ENG group’s youth center in italian village is composed of juxtaposing superimposed volumes

Milan, a city traditionally characterized by its quick-stop cafes and limited casual office spaces, has welcomed an innovative concept: Tenoha. This establishment, the second international location for the Tokyo-based concept, integrates a shop, cafe, event venue, and co-working space. Situated in a 2500 sq m former wallpaper factory from the 1930s in Milan's Navigli neighborhood, Tenoha presents a unique blend of Japanese aesthetics and Italian design sensibilities. The interiors, crafted by Milan-based Park Associati, deviate from a direct replication of Tenoha's original Daikanyama location. Instead, the design team aimed to create a space that evokes a contemporary Tokyo as imagined through an Italian lens. This approach, which involved experimenting with the design, was well-received by owner Hiroshi Sato. Michele Rossi of Park Associati emphasized the goal of merging Milanese and Tokyo influences, resulting in visuals that reference the vibrant Daikanyama scene while utilizing materials deeply rooted in Italian design heritage. Key interior elements include cherry wood banquette seating, Horigotatsu-style booths, and a custom gridded lighting system. Notably, shōji screens are adorned with textiles from Milan-based Kvadrat, and the bar is clad in hexagonal kelp-green tiles by Botteganove, which complement the overall deep teal and orange color scheme. At the heart of the expansive space lies a classic Milanese courtyard, offering outdoor seating with bamboo and cherry blossoms—a welcome feature during favorable weather. Beyond its co-working and cafe functions, Tenoha features a shop along Via Vigevano that imports Japanese art gifts and homeware. This includes items like Toyo-Sasaki glassware, tokyobike cruisers, and Kobeha Keikaku stationery. The shop's prominent location and large windows ensure ample daylight and attract curious passersby. The cafe's menu, developed by Hideyuki Manaka of Tokyo's Da Fiore, offers a mix of traditional dishes like Tonkatsu pork cutlets and udon noodles, alongside more innovative options such as Caprese salad with tofu and yuzu Monkfish. While Italian wine is served, the cocktail selection leans towards Japanese influences. A glass wall demarcates the restaurant from the co-working areas, which are furnished with a tiered wooden platform and cushions. This flexible seating arrangement caters to the diverse working habits of Tenoha’s freelance clientele. The establishment is anticipated to draw a large number of designers and design enthusiasts, especially with events like Salone del Mobile, and is seen as a significant addition to Milan’s burgeoning landscape of innovative venues. #MilaneseCafe #JapaneseDesign #CoWorkingSpace #InteriorDesign #CrossCulturalDesign #NavigliNeighborhood #ParkAssociati #MilanLifestyle #ZenSpace

Designing engaging and functional spaces for children of varying ages presents a unique challenge, as these rooms must appeal to both parents' practical needs and children's desire for fun and creativity. This article showcases three distinct approaches to achieving this balance: a vibrant teen hangout, a versatile craft room, and a magical multi-age playroom, each offering insights into successful design strategies. The article explores how to create spaces that are both aesthetically pleasing and highly practical, ensuring they evolve with the children's growth. The first example is a teen hangout designed by Cami Luppino and Alana Irwin of Lulu Home, which prioritizes a colorful and casual atmosphere suitable for a teenager and their friends. The design incorporates punchy colors, fun accessories, unique vintage finds, and playful surfboard art. A key element is providing ample seating areas for gatherings and distinct play zones to keep teens entertained, such as a custom graffiti ping-pong table. Designers emphasize involving teens in the design process to personalize the space, making it both fun and sophisticated enough to grow with them. Practical considerations include using at least three complementary colors, ensuring at least three comfortable seating options, and incorporating three distinct play zones to make it a teen's dream space. The second space highlighted is a creative craft room by Claire Paquin of Clean Design Partners. This room is designed to allow children to freely create without constant pressure to clean up, providing a dedicated and permanent creative hub. The craft room, located off a foyer, was developed for a boy and a girl with a significant age difference. A deep, slate teal color was chosen to stimulate creativity without being too juvenile, adding a touch of sophistication. Essential considerations for a craft room include selecting age-appropriate furniture that can adapt as children grow, with smaller tables and chairs for young children and larger work surfaces for older ones. Designing for the child's age also means accommodating varying project sizes and work styles, potentially including vertical workspaces like easels. Effective storage and organization are paramount, with built-ins featuring a mix of drawers, open cubbies, and cabinet doors to keep supplies accessible and tidy. Creative placement is also