A Harmonious Blend of Antique and Contemporary Design at Nolinski Venice

This article showcases a neoclassical-style townhouse designed by Joan Enger of J. Patryce Design in Hoboken, New Jersey. Enger's design approach blends classically informed architecture with modern touches, creating a unique transitional aesthetic. The project, completed in three phases over six years, involved rejuvenating the 100-year-old brownstone's original neoclassical plaster mouldings with contemporary textures, standout neutrals, and modern light fixtures, while also incorporating the client’s extensive collection of English antiques. This eclectic mix harmonizes with the home’s historical structure, preventing it from appearing outdated. The entryway of the townhouse maintains a darker ambiance, using Benjamin Moore's Skipping Stone, a warm gray, to complement the original architectural elements. A trans-LUXE gray-washed lighting fixture and a brass and smoked glass console table from Modern Living Supplies introduce contemporary notes. The living room features an engraved fireplace, and Midcentury modern furnishings, including a circular coffee table from Chairish, originally in the style of Karl Springer. Vintage Jens Risom chairs are upholstered in Toile Chenonceau fabric, and Holly Hunt silk draperies adorn the large windows. Artworks by Heidi Kurko and Jean Wolf are displayed, alongside the client's own sofa and antique side table. A cozy desk nook under the staircase, a result of the deepening designer-client trust, is accessorized with a vintage desk chair, a wall sconce from School House Electric, and a metal wastebasket from CB2. The light-filled kitchen features custom cerused rift white oak cabinetry by NR Wood Design and bright calacatta marble countertops from Langley Stone and Marble. Island pendant lights are from Allied Maker, and bleached walnut stools are by Dennis Miller. Adjacent to the kitchen, the dining area showcases exposed industrial brick, original to the house, contrasted by a contemporary chandelier from Brendan Ravenhill Studio. NR Wood Design also crafted the custom curved dining table and a banquette upholstered in Holly Hunt fabric. Ligne Roset chairs add texture to the space. The transitional guest bedroom is designed around the client’s sleigh bed, with a contemporary O'lampia light fixture featuring brass rings and black and brass Arteriors reading lights. Architectural details are enhanced by varied textures, including an ABC Carpet and Home rug and bedding. A vintage Milo Baughman barrel chair is reupholstered in Rogers and Goffigon fabric, and linen navy nightstands from Bungalow 5 complement Jean Wolf's artwork. The media room features grasscloth wallpaper from Sonia's Place, and a custom built-in media cabinet by NR Wood Design. Window shades use Claremont fabric, the custom sectional is upholstered in Holly Hunt fabric, and an Environment lounge chair uses Claremont velvet. A custom wool flatweave rug matches the linen drum shade, with bookcase lighting from A. Rudin, an occasional table from Gabby, and a faux shagreen coffee table from Dwell. For the daughter's bedroom, updated during the project’s third phase, the design incorporates shades of blue and bright patterns with Benjamin Moore's Sterling paint to create a calming, contemporary space for a teenager. Rebecca Atwood printed fabric is used for window shades, and custom pillows in Holland and Sherry citron fabric contrast with a Wayfair upholstered bed and neutral bedding from ABC Carpet and Home and West Elm. A multifaceted light fixture from Horne adds a modern touch. A clever workspace in the child's bedroom alcove uses Kensington Blue paint as an accent wall, a lacquered Hayneedle chair with Rebecca Atwood fabric, a Blue Dot desk, a bone china chandelier from Horne, and vintage artwork curated by J. Patryce Design. The master bath, inspired by a Florentine boutique hotel, combines serene, glossy textures with subtle colors. It includes a double open-legged washstand, mosaic floor tile from Waterworks, Restoration Hardware medicine cabinets flanked by Waterworks wall sconces, and Lefroy Brooks fixtures and toilet. #NeoclassicalDesign #ContemporaryFurniture #InteriorDesign #TownhouseRenovation #EclecticStyle #JPatryceDesign #HobokenHomes #HomeDecor #TransitionalDesign

This article offers an exclusive look into the interior design of 'Meraki Beauty & Wellness,' a salon and spa located in Lahore, co-founded by sisters Saba and Fatima. The establishment is presented as a tranquil retreat, offering a complete beauty experience in a Zen-like environment, strategically located away from the bustling commercial areas of Gulberg and near the burgeoning DHA Phase 5. The salon's interior design is characterized by a harmonious blend of modern and industrial elements, creating a stylish yet comfortable space. The designers deliberately moved away from opulent decorations like typical chandeliers and vibrant colors, opting instead for a minimalist, contemporary aesthetic that promotes serenity and inner peace. This approach is evident in the choice of a muted color palette and natural materials, which define the three distinct zones of the salon. The entry from the staircase area is designed as a dark transition space, leading into a lighter, more open main reception and hair styling area. The second floor features grey-shaded sofa seats for manicure and pedicure sessions, alongside separate rooms for makeup and massage. Additionally, three nail art stations are decorated in shades of navy blue, benefiting from natural sunlight and outside views. Strategic lighting plays a crucial role in enhancing the ambiance and highlighting key interior design elements. The second floor, in particular, exudes a bright and cheerful atmosphere. The owners, Saba and Fatima, emphasize the importance of hygiene, client satisfaction, and continuous in-house training, with Saba having completed multiple training courses in skin and hair from Dubai and New York. The waiting area provides ample seating, and the overall artsy design, infused with contemporary touches, is given a warm character through bright pops of pink and