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David Heide Design Curates a Warm Gasparilla Island Abode
This article details the design process and final outcome of a second home on Gasparilla Island, Florida, for a St. Paul couple. The homeowners, long-time visitors to the island, sought to build a winter residence in 2019. They acquired a lot with pre-existing plans for a 4,000-square-foot, four-bedroom, five-and-a-half-bath house, but found the design too generic. To achieve a more distinctive and personalized aesthetic, they enlisted designer David Heide, known for his appreciation of historical architecture and his work on their previous projects.
The couple's primary request for their new home was a blend of casual sophistication and livability, specifically avoiding common Florida kitsch. Heide's vision was to create an "elegant house with an old soul," integrating traditional elements that harmonized with the island's established architectural character. A significant challenge in the original plans was the overly open layout, where the front door opened directly into the main living area, lacking a proper entryway. Heide addressed this by incorporating a divided light window wall flanked by symmetrical doorways, which effectively defined the entrance space while still maintaining visual connections to the house and pool.
Heide, along with designers Tam Ngo and Michael Crull, focused on imbuing the home with a sense of heritage. This was achieved through extensive millwork, divided light windows, wide plank floors, and bespoke finishes. The design team deliberately chose not to use many white walls, recognizing the intense Florida light. Instead, they opted for a palette that allowed light to interact with dark woodwork, shimmer off wallpaper, and filter through wavy restoration glass, creating depth and a nuanced ambiance. Even the kitchen, predominantly white, gained depth through natural white oak paneling and a mosaic marble backsplash.
Inspiration for the home's aesthetic also came from the beach setting and a childhood poem about beachcomber finds. However, the designers avoided literal beach motifs, instead employing color and texture to evoke the sand, sea, and sky. This included cerused white oak paneling, cabinets with woven grass panels, and textiles in shades of blue and green. Wallpaper played a significant role, with various patterns like dusty pink stripes, Asian-inspired blossoms, and grasscloth embedded with capiz shells used to define individual room identities.
To foster a collected ambiance, Crull and Heide combined diverse periods and furniture styles. This resulted in unique juxtapositions, such as a carved Spanish console with a contemporary bronze sculpture in the entryway, an abstract expressionist painting in the living room, and bobbin dining chairs with Brunschwig & Fils fabric. A custom walnut and bronze lift cabinet, designed by Heide and fabricated by Frost Cabinets, elegantly concealed the television. The den, a key feature on the main floor, was designed as a comfortable retreat with green and brown tones, featuring shadow plaid wallpaper, a geometric rug, sandy upholstery, classic drapery, and a captivating painting.
The second floor was designated for guests, including the couple's children and grandchildren, and comprises three en suite bedrooms, a lounge area, and a balcony. The primary bedroom's location on the main level provided a separation that accommodated differing bedtimes. The overall design prioritized proportion, symmetry, and functionality, ensuring that each room flowed seamlessly and offered multiple inviting spaces for relaxation, reading, or enjoying the views of the water, palm trees, and sky. Architectural designers were David Heide and Tam Ngo of David Heide Design Studio, with Michael Crull as the interior designer. Outerbridge Construction served as the builder.
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