Inside “Drag Race’’ Icon Detox’s Home Renovation Disaster

Juliet and Jonathan, owners of a Federation home on Sydney's Lower North Shore, embarked on a significant renovation to accommodate their growing family of five. Initially, their single-storey, one-bathroom house was suitable for them and their first child, William. However, with the arrival of their second child, Patrick, and later Ellie, the need for more space and an additional bathroom became apparent. They considered various options, including reconfiguring the existing floorplan or selling the property, but ultimately decided to add a second storey, with Ellie's impending arrival serving as the primary catalyst for this decision. The couple enlisted Coco Tully, founder and creative director of Cote Interiors, to bring their renovation vision to life. Tully's warm demeanor and American-coastal aesthetic, characterized by a balanced use of color and clean yet inviting interiors, resonated with Juliet. The renovation project began in 2023, with architectural plans by Bennett Murada already in place. The builders had initiated the conversion of the ground-floor study into a staircase and commenced the construction of a first-level addition. This new level was designed to include a main bedroom suite with a balcony, a new study, a bathroom, and an additional bedroom, effectively doubling the functional space of the home. Juliet, having previous renovation experience with an Eastern Suburbs terrace, actively collaborated with Coco on various design elements. Their collaborative process involved refining lighting fixtures, joinery designs, material finishes, paint colors, and furniture selections. Coco Tully highlighted that while Juliet had a clear vision and refined taste, the busy parents required professional support to execute their dream. The design philosophy aimed to respect the home's original Federation character while incorporating a breezy, holiday-inspired atmosphere. This was achieved through elements such as handmade tiles, cane accents, and a cohesive blue, green, and white color palette. Attention to detail was paramount in the renovation. The couple opted for enduring finishes and fixtures, including natural stone, weathered brass, and classic wall lights, demonstrating a preference for quality over cost or speed. Specific examples include the addition of a bead to the kitchen joinery profile, the use of marble capping tiles and skirting in the bathroom, and the selection of Schumacher 'Scattered Stars' wallpaper and blush Roman sheers for Ellie's room, designed to adapt as she grows. Every design choice throughout the home was meticulously considered to achieve an elegant and refined aesthetic. Practicality was another key consideration for the family. Juliet and Jonathan requested arched French doors to create a distinct separation between the entertaining areas at the rear of the house and the rest of the home. The laundry room was designed for maximum efficiency, featuring two washing machines, custom joinery to conceal laundry baskets, and a dedicated laundry chute. In the dining and living areas, where the family spends most of their time, Coco expanded the joinery to provide ample storage and shelving, offering spaces to display family photos, books, and decorative objects. Concealed storage along the bottom of the living room joinery was also incorporated to neatly store toys and games, promoting a clutter-free environment. Coco Tully emphasized that a home should be functional, easy to maintain, and facilitate a harmonious flow, thereby freeing up time for more enjoyable family activities. The renovation, spanning 14 months, was described by Juliet as an enjoyable and seamless process, resulting in a home that perfectly suits their family's current needs and provides an ideal setting for entertaining, especially with the added outdoor pool area. #HomeRenovation #InteriorDesign #FederationHome #FamilyLiving #CoteInteriors #SydneyHomes #ArchitecturalRenovation #HomeDecor #StorageSolutions

The article details the extensive and challenging renovation journey of HGTV star Grace Mitchell's Fort Worth home, built in 1919. Mitchell, a language therapist turned designer, purchased the four-bedroom house nine years prior, drawn to its charming period details and prime location. Despite her interior design background, she underestimated the scope of the project, which quickly spiraled into what she describes as a 'renovation horror story,' akin to the film 'The Money Pit.' Six weeks after moving in with her husband, Kent, and their four young children, a second-floor bathroom collapsed through the ceiling, forcing a complete re-evaluation of their renovation plans. This initial disaster marked the beginning of a seven-year-long process, during which the house itself dictated the necessary improvements. Mitchell embraced these challenges, transforming them into opportunities for creative design and expansion. For instance, when the pipes in the master bathroom burst, destroying most of the tile, she seized the chance to gut and enlarge the space, creating a luxurious dressing room suite. Similarly, a dangerously dilapidated back porch, affectionately dubbed 'the shanty,' was demolished and replaced with a garden room, meticulously designed based on 1920s orangerie plans found on eBay. The family even resorted to washing dishes in a bathtub while the kitchen underwent renovation. Throughout this arduous process, Mitchell remained steadfast in her appreciation for the home's original character. She emphasizes the irreplaceable craftsmanship inherent in houses of that era and expresses a sense of privilege in being able to restore and revitalize such a historical property. The article highlights specific design elements and product choices in various rooms, showcasing how Mitchell blended original features with modern necessities and personal style. In the stair hall, lacking a proper mudroom, Mitchell integrated a row of lockers for her children's belongings, using Benjamin Moore's Timid White for walls and Farrow & Ball's Breakfast Room Green for millwork, with Farrow & Ball wallcovering on the ceiling and stairs. The garden room features concrete tiles with a herringbone pattern, an antique factory table from 1stdibs for family meals, a Simple Things sofa, Wisteria side table and stool, a Target basket, and Visual Comfort pendant and sconces, with tiles from Bottega Design Gallery. The kitchen, after floor replacement, skillfully interweaves original and new boards for authenticity. It boasts Horizon Oak Cabinets in Benjamin Moore's Simply White, a Bottega Design Gallery backsplash, honed Borghini marble countertops and hood from Onis Stone, RH stools, and Hudson Valley Lighting ceiling lights. A salvaged $100 steel window, painted in Farrow & Ball’s Breakfast Room Green, allows Mitchell to monitor her children playing outdoors, complemented by a Shaws sink and Waterstone faucet. The dining room features extra-high wainscoting to protect Cole & Son wallpaper, matching fabric on vintage armchairs, lacquered and faux ostrich upholstered side chairs, a painting by Karen Smidth from Maybaum Gallery, antique chandeliers from House of Tuscany, and a rug from Scout Design Studio. The living room's color scheme was inspired by a vintage screen, furnished with a Lee Industries sofa, Simple Things stool, Vintage Ralph Lauren chest, and a Scout Design Studio cocktail table. Finally, the master bath includes a custom-designed 'bathroom island' with drawers and hampers, an antique barbershop sink, Canopy Designs pendants, a Visual Comfort sconce, and a Vintage Tub bathtub. Mitchell's renovation project demonstrates a profound commitment to preserving history while adapting a home for contemporary family life, transforming numerous structural setbacks into an opportunity to create a truly personalized and dream-like living space. #HomeRenovation #InteriorDesign #GraceMitchell #HGTV #HistoricHomes #DIYRenovation #HomeTours #DesignInspiration