discussed, with basements being a common choice, but also suggestions for converting smaller areas like offices, staircase landings, or large closets. The third featured space is a "Pretty and Playful" playroom by Denise Davies and Karri Bowen-Poole of Smart D2 Playrooms, which transformed a three-car garage into a magical environment for both a younger son and two older girls. The designers aimed to create an art studio combined with ample open space for physical activities like running, climbing, and jumping. Key design principles include a thoughtful layout that customizes activities, furnishings, and materials to the children's ages, interests, talents, and needs. They advocate for a sensory-rich environment that encourages children to engage all five senses. Organizational systems are critical, featuring age-appropriate toys and materials stored in accessible, inviting, and labeled containers. The playroom also incorporates various educational stations to facilitate different activities and ensure children can easily find necessary materials. A forward-thinking design approach ensures the space can easily adapt as the children mature, such as including challenging rock-wall areas that remain engaging for years. The formula for a perfect playroom encompasses thoughtful design and layout, a sensory-rich environment, effective organization, diverse education stations, and fun colors. #PlayroomDesign #KidsSpaces #TeenHangout #CraftRoom #ChildrensInteriorDesign #HomeOrganization #YouthfulDecor #FunctionalDesign #CreativeSpaces

The Mirikaroden Nakagawa Cultural Complex, designed by Furumori Koichi architectural design studio, is a renovation project in Nakagawa City, Fukuoka Prefecture, Japan. The facility integrates a public library, a multi-purpose hall, and a lifelong learning center, serving as a significant civic and community hub. The architectural design was led by Koichi Furumori, Kohei Hashisako, and Kenichi Anai, with structural engineering provided by Fukuoka Kozo and additional engineering by Tokyo Denki University, Sasatani Laboratory. The project, completed in 2025, covers an area of 8843 square meters. This project addresses a contemporary perspective on the role of libraries and cultural complexes, moving beyond traditional functions to create dynamic, interconnected spaces that foster community engagement and diverse activities. The design of the Mirikaroden Nakagawa Cultural Complex emphasizes creating an environment that supports varied learning experiences, community interaction, and cultural activities. The integration of a library, a multi-purpose hall, and a lifelong learning center within a single complex reflects a modern approach to public infrastructure, where facilities are designed to be versatile and cater to a broad spectrum of age groups and interests. The strategic location within the city, surrounded by complementary amenities like a children's center and an indoor swimming pool, further enhances its accessibility and utility as a central gathering place. The renovation aimed to modernize the facility while maintaining its core purpose of serving the community. Architectural choices, such as the prominent use of wood in the interior, contribute to a warm and inviting atmosphere. Wood is utilized for various elements, including shelving, seating, and other design features, promoting a sense of comfort and natural aesthetics. Lighting design plays a crucial role in enhancing the ambiance, with thoughtful integration to illuminate spaces effectively and create different moods for various functions. The interior photography highlights areas like the entrance, library zones (including magazine corners, kids' gardens, and silent rooms), and the lifelong learning center, showcasing how light and materials are combined to define each space's character. The project incorporates diverse functional zones within the library, such as an information desk, a knowledge garden, and a dedicated teens' garden, indicating an effort to tailor spaces to specific user needs and age demographics. The presence of a cafe within the complex suggests an emphasis on creating a comfortable, social environment beyond mere academic or cultural pursuits. The multi-purpose hall is designed to accommodate a range of events, adding to the complex's versatility. Conceptual diagrams and layout drawings provide insight into the spatial organization and the architectural vision behind integrating these distinct functions harmoniously. Overall, the Mirikaroden Nakagawa Cultural Complex exemplifies a contemporary architectural response to the evolving needs of public cultural institutions. It aims to be more than just a repository of books or a venue for events, but rather a holistic environment that encourages lifelong learning, community bonding, and cultural enrichment through its thoughtful design and integrated facilities. The emphasis on natural materials, strategic lighting, and varied functional spaces supports its role as a dynamic community asset in Nakagawa City. #CulturalComplex #LibraryDesign #LifelongLearningCenter #ArchitecturalRenovation #JapaneseArchitecture #CommunityHub #WoodArchitecture #IntegratedFacilities #PublicSpace

