Laura Tribbett’s countrified cache of umber stripes, caramel quartzite and slate blue wool

Layered, a Stockholm-based interior design brand established in 2015 by Malin Glemme, has garnered attention for its distinctive blend of bold and modern design elements, coupled with a strong emphasis on craftsmanship and sustainability. The company's latest collection draws inspiration from and is named after traditional Röllakan rugs. These historic rugs are characterized by their geometric and stylized patterns, which frequently feature plant and animal motifs, and were traditionally handwoven by women in their homes. For this contemporary reimagining, Layered's design team has curated a palette that is both rich and intense. The colors selected reflect Swedish nature and folk art, incorporating deep red, blue, yellow, dark ochre, and forest green. Complementary undyed black and white details are also integrated into the designs. This color scheme aims to evoke the aesthetic and cultural heritage of the original Röllakan rugs while offering a fresh, modern interpretation. The original Röllakan rugs were often cherished and passed down through generations as heirlooms, symbolizing enduring value and tradition. Layered's new interpretations are designed with a similar legacy in mind. The brand endeavors to create pieces that are not only visually appealing and current but also possess the timeless quality and craftsmanship that would make them suitable for being passed down as heirlooms in the future. This approach aligns with Layered's foundational commitment to sustainability and enduring design, ensuring that their products contribute to a more mindful consumption culture. The collection's focus on traditional techniques combined with contemporary design ensures a unique aesthetic that appeals to modern sensibilities while honoring historical artistry. The choice of natural colors and classic motifs, reinterpreted for a contemporary audience, allows these rugs to integrate seamlessly into various interior styles, from minimalist to more eclectic settings. Layered's ability to cross-pollinate design influences, merging traditional Swedish folk art with bold, modern aesthetics, positions the brand as a significant player in the interior design landscape, offering products that are both beautiful and ethically produced. #Layered #RöllakanRugs #SwedishDesign #ArtisanRugs #InteriorDesign #HomeDecor #SustainableDesign #Craftsmanship #FolkArt

The Sabi textile range by Louise Sigvardt for Kvadrat is a woolen upholstery collection designed to explore the interplay of color, textures, and layers. Developed by Copenhagen-based designer Louise Sigvardt, these textiles are produced using a traditional dobby weave technique. The material composition includes both virgin wool and post-industrial recycled wool, sourced from UK yarn spinner Wooltex. The virgin wool is utilized for the vibrant, colored threads, while the recycled wool is dyed in darker tones. This strategic combination aims to create a dynamic depth within the fabric. Sigvardt's inspiration for the Sabi collection stemmed from her personal experience renovating her home, during which she became particularly interested in the process of layering colors and textures. She emphasized her focus on exploring color combinations that reveal different nuances as layers are examined, both literally and figuratively. This design philosophy translates into textiles that offer a visual journey, with individual colors becoming more apparent upon closer inspection. The Sabi collection features a rich and diverse palette of colorways, designed to bridge the gap between contemporary aesthetics and shades characteristic of the 1970s and 1980s. This blend of historical and modern hues contributes significantly to the visual depth and multidimensional effect of the textiles. Kvadrat describes how the perception of color in Sabi evolves as one approaches the textile, gradually revealing its various color components. The color options available within the Sabi range include names such as Mellow Butter, Acid Green, Camel Brown, Sour Lavender, and Prima Magenta, indicating a broad spectrum of choices. This collection is a part of Kvadrat's 2021 Fall collection, which aims to uphold the brand's core values. These values encompass visionary design, a high degree of color accuracy, engineering excellence in production, and superior functional performance. The Sabi textile range, therefore, represents a product that is not only aesthetically sophisticated but also aligns with Kvadrat's commitment to quality and innovative textile design. #UpholsteryTextiles #WoolenFabric #Kvadrat #LouiseSigvardt #TextileDesign #InteriorDecoration #SustainableMaterials #ColorTheory #HomeFurnishings

Noz Nozawa, a San Francisco-based designer, has introduced a new line of chandeliers and sconces for Corbett Lighting, drawing inspiration directly from her personal jewelry collection. Her design philosophy posits that lighting serves as the jewelry of a home, a concept she has materialized by translating actual rings, bracelets, and necklaces into elegant lighting fixtures. Nozawa's approach involved "mega-sizing" cherished antique and vintage jewelry pieces, extracting their forms, silhouettes, and inherent purposes. This connection between jewelry and lighting extends beyond visual aesthetics to encompass the manufacturing processes. Nozawa observes that the creation of delicate-looking diamond rings and tennis bracelets involves robust and complex techniques, mirroring the metal forging and glass blowing processes found in the lighting industry. She highlights how the fabrication methods for chains and glass in lighting production have clear parallels, albeit on a micro-scale, in jewelry making. This realization allowed her to craft a lighting collection that not only visually references her beloved jewelry but is also inspired by the intricate methods of its creation. One direct example of her translation process is the Bezel sconce, which stemmed from a Victorian-era ring. Nozawa's initial sketch for the collection was a brass wall sconce with inset luna glass, directly inspired by an 1891 three-diamond ring she acquired at an antique show. The ring's bezel-set design, where stones are flush with the gold, gives the sconce its name. Available in three-stone and five-stone versions, the Bezel sconce can be hung horizontally to evoke vanity lights or vertically as a dazzling, organically shaped fixture. Another inspiration comes from an 18th-century-style bangle, which led to the Riviere chandelier featured in Nozawa's own living room. This chandelier, characterized by cabochon-studded elements, addresses her desire for a fixture that emits light outwards rather than downwards, eliminating the need for a glare-diffusing panel. The chandelier's "gems" are crafted from heavily veined ice onyx, whose striations are visible whether the lights are on or off, and are accentuated by a luxurious gold-leaf finish that interacts beautifully with natural and ambient light. The Riviere line also incorporates Nozawa's favored mariner chain motif, reminiscent of ship anchor chains, and includes a wall sconce designed to resemble a dangling earring. Nozawa’s practice of stacking necklaces, as seen on her Instagram, influenced the Daith chandelier. This fixture allows for numerous dramatic arrangements with varying heights, diverging from typical multi-pendant chandeliers that often feature globes of a single size. The Daith chandelier utilizes etched-glass globes that mimic the softened pyramid shape of a sugarloaf cut in gemstones, suspended by her signature mariner chains. The burnished brass finish, designed to replicate 18-karat gold with a pre-patina, provides a rich, orangey hue that feels like a living finish, evoking antique jewelry. The customizability of the Daith fixture is a key feature, allowing all six lights to be draped in either an organized or deliberately disorganized manner. In her own dining area, a chain extends from above the table to the bar area, showcasing the flexibility intended for the entire collection. Nozawa aimed for a versatile collection that appeals to a wide audience, offering a striking "kapow!" light fixture for minimalist interiors or a maximalist piece that gives the impression of layered necklaces suspended from the ceiling. #NozNozawa #CorbettLighting #JewelryInspiredLighting #HomeDecor #InteriorDesign #LightingDesign #AntiqueJewelryInfluence #Chandeliers #Sconces

