Casimir celebrates 30 years as a designer with oak and walnut furniture collection

British architect John Pawson has partnered with Danish timber brand Dinesen to introduce a new furniture collection. This collaboration marks Pawson's latest venture into product design, following a long-standing relationship between the architect and the 125-year-old wood company. The collection, characterized by its pared-back aesthetic and minimal design, features a range of tables and seating options crafted primarily from Dinesen's signature ash wood. The launch encompasses a Lounge Series, which includes a stool, a daybed, and an armchair. These upholstered pieces are available with textiles from the renowned brand Kvadrat, adding a touch of softness to the otherwise austere wooden frames. Additionally, the collection introduces a Dining Series, comprising various tables and complementary seating. The design philosophy behind these pieces reflects Pawson's well-known minimalist approach, emphasizing clean lines, functional forms, and the inherent beauty of the natural material. The partnership between Pawson and Dinesen dates back approximately three decades, originating from the architect's need for simple, custom-made furniture for his London residence. Pawson initially crafted these pieces from Dinesen's ash wood planks, effectively laying the groundwork for this official collaboration. Both Pawson and Hans Peter Dinesen, the fifth-generation brand director, share a profound appreciation for wood as a foundational element in design. They view furniture not merely as objects but as stages upon which life unfolds, highlighting its role in shaping personal narratives within the home. Hans Peter Dinesen articulates this sentiment by stating that furniture serves as a medium for shared stories, particularly within domestic settings. Pawson further emphasizes the significance of furniture placement, noting that even minor adjustments can profoundly impact a space's ambiance and functionality. This attention to detail and thoughtful arrangement underscores the collection's alignment with principles of intentional living and design. To formally unveil the collection, Pawson and Dinesen are preparing a special presentation for the upcoming 3 Days of Design festival in Copenhagen. During this event, Dinesen's Copenhagen showroom will be transformed into a model apartment, meticulously furnished with pieces from the new line. This immersive experience will allow visitors to witness the collection in a realistic setting, demonstrating its versatility and integration within a residential environment. The exhibition will also serve as a practical demonstration of Pawson's philosophy on furniture arrangement and its impact on living spaces. #JohnPawson #Dinesen #FurnitureCollection #MinimalistDesign #WoodFurniture #InteriorDesign #DanishDesign #DesignCollaboration #ContemporaryFurniture

Colton Dixon Winger, cofounder and owner of the styling agency Cuniform, has expanded his expertise from personal wardrobe curation to sustainable home design. Winger’s approach, rooted in the philosophy of repurposing existing items and sourcing vintage or pre-owned goods, mirrors his successful strategy in fashion. His venture into interior design began with "rearranging services," where he would reorganize a client's current furniture and decorative items to create more cohesive and intentional spaces. This hands-on method stems from his lifelong interest in architecture and interior arrangement, a passion he cultivated since childhood by constantly reconfiguring his own room. Now, Cuniform Interiors operates with a dedicated head of design, Bethanie Jones, and offers comprehensive services, including 3D renderings, structural modifications, and full kitchen remodels. A significant challenge in this expansion has been adapting the sustainable ethos from clothing to home furnishings, as the logistics of transporting and sourcing larger items differ considerably. However, the core principle remains consistent: prioritize what a client already possesses and, when new items are necessary, seek out sustainable and second-hand options. One notable project involved Mia Malave, a long-standing styling client of Cuniform, who sought Winger’s help when moving into a midcentury modern home in West Seattle. Malave desired an open, interconnected living space where conversations could easily flow between the living room, dining room, and kitchen. Her existing kitchen, however, was enclosed by walls and low-hanging cabinets, obstructing the desired open-plan feel. Winger collaborated with Casual Surveying Co., a local design-build firm, to dismantle these barriers, creating an open-concept kitchen furnished with midcentury-appropriate walnut cabinets and a central oak island. For Malave's guest room, Winger skillfully repurposed her existing rug, table, and other decor, augmenting them with unique finds like a vintage metal ladder from Epic Antique to serve as a blanket holder. The furniture for the ground floor was meticulously sourced, with nearly every piece being vintage or recycled. This commitment to intentional, sustainable sourcing often requires patience, as clients may need to wait longer for the perfect, ethically acquired item rather than settling for readily available new products. For instance, a Parisian desk was acquired from local antique dealer Kassie Keith, and a large bamboo dining table was found on Craigslist for a mere $100, complemented by refurbished German chairs. After several attempts to find a suitable sofa, Bethanie Jones located an investment-quality 1970s Milo Baughman piece from her warehouse, which became a central element in Malave’s living room. Malave, still searching for a coffee table, has embraced the deliberate pace and vintage aesthetic, acknowledging that her preference for timeless, well-preserved older items aligns perfectly with the midcentury character of her home. The process highlights Cuniform's dedication to functional design and conscious consumption, demonstrating that beautiful, meaningful spaces can be created through thoughtful selection and repurposing rather than relying solely on new purchases. #HomeDesign #InteriorDesign #SustainableDesign #VintageFurniture #MidcenturyModern #Repurposing #ConsciousConsumption #WardrobeCurator #SeattleInteriors

