Beautiful European Lighting Captures the Hearts of Celebrities and Everyday Texans — the D'Lightus Difference

Jamb founders Will Fisher and Charlotte Freemantle, known for their bespoke lighting tailored for leading interior designers, are set to launch their new Deco collection. This collection, which will debut at London Design Week, features five distinct pieces that deliberately eschew current trends, focusing instead on timeless design and exceptional craftsmanship. The duo, operating from their London home and studio, emphasizes traditional skills and meticulous attention to detail, a philosophy that stands in contrast to the rapid-fire launch cycles common in contemporary design. The Deco collection is characterized by a glamorous and somewhat majestic aesthetic, designed to soften the edges of each piece in a romantic fashion. This romantic sensibility extends from their previous work, including their distinctive pink room at the Wow! House at Chelsea Harbour Design Centre. Will Fisher's background in studying antique objects heavily influences their design process. The team initiates new designs by identifying original antique pieces that serve as the foundational inspiration. Their deep immersion in historical objects led to the early twentieth-century themes evident in the Deco collection, drawing from movements and periods such as The Bloomsbury Group, the Roaring Twenties, and the Belle Époque. The collection highlights a focus on rich materiality, combining hand-planished metal, luminous alabaster, and shimmering silk textiles to create compelling juxtapositions. Some designs incorporate hand-carved patterns, which are then cast using the traditional lost wax technique, a method Will Fisher describes as the "noblest form of manufacture." Charlotte Freemantle is particularly interested in integrating decorative fabrics, a concept carried over from the Wow! House show, into their new product lines. She notes that drapery softens and diffuses light in a room, and similarly, the textiles in their collection evoke the gentle glow of candlelight, enhancing the overall ambiance. Often described as the "jewelry of the home," lighting in the Deco collection aims to create unique and inviting atmospheres. The pieces are designed to complete and complement diverse interior aesthetics, whether mid-century modern or traditional, effectively bucking trends and potentially establishing new ones. To illustrate their versatility, the designers have photographed the collection in various in situ settings, demonstrating how these objects can seamlessly integrate into different environments. The article specifically mentions pieces like the Hopper Alabaster wall sconce, the Thelma pendant light with its hand-stippled brass frame and optional linen or silk skirt, a new floor lamp styled with antique furniture, and the Hatton Rod, which embodies the Art Deco aesthetic with its alabaster bowl and brass detailing, offering both down and uplighting. The collection will be available from Jamb at 95-97 Pimlico Road, London, and through their website. #JambLighting #DecoCollection #LondonDesignWeek #BespokeLighting #InteriorDesignTrends #AntiqueInspired #Craftsmanship #AlabasterLighting #LuxuryLighting

The choice of lighting significantly influences the ambiance and overall design of a room, often playing a more crucial role than other furnishings. Beyond its functional purpose of illumination, lighting acts as a key design element, seamlessly blending into the background or making a bold artistic statement. The impact of lighting style is evident when contrasting a well-lit, cozy living space with one illuminated by harsh industrial fluorescent lights. Different spaces necessitate distinct lighting solutions. Smaller rooms can benefit from multi-functional lamps that provide both ambient light and visual interest, while sconces can define and frame areas, drawing the eye across the space. For larger rooms, ceiling-mounted options are often preferred, with chandeliers adding a touch of glamour, especially in rooms with high ceilings. A wide array of lighting options is available across various price points to cater to diverse needs and preferences. Among the top brands for luxury lighting solutions, Artemest stands out for its Italian craftsmanship and artistic flair, offering unique pieces like brass sconces reminiscent of Claude Lalanne's work. The brand provides a comprehensive range of lighting, from desk lamps to chandeliers, featuring designs from premier Italian designers. 1st Dibs is another excellent resource for one-of-a-kind lighting, including statement pieces like the Ultrafragola mirror designed by Ettore Sottsass, catering to those seeking rare and design-forward items, albeit at varying price points. Arhaus offers bohemian luxury, with options spanning table lamps to crystal chandeliers, emphasizing organic and earthy textures, such as hand-woven rattan. Their pricing is positioned in the mid-range luxury segment, appealing to those who appreciate a blend of craftsmanship and artistic vision in their home décor. 2Modern is a destination for statement pieces designed to command attention in a room, featuring works from brands like Lladro, Tom Dixon, and Flos. These offerings range from hundreds to thousands of dollars, reflecting their high quality and design impact. Pottery Barn, a classic choice, provides lighting options that complement coastal glam to vintage rustic aesthetics, including sparkling pendants. Perigold serves as a comprehensive destination for a wide variety of lighting styles, from mid-century to art-deco, accommodating both maximalist and minimalist preferences with its extensive and limitless options. Tom Dixon, a British luxury design brand, is recognized for its modern, eye-catching contemporary lighting, furniture, and decor, exemplifying the fusion of art and function with pieces like the Melt Mini Surface Light. West Elm offers luxury lighting for various spaces, from bedrooms to outdoor areas, balancing simple essentials with design-forward aesthetics at affordable prices. Lumens boasts a broad design spectrum, from elaborate chandeliers to minimalist table lamps, with a price range that allows for furnishing multiple homes from their selection. Ksana, an Amazon home brand, specializes in vanity lights with clear globe glass shades and offers rustic iron and wood designs. Oka caters to lovers of bohemian glamour and seaside aesthetics, featuring a prominent use of rattan in their products and the flexibility to mix and match lamps and lampshades. Design Within Reach is the go-to for iconic designs from notable companies like Louis Poulsen, Flos, Nelson Lighting, and Hay Lighting, ideal for those willing to invest in high-end, classic pieces. Schoolhouse, based in Portland, Oregon, is celebrated for its American craftsmanship, producing all its products, including the Ray 17" Light Fixture, in the U.S. Rejuvenation, initially a lighting salvage studio, now partners with major brands and crafts new pieces like the Folk Abigail Ball Unglazed Table Lamp, alongside restoring antique items. Finally, ET2, available on Amazon, provides highly-rated contemporary lighting styles, such as the Nob Geometric Metal Multi-Shapes Round LED Pendant, catering to those with a maximalist aesthetic. #LuxuryLighting #HomeDecor #InteriorDesign #LightingSolutions #HighEndFixtures #DesignTrends #HomeImprovement #ModernDesign #BohemianLuxury