Lucy Penfield, the founder of Wayzata, Minnesota–based Lucy Interiors, emphasizes circularity in her design approach. She focuses on incorporating sustainably made items that are durable, repairable, and recyclable, aiming to infuse interiors with character and a connection to nature. Penfield believes that good design contributes to a better future. For her current mood board, Penfield drew inspiration from a floral arrangement by Buffy Hargett Miller and utilized natural materials, including a salvaged-wood surface sample and a wallcovering crafted from water-lily leaves. She highlights that creating beauty while acting responsibly is fundamental to her work. The flat lay she created showcases a collection of artisan-crafted items made from eco-conscious materials, each possessing distinct style and personality. Penfield describes the aesthetic as a romantic blend of mulberry and raspberry hues, combined with moss and spring green, resulting in an earthy yet energetic feel. The mood board features a curated selection of 23 items. Among them is the Pienza Rafano Linen in Violet-Grape by C&C Milano, chosen for its iconic, regal pattern and understated elegance, suitable for drapery. The Leaping Cheetah Cotton Fabric in Bubblegum by Scalamandré is included to add a playful and sassy element. For texture and natural appeal, the Nomad Wallcovering in Spring Green by Omexco, made from water lilies, is selected as an eco-friendly option. The Rosewater 1 Hand-Painted Terra Cotta Tile by Tabarka Studio is featured for its bespoke quality and beautiful workmanship, ideal for a backsplash. Farrow & Ball's Brinjal No. 222 Paint, a moody aubergine, is envisioned for creating an exotic atmosphere when applied in high gloss. The Lucille Ikat Fabric by Tulu is chosen for its dramatic scale and raspberry color, adding pizzazz to any room. Penfield also incorporates a Green Guatemalan Textile with Fringe, highlighting her practice of layering found textiles and celebrating the embroidery work of Mayan women. Bianco London Plane Wood by Foresso, made from waste wood from fallen British trees, is noted for its impressive ethical sourcing and use of recycled materials. The Catch Cabinet Pull in Silicon Bronze Dark by Rocky Mountain Hardware is included for its dark metal finish that patinas beautifully with age, showcasing artisan quality. For window treatments, Whitecaps Window Fabric in Breaker by Hartmann&Forbes is chosen for its natural grass texture as a roman shade. The floral arrangement by Buffy Hargett Miller is specifically mentioned as the inspiration for the mood board's color palette. Edie Metallic Wallpaper in Glam Gold by Cristina Buckley for Schumacher provides a mod-meets-vintage look with its shiny Mylar finish. An Embroidered Decorative Tape Trim from Lucy Interiors, sourced from Mexican women artists, is selected to represent hidden treasures and artisanal craft. The selection continues with Tortoiseshell Wallpaper in Emerald by Hutton Wilkinson for Jim Thompson, described as a book-matched inlay-inspired design with a glossy finish reminiscent of Tony Duquette. A 19th Century Chinese Six-Panel Screen from Bunny Williams Home features scenes of birds and foliage. Mane Attraction Leather in Deep Turq by Holly Hunt, a moody dark turquoise hair-on-hide, is included for its irresistible texture. The Cocarde Fabric in Opiat by Christian Lacroix at Designers Guild, with its rosettes, emblems, and ribbons, offers a playful, wild-card print. Ikat Crazy Fabric in Orange/Pink by Mally Skok Design is chosen for its modern linen ikat pattern, perfect for reupholstering cherished sofas. Glam Stripe I Fabric by Casamota, from Carlos Mota’s debut collection, is noted for its bold palette and delicious embroidery. Quadrato Fabric in Cerise by Casa Branca, with its hand-drawn concentric print, provides a graphic splash that complements the floral inspirations. A Burl Wood Dining Table Sample in Honey Amber by Milo Baughman at 1stDibs, a 1970s classic, is selected for its versatility and earthy connection. A Purple Guatemalan Stripe Pillow from Lucy Interiors, made from artisan fabric, represents another example of found textiles. Finally, the book “Yves Saint Laurent: The Complete Haute Couture Collections” by Suzy Menkes is included for its representation of French style and haute couture archives. #InteriorDesign #SustainableDesign #HomeDecor #MoodBoard #Textiles #Wallcoverings #ArtisanCraftsmanship #NaturalMaterials #ColorPalette

Terra cotta, with its rich blend of orange, red, and brown, is presented as a trending color choice that offers both vibrancy and neutrality to interior design. This article showcases nine distinct products, ranging from fabrics and furniture to tiles and wallcoverings, all featuring terra cotta-inspired hues, highlighting how this earthy tone can bring warmth and character to various living spaces. Each product is detailed with its unique features, materials, and design inspiration, offering designers and enthusiasts a curated selection of items to incorporate this popular color into their projects. First on the list is the Toulin Fabric in Russet from Romo, which combines a clean-lined, large-scale diamond motif with stippled, ikat-style edges and a brushed cotton-linen ground, providing a softened, yet statement-making textile. Following this, Élitis introduces the Vernon Fabric in Grand Canyon, a vibrant water-resistant jacquard designed to enhance poolside aesthetics with its bold color. Lulu and Georgia feature the Yucca Sofa in Rose Vintage Velvet by Carly Cushnie, a plush piece characterized by pillow-like armrests and channel-tufted upholstery, emphasizing comfort and visual appeal. For wall applications, Thibaut offers the Lauderdale Wallpaper in Pumpkin, a basketweave-style paper crafted from woven palm leaves. This particular design comes in nine colorways, with Pumpkin being a burnt-orange option. New Ravenna presents the Luca Mosaic in Rojo Alicante, a mosaic crafted from a variety of stones, including clay-colored Rojo Alicante marble, drawing inspiration from Venetian architecture. This piece is described as striking and luxurious. Romo also features the Aerial Fabric in Clove by Kirkby Design, a sustainable option woven from 63 percent recycled cotton. This fabric is notable for its graphic mixed-pile pattern, which is inspired by the intricate designs found in crop circles. Ngala Trading introduces the Woven Outdoor Dining Chair in Zanzibar, a weather-safe chair made from 100 percent recyclable cane fibers and available in various powder-coated colorways, including the rusty red-orange Zanzibar. Ultrasuede contributes to the selection with the HP 3586 Fabric in Terra, a high-performance fabric made from partially plant-based polyester. This fabric, available in 97 solid colors, offers a buttery soft suede-like finish. Finally, Porter Teleo showcases the In the Wild Wallcovering in Cadmium Red, a hand-painted wallcovering featuring unruly linework in a shell-themed design, which creates an illusion of rhythm and movement. The products are sourced from BOH’s Collections vertical, which highlights new debuts from leading brands in the industry. #TerraCotta #InteriorDesign #HomeDecor #EarthyTones #FabricDesign #Furniture #Wallcoverings #Textiles #DesignTrends

The article introduces Danny Mehra, a Bengaluru-based carpet collector whose passion for tribal carpets has led to a remarkable collection of approximately 1,500 pieces from the 19th century, sourced primarily from the Silk Route. Mehra, a 64-year-old former finance professional, began his collecting journey serendipitously with a wedding gift from his mother-in-law. This initial gift, likely Azerbaijani carpets, sparked an interest that grew into a profound fascination with tribal weavings, particularly for their inherent imperfections and the stories they convey. Mehra's collection is characterized by its diversity in size, origin, motif, and color. His apartments are filled with carpets from regions such as Kurdistan, Iran, Afghanistan, Azerbaijan, and the Balkans. He emphasizes that the motifs on these carpets are more than mere decorations; they are narrative elements, with symbols like camels representing wealth, birds signifying faith, snakes wisdom, stars happiness, and trees of life perpetuity. His attraction to tribal carpets stems from their "Wabi sabi shibumi" quality—the beauty found in imperfection—a stark contrast to the rational world of finance he previously inhabited. His journey as a collector began with bargain hunting in Delhi and later extended to antique and thrift stores in Manhattan, where he discovered the abundance of carpets available. Mehra highlights the unique characteristics of tribal carpets, describing them as abstract, spontaneous, and naive, breaking traditional design rules. He explains that these carpets were primarily woven by women who improvised designs from their imaginations, often sharing stories while they worked. This spontaneous and creative process, he notes, results in distinct and whimsical compositions. Mehra shares insights into distinguishing different types of carpets, such as Persian and Kurdish. Persian carpets, including the long-piled Gabbeh, often exhibit a modern aesthetic comparable to the Bauhaus school, while Kurdish carpets are known for their bold designs and vibrant colors. Despite his extensive knowledge, Mehra acknowledges the ongoing learning process in collecting, humorously recounting "early collector's mistakes" and the difficulty in discerning fact from fiction in the often-colorful histories provided by dealers. The article also provides practical advice from Mehra for aspiring collectors. He advocates buying from the heart, selecting pieces that bring personal joy, and designing rooms around carpets rather than the reverse. He suggests hanging carpets on walls to fully appreciate their beauty, noting that they can be more affordable than paintings. Finally, Mehra views good old carpets as safe and lasting investments, though he advises against purchasing them solely for investment purposes, suggesting instead to be open to potential future windfalls. #CarpetCollection #TribalCarpets #BengaluruCollector #SilkRoute #HomeDecor #ArtCollecting #TextileArt #InteriorDesign #WabiSabi

