purposes. #VirtualReality #AugmentedReality #MixedReality #AECIndustry #BuildingDesign #CollaborativeDesign #3DModeling #ArchitecturalVisualization #ConstructionTechnology

Allied Maker, a New York-based design and manufacturing studio founded in 2012, recently introduced four new lighting fixtures at the Architectural Digest Design Show. The studio is known for its minimalist designs that emphasize the inherent beauty of materials such as brass, glass, and hardwoods. The newly unveiled collection continues this aesthetic, incorporating both angular, structural lines, specifically triangles, and soft, curving circular forms into their latest creations. One of the new additions is the Tri Cone Pendant, a fixture that features a cone-shaped shade designed to direct a focused beam of light. This focused illumination is achieved with a glass disc, all contained within a tetrahedron-inspired structural frame. The design seamlessly blends geometric precision with functional lighting, creating a visually compelling piece that is both modern and elegant. Another significant launch is the Grand Aperture 4, an expanded version of Allied Maker's existing Aperture 4 chandelier. This larger chandelier is specifically engineered to make a substantial visual impact in spacious environments. It comprises four glass domes strategically placed to encircle four distinct light sources. This arrangement ensures a broad and even diffusion of light, making it suitable for grand living areas or commercial spaces where significant ambient lighting is desired, all while maintaining a sophisticated aesthetic. The collection also includes the Contour Wall Lamp 22”. This wall-mounted fixture is characterized by its graceful, hand-bent arc, which extends to connect with a glass sphere. The design's functionality is enhanced by its ability to swivel against the wall, allowing for adjustable lighting direction and adaptability to various room configurations. The elegant curve and spherical element offer a blend of art and utility, providing both illumination and a sculptural presence. Completing the quartet of new fixtures is the Concentric 15”, a versatile piece designed for either wall or ceiling installation. This fixture stands out due to its handcrafted wooden dome, which features a series of concentric circles. These circles create a topographic effect, giving the fixture a unique textural and visual depth. The pleasing arrangement of the concentric rings adds a subtle yet striking decorative element to any space, reinforcing Allied Maker's commitment to thoughtful design and meticulous craftsmanship. These new offerings from Allied Maker reinforce their dedication to creating lighting solutions that are not only functional but also serve as artistic statements within a space. The combination of high-quality materials, expert craftsmanship, and a keen eye for minimalist design ensures that these fixtures enhance the ambiance and aesthetic of contemporary interiors. #AlliedMaker #LightingFixtures #ArchitecturalDigestDesignShow #MinimalistDesign #BrassLighting #GlassDesign #Chandeliers #WallLamps #HomeFurnishings

Signify myCreation, a leading lighting company, is revolutionizing the lighting industry through advanced 3D printing technology and a strong commitment to sustainability. The company empowers brands, startups, and designers to create personalized luminaires tailored to specific identities, visions, and needs. This is achieved through an intuitive online configurator that allows users to select from a diverse range of shapes, colors, textures, and lighting specifications. The platform offers over 190 design variants, facilitating the creation of lighting solutions that seamlessly integrate into retail, hospitality, business, and residential spaces. Additionally, all functional lighting solutions are designed to be energy-efficient and can be integrated with connected systems for further energy savings. Signify myCreation is returning to Milan Design Week 2025 with an elegant bar installation at Milan’s Palazzo Giureconsulti. This installation, designed in collaboration with Dekker Zevenhuizen and Triboo, will be illuminated by a curated selection of award-winning luminaires. The exhibition will feature the Gleam and Smooth luminaires, along with the Voila table lamp, showcasing the platform's ability to combine functionality with sophisticated aesthetics and environmental responsibility. A new addition to the Smooth Spotlight series, promising superb adaptability, will also be previewed. The Gleam luminaire, designed by Sebastian Bergne, is a refined bulb-based pendant light known for its serene, heptagon-inspired silhouette and its ability to add a touch of wonder to everyday objects. Available in multiple sizes, the Gleam design aligns with the 3D print grain, with all printed parts made from ISCC Plus certified bio-circular materials. Its minimalist and delicate nature allows it to create intimate atmospheres or serve as a striking interior accent. The Gleam lighting pendant family, recognized with a 2025 iF Design Award, reinterprets the simple glowing pendant globe through alternative geometry and Bergne’s