Smita Thomas, founder of Multitude of Sins, has undertaken a significant renovation of her duplex apartment in Bengaluru, India, named 'Pearls on Swine'. The design concept for the home, which is located within an unassuming building, merges Thomas's whimsical aesthetic preferences with her husband's desire for a minimalist environment. This blend of differing perspectives has resulted in a dynamic space that emphasizes the interplay between artistry and functionality. The apartment spans two levels, with the lower floor primarily featuring an open-plan living, lounge, and dining area. This level also includes a kitchen, a library, and a guest bedroom. The upper floor is dedicated to the main bedroom and a spacious terrace. A consistent design element throughout the apartment is the use of grey walls. In the main living area, Multitude of Sins implemented a concrete floor with a unique mosaic pattern, described as an unfinished game of tic-tac-toe, transforming the floor into a tactile and artistic surface. The living area is furnished with a multi-textured couch, upholstered in micro velvet, cotton, and corduroy, further accented with leather straps and stainless steel inlays. This piece was designed to be both formal and relaxed, akin to a sophisticated yet approachable style. Above the couch, a distinctive flower-shaped mosaic artwork, composed of varying sized square tiles and tendril-like protrusions, serves as a focal point. A pet-friendly wall, constructed from fluted charcoal basalt stone and topped with a strip of Toronto marble, extends across the living room and foyer. Adjacent to the living room, a geometric bar unit with pub-style seating has been incorporated. This area is differentiated by its dark concrete flooring, accented with mauve tiles and wood inlay. The bar unit itself, shaped like an inverted trapezoid, is clad in brown-grey veneer and features a stone counter. Tall, mauve-toned metal handles on the bar's shutters complement the flooring inlay. An L-shaped bench with a small counter supported by a floor-to-ceiling pole provides additional bar-style seating. The dining space features a three-meter-long table finished with concrete-style tiles and a marble inlay border, supported by large, grey-stained wooden legs reminiscent of concrete blocks. A sculptural partition wall, a collage of various materials, separates the dining area from the open kitchen. This partition includes a rugged concrete slab embossed with the names of the couple's pets, connected to other wall elements by construction rods. This piece was designed to be both a showstopper and resilient enough for daily life. Beyond the main living areas, the apartment includes a library-cum-TV room with a vaulted ceiling covered in weathered grey bricks. The guest bedroom features a distinctive capsule-shaped headboard, connected to the bed by metal rods, flanked by flower-shaped metal lights designed to mimic clay. In the principal bedroom, the headboard is a stainless steel lattice structure, cushioned with pink fabric and silver leather. The flooring in this bedroom incorporates a triangle-shaped marble piece near the foot of the bed, serving as an integrated area rug. The overall design objective was to blend functional objects and materials into artistic installations, blurring the lines between utility and art, while reflecting the couple's individuality and shared identity. #ApartmentInteriorDesign #BengaluruArchitecture #MultitudeOfSins #BrutalistInfluences #WhimsicalDesign #HomeRenovation #InteriorDecor