Najd is a new textile collection, designed by architect and designer Tristan Auer for Lelièvre Paris, drawing inspiration from Saudi Arabian design. The collection's distinctive natural and earthy color palette is directly referenced from the Najd desert, which also provides the collection with its name. The creative process behind Najd involved Tristan Auer's deep dive into the traditional architecture of the central Saudi Arabian region, translating its colors and structural lines into textile designs. The Najd desert, characterized by its vast expanses of natural earth and clay hues, served as a primary muse. This inspiration manifests in the striking interplay of orthogonal architectural structures and the organic, flowing lines of the desert's endless dunes. This juxtaposition of structured forms and natural fluidity is a core theme throughout the collection. The Najd textile collection offers a variety of designs, incorporating both geometric patterns and diverse textured surfaces. These visual and tactile elements are designed to evoke the rugged yet refined aesthetic of the desert landscape and its historical built environment. The collection is fabricated using a range of materials, including cotton Jacquard, linen, and high-performance fabrics, catering to various applications and functional requirements while maintaining the collection's aesthetic integrity. The use of these materials ensures both durability and a luxurious feel, aligning with the brand's commitment to quality. This collection, available through Dezeen Showroom, is positioned as a sophisticated option for interior design professionals and enthusiasts seeking to incorporate elements of exotic, culturally rich aesthetics into contemporary spaces. The colorways, while natural and earthy, are presented in a manner that allows for versatility in different design schemes, from minimalist to more ornate settings. By offering a blend of traditional inspiration and modern material technology, the Najd collection aims to provide textiles that are both aesthetically compelling and practical for everyday use. Lelièvre Paris emphasizes that the collection not only captures the visual essence of the Najd region but also its spirit, making it more than just a decorative element but a narrative piece within an interior. The choice of Tristan Auer, known for his work in luxury interior design and architecture, underscores the collection's high-end appeal and its potential to elevate diverse living and commercial environments. The collaboration highlights a bridge between traditional cultural motifs and contemporary design sensibilities, resulting in a textile offering that is both timeless and relevant. #TextileCollection #TristanAuer #LelièvreParis #SaudiArabianDesign #EarthTones #GeometricPatterns #TexturedFabrics #InteriorDesign #HomeDecoration

Brittany Hakimfar, founder of Philadelphia's Far Studio, emphasizes the importance of natural materials in her interior designs, allowing their tactile textures and organic motifs to define her earthy yet elegant aesthetic. Her current design inspiration stems from richly veined marbles, specifically lavender-hued Calacatta Viola and black-and-white Nero Marquina. These stones serve as the foundational palette, guiding the selection of complementary fabrics and finishes to create a cohesive and visually captivating scheme. Hakimfar's design incorporates a variety of natural elements, including honey-hued zellige tile and dark brass counter stools, all chosen to celebrate the raw beauty of nature. The resulting palette aims for organic refinement while subtly introducing glamour. Key elements contributing to this sophisticated blend include vintage black beads, which add an eclectic touch, and Farrow & Ball's Brinjal paint, a rich, deep purple hue that acts as a strong statement color and can create a special mood, especially when used in a lacquered finish for cabinetry. One-of-a-kind ceramic pieces and found objects, such as a vintage ceramic dish and bud vases, are integral to adding unique character to spaces. Custom wood furniture from Faithful Roots, known for its top-tier finishes and craftsmanship, is frequently incorporated, demonstrating versatility in blending with various marble types. Hardware and metal finishes are carefully selected; for instance, the Luxe Gold finish by Brizo is favored for its subtle brass tone without yellow undertones, ensuring compatibility with diverse wood and marble schemes. For custom stools, Thomas Hayes Studio's dark patina brass finish is preferred for its seamless integration into Hakimfar's interiors. Fabric choices are crucial for texture and color, with materials like Verellen's emerald mohair and Donghia's Bordeaux velvet (Covet fabric) being highlighted. The Bordeaux velvet was specifically chosen for armchairs to complement Calacatta Viola marble, while Jiun Ho's Linyati velvet in Lion adds interest and shine to custom banquets. Zellige tiles from Riad Tile, in honey and forest green, are valued for their natural, handmade quality and unique colors. Marbles, such as Calacatta Viola and Nero Marquina from Stone Tech Fabrication, are selected for their dramatic veining and grounding natural materiality, often used for striking features like a full bar wall or fireplace surrounds. Additionally, natural limestone in Paris Grey by François & Co. is anticipated for its ability to introduce texture and a timeless feel to kitchens. Wallcoverings play a significant role in adding depth and character; Phillip Jeffries' vinyl plastered wallcovering in Fresca offers a textured plaster look, while their vinyl abaca wallcovering in Fern creates a subtle layer in dining spaces. The Venetian plaster wallcovering in Espresso Brown by Phillip Jeffries is praised for closely mimicking real plaster, lending a moody ambiance. Finally, the Thisby rug in Ivory by Sacco Carpet provides luxurious texture and a neutral tone, grounding primary bedrooms and creating a calming environment. Styling elements like vintage zen stones, along with sheer and neutral window treatments from Stout Textiles, complete the curated design approach, emphasizing a harmonious blend of natural materials and refined aesthetics. #InteriorDesign #MaterialSelection #LuxuryInteriors #NaturalMaterials #ColorPalette #DesignInspiration #HomeDecor #TexturalDesign #MarbleInteriors

