This 1960s Casablanca home displays a museum-worthy collection of art and design

This article explores a Mediterranean-revival home in Palm Beach, valued at $12 million, purchased by investment banker Lisbeth Barron for her mother, Carla. The 7,896-square-foot estate features six bedrooms, eight bathrooms, and nearly 200 feet of direct Intracoastal access. The interior design, a collaborative effort between Lisbeth and her sister, Judy Barron, owner of Brass Scale Antiques, showcases a distinctive approach that defies conventional rules. Instead of adhering to a single style, the sisters fill the home with treasures chosen for their sentimental value and the memories they evoke, creating a "family memoir" within the architecture. The home's grandeur is defined by its architectural elements, including ivory and red travertine floors, Herpel stone columns and arches, Brazilian cherry hardwood floors, mahogany ceiling beams, and intricate wrought iron detailing. Within this backdrop, an eclectic collection of art and antiques is meticulously arranged. The formal living room, for instance, features an identical pair of 18th-century Italian-style sofas in lush velvet celadon, Lisbeth Barron’s favorite color, flanking a Walker Zabriskie Balinese shagreen cocktail table. These are complemented by upholstered French bergères and ornately carved, gilded Italian Renaissance armchairs, along with stately French tambour end tables. A recurring theme throughout the estate is a diverse collection of animal sculptures, shields, and armor. These include a brass zebra, lion, and dolphin, as well as a papier-mâché sunburst by Mexican sculptor Sergio Bustamante. The home also houses museum-worthy collections, such as centuries-old wood and glass display cases filled with fisherman’s rope knots from Scotland. The study pays homage to Lisbeth’s father, Herman Barron, a championship golfer, with a tribute to his career, including his participation in the 1947 U.S. Ryder Cup team. Lisbeth’s personal achievements are also noted, as she recently became the first single female member of the Palm Beach Country Club, where her father once served as a golf pro. Art plays a significant role in the home's aesthetic, with vivid paintings by acclaimed pop artist Peter Max displayed in the gym, reflecting his client-friend relationship with Lisbeth. Rare watercolors by French painter Philippe Noyer, admired by the sisters’ mother for their expressive subjects, are featured in several spaces. Other unique items include a Moroccan shoeshine box, a shofar mounted above a doorway, and a three-instrument digital Maximum weather station in the family room. Judy Barron, with her extensive knowledge of antiques, can readily provide historical context for each piece, underscoring her expertise in the field. The home is also a hub for social gatherings, often hosting Lisbeth’s famous pianist friends who play her late 1800s antique Steinway, or occasions where celebrity chef Martha Stewart prepares meals in the kitchen. The nearly three-year-long decoration project is largely complete, though new acquisitions from Judy's antique business continue to find their place, reflecting an ongoing process driven by a shared passion and familial affection, despite occasional disagreements over choices. This estate is not just a house; it’s a living narrative enriched by personal history, art, and cherished memories. #PalmBeachEstate #AntiqueFurnishings #MediterraneanRevival #InteriorDesign #FamilyMemoir #EclecticDecor #WaterfrontProperty #ArtCollection #LuxuryHomes

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

Melanie Sramek-Bennett's passion for 1960s design is evident throughout her converted chalet on the Sussex coast. Inspired by her parents' glamorous 60s lifestyle, she sought out a 60s house to infuse with her love for vibrant colors and crisp Scandi style. The current four-bedroom detached property in Hove, though initially unappealing, captured her interest due to its proportions, large garden, and potential for expansion. The previous owners had done a quick renovation for sale, allowing Melanie and her husband Darren to move in while planning their extensive transformation. The couple designed the layout themselves, then hired an architect to finalize the plans. The initial goal was a contemporary double-storey extension with a large living space for entertaining and location shoots, and bigger bedrooms. However, they faced a three-year battle for planning permission, with the local authority objecting to the double-storey extension due to its perceived conflict with the chalet's low roofline and the character of the neighborhood. Eventually, they compromised on a single-storey extension and an enlarged rear dormer to improve the existing bedrooms, a decision Melanie now feels was not a compromise at all. During the renovations, the family rented another property, allowing Melanie to focus on the interior design. Her aesthetic combines mid-century and 60s influences with minimalist contemporary Scandi style, characterized by bold colors and expressive art. One notable piece is an Italian 1960s modular sofa sourced from a German vintage site. The new extension features a pale grey kitchen and white composite worktop, complemented by a white plywood dining table. Melanie initially wanted a yellow kitchen but agreed with Darren that a neutral base would better allow her to layer in colorful art and furniture. Subtle grey walls and cork flooring also contribute to a neutral backdrop, directing attention to the artworks. Upstairs, color blocking defines the rooms, with Melanie employing leftover paint and asymmetrical designs, such as angled walls and off-center art, to create unique spaces. Melanie's resourcefulness extended to sourcing furniture and decor. She found vintage yellow lecture chairs locally and imported mid-century armchairs by Czech designer Jaroslav Smidek from the Czech Republic, leveraging her father's connections there for cost-effective shipping. Budget-consciousness was a priority throughout the project. She acquired an imperfect Tom Raffield light from eBay, had her mother upholster some chairs, and spray-painted sale pendants grey to match colorful electrical cords. She also discovered graphic prints for £5 each at Brighton & Hove’s Phoenix Gallery. Melanie emphasizes that significant spending is not necessary for a beautiful home, and creative solutions can lead to deeply satisfying results. The house now offers flexibility for rearranging furniture and art, serving both as a happy family home and a successful location for photo shoots. #HomeRenovation #MidCenturyModern #InteriorDesign #ScandiStyle #ChaletConversion #SussexCoast #ColorfulInteriors #VintageFurniture #BudgetDecor #HomeMakeover