distinctive flair. The flexibility of 3D printing enables horizontal form lines that create a skeleton of uninterrupted harmony, with each piece possessing a unique presence and allure, available in three sizes and one texture. The Smooth Spotlight series, also a recipient of the 2025 iF Design Award, is designed for hospitality and residential settings, offering superior customization in both colors and textures. This allows for the creation of unique lighting formulas to highlight spaces effectively. Its printed components are made from 65% recycled and ISCC Plus-certified bio-circular materials, while the heatsink is crafted from 85% recycled aluminum, ensuring durability and longevity. The minimalist spotlight includes a honeycomb accessory to reduce glare and improve light distribution. Its circular design ensures it can be upgraded throughout its lifespan. The Voila collection of table lamps features charmingly proportioned designs with a vibrant color palette and playful presence. These lamps, reminiscent of 1960s interior design with their petite mushroom silhouettes, are crafted from bio-circular materials like biomass and natural waste, processed into sustainable polycarbonate. The single light source shines both upward and downward, creating a mesmerizing diffused light with a mandala effect through the crafted underside of the lampshade. The Voila lamp, an iF Design Award winner in 2022, is available in various colors such as white, bronze, gold, pink, and green, subtly complementing any interior space with its lightness and versatility. Signify myCreation emphasizes eco-friendly practices by incorporating at least 65% recycled and bio-circular materials in all its products. The 3D printing process reduces material waste and carbon emissions through local, on-demand production, minimizing transportation impacts. The company actively collaborates with research institutions, startups, and industrial organizations to advance 3D printing technology and sustainable practices, having produced nearly 2 million luminaires globally. At Milan Design Week 2025, visitors can explore the potential of personalized, smart, efficient, and sustainable lighting solutions at Signify myCreation’s pavilion. The initiative plans to expand its offerings and improve user experience through enhanced configurators and advanced product roadmaps, aiming for ambitious sustainability goals such as increasing climate action revenues to 72% and achieving zero waste to landfill. Signify myCreation sets new standards in circular lighting design by blending cutting-edge technology with artistic expression and a commitment to sustainability. #LightingDesign #3DPrinting #SustainableDesign #InnovativeMaterials #MilanDesignWeek #CircularEconomy #ProductDesign #SmartLighting #BioCircularMaterials

Architectural design has historically relied on 2D representations such as elevations, sections, and floor plans, supplemented by digital 3D renderings. While these tools are crucial for conveying geometry and design intent, they inherently flatten space and limit the viewer's ability to experience a project as it would exist in reality. To overcome this limitation, architects have started to leverage immersive technologies, specifically Extended Reality (XR), to bridge the gap between abstract drawings and lived spatial experience. XR encompasses three primary categories: Augmented Reality (AR), Virtual Reality (VR), and Mixed Reality (MR), each offering distinct levels of digital immersion. AR enhances the real world by overlaying digital content, exemplified by systems that use passthrough cameras like the Apple Vision Pro. In contrast, VR fully immerses users in entirely virtual environments, blocking out the physical world. MR, positioned between AR and VR, is a more refined classification of AR, typically involving head-mounted displays (HMDs) with see-through lenses that superimpose 3D models onto the user's view, such as the Microsoft HoloLens. Innovations like the Trimble XR10 integrate these HMDs with hard hats, making MR technology viable for use on construction sites. For clarity, this discussion categorizes Class 1 display systems (monitor-based with camera passthrough) as AR and Class 2 and 3 systems (HMDs with see-through lenses) as MR. The perception of space in architectural design extends beyond mere geometry; it involves intuition, individual knowledge, and prior experiences. Kevin Lynch's concept of "legibility" refers to how easily a space can be understood and mentally organized, while Ittelson (1978) highlighted how users explore, categorize, and systematize spatial elements. Research indicates that immersive environments can accurately simulate these processes, allowing architects and clients to interact with designs not just as abstract plans but as tangible spaces to navigate and interpret. This facilitates a more profound understanding of how a proposed design will feel and function in real-world conditions. A 2021 study by the National Taiwan University investigated the effectiveness of 2D drawings versus MR in understanding architectural design. Participants were divided into two groups: one analyzed