Lucifer Lighting, a company that has grown from a family business to a global entity, is headquartered in San Antonio, Texas, on a 13-acre campus alongside Salado Creek. This facility serves as the hub for all creative processes, including design, assembly, prototyping, and management. The spaces are adorned with art, and the building offers access to 20 miles of walking and biking trails. In addition to its Texas headquarters, Lucifer Lighting expanded its presence by opening a showroom in San Francisco's Jackson Square in 2022, followed by its first New York City showroom in 2023. The company continues its expansion, with 2025 being particularly active, marked by the debut of its new decorative fixture, Stellaris, at Euroluce during Milan Design Week. Gilbert Mathews, the founder of Lucifer Lighting, discussed the evolution of their decorative fixtures. He noted that Stellar, their first decorative fixture, was launched in 2020 to commemorate the company's 40th anniversary. While Stellar is characterized by its elegance and modest scale, Stellaris, their latest creation, measures approximately 30 inches in diameter and is designed to command a striking presence, capable of defining the ambiance of a space independently. A key innovation in Stellaris is its ability to integrate both downlight and volumetric light within a single form. Mathews expressed particular pride in the patented fold design, which incorporates discrete, concealed LEDs within the waveguide, creating a mesmerizing effect that prompts observers to question the light source. Stellaris is slated for an official launch in September 2025. The Stellaris design comprises two primary components: a suspended enclosure featuring internally illuminated tubes and a translucent barrier that defines the fixture. This design was a collaborative effort with the architecture firm Gensler, which also designed Lucifer Lighting's showrooms. All of Lucifer Lighting's finished products are assembled in the United States, with 93% of the fixture components sourced from North America. Mathews emphasized the company's philosophy regarding architectural lighting, stating that “the best lighting is the kind that no one notices.” He explained that their architectural lighting can be customized with special baffles, kick reflectors, and discrete aiming and adjustment mechanisms, allowing for precise illumination without drawing attention to the light source itself. Their motto, “Design, Define, Disappear,” highlights this paradoxical approach where beautifully crafted fixtures are designed not to be the focal point. Mathews noted that this philosophy represents a departure from traditional American lighting product design, which he found to be largely utilitarian and purely functional. He drew inspiration from European lighting fixture design, appreciating its sleek aesthetic, and sought to elevate this approach through Lucifer Lighting's engineering and fabrication capabilities. He finds inspiration in the seamlessly integrated surfaces of sculptural forms, comparing them to fine watches, cameras, and Italian sports cars. The company's work has graced prominent hotels and flagship stores globally, including The Peninsula, The Standard, Four Seasons, Mandarin, St. Regis, Rosewood, and The Ritz Carlton, as well as retail spaces for Apple, Chanel, Cartier, Gucci, Louis Vuitton, Ralph Lauren, and Tiffany & Co. The company's name, Lucifer Lighting, originated from its first strip light, the Lucifer Light, derived from the Latin root "luciferous," meaning "light-bringing," a name that proved memorable and distinctive. #LuciferLighting #LightingDesign #MilanDesignWeek #Stellaris #ArchitecturalLighting #InteriorDesign #ProductInnovation #LuxuryLighting

Masiero, an Italian lighting company established in 1981, has grown from a small workshop in Northern Italy to a global leader in lighting. The company’s success is attributed to its dedication to merging traditional Italian craftsmanship with contemporary aesthetics, as well as its collaborative approach with internationally renowned designers. Masiero works closely with designers and its in-house R&D department to produce distinctive lighting fixtures that shape its product portfolio. The collaborative process typically begins with Masiero providing designers with a brief outlining mood, product type, price range, and materials. However, Masiero also welcomes proposals from designers inspired by their own concepts. This fosters a unique relationship between designers and Masiero’s internal team, focusing on achieving optimal shapes and finishes. Masiero emphasizes the challenge of industrializing a designer's vision while maintaining economic sustainability, leveraging its expertise in metal processing and technological innovation in light management and flexibility. This flexibility, especially concerning color and size, is crucial for designers managing diverse projects. Masiero further supports these collaborations with a commercial network spanning 80 countries and robust marketing efforts, both online and offline. Alessia D’Alesio, Masiero's Global Marketing Manager, highlights the Horo collection by Pierre Gonalons as a particularly successful collaboration, having won the Good Design Award 2021. Gonalons' creative concept for Horo, featuring a sandwich construction of two prismatic glass circles within an outer frame, was faithfully translated into the final product. Masiero's internal team meticulously worked on optimizing illumination, refining the frame's finish, and selecting a decorative yet delicate glass. Gonalons describes Horo as a disk of light that simultaneously offers a light show, emphasizing his passion for handcrafted materials that narrate a story. He appreciates Masiero’s expertise in material and finish selection, which facilitated a natural development of the collaboration. The prototyping phase involved significant modification and improvement, demonstrating a strong collaborative spirit. Gonalons also praises the unique quality of Masiero’s hand-finished metalwork, achieved in their workshop, especially considering its competitive price point. Giovanni Battista Gianola's Sound collection was inspired by the artisans' ability to create perfect curves from shiny tubes, evoking musical instruments. This inspiration translated into lighting fixtures where material and shape are integral to the lamp’s aesthetic, much like they are to an instrument’s sound. The collection features gracefully shaped arms supporting glass diffusers encased by wide metal shades, resulting in layered sconces, floor lamps, chandeliers, and pendant lights. Gianola emphasizes that creating a new lamp involves a deep understanding of the brand's DNA, selecting materials that reflect its heritage, such as Masiero’s crystals, shining metals, and warm light. He views Masiero as having an eclectic spirit rooted in Venetian heritage, pursuing a distinctive path driven by a love for materials rather than fleeting trends. Marco Zito's Nappe collection, developed in 2018, showcases Masiero's material processing capabilities and the potential for a contemporary yet timeless language that integrates design technology with an artisanal approach. Zito's vision for Nappe drew inspiration from Venetian 'nappine' (tassels), reinterpreting this classical ornament into 10 modern pendant designs that can be combined for various installations. He believes such collaborative work generates virtuous processes and knowledge exchange, leading to innovative forms. Oriano Favaretto, who created the Honicé collection in 2018, commends Masiero's extensive experience and ability to balance contemporary designs with its foundational values of quality craftsmanship, noble materials, and ongoing research. He values the company's family-oriented approach to projects and shared perspectives. The Honicé collection, consisting of suspension lamps and wall lights, features a striking blend of opaque gold or brass finishes with natural onyx diffusers, paying homage to Masiero's history. Successful collaborations, according to Gonalons, involve a thorough assessment of the strengths of both the company and the designer. Masiero has honed this skill over the years, understanding his creative identity while he grasped their history and production capabilities. Masiero's D’Alesio notes that designers serve as a rich source of ideas, providing essential creative input from external perspectives. The brand encourages designers to express their creativity while considering the potential client's needs, offering 40 years of experience to produce beautiful, functional, well-finished, and recognizable items. #LightingDesign #ItalianCraftsmanship #DesignCollaboration #MasieroLighting #InteriorDesign #ProductDesign #ContemporaryAesthetics #DesignInnovation #LuxuryLighting

This article showcases a curated selection of innovative lighting designs, originally featured in the October 2023 issue of Wallpaper* magazine, derived from highlights of Euroluce at Milan's Salone del Mobile 2023. The featured products span offerings from established brands like Lasvit, Cassina, and Flos, as well as independent studios such as Pelle and Ross Gardam. The presentation of these designs emphasizes a unique photographic approach, employing both digital and film techniques, with a particular focus on film photography to create optical contrasts and surface textures, exploring the interplay of light and shadow. Among the showcased designs is the 'Polaris' floor lamp by David Rockwell for Lasvit, part of the Constellation collection. Inspired by the celestial mural at Grand Central Terminal, this hand-crafted metal and glass lamp functions as both a dazzling focal point and a unifying element within any setting. Laurids Gallée's 'Pool 02' lamp, a limited-edition polymer resin light, explores the incorporation of traditional elements with experimental materials. This ice-blue lamp, which emits a warm yellow glow when illuminated, features a fluid shape and soft ridges that evoke the dynamic reflections of light on water. Herzog & de Meuron's 'Dreispitz' lamp, produced for Artemide, is a graphically appealing pendant available in black, silver, and a vibrant green. Originally conceived for the architects' Dreispitz project in Helsinki, this lamp can accommodate three distinct light sources that integrate into its triangular base, forming a clover-like profile. It offers various lengths and lighting options, designed for environmental sustainability through its high efficiency, optimized industrial processes, and the use of partially recycled and recyclable materials. Dirk Winkel's 'W225 Ion' lamp for Wästberg represents a deceptively simple design, the culmination of extensive research focused on creating well-being through optimal lighting. Its core innovation is a sophisticated miniature friction joint with a cordless power connection, enabling 360-degree rotation. The lamp's versatility is enhanced by a choice of arm lengths, mounting options, and two optical systems, providing illumination for wide-angle workspaces or focused reading. The 'Vestige' table lamp by Ross Gardam and Peter Kovacsy aims to evoke a sense of wonder. This brutalist-inspired sculptural form features a solid parabolic cone of cast crystal glass, created by Peter Kovacsy, emerging from a rectangular base. The design celebrates the allure and texture of glass, with bubbles within the glass creating a speckled pattern when illuminated, and is paired with a raw aluminum base and a machined conical dimmer. Bocci's '44T' table lamp distinguishes itself with its unique, irregular aluminum canopy, formed through various processes like blowing, pouring, carving, and polishing. Each lamp is individual, reflecting Bocci’s research into dendrite-like shapes. A notable feature is the use of spherical light bulbs that glow without visible electrical cables, as low-voltage electricity passes directly through the cast metal structure. The 'Channel' lamp by Pelle, known for its 'Bubble' chandelier, addresses the practical need for illuminating large table surfaces while brightening the overall room. This ceiling fixture comprises a sleek horizontal body in waxed brushed aluminum, housing four lighting components—two upward-facing and two downward-facing beams—with thin steel cables serving as power conduits. Michele Groppi’s 'Vis à Vis' table lamp for Davide Groppi is designed to seamlessly integrate into any environment. Made entirely of transparent glass, from its thin cylindrical stem to its circular canopy, it appears to float lightly and is rechargeable, allowing for mobility without visible electric cables. Finally, Philippe Malouin’s 'Bilboquet' table lamps for Flos, his first design for the brand, are based on experiments with magnetic elements. Named after a 16th-century French game, the lamp consists of two colored cylinders connected by a magnetic sphere, allowing for flexible orientation and acting as a decorative element, designed to adapt to changing lighting needs throughout the day. Jordi Canudas' 'Dipping' pendant for Marset, inspired by an experiment of dipping a switched-on light-bulb in paint, features a brilliant white hand-blown glass globe, hand-dipped multiple times to create concentric rings of color in various hues, with different layers of paint moderating light intensity. The 'Bijou' pendants by Antoni Arola for Santa & Cole and the 'Eitie' table lamp and pendant by Tobia Scarpa for Cassina offer further examples of innovative design, with 'Bijou' providing exceptional lighting and reflections, and 'Eitie' offering reconfigurable luminous strokes through unique black metal circular connectors. #LightingDesign #InteriorDesign #Euroluce #SaloneDelMobile #ProductDesign #ArchitecturalLighting #ContemporaryDesign #SustainableDesign #ArtisanCraft

The Livingetc Style Awards 2024 recognize outstanding achievements in lighting design, highlighting pieces that blend form and function to elevate interior spaces. A panel of Livingetc's senior editorial team, including Global Brand Director Sarah Spiteri, Executive Editor Pip Rich, Digital Editor Hugh Metcalf, and Print Deputy Editor Ellen Finch, meticulously reviewed numerous entries to select the winners across various categories. The Best Lighting Collection award went to Alchemist by Lee Broom. While Lee Broom is known for broader design contributions, his lighting designs are particularly celebrated. The Alchemist collection is inspired by celestial constellations, allowing for the creation of intricate clusters that resemble art installations. Pip Rich praised its versatility and endlessly fascinating shapes, suggesting it might be Broom's most accomplished work to date. The Soft Blown by Lladro, a collaboration with Nichetto Studio, was honored as the Best Table Lamp. This design combines Lladró’s Airbloom table lamp and Afloat chandelier, drawing inspiration from balloons. The judges lauded its whimsical and cartoon-like character, with Ellen Finch noting its humorous appeal. For the Best Ceiling Light category, Wave by Curiousa was selected. These chandeliers are characterized by their handcrafted, mould-free blown glass, which results in a charming lack of uniformity and an ice cream-inspired color palette. Pip Rich envisioned them as striking, contemporary clusters suitable for entryways or above dining tables, appreciating their carefree aesthetic. David Hunt Lighting's Pop collection won Best Wall Light. This globe-shaped bulb features a metal backing that acts as a reflector, casting a warm glow into the room. Available in four colors, its scalloped edge was particularly admired by Sarah Spiteri for its aesthetic detail and thoughtful design. The Best Portable Light award was given to Tom Dixon's Bell lamp. Recognizing the growing demand for flexible living solutions, portable lamps have become essential. The Bell lamp offers a range of calming hues and provides excellent downlight for reading, as noted by Ellen Finch. Its design ensures seamless integration into various settings. Finally, Dyson's Solarcycle Morph secured the Best Desk Light award. This innovative desk light is engineered to adapt to the user's needs throughout the day with a daylight tracking system. Hugh Metcalf highlighted its soothing ambient setting, underscoring its functional sophistication. This award category introduced a new level of engineering in lighting, focusing on dynamic light delivery based on daily tasks. #LivingetcStyleAwards #LightingDesign #InteriorDesign #LeeBroom #Lladro #Curiousa #DavidHuntLighting #TomDixon #DysonLighting #HomeDecor

The French clothing brand Sezane, established in 2013, has expanded its signature aesthetic into a home line called Les Composantes, which includes a notable collection of lighting. This article highlights how Sezane's home offerings, much like its fashion, embody a timeless yet fresh French sensibility. The lighting collection features a variety of fixtures, such as sconces, pendants, and table lamps, all crafted with an emphasis on quality materials and distinctive designs. These pieces are manufactured in Portugal or the Czech Republic, utilizing natural elements like jute, rattan, and brass, and are characterized by shapes that are considered innovative without being overly trendy. The article showcases several selections from the Les Composantes lighting range, beginning with the Piano Pendant Light. This pendant, priced at $390 for the small model, features a hexagonal jute shade designed to cast diffused light downwards, making it suitable for entryways, small dining areas, or corners requiring additional illumination. Next is the Traviata Wall Lamp, available in sage green or biscuit ceramic for $195. Its scalloped design is suggested as an elegant addition to powder rooms or hallways, complementing various wall finishes from wood to plaster or limewash. Another featured item is the Bolero Wall Lamp, retailing at $495. This lamp can be customized with an ecru burlap, woven fabric, or a brass finish. The brass version is particularly noted for its unique character, as each metal piece exhibits slight irregularities from the manufacturing process, making every lamp one-of-a-kind. It's recommended for use within a gallery wall arrangement or as a pair above nightstands. The collection also includes the Small Traviata Table Lamp, priced at $295. This lamp echoes the ridged design of its wall lamp counterpart and comes in two heights and multiple colors, including mahogany, pink, and olive green. Finally, the Adagio Wall Lamp is presented as an affordable option at $85. This lamp distinguishes itself with crisp edges that contrast with its natural woven fabric or burlap construction, which is lined with rattan. Its design incorporates a simple structure on the back for easy wall attachment. The article emphasizes that despite the sophisticated designs and European craftsmanship, the prices for these lighting fixtures are not excessively high, making them an accessible option for those looking to incorporate French-chic design into their homes. #Sezane #HomeLighting #FrenchDesign #InteriorDesign #ShoppingGuide #WallLamps #PendantLights #TableLamps #HomeDecor

Lighting serves as the essential 'jewelry' of a home, transforming a space and imbuing it with intentionality, personality, and glamour. This article features a curated collection of favorite light fixtures, selected by a design editor who meticulously scours various sources for unique pieces. The editor's process involves observing lighting in diverse settings, such as restaurants and boutique hotels, and extensively researching to identify specific fixtures. The collection includes a range of lighting options, from playful table lamps to sculptural pendants and hardwired showstoppers, each chosen for its distinctive aesthetic and ability to make a powerful statement. One highlight is the Lulu and Georgia Arroyo Pendant Light by Élan Byrd, which offers an organic modernist feel through its textural, sculptural design, resembling woven art. Another featured item is the Apple Perez Lamp, noted for its playful yet sophisticated mood, unexpected color pairings, and sculptural base, conveying an expensive look. The Pinch Design Anders Light is presented as an understated yet memorable pendant, characterized by its handwoven cane drum and solid timber details that provide a warm, museum-quality craftsmanship to any room. The Akari 50F by Noguchi is highlighted as an iconic piece that functions as both a light source and a glowing sculpture, instantly elevating a space with design credibility. For a contemporary touch, the Danny Kaplan Studio Eloise Floor Lamp, crafted from ceramic with an abstract silhouette, evokes the feeling of a found art object from a minimalist gallery. The Whimsical Rattan Lantern from Newport Lamp & Shade Company combines coastal grandmother aesthetics with childlike charm, offering shapely curves and a warm glow suitable for creating a relaxed yet magical ambiance. The Signature Collection Talia Large Chandelier is described as a magical fixture that blends traditional and ethereal elements with modern freshness, floating and sparkling to create a 'wow' factor without being overdone, and has been dubbed the 'IT' light fixture of 2025. Finally, the Ada Sculptural Brown Brass Table Lamp by Cesare Arosio is recognized as an art piece that illuminates a space, with its geometric form and rich brass finish providing a bold and sculptural presence that commands attention. #Lighting #HomeDecor #InteriorDesign #DesignTrends #LightFixtures #HomeAccessories #ModernLighting #SculpturalLighting #DesignerPicks

Uplighting, a lighting technique pioneered in 1949 by Manhattan lighting designer Harry Gitlin, has experienced a resurgence in popularity, aligning with a broader revival of 1970s aesthetics in design. These compact, typically inexpensive fixtures, about the size of a coffee can and housing a light bulb, are placed on a flat surface, usually the floor, to cast light upwards. Their primary function is not direct task illumination but rather to create an atmospheric 'mood,' often characterized by a sophisticated, soft glow, reminiscent of a nightclub ambiance. Barbara D’Arcy, a highly influential interior designer who oversaw Bloomingdale’s Manhattan home-furnishings department from 1958 to 1973, was a notable proponent of uplights. In her 1973 book, 'Bloomingdale’s Book of Home Decorating,' D'Arcy expressed enthusiasm for rooms designed with minimal traditional lamps, relying instead on a combination of downlights and, especially, uplights to provide general illumination and set a distinct mood. This approach prioritized ambient light over direct light, contributing to a sense of allure and drama within a space. A prominent example of uplighting's effective use is seen in the Paris apartment of French interior designer François Catroux and his wife, Betty. Their living room, situated in a 17th-century mansion on Île Saint-Louis, was a celebrated black-and-white space dubbed a '1970 space capsule' by American Vogue. It featured a bold, coffered ceiling with downlights, complemented by uplights discreetly integrated within an L-shaped modular seating unit. These uplights were concealed within a planter containing large dracaenas, casting splintered shadows and enhancing the room's dramatic and 'louche' character. Despite their association with a specific era, uplights gained widespread acceptance within the design community, even among figures like Mario Buatta, known for his chintz-laden designs, and fashion designer Valentino Garavani. Designer Tom O’Toole, commenting in 1985, suggested that _Architectural Digest_ publications frequently featured interiors utilizing uplights. A review of the magazine's archives from 1970 to 1990 confirms their prevalence in diverse settings, from Larry Laslo’s sensual Manhattan living room, where uplights highlighted purple-lacquer boiserie, to Diana Phipps’s London bedroom, where they were hidden behind a pink-plaid canopy bed. While some uplights might have been introduced by photographers to enhance specific shots, many were integral to the overall design, enriching otherwise minimalist environments. Lee F. Mindel of Shelton, Mindel & Associates, an AD100 architecture firm, acknowledges the value of uplights despite finding them more commercially than residentially oriented. He notes that in neutral spaces lacking architectural embellishments, an uplight positioned to shine through a large plant, such as a palm or fiddle-leaf ficus, can introduce dynamism and make a bold architectural statement. For those seeking to introduce dramatic lighting and animate a space, contemporary options for uplights are readily available. Lexstar offers classic square canister uplights in various finishes and sizes, ranging from approximately $60, with custom options available. Pro Track provides more affordably priced cylindrical uplights, typically between $15 and $35, through online retailers like Lamps Plus and Amazon. #Uplighting #InteriorDesign #1970sRevival #ArchitecturalLighting #HomeDecor #LightingDesign #MoodLighting #FrançoisCatroux #BarbaraD'Arcy

The renovation of a 17th-century villa in Austria showcases a collaborative effort between Buzzi & Buzzi, a prominent Lombard company specializing in lighting, and SUPERFUTUREDESIGN*, an Italian architectural firm based in Dubai. The core principle guiding this project was the integration of light as a fundamental determinant for all design choices. The extensive 2,000 square meter building, originally a monastery in the 17th century and later converted into a residential property, is situated within a sprawling 30,000 square meter park. The renovation sought to harmoniously blend contemporary design with the villa's historical integrity, achieving a balanced aesthetic that respects its centuries-old character. The project incorporates advanced plant engineering, with Buzzi & Buzzi's lighting solutions meticulously crafted to create specific light paths. This approach skillfully calibrates natural and artificial light intensities to suit the living spaces. The luminaires, characterized by their clean lines and fluid forms, enhance the project's overall design and define its spatial volumes. Buzzi & Buzzi offered a diverse range of lighting options, including recessed, surface-mounted, and suspended lamps, all tailored to meet the clients' unique aesthetic and functional requirements. The lighting design strategically employs various fixtures to achieve desired scenic effects. For instance, 'Eggy,' an ovoid recessed light made from AirCoral – an eco-active, anti-pollutant, antibacterial, and photo-catalytic material – is utilized in the bathroom area. This material is designed to improve indoor air quality. Eggy provides discreet, evenly distributed LED lighting from an egg-shaped aperture with a backward source and a 40-degree inclined beam. In contrast, 'Buzzz,' a hexagonal luminaire also crafted from AirCoral, features a sharp geometric design and an asymmetrical 70-degree inclined beam. It is strategically placed in hallways and expansive living areas to deliver intense yet understated illumination. The distinctive shape of Buzzz transforms the ceiling into a decorative element, making light an integral part of the home decor. Another notable lighting solution is 'Argia,' installed in the living area. It creates a perfectly circular light recess by subtly subtracting a portion of the wall, allowing the light source to be visible. Its soft, glare-free light is particularly suited for high-traffic areas of the house. 'Genius' and 'Twin Genius,' named for their innovative forms, are ceiling-mounted fixtures that produce sharply defined luminous cones with a 90-degree beam angle. 'Nefi,' a recessed square-shaped lamp, contributes to spatial balance and features a satin-finish glass for harmonious light diffusion. 'Lentil,' a small oval recessed walkway light, offers a strong aesthetic impact with a wall-washer parabola that blurs the light, a convex emission hole, and a 45-degree inclined beam, making it a subtle yet significant detail in smaller areas like staircases. Contrasting with Lentil's curved aesthetic are 'Blade' and 'Ghost,' slender rectangular luminous elements recessed into the lower sections of walls. These fixtures, equipped with wall-washer parabolas, sculpt surfaces and rooms with diffuse, decorative, and effective lighting. Suspended lighting solutions were also integral to the interior design. 'Zen,' an Air Coral 30W LED lamp, enhances the dining room with a subtle 26 mm light line, creating a suffused effect. 'Funnel' adds a minimalist touch to the villa's contemporary design, providing refined simplicity to the dining area with a 24-degree direct beam, suspended by an adjustable transparent silicone cable. 'Ellisse,' a decorative element for master bedroom walls, is centrally installed to provide indirect, well-distributed light, blending seamlessly with the design through its smooth Air Coral finish. For functional interior accents, 'Valo,' a luminous cube, is placed on the floor to project light upwards, creating a cozy ambiance with a 3000K color temperature. Finally, 'X1' and 'Q1' projectors, compact and efficient, are finished in white like other products in the project to maintain discretion while creating various lighting scenarios. Installed on beams to highlight the wooden structural elements, these spotlights offer both direct and indirect lighting, with dimmable beams to adjust the light output as needed. Similarly, 'Rhino' is a versatile recessed spotlight that can be pulled out and swiveled 360 degrees, providing precise beams with power LED sources for residential use. The comprehensive range of Buzzi & Buzzi's lighting solutions integrates seamlessly into the villa's design, establishing a synergy between preserving historical value and enhancing it through sophisticated systems. The exclusive materials, advanced details, and elegant aesthetics collaboratively define and realize unique lighting concepts, specifically tailored to respectfully accentuate the building's history while embracing innovation. #VillaRenovation #LightingDesign #ArchitecturalLighting #HistoricalPreservation #InteriorDesign #EcoFriendlyMaterials #SmartLighting #LuxuryHomes #AustrianArchitecture

The "Vegas" lighting collection, a collaboration between Italian artisanal manufacturer MASIERO and industrial designer Marc Sadler, reinterprets iconic glass and metal Art Deco lights. This collection aims for a luxurious and high-end aesthetic, blending contemporary design with a timeless quality, inspired by the bold and flamboyant energy of Las Vegas. The partnership brings together MASIERO's in-house artisanal manufacturing capabilities in northern Italy and Marc Sadler's extensive experience and technical design prowess, recognized by multiple international design awards including the Compasso d’Oro ADI. Sadler, known for pioneering innovative uses of materials, has a diverse background, having worked across Europe, Asia, and North America, with his designs featured in permanent collections at the MOMA in New York and the Beaubourg in Paris. The Vegas collection is characterized by its meticulous combination of glass and metal. Transparent glass strips are precisely positioned around a metal structure, held in place by invisible eyelets and an ultraviolet gluing process, eliminating the need for visible screws or drilling. The bases, stems, and internal structures are crafted from metal, beautifully gilded in champagne gold leaf, though other metal finishes are available to meet customer preferences. Illumination is provided by dimmable LED strip lights, integrated along the frame and protected by plexiglass for easy cleaning. The aesthetic of the Vegas collection is opulent and refined, achieving a classical feel through the use of soft gold and clear, textured glass. The glass strips evoke both ice and precious jewels when illuminated, contributing to a sculptural quality where they appear delicately suspended. The inner metal structure provides a clean geometric form, and when viewed through the glass, it creates a rippled gold effect, adding depth, particularly striking in the curved vertical wall lights. Each glass strip is unique, featuring a ‘rock’ effect created by a special heat process that deliberately deforms thick glass pieces, incorporating trapped air bubbles. This technique imparts an "emotional allure" reminiscent of the work of master glass artisans. The collection offers an extensive range of individual pieces, unified by consistent materiality and the repeated use of curved glass strips nestled over a gold band. Pendant styles include single lights from 12cm to 60cm in diameter, as well as circular clusters of three or five lights, with the largest cluster measuring 80cm. Rectangular alignments of pendant lights are available with three, five, or seven drops, and variations with multiple vertical tiers exist, including a tall piece at 175cm in height with a 27cm diameter. For larger surfaces like dining tables or billiard rooms, there are sweeping oval shapes with vertical glass strips and long tubular forms that run horizontally, echoing the tiered drops. The collection also comprises curved vertical wall lights and ceiling variations, along with an oval table lamp. This broad array of refined shapes, resulting from dedicated experimentation and adherence to the design concept, makes the Vegas collection highly versatile for both commercial and residential applications. Its dramatic and sculptural presence is designed to be a focal point in any space, offering a refined flair. #LightingDesign #LuxuryLighting #ArtDecoInfluence #GlassAndMetal #ArtisanalCraftsmanship #ContemporaryClassic #MarcSadler #Masiero #InteriorDesign

Victoria and David Beckham's Cotswolds home, a converted barn well-documented in the documentary 'Beckham' and on social media, features a unique and ornate chandelier that adds a delicate touch to the robust space. The high-ceilinged sitting room, with its wooden panels, is made chic by the intricate details of this lighting fixture, illustrating a successful contrast between hard materials and dainty design elements. Experts emphasize the importance of appropriate lighting in rooms with high ceilings to ensure even light distribution, making larger fixtures like chandeliers ideal for such expansive areas. Interior designer Zoe Newson, an advisor to Vinterior, highlights that while high ceilings are characteristic of Victorian properties, unlike Georgian homes, they may not always have large windows, necessitating well-distributed lighting to maintain a bright and welcoming ambiance in spaces like hallways or stairwells. However, Newson cautions against relying solely on one chandelier for illumination. She suggests augmenting the feature chandelier with a mix of table and standing lamps to reach corners that overhead light might miss, a practice observed in the Beckhams' home where a table lamp provides an additional light source. The Beckhams have chosen a more traditional, antique-inspired chandelier, yet Newson points out that high ceilings offer considerable versatility for various lighting fixtures. Individuals preferring contemporary styles can seamlessly integrate modern pieces into restored homes. The unique architectural features of high-ceilinged rooms, including their often distinct shapes, encourage creative experimentation with lighting. This includes mixing and matching vintage and modern fixtures and playing with diverse textures and colors, such as patterned lampshades or metal anglepoise wall lights. This approach allows homeowners to infuse personal style while effectively lighting their spaces. The article concludes by showcasing examples of chandeliers suitable for historic or restored properties with high ceilings, including options like the Lockhart Forged Iron Chandelier, an Art Deco Crystal Chandelier, and the Gemma Crystal Round Chandelier, suggesting these pieces can enhance the aesthetic and functionality of such environments. #CelebrityHomes #InteriorDesign #LightingIdeas #Chandelier #HighCeilings #HomeDecor #CotswoldsHome #AntiqueInspired #ModernLighting

The biennial Euroluce lighting exhibition, a central component of Milan design week, showcases the latest innovations and designs in lighting. Dezeen editor-at-large Amy Frearson curated a selection of twelve notable lighting launches from Euroluce and other venues across Milan. The Salone del Mobile, a furniture fair, hosts Euroluce, featuring prominent international lighting companies such as Flos, Foscarini, Artemide, A-N-D, and Lambert & Fils. Among the featured designs, Ronan Bouroullec's Luce Sferica for Flos is a modular suspension lamp described as a blend of softness, magic, and technical sophistication. It consists of mouth-blown glass spheres connected by a polished extruded aluminum body, evoking the delicacy of raindrops or a soap bubble. Michael Anastassiades also contributed to Flos's new collection with the Linked lights, which utilize linear glass links forming illuminated ropes. These glass-encased elements hook over each other, creating vertical lines that can extend from the ceiling to the floor, functioning as both lighting and spatial dividers. Herzog & de Meuron's Trois Rois lamps for Artemide, originally designed for a hotel in Basel, are portable, rechargeable, and dimmable table lamps with a curvy shade and animal-like three-legged base. Available in felt or die-cast aluminum, the design aims for a lightweight, creature-like aesthetic. Patrick Jouin's Vera pendant for Lasvit features a unique texture created by pouring molten glass over a tree trunk, inspired by the natural presence of the forest surrounding Lasvit's production facility. Kwangho Lee collaborated with Lambert & Fils on the Bolda pendant, incorporating copper enamelling on polished aluminum sheets, drawing inspiration from traditional Korean chilbo art. Lukas Peet of A-N-D designed Tier, a multi-level linear light system suitable for various surfaces like kitchen counters or desks, utilizing extruded aluminum elements that can be stacked and feature a scalloped form for even light reflection. Francesca Lanzavecchia's asymmetric Allumette chandelier for Foscarini reinterprets traditional chandelier forms with arms of varying lengths connecting a central body to transparent tubes, aiming to soften its formal rigidity through technological elements and irregular balances. Aqua Creations' Metropolitan Collection, including the Miami wall lights, draws inspiration from art deco, placing lights behind translucent materials like silk, handmade paper, and wood veneer to create functional artworks that resemble paintings. Alessandro Zambelli's Dansì wall lights for Luceplan are a family of four geometric designs made from die-cast aluminum, which can be arranged to create the illusion of a thread weaving through a wall, offering a sculptural presence by day and an unexpected brightness by night. Samuel Wilkinson’s Corka pendants for Zero are conical lamps made from granulated cork pressed into a mold, emphasizing a sustainable, single-material design with minimal electrical components. Mathias Hahn's Gambosa lamp for Marset provides a sculptural take on the classic table lamp, featuring a smoothly curved steel base and a matching shade in various color combinations. Lastly, Form Us With Love developed the modular Catena desk lighting system for Blond, a workplace solution allowing for diverse sizes and configurations. This system, debuted at Stockholm Design Week, uses glass tube lights connected by aluminum frames, which can be exposed or encased in aluminum mesh shades, demonstrating versatility in design and application. These diverse lighting solutions highlight innovative uses of materials, sustainable practices, and creative forms presented at Milan Design Week. #MilanDesignWeek #Euroluce #LightingDesign #RonanBouroullec #MichaelAnastassiades #HerzogDeMeuron #PatrickJouin #KwanghoLee #LukasPeet #FrancescaLanzavecchia #AlessandroZambelli #SamuelWilkinson #MathiasHahn #FormUsWithLove #SustainableDesign #InteriorLighting #ProductDesign #DesignInnovation

The article details the 'Destinations' exhibition, a key component of Dubai Design Week, which brought together six international design weeks to showcase emerging brands with a focus on lighting. The event served as a global platform, highlighting diverse design approaches from cities including Mexico City, Beijing, Helsinki, Istanbul, Melbourne, and San Francisco. Each participating design week presented three emerging brands, demonstrating a variety of innovative lighting solutions. From Melbourne International Design Week, Lab De Stu, founded by Andre Hnatojko, featured highly modern and oversized Popper lamps. Ben Tovim contributed pieces that explore geometric structures and material values, while Christopher Boots presented graphical works that combine traditional and contemporary techniques. San Francisco Design Week showcased Lumio lamps, which are designed to open like a book, creating a unique illumination experience. Beijing Design Week's contribution included Eoq lamps, known for their Moiré effect, adding a distinctive visual element to lighting design. Helsinki Design Week featured Saas Instruments, which innovated with Alexander Lervik's crystal glass Sparkle pendant and Sense Light Swing lamps, offering both aesthetic beauty and functional versatility. Mexico City's Abierto Mexicano De Diseño highlighted craft-led and pattern-projected lighting solutions from Ediciones Jalapas, alongside Tributo's materially rich and formally sound designs. The exhibition emphasized how specific materials are utilized to reflect the distinct regional contexts in which these light sources are produced. The 'Destinations' exhibition underscored the global nature of design, where creativity converges from various corners of the world. The diverse range of styles and applications presented at Downtown Design Dubai demonstrated that despite geographical and cultural differences, the sublime qualities of light possess the potential to unify and connect communities worldwide. The showcase allowed for the appreciation of different interpretations of lighting, from clean geometry and ingenious references to intricate weaving techniques and crystal refraction, all contributing to the transformation of an essential resource into an art form. #DowntownDesignDubai #LightingDesign #DubaiDesignWeek #InternationalDesign #EmergingBrands #DesignInnovation #GlobalDesign #ArchitecturalLighting #HomeDecor

New York Design Week, held in May, showcased a diverse range of innovative lighting designs, establishing lighting as a central element of cultural storytelling and cutting-edge home design. Shelter by Afternoon Light, a newcomer to the design fair scene, made a significant debut with a focus on fresh talent and remarkable lighting products, including the popular “Jonald Dudd” exhibition, playfully titled “Grateful Dudd.” Minya Quirk, co-founder of Shelter, highlighted the transformative power of lighting, noting its ability to swiftly alter a space's aesthetic and mood. The event featured a variety of exhibitions across different venues, from major fairs like ICFF and WantedDesign to galleries and ateliers such as Love House, Colony, Lyle Gallery, and Lawton Mull, all contributing to a vibrant display of creativity and functionality. Among the standout pieces were Lana Launay’s ‘Kinship I & II,’ exhibited at Love House Gallery, which utilize stainless steel, aluminum, LED, and antique doilies to reflect on domestic craft and interconnectedness. Andreea Avram Rusu’s ‘Marea’ chandelier, presented at Shelter, captivated viewers with its hand-blown glass and ombre colors, reminiscent of a jellyfish’s fluid movement, created through a unique molten process. Samuel Aguirre, a Providence-based artist, debuted a collection of table lamps at WantedDesign, crafted from handmade Mexican Amate paper, combining ancient paper-making traditions with contemporary design principles, resulting in organic and archival pieces. Cuff Studio, founded by Kristi Bender and Wendy Schwartz, introduced a new triangular metal sconce as part of their “Within” exhibition at WantedDesign. This piece, available in patinated brass or copper, offers a graphic aesthetic with a soft uplight. Lawton Mull’s gallery featured the ‘Norrlanda Lamp,’ a collaboration with glass artist Jennie Olofsson, which blends industrial brass with mouth-blown, asymmetrical glass lobes, creating a balance of strength and lightness. Soft-Geometry’s ‘Long Hair’ sconces, showcased at Lyle Gallery, were inspired by intimate domestic rituals and incorporate sustainable hemp-lime composite material, marking a move towards eco-conscious design. Scott Newlin Design Studio presented whimsical ‘Stack Lights’ at the Jonald Dudd exhibition, transforming slip-cast ceramic into versatile, colorful lamps. Marmar Studio’s ‘Ette Sconce,’ displayed at Colony’s “The Independents” exhibition, combined ash wood and hand-painted dye to create a fixture that evokes both architectural lines and natural forms. FDK Junior Studio, led by Fernando Kabigting, launched a new porcelain lighting collection at Shelter, emphasizing the material’s delicate beauty and celebrating imperfections. Michiko Sakano Studio’s ‘Droplets’ glass lighting collection, also at Shelter, merged traditional Japanese aesthetics with glassblowing techniques, creating luminous sculptures that exude organic fluidity. Larose Guyon’s ‘Saule’ collection at ICFF drew inspiration from the willow tree, featuring hand-formed brass and glowing glass in an immersive display. Lastly, Steven Haulenbeek’s ‘RBS Nopal Chandelier,’ featured at Egg Collective, utilized resin-bonded sand in a subtractive process to create organic, desert flora-inspired forms, blurring the lines between art and lighting design. These diverse creations collectively highlighted the innovative spirit and artistic depth of contemporary lighting at New York Design Week. #NewYorkDesignWeek #LightingDesign #InteriorDesignTrends #ContemporaryLighting #HomeDecor #ArtisticLighting #SustainableDesign #HandcraftedLighting #DesignInnovation