The article discusses the new Bedford Park collection from Morris & Co., a textile brand named after the influential British textile artist William Morris. The collection, spearheaded by lead designer Jessica Clayworth, aims to honor Morris's iconic Arts & Crafts designs while introducing a modern and unexpected twist through bold and supercharged color palettes. Clayworth's vision was to disrupt the market by reimagining classic patterns with punchy hues and dramatic color combinations, drawing inspiration from the psychedelic tones of the 1960s and '70s. The development process involved delving into the company's archives to select both well-known Morris bestsellers and lesser-known works by other significant Arts & Crafts designers. The goal was to bring attention to designs that had previously received less recognition and to highlight the contributions of artists like C.F.A. Voysey, Allan Francis Vigers, and J. H. Dearle, who were also impactful during the Arts & Crafts period. The Bedford Park collection features 15 wallpaper designs and 14 fabrics. Clayworth provides insights into several key patterns within the collection. For instance, the popular 'Pimpernel' pattern, originally characterized by soft, muted colors, has been reinterpreted with brighter, stronger colors such as Shamrock and Watermelon. This reinterpretation caters to customers seeking a more vibrant and audacious aesthetic. Another pattern, 'Spring Thicket,' which was Morris's last wallpaper design, has been updated from its original subtle peachy ground to striking bright blues, incorporating a lilac punch to modernize the colorway and enhance the floral and leaf motifs. The collection also introduces designs by C.F.A. Voysey, including 'The Savaric,' which features his signature bird motif. While Morris's designs are often described as structural, Voysey's style is noted for its naivete. The updated 'Savaric' maintains a gentle color palette, such as Garden Green, to align with Voysey's original vision while introducing his work to a broader audience. Voysey's 'Glade' and 'Laceflower' patterns are also part of the collection. 'Glade' stands out with its structural, stylized botanical design and Art Nouveau influence, offering a departure from some of the more elaborate patterns. 'Laceflower' reintroduces Voysey's characteristic birds, integrated within floral stems for a more dimensional effect compared to 'The Savaric.' Allan Francis Vigers' 'Campanula' design, with its dense field of vibrant flowers, is presented in a Sunburst colorway that closely honors the creator's initial vision, with colors slightly enhanced for impact. The wallpaper print for 'Campanula' also pays homage to the wooden printing blocks used during the Arts & Crafts era, reinforcing the collection's authentic origins. Many patterns in the Bedford Park collection are available in both fabric and wallpaper, allowing for maximalist decorating schemes. The collection is designed to evoke a sense of rebellion and statement-making, aiming to impress and inspire awe in observers. #MorrisAndCo #TextileDesign #ArtsAndCrafts #InteriorDesign #Wallpaper #Fabric #WilliamMorris #BedfordParkCollection #ColorCombinations

The Gee’s Bend textile artists, including Loretta Pettway, Delia Bennett, Annie E. Pettway, Magdalene Wilson, and Mary Lee Bendolph, have inspired a new furniture collection. Their renowned kaleidoscopic quilt patterns are being translated into a vibrant home furnishing line by the Philadelphia Museum of Art and Cloth & Company, a Chicago-based firm. This collaboration marks a fresh approach to bringing the celebrated artwork of these Alabama artists into people’s homes, following various other reproductions like puzzles, notecards, and scarves. The Gee’s Bend quilts gained international recognition through an exhibition at the Museum of Fine Arts, Houston, in 2002. The current furniture collection is a direct outgrowth of the "Souls Grown Deep: Artists of the African American South" exhibition, which was hosted by the Philadelphia Museum of Art in 2019. Christine Kostyrka, the director of retail at the Philadelphia museum, was deeply inspired by the quilts during this exhibition and recognized their potential for furniture reproductions. Kostyrka initiated the collaboration by contacting Meganne Wecker, founder of Cloth & Company. Wecker embraced the concept, leading to engagement with the artists and their estates. The project also involved Dilys Blum, senior curator of costume and textiles at the museum, to ensure the quilters' narratives and the integrity of their handiwork were respected and accurately represented. The goal was to tell the quilters' stories and honor their traditional craft through this new medium. The collection comprises sixteen upholstered furniture and décor items, such as chairs, headboards, pillows, and ottomans. Each piece is adorned with reproductions of five specific quilts from the Philadelphia Museum of Art’s permanent collection. The nature of the quilt patterns lends itself particularly well to furniture upholstery, with the reproductions meticulously capturing the visual texture, including wrinkles and patinas, that characterize the original hand-stitched works. This attention to detail makes the furniture appear as if it is upholstered with the actual quilts. These exclusive pieces are retailed solely through the Philadelphia Museum of Art’s retail store. The store provides comprehensive biographies of the featured artists and historical context for each quilt design, enriching the consumer's understanding and appreciation of the art. Each furniture item is made to order by Cloth & Company in Chicago and typically delivered within three weeks of purchase. A significant aspect of this initiative is that every sale generates royalties for the artists, providing a direct benefit to the Gee's Bend community and acknowledging their invaluable artistic contributions. This collaboration not only celebrates the work of these talented women but also offers a unique way for individuals to incorporate these iconic designs and their rich cultural legacy into their living spaces. #GeeBendQuilts #FurnitureCollection #TextileArt #HomeDecor #PhiladelphiaMuseumOfArt #ClothAndCompany #AfricanAmericanArt #CulturalHeritage #HandcraftedDesign

This article explores the intricate world of collecting historic textiles, emphasizing the unique value derived from their extraordinary technique, artistry, and cultural significance. Titi Halle, owner and director of Cora Ginsburg, a prominent textile gallery, provides expert insights into identifying, valuing, and understanding these delicate artifacts. The limited supply of high-quality historic textiles, owing to their inherent fragility and historical use in clothing and furnishings, contributes to their allure among a dedicated community of collectors. The history of textile collecting began to gain public traction in the 19th century, with major museums establishing comprehensive textile and clothing collections by the early 20th century. Institutions like the Victoria and Albert Museum, Musée des Tissus, and the Textile Museum at George Washington University were instrumental in this movement. Private collectors also became active, with lace, for instance, being a popular item, even leading to the formation of clubs like the Needle and Bobbin Club. While European textiles once saw significant private interest, today, there's a greater focus on Asian textiles, with many collectors specializing in specific regions like Ottoman, Indonesian, or Indian, or particular types such as silks, cottons, ikats, or painted chintz. Religious textiles and attire also form a distinct collecting category. The article highlights the textile collection of the late Ann Getty, an interior designer and philanthropist, which is notable for its immense volume and diversity. Comprising over 200 pieces from the 17th to 20th centuries, her collection spans global origins, including Asian, African, European, and American textiles, as well as religious garments. This collection, to be offered at Christie's New York, demonstrates the broad scope and richness possible in textile collecting. Halle underscores the historical value of textiles, noting that in past centuries, they were far more costly and scarce than modern materials due to labor-intensive hand production. Textiles, especially royal or noble garb, could even surpass the value of precious metals. This inherent value led to textiles being continually reused and repurposed. For example, an 18th-century silk dress might be transformed into a church chasuble, then a coverlet, and eventually cushions, showcasing their longevity and adaptability. This cycle of reuse explains why well-preserved, pristine textiles are so rare today. The fragility and condition of textiles are critical factors in their current market value. Many textiles are permanently removed from circulation once they enter museum collections or are repurposed for functional items. Maintaining these artifacts requires specialized conservation efforts. Exceptional condition significantly enhances a textile's rarity and value, as survival through centuries of daily use, travel, and conflicts is considered miraculous. Irreversible damage from stains or light exposure further emphasizes the importance of condition. Identifying textiles involves meticulous examination of their structural characteristics. Clues such as weave structure, thread type (S or Z twist, single or double ply), and width can indicate origin and period. For instance, specific fabric widths often correspond to the loom technologies of certain countries in different eras. Microscopic analysis aids in identifying these details. Furthermore, historical palettes and dye types, distinguishing between natural and synthetic dyes, provide additional insights into a textile's provenance. While purists advocate for conservation to preserve textiles, their decorative potential is undeniable. Ann Getty's approach exemplified this, using diverse historic and international textiles to create opulent and unique interiors. She fearlessly repurposed items, even cutting a chasuble for a chair, and commissioned custom fabrics when necessary, demonstrating an original and bold vision for integrating textiles into design. This integration of textiles offers significant visual impact, making them a crucial element in interior decoration. #TextileCollecting #HistoricTextiles #DecorativeArts #TextileConservation #AnnGettyCollection #CoraGinsburg #TextileIdentification #WeaveStructure #InteriorDesign