In the quiet Italian town of Spilimbergo, the Scuola dei Mosaicisti del Friuli stands as a unique institution dedicated to the preservation and evolution of mosaic art. Established in 1922, the school was founded to formalize training for local artisans and maintain a mosaic tradition deeply rooted in the region's history, extending back to the Roman Empire. Today, it remains the sole academic institution globally focused exclusively on mosaic arts, attracting students from diverse backgrounds and ages, from recent high school graduates to seasoned professionals, all seeking to master this intricate craft. The three-year program at the school is rigorous, immersing students in historical mosaic techniques such as Greco-Roman patterns and Byzantine compositions, before encouraging experimentation with contemporary, freeform designs. Annually, approximately 40 students are admitted, but only about 15 successfully complete the full curriculum, earning the esteemed title of _maestri mosaicisti_ (mosaic masters). A select few, typically six, further pursue a fourth year, likened to a master's degree, to refine their skills even more. Director Gian Piero Brovedani emphasizes that becoming a maestro mosaicista demands significant effort and discipline, highlighting the craft's humbling and exacting nature, which fosters patience, attention to detail, and an appreciation for repetitive tasks. Mosaic creation is an exceptionally precise art form, requiring artists to meticulously arrange hundreds, or even thousands, of tiny pieces called _tesserae_—some as small as 0.5cm—to construct elaborate patterns and lifelike scenes. These tesserae, made from materials like marble, glass, _smalto_ (opaque glass tiles), and shells, necessitate careful craftsmanship and an intuitive understanding of rhythm and placement. Cristina de Leoni, a third-year teacher, notes the collaborative and selfless aspect of mosaic-making, where individual tiles only gain significance when combined with others, creating a collective artwork without emphasizing individual ego. The rich history of mosaics, tracing back to Mesopotamia in the 3rd millennium BCE and spanning various cultures including Greek, Maya, Byzantine, and Islamic civilizations, underscores its reliance on anonymous virtuosity rather than individual artistic fame. Friuli-Venezia Giulia has remained a stronghold of this tradition, fueled by an abundance of stones from the Tagliamento river and strong cultural links to Venice. In the 19th century, Friulian artist Gian Domenico Facchina revolutionized the craft with the _rovescio su carta_ (reverse on paper) method, enabling off-site assembly of large mosaic panels, a technique first showcased in the foyer of Paris' Opéra Garnier. Today, Friulian mosaicists, many trained in Spilimbergo, have contributed to prominent projects worldwide, from Rome's Foro Italico to the New York City subway at the World Trade Center, and from Jerusalem's Church of the Holy Sepulchre to galleries in Tokyo. The art form continues to evolve, embracing both precision and expression. Purnima Allinger, a student, describes mosaics as a meditative yet expressive craft that keeps artists fully engaged. Amos Carcano, a Swiss maestro mosaicista, highlights the blend of manual work, invention, and exploration of texture, color, and patterns in contemporary mosaics. Carcano is currently part of a team working on a monumental 1,265-sq-m mosaic floor for the school's courtyard, depicting Friuli's native flora and fauna. The school operates as a _bottega_ (workshop), where students learn through hands-on practice, as explained by mosaic history teacher Danila Venuto. Visitors can also engage with the art through _corsi brevi_ (short courses) ranging from four-day to week-long programs, offering an introduction to mosaic creation. Guided and independent tours provide access to an archive of over 800 mosaic works and opportunities to observe students and masters at work. Spilimbergo itself serves as an open-air gallery, with mosaics adorning buildings, shops, and restaurants. The town also hosts mosaic shops and showrooms, displaying works by alumni, and offers visits to Fabbrica di Mosaici Mario Donà, a historic kiln producing enamels for mosaics. The region's natural landscape, particularly the _grave_ (river-washed stones) from the Tagliamento and the Magredi plain, provides the essential materials and inspiration for many Friulian mosaics, underscoring the deep connection between the art and its environment. Mosaic-making is a central part of Friuli's cultural identity, and the school invites curious individuals to partake in this enduring legacy. #MosaicArt #ItalianCraftsmanship #ArtEducation #Spilimbergo #FriuliVeneziaGiulia #AncientTradition #ContemporaryArt #ArtisanalSkills #TravelDestination