The Cochran family, including parents Sheryl and David, and sons Luke and Matt (with wife Courtney), shares a distinct interior design aesthetic characterized by a blend of modern, vintage, and quirky elements. This aesthetic has evolved through their shared love for music, art, and eclectic pieces, with the parents' curated home inspiring their sons' living spaces. David Cochran, an artist, contributes significantly to their art collections, and family painting sessions further enrich their homes' decor. The siblings' individual design choices also influence each other, with new finds by one often sparking ideas for the other. Courtney and Matt Cochran’s historic home in the Fan District, built in 1909, exemplifies this shared style. They meticulously preserved the home's original charm, refinishing floors and retaining existing chandeliers to maintain its inherent grandeur. Their approach to furnishing involved a slow and deliberate process of acquiring pieces from estate sales, antique markets, and local stores like Class and Trash. The entryway features an original crystal chandelier juxtaposed with an industrial console table and an African elephant mask, showcasing their ability to blend diverse styles. The dining and living area combines a West Elm dining table with midcentury modern chairs and a velvet sofa, illuminated by vintage stained-glass panels. The use of subtle color notes and carefully chosen art and decor creates a harmonious space that seamlessly merges new and old. Luke Cochran's South Side Richmond home also reflects the family's aesthetic, with his mother, Sheryl, providing design guidance. Renovations in Luke's home were minimal, primarily focusing on removing walls to create a more open layout, thereby preserving its original character. His design philosophy centers around unique pieces, such as an antique carved wooden cabinet sourced from Circa in Charlottesville, which is contrasted with contemporary gold lamps. The dining room features deep blue walls and modern cabinets, softened by a wooden pantry door from Caravati’s in Ashland. A retrofuturistic Sputnik-inspired light fixture bridges modern features with warm wooden elements, resulting in a refined yet comfortable atmosphere. Across both homes, a consistent theme emerges: the juxtaposition of furniture with eclectic art collections and luxurious mirrors. This common stylistic thread connects the generations, illustrating how a shared passion for design can manifest uniquely in different living spaces while still retaining a familial signature. Each home, while reflecting the individual tastes and travel experiences of its occupants, maintains an inviting ambiance where art, music, and creativity are central to the living experience. This intergenerational influence and the conscious curation of diverse elements define the Cochran family's interior design approach. #homes #interiorDesign #homeDecor #families #antiques #vintageStyle #artCollections #eclecticDecor

This article presents a curated selection of ten residential interiors, meticulously designed to highlight and integrate significant art collections. It serves as part of the Dezeen Lookbooks series, offering visual inspiration for individuals interested in design. The featured homes range from minimalist, gallery-like spaces that provide a neutral backdrop for art, to more eclectic and busy environments where the art is woven into the overall aesthetic. Each example demonstrates unique approaches to displaying various forms of art, including paintings, sculptures, ceramics, and even bespoke furniture. The Former Artists Studio in the UK, transformed by Rodić Davidson Architects, showcases an eclectic mix of furniture and art within whitewashed brick walls and an open-plan layout, illuminated by a glass sloped roof. Alison Brooks Architects extended a Georgian farmhouse in the UK to create Windward House, featuring a double-height gallery space with niches specifically designed for particular art pieces, and a staircase integrating a mini-gallery of 100 small works. In Canada, Ali Budd Interiors designed Muskoka Cottage with pure white walls, stained wood floors, and wood-lined ceilings to serve as a backdrop for a client's art collection. Noteworthy pieces like Faye Toogood's Roly Poly chair and Paul Rousso's graphic art are strategically placed. John Wardle Architects renovated Kew Residence in Australia, his own home, incorporating Victorian ash on walls, ceilings, and floors to create a neutral setting for his collection of Japanese sculptures, ceramics, and vibrant artworks. Built-in shelving and cabinetry discreetly store collections without detracting from views. i29's Home for the Arts in the Netherlands displays an extensive art collection across two levels of a loft-style apartment. Double-height larch wood and grey HPL shelving conceal a staircase while housing books and sculptures, with grey resin floors providing a blank canvas. The Artery Residence in the US, designed by Hufft, was conceived around its owner's vast art collection, featuring expansive wall spaces for paintings, photography, and sculpture, complemented by specialized lighting and climate control systems akin to those found in art galleries. Stern McCafferty Architects renovated a 20th-century country home in Massachusetts, the Cambridge Residence, to better exhibit art. White matte walls with large baseboards and pale wood floors evoke a gallery aesthetic while maintaining country heritage. Casa Salvatori in Milan, Italy, by Elissa Ossino Studio, is situated in a 200-year-old palazzo and features marble and stone furnishings, sculptures, and artworks set against original rippled terrazzo floors. A green-stained wood-lined ceiling complements the stone palette and green-hued artworks, with woven wicker and brown butterfly chairs offering textural contrast. Magdalena Keck's Four Seasons Residence in Tribeca, Manhattan, is a two-bedroom home characterized by a minimal, monochromatic design. Its pared-back material palette, high ceilings, and large windows create a sophisticated, gallery-like environment for displaying art, softened by herringbone floors and a mix of vintage, contemporary, and custom furnishings. Finally, the Residence for Two Collectors in Chicago, US, by Wheeler Kearns Architects, is a penthouse apartment designed for an art collector couple. The open-plan space with walnut flooring functions both as a welcoming home and an event venue, showcasing a range of artworks, including a George Nakashima bench, Harry Bertoia sculptures, and Paul Evans furniture. #ArtFilledInteriors #HomeDesign #InteriorDecoration #ResidentialArchitecture #ArtCollectionDisplay #GalleryLikeHomes #ModernInteriors #ArchitecturalDesign #DesignInspiration