Brittany Hakimfar, the founder of Philadelphia's Far Studio, emphasizes the importance of natural materials and tactile textures in her interior designs, allowing them to take center stage. Her design philosophy centers on the inherent sophistication of organic elements, which she believes always shine through in an arrangement. For her current flat lay, Hakimfar drew inspiration from richly veined marbles, specifically Calacatta Viola with its lavender hues and Nero Marquina with its bold black-and-white patterns. These marble selections guided her choice of fabrics and finishes, resulting in a cohesive and visually captivating scheme. The final palette, as described by Hakimfar, exudes organic refinement with a touch of glamour. She incorporates eye-catching all-natural pieces, such as honey-hued zellige tile and dark brass counter stools, to celebrate nature's raw beauty. Key elements in her design breakdown include vintage black beads, which infuse an eclectic vibe, and Brinjal paint by Farrow & Ball, chosen for its rich, deep purple hue that acts as a statement color and creates a special mood when used in a lacquered finish for cabinetry. Hakimfar frequently uses one-of-a-kind ceramic pieces and found objects, such as vintage ceramic dishes and bud vases, to add unique qualities to spaces. For custom wood furniture, she relies on Faithful Roots, praising their craftsmanship and natural oak finishes, which she notes can be seamlessly mixed with marble. Brizo's Brilliance finish in Luxe Gold is her preferred choice for subtle brass, as it lacks yellow undertones and complements various wood tones and marbles. For custom stools, Thomas Hayes Studio's dark patina brass finish is favored for its ability to blend with her interiors. Fabric selections play a crucial role in adding texture and color. Verellen's Nevada fabric in Emerald mohair is highlighted for its perfect color and texture. Donghia at Kravet's Covet fabric in Bordeaux velvet was used to complement the Calacatta Viola veins of a marble fireplace, offering a luxurious and soft feel. Jiun Ho's Linyati fabric in Lion velvet adds interest and shine, particularly when used for pillows. For tiling, Riad Tile's zellige tiles in Honey and Forest Green are appreciated for their beautiful mustard tones and unique, natural, handmade quality. Marble selections from Stone Tech Fabrication include Calacatta Viola for its dramatic swirling veining and grounded natural materiality, and Nero Marquina for its subtle yet dramatic mix, often used for book-matched applications. Marble Systems' Chester Plaid marble mosaic in Britannia Light, Snow White, and Black Honed is destined for a bathroom project, promising a mix of pattern and neutral colors. François & Co.'s natural limestone in Paris Grey is anticipated to add texture and a timeless feel to upcoming kitchen projects. Wallcoverings include Phillip Jeffries' vinyl plastered wallcovering in Fresca, which mimics a textured plaster look, and vinyl abaca wallcovering in Fern, chosen for its texture and color. Phillip Jeffries' Venetian plaster wallcoverings in Espresso Brown are noted for their moody vibe and realistic resemblance to authentic plaster. Finally, Sacco Carpet's Thisby rug in Ivory offers luxurious texture in a neutral tone, grounding spaces like primary bedrooms, while Stout Textiles' Emory fabric in Toast is used for window treatments due to its sheer texture and neutral colors. Vintage zen stones are also incorporated as simple, sculptural, and tactile styling elements. #InteriorDesign #NaturalMaterials #BrittanyHakimfar #FarStudio #Marble #TextileDesign #HomeDecor #DesignInspiration #LuxuryInteriors

Vintage quilts serve as tangible connections to the past, embodying a rich history through their diverse patterns and the human touch involved in their creation. In an era of rapid-fire decor trends, quilts stand out as products of meticulous handcraftsmanship, often born from necessity and a vivid imagination, designed to provide both warmth and aesthetic appeal to a living space. The history of quilting in America is deeply intertwined with social narratives, emerging as a democratic art form brought from England. Largely practiced by women, quilting transformed leftover fabrics from clothing and household items into functional and expressive pieces. Kate Owen, a textile artist from Colorado, notes that quilting has long been a medium for art, self-expression, and enterprise, often documenting a family's history through fabric scraps used for warmth or as gifts. The American Folk Art Museum (AFAM) highlights the ancient origins of quilting, dating back thousands of years. Early American quilts, known as “wholecloth” pieces, were considered luxury items in the 18th century when textiles were scarce. With increased fabric availability in the 19th century, pieced quilts became common, featuring classic designs like Flying Geese and Lemoyne Star, which are preserved in the museum's collection. Experts like Christopher Wilson-Tate, an antique quilt dealer, emphasize that older quilts tell stories of migration, community bonds, and resourcefulness, with every stitch conveying intention and forming a visual diary. American quilters adapted regional patterns using available materials, resulting in textiles that reflect local styles and domestic life. AFAM’s exhibition, ‘The Ecology of Quilts,’ positions quilts as more than decorative objects, describing them as “amazing storytellers and amazing survivors” whose histories are shaped by evolving materials, global textile trade, and numerous makers. Understanding these material histories reveals the deeper contexts behind design elements, such as botanical motifs rooted in quilters' interactions with local flora. Vintage quilts possess unique qualities that only time and use can impart, distinguishing them from contemporary creations. Christopher Wilson-Tate points to the “alchemy that happens only with time,” where colors mellow, cottons soften, and seams develop a subtle texture that new fabrics cannot replicate. These changes are not imperfections but rather integral to a quilt’s character and desirability. Ali Mahon, a designer and antique dealer, notes that 19th-century quilts, made from natural, homespun cottons, wools, and feed sacks, exhibit a “perfectly imperfect” quality. Their durability stems from natural fibers and handwork, allowing them to age gracefully and develop a rich patina. AFAM curators add that vintage quilts also hold ecological histories, offering insights into labor-intensive processes of fiber cultivation and dyeing before modern synthetic materials. For many designers, vintage quilts align with a renewed appreciation for heirlooms and handmade items. Laura Evans and Karie Reinertson of Mother Studio source vintage quilts and commission new ones with the intent that they, too, will become cherished vintage pieces, each tear or stain marking a family’s history. Hospitality brands, like Ash Hotels, also embrace vintage quilt aesthetics, with creative director Xavier Donnelly commissioning custom quilts inspired by historical designs, noting that antique patchwork adds texture, color, and a joyful, unstuffy feel to a room. The practice of repairing antique quilts, as done by Kate Owen, further reveals their evolving nature, sometimes uncovering older quilts used as batting within newer ones, illustrating their continuous life across generations. Vintage quilts are intended for practical use and are an excellent choice for those looking to incorporate vintage decor without worrying about fragility. Kate Owen advises homeowners to display quilts draped over furniture, spread across beds, or hung as wall art to honor the makers' hard work. Styling can range from subtle to expressive; Mother Studio uses quilts seasonally to add depth and softness. For smaller quilts, they suggest adding a sleeve and hanging them on walls, a method also favored by Ali Mahon who recommends mounting them on stretcher bars for gallery-style groupings. Christopher Wilson-Tate views quilts as combining “texture and narrative,” making them suitable for open shelving or as a focal point above a bed. Tori Jones Studio provides further inspiration for displaying quilts in lived-in spaces. The article concludes that vintage quilts impart a profound sense of depth to interiors, grounding a room with authentic material history and reminding us that the most engaging homes are built through layers of objects that have experienced lives before becoming part of our own. When sourcing a vintage quilt, the focus should be on character rather than flawlessness. Christopher Wilson-Tate suggests looking for minor fading, softening, and small repairs, as these details contribute to a quilt's narrative, while avoiding extensive damage. Natural fibers like cotton and linen tend to age best, and hand-quilted pieces are identifiable by the way their stitching interacts with light. Pattern preferences vary among collectors; Ali Mahon favors jewel tones, Double Wedding Ring, and Crazy Quilt designs, while Christopher Wilson-Tate observes renewed interest in chintz medallions, Amish geometrics, log cabins, and star motifs, all of which complement contemporary interiors. AFAM encourages buyers to consider the material provenance beyond just the pattern, asking about the origin of the fabric to deepen the quilt’s story. Vintage quilts can be found on online platforms such as eBay, Etsy, Chairish, and 1stDibs, with reputable textile dealers ensuring accurate information on fiber content, age, and condition. Additionally, estate sales, antique fairs like Brimfield or Round Top, and second-hand shops are excellent sources for unique pieces and even entire collections. #VintageQuilts #InteriorDesign #HomeDecor #TextileArt #QuiltingHistory #HeirloomDecor #SustainableDesign #CollectingAntiques #AmericanFolkArt

This article explores a Washington, D.C., home designed by Zoe Feldman, which showcases a maximalist yet restrained approach to interior design. The residence, owned by a young, fashion-forward couple with an affinity for British style, particularly House of Hackney, challenges conventional design norms by seamlessly integrating bold patterns, vibrant colors, and diverse textures. Feldman emphasizes that despite the eclectic mix of elements, the home maintains a cohesive and surprisingly neutral feel. The dining room, for instance, features a large, square layout adorned with striped Farrow & Ball wallpaper. This bold pattern, rather than being overwhelming, is described as soothing. The space offers a view into a floral-covered foyer, which in turn leads to a chartreuse-colored living room where various animal prints are harmoniously incorporated. Feldman explains that the striped wallpaper in the dining room naturally complements the William Morris Pimpernel print found in the stairwell, with both areas utilizing tame color palettes that subtly prepare visitors for the vibrant chartreuse living room. A key design philosophy employed by Feldman is balancing quirky and traditional elements, ensuring that "everything can’t be the star." This approach is evident in the inclusion of a vintage landscape tapestry in one corner and a human hand-shaped catchall for keys, a signature touch in Feldman’s projects. She stresses the importance of natural relationships between design elements, rejecting the idea of simply throwing disparate items together. The leopard stair runner is highlighted as an example of a seemingly bold choice that functions as a neutral, according to Feldman, who believes animal prints are inherently neutral and can coexist in nearly any space. The living room further exemplifies this adventurous design, featuring nude sketches by a team designer, antique glass mirror panels, and a 1970s tiger-print daybed. The striking chartreuse walls and window trim, painted in a Benjamin Moore hue matched by Fine Paints of Europe’s Hollandlac finish, create the illusion of lacquer without the associated cost and labor. In contrast to the vibrant communal spaces, the kitchen acts as a palette cleanser with its gradient blue cabinetry. Feldman applied various shades of Farrow & Ball paint—Pale Powder for the walls, Light Blue for medium door fronts, and De Nimes for pantry cupboards—to create a calming, smudged effect. The Donatello marble countertops, integrated sink, and backsplash, with their subtle blue veining, enhance this optical illusion. The adjacent family room, described as the "heartbeat of the house," is designed for both the couple and their young children. A TV is concealed behind bifold cabinet doors, painted in Farrow & Ball’s Stone Blue to match the walls and baseboards, allowing for a versatile space that can be active during the day and serene at night. Feldman’s use of antique brass grilling to disguise lower cabinet panels, a technique often used for radiators and AC returns, adds a functional yet decorative touch. The primary bedroom features an upholstered bed frame that is complemented by speckled Matouk Margot print pillows and duvet, chosen to play up the pattern rather than mute it. Feldman argues that small-scale prints can complement larger ones in ways solids cannot. The children’s bedroom incorporates playful pink dinosaur wallpaper from House of Hackney, with the border painted in an icy blue-green, a tone present in the motif, to ensure a cohesive and impactful design. This careful consideration of trim, doors, and ceiling colors maximizes the effect of the wallpaper, avoiding a stark white that would feel out of place. #InteriorDesign #HomeDecor #MaximalistDesign #PatternMixing #ColorPalette #ZoeFeldmanDesign #WashingtonDCHome #TextileTrends #EclecticStyle

The year 2025 has introduced a variety of new indoor and outdoor fabric collections, providing extensive inspiration for interior design. This overview highlights eight notable collections that offer distinct aesthetics and innovative features for refreshing living spaces. William Morris At Home's "The Forager Collection," derived from the William Morris Gallery, features nature-inspired patterns, wovens, and cut velvets. The collection evokes a woodland aesthetic through vibrant fruit designs and popular patterns like Acorn and Willow Bough, aiming to add a whimsical touch to any interior. Sanderson's "Highgrove Collection," a collaboration with The King’s Foundation (founded by King Charles III), draws inspiration from the flora and fauna of Highgrove Gardens. This collection includes wallpapers, fabrics, weaves, embroideries, and stripes, integrating design elements from Sanderson's 165-year archive. A standout is the Highgrove toile, which depicts motifs such as yew tree hedges, pots, the Oak Summer House, and a topiarised English yew, along with King Charles III’s bust. The "Brown Jordan x Kravet Collection" is a partnership between two established brands, offering over 40 luxurious outdoor performance fabrics. Designed for outdoor relaxation, this collection features a natural color palette to blend seamlessly with various outdoor environments. Notable options include Bloom Steel, admired for its subtle design, and Balance Marine, recognized for its bold stripes. These fabrics are exclusive to Brown Jordan and can be used on many of the brand’s signature furniture pieces. Rubelli's "Teorema Collection," designed by Formafantasma, marks the brand’s initial venture into wool fabrics, alongside silks. Characterized by bold geometric patterns and striking colors, these fabrics are soft yet durable. "Fortunato" is a jacquard velvet within this collection, featuring an alternating pattern of cut velvet and higher pile trapezoids, which creates a dynamic, shimmering effect. Dedar's "Weaving Anni Albers Collection" is a collaboration with the Josef & Anni Albers Foundation, reinterpreting iconic Bauhaus textiles for contemporary use. The collection integrates Albers’ textile works with Dedar’s manufacturing techniques, preserving the beauty of handwoven textiles through modern methods, as exemplified by fabrics like Under Way 1963. S. Harris’s collaboration with Sasha Bikoff presents a collection that embraces maximalism and draws from fashion history. This colorful assortment of fabrics, wallcoverings, and trimmings offers youthful designs for creative expression. Examples include the Beating Hearts trim paired with the French Kiss fabric for an exuberant combination. James Dunlop’s "Alfresco Collection" emphasizes durability, sophistication, and texture for both indoor and outdoor applications. These textiles, made from solution-dyed olefin and recycled yarns, feature FibreGuard stain resistance, ensuring superior colorfastness when exposed to UV rays. Airlie, an indoor-outdoor boucle woven in Turkey, is highlighted for its low-maintenance luxury. Meredith Ellis Textiles’ "The Botanical Collection" is inspired by the Texas Hill Country, featuring richly layered designs. This collection includes seven new prints, two decorative borders, and one woven design, resulting in 40 fresh patterns. It evokes themes of sun-baked afternoons and an Americana spirit, blending Southern influence with whimsy through patterns such as Hyder and Huntington stripe. These collections collectively represent a fusion of heritage, innovation, and design, suitable for enhancing various interior and exterior spaces. #FabricCollections #InteriorDesign #TextileInnovation #HomeDecor #LuxuryFabrics #OutdoorFabrics #NatureInspired #GeometricPatterns