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

Nidhi Kapur founded Maiden Home, an online furniture company, out of frustration with the limited and often low-quality options available when furnishing her first adult home. She observed that existing large chain stores either lacked elegant designs, appeared cheap, or leaned heavily into a mid-century modern aesthetic, none of which met her desire for quality and value within her price range. Leveraging her background in e-commerce, Kapur embarked on a mission to create a direct-to-consumer model that would revolutionize the furniture shopping experience. The company name, Maiden Home, symbolizes the significant life changes that often prompt furniture purchases, such as marriage, moving to the suburbs, or buying a first home. Kapur's vision for Maiden Home centered on handcrafted, high-quality furniture made in North Carolina, drawing inspiration from her parents' long-lasting furniture purchases from the region. She traveled extensively across North Carolina to identify family-owned businesses specializing in custom upholstery that could meet her stringent requirements for affordable, handcrafted pieces. This extensive search culminated in establishing partnerships with skilled artisans capable of producing the desired products. Maiden Home distinguishes itself by cutting out traditional intermediaries, adopting a direct-to-consumer approach that has proven successful in other industries. This model eliminates the markups associated with selling through boutique furniture stores or outsourcing manufacturing to international factories. Consequently, a custom-made couch that might cost $6,000 through a traditional retailer can be purchased for $2,000 directly from Maiden Home, without compromising on quality, comfort, or elegance. The development of Maiden Home took two years, during which Kapur meticulously addressed the complexities of delivering custom American-made furniture nationwide. Her customer service philosophy prioritizes keeping promises and avoiding the common pitfalls of mistreating customers, a stark contrast to her perception of the furniture industry's historical practices. Maiden Home offers a streamlined customization process starting with four core sofa and four chair designs. Customers can personalize their selections based on size, fabric, and color through the company's website, which provides complimentary swatch kits and access to design advisors. These advisors offer guidance throughout the purchase journey, ensuring that selections align with a customer's aesthetic and home environment. After an order is placed, Maiden Home provides weekly updates on the manufacturing process, covering stages from cushion creation to final inspections. The company also guarantees a six-week white glove delivery service across most of the United States. An exceptionally customer-friendly policy allows for a 30-day full refund return, a rare offering in the custom furniture market. Although primarily an e-commerce platform, Maiden Home maintains an appointment-only showroom in Kapur’s Tribeca apartment for customers who prefer to view products in person. The brand officially launched on March 7, with pre-launch beta users already expressing satisfaction with the designs, comfort, and transparency regarding product origins. Maiden Home's top-selling Minetta Chair exemplifies its commitment to detailed craftsmanship, featuring 16 rows of stitch detailing and available in a wide range of fabrics and leathers. All sofas are designed for longevity, preventing flattening and cushion slippage. Kapur plans to expand the product line beyond couches and chairs, prioritizing customer feedback to introduce new furniture types based on demand, always with the customer experience at the forefront. #HomeDesign #FurnitureDesign #CustomFurniture #DirectToConsumer #MaidenHome #ECommerce #InteriorDesign #LuxuryFurniture #HandcraftedFurniture

Erik Wyckoff, a professional woodcarver operating out of Minneapolis for 28 years, specializes in creating bespoke wooden elements that add unique character and timelessness to homes. His interest in wood carving began in childhood, inspired by the intricate details of historic homes like the James J. Hill House. Wyckoff's parents encouraged his passion for traditional craftsmanship, leading him to pursue formal training. He honed his skills under the tutelage of master carver Konstantinos Papadakis, who passed down artistic, historical, and practical knowledge, including tool handling, carving efficiency, and the fundamental decorative styles. Papadakis's instruction covered various motifs such as birds, flowers, grapes, and the scrolling acanthus leaf, which forms the basis for numerous historical carving styles. This comprehensive training has enabled Wyckoff to undertake a diverse range of projects, from Italian-style wine cellar doors and French mantels to Black Forest-style mantels for rustic cabins. Wyckoff's portfolio includes notable projects such as a Renaissance-Revival-style carved paneled study featuring hidden loons, deer, and beavers, inspired by the Minnesota State Capitol. He also replicated missing wood carvings for the restoration of the Donaldson Mansion in Minneapolis and created a French-style relief carving over a door in Medina, incorporating the owner’s industrial symbols. Wyckoff places significant emphasis on research, drawing inspiration from historic decorative arts ranging from medieval churches to French tapestries, ensuring historical accuracy and a sense of permanence in his creations. Among his favorite projects are the doors and panels for a Maplewood home's wine cellar, which were inspired by France's Château de Chambord, designed to immerse the owner in a French aesthetic. This project also included a unique bar top under glass, carved with mythical beasts and foliage, conceived as a conversation-starting "cabinet of curiosities." Another deeply sentimental piece involved a carved panel with vines and a pair of cardinals for an older couple, symbolizing their lifelong partnership. Wyckoff collaborates frequently with design professionals, integrating his custom carvings, which often feature Old World decorative art motifs like animals, flowers, and scrollwork, seamlessly into the overall architecture and interior design. He ensures historical accuracy and tasteful integration, often being part of a larger design team to achieve the client's vision. Clients like Steve and Susan Rudolph of Orono attest to Wyckoff's ability to create custom pieces that perfectly match existing architectural details, as demonstrated by the eight unique willow corbels he carved for their Spanish Revival home's entry gallery. These corbels not only highlighted the groin vault ceiling but also subtly incorporated the initials of each family member, adding a personal touch while maintaining historical consistency. Wyckoff expresses profound satisfaction in knowing his work brings joy and lasting beauty to clients' homes. #Woodcarving #BespokeDesign #InteriorDesign #CustomCraftsmanship #HomeDecor #ArtisticWoodwork #HistoricalAccuracy #Renovation #ArchitecturalDetails