purple against a backdrop of black and grey, breaking potential monotony. The interior is also designed to optimize space, incorporating areas for Pilates and yoga classes, along with a small health bar, creating a homely setting for clients. Functionality and ease of maintenance are also key considerations, as demonstrated by the use of leather upholstered furniture and wall panels that are easy to clean. The decor maintains a simple and functional appeal, reminiscent of a traditional living room, yet includes occasional glamorous accents. Wrought iron encased lights contribute to the sophisticated look without being ostentatious, and subtle gold strokes add an elegant touch. Laser-cut separators and the salon's logo in gold and black serve as central design features. The sisters, strong advocates of minimalism, frequently intend to refresh the salon's look to provide a novel experience for their clientele, ensuring every detail is meticulously managed to offer a high-quality, personalized service. The spa area further exemplifies thoughtful space planning with wooden flooring, racks, and display furniture, complemented by planters and cozy sofas that create a soothing ambiance, catering to the city's style-conscious clientele. #SalonInteriorDesign #SpaWellness #LahoreBeauty #MinimalistDecor #ModernIndustrial #ZenEnvironment #PersonalizedService #SpacePlanning #ClientExperience

Violino d’Oro, a five-star boutique hotel unveiled by Collezione Em from the Maestrelli family, is situated a short walk from St. Mark's Square in Venice. This property aims to offer an immersive experience into Venetian culture, blending tradition with contemporary design, sustainability, and an authentic Venetian spirit. The hotel reflects the Maestrelli family's over three decades of experience in hospitality, emphasizing respect for cultural heritage and excellence. It has been recognized by The Leading Hotels of the World, signifying its status among exclusive global destinations. The hotel is housed within three meticulously restored 17th-century buildings. The interior design prioritizes silence, texture, and natural light. Every detail, from the materials to the subtle scents, contributes to a unique atmosphere. Sara and Elena Maestrelli have guided the reimagining of Venetian hospitality with a focus on sophistication and human connection. The decor features fabrics by Rubelli, lamps by Venini, artisanal Venetian terrazzo floors, and a curated collection of Italian art and design, all harmoniously integrated. The 32 rooms and suites balance elegance and comfort, showcasing a blend of clean-lined Italian furniture, Oriental pieces, Venetian antiques, and contemporary elements. Canal views, high ceilings, and a soft color palette contribute to a serene and sophisticated ambiance. Sara Maestrelli describes the hotel as an “artisanal Italian project designed like a home,” with everything from glassware to headboards crafted locally in Venice and Tuscany, using noble materials and skilled craftsmanship. Velvets, brocades, and damasks from Rubelli, Carrara marble inlays, and hand-blown Murano glass lamps are prominent features, each with a unique story and tactile quality. Sustainability is a core philosophy at Violino d’Oro, extending beyond a marketing label. This commitment is evident in the use of local materials, support for artisan economies, and mindful resource management, reflecting a dedication to environmental responsibility and the future of luxury travel. The hospitality is characterized by warmth, attentiveness, and personalized service, with staff trained to anticipate guest needs, offering a balance of professionalism and approachability. Breakfasts are served in a sun-drenched dining room, featuring fresh, seasonal, and organic produce, artisanal pastries, and made-to-order coffee, catering to various dietary preferences. The serene atmosphere is designed to promote a sense of well-being. The hotel's culinary highlight is Il Piccolo, an intimate, Michelin-recognized restaurant with nine tables. It offers a contemporary, plant-forward menu based on local and seasonal ingredients, complemented by creative cocktails from head bartender Francesco. The menu evolves with the seasons, combining innovative techniques with traditional respect for ingredients. Violino d’Oro offers unique experiences connecting guests to the soul of Venice. These include Venetian cooking classes, yoga by the canals, mixology workshops, and private visits to artisan ateliers like Rubelli or Micheluzzi. Cultural tours provide access to lesser-known parts of the city, operas, or private palaces. Tailor-made experiences such as sunrise photography walks, guided strolls through Dorsoduro, private lagoon cruises, and food tours through traditional Venetian bacari are also available, aiming to foster a deep connection with the city. Excursions to Murano and Burano are also arranged, offering insights into glassmaking and lace-making traditions, respectively. Murano provides opportunities to observe glass artisans at work and purchase unique pieces, while Burano captivates with its colorful houses and the delicate craft of handmade lace. The hotel aims to provide a new way of experiencing Venice—authentic, sophisticated, and deeply emotional, a sanctuary that makes guests feel at home while offering an exceptional and unique stay. #VenetianLuxuryHotel #BoutiqueHotel #VeniceTravel #ItalianDesign #SustainableHospitality #CulturalImmersion #ArtisanCraftsmanship #MichelinRestaurant #HistoricRenovation

In northern Italy's Piedmont region, a distinctive modernist pavilion stands as a contemporary interpretation of a castle, enveloped by its own body of water and accessible via a drawbridge. This architectural marvel, designed by Duilio Damilano of Damilano Studio, sought to create a secluded oasis, blending Italian luxury with the serene aesthetics of a Japanese Zen garden. The client and architect shared a mutual admiration for Japanese design principles, which significantly influenced the project's interior and exterior elements. The exterior of the pavilion features a large garden, conceptualized by landscape gardener Paolo Roagna. This garden draws inspiration from symmetrical Japanese botany, incorporating sculptural Bonsai trees and water features harmoniously alongside indigenous trees and shrubs. The building's perimeter is defined by sculptural metal grid structures on opposing sides. These grids are not merely aesthetic; they provide essential shade during the summer months and are adorned with geometrically positioned square blocks of Fir wood, adding visual depth. The external walls are also crafted from Fir wood, treated with the traditional Japanese Shou Sugi Ban technique, which involves burning the wood to enhance its durability. The single-floor dwelling utilizes pigmented micro cement throughout. Externally, this material is acid-etched to mimic the appearance of natural stone, while the interior surfaces are left smooth. The internal layout is designed to foster continuous interaction with the surrounding natural environment, largely achieved through expansive sliding glass walls. The interiors showcase a thoughtful curation of design pieces, where luxury meets functionality and artistic expression. In the sitting room, a playful ‘Cactus’ coatrack by Guido Drocco and Franco Mello immediately captures attention, positioned near a painting titled ‘Sardinia’ by Andrea Lo Papa. The room also features an enveloping ‘Pack’ sofa by Edra, illuminated by Ingo Maurer’s ‘Lacrime del Pescatore’ lighting. A hand-crafted rug by Mohebban Milano and a collection of wooden sculptures by Austrian artist Daniel Eggli further enrich the space. The dining room offers a contrasting palette to the building's earthy brown tones. It features a gold leaf table, designed by Dilmos Milano, complemented by ‘Ella’ chairs by Jacopo Foggini for Edra, which are described as having soft, gleaming molten amber hues. The ‘Scrigno’ sideboard, with its mosaic mirror shards, adds a deeper luster, reflecting the jewel-toned scheme. Damilano describes these colors as representing the 'earth and territory, warm and material colors.' The kitchen and bathrooms maintain a practical yet refined aesthetic. The kitchen, hand-built in oak by a local carpenter, is designed for industrial efficiency, a material choice echoed in the bathroom. The bathroom is equipped with ‘Origini’ taps by Gessi, ‘I Ching’ towel warmers by Elisa Ossino for Tubes, and sanitary ware by Cielo Ceramiche. In the main bedroom, a burnished dragon motif, painted by artist Riccardo Brotini, adorns the entire back wall, drawing inspiration from Japanese mythology where dragons symbolize cosmic guardianship and control over natural elements. A foldaway bed is integrated into the ceiling, allowing for flexible use of the space, which also connects to the terrace, pool, and gardens through sliding glass doors. The design team's overarching goal was to create a dynamic yet meditative natural experience, with the metal mesh and interlocking wooden blocks forming an optical illusion that changes as one moves around the pavilion. This integration of Italian luxury with Japanese Zen principles culminates in a home that emphasizes well-being and a harmonious connection with its environment. #ModernistPavilion #ItalianLuxury #JapaneseZenGarden #ArchitectureDesign #PiedmontHome #DuilioDamilano #InteriorDesign #ShouSugiBan #LandscapeDesign

This article explores a curated selection of vintage design classics that have been reissued with modern technologies and sustainable updates, demonstrating how iconic pieces from the past can be reimagined for contemporary living. The focus is on a variety of furniture and lighting designs from leading brands and design masters, each offering a blend of historical significance and renewed functionality. One featured piece is the ‘Parigi’ armchair by Aldo Rossi, reissued by UniFor. Originally part of Rossi's vision for an ideal office at the end of the 1980s, this armchair exemplifies his architectural background combined with furniture functionality. Its distinctive slanted black aluminium frame supports a bright red, surprisingly soft polyurethane foam seat, reflecting Rossi's desire to translate personal, fantastic elements into rational, repeatable pieces. The reissue, a Wallpaper* Design Award 2022 winner, maintains the original aesthetic while adapting to modern sensibilities. Charlotte Perriand’s ‘Petit Bureau en Forme Libre’, reissued by Cassina, is another highlight. Designed in 1952 for Perriand's own Montparnasse studio, this freeform desk showcases her pioneering approach to design with its curved forms that allow flexible use. Crafted from solid Canaletto Walnut and available in black, the updated version includes an optional compartment for sockets and cables, seamlessly integrating modern practicalities without compromising its innovative form. This piece also received a Wallpaper* Design Award 2022. The ‘265 Chromatica’ lamp by Paolo Rizzatto for Flos, designed in 1973, is reissued in its original colour-coded concept. Rizzatto's first lighting design, the lamp was initially based on drawings using blue for the moving arm, yellow for the counterweight, and red for the lampshade. This new chromatic edition celebrates Rizzatto's belief that colour defines light and its function within architecture, earning it a Wallpaper* Design Award 2022. The article also revisits Clara Porset’s ‘Butaque’ chair, reissued by Luteca. Porset, a Cuban-born designer who worked in Mexico, is celebrated for her reinterpretation of the traditional Latin American 'Butaque' chair, merging Spanish colonial and pre-Colombian forms. Luteca collaborated with the National Autonomous University of Mexico to faithfully recreate Porset’s 1940s design. CB2 has reissued several pieces by American designer Paul McCobb, including the 1952 ‘Pavilion’ outdoor collection and the 1951 ‘Exposior’ lighting range. The ‘Pavilion’ collection features delicate iron frames and Sunbrella fabrics, while ‘Exposior’ lighting combines brass, wood, and travertine, making these designs accessible to a wider audience while preserving McCobb's legacy. Mario Bellini's ‘Camaleonda’ sofa, designed 50 years ago, is reissued by B&B Italia with a strong sustainable focus. While retaining its modular, contemporary aesthetic, the internal structure is now made from FSC-certified beech wood and recyclable materials, with feet from recycled wood, emphasizing ease of disassembly and environmental responsibility. Very Good & Proper and Isokon Plus have reissued two tables by Bauhaus designer Marcel Breuer, based on blueprints from 1937. One was previously produced at Bauhaus, while the other remained unproduced. The reissue utilizes energy-efficient and environmentally conscious processes, honoring the original experimental designs and their inherent modernist values. Another Mario Bellini design, the ‘Duc-Duc’ sofa from 1976, has been reissued by Cassina. This modular piece, reflecting the free design spirit of its era, maintains faithfulness to the original while incorporating updated measurements and materials for enhanced comfort, including a 100% recycled fibre made from ocean-recovered PET. Acerbis, under new creative direction, has relaunched Giotto Stoppino’s ‘Menhir’ tables. These totemic compositions of colourful marble modules, originally created with company founder Lodovico Acerbis, represent a blend of pioneering Italian design and a commitment to bringing iconic midcentury pieces back to life. Nanna Ditzel’s ‘Arkade’ chair, originally designed in 1983, has been revisited by Brdr Krüger. This piece showcases Ditzel’s blend of traditional craftsmanship, new materials, and elegant geometries, with customization options for fabrics like Kvadrat’s ‘Hallingdal’. Gianfranco Frattini’s ‘Kyoto’ table, inspired by Japanese and Northern Italian woodworking techniques from his 1974 trip to Japan, has been reissued by Poltrona Frau. This table features an interlocking structure with a grid surface of 1,681 squares, where wooden elements dovetail to create a self-supporting, reconfigurable composition, embodying functional design without superfluous decoration. Finally, Cassina and Ginori 1735 collaborated to reissue Le Corbusier’s ‘Prunier’ tableware. Created in 1961 for London’s Prunier restaurant and inspired by his earlier tapestry work, these plates feature stylised motifs hand-applied on enameled white porcelain, merging quality and form. Achille Castiglioni’s ‘Diabolo’ lamp, his last lighting design for Flos from 1998, also returns in three new shades, maintaining its minimal design while referencing traditional Chinese toys. #VintageDesign #DesignClassics #FurnitureDesign #LightingDesign #SustainableDesign #ModernistDesign #ReissuedDesign #InteriorDesign #HomeDecor

The article presents a detailed tour of designer Lauren Sullivan's newly built home in Tennessee, which she intentionally designed to evoke a sense of European charm and history, despite its recent construction. Sullivan's design philosophy is deeply rooted in her childhood experiences, including antique hunting with her grandmother and an early admiration for the characterful homes depicted in European fairy tales. This personal history informed her desire to create a new build that felt timeless and lived-in, rather than freshly constructed. The project was a collaborative effort between Sullivan's interior design studio, Well x Design, and Brooks & Falotico architects. The aesthetic is described as 'Modern European,' a style that subtly blends old-world whimsy with contemporary elements without resorting to pastiche. Sullivan emphasizes the challenges and creative pressures of designing one's own home, especially when aiming for a specific, layered aesthetic. She highlights the importance of restraint in design, ensuring that every detail, from architectural features to interior decor, contributes to the overall vision without overwhelming the space. A key aspect of the home's design is the extensive use of antiques and timeworn materials. Sullivan deliberately incorporated reclaimed stone, aged metals, vintage textiles, and art with visible age and texture to imbue the new build with a sense of depth and history. This slow curation process allowed her to gather meaningful pieces over the four years of construction, preventing a rushed or 'finished' feel. This approach ultimately inspired the launch of her sourcing platform, Well Found, dedicated to antiques and vintage finds. The exterior of the home reflects storybook inspirations, featuring steeply pitched roofs, limestone walls, dormer windows, and copper gutters, contributing to a magical and old-world appearance. Inside, the design emphasizes layers of textures, materials, and contrasts. Sullivan explains that mixing different shapes, styles, and eras creates visual tension and interest, advocating for pairing sculptural modern pieces with rustic antiques or clean-lined furniture with plaster walls and timeworn floors. This blend, she believes, is where the true 'magic' of a soulful home lies. Specific areas of the home are detailed, such as the entryway, which Sullivan considers an 'accidental success' and a perfect representation of her style. It features a French tapestry, an 18th-century Italian console, vintage travertine tables, neoclassical iron benches, and vintage busts, all contributing to a fresh, modern space with clear European influences. The living room similarly showcases a layered approach, with a vintage rug, Schumacher fabric, Dudouyt chairs, and a mid-century Scandinavian light fixture, all chosen over time to create a grounded, inviting, and timeless ambiance. The open flow between the living room, dining room, and kitchen creates a connected feel without being fully open-plan. The kitchen, while practical, features Calacatta Paonazzo countertops, an integrated sink, maximized vertical storage, recessed toe kicks, and furniture-like islands with brass feet and detailed moldings. Flush mounts by Ralph Lauren are used instead of recessed lighting to maintain visual interest. Sullivan also notes the unexpected benefits of building during the pandemic, which, despite delays, allowed for a more intentional and thoughtful decision-making process. The article concludes by emphasizing the personal nature of the project, built with love, memory, and a belief in creating deeply lived-in homes through careful layering. #InteriorDesign #HomeDecor #EuropeanStyle #AntiqueCollecting #NewBuildDesign #TimelessDesign #DesignPhilosophy #HomeTour

Rooted in the sun-drenched landscapes of the French and Italian Rivieras, Riviera interior design evokes a sense of Mediterranean tranquility and sophistication. This style blends various influences including neo-classical, Art Deco, and coastal decor ideas, creating a timeless aesthetic that balances simplicity and opulence. Key elements of Riviera design include weathered wood, wrought iron accents, and ceramic tiles, which establish a tactile connection to the European coast. Large windows and light fabrics are crucial for maintaining bright and airy spaces, contributing to the overall feeling of a permanent vacation. The Riviera style is a complex aesthetic, drawing inspiration from the region's history, culture, and climate. It skillfully combines vintage and contemporary elements with coastal themes and a touch of 1920s and 30s Art Deco decor, characterized by features such as heavy molding, geometric shapes, and clean lines, reminiscent of grand Riviera hotels. Interior designers describe the Riviera style as embodying bold, cheerful colors, laidback luxury, and classic European design details. Incorporating elements like Italian-inspired dishware, vibrant color pops such as goldenrod, cobalt blue, and tomato red, and breezy textiles like linen and canvas are recommended to achieve this look. A fundamental characteristic of Riviera interior design is its nod to neo-classical grandeur, albeit with a more minimal and refined approach compared to Rococo interiors. This influence is evident in the symmetry, grand proportions, and the use of classical architectural features like columns, pediments, and cornices. The neo-classical color palette for Riviera style is hushed and pared-back, featuring an array of blues (from pale to bold), grays, and sandy neutrals. These hues mimic the coastal beauty of the Riviera, creating a light and airy atmosphere within the home. Natural materials are another cornerstone of Riviera design, capturing the relaxed essence of life by the sea. While not to be confused with rustic decor, the use of organic materials like wood, stone, and marble helps to integrate the outdoors into the interior. Stone and terracotta floors are popular for adding texture and warmth. Furniture should be made from eco-friendly materials such as wood, chosen for their luxurious quality. For example, a transitional bathroom might incorporate marble, oak, and original herringbone floors to bring an earthy, natural vibe, complemented by breezy linen sheer window treatments. Provencal influences from the South of France are also integral to the Riviera aesthetic, characterized by warmth, invitation, and a celebration of rural simplicity blended with a coastal feel. Incorporating vintage or antique furniture made of wood or wrought iron, featuring gentle curves, carved details, and a reflective patina, helps achieve an authentic Provencal look. Mixing and matching patterns like florals, checks, and stripes creates a charming, layered appearance that is both rustic and elegant. The blend of vintage and modern elements is crucial for creating a transitional, timeless space in Riviera design. Decorating with antiques, including heirloom furniture, antique lighting, and decorative accessories, introduces a sense of history and unique personalization. Furniture pieces are often ornate yet not ostentatious, featuring elegant curves, delicate carvings, and luxurious fabrics such as silk, linen, and velvet, all contributing to an effortless and refined feel. The historical architectural features of a home, such as gilding, moldings, niches, and archways, are also celebrated and restored, then paired with modern pieces to highlight their decorative qualities. The combination of modern materials like glass, metal, and concrete with vintage wood and textiles creates a harmonious blend of textures and finishes. Finally, a strong connection to nature is paramount in Riviera interiors. This involves creating open, airy spaces that are deeply connected to their surroundings. Beyond natural materials and expansive windows, incorporating indoor plants like potted olive trees or fresh herbs enhances the aesthetic with life and vibrancy. Patios, balconies, and outdoor living rooms are designed as extensions of indoor spaces, furnished with comfortable seating, weather-resistant fabrics, and decorative elements, emphasizing the continuous flow between indoor and outdoor living. This holistic approach ensures that Riviera style is not merely a decorative choice but a lifestyle, creating a vacation-like escape within one's home. #RivieraInteriorDesign #MediterraneanStyle #CoastalDecor #NeoClassicalInfluence #NaturalMaterials #ProvencalDesign #VintageModernMix #ConnectionToNature #LuxuryInteriors

Thais and Roberto Alcalay, a couple with a keen eye for modern design, embarked on a journey to build their dream home in Naples' Pine Ridge Estates. Having relocated from Brazil to the United States in 2004 and subsequently to Fort Myers in 2007, they found themselves desiring a modern aesthetic, which proved challenging to find in the existing Naples market. This led them to collaborate with architect John Cooney of Stofft Cooney Architects and Scott McConnelee of BUILD, a construction company renowned for luxury modern homes. Thais Alcalay, an interior designer by profession, played a pivotal role in the project. She arrived at initial consultations with extensive documentation, including detailed descriptions of each room, desired materials, and even plumbing specifications, surprising both the architect and the builder with her meticulous planning. This thorough preparation was the result of years of research and a clear vision for their new home, which they felt should reflect their current lifestyle, contrasting with the French-style home they once owned in Brazil. The resulting 5,500-square-foot, four-bedroom (plus office), five-and-a-half-bathroom residence embodies a modern aesthetic without being stark or cold. The exterior is characterized by a series of layered cubes, cantilevers, voids, windows, and solid walls, showcasing movement and varied textures. Cooney skillfully incorporated different materials such as stucco and wood to create visual interest and juxtaposition. The Alcalays' preference for movement over simple squares and angles was a driving force behind the architectural design. Inside, the home maintains an open and free-flowing atmosphere. Common areas are subtly defined by ceiling details, lighting, and box beams. A consistent neutral palette is established throughout most of the home with grayish METAL.IT tile by Emil Group, which is inspired by brushed steel and extends to the baseboards, providing a cohesive backdrop for other design elements. This flooring choice allows the predominantly Italian and Brazilian furniture, along with other thoughtful details, to stand out. A significant feature in the great room is a 14-foot-high feature wall made of six Italian tile slabs that mimic marble, designed by Thais, with an LED shaft running along its perimeter. In the kitchen, a mix of cabinet heights, surfaces, and tones is present, with painted wood cabinets wrapping around high-end appliances and glass sections offering views of the pool. A main island is practical with two sinks, while a second island serves as a showpiece with Pompeii quartz extending to the floor. The design also emphasizes a connection to the outdoors, with large sliders offering views of the pool and outdoor kitchen from the great room, and three of the four bedrooms enjoying pool views. An intimate conversation area near the great room features Désirée Ego swivel chairs and copper Tom Dixon pendants, all positioned to appreciate the surrounding landscape. The primary suite continues the clean lines, featuring a padded gray headboard and a spa-like bathroom with a floating vanity over illuminated river stones and a generously sized shower. Even Roberto's specific request for a workspace above the garage was integrated, ingeniously cantilevered to enhance the home's unique design. The detailed initial planning by the Alcalays, particularly Thais, proved to be both the greatest challenge and a significant factor in the project's success. All illustrations are courtesy of Robin Hill Photography. #HomeDesign #ModernArchitecture #NaplesRealEstate #InteriorDesign #LuxuryHomes #PineRidgeEstates #ArchitecturalDesign #ResidentialConstruction

Francesca Neri, founder of Milan interior design studio FNA Concept, recently completed a project involving a historic Venetian apartment situated on the Grand Canal. Neri's design philosophy emphasizes a comprehensive approach, where she designs every element from architectural features like stairs and windows to smaller details like handles and ashtrays, a method she terms "from arch to ashtray." She encourages her team to seek inspiration through travel, believing it prevents design from becoming unoriginal and stagnant. The Venetian apartment, originally a single large dwelling, was divided into two units by FNA Concept, with one side serving as a pied-à-terre for the client, a family of five. The building required extensive renovation, including updates to heating, cooling, and mechanical systems. Despite these modern interventions, Neri preserved original historical elements, such as the living room's 16th-century terrazzo floor, which displays layers of additions from various eras. Neri's design process is unconventional, prioritizing material selection before layout. She prefers to utilize locally available materials and collaborate with Italian craftspeople, describing her projects to them and fostering interaction to ensure a cohesive narrative. This localized approach, combined with the use of antique goods, facilitated the project's timely completion even amid the COVID-19 pandemic and two lockdowns, with all materials transported by boat, the sole means of delivery in Venice. Neri's background includes serving as creative director for luxury linen company Frette and spending three years in architect Alessandro Mendini's studio, whom she credits as a mentor for instilling the importance of detail and color. This influence is evident in the apartment's balanced blend of eclectic styles and objects. Many furnishings, such as the golden Vienna wicker settee in the living room, were sourced with the client from European antique markets like Mercanteinfiera in Parma and Marché aux Puces in Paris. Custom pieces complement these antique finds, including Murano glass objects and FNA's own brass and bamboo cocktail tables. Contemporary elements, such as a sculptural Draga Obradovic console, are also integrated. The bedrooms are designed with distinct color themes—red, green, and blue—and feature unique lamps crafted from antique fabrics meticulously collected over time. Social areas showcase luxurious materials like Rubelli silk damask wallcoverings and Pierre Frey fabrics, paired with Moroccan rugs. A rare gilded Japanese screen, perfectly sized for the dining room wall, adds an unexpected touch, reflecting Venice's historical role as a port city where diverse cultural influences converged, leading to the incorporation of Asian elements in its traditional interiors. The overall design achieves a sophisticated yet inviting atmosphere, avoiding a "stuffy" aesthetic. #VenetianApartment #InteriorDesign #FNAConcept #GrandCanal #HistoricPreservation #CustomFurniture #LocalCraftsmanship #EclecticStyle #LuxuryInteriors

Arjealy Wisseh, a 2021 Interior Design alumna from Rochester Institute of Technology (RIT) and founder of Maiyn Design, has gained international recognition through her work being published on Moro, a global platform dedicated to interior design inspiration, professionals, and products. The featured project showcases a co-working office design and her contributions to a six-story space. This comprehensive project, developed in collaboration with peers Emma Canny and Raquel Rojas, exemplifies a successful fusion of traditional and modern interior design elements, catering to both commercial and residential applications. The article highlights several key aspects of the featured design, illustrating how Wisseh and her team balanced different aesthetic principles. The co-working office space emphasizes functionality and collaboration while incorporating modern design trends. Elements such as an open, inviting layout with abundant natural light, ample seating, and integrated greenery contribute to a vibrant and productive environment. This design approach reflects contemporary workplace needs, prioritizing comfort and aesthetic appeal to enhance employee well-being and productivity. The inclusion of various seating options and green elements suggests a focus on creating flexible and biophilic spaces, which are increasingly important in modern office design. Further illustrations within the article provide a detailed look at the residential components of the project. A kitchen rendering reveals an open-concept design that seamlessly integrates with living areas, promoting a sense of spaciousness and connectivity. This open-plan layout is a hallmark of modern residential design, fostering interaction and accessibility. The kitchen's aesthetic likely combines sleek, contemporary finishes with traditional materials or subtle classic details, achieving the project's overarching theme of blending styles. The use of neutral color palettes, clean lines, and integrated appliances further enhances the modern appeal, while specific design choices could introduce traditional warmth or texture. The bathroom design, depicted in a rendering, features a black, white, and gray color scheme, equipped with a shower and a dual sink. This monochromatic palette is characteristic of modern design, offering a sophisticated and timeless look. The inclusion of a dual sink enhances functionality, especially in shared living spaces, while the overall minimalist approach to fixtures and finishes maintains a contemporary feel. The design likely incorporates high-quality materials and efficient layouts, balancing luxury with practicality. The article also showcases various other functional areas, including open workspaces with desks and seating, demonstrating a thoughtful approach to space planning and utility. Tall bookshelves in an open workspace suggest an emphasis on both storage and visual interest, contributing to the professional yet inviting atmosphere. A lounge area featuring a wall-installed electric fireplace further illustrates the blend of styles, combining modern comfort with a traditional element that provides warmth and ambiance. This detail highlights the team's ability to create cozy and inviting zones within larger commercial or residential settings, adding a touch of domesticity to a professional environment or enhancing relaxation in a home setting. Finally, a large, open room with a long conference table and chairs is presented, indicating the project's capacity to accommodate formal meeting spaces. This area maintains the overall aesthetic coherence, featuring a design that is both professional and visually appealing. The choice of furniture and room arrangement likely reflects a balance between modern ergonomics and a classic sense of formality, ensuring that the space is suitable for various professional functions. Overall, the project by Arjealy Wisseh and her team demonstrates a sophisticated understanding of how to merge traditional and modern design philosophies to create versatile and aesthetically pleasing environments for diverse uses. #InteriorDesign #ModernDesign #TraditionalDesign #CoWorkingSpace #ResidentialDesign #CommercialDesign #RITAlumni #MaiynDesign #MoroPlatform

This article highlights the collaboration between interior designer Elizabeth Riggs of Elizabeth Ashley Interiors, builder Steve Rogai of Steven Anthony Luxury Homes, and architect Monroe Design Group to create a modern transitional lakefront home for Greg and Nicole “Nikki” Zolkos. The Zolkos, a couple with a blended family of five teenage daughters, sought a serene retreat from their busy lives. Their new 7,500-square-foot, five-bedroom, five-bathroom home, situated on a half-acre lakefront property on Lake Carroll, was designed to be warm and inviting for their large family and frequent guests. Riggs adopted a modern transitional style, building upon a timeless, traditional foundation. A key design element is the extensive use of custom millwork, including detailed trim and molding, which adds texture, depth, and an enduring sense of elegance throughout the home. The color palette primarily consists of earthy neutrals, complemented by strategic accents of black and moody blues. This scheme was chosen to harmonize with the natural beauty of the surrounding lake and backyard, which are visible from various parts of the house, including the living room, primary bedroom, pool lounge, and gym. To infuse the Zolkos’ personal style and modern preferences, Riggs incorporated contemporary elements through distinctive lighting fixtures, bespoke art pieces, and carefully selected decor. For instance, the dining room features a striking Arteriors chandelier, serving as a focal point. Given the presence of five children, practical considerations were also integrated, such as investing in high-quality performance fabric for the oversized sectional in the living room. Other special pieces for entertaining include a dining table that accommodates twelve and a coffee table with four pull-out stools for additional seating. Riggs emphasized visual cohesion and seamless transitions between rooms to create a harmonious environment. Her approach is informed by a background in psychology, which she utilizes to understand and align with her clients' design preferences. The article mentions the personal connection between Riggs and Nicole Zolkos, as Nicole was Riggs's first client, making the design of their 'forever home' a particularly meaningful project for the designer. The exterior features a modern minimalist backyard, designed by Hollywood Pools, with a pool overlooking Lake Carroll, providing an open and airy space for family time and entertaining. This comprehensive design strategy aimed to balance timeless elegance with modern functionality and personal touches, resulting in a unique and welcoming family residence.

This article details the transformation of a four-bedroom home in Lely Resort, Naples, spearheaded by designer Julia Hall Liegeois of Julia Hall Designs, in collaboration with builder Joshua Brown of D. Brown Construction. The homeowners, who previously rented, purchased the house due to its meticulous upkeep and quality furnishings by the prior owner, despite the decor being outdated with a "Tommy Bahama look" in browns and tans. After living in the home for a few years, they decided to undertake a renovation, focusing on brightening the space while maintaining comfort and cohesion. The initial phase of the renovation involved significant changes in paint and fabrics. The entire home was painted white, a decision the homeowner initially hesitated about but ultimately embraced as transformative. This choice set a fresh, understated elegant tone, moving away from typical coastal design clichés. The common area floors were updated with shellstone-hued travertine, and the entryway was enhanced with matching vignettes featuring mirrors framed in faceted blue glass above rattan-wrapped console tables, chosen for their retro appeal and light-bouncing qualities. The existing furnishings, many of which had rattan or wicker detailing, were revitalized with a new blue-and-white upholstery scheme. This layering of energetic patterns in different scales introduced a modern aesthetic while ensuring the space felt balanced and avoided the coldness often associated with coastal modern designs. The main sofa in the sitting area, for instance, received a white fabric with an oversized strié-like pattern, contributing to the desired fresh ambiance. Cosmetic renovations extended to the kitchen and bathrooms. The bar cabinets, originally honey brown, were painted bright white and fitted with blackened-navy hardware, complemented by a Daltile Multitude in Modern Khaki backsplash. Kitchen cabinets were painted white and extended to the ceiling, enhancing the room's grandeur. A dark, bilevel peninsula counter was replaced with a single-layer brilliant quartzite counter, while wood-toned ceiling beams were retained to prevent the room from feeling overly modern. The guest bathroom was painted a deep navy and adorned with pebble-shaped iridescent tiles, adding textural art elements that tied the space together. The final touches involved incorporating statement lighting, wallpaper, textural art, and distinctive hardware. In the dining room, twin palm sculptures and a trio of coral-inspired discs were added. A chandelier with cascading crystal cylinders became a focal point over the breakfast nook. Orange accents in the family room provided a warm contrast to the blue and white palette, picking up tones from outdoor sculptural elements, ceiling beams, and a coffee table. Ombré Phillip Jeffries Mirage wallpaper panels, set within trim in the dining and living areas, emphasized the 12-foot ceilings and captured light, creating a cloud-like effect, particularly in the dining room where it formed a showstopping triptych. Many existing dining room pieces, such as a curved wood chandelier, rattan chairs, a sisal rug, and a planter (repainted from dark brown to bright white lacquer), were repurposed. These were updated with fresh textiles, including a striped ikat print on chair cushions and watercolor ombré stripes in the curtains, offering an updated coastal modern look. A mix of traditional and modern ginger jars served as a scaled centerpiece. The design approach highlighted that significant transformation can be achieved by reimagining existing pieces and incorporating thoughtful new details, creating a fresh, collected, and timeless aesthetic. #CoastalStyle #InteriorDesign #HomeRenovation #NaplesDesign #JuliaHallDesigns #HomeTours #DesignInspiration #ModernCoastal

The article offers an intimate look into the Venice Beach residence of designer Lenny Steinberg, providing insights into her creative process and personal collection. Located just a few doors down from Frank Gehry’s Norton House, Steinberg's home is a transformed 1960s post-and-beam duplex, now serving as an archive and showroom for five decades of her work, alongside her extensive art and object collection. This minimalist retreat, which she shares with her husband, Bob