The Florence Institute of Design International (FIDI) has presented a range of student projects as part of Dezeen School Shows, showcasing innovative interior design solutions for contemporary societal and cultural developments. The final-year students of the BA (Hons) Design program, in collaboration with the University of Chester, developed individual design proposals of approximately 3,000 square meters, focusing on sustainable solutions and detailed studies of building system design, lighting acoustics, and casework. One featured project, 'Gen' by Dunja Stanojevic, is an educational center designed to address the complex relationship between humans and technology. This center aims to foster informed engagement by providing accessible, future-oriented learning environments grounded in themes of serenity, evolution, and detachment. Stanojevic's design uses calm, balanced layouts, regulated natural light, modular elements, and innovative materials to create adaptable spaces that promote environmental awareness and technological literacy. Camila Belen Gallardo Andino's 'Ethos and Logos' cultural center draws inspiration from Florence's rich intellectual and artistic heritage. It is conceived as a space for critical thinking, dialogue, and reflection, bridging classical philosophy with contemporary thought. The design emphasizes communication, curiosity, and continuity through socially inviting layouts and adaptable interiors, incorporating study rooms, lecture halls, exhibition areas, and research spaces. Material choices and architectural rhythm subtly reference historical structures while supporting modern functions. Julia Laresgoiti's 'Grove House,' located in Chianti, is a culinary residence focused on reconnecting individuals with food, community, and the environment. The design integrates themes of belonging, structure, and impression through thoughtful space and furniture design. It features an atmosphere of warmth and connection, utilizing recycled and natural materials. The layout includes student dorms, a courtyard, lounge, culinary classrooms, laboratories, and an auditorium, promoting an active, communal learning experience. Lydia Hilal Deniz's 'Sen' reimagines a repurposed tram warehouse near the Arno River in Florence into an international fine art and theatre school. The project, named 'Sen' (meaning 'you' in Turkish), prioritizes individual creative growth and self-expression. The design explores themes of light, movement, and texture, using natural daylight, vibrant color accents, and tactile materials to create an inspiring atmosphere. A sculptural staircase, textured glass panels, and three-dimensional mouldings contribute to the unique interior, with organic circulation and a muted color palette guiding visitors. 'Casa Della Speranza' (House of Hope) by Kanchini Chandrasiri is a communal space designed for breast cancer patients, aiming to celebrate resilience and provide a refuge for recovery. The design incorporates themes of stability, transformation, rediscovery, and hope through spatial strategies like expansion and contraction, interplay of elements, and fluidity of layout. It uses materials that convey strength and stability, arranged in geometric patterns, and includes spaces for relaxation (fitness studios, library, therapy areas) and community activities (pottery workshop, painting studio, theatres). Valentina Salazar Munevar's 'Vita' wellness center focuses on shared well-being for young adults, promoting identity connection and community building. The design translates vitality into spatial design through four functions: energized engagement, social interaction, relaxation, and introspection. It incorporates diverse geometrical forms and textures, using conceptual lenses of dualism, authenticity, and tranquility. Located outside Florence city center, the hub offers exercise spaces, social lounges, a sensory deprivation room, and meditation and mental health services. 'Ariston' by Irina Ariza Cooper is an institute dedicated to applied arts and their historical context, situated in Florence's Santa Maria Novella district. It functions as both an educational and cultural hub, emphasizing the link between art and history. The design language, rooted in continuity, features rhythm, consistency, and movement to create intuitive pathways and visual cohesion. Carefully selected materials and forms guide visitors through an immersive sensory experience, inviting reflection on Florence's artistic heritage. Estefany Justiniano Davila's 'SOMOS' is a cultural center aimed at sharing and celebrating Latin heritage, fostering inclusivity and transcending geographical boundaries. The space reflects themes of heritage, diversity, and vibrancy through various textures and warm hues, from patterned tiled floors to bamboo-paneled ceilings. The design promotes the exchange of ideas with a fluid floor plan that includes an exhibition space, tapestry weaving studios, other art studios, and artisanal shops. It seeks to promote communal understanding and break down cultural differences. Finally, Maria Antonia Coelho Michels' 'Casa Artigiana di Firenze' aims to revitalize traditional crafts by providing a local space for teaching and learning. Located just outside Florence city center, it encourages collaboration and skill-sharing to preserve Tuscan artisanal traditions. The design incorporates themes of connection, imperfection, and human intervention, translated into enclosed spaces for community, imperfect architectural forms, and an emphasis on craftsmanship-integrated materials. The cultural hub includes artisan workshops, classrooms, courtyards, a cafe bar, and gallery space, aiming to attract tourists and create employment opportunities for local artists. Ishini Ranatunga's 'Sed-Em-Ra' transforms a former warehouse into a crisis intervention center that supports mental and physical well-being through art and nature. Drawing on biophilic design principles, the space is structured around themes of realization, discovery, connection, and acceptance. Organic spatial flows, soft transitions, and curated materials invite introspection and healing. Ribbed and perforated oak wood, neutral tones, and natural textures create a calming and grounding environment, fostering community and restoration through a sequence of transformative spaces. #FlorenceInstituteOfDesignInternational #InteriorDesign #SchoolShows #SustainableDesign #CulturalHub #EducationalCentre #AdaptiveReuse #CrisisIntervention #TuscanCrafts

Matteo Cainer Architecture (MCA) has proposed 'Colle degli Agrumi – Citrus Hill,' a tranquil retreat located in the Sicilian hills of Piedimonte Etneo. This project focuses on the restoration of existing farmhouse ruins, aiming to seamlessly integrate Sicilian history, culture, wellness, and art. The design prioritizes the natural landscape, particularly the abundant citrus groves, and offers views of Mount Etna and the Mediterranean Sea. The core vision for 'Colle degli Agrumi' is to revive a piece of 'invisible' Sicily by immersing guests in a biophilic environment that complements the Italian countryside without imposing upon it. The architectural approach references traditional Sicilian farmhouses, known as 'Masserie' and 'Bagli Fortificati,' which are characterized by their fortified and introspective layouts. MCA plans to activate this traditional architecture with a site-specific program of events designed to connect visitors with Sicily's natural and cultural heritage. Activities such as grape harvest, olive picking, and the recognition of local fruits and aromas will be offered alongside cultural and wellness moments. This multifaceted approach is intended to allow guests to experience the unique smells, flavors, and melodies of the land, fostering a deeper connection with the region. The site plan by MCA emphasizes preserving historical traces by highlighting hidden details and natural paths within the groves. Existing walls and buildings will undergo minimal restoration to retain their original forms, and new functions will be introduced while rethinking existing elements like stairways to enhance connectivity across the site. This synergy of moments and sensations is designed to create an environment conducive to relaxation and inner peace. Each restored building is assigned a function that aligns with its location and morphology, creating a cohesive and purposeful layout. For instance, the Palmento, historically a wine-making area, is envisioned as a laboratory for citrus-based products such as creams and oils. Adjacent dilapidated structures will be repurposed as a daytime resting area and an open-air cinema in the evenings. Moving through the citrus groves, guests will find a holistic therapy area and a wine cellar carved out of volcanic rock, complete with a terrace for tastings under the dappled light of medlar trees. The main building is set to become a lounge and restaurant, featuring a spacious terrace shaded by a bougainvillea-covered pergola, offering panoramic views of Taormina and the Mediterranean Sea. Scattered storage spaces will be converted into small guest rooms, designed with earthy tones and views of the landscape. An ancient tower, once used for citrus fruit storage, will be rebuilt to re-establish its original function on the ground floor, while the first floor will house a Sicilian music and academic library. At the very top, a belvedere terrace will offer views of Mount Etna. Additional new features include a natural pool and surrounding area, providing shade under olive trees during the day and transforming into an amphitheater for literary, theatrical, and musical events in the evening. Hidden paths and spaces within the vegetation are also being carved out for meditation, reading, and yoga, allowing visitors to fully immerse themselves in nature. The project, 'Colle degli Agrumi,' was proposed during La Biennale Dello Stretto, an event organized by Mediterranei Invisibili. #MatteoCainerArchitecture #SicilianRetreat #ColleDegliAgrumi #SustainableTourism #ArchitecturalRestoration #CitrusGroves #WellnessTourism #PiedimonteEtneo #MediterraneanArchitecture

The Monoplauto table, a new furniture design from Italian brand Miniforms, represents an evolution from its predecessor, Plauto. Designed by Paolo Cappello and Simone Sabatti, Monoplauto distinguishes itself with a monolithic, leaf-shaped base that provides a sturdy foundation for its tabletops. This design choice departs from the dual-leg structure of Plauto, aiming for a more robust and visually impactful aesthetic. The table is crafted by Italian artisans, emphasizing traditional craftsmanship in its construction. Monoplauto offers three distinct tabletop shapes: round, oval, and a new organic form. The organic shape is particularly noteworthy, characterized by fluid contours that are meticulously shaped by skilled artisans. This variety in tabletop geometries allows the Monoplauto to be versatile, making it suitable for a range of environments. It can seamlessly integrate into domestic settings, offering a focal point for dining or gathering spaces. In office environments, it can function as a communal table or a sophisticated workstation. Additionally, its distinctive design makes it a viable option for contract proposals, where unique and functional furniture is often sought. The collection also includes the Monoplauto MAXXXI variant, which features two of the distinctive leaf-shaped legs and is available in four different sizes, with the largest tabletop extending up to 6 meters. This larger version is particularly envisioned for office spaces, providing a vigorous and expressive centerpiece while retaining the elegant design lines that characterize the Monoplauto range. The design maintains a balanced relationship between its base and top, ensuring stability and visual harmony. The tables are entirely made of wood, enhancing their bold shapes and offering a tactile experience. This all-wood construction allows for various combinations of materials and sizes for the tabletop. Customers can choose to keep the natural wood finish, highlighting the inherent beauty and grain of the timber, or opt to pair it with ceramic tops, introducing a different texture and aesthetic dimension. This flexibility in customization further broadens the table's applicability and appeal, allowing it to adapt to diverse interior design schemes and user preferences. The Monoplauto collection thus embodies a blend of artistic design, functional versatility, and artisanal quality. #Miniforms #TableDesign #FurnitureDesign #ItalianDesign #HomeDecor #OfficeFurniture #ArtisanCraftsmanship #MonolithicDesign

The article delves into the unique and eclectic home of Giorgio Taroni, a 77-year-old collector and chatelain, located in a 9,000-square-foot lakeside villa overlooking Lake Como, Italy. Built in the early 1900s by his grandfather, silk industrialist Ettore Taroni, the eight-bedroom, three-story house is designed to maximize views, featuring a buff-colored brick exterior and a gray stone tile roof, surrounded by a half-acre of gardens. Inside, the villa is described as a private museum, meticulously organized and filled with Giorgio Taroni's vast collections, spanning entomology, textile design, illustration, rationalist art, ancient coins, and local history. The narrative also incorporates the perspective of Giorgio's son, Guido Taroni, 35, a photographer residing in Milan. Guido recounts his childhood, spent commuting between his parents' distinct homes. His mother, Anna Gastel, 70, a descendant of two prominent Italian families (Visconti di Modrone and Erba), lived across the lake in a converted 12th-century Benedictine convent, a 40-room yellow stucco villa with Empire-style trompe l'oeil frescoes. Guido describes an idyllic childhood, often navigating Lake Como by ferry, which his parents allowed him to steer, transporting himself, his sister, and cousins between the two residences. The article highlights Giorgio Taroni's past as the chief designer of Taroni Disegni, a firm producing extravagantly patterned silks for fashion brands like Versace and Valentino. His passion for collecting led to nearly every surface of his home being adorned with his possessions. The entry hall features porcelain parrots and ceramic animals, while a two-story salon, once repainted yearly in vivid hues, now showcases over 300 oil paintings of the Como environs against Ferrari red walls with saffron trim. The furniture is upholstered in fabrics from Taroni Disegni's archives, and the floor is a mosaic of multihued cotto lombardo shards. A smaller ground-floor salon, painted peacock blue, displays canvases by abstractionist Manlio Rho, and the dining room walls are covered with drawings of vintage French seed packets. The garden house, formerly the textile design team's workspace, has been converted into a climate-controlled library, housing thousands of first-edition design books, silk-screens, and original fabric paintings. This library also contains an 18th-century series of watercolors used as tapestry patterns by Aubusson weavers, a collection rare enough to be compared to those in the Victoria and Albert Museum. The second floor of the villa is where Taroni's entomological collection reaches its peak: over 30,000 stag beetles, ranging in size and iridescent colors, meticulously mounted and hand-labeled, are stored in custom-made wooden flat files. Alongside these are pre-Napoleonic coins and various ephemera, including 19th and early 20th-century advertising, vintage postcards, and nearly 20,000 paper cigar bands. Guido Taroni, inspired by his father's collecting habits, has cultivated his own collections in his Milan apartment, including vintage ceramic jars by Piero Fornasetti, ceramic dishware designed by Gio Ponti, and framed photographs of couture gowns from his maternal great-grandmother's trunk. He is also undertaking the revival of Gi.Vi.Emme, a historical fragrance brand founded by his great-grandfather, actively collecting vintage perfume bottles, gift boxes, and advertisements for the line. This endeavor mirrors his father's meticulous collecting, demonstrating a generational continuation of an deep appreciation for history and design. #ItalianVilla #LakeComo #EclecticDecor #ArtCollection #EntomologyCollection #TextileDesign #FamilyLegacy #HistoricHomes #InteriorDesign #Collecting