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

The article explores a curated selection of online home decor brands, emphasizing the importance of finding unique pieces to create a distinct aesthetic. It highlights the perspective that home spaces are an extension of personal identity, making the process of decorating a significant endeavor. The author acknowledges that while major retailers are well-known, the true enjoyment of decorating comes from discovering lesser-known brands with strong visions and styles that offer both trendy and timeless items. Several brands are introduced, starting with Casa Zuma, praised for its earthy and organic aesthetic, offering ceramics, serving dishes, and furniture from global artisans. Fourth St. Home is noted for its sophisticated selection of home accessories and antique pieces that focus on diverse materials and textures. Saffron + Poe, a California-based brand, is featured for its commitment to sustainable and ethically handcrafted homewares, including furniture, rugs, and textiles, supporting maker communities worldwide. The Citizenry is recommended for bedding, rugs, pillows, and decorative items, known for blending modern style with traditional artisan techniques. Food52, initially a kitchen and food site, has expanded into a home retailer offering beautiful and functional products built to last. Beam Brooklyn is celebrated for its eclectic and creative range of furniture, lighting, art, and home goods, characterized by a unique fusion of mid-century, rock-and-roll, Cali-Brooklyn, vintage, and modern styles. Hay Design, a Danish brand, is recognized for its distinctive and fashionable aesthetic within a classic Scandinavian style. Slowdown Studio, founded in 2015, focuses on celebrating individuality and creativity through its functional and beautiful modern lifestyle products, encouraging appreciation for life's slower moments. Jungalow is highlighted for its vibrant, bold style and its dedication to sustainability through a partnership with Trees for the Future, an organization that helps communities establish Forest Gardens. Areaware is presented as a source for quirky yet non-kitschy items, collaborating with independent designers to offer unique and exclusive home decor. Coming Soon NY, with a background in fine art and high-end design, offers cool and authentic urban-style products. Article is noted for its commitment to providing stylish, affordable, and high-quality furniture and decor by working directly with manufacturers. Anthropologie Home is praised for its highly coveted pieces that combine practicality with a modern yet vintage flair. CB2, the more accessible counterpart to Crate & Barrel, offers a modern selection of furniture and home accessories and is committed to featuring Black businesses, artists, and designers. Target is recognized for its accessible and stylish home decor through collaborations with designers like Hilton Carter and Studio McGee. Urban Outfitters, once primarily for college students, has evolved into a significant design force with its home collection, featuring items with interesting shapes, colors, and designs. World Market is a staple for affordable, original, and handmade items from across the globe, while Hawkins New York is lauded for its thoughtful and unexpected homewares. Lastly, H&M Home and Block Shop are mentioned for their affordable yet elegant offerings and commitment to ethical production, respectively. Block Shop, in particular, invests 5% of its profits in community health camps in Jaipur, where the company was founded. #HomeDecor #InteriorDesign #OnlineShopping #DesignTrends #Furniture #Homewares #SustainableDesign #ArtisanCrafts #EclecticStyle