Tali Roth, a Melbourne-based designer known for cultivating spaces that tell a story, shares her current design inspirations, particularly influenced by her longing for New York summer while experiencing winter in Australia. Her design philosophy emphasizes playfully patterned pieces crafted from timeless materials, aiming to create intimate rooms that reflect the inhabitants' personalities. Roth's mood board, featured in Business of Home's 'What I Love' series, showcases a balanced blend of warm and cool hues, energized by graphic motifs, and an experimental approach to juxtaposing blues and grays with camel and caramel tones. Roth details 15 elements that comprise her current design scheme. The 'Flash Wallcovering in Pistachio' by Kirkby Design, a raffia-textured wallpaper with a subtle yet statement-making flame pattern, is highlighted for its timelessness and ability to complement curved designs. She incorporates the 'Babette Trim in Gustavian Blue' by Inge Holst, a bullion trim that adds an old-world touch to contemporary soft furnishings. The 'Forget-Me-Not fabric in Acqua' by Rubelli is chosen for its rich history, reinterpreted with modern colors and trim. For hard surfaces, Roth selects 'Roman Travertine,' 'Blue Marine,' and 'Verde Antigua' marbles from BAS Stone, noting the travertine's earthy and timeless quality and the complementary nature of the blue and green accents. Carpeting includes the 'Galet Rug in Indigo' by Bremworth Wool Rugs, favored for bedrooms due to its grounding and durable looped wool texture, and the luxurious 'Loose Cashmere Carpet in Grey' by Marc Phillips for its amazing handle and versatile color. Personal touches are also integrated, such as a Selenite crystal, gifted at a kundalini-themed baby shower, representing the need for calm and serenity in a designer's life. Custom Venetian plaster by San Marco Group is praised for its wall textures, which look stunning in any tone but particularly in cool tones, creating an interesting tension with the applied texture's warmth. Midcentury design, a continuous source of inspiration, is represented by the book 'Decorative Art 50s' by Taschen. Fabrics like the 'Teddy Mohair Fabric in Bambi' by Pierre Frey are selected for their perfect caramel color, which warms up any space. The 'Dappled Brick Fabric in Sky Blue' by Luke Edward Hall for Rubelli is admired for its patterns and geometry, which integrate seamlessly into the calm palette without overwhelming it. Trims such as the 'Aria Silk Brush Fringe in Vapor' by Samuel & Sons are suggested for enhancing sofas, bed heads, and throw cushions. Further fabric selections include 'Helia Fabric in 0733' by Raf Simons for Kvadrat, a durable and flexible tight boucle in sky blue, suitable for various applications. The 'Afua Fabric in Walnut' by Sister by Studio Ashby for Yarn Collective is chosen for its simple geometry and stars, balancing California cool with English Country aesthetics. Finally, a candle from Cour des Vosges at Evok serves as an endlessly inspiring element, transporting Roth to one of her favorite Parisian hotels through its scent. #TaliRothDesigns #InteriorDesign #MoodBoard #TextileSelection #MaterialMixing #ColorPalette #VenetianPlaster #LuxuryInteriors #DesignInspiration

The master bathroom serves as a space where designers leverage color and finishes to cultivate a specific mood, tone, style, and personality. While white and gray palettes continue to be prominent, designers are increasingly incorporating color to create unique and personalized spaces. Roshele Allison, CMKBD, CLIPP, NW Home Designers, notes the continued popularity of white and gray, viewing them as the 'new neutral' that offers a spa-like and tranquil ambiance. Karen King, architectural designer at Transitions Kitchen & Bath, echoes this sentiment, observing that these shades remain a benchmark for timeless and classic aesthetics, particularly in painted cabinetry. Richard Ryder, designer/builder at Clearcut Construction, often bases his projects on warm whites, allowing for strategic 'pops' of color to add interest. His clients frequently present inspiration images featuring warm white walls and low contrast between trim and walls. Chelsea Newton, of Chelsea Lauren Interiors, notes that her Southern California clients often prefer neutral colors inspired by nature, emphasizing natural materials like wood and stone. Michelle Fee, a designer at Change Your Bathroom, also finds her clients drawing inspiration from nature, moving away from purely monochromatic white and gray towards warmer tones and earth-friendly colors. Fee observes a growing interest in wood, particularly walnut and teak for furniture and cabinetry, as well as incorporating greenery, either through actual plants or nature-inspired accents like blues and greens, to evoke a restorative and calm feeling. When clients do opt for color beyond white or gray, blues and greens are frequently chosen. These hues are often introduced as easily changeable accessories, but also as more permanent features in cabinetry, tile, or semi-permanent paint applications. Allison highlights the tranquil quality of softer blues and greens, citing an example of a master bathroom with bamboo cabinetry, a green glass countertop resembling water, and green subway tile. Another project incorporated various shades of blue through a custom mosaic on vanity walls and accent walls, illuminated by LED-backlit niches, allowing the client to display international artifacts. Allison encourages clients to infuse personal elements into their designs, even with specific color preferences, ensuring the chosen hues harmonize with the space without being overwhelming. Newton's projects also feature green and blue, utilizing glossy handmade tiles with crackled detailing in master and children's bathrooms. She emphasizes that color and finishes can act as focal points, elevating a room's aesthetic. King notes that clients willing to be bolder are selecting deeper blues and greens, such as the dark navy cabinetry paired with warm gold hardware in a recent bathroom, providing a strong contrast to softer neutrals. She suggests that bathrooms, being more private and enclosed, allow for more daring color choices compared to open-concept kitchens. Ryder's clients also gravitate towards darker shades like dark blue, green, and black for pops of color, often maintaining a 75/25 neutral base-to-color ratio for balance, as demonstrated by a tall black cabinet against a white backdrop in a recent bathroom design. Beyond color, finish selections significantly influence a space, particularly in monochromatic schemes. Allison used large-format dimensional porcelain tile in a white and gray palette to create a focal wall in a 'bathing room' and a unique plumbing fixture to add interest. The increasing availability of tiles with varied finishes, textures, and dimensionality allows designers to personalize spaces. King points out the evolution of subway tile beyond traditional sizes, with options like 4"x12" or 5"x22" and creative finishes such as crackled or inverted bevels. Glossy finishes remain popular for their light-reflecting qualities. Grout color variations can also alter the look, from subtle gray for a refined trim to dark gray for a rustic farmhouse aesthetic. Contemporary designs often feature large-format tiles like 12"x24" or even 13"x40", laid horizontally and stacked with minimal joints to create a simplified, textural, and often multi-dimensional appearance. Allison and Fee's clients appreciate large-format tiles, especially those mimicking natural stone like travertine or marble, offering durability and easier maintenance while making rooms feel more expansive. Fee frequently combines natural and faux materials, such as marble shower floors with porcelain tile walls and floors, to achieve a nature-inspired theme. Matte finish plumbing fixtures, including matte black, brushed nickel, and brushed gold, are also popular for their aesthetic appeal and ease of cleaning, with Newton's clients favoring matte black and patinaed brass, and Ryder often incorporating mixed metals for a sophisticated, complementary look. #BathroomDesign #InteriorColorTrends #HomeFinishes #TileDesign #ColorPalette #NatureInspiredDesign #ModernBathrooms #LuxuryBathrooms

This article highlights the growing trend of patterned carpets, showcasing how they can introduce color, warmth, and personality into country homes. It explores various styles, from linear stripes to urban country plaids, gentle spots, heritage designs, and bold florals, offering insights from industry experts on how to integrate these patterns effectively into different living spaces. Linear striped carpets are becoming increasingly popular, particularly in living rooms, dining rooms, and playrooms. Mike Richardson, Managing Director of Kersaint Cobb, notes that these carpets act as a focal point in rooms with plain walls and neutral furnishings. He emphasizes that deep, rich colors not only create a warm and cozy atmosphere but also offer a practical solution for high-traffic areas, effectively concealing dirt. The 'urban country' trend sees a resurgence of classic patterns and prints. Lynne Pound, Product Manager at Brintons, describes their City Plaid collection as a celebration of this trend, drawing inspiration from vintage and reclaimed textiles. These collections feature subtle color palettes designed to create a warm and homely feel, making them ideal for country living rooms and dining rooms, especially when entertaining guests. For a softer aesthetic, 'sweet spot' carpets featuring gentle pastels and ice cream shades are well-suited for country homes. Natalie Littlehales, Consumer Marketing Manager at Brintons, points out that their Padstow collection's putty colors offer a fresh, modern appeal. The Candy Spot design, crafted from an 80% wool and 20% nylon blend, is highlighted for its softness and strength, making it perfect for high-traffic zones like hallways. 'Heritage piece' carpets, such as those designed by Margo Selby for Alternative Flooring, draw inspiration from the weaving process itself. Selby explains that her designs reflect the organized nature of hand-woven deflected double weave cloths, scaled up to add instant warmth and make a prominent feature of the floor. Finally, the 'floral fancy' trend reintroduces florals, moving away from ditsy prints towards bold, statement patterns. Clare Jenkinson, Designer at Ulster Carpets, suggests that retro-inspired boho designs like those in their collection offer a playful way to connect the garden with the interior. The fresh colorways are presented as an antidote to grey days, and the patterns are designed to coordinate with other designs in the collection or with plain Wilton carpets for a cohesive interior scheme. #PatternedCarpet #HomeDecor #InteriorDesign #FlooringTrends #CountryHome #StripedCarpet #FloralCarpet #WoolCarpet

This article explores the transformation of an unloved 1904 Edwardian house in Buckinghamshire, UK, into a comfortable and welcoming home by its owner, Chris Myers, and her husband, Neil. The couple undertook extensive renovations, including knocking through rooms to create an open-plan layout, adding an extension, and refreshing the downstairs, ultimately featuring a New England-style porch and an abundant cottage garden. Chris Myers, an author, crafter, and founder of The Cozy Club workshops, infused the home with a nostalgic and welcoming aesthetic, utilizing upcycled vintage furniture, chintzy fabrics, and handmade patchwork quilts, while Neil repurposed salvaged materials. The renovation began by interconnecting the kitchen, sitting room, and dining room. The kitchen, designed with a classic Edwardian feel, features a double Aga range cooker set into the original fireplace alcove with a nostalgic tiled backsplash. The original quarry tiles were retained, and the space is adorned with a patchwork quilt tablecloth and mismatched vintage china, contributing to a homey atmosphere. The dining room embraces a vintage Scandi style, incorporating layers of winter whites, Gustavian-style cabinets, and a handmade wooden picket-fence pelmet replacing a formal fabric one. This room serves both for entertaining and for The Cozy Club's crafting sessions. The living room maintains the property's historical integrity with an original wooden fireplace, while bay windows are dressed with Colefax & Fowler’s Bowood chintz curtains. The floor throughout the house is painted white to enhance natural light. Furnishings include a sofa covered with a homemade quilt and an armchair re-covered in vintage French linen sheets. A salvaged wood door cleverly conceals the television in an alcove, with a curtain below hiding other essentials, balancing comfort with practicality. A mud room, created as part of the new additions, features a simple brick floor, tongue and groove paneling, and storage solutions using shelves, baskets, and crates, all decorated with vintage fabrics to maintain the nostalgic theme. The bedrooms are a highlight, with exquisite schemes. A guest room showcases a snug sleigh bed layered with homemade cushions and quilts, wallpapered with a vintage Colefax & Fowler print, and complemented by wooden storage crates and an antique wall cupboard. A child's room, prepared for grandchildren, includes gingham fabrics and patchwork quilts, notably featuring a Second World War hospital bed. The attic room, with its dormer window, is adorned with floral wallpaper extending to the ceiling, painted floorboards, and a quiet reading nook. All four bedrooms and three bathrooms underwent vintage or period-style makeovers. The spacious en suite bathroom, formerly the main bedroom, is a standout feature, with a roll-top cast-iron bath placed in the bay window to offer scenic views. The significant challenge of moving the heavy tub upstairs required professional movers. Outside, the New England-style veranda, inspired by Chris's Canadian childhood, adds curb appeal. It features shiplap cladding, a handmade scallop-edged pelmet, cherished quilts, chintz fabrics, and vintage furniture, blending seamlessly with the house's overall design. The front of the Edwardian home is characterized by an abundant cottage-style garden, complete with a rose arch and a pebble and brick pathway. The original 1904 windows at the back of the house are preserved despite being draughty, underscoring Chris's commitment to maintaining the property's historical character. #EdwardianHome #VintageDecor #HandmadeQuilts #CottageGarden #HomeRenovation #InteriorDesign #NostalgicInteriors #UpcycledFurniture #CountryStyle #TheCozyClub

Meredith Heron, a Toronto-based maximalist designer, consistently integrates a diverse range of patterns and color combinations into her projects. Her design philosophy revolves around the idea that "more is more," prompting her to incorporate multiple fabrics within a single room while consciously avoiding a "matchy-matchy" aesthetic. Heron also embraces challenging color palettes, often selecting hues that initially intimidate her, such as contrasting reds and greens, to push her creative boundaries. To harmonize these bold elements, Heron strategically employs a nuanced spectrum of gradient blues. This approach prevents her vibrant selections from clashing, instead creating a cohesive visual experience. A key technique she utilizes involves incorporating the same pattern in various colorways throughout a space. Additionally, she often chooses paint colors that are slightly off from fabric shades to achieve a more lived-in and organic feel, viewing this deliberate mismatch as an enjoyable design puzzle. Heron's mood board, which serves as a visual representation of her current inspirations, exemplifies her eclectic style. It features a blend of striking motifs, including multitonal stripes, flame-stitched chevrons, and animal prints. Each element is carefully chosen to contribute to her signature maximalist aesthetic, without overwhelming the space. She thoughtfully curates each component, demonstrating how disparate patterns and colors can coexist in a harmonious and sophisticated manner. Among the specific items highlighted in her mood board are the Handsart Key Rug in Merlot, which she appreciates for its meandering design that helps open up a space. The Camber Stripe Fabric in Green and Blue by Jane Churchill is noted for its mint hues, allowing her to integrate other mutable greens into her palette. The Inferno Fabric in Sapphire by S. Harris, a flame stitch, is a favored choice for sofas due to its distinctive texture and pattern. She also features the Regal Fancy Fabric in Verdant by S. Harris, an Art Deco-inspired green with a shimmering sheen, and the Midori Fabric in Verdure by Clarence House, which she describes as textural and luxurious, particularly when paired with leather. Heron also incorporates unique accent pieces, such as an antique cloisonné vase, which she sources from auctions to add a sense of history and a richer narrative to her designs. The Fissure Rug in Azure, from her own Meredith Heron Collection, showcases her passion for ombres, a design element she frequently includes in her rugs and fabrics. For hardware, she selects the Pyra Mitered Handle in Bright by Shayne Fox Hardware, appreciating the craftsmanship of a fellow Toronto designer. An animal print is almost always a staple in her projects, represented here by the Darwin Fabric in Blue by Jane Churchill, which, despite being a dotted pattern, evokes the texture of a stingray or shagreen. Wallpapers also play a significant role in her designs, with the Marble Tile 1 Wallpaper in Pebble by The Vale London being a choice for creating a faux marble effect on ceilings or within decorative molding. Another selection from The Vale London is the Bagan Wallpaper in Deep Sea, a pearlescent paper that caught her attention for its unique finish. For anchoring her color schemes, she uses the Giles Embroidery Fabric in Red/Blue by Lee Jofa, which incorporates the majority of colors present in a room. Finally, the Cleo Fabric in Copper and Red by Jane Churchill is chosen for its feathery, animal print-like qualities, contributing to the "well-traveled" ambiance she aims to achieve in her interiors. #MeredithHeron #MaximalistDesign #InteriorDesign #FabricPatterns #ColorPalettes #HomeDecor #DesignInspiration #LuxuryInteriors #TextileDesign