Neil Watson, Executive Director of the Katonah Museum of Art, and his wife, award-winning YA novelist Judy Blundell (Jude Watson), have meticulously curated their 1920s cottage-style home in Katonah. Having lived in various locations such as San Francisco, Montauk, Manhattan, West Palm Beach, Tacoma, and Delaware, the couple moved into their 1,900-square-foot home in 2005. Their aesthetic philosophy centers on a blend of high- and low-value items, prioritizing pieces that are interesting and well-made. While they indulge in occasional splurges at upscale galleries and shops, Watson demonstrates a keen eye for discovering stylish furnishings from second-hand stores, salvage shops, catalogs featuring excellent reproductions, and even discarded items, including a notable Eames chair rescued from an art museum. Among their cherished possessions is a rare plywood chair, circa 1950, by American furniture designer Norman Cherner, acquired from a West Palm Beach vintage furniture store. Watson has a notable collection of chairs, including designs by mid-century modern masters Charles and Ray Eames and Harry Bertoia, attributing a certain "karma" to these pieces. Another unique find is a chrome-and-wood side table from the 1930s by Wolfgang Hoffman, son of renowned Austrian architect and designer Josef Hoffman, discovered in Thomas O’Brien's Aero Studios in SoHo. This table now serves as a charging station in their office-cum-playroom. The living and dining rooms boast 21 light sources, prominently featuring the Zettel’z chandelier by German designer Ingo Maurer. This chandelier, purchased in 2008 from a SoHo showroom, replaces traditional crystal drops with clipped-on Japanese paper pieces adorned with scribbled notes, poems, and drawings, to which artist and illustrator friends, and their daughter Cleo, have contributed. A meaningful gift from Watson to his wife is a banded bowl by pioneering glass artist Sonja Blomdahl, acquired from a San Francisco art gallery in the mid-1980s. This piece was created using the incalmo technique, involving the seamless merging of two separate pipe-blown glass vessels. Another innovative lighting fixture is the Holonzki wall sconce, also by Ingo Maurer, positioned near the dining-room table. This sconce creates an optical illusion with a holographic red incandescent bulb over a metal socket, while the true light source emanates from above. Watson purchased this piece a decade ago from a high-end furniture store in Seattle, appreciating its blend of humor and beauty. The article also highlights a handcrafted corkscrew from Laguiole, France, a Christmas gift from Watson's wife, celebrated for its exquisite construction and design, indicative of his appreciation for well-crafted items. Finally, an eco-friendly birch bookcase by Argington, originally intended for a toddler's room, was adapted to store Watson's cookbooks and his daughter's art supplies, demonstrating the family's practical and aesthetic repurposing of objects within their thoughtfully curated home. #HomeDecor #InteriorDesign #MidCenturyModern #ArtCollectors #KatonahHome #CuratedLiving #UniqueFurnishings #LightingDesign #VintageFinds

This article details the renovation and interior design of a 1920s Spanish Colonial style home in Los Feliz, Los Angeles, owned by Australian designer and photographer James Houston and his Scottish husband, Brian McGrory. The couple, having relocated from New York, sought a property that offered more space, especially for their daughter, Dylan. Their chosen residence, nestled in the Hollywood Hills, underwent extensive restoration and thoughtful enhancements to blend its original Spanish charm with Moroccan-inspired elements. The renovation began with exterior improvements, including stripping the original stucco for a smoother finish and adding a round tile roof to the entry tower, which was previously missing. James Houston also designed a drought-tolerant garden, replacing a mature palm tree with cypress trees to frame the newly renovated tower. The turquoise front door, featuring gleaming brass hardware, opens into an entryway with a restored original terrazzo floor. Inside, the 5.5-meter-high living room was furnished with a palette inspired by an original fireplace tile. The fireplace, initially constructed from wood, was rebuilt to adhere to the period's authenticity. The room features a walnut coffee table designed by James and mid-century Italian wingback chairs, reupholstered in blue velvet, sourced from 1stdibs. A gallery wall showcases a mix of artworks, including three of James's photographs, an Annie Leibovitz nude, and vintage paintings from a Paris flea market. The kitchen, created from a series of smaller rooms, now boasts a pitched roof with white oak beams, giving it an airy feel. The cabinets are painted in Farrow & Ball 'Hague Blue', complemented by Calacatta marble benchtops and a glossy black La Cornue 'CornuFé 90' stove. The kitchen also incorporates a custom daybed and Moroccan-inspired geometric tile flooring with underfloor heating. The adjacent dining room extends the kitchen's aesthetic with Italian marble tiles, vintage French bistro chairs, and handmade lighting from Apparatus Studio. The home’s design emphasizes an indoor/outdoor lifestyle, with new sliding doors leading to a courtyard and a wooden deck featuring a vintage Belgian table under an olive tree. Steps descend to a large swimming pool, cleaned with an ionic system, and a 3.5-meter daybed flanked by Moroccan lanterns from Pottery Barn. The master bedroom features a raised ceiling and a new window offering views of the Griffith Park Observatory, leading to a 1930s-style master bathroom and dressing room. A mezzanine balcony overlooks the living room, adorned with a large photograph by James. #SpanishColonial #HomeRenovation #LosAngelesArchitecture #InteriorDesign #MoroccanInfluence #DroughtTolerantGarden #LuxuryInteriors #VintageFurniture #ArtCollection

Carmen Haid, a former PR guru known for her work with fashion icons like Yves Saint Laurent, Alber Elbaz, Hedi Slimane, and Tom Ford, now splits her time between London, her interior design studio and home in Marrakesh, and a penthouse apartment in Paris. Located in the 7th arrondissement near Le Bon Marché, her Parisian residence reflects her passion for vintage curation and design. Haid identifies herself as a “vintage curator,” adept at discovering exceptional pieces in Parisian markets, particularly silverware, as she notes France's appreciation for "the art of the table." She finds continuous inspiration in Paris's fashion, art, and design scene. Haid's current endeavor involves operating as a "design detective," meticulously sourcing vintage items and crafting original designs for her Atelier Mayer label. Initially launched in 2008 as an online platform for haute vintage fashion, Atelier Mayer was re-established in 2022 as an interiors brand specializing in rare vintage objects. This venture operates from her Marrakesh studio, Kasbah Tameslohte, which serves as a private retreat, showroom, and creative hub. In Marrakesh, Haid collaborates with local artisans, recently transforming a warehouse at the Mandarin Oriental hotel into an art and design space with the help of artist/architect Idriss Karnachi, art dealer Martin Summers, and designer Romeo Gigli. The Paris penthouse showcases numerous Atelier Mayer products, including home fragrances, hand soaps, scented candles in jewel-toned ceramics, and hand-woven cushions. Haid's journey into vintage furniture began out of necessity during a period of frequent relocation, including a stint in New York after Brexit. This personal experience evolved into a professional passion, as she now furnishes entire rooms for clients exclusively with vintage pieces. The apartment's decor is a personal narrative, featuring signed cards from Anna Wintour and photographs with esteemed designers. Haid collects graphics from the Wiener Werkstätte and the late-19th-century Vienna Secession movement. A significant collection of Yves Saint Laurent's original "Love" posters, sent to friends each Christmas between 1970 and 2007, adorns her walls, symbolizing her belief that a home should be filled with love. Beyond fashion history, Haid's interests include esoteric art, exemplified by the _Pole Star_ copper, eye-shaped artworks by Balland-Galante in her dining area. These contemporary pieces, while reminiscent of surrealist 1930s Schiaparelli, are regarded by Haid as "holistic art" that enhances emotional energy, leveraging copper's perceived therapeutic properties. Haid faced a challenge arranging her irregularly shaped bedroom, which has five differently edged walls, making feng shui difficult. To address this, she commissioned French artist Christina Maximoff to create a large gold-leaf mural, transforming the space into a peaceful and surreal sanctuary. Her apartment, situated near St Germain des Prés, also features bedrooms accessible via a spiral staircase, often hosting family and friends. Haid enjoys entertaining, creating elaborate soirées where guests can help themselves from numerous dishes and enjoy cocktails on the balcony with views of the Eiffel Tower. She draws inspiration from figures like Robin Birley, appreciating his combination of old-world dining etiquette with fun and chic. For Haid, true luxury in entertaining lies in meticulous attention to detail, transforming an event into a distinct experience. The master bedroom features a mural by Christina Maximoff and Hollywood Regency gilt palm lamps, while the guest bathroom is adorned with L’Échappée Belle wallpaper by French artist Delphine Cauly. The balcony furniture, made in Marrakesh, consists of bespoke zellige-tiled pieces and terracotta pots from Atelier Mayer. #CarmenHaid #ParisPenthouse #VintageDesign #AtelierMayer #InteriorDesign #FashionHistory #MarrakeshStudio #DesignCurator #LuxuryInteriors

Detail Homes, led by builder Chris Van Klei, has developed a home in St. Paul that blends Mediterranean architectural influences with modern amenities, creating a timeless aesthetic that appears to have existed for decades. This residence is the first phase of a larger development project envisioned to feature three adjacent houses, each designed to harmonize with the diverse architectural styles prevalent along the Mississippi River Boulevard, ranging from Tudor to midcentury modern. The intention is to seamlessly integrate these new constructions into the historical fabric of the area. Architectural designer Charlie Simmons of Charlie and Co. Design played a pivotal role in shaping the home's unique character. Simmons identified the corner lot as an ideal canvas for a Mediterranean design, which facilitates a front-to-back layout for the living room, dining room, and kitchen, complemented by a vertical element at the corner. This configuration strategically incorporates extensive glass elements, maximizing natural light and views. The exterior features traditional Old World details, such as an arched entry and a loggia (covered patio), reminiscent of classic Mediterranean architecture. Internally, Simmons adopted a more liberal approach, integrating a mix of traditional and contemporary design elements and materials. An example of this fusion is the open stairway, which combines a modern saw-tooth design with a classic iron railing. The kitchen showcases ebony-stained walnut cabinets and a distinctive marble-topped island, maintaining an open connection to the living and dining areas. The home, spanning 5,235 square feet, includes five bedrooms and five bathrooms, and is meticulously designed to capitalize on its scenic location. Several outdoor living spaces enhance the connection to the picturesque surroundings, including a riverside patio accessible from the living room and a loggia. The glass-walled corner den and the master bedroom, situated directly above it, offer expansive 270-degree views of the surrounding trees and the Mississippi River. Additionally, a flex space adjacent to the kitchen features floor-to-ceiling glass, and a guest suite opens onto a pergola-topped patio, further integrating the home with its side and backyards. Van Klei, who also oversaw the interior design, aimed to combine the finest aspects of both old and new. This philosophy is evident in the selection of fixtures, such as an iron chandelier evocative of a Spanish castle suspended above the dining table, juxtaposed with a contemporary gold and white asymmetrical fixture in the adjacent sunroom. The outcome is a residence that offers modern functional advantages, including well-designed bathrooms, spacious closets, and an efficient kitchen layout, all while exuding the charm and character of a century-old home. The project was supported by several sponsors, including Granite-Tops & Stone Countertop Outlet, Martha O’Hara Interiors, Marvin Windows & Doors, Scherer Bros. Lumber Co., and Southern Lights. #MediterraneanArchitecture #LuxuryHome #StPaulRealEstate #CustomHomeDesign #ModernTraditionalMix #CharlieAndCoDesign #DetailHomes #MississippiRiver #InteriorDesign

The article details the design of a 6,600-square-foot home in Miami for a couple in their sixties, the Talwars, designed by MONIOMI, a firm founded by Ronald Alvarez and Monica Santayana. The design approach is characterized by a fearless use of bold colors, layered textures, and unexpected materials, aiming to create vibrant, energetic, and lively spaces. The collaboration between MONIOMI and the Talwars spans several years and multiple properties, culminating in their current "forever home" overlooking PortMiami. The Talwars, who have lived globally, desired a home that could comfortably host their grown children, grandchildren, and extended family, emphasizing the importance of family gatherings. They also enjoy entertaining, necessitating a layout conducive to hosting friends. The Miami residence is a result of combining two units, with one side dedicated to common areas like the foyer, kitchen, breakfast nook, living room, dining room, and family room, all centered around a distinctive bar. The other side of the home houses the bedrooms and a serene sunset lounge, offering expansive views of Biscayne Bay. Throughout the home, subtle references to the Talwars' Indian heritage are integrated through color palettes and pattern play, intentionally avoiding an overtly ethnic feel. The design prioritizes family togetherness, evident in dedicated spaces like the breakfast table and various terraces and balconies designed for family hangouts. Each bedroom is uniquely tailored to reflect the personalities and needs of their children, while also anticipating future family growth, including grandchildren. A significant element of the design is the incorporation of traditional Indian artistry through two custom chandeliers, located in the kitchen and foyer. These pieces were created in collaboration with Klove Studio, based in New Delhi. The foyer chandelier, part of Klove's Goa collection, holds special sentimental value for the couple, referencing the city where they first met and spent meaningful time, thus bringing a piece of their personal history into their home. Alvarez expresses pride in how the home encapsulates both the Talwars' spirit and MONIOMI's design philosophy, particularly their signature use of bold colors and material combinations, while maintaining a warm and inviting atmosphere for multi-generational family use. Santayana advises approaching color carefully in design, suggesting that if not working with a professional, one should choose a preferred shade and explore its various tones (lighter for brightness, darker for depth) rather than mixing too many contrasting colors. This method helps achieve a harmonious and impactful aesthetic. #MiamiHome #EclecticDesign #MONIOMIDesign #BoldColors #LayeredTextures #IndianHeritage #FamilyFocusedDesign #KloveStudio #HomeDecor

Art Deco, a style characterized by geometric patterns, animal prints, and glitz, continues to captivate over a century after its inception. While genuine Art Deco residences from the 1920s and '30s are rare, many individuals seek to infuse this historic style into modern homes. This article showcases seven distinctive homes that either preserve original Art Deco elements or are inspired by its opulent aesthetic. One featured residence is designer Wesley Moon's Park Avenue apartment, where gilded wall panels, reminiscent of Paris’s Restaurant Le Gabriel, utilize customized wallpaper to create a delicate and neutral backdrop for salon-style art. Moon’s approach involves reinterpreting classical elements for contemporary times, as seen in a marble fireplace mantel embossed with python scales and turquoise molding, a collaboration with Cocobolo gallery director Benjamin Wiener. The apartment blends Old World grandeur with modern sensibilities. In Melbourne, interior designer Greg Natale transformed a 4,000-square-foot penthouse into a lavish space inspired by the owners' luxury watch and jewelry business. Natale infused the formerly minimalist apartment with jewel tones, particularly pink and maroon, creating a grand entrance with mirrored panels and arches. Sculptural Kelly Wearstler lights and a postmodern Art Deco rug further enhance the glamorous and sultry ambiance, reflecting both the owners' and Natale's love for luxury. Washington, D.C.-based interior designer Lorna Gross reimagined an 1870 row house in Georgetown, drawing inspiration from the golden age of travel and the Orient Express. The client, a writer and historian, desired a home that evoked the feel of a bespoke train car. Gross installed antique furnishings and lighting from the 1930s on the first level, creating an Art Deco-period atmosphere in the long and narrow space. Antique chandeliers were re-envisioned, and wall coverings provided a warm setting for a mix of antique and contemporary pieces. In a New York City high-rise, designer Alexander Doherty and architect Danielle Albert undertook a dramatic renovation of a top-floor unit. To achieve a unique and refined interior, they reworked the layout, extended the living space, and increased ceiling height by relocating ductwork. A lake-like depression in the ceiling, covered in 24-carat gold leaf, adds glimmer and enlarges the room. Doherty selected Art Deco and modernist pieces from Paris galleries and international auction houses to furnish the space, creating a style that complements the contemporary glass structure. A Dublin home, designed by LyonsKelly, transforms an unassuming 1930s semi-detached house into a spacious, arching gallery. The design firm created a unified architectural and interior vision, resulting in a three-story house with a basement. The procession of rooms on the ground floor, with formal areas at the front and family spaces overlooking the garden, embodies an Art Deco spirit while maintaining a timeless appeal. Celebrity chef turned interior designer Travis London found his ideal home in a 1940 Miami town house. The property featured pristine original Art Deco details, including a fireplace, travertine floors, and interior arches. London embraced the home's character, using it as a canvas for self-expression and a showcase for his design business, Studio London Co. The dining area, for instance, features Jonathan Adler chairs in pink velvet around a brass Boca do Lobo table, exemplifying a chic and grown-up aesthetic. Finally, a Chicago co-op in a prestigious 1920s building underwent a significant transformation by Jessica LaGrange. Moving away from its dated decor, LaGrange guided the design with the building's history, creating a high-contrast home. A custom terrazzo-and-bronze circular design, inlaid in the foyer, serves as a focal point, radiating like a sunburst and setting an Art Deco-inspired yet exceedingly modern tone for the art-collecting couple's pied-à-terre. #ArtDeco #InteriorDesign #HomeDecor #LuxuryHomes #ArchitecturalRenovation #DesignInspiration #ModernArtDeco #HistoricHomes #GlamorousInteriors

The article details a vacation home in Palm Springs designed by Michelle Boudreau, which draws inspiration from Moroccan aesthetics, particularly the vibrant style of Yves Saint Laurent's Marrakech residence. The Canadian owners, who frequently visit Morocco, sought to recreate the country's rich cultural ambiance in their winter home. Boudreau, having traveled extensively in Morocco, channeled the "Majorelle blue" color palette associated with Saint Laurent's former home and infused the interiors with diverse textures, Moorish motifs, intricate tilework, and flamboyant filigree. The home, a modern new build in Vista Las Palmas, provides a neutral white backdrop that allows the predominant blue palette to make a significant impact. While the color scheme is reminiscent of Saint Laurent's Marrakech house and its original owner, French painter Jacques Majorelle, the design also incorporates aquatic themes, reflecting the clients' interest in watersports. This influence is evident in elements like shibori upholstery on Pierre Jeanneret re-edition dining chairs, creating a watery dimension, and wallpaper by A–Street Prints with a blurred trompe-l’oeil ikat textile effect, reminiscent of North African textiles brought via the Silk Roads. A diamond pattern in the wallpaper further evokes the glint of water in sunlight. Key design features emphasize movement and dimension. Filigree-inspired pendant lamps in the dining room project scattered light, while a taxidermy marlin with teal streaking contributes to the aquatic motif and adds a sense of motion. The media lounge, or "casbah," is designed with low cushions and high-pile rugs, echoing the tent culture of North African nomads. Custom wallpaper in this space features a tonal-blue arabesque pattern, mimicking the complex designs of handcrafted zellige tile, a signature element of Moroccan design rooted in Islamic heritage. Boudreau applied a modern interpretation of this ancient art form using three-dimensional turquoise tiles on the living room hearth, creating an oceanic, barnacle-like effect. In the kitchen, Clé tiles with kinetic geometry add energy. The design also incorporates midcentury materials like cane and brass. Cane-frame club chairs in the living room offer a light contrast to brass accessories, such as tea sets and side tables. Serena & Lily rattan barstools at the kitchen island complement Tom Dixon brass lamps, which are shaped like tagines, traditional North African cooking vessels, adding a touch of glamour. The primary bedroom serves as a serene contrast to the vibrant colors elsewhere, utilizing an ecru palette. Moroccan textiles, including imported blankets and rugs from Soukie Modern, provide tactile interest through varying piles and pompoms. Moroccan poufs contribute to the dune-like aesthetic, offering casual seating. A dramatic beaded chandelier is suspended through the frame of the four-poster bed, an intentional design choice to prevent the neutral palette from appearing flat. This design effectively merges Moroccan inspiration with the Palm Springs setting, creating a unique and sophisticated vacation home.

Design Miami/ Basel returned for its 13th edition, showcasing a diverse collection of new creative projects, iconic designs, and conceptual interpretations within the design genre. The event, held in the Herzog & de Meuron-designed fairgrounds, featured 43 international galleries representing modern and contemporary design, alongside ten special Curio presentations and large-scale installations, marking a significant celebration of both culture and commerce. This overview highlights several key installations and collections that captured attention. One notable presentation was the ‘(Con)temporary Home’ by Brazilian brand ETEL, designed by Italian architecture firm Superluna. This Collectors Lounge was conceptualized as a domestic environment, enclosed within a steel frame that subtly separated it from the fair's activity. The interior featured a curated mix of contemporary and historical Brazilian design pieces, complemented by photographs from Ruy Teixeira. A significant portion of the furniture offered to guests for relaxation, accompanied by champagne, included pieces by Jorge Zalszupin, honoring the Brazilian master on his 96th birthday. New York gallery Friedman Benda presented Nendo’s 'Watercolour Collection,' a series of 18 pieces designed to evoke the illusion of watercolor paintings on paper. Crafted from folded metal sheets, these objects utilized a special finishing technique to mimic paper, then hand-painted to create a light blue watercolor effect. The collection reimagined traditional furniture forms into abstract compositions, with the paint interacting with the shapes to produce a poetic, illusory quality. Belgian gallery Maniera collaborated with Dutch architect Anne Holtrop to present new works, including furniture, lighting, and accessories. These pieces formed micro-architectures that reflected Holtrop's distinct aesthetic, characterized by his unique sense of shape and material. Maniera's ongoing commitment involves commissioning architects to translate their signature styles into smaller-scale design objects. Design at Large, the annual initiative by Design Miami/ Basel, was curated by photographer François Halard in 2018. Halard explored the enduring impact of design through a series of nine diverse projects from the 20th and 21st centuries. The exhibition featured architectural elements by Jean Prouvé, interiors by Gaetano Pesce for the Dujardin children’s store, and a micro-architecture by RDAI. Halard's curatorial vision aimed to connect past influences with present and future design trends, emphasizing the continuity of ideas in art and design. ‘A New Layer Taiwan,’ presented by Spazio Nobile Gallery, showcased an initiative by the National Taiwanese Craft Research and Development Institute. This project fostered collaborations between Taiwanese craftsmen and international designers. Curator Lise Coirier brought together seven designers who worked with local artisans to produce a range of pieces, including ceramic works by Anton Alvarez and BCXSY, bamboo furniture by Sebastian Herkner and Jin Kuramoto, and lacquer objects by Julie Richoz and Wonmin Park. Olivier van Herpt, an Eindhoven graduate, presented 'Blue and White' for VIVID. This collection highlighted his unique ceramic 3D printing technique, which creates a distinct aesthetic. The series drew inspiration from the Delft tradition of blue porcelain, with cobalt pigment applied by hand before extrusion, resulting in a radial gradient pattern that symbolizes the collaboration between human interaction and machine precision. This project was initially commissioned by the Gemeentemuseum Den Haag. Calvin Klein made its debut at Design Miami/ Basel with an installation featuring Gaetano Pesce’s 'Feltri' chair, designed in 1987 for Cassina. The installation, inspired by a barn, was reinterpreted by creative director Raf Simons using vintage American heirloom quilts from the 19th and 20th centuries. It showcased 100 limited edition numbered chairs, marking a unique cross-disciplinary presentation. Lastly, 'Origins: Design from the Ancient World' was presented by Galerie Chenel and Oscar Humphries. Following his successful Curio installation from the previous year, Humphries, in collaboration with Paris’ Galerie Chenel, displayed Roman design for the first time at a design fair. The collection featured Greco-Roman artifacts, design, and architectural elements from 200 BC to approximately 200 AD, including columns, capitals, urns, and fragmentary sections from interiors and furniture. This exhibition aimed to introduce this material to a new audience and provide a fresh context, demonstrating the fundamental synergy and enduring influence of ancient design on contemporary genres. #DesignMiamiBasel #CollectibleDesign #ContemporaryDesign #DesignExhibition #ArchitecturalDesign #FurnitureDesign #ArtAndDesign #InteriorDesign #Craftsmanship

Shutterstock founder Jon Oringer and his wife Talia embarked on a search for a home in Miami Beach that would align with their vision of a welcoming oasis, distinct from the prevailing aesthetic characterized by aggressive geometrics and glossy surfaces. Their quest led them to a property overlooking Biscayne Bay, which, despite requiring significant renovation, offered an exceptional location and views. To transform this property into their dream home, they enlisted the expertise of AD100 interior designer Kelly Behun, who had previously worked on their Bridgehampton residence. Behun is recognized for her ability to create interiors that blend fanciful elements with refined sophistication, resulting in spaces that are both imaginative and serene. The home’s architectural transformation was initiated by Blaze Makoid of BMA Architects, who softened the exterior’s angularity with bronze and wood accents and introduced a sculptural staircase to enhance the interior’s dynamism. This established a visual language emphasizing fluidity and warmth, a quality the homeowners desired. Behun further collaborated with To Better Days Building, another AD PRO Directory firm, to realize the couple's vision. Within this architectural framework, Behun curated a vibrant collection of pieces from a global network of artisans, combining them with striking art and vintage items. Each room's design is often anchored by a central element, such as a unique lighting fixture or a captivating artwork, which harmonizes the color, pattern, and scale. Contemporary materials like white oak, plush fabrics, and muted metals are employed in sculptural forms, grounding the whimsical elements in an atmosphere of elegance and luxury. The entryway, for instance, features a custom stained glass light fixture by Greek artist Kostas Lambridis, whose design reflects the client's personal narrative. This piece hangs above a Mimi table by Garcé & Dimofski, complemented by Martino Gamper circus stools and a woven chair from Space Available Studio, all echoing the fixture's colors. Similarly, a stained glass fixture by Maarten de Ceulaer commands attention in the dining room, balancing a substantial table by Yabu Pushelberg. In the double-height library, four ceiling pendants by Bennet Schlesinger, inspired by cumulus clouds, playfully disrupt the room's formal upholstered seating arrangements. The lounge is enlivened by a cut-paper collage of dancing women by Heidi Lanino, set against curvaceous furniture by designers like Achille Salvagni and Chris Wolston. For the children’s playroom, a Nuage fixture by Wout Wessemius creates an ethereal ambiance. Beyond individual pieces, foliage plays a crucial role in animating the spaces. Large Alocasia Calidora leaves at the second-floor atrium window add drama to the primary bedroom. Landscape architect Raymond Jungles collaborated on the home's vegetation, including an immense American oil palm at the entryway that helps scale down the property, contributing to a relaxed and comfortable atmosphere despite its grandeur. The overall design achieves a ravishing and rejuvenating effect, perceived as both sublime and sensual by the homeowners. Jon Oringer praised Behun’s capacity to translate their identity into the living space, affirming that the designer successfully delivered a home that is uniquely theirs. #HomeDesign #InteriorDesign #LuxuryHomes #MiamiArchitecture #ContemporaryDesign #CustomFurniture #ArtCollection #LandscapeDesign #ArchitecturalDigest

This week, Paris is hosting a diverse array of art and design events, with the return of Art Basel Paris and Design Miami Paris for their third editions. The French capital's historical venues, including _hotels particuliers_ and landmark apartments, are showcasing collectible design that explores experimental and multidisciplinary approaches, from textile-like treatments of solid surfaces to the integration of music with design. This roundup highlights the most compelling design exhibitions available to explore during this period. India Mahdavi presents a triple bill of collaborative exhibitions. Her Project Room #20 features 'Parenchyma,' a solo exhibition by studio Kauani, displaying cactus-shaped sculptural lights, an intimate study of xerophytic plants, created by Inés Llasera and Inés Quezada. Her Tiny Room gallery hosts an exhibition of anthropomorphic chairs by Serban Ionescu, reflecting his Balkan origins and an improvised approach to wood. Additionally, Mahdavi collaborates with culinary collective We Are Ona for _Rose C'est La Vie_, a flower-clad restaurant pop-up with Mexican chef Jesús Durón, whose interiors evoke Mahdavi's iconic APT club in New York. Perrier Jouët returns to Maxim's for the second year with its 'Parenthèse Belle Époque,' transforming the legendary Art Nouveau venue with stained glass windows, Émile Gallé anemones, and vintage posters. This event includes exclusive gastronomic pairings by Maxim's chef Yann Meinsel and Maison Belle Époque executive chef Sébastien Morellon. Charles Zana unveils his new _In Situ_ furniture collection within a 500-square-metre Directoire apartment, formerly home to the Swedish Circle. The exhibition presents a 'fantasy' interior that mixes Zana's works to create an emotional experience rather than just an aesthetic. The display also features a coffee bar by pastry star Yann Couvreur and a soundtrack by Sébastien Tellier and Ray Mang. The Contributions design festival, curated by Anna Caradeuc and Élise Daunay, hosts its second edition, intertwining design and music through five installations. Highlights include Nifemi Marcus-Bello's M2 Shelf with an integrated speaker, in collaboration with La Boîte Concept, and Italian musician Andrea Laszlo De Simone's audiovisual piece _Una Lunghissima Ombra_, accompanied by a natural wine bar and micro-cinema by Harold Mollet and the design collective Metals. The inaugural Salon des Nouveaux Ensembliers, held at the Galerie des Gobelins under the patronage of France’s manufactures nationales (Sèvres and Mobilier national), brings together a new generation of interior architects. Under the theme ‘L’Ambassade de demain’ (the embassy of tomorrow), ten architect-decorators reinterpret diplomatic spaces, focusing on how design can embody representation, openness, and exchange while addressing ecological and social responsibility. Salon 94 Design showcases Massimiliano Locatelli and Fabio Zambernardi's 'Nullus Locus,' a collection of objects featuring embroidery on timber, transforming wooden vessels and furniture into unexpected canvases for floral designs, realized with the expertise of Graziano Ricami. Additionally, 'Un Souffle De Vent' by Yves Salomon Editions X Dimorestudio presents an immersive installation inspired by Georges Perec’s novel _Les Choses_, emphasizing contemplation of objects through tactile surfaces and a rich material palette. Nilufar and Métaphores present 'In The Mood for Touch,' an immersive installation exploring the tactile and emotional potential of interiors through their respective design and textile works. CØR Studio, Harold Mollet, and Monument present 'Im Zwischen,' a group exhibition exploring the 'in-between' as a bridge between historical and contemporary design, featuring a 10-metre light wall by François Chapuis and iconic designs by Ron Arad and Ingo Maurer. LVH Art showcases Donald Judd's minimalist work within a grand Parisian residence, providing a compelling contrast with ornate French interiors. Finally, Invisible Collection and Féau Boiseries exhibit 'Period Rooms of the Future,' where previously unseen Art Deco elements form the backdrop for contemporary pieces, bridging the cultural continuity between the 1920s and today's collectible design. Galerie Patrick Seguin hosts 'Saint Laurent – Charlotte Perriand,' where Anthony Vaccarello has selected and recreated four of Perriand’s lesser-seen works, produced in limited editions from archival drawings and original models. #ParisDesignExhibitions #ArtBaselParis #DesignMiamiParis #InteriorDesign #CollectibleDesign #IndiaMahdavi #CharlesZana #ContemporaryArt #FrenchDesign