This article profiles Jacob Wener, founder of Modern Industry, a custom furniture design company. Wener, who has been in the industry since 2006, moved to Sarasota in July 2022 from Chicago, seeking a warmer climate and a new environment to influence his work. His background includes a childhood interest in woodworking, inspired by his grandfather, and an architectural education that he found applicable to furniture design, particularly in understanding space, human interaction with environments, and the subtle impact of design elements like finish and texture on mood. Wener's style has evolved since his move to Sarasota. While his Chicago work was characterized by an industrial vibe, his current designs lean towards a nature-inspired contemporary aesthetic, incorporating lighter, sun-kissed looks that resonate with the Florida Gulf environment. He frequently combines wood and metal but also enjoys working with leather and stone. White oak and bleached walnut are among his current preferred wood types, reflecting the natural, washed-out tones found in local surroundings like shells and sand. He operates a 2,200-square-foot workshop in north Sarasota, which serves as a functional workspace rather than a showroom, and is open for appointments to interested clients. Wener discusses current trends in furniture design, noting a shift away from "live-edge" and "river tables" that were popular in the early 2010s. Instead, he observes a move towards softer, more abstract interpretations of nature, subtle integration of natural elements, and a rise in mixing materials such as fabric-wrapped table legs or stone integrated into table bases. Asymmetry within balance and the use of tambour (fluting and half-round shapes) for bases, headboards, and wall paneling are also noted trends. Popular custom pieces include dining tables, which range from $5,000 to $10,000 for home use, potentially reaching six figures for large corporate conference tables. Coffee tables start around $1,500, and chairs are priced between $450 and $500 each, depending on materials. The typical build time for custom pieces is 12 to 16 weeks. Other frequently built items include sideboards and wall-mounted TV cabinets, with the pandemic driving demand for desks, bar carts, and home theater furniture. Regarding mass-produced furniture, Wener acknowledges their purpose but highlights the predictability of such items. He advocates for an interior design approach that blends investment pieces, vintage finds, and accessible items to create a personalized space. His own home reflects this philosophy, featuring his custom creations alongside items from big box stores. He emphasizes that custom furniture allows clients to realize their specific visions, even minor modifications like adding drawers to an existing design concept. His clientele often comes through interior designers and architects, with his aesthetic appealing to a younger demographic. In Sarasota, he works with many vacation home owners. These clients seek not just luxury but a unique story and a reflection of their personal input. Wener addresses the common misconception about the cost of custom furniture, stating that it can be comparable to higher-end mass-produced items from stores like Restoration Hardware, making it accessible beyond an exclusive elite. #CustomFurniture #FurnitureDesign #JacobWener #ModernIndustry #SarasotaCraftsmanship #Woodworking #Metalwork #InteriorDesignTrends #Sarasota

The SEYUN collection, a collaboration between Zaha Hadid Design and Karimoku Furniture, has progressed from a conceptual design, first announced in 2021, to a tangible furniture line. This collection, which includes a chair, an armchair, and a table in various dimensions, was officially introduced at Milan Design Week 2023. Each piece in the SEYUN collection reflects Zaha Hadid’s distinctive design language, characterized by flowing, asymmetrical surfaces, and is meticulously crafted from oak wood. The manufacturing process combines advanced machine techniques with traditional hand-finishing methods, resulting in furniture that balances the inherent robustness of wood with an airy, lightweight aesthetic. The collection's design ethos is deeply rooted in blending contemporary design principles with established Japanese woodworking traditions, giving rise to pieces that exude natural elegance and sophisticated craftsmanship. The SEYUN furniture is available in a diverse palette of finishes, including Pure Oak, Smoked Oak, Grain Matte Black, Metallic Blue, Metallic Black, and Silver, offering versatility to suit various interior design schemes. Woody Yao, Director of Zaha Hadid Design, emphasized the collaborative and iterative nature of the project, highlighting the mutual exchange of skills and expertise between the design and manufacturing teams throughout every stage of development. This collaborative synergy facilitated the exploration of ideas and the formulation of innovative solutions, addressing both aesthetic and technical challenges. The SEYUN Chair exemplifies Hadid’s signature style with its planar, asymmetrical surfaces. Constructed from oak wood, the chair’s smooth curves elegantly showcase the natural grain and structural integrity of the material. The SEYUN Armchair complements the chair with a harmonious blend of aesthetic appeal and ergonomic comfort. Its design features sculptural armrests and carefully contoured seat and backrest elements, all conceived with both user comfort and visual elegance in mind. The SEYUN Table, designed to be highly versatile, offers endless configuration possibilities and is available in multiple sizes. This table serves as a unifying element for the collection, providing both visual impact and practical utility in any living environment, embodying an understated yet refined elegance. Hiroshi Kato, Vice President of Karimoku Furniture Inc., expressed pride in the partnership with Zaha Hadid Design, acknowledging their pioneering approach to architecture and design. He underscored Karimoku Furniture’s success in translating Hadid’s visionary design concepts into complex and tactile wooden furniture pieces, a testament to the company’s extensive knowledge and historical expertise in craftsmanship. The collaboration leverages Karimoku's rich heritage in woodworking to bring Zaha Hadid's contemporary visions to life. The SEYUN collection represents a significant milestone in combining innovative design with masterful production, resulting in a furniture range that is both functional and artful. This collection aims to offer sophisticated design solutions for modern living spaces, maintaining a high standard of quality and aesthetic appeal. The fusion of Zaha Hadid’s architectural influence with Karimoku Furniture’s woodworking mastery creates unique pieces that stand out in the contemporary furniture market. Each item, whether the chair, armchair, or table, is designed to enhance the living environment through its form, finish, and thoughtful construction, ultimately delivering a distinctive experience for discerning customers. The collection reinforces the idea that furniture can be both a functional object and a piece of art, seamlessly integrating into various styles of interiors. #SEYUNCollection #ZahaHadidDesign #KarimokuFurniture #MilanDesignWeek2023 #ContemporaryFurniture #OakWood #JapaneseWoodworking #InteriorDesign #FurnitureDesign