The article delves into the less-than-wholesome reality behind the popular early 2000s reality TV show, 'Extreme Makeover: Home Edition.' While the show was presented as a heartwarming program where deserving families received new homes built by a team of designers and contractors, it faced significant scrutiny and accusations of exploitation and financial hardship for the families involved. The show, which focused on families dealing with various challenges such as disabilities, financial struggles, or chronic health issues, aimed to portray a wholesome image, contrasting with other reality shows of the era. The core structure of 'Extreme Makeover: Home Edition' involved carpenter Ty Pennington and a rotating team of designers, including prominent names like Paige Hemmis, Paul DiMeo, Ed Sanders, and Michael Moloney. Each week, the team traveled across the country to assist a struggling family whose existing home was either too small or in disrepair. After their stories were shared and their homes assessed, the families were sent on a week-long vacation, often to Disney World due to corporate synergy. During their absence, hundreds of contractors rapidly demolished the old house and constructed a new one in just seven days. The families would then return for a dramatic reveal, often leading to emotional reactions. Despite its popularity, the show garnered significant criticism, particularly regarding the home-building process itself. Critics argued that the houses were often excessively large and contributed to a 'McMansion' lifestyle, a point that ABC attempted to counter by asserting that each home was tailored to a specific family's needs, regardless of its size. However, the accelerated seven-day construction timeline often resulted in shoddy workmanship. A more substantial issue was the financial burden placed on families after the show. Numerous reports indicated that up to nine families from the original series lost their newly built homes due to foreclosure, unemployment, mounting medical bills, or increased property taxes. Some families resorted to home equity loans they later defaulted on, while others found themselves unable to manage the expenses associated with their large, extravagant homes after years of financial struggle. Ty Pennington stated that financial advice was provided to families, but ultimately, decisions regarding loans and mortgages rested with them. Accusations also surfaced regarding the design team's level of involvement. On-set sources claimed that the team, including Pennington, often only worked when cameras were rolling, though Pennington disputed this. Furthermore, leaked emails from the mid-2000s revealed that ABC specifically sought out individuals with significant or rare disabilities for casting, leading to accusations that the show was exploiting these families for ratings and financial gain. This practice highlighted a broader criticism of reality television's profit-driven motives. 'Extreme Makeover: Home Edition' originally aired on ABC from 2004 to 2012 and was briefly revived by HGTV in early 2020. It returned to ABC in January 2025 with new hosts, Clea Shearer and Joanna Teplin. The article notes that the new version appears to be following a similar format, although Shearer and Teplin seem to genuinely empathize with the families. The article concludes by questioning how the revival will withstand scrutiny in the current social media landscape, expressing hope that it will succeed as genuinely feel-good programs are scarce. #ExtremeMakeoverHomeEdition #RealityTV #TVControversies #HomeRenovation #FinancialImpact #TelevisionProduction #Exploitation #TyPennington

The article provides an update on the original cast members of the ABC reality home renovation series 'Extreme Makeover: Home Edition,' which aired from 2004 to 2012 and is now available for streaming on Netflix. The show was known for its host, Ty Pennington, and his team of designers, architects, and carpenters who built dream homes for deserving families. Ty Pennington, the show's host, won two Primetime Emmy Awards for his role. After the show concluded, he hosted 'The Revolution' in 2012 and the 'Trading Spaces' revival in 2018. In 2021, he married Kellee Merrell. His career continued to thrive despite a personal setback involving a DUI arrest in 2007. Paul DiMeo, the resident carpenter, known for his emotional reactions on the show, currently resides in Los Angeles with his wife, Kelly Lynn. Tracy Hutson, the interior stylist, remained with the series until its end in 2012. Post-'Extreme Makeover: Home Edition,' she appeared on 'The Design Network series Momtourage' and participated in BitCon Miami in 2021. Michael Moloney, the interior designer for nine seasons, sold his Nashville home for $1.8 million in 2023, indicating continued success in his design career. He maintains an active presence on Instagram. Paige Hemmis, another carpenter on the show, continues her involvement in home improvement, currently hosting 'Home & Family' on the Hallmark Channel and is married to singer Jason Short. Eduardo Xol, the show's landscaper who joined in Season 2, has less publicly available information about his current activities. John Littlefield, a carpenter from Season 4 to Season 8, appeared in 'Squeaky Clean Mysteries: Hazardous Duty' in 2022 and now promotes his Airbnb properties. Ed Sanders, a British carpenter who endured a serious injury during Season 4 but continued for five more seasons, is married to Gioia and has four children. He has since deleted his social media accounts, making his current endeavors less known. Preston Sharp, the exteriors lead for the first four seasons, has worked in production design for other reality shows such as 'The Bachelor' and 'The Simple Life.' #ExtremeMakeoverHomeEdition #RealityTV #HomeRenovation #TyPennington #CastUpdate #Television #Netflix #InteriorDesign #Carpentry

In anticipation of the return of TLC’s popular home design show, “Trading Spaces,” this article revisits some of the most memorable and, at times, disastrous room transformations from its original run. The show, known for its rapid makeovers and the often-unpredictable choices of its designers, frequently left homeowners with mixed emotions, ranging from delight to outright dismay. This compilation highlights 13 instances where design choices went awry, leading to shocked reactions and even tears from the homeowners. One recurring figure in these infamous makeovers is designer Hildi Santo-Tomas, whose unconventional and provocative approach often pushed the boundaries of interior design. Her projects included covering walls entirely with straw, a decision that predictably met with homeowner disapproval. Another of Santo-Tomas's bold moves involved a dining room accent wall featuring a floor-to-ceiling mosaic portrait of her own face, a unique and unforgettable personal stamp on a client's home. She also once transformed a kitchen into a 'horror show' with off-putting red paint, coffin-shaped shelving, and a blood-stained tarp as an 'art project,' which was far from appetizing for the homeowners. In a bathroom makeover, Santo-Tomas stapled hundreds of fake flowers to the walls and painted the trim gold, a design choice that, while peculiar, could have been worse by her standards. Perhaps her most audacious design was inverting an entire living room, hanging all the furniture from the ceiling, rendering the space impractical for daily living. Designer Doug Wilson also contributed to some of the show's most controversial designs. He once crammed a small room with a loud red-and-white pattern and oversized lounge seating, making the space feel even more confined. Wilson was also responsible for one of the show's most infamous moments, dubbed the 'Crying Pam' episode, where he covered a brick fireplace with a modern white facade, leading to the homeowner's emotional breakdown during the reveal. In another instance, he created a jungle safari-themed bedroom with zebra print walls and bamboo accents, a concept that prioritized theme over comfort and taste. Wilson's collaboration with Santo-Tomas on a monochromatic room challenge also yielded surprising results; while Santo-Tomas impressed her homeowners with an all-black room featuring an intricate ribbon wall, Wilson's all-white room was less well-received. The article also touches on other regrettable design decisions. Santo-Tomas's attempt to paint walls with paintball guns resulted in a greasy, unremovable mess that damaged the drywall. Another designer, inspired by a homeowner's interest in glass beads, incorporated them excessively into pillows, curtain rods, and a fireplace facade, complementing it with an uninviting concrete floor. Lastly, Wilson's all-white room, created as part of a monochromatic challenge, involved painting over the homeowners' newly refurbished wood floors against their explicit wishes, creating a sterile, Kubrickian aesthetic that was far from what they desired. These examples collectively illustrate the unpredictable nature of 'Trading Spaces' and the wide spectrum of reactions its designs elicited from homeowners. #TradingSpaces #HomeDesign #InteriorDesign #DesignFails #HildiSantoTomas #DougWilson #RealityTV #HomeMakeover #WorstDesigns