an interior design proposal using traditional printed drawings and colored renderings, while the other used an explorable 3D model via an MR headset (HoloLens). The findings revealed that MR technology enabled users to grasp approximately 85% of the overall design proposal, compared to about 75% for 2D methods. While MR excelled in conveying how elements interact, material properties, and visual perception of size, 2D plans remained superior for specific measurements (length and width), understanding demolition plans, and identifying countable elements like light fixtures or sockets. This suggests that MR does not entirely replace 2D methods but rather complements them. Integrating MR into architectural design review workflows has the potential to foster inclusive and interdisciplinary collaboration. It helps bridge the communication gap between technical design teams and non-technical stakeholders, such as clients, who may struggle to visualize designs from conventional drawings. By allowing clients to experience design proposals directly on-site through transparent MR lenses, they can intuitively identify issues like circulation conflicts, scale misinterpretations, or material inconsistencies. This enables client feedback to be based on direct perceptual experience rather than abstract interpretation, leading to more informed and user-centric design decisions. For architectural teams, this combination of MR and traditional tools can lead to more holistic and validated design outcomes by enriching technical evaluations with experiential understanding. #ArchitecturalVisualization #ArchitecturalDesign #AugmentedReality #MixedReality #HoloLens #DesignReview #SpatialPerception #ImmersiveTechnology #ConstructionTechnology

Philips MyCreation, a brand introduced by Signify, a global leader in lighting for over 125 years, is at the forefront of sustainable design, offering innovative 3D printed lighting solutions. This brand was developed in response to growing environmental challenges, aiming to contribute to a circular economy, significantly reduce CO2 emissions, and eliminate waste. At the core of Philips MyCreation's production process is advanced 3D printing technology, where all printed components are manufactured using at least 55% recycled or bio-circular plastics. This approach not only supports environmental sustainability but also enables the creation of unique, custom-fit designs tailored to specific brands and spaces, all while maintaining a minimal carbon footprint. For design enthusiasts and professionals, Philips MyCreation offers two distinct pathways to acquire their ideal luminaires. The first option involves exploring a curated selection of pre-designed lighting solutions. These include a variety of high-quality luminaires such as downlights, projectors, and pendants. Clients can customize these pre-designed products by mixing and matching elements like color, texture, and shape, providing extensive possibilities for personalization. Notable examples from this collection include special edition pendant products such as the Spring Oasis collection, which innovatively repurposes water jugs, and the Coastal Breeze collection, which champions sustainability by utilizing recycled fishing nets sourced from the coast of Cornwall. The Jewels collection, another highlight, has received an IF Design Award, signifying its artistic and functional excellence. The second pathway caters to those seeking truly bespoke lighting solutions through a co-creation process with Philips MyCreation’s expert designers. This collaborative model empowers clients to materialize their vision, ensuring the luminaire perfectly complements their space and brand identity. The co-creation journey is streamlined into six straightforward steps: clients share their project ideas, designers develop initial sketches, and then work with the client to select the design, texture, and color. Further details are specified, a prototype is fine-tuned, and finally, the unique creation is 3D printed and delivered. This methodical process ensures that every custom luminaire is a precise and personalized reflection of the client's requirements. Philips MyCreation's commitment to sustainability extends beyond material use to the entire production lifecycle, ensuring that the future of lighting design is both brilliantly illuminated and environmentally responsible. Whether opting for customizable pre-designed options or embarking on a comprehensive co-creation journey, Philips MyCreation offers unparalleled design possibilities. The brand positions itself as a beacon of inspiration for those looking to integrate innovative and sustainable lighting solutions into their environments. This initiative not only addresses critical ecological concerns but also offers a flexible and creative platform for diverse lighting needs. DesignWanted plans to further explore Philips MyCreation's impact in an upcoming series of articles, delving deeper into how the brand is revolutionizing the lighting industry with its responsible approach to illuminating spaces. #LightingDesign #3dPrinting #SustainableDesign #InnovativeMaterials #CircularEconomy #CustomLighting #EcoFriendly #DesignInnovation

The "Bulb Fiction" show, held in the Hernals neighborhood of Vienna at the Klaus Engelhorn Depot, showcased a diverse collection of lighting objects, spanning from the late 1960s and early 1970s to contemporary designs. Curated by Michael Turkiewicz of designandart.at and Gabriele Ruff, the exhibition explored the future of lamp design in anticipation of the phasing out of incandescent bulbs and the transition to energy-saving alternatives. The show featured newly commissioned pieces alongside historical lighting, creating a dialogue between past and present design philosophies concerning illumination. A central theme of the exhibition revolved around the question: "What will happen to lamp designs when incandescent bulbs run out?" This query prompted Vienna-based designers to conceptualize and create light sources that address the evolving landscape of lighting technology. The curated collection highlighted innovative approaches to this challenge, emphasizing both aesthetic considerations and practical solutions for energy efficiency. Among the notable exhibits was mischer'traxler's "Relumine" lamp, which ingeniously integrated two lamp typologies that share or contend for the light source of a single fluorescent bulb. This design demonstrated a creative use of existing energy-efficient technology within a novel form factor. POLKA presented their "Perlenlicht" lamp, an oversized, pearl necklace-like prototype designed as a wall-mounted light object. Monica Singer of POLKA described the piece as playing with the alteration of dimension and context, transforming an everyday object like a pearl necklace while also referencing traditional Viennese staircase lighting, often characterized by simple glass globes. Another innovative piece featured was claassen & partner's "Van Zipper" light, a design that allows users to adjust the light's intensity by opening or closing zippers. This interactive element provided a tangible connection between user action and light output. PRINZGAU/podgorschek contributed the "Kreis -Kugell - Zufall" chandelier, a sophisticated design produced by the renowned glass manufacturers J&L Lobmeyer, blending artistic expression with traditional craftsmanship. The exhibition also included works from a wide array of other designers, such as Michael Anastassiades' "Kinetic -2 Pendulum Lamp," Charlotte Dumoncel d'Argence's "Vanitas Lamp," NEXT architects & Aura Luz Melis' "Slow Glow Lamp," and Tejo Remy's "Milk Bottle." Other participating designers included Florence Doleac, Joel Degermark, Lonneke Gordijn/Drift, Rody Graumans, Stuart Haygarth, Tomas Hoke, Chris Kabel, and Marcus Tremonto, all of whom contributed to the diverse exploration of contemporary lighting design and its future. The show underscored the ongoing evolution of lighting solutions in response to technological advancements and environmental considerations. #ViennaDesignWeek #LightingDesign #BulbFiction #EnergyEfficientLighting #ContemporaryDesign #ProductDesign #Exhibition #MischerTraxler #POLKA

The article outlines eight prominent lighting trends anticipated to shape home design in 2026, moving beyond traditional overhead illumination to more thoughtful and layered approaches. Experts emphasize that lighting fixtures are increasingly viewed as 'jewelry for the room,' with a focus on sculptural designs and interesting material combinations to create varied layers of light. The primary shift involves a departure from sole reliance on recessed lighting, which is now considered an outdated design concept when used as the only light source. Instead, designers advocate for layered lighting solutions that combine sconces, table lamps, floor lamps, pendants, and picture lights to add warmth, direction, personality, and flexibility, allowing rooms to adapt to different moods and occasions. A significant trend highlighted is the concept of 'lighting as jewelry,' where a few highly detailed fixtures serve as focal points. This approach suggests incorporating sculptural glass pendants, reminiscent of Venetian and Murano glass, alongside fabric shades that soften the light. The article notes that warm, low-contrast light on earthy and golden palettes can enhance the aesthetic and comfort of a space. Playful lampshades are also gaining traction, with designers encouraging the use of bold patterns, prints, and colors to infuse charm and a custom feel into lighting elements that were once purely functional. Another key trend involves the use of overscaled statement pieces. Large-scale lighting is presented as an extension of a home’s architecture, providing proportion and sculptural interest. A single, confident pendant can organize a space and reduce the need for excessive decoration, though such substantial fixtures require appropriate ceiling support. Conversely, the rise of discreet linear lighting and 'glow lines' is also discussed. These architectural lighting solutions, such as LED coves, shelf washes, and toe-kick strips, prioritize subtlety and functionality, emphasizing form over fixture and aiding in night navigation while enhancing a home's overall design. Tunable white lighting, which allows for adjustments from bright daylight tones to warm candlelight, is emerging as an essential element for supporting circadian rhythm and creating a natural transition from day to evening. While offering flattering illumination, it does require compatible dimmers and represents a slightly higher investment. The article also points to a renewed interest in vintage lighting, with antique and vintage lamps and sconces being integrated into modern spaces to add character, history, and a timeless, layered feel. Finally, portable and rechargeable lamps are identified as a growing trend, offering intimacy and mobility for creating atmosphere, akin to modern candlelight, despite current limitations in brightness and battery longevity. #LightingTrends #HomeDesign #InteriorDecor #LayeredLighting #ArchitecturalLighting #VintageLighting #SmartLighting #DecorativeLighting

The renovation of a 17th-century villa in Austria showcases a collaborative effort between Buzzi & Buzzi, a prominent Lombard company specializing in lighting, and SUPERFUTUREDESIGN*, an Italian architectural firm based in Dubai. The core principle guiding this project was the integration of light as a fundamental determinant for all design choices. The extensive 2,000 square meter building, originally a monastery in the 17th century and later converted into a residential property, is situated within a sprawling 30,000 square meter park. The renovation sought to harmoniously blend contemporary design with the villa's historical integrity, achieving a balanced aesthetic that respects its centuries-old character. The project incorporates advanced plant engineering, with Buzzi & Buzzi's lighting solutions meticulously crafted to create specific light paths. This approach skillfully calibrates natural and artificial light intensities to suit the living spaces. The luminaires, characterized by their clean lines and fluid forms, enhance the project's overall design and define its spatial volumes. Buzzi & Buzzi offered a diverse range of lighting options, including recessed, surface-mounted, and suspended lamps, all tailored to meet the clients' unique aesthetic and functional requirements. The lighting design strategically employs various fixtures to achieve desired scenic effects. For instance, 'Eggy,' an ovoid recessed light made from AirCoral – an eco-active, anti-pollutant, antibacterial, and photo-catalytic material – is utilized in the bathroom area. This material is designed to improve indoor air quality. Eggy provides discreet, evenly distributed LED lighting from an egg-shaped aperture with a backward source and a 40-degree inclined beam. In contrast, 'Buzzz,' a hexagonal luminaire also crafted from AirCoral, features a sharp geometric design and an asymmetrical 70-degree inclined beam. It is strategically placed in hallways and expansive living areas to deliver intense yet understated illumination. The distinctive shape of Buzzz transforms the ceiling into a decorative element, making light an integral part of the home decor. Another notable lighting solution is 'Argia,' installed in the living area. It creates a perfectly circular light recess by subtly subtracting a portion of the wall, allowing the light source to be visible. Its soft, glare-free light is particularly suited for high-traffic areas of the house. 'Genius' and 'Twin Genius,' named for their innovative forms, are ceiling-mounted fixtures that produce sharply defined luminous cones with a 90-degree beam angle. 'Nefi,' a recessed square-shaped lamp, contributes to spatial balance and features a satin-finish glass for harmonious light diffusion. 'Lentil,' a small oval recessed walkway light, offers a strong aesthetic impact with a wall-washer parabola that blurs the light, a convex emission hole, and a 45-degree inclined beam, making it a subtle yet significant detail in smaller areas like staircases. Contrasting with Lentil's curved aesthetic are 'Blade' and 'Ghost,' slender rectangular luminous elements recessed into the lower sections of walls. These fixtures, equipped with wall-washer parabolas, sculpt surfaces and rooms with diffuse, decorative, and effective lighting. Suspended lighting solutions were also integral to the interior design. 'Zen,' an Air Coral 30W LED lamp, enhances the dining room with a subtle 26 mm light line, creating a suffused effect. 'Funnel' adds a minimalist touch to the villa's contemporary design, providing refined simplicity to the dining area with a 24-degree direct beam, suspended by an adjustable transparent silicone cable. 'Ellisse,' a decorative element for master bedroom walls, is centrally installed to provide indirect, well-distributed light, blending seamlessly with the design through its smooth Air Coral finish. For functional interior accents, 'Valo,' a luminous cube, is placed on the floor to project light upwards, creating a cozy ambiance with a 3000K color temperature. Finally, 'X1' and 'Q1' projectors, compact and efficient, are finished in white like other products in the project to maintain discretion while creating various lighting scenarios. Installed on beams to highlight the wooden structural elements, these spotlights offer both direct and indirect lighting, with dimmable beams to adjust the light output as needed. Similarly, 'Rhino' is a versatile recessed spotlight that can be pulled out and swiveled 360 degrees, providing precise beams with power LED sources for residential use. The comprehensive range of Buzzi & Buzzi's lighting solutions integrates seamlessly into the villa's design, establishing a synergy between preserving historical value and enhancing it through sophisticated systems. The exclusive materials, advanced details, and elegant aesthetics collaboratively define and realize unique lighting concepts, specifically tailored to respectfully accentuate the building's history while embracing innovation. #VillaRenovation #LightingDesign #ArchitecturalLighting #HistoricalPreservation #InteriorDesign #EcoFriendlyMaterials #SmartLighting #LuxuryHomes #AustrianArchitecture

Lodes has officially launched its first outdoor lighting collection, 'Outdoor,' following its preview at Euroluce 2025. This collection marks a significant expansion for the Venetian brand, extending its established indoor aesthetic and design philosophy to exterior spaces. The collection aims to redefine the continuity between indoor and outdoor living by offering high-performance lighting solutions with a strong decorative appeal, suitable for both residential and hospitality environments. Instead of serving a purely technical function, the lighting is designed to enhance the experience of living spaces, combining well-being, visual allure, and a seamless transition between interior and exterior areas. The core principles guiding the 'Outdoor' collection include aesthetic innovation and visual comfort, evident in the shapes, details, and finishes that interact harmoniously with the environment. Advanced technology is integrated to ensure efficiency and durability, utilizing carefully selected materials and components to guarantee superior performance under various conditions. The collection emphasizes light customization, allowing for enhanced color rendering and emission control, thereby merging visual quality with design flexibility. Furthermore, sustainability is a key consideration, reflected in the modularity and detachability of the products. These features promote longevity, ease of maintenance, and responsible resource utilization, positioning each lighting fixture as a subtle yet impactful architectural element that enriches outdoor spaces with a poetic and enduring presence. The 'Outdoor' collection comprises seven distinct projects, each contributing to a unified design language while showcasing diverse sensibilities. Collaborations include designers Patrick Norguet, Snøhetta, and estudi{H}ac, alongside Lodes' in-house design team, ensuring consistency with the brand's philosophy. Each product tells a unique story about experiencing outdoor light, ranging from technical versatility and integration with nature to formal elegance, decorative impact, and direct engagement with architectural surfaces. This approach highlights how light can simultaneously fulfill functional, emotional, and architectural roles. Patrick Norguet's contributions include 'Focus,' a versatile projector inspired by photography, offering adjustable light and various installation options across different settings. 'Kinno,' a bollard with an organic, mushroom-like design, is available in plant-inspired finishes and can be mounted on walls, ceilings, or the ground, adding movement to lighting compositions. 'Chelsie' is a compact architectural light designed as a floor washer or step light, providing uniform illumination with a discreetly concealed LED source, emphasizing its decorative nature. Snøhetta studio introduces 'Volum Outdoor,' which translates the elegance of blown-glass spheres from Lodes' indoor collection to exterior spaces. These fixtures, with their unique yet similar shapes and glossy finishes, emit a soft, even light, fostering continuity between indoor and covered outdoor areas like loggias and terraces. Estudi{H}ac's 'Stitch' family of lanterns brings a decorative vision to the collection, with technical fabric ribbons woven through metal frames to create intriguing light and shadow effects, serving as a versatile furnishing element. The Lodes design team developed 'Reed' and 'Puzzle Outdoor.' 'Reed' features slender metal stems with organic diffusers, designed to blend seamlessly with vegetation, creating a natural extension of the landscape. 'Puzzle Outdoor' adapts Lodes' indoor wall lights for exterior use, producing grazing light that highlights surfaces and textures. Available in single or double versions with customizable rotation and tilt, it offers designers creative freedom to transform walls into luminous backdrops. The 'Outdoor' collection represents a pivotal moment for Lodes, expanding its design horizon and introducing new possibilities for how light shapes and interacts with both natural and built environments, ultimately blurring the boundaries between design and nature. #Lodes #OutdoorLighting #ExteriorDesign #LightingDesign #HomeDecoration #ProductLaunch #ArchitecturalLighting #SustainableDesign