Nicole Crowder, a renowned upholstery professional, has recently returned to her hometown of Minneapolis, bringing her distinct and vibrant design aesthetic to the Twin Cities. Her work is characterized by bold colors, intricate patterns, and unexpected details, distinguishing her from a local design scene that she describes as generally more subdued. Crowder's creative approach is evident in her custom-designed chairs, loveseats, stools, and other furniture pieces, which are highly sought after by designers and homeowners nationwide. Crowder's journey into upholstery began in 2013 as a side pursuit while working as a photo editor. By 2017, her passion for the craft led her to dedicate herself fully to upholstery. Her self-taught expertise largely stems from extensive research on YouTube, where she meticulously studied various techniques like topstitching and different blind stitches. She honed her skills through practical, hands-on experience, often acquiring inexpensive practice chairs from Craigslist, thrift stores, antique markets, and even roadside finds. This period of trial and error in her living room formed the foundation of her current mastery. Fashion serves as a significant source of inspiration for Crowder, influencing her preference for incorporating unique details, buttons, zippers, and unconventional fabrics into her furniture designs. She enjoys projects that allow for experimentation, enabling her to infuse pieces with narrative elements, such as feathers, paper flowers, or fringe, to enhance texture and layering. Despite her vibrant professional and home aesthetics, Crowder admits her personal wardrobe leans towards neutrals, considering her furniture as an "alter ego" where her love for color and patterns truly shines. Since her return to Minneapolis in February, Crowder has embraced a phase of rediscovery, actively exploring the city's design, culinary, music, and arts scenes. She expresses excitement about connecting with other local creatives, who, in turn, introduce her to hidden gems across the city, including shops, parks, and architectural styles. This exploration is crucial for her to understand how people utilize and maximize their home spaces and daily activities, which informs her contribution to the local design landscape. Crowder's ambition is to infuse more energy and boldness into the Twin Cities' design scene. While appreciating the existing "chill energy" of Minnesota, she aims to elevate it with her signature style, characterized by bright colors, dynamic patterns, and an overall sense of vibrancy. She envisions her pieces, such as a Moroccan blue chair with an orange stripe, becoming iconic representations of her unique "stamp" on the community. Her personal favorite shopping spots for furniture and fabric include MidModMen+friends, Loft Antiques, Marva’s Place, and SR Harris Fabric, valuing their diverse and curated selections. She also enjoys the city's culinary offerings, frequently visiting establishments like Rosalia, Martina, and Barbette, and finds inspiration in the outdoor spaces and cultural institutions like the lakes and the Minneapolis Institute of Art. #Upholstery #FurnitureDesign #InteriorDesign #NicoleCrowder #MinneapolisDesign #HomeDecor #CreativeEntrepreneur #Artisan