This article details a personal account of a home renovation project, challenging the common perception that renovations are inherently stressful or nightmarish experiences. The author, Alice Stolz, National Managing Editor of Domain and a property expert, recounts her first renovation experience, emphasizing that despite a relatively tight budget and challenging circumstances, she found the process enjoyable and transformative. The initial objective for the renovation was to create a liveable and functional home within the established budget. The planning phase involved extensive discussion and iteration between the author and her husband, a process that, while initially frustrating, ultimately led to compromise and adherence to financial constraints. This period of intense planning and decision-making is presented as a crucial part of the overall positive experience, fostering personal growth and discipline. The renovation proceeded under difficult conditions, including lockdown restrictions and the inherent challenges of updating an old, compromised house. Despite these obstacles, the author expresses a deep appreciation for the demolition and construction phases, finding satisfaction in the physical transformation of the space and the strategic decisions involved in allocating resources—prioritizing essential elements like the kitchen benchtop and quality joinery, and economizing elsewhere. The project became a mental escape during a restrictive period, providing a sense of progress and purpose. A significant aspect of the positive experience was the collaboration with skilled professionals, including an incredible builder and interior design studio. The author highlights her admiration for their ability to envision and create spaces, likening them to magicians. The dedication and craftsmanship of individual tradespeople, such as meticulous tilers, patient painters, and precise joiners, are specifically praised, contributing to the overall satisfaction with the project. Ultimately, the renovation resulted in a home that, while not perfectly flawless with its existing structural quirks, is cherished for its character and history. The article concludes by advocating for embracing these imperfections, contrasting them with a prevalent desire for absolute perfection. The renovation transformed not just the physical space but also the author's perspective, fostering an appreciation for the journey and the unique qualities that make a house a home. #HomeRenovation #InteriorDesign #BudgetRenovation #PropertyDevelopment #HomeImprovement #PersonalExperience #BuildingProcess #DesignChallenges #SkilledTrades

The article details the renovation of a 900-square-foot basement in Manasquan, New Jersey, by designer Christina Kim. The project aimed to transform a previously beige and underutilized space into a multi-functional hangout area for a young family with a newborn. The design brief included creating a dark, moody media zone and wet bar, alongside a bright, kid-friendly playroom, distinct yet visually connected by sliding glass doors for supervision. Christina Kim addressed the common challenge of basements lacking natural light by embracing the darkness in the media area. She opted for a soft black paint, Benjamin Moore’s Wrought Iron, which has a hint of navy to prevent it from appearing too stark and to complement a charcoal velvet sofa. This approach created a contrasting ambiance compared to the home’s otherwise beachy aesthetic. The media zone incorporates multiple wall-mounted TVs and a large movie screen, with an awkward small window covered to eliminate glare, enhancing the cinematic experience. The renovation also tackled structural elements, specifically a deep soffit that could not be removed. Instead of viewing it as an obstacle, Kim transformed it into a purposeful arcade nook, providing a dedicated space for the husband to relax and play games. This creative solution not only optimized the space but also contributed to budget efficiency by avoiding costly structural changes. Another detail involved the ceiling in the powder room, which was updated from an undesirable popcorn texture to tongue-and-groove planks. These planks were left unfinished to achieve a warm, modern, and casual aesthetic suitable for a basement setting, with careful installation to accommodate recessed lighting. For the playroom section, a complete shift in palette was implemented to create a bright and stimulating environment. The space, formerly a utilitarian storage room, was painted with Benjamin Moore’s Simply White, retaining a small window for natural light. A prominent feature is a colorful rainbow mural landscape by Rebel Walls, providing a cheerful backdrop. Custom built-ins were installed not for typical basement storage, but for organizing toys, crafts, and books, helping to minimize visual clutter. To add a pop of color and visual interest, the interior of the open shelves within the built-ins was painted in a dark teal hue, offering a softer contrast than black while maintaining aesthetic appeal. The overall design prioritizes both functionality and visual appeal, offering distinct yet cohesive zones within the renovated basement. #BasementRenovation #InteriorDesign #KidsRooms #MediaRoom #HomeMakeover #HighContrastDesign #PlayroomDesign #BudgetFriendlyDesign #HomeRenovation

The article details a design project undertaken by Emma Beryl Kemper of Emma Beryl, a New York City design studio, to transform a two-bedroom Greenpoint duplex. The condo, originally created from a storefront in a vintage row house approximately a decade prior, was characterized by a cold, "cookie-cutter" aesthetic and lacked personalized touches for the young family residing there. The primary objective of the renovation was to infuse warmth and character into the space, making it feel more like a home, and to significantly enhance its functionality. One of the initial challenges involved the original kitchen, which featured only a single wall of cabinetry and an island. Beryl reconfigured this area, adding a wine bar with a glass cabinet to create a smoother transition between the functional kitchen space and the open living room, integrating it more effectively with the adjacent dining area. Beyond the kitchen, the project focused on maximizing storage throughout the duplex. This included reconfiguring the upstairs bathroom and adding a shower to the downstairs powder room, thereby converting it into a full bath. Custom built-ins were designed for an awkward downstairs room, which served the dual purpose of concealing plumbing pipes and creating a cozy nursery for the family. To achieve the desired warmth and character, the design incorporated vintage pieces, hand-painted tiles, and a selection of specific furnishings and materials. Manhattan-based Jan Renovations carried out all the new construction work, including custom millwork. In the open living room, a vintage rug from ABC Carpet, a grasscloth-covered media unit, and a new sofa from Restoration Hardware were combined with the clients' existing coffee table and chairs. The floor-to-ceiling storefront windows, which made the living room feel exposed, were addressed by adding a built-in window seat with integrated storage, creating a barrier and softening the space with curtains. A custom-built narrow bookcase in the corner was installed to hide wires. The dining area features a built-in banquette that conceals a steel rail for the downstairs staircase, also providing additional storage. Rejuvenation chairs accompany a wooden farmhouse-style table, complemented by a West Elm chandelier. A wooden desk from Restoration Hardware is positioned alongside the dining area. The kitchen was enlarged while maintaining its general location, featuring a contrast of white upper cabinets and open shelves with dark navy lower cabinetry. Carrara marble countertops and handmade tiles on the backsplash were significant upgrades. The master bedroom, being small, was designed to maximize openness, with custom floating nightstands and walls painted in a moody dark hue. Lutron shades were installed for privacy on the frosted storefront windows. The door to the upstairs bathroom was relocated to the front entry, necessitating a complete change in the room's footprint. The bathroom's color scheme aligns with the kitchen and master bedroom, incorporating patterned floor tiles from Tabarka Studio and custom-made wall tiles to match the blue in the flooring. A Restoration Hardware vanity and Cedar & Moss sconce completed the new bathroom. On the lower level, a custom-built angled closet provides linen and coat storage. The downstairs nursery features a bi-level window seat, a long wall of storage, and a floor-to-ceiling closet, all custom-built from lacquered wood to conceal mechanicals while allowing access. Distinctive wallpaper from Hygge & West and Dwell Studio baby furnishings enhance the space. A shower was added to the downstairs bathroom by utilizing space beneath the staircase, with a sink from Restoration Hardware and floor tile from Wayfair. The article also mentions the availability of before-and-after photos to illustrate the transformation. #InteriorDesign #Greenpoint #CondoRenovation #EmmaBeryl #CustomMillwork #BrooklynDesign #HomeTransformation

The project, initially intended as a moderate renovation focusing on two children's bedrooms and a shared bathroom, evolved into a comprehensive gut renovation of a five-bedroom, four-and-a-half-bathroom residence in Brentwood, Los Angeles. The primary goal was to transform a previously dark home with an inefficient layout into a light, airy, and highly functional space capable of accommodating a family of four and their grandmother. Prior to the renovation, the house suffered from dim lighting, heavy design elements that made it appear outdated, dark flooring, and a cramped living situation for the children who shared a single bedroom. Linda Hayslett of LH.Designs led the project, addressing the clients' desire for a more inviting and warmer atmosphere. Key objectives included providing individual rooms for the children to grow into, optimizing the kitchen for both storage and family gatherings, and creating diverse activity areas such as a playroom and a loft. The renovation aimed to ensure that every part of the home was enjoyable and utilized, moving beyond the previous state where only select areas were favored. Consequently, all rooms underwent renovation, maintaining a cohesive aesthetic throughout the entire home. Significant emphasis was placed on incorporating ample storage solutions, a crucial consideration for a family with young children. This was achieved through extensive custom cabinetry, ensuring designated places for all belongings. Despite the clients' preference for a modern aesthetic, the designer skillfully integrated color and character into the spaces. In the primary bedroom, abstract motifs in the drapery served as a creative alternative to traditional artwork, given the limited wall space. These draperies introduced a soft, dynamic element, changing appearance with the opening and closing of windows. Cultural considerations also played a role; in the playroom, red was incorporated as a symbol of good luck, significant to the Japanese-American clients. Rather than overwhelming the space, the color was subtly applied to the frames of artwork created by the children and the backs of two bookshelves, symbolizing playfulness and future good fortune. The kitchen featured another subtle yet impactful use of color: a chalkboard wall. This element not only added visual interest but also provided a fun, interactive surface for the children. Given structural limitations due to the main staircase behind the wall, the chalkboard offered a dynamic alternative to a large, plain white surface, contributing to a cool, warm, and playful kitchen ambiance. Furthermore, the design prioritized multi-generational living, ensuring the home was accessible, comfortable, and stylish for all ages. In the kitchen, the island was designed with a second level, facilitating conversation and comfort for the grandmother. Similarly, the entry area included a custom-designed bench that seamlessly integrated with the cabinetry, offering a convenient seating area for the grandmother during her daily routines and for the children to put on and take off their shoes. These thoughtful design decisions resulted in a home that not only met the functional needs of the three-generational family but also exceeded their aesthetic aspirations, creating a deeply cherished living environment. #HomeRenovation #FamilyHome #InteriorDesign #BrentwoodLiving #MultiGenerationalLiving #ModernHome #CustomCabinetry #FunctionalDesign

Arne Jensen, an Emmy Award-winning art director from WBZ-TV, and his wife transitioned from a multi-story loft in Lowell to a 1,900-square-foot midcentury-style home in Walpole, specifically chosen for its architectural bones and convenient location. While Jensen's professional background was in set design, where aesthetics often supersede comfort, he applied his predilection for midcentury modern aesthetics to the redesign of his family's new home. This personal project ultimately led him to launch his own interior design and graphics firm. The exterior of the home was subtly updated to enhance its curb appeal and integrate it with the natural surroundings. Jensen painted the front door a spicy red and replaced the walkway with crisply cut granite pavers. He cultivated the front garden with a Japanese maple, azaleas, and a dwarf white pine, adding lush personality. The house features large, floor-to-ceiling glass expanses that foster an indoor-outdoor connection, a key attraction for the couple. To further emphasize this connection and integrate the interior with the exterior, Jensen stained the interior window frames dark brown, making them recede visually and allowing the eye to focus on the outside scenery. The interior walls, previously covered in dated, sharp stucco, were grounded, sanded, and repainted. The upper section of the highest wall, which separates the public spaces from the bedrooms, was painted a comforting mochaccino shade. This darker color choice was strategic, helping to visually knit the wood ceiling to the walls and reduce the vastness of the room, making it feel more intimate. The living space features a revitalized fireplace, which was originally clad in the same material as the home's front facade but deemed unsightly. Jensen transformed it by applying a Portola Paints’ lime wash to create a nuanced patina on the now-smooth stucco surface. He removed the raised hearth, installing a blackened steel plate flush with the floor, and incorporated a Stûv insert with a blackened steel surround, known for its heating efficiency. A pine mantel was added to link the fireplace with the existing wood ceiling, resulting in a streamlined yet cozy focal point. The fireplace is centered by a coffee table, flanked by leather sofas that exude a relaxed, midcentury sensibility. A reading nook was created in the remaining space, furnished with Barcelona-style chairs and adorned with black and white photography, along with Jensen's Emmy statuettes. The kitchen and dining areas underwent significant renovation to achieve a more open floor plan. Jensen removed the wall between the dining room and kitchen, replacing it with a breakfast bar. Upper cabinetry was eliminated in favor of maple base cabinets with deep drawers, valued for their practicality. Black granite countertops provide a grounding contrast to the light wood. The kitchen's focal point is a backsplash made of skinny, stacked olive tiles from Heath Ceramics, which Jensen chose due to his Bay Area roots. The varied green tones of these tiles harmonize with the outdoor view, drawing attention outwards. The deck, spanning the length of the house, was refurbished to include an outdoor kitchen with a gas grill and smoker, a Solo pellet stove for warmth, and a pergola with a louvered top for al fresco dining. Grapevines, replanted from an existing arbor, now trail over modern rails. Motivated by the desire for soothing sounds, Jensen also created a pond with lily pads and frogs. Additional outdoor features include an existing bocce court, which effectively separates the house from the lawn, and a vegetable enclosure built by Jensen, where he tends to raised beds of various produce. This multiyear renovation project, largely executed by Jensen himself, marked a significant career shift, leading him from television production to establishing Arne Jensen Design, an interior design and graphics firm, reflecting his enjoyment of the transformative process. #HomeRenovation #MidcenturyModern #InteriorDesign #LandscapeDesign #ArneJensenDesign #WalpoleHome #IndoorOutdoorLiving

The latest episode of 'Room to Improve' featured pilot Tom and Feng Shui consultant Claudia as they renovated their home in Tramore, Ireland, boasting a scenic sea view. The couple's distinct vision for their home, heavily influenced by Feng Shui principles, particularly Claudia's, became a central point of discussion and amusement for viewers and social media users. Their design choices and budget decisions presented challenges for the show's architect, Dermot. Throughout the renovation, Tom and Claudia requested multiple redesigns and additions, including a garage and a deck. A notable incident involved Claudia's use of 'geopathic stress paint' for the floors, which garnered significant attention. The interactions between the homeowners and Dermot, often characterized by Dermot's incredulity regarding their unique requests and their impact on the project's scope and budget, were highlighted as a particularly entertaining aspect of the show. Despite the comedic friction and unconventional design elements, the project ultimately resulted in an impressive finished home. The episode sparked a lively reaction on Twitter, with users sharing humorous observations and comments about the couple's design choices, the budget, and Dermot's visible reactions. Many tweets focused on the Feng Shui elements, such as geopathic stress paint, and the homeowners' insistence on specific, sometimes costly, features like a wetsuit storage area. The concept of 'slats' also emerged as a recurring humorous theme in the Twitter commentary, suggesting a perceived overuse or emphasis on this design element in the episode or series. The online discourse underscored the entertainment value derived from the dynamic between the homeowners' unique aesthetic and the architect's professional perspective, as well as the public's engagement with the show's renovation journeys. #RoomToImprove #FengShui #HomeRenovation #TVShow #TwitterReactions #DermotBannon #HomeDesign #GeopathicStress #InteriorDesign

This blog post details the extensive whole-home renovation undertaken by Abby Eskin and Zak Smith in Bozeman, Montana, following a significant flood caused by burst pipes. The couple, who had moved from Los Angeles with their two children, Zoe and Smith, had recently purchased a 1950s midcentury home near Montana State University. They were drawn to the house's distinct architectural style and its large floor-to-ceiling living room windows, which provided ample natural light even during the darker winter months. The unexpected flooding incident, while initially a crisis, ultimately presented an opportunity for a complete home makeover, transforming the property into a more functional and aesthetically pleasing space. The renovation focused on opening up previously compartmentalized areas to create a more contemporary and connected living environment. A key aspect of the transformation was the kitchen, which was redesigned with a soft-blue palette and opened directly into the dining area. This alteration aimed to improve the flow and create a central gathering space for the family. The project was executed by Open Studio Collective, a firm that specializes in such large-scale residential updates. The article, while providing a general overview, implies that the renovation addressed various aspects of the home beyond just the kitchen and dining area, suggesting a comprehensive approach to modernizing the 1950s midcentury residence. The redesign sought to blend the home's original midcentury character with modern living requirements, ensuring that the updated spaces remained harmonious with the existing architecture. The choice of materials, color schemes, and spatial arrangements would have been critical in achieving this balance. The project highlights how unforeseen circumstances, such as a home disaster, can sometimes lead to desirable improvements that might not have been considered otherwise, turning an unfortunate event into a catalyst for positive change. The finished renovation aimed to cater to the family's needs for a comfortable, bright, and integrated living space in their Bozeman home. #HomeRenovation #BeforeAndAfter #MidcenturyModern #BozemanMontana #KitchenDesign #OpenStudioCollective #WholeHomeMakeover #InteriorDesign #FloodRecovery

The article details the renovation of a 1970s tract house in Rancho Morongo, California, transforming it into a personalized desert dream home. Creative director Catalina Monsalve, having lived in New York for 17 years, sought a change in environment during the pandemic. She found her new home with the help of her partner, interior designer Kelly Kai. The property is situated on the outskirts of Joshua Tree, an area known for its unique desert landscape and increasingly popular for its relaxed lifestyle and artistic community. The renovation project, dubbed "Casa Cookie," involved extensive updates to modernize the tract house while injecting it with a distinctive, quirky aesthetic. The original structure, typical of 1970s design, likely featured a more conventional layout and finishes. Kai's design approach focused on creating a space that reflects Monsalve's personality and embraces the desert surroundings. This involved a blend of functional improvements and aesthetic enhancements, moving away from the blandness often associated with mass-produced housing of that era. The transformation of the house highlights a common trend where individuals seek to personalize their living spaces to a high degree, particularly after significant life changes. The pandemic, in particular, prompted many to reconsider their living situations and seek environments that better support their well-being and creative pursuits. For Monsalve, this meant trading the bustling urban environment of New York for the serene, inspiring landscape of the California desert. While specific details of the renovation, such as structural changes, material choices, or specific design elements, are not fully elaborated in the provided text (due to it being a Dwell+ exclusive preview), the title and introductory paragraph suggest a comprehensive "before and after" narrative. This implies significant changes to both the interior and potentially the exterior of the home. The term "quirky desert dream home" suggests an eclectic style, possibly incorporating vintage finds, custom pieces, and a vibrant color palette that aligns with the artistic and bohemian spirit often found in desert communities. The collaboration between Monsalve and Kai was crucial to the project's success. Kai, as an interior designer, brought professional expertise in space planning, material selection, and aesthetic coordination, ensuring that the vision for Casa Cookie was cohesively executed. Monsalve, as the homeowner and creative director, likely provided the overarching vision and personal touches that made the house uniquely hers. This partnership is typical in successful home renovation projects, where the designer translates the homeowner's desires into a functional and beautiful reality. The article is categorized under "Before & After," "Renovations," and "Desert Homes," indicating that it showcases a dramatic transformation of an existing structure within a specific geographic and stylistic context. The mention of "Californian Homes" further situates the project within a regional design aesthetic that often emphasizes indoor-outdoor living, natural light, and a relaxed, contemporary feel. The project serves as an example of how older, unassuming properties can be revitalized and reimagined to fit modern lifestyles and personal tastes, especially in desirable locations like the areas surrounding Joshua Tree. #HomeRenovation #DesertHomes #BeforeAndAfter #InteriorDesign #CaliforniaHomes #TractHouseTransformation #QuirkyDecor #PandemicMove #RanchoMorongo

Kin Architects undertook the renovation of a small apartment in Brisbane’s Torbreck, the city's first high-rise apartment tower, for a young professional couple. Initially, the clients planned to manage the renovation themselves, but their cabinetmaker recommended Kin Architects' co-founders, Marjorie Dixon and Leah Gallagher, to design a kitchen island bench. This initial request expanded to encompass the entire apartment's renovation. The project presented a challenge due to updates already made by the clients, including selected tiles, installed plumbing fixtures, and a timber platform in the kitchen and dining area. The design objective was to integrate the mid-century modern aesthetic of the Torbreck building with contemporary functionality. The resulting kitchen island bench serves as the scheme's focal point, functioning as a bar, desk, and kitchen bench, crafted to appear as a sophisticated piece of timber furniture. Its design successfully merges the building's original character with modern needs. A key feature of the renovation is the full-height, panelled joinery that spans the living, kitchen, and dining areas. This bespoke element, showcasing the cabinetmaker's skill, discreetly conceals storage and a television, contributing to the apartment's polished look. The joinery includes a water-jet-cut marble buffet, designed for cocktail preparation, reminiscent of 1950s design with a modern, animated touch. A bold design choice was the selection of a vibrant blue carpet, which the architects successfully proposed to the clients. This colourful element contributes to the apartment's mid-century aesthetic. The bathroom also features bold design elements, including striking floor tiles complemented by recycled hardwood drawers in the vanity, echoing the timber finishes used in the kitchen. The renovation incorporates meticulous bespoke details, such as a mirror cut-out that allows an arched tap to sit flush with the marble splashback, and another cut-out enabling the shower door to open inwards. These details optimize space and functionality within the compact apartment. The project successfully creates a comfortable and stylish living space that respects the building's historical context while incorporating modern living requirements. Key products and materials used include Dulux Wash and Wear Acrylic Low Sheen paint in 'Whisper White' for walls, and Gaboon plywood panelling with hoop pine half rounds for kitchen joinery, finished with Porters Paints Wood Wash in 'Plain White'. Flooring in the kitchen features mixed recycled hardwood from Kennedy’s Timbers, and Tretford cord carpet in 'Freshwater 615'. The kitchen also includes a Corian benchtop in 'Glacier White', a recycled Carrara marble circular benchtop, and Astra Walker Icon tapware. Bathroom elements include Vast Dove Grey Satin rectified wall tiles and Arcade Hyde Multicolour glazed-porcelain floor tiles from Beaumont Tiles, alongside a recycled Carrara marble benchtop and Brodware City Plus tapware. The project was completed in 2018, with Kin Architects as the architect, and the owner as the builder, in collaboration with William McMahon Cabinetmaker. #ApartmentRenovation #MidCenturyModern #InteriorDesign #KinArchitects #BrisbaneArchitecture #CustomJoinery #ResidentialDesign #KitchenDesign

The author, a writer for Realtor.com®, chronicles her personal home renovation journey, detailing how she applied design advice gleaned from popular reality TV home improvement experts like Chip and Joanna Gaines, Christina Haack, Jonathan and Drew Scott, and others. The renovation of her 1927 English Tudor-style home in San Francisco, purchased in 2020, took place throughout most of 2021, transforming a property that had not been updated in decades. The overall footprint of the two-story, four-bedroom, two-bathroom, 2,230-square-foot house was maintained, but the floor plan was adjusted, and every surface was touched. One of the core principles applied was to design for real life rather than solely for resale value, a concept championed by "Home Town" star Erin Napier. Since the author and her husband intend to grow old in the house with their two young children, decisions were made to suit their family's current and future needs. This included converting a formal extra bedroom into a flexible space that can function as a home office, as recommended by Brian and Mika Kleinschmidt of "100 Day Dream Home." The renovation also embraced open spaces, removing a wall between the kitchen and dining room and widening openings to the foyer and living room, allowing children to be visible and connected while parents work, cook, and clean, aligning with Shea McGee's insights from "Dream Home Makeover." Russell Holmes of "Renovation Impossible" reinforced the idea that value extends beyond monetary appraisal to include enjoyment. The kitchen, a key area for return on investment, received significant attention, particularly the island. Christina Haack of "Christina on the Coast" inspired the decision to install a large, oversized kitchen island. The author opted for a 7-foot by 5.5-foot slab of Calacatta gold marble with bold veining, which, despite its cost, became a central feature for family dinners and gatherings. The selection of materials prioritized timelessness over fleeting trends, a recommendation from Dave and Jenny Marrs of "Fixer to Fabulous: Italiano." The use of honed marble for countertops and backsplash, with continuous gray veins and a matte finish, paired with brushed-brass fixtures, aimed for classic durability, ensuring the white-on-white kitchen would remain stylish and functional for years. Preserving original architectural details was another important aspect of the renovation. Despite the extensive overhaul, elements like antique doors, knobs, a cast-iron bathtub, multi-paned windows, and sections of the hardwood floor were retained. Where original features were missing or unusable, efforts were made to re-create the look, such as with crown molding and tall baseboards. Joanna Gaines highlighted the cost-saving benefit of salvaging original items, while Clint Harp emphasized that blending old and new elements creates a desirable design balance, allowing appreciation for timeless pieces. Strategic splurging was advised by Tamara Day of "Bargain Mansions" and Michel Smith Boyd of "Luxe for Less," who suggested investing in frequently used items like sofas. The author and her husband prioritized a comfortable sectional from Room & Board, featuring a durable, custom green upholstery. Personal preferences guided interior decor choices, adhering to Jonathan Adler's rule: "Forget the rules. If you love it, it will work." This led to an olive-green couch matching her husband's vintage truck and pink accents inspired by "Barbie Dreamhouse Challenge" judge Tiffany Brooks. The downstairs powder room was a space for bold experimentation, featuring a palm print wallpaper reminiscent of the Beverly Hills Hotel, a tip supported by Alison Victoria of "Windy City Rehab." Careful consideration was given to paint colors, drawing inspiration from Keith Bynum of "Bargain Block" for exterior curb appeal and Tamara Day for interior lighting nuances. The home's exterior features a cream base with dark chocolate trim, while the interior is painted in Cool December by Dunn-Edwards Paints, providing a neutral backdrop for colorful decor. Finally, decluttering practices, inspired by Nate Berkus and Jeremiah Brent of "The Nate and Jeremiah Home Project" and Jean Stoffer of "The Established Home," were implemented, encouraging the retention of only cherished items and minimizing horizontal surface clutter, with a realistic acknowledgment of managing everyday mess, as even Marie Kondo admits. #HomeRenovation #InteriorDesign #RealityTV #HomeImprovement #KitchenDesign #TimelessDecor #DeclutteringTips