The Castlefield Design District in Toronto serves as a comprehensive hub for home decorators, offering a wide array of furniture options that cater to diverse tastes, from contemporary styles to salvaged and reclaimed pieces. The district's significant concentration and large scale of shops make it possible to fulfill all design needs within a single area. This article highlights ten prominent furniture stores in the district, each with its unique offerings and price points. Elte Mkt specializes in contemporary furniture, particularly appealing to condo and loft residents. It provides a varied selection, including sofas, sectionals, coffee tables, and beds, alongside an extensive inventory of over 2,000 rugs, all at competitive prices compared to other stores in the vicinity. The Door Store, despite its name, is a haven for upcyclers, featuring a rich collection of architectural salvage items such as mantels, fixtures, antique hardware, and unique finds like marble tables and vintage Singer chairs. Shelter is a large store known for its frequent sales and a broad range of modern-inspired furniture. Its offerings are generally in the mid-price range, with dining room tables typically costing between $1500 and $2000. The store prominently features beds, sofas, coffee tables, and chairs. Metropolis Living, previously located in the Junction, offers a curated selection of quirky vintage finds, presenting a stark contrast to the district's more sleek establishments. Owned by siblings Phil Freire and Maggie Gattesco, it's described as a kitschy museum of salvaged goods. Modani, a Miami-based company, provides modern and contemporary furniture across various price points, including affordable options. It is also noted for its selection of reasonably priced patio furniture, frequently offering discounts and sometimes free delivery. Kantelberg and Co. showcases an eclectic mix of furniture and accessories within its 4,500 square foot showroom. This includes traditional antiques, 19th-century pieces, and rustic items, with an ever-changing inventory that encourages repeated visits. Elte stands as one of the long-standing anchor stores in the district, occupying a vast warehouse. While it offers high-end items, such as rugs that can cost up to $10,000, it also provides more affordable selections and furniture for every room, featuring designers like Calvin Klein. Sharon O'Dowd, similar to Kantelberg and Co., is a primary source for traditional antiques, predominantly from Europe and Quebec. The store also excels in custom furniture design using reclaimed and salvaged materials, and provides restoration services for antique pieces. The Art Shoppe, in its second location on Kincourt after relocating from Yonge and Eglinton, offers a large selection of furnishings ranging from modern to country/casual styles. Its collection caters more to traditional tastes than to contemporary design enthusiasts. Barrymore Furniture, a well-established Toronto business, is renowned for its high-quality, custom-built sofas, which, while not inexpensive, are designed for durability. In addition to sofas and chairs, the store provides a comprehensive range of contemporary home furnishings. #FurnitureStores #CastlefieldDesignDistrict #TorontoDesign #HomeDecor #InteriorDesign #ContemporaryFurniture #VintageFurniture #AntiqueFurniture #CustomFurniture

The 'Connected' project, a collaboration between British furniture brand Benchmark and the American Hardwood Export Council (AHEC), emerged from the unique challenges posed by a global pandemic. This initiative brought together nine designers to create furniture pieces aimed at enhancing the working-from-home experience. A significant aspect of this project was the designers' inability to physically visit the workshop or interact directly with their creations, necessitating reliance on remote communication tools like Zoom and WhatsApp, and a considerable degree of trust in the craftspeople at Benchmark. Sean Sutcliffe, co-founder of Benchmark, highlighted the increased leap of faith required from designers in trusting the technical, visual, and sensory aspects of the craftsmanship without in-person observation. An example of the innovative problem-solving employed by Benchmark is demonstrated in Studio Swine’s chair, which required its red oak and cherry wood components to be submerged in the River Kennet for a week to facilitate steam-bending. This resourcefulness is characteristic of Benchmark's workshop, which boasts 58 skilled craftspeople. Sabine Marcelis, a Wallpaper* Designer of the Year, praised Benchmark's willingness to push creative and technical boundaries, a stark contrast to the limitations often encountered with other manufacturers. Marcelis's contribution to 'Connected' is the 'Candy Cubicle,' a maple-veneer box designed to conceal home-working tools, including her partner’s monitor, with a surprising acid-yellow interior. Sustainability is a core principle of 'Connected,' mirroring previous collaborations between AHEC and Benchmark. Designers selected from red oak, maple, and cherry—woods that represent 40 percent of American hardwood forests but are often underutilized. David Venables, European director at AHEC, explained the council's mission to reintroduce these 'unfashionable' woods to designers and consumers, thereby promoting the sustainable use of all natural resources. The project underscores how consumer choices influence forest composition, advocating for a broader appreciation of timber species beyond the obvious choices. The pandemic and the chosen materials appear to have fostered a renewed appreciation for nature among the designers. Works range from Thomas Heatherwick’s biomimicry-inspired maple planters to Studiopepe’s 'Pink Moon' chair, reflecting a collective desire to connect with the natural world. Despite a common theme of natural inspiration, each designer's individuality is evident. Maria Bruun created a Scandinavian-style table from rippled maple, while Jaime Hayon’s 'Mesamachine' showcases complex, humorous, and movable cherry wood components. Ini Archibong's 'The Gate,' an outdoor collection, draws inspiration from the Giant’s Causeway, featuring a hexagonal plinth of red oak and cherry and a green-lacquered red oak top with brass inlays. Maria Jeglinska-Adamczewska's seat utilizes barrel-making techniques for its curved form, and Sebastian Herkner designed 'Stammtisch,' a modern Lazy Susan with sliding trays made from various woods and finishes. The designers will see their completed pieces in person for the first time at London's Design Museum, where 'Connected' will be exhibited from September 11 to October 11. This exhibition marks the culmination of a project that navigated unprecedented challenges through remote collaboration, trust, and a shared commitment to design and sustainability. #FurnitureDesign #Woodworking #RemoteCollaboration #SustainableDesign #HomeOffice #Craftsmanship #DesignMuseum #HardwoodExports #InteriorInnovation

This article explores the concept of iconic furniture, delving into pieces that have transcended mere functionality to become cultural touchstones and influential designs. It highlights how certain furniture items shape our interaction with spaces and daily lives, drawing a parallel with impactful artwork but emphasizing the crucial role of function in design. The piece features insights from 22 interior designers and professionals, who identify and discuss what they consider the most iconic furniture designs throughout history. Among the selections is Yves Klein’s Table IKB, notable for its use of the artist’s self-invented International Klein Blue pigment, demonstrating how a simple form can be elevated to art while retaining its practical purpose. Vladimir Kagan's Serpentine Sofa is praised for its mid-century modern curves that add warmth and personality to contemporary spaces, affirming its timeless appeal. Frank Gehry’s Wiggle Chair is celebrated for its experimental use of cardboard, showcasing durability and playfulness while pioneering environmentally friendly materials. George Nakashima’s New Lounge Chair exemplifies American-Japanese design, highlighting natural wood characteristics and traditional American craftsmanship, such as the Windsor chair-inspired spindles. The article also features Gaetano Pesce’s Up Armchair, recognized for its innovative all-foam construction and unique flat-pack delivery that allows the chair to expand upon unboxing. Charles and Ray Eames’s Lounge for Herman Miller is acknowledged for its strong presence and enduring quality, leaving a lasting impression even on young observers. Charlotte Perriand’s tables and stools are admired for their minimalist approach, utilizing humble materials to create elegant and functional pieces that resonate particularly in large-scale projects. Angelo Mangiarotti’s Eros side tables are noted for their primitive yet whimsical design, using friction to join two stone pieces without fasteners. Isamu Noguchi’s Akari Lanterns are highlighted for their traditional Japanese craft, providing a beautiful glow and maintaining iconicity through modesty, low cost, and simplicity, making them versatile for any project. The Klismos Chair, with its origins in ancient Greece, is presented as a design that has been repeatedly reintroduced into interiors over centuries, with T.H. Robsjohn Gibbings' 1960 revival being particularly influential. Oscar Niemeyer’s Rio Lounge Chair is celebrated as a perfect blend of sculpture and design, born from his modernist architecture background and featuring high-quality materials and avant-garde techniques. Guillerme et Chambron’s Grand Repos Armchair is lauded for combining natural materials and classic techniques with a sense of formality, influencing many contemporary designers. Maya Lin’s Longitude Chaise for Knoll is described as a decompression sanctuary that gives the illusion of levitating, praised for its sleek lines, comfort, and simple elegance. George Nelson’s office furniture for Herman Miller marks a pivotal moment in office design, transitioning from freestanding pieces to reconfigurable, ergonomic panel workstations. Vico Magistretti’s Atollo Table Lamp is recognized as a modern Italian masterpiece from 1977, admired for its clean geometric form and ambient lighting. Josef Hoffmann’s Club 1910 Chair is noted for its ahead-of-its-time design and deep tufted leather, maintaining a fresh look over a century later. Ludwig Mies van der Rohe’s Barcelona Chair is praised for its streamlined form, durable materials, and versatility, aging beautifully with a rich patina. The Louis XV Daybed is cherished for its adaptability across various rooms, serving as extra seating or an additional bed. The Peacock Chair, originating in the Philippines, is celebrated for its regal appearance despite being made from humble natural materials, with a rich history in portrait photography. Lastly, the simple Farm Table is recognized as a humble essential that embodies timeless grace and organic materiality, telling stories through its wear and patina, and holding new significance in the context of the climate crisis. #FurnitureDesign #IconicFurniture #InteriorDesign #HomeDecor #DesignHistory #ModernDesign #ClassicFurniture #ArchitecturalDesign #DesignInnovation

Greg Pennenga, a Sarasota-based furniture designer, has been creating custom, heirloom-quality furniture for almost 30 years from his workshop, Pennenga Creative, located in the Lime Arts Building near downtown Sarasota's Limelight District. Pennenga's journey into furniture making began from a deep love for the craft, evolving from building pieces in his garage to working with mentor Dale Ricky. A significant turning point in his career occurred in 2013 when a severe table saw injury, resulting in the loss of three fingers on his left hand, sidelined him for two years of surgeries and recovery. Despite the profound physical challenge, Pennenga never considered abandoning his passion, which he attributes to his unwavering dedication to the craft he's pursued for three decades. Pennenga primarily works with hardwoods such as white oak, walnut, cherry, and maple, favoring them for their suitability in creating timeless, durable pieces. He actively integrates elements like glass, metal, and upholstery, emphasizing a design philosophy that avoids repetition; he never builds the same piece twice, a strategy that maintains his creative engagement and prevents boredom. His unique skill lies in his ability to design pieces that capture attention, driven by a continuous pursuit of creativity. Following his injury, he upgraded to a SawStop saw, which incorporates a safety mechanism to prevent similar accidents, offering him greater peace of mind in his work. Pennenga describes his design aesthetic as 'organic modern,' aiming for pieces that feel natural while maintaining a modern, clean appearance. He observes a current trend toward simple, clean lines paired with rounded shapes, such as pill-shaped tabletops or kidney-shaped forms. While these shapes present design challenges, Pennenga embraces them as opportunities to create distinctive and special pieces, finding intrigue in overcoming such complexities. He differentiates his custom furniture from mass-produced items found in big-box stores like IKEA or Crate & Barrel by focusing on timelessness and durability over fleeting trends. Pennenga's furniture is built to last generations, emphasizing meticulous craftsmanship and quality materials over transient styles. His clientele typically consists of retirees and younger couples who value handmade, locally crafted items and are willing to invest in pieces that tell a story, with starting prices around $10,000. These clients appreciate the enduring value and unique character of his work. The custom furniture-making process involves extensive trial and error, as each piece is distinct. Pennenga constantly experiments with ideas, constructs prototypes, and refines methods to achieve optimal results, a time-consuming but essential aspect of delivering special final products. His 2,500-square-foot workshop on North Lime Avenue, which receives visitors due to its proximity to galleries, operates primarily with Pennenga and one helper, focusing on one project at a time. He stresses that custom furniture involves significant problem-solving, continuous experimentation with techniques, finishes, and designs, and a hands-on approach that differs greatly from assembling pre-made kits, making each finished piece deeply rewarding. #CustomFurniture #FurnitureDesign #SarasotaCraftsman #HeirloomFurniture #Woodworking #OrganicModern #InteriorDesign #Craftsmanship #SmallBusiness

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

The year 2020 has brought a heightened awareness to the significance of living spaces, with many individuals investing in renovations, redesigns, and refreshes to adapt to new routines and increased time spent at home. This shift has propelled the demand for custom, made-to-order furniture and decor, moving beyond the traditional offerings of large retailers. Smaller, direct-to-consumer, and online-only brands are now at the forefront, making customized pieces more accessible and affordable to both design professionals and everyday consumers. Interior designer Rydhima Brar notes that internet-savvy clients are conducting extensive online research and are willing to purchase custom products without prior showroom visits, drawn by exceptional customer service and competitive pricing. The appeal of these brands also stems from their meticulous quality control, transparent processes, and superior customer service, benefits often attributed to their non-mass-produced nature and shorter lead times. Several brands are exemplifying this trend. Coley Home, for instance, specializes in fully-upholstered beds like 'The Crown Bed,' offering customization in headboard shapes, fabrics, piping, and leg finishes, all delivered within ten days. Their emphasis on easy assembly further enhances customer convenience, reducing the need for external help, which is particularly beneficial during a pandemic. Society Social provides a range of custom furniture, including lounge chairs with various styles, fabrics, and optional embellishments like tape trim and fringe. Their commitment to quality is evident in their North Carolina factory, and they offer in-person consultations at their Charlotte store. Casa Kids stands out with its innovative, multifunctional, and modular pieces, such as bunk and loft beds integrated with desks and storage. Handmade in Brooklyn from sustainably-sourced Baltic Birch, these items are customizable with Benjamin Moore colors and feature adjustable heights, making them ideal for smaller spaces and promoting longevity. The Inside offers a wide array of customizable products, from dining chairs to other home items, with over a hundred fabric options, including collaborations with esteemed brands. Their dining chairs, though limited in style, are highly versatile due to the extensive fabric choices. Interior Define is celebrated for its clean, modern contemporary designs, providing numerous options for sofas in terms of fabrics, leg styles, and configurations. They offer complimentary one-on-one assistance and prioritize practical features like child and pet-friendly upholstery. BenchMade Modern addresses specific spatial needs by offering sofas and sectionals in 100 sizes with five-inch increments, along with diverse arrangements, upholstery, and wood choices, all handcrafted domestically within 30 days. Beyond furniture, custom decor is also gaining traction. Paynes Gray, an online boutique, offers a curated selection of custom pieces, including the Morris Writing Desk from Redford House, which is available in twenty finishes and various hardware options. Pepper provides custom throw pillows in multiple sizes and fabrics, allowing for personalized accents. Edie Parker features a bespoke collection of vintage-inspired decor, such as hand-poured acrylic trays that can be customized with choices of tray, font, and text color. The Brooklyn Teacup repurposes vintage China into tiered stands, offering unique serving or display pieces, with options to use sourced China or customers' own heirlooms. These brands collectively highlight a growing demand for personalized, high-quality, and accessible home furnishings and decor, catering to a market that values individuality and practical solutions for modern living. #InteriorDesign #CustomFurniture #HomeDecor #DirectToConsumer #OnlineRetailers #PersonalizedHome #MadeToOrder #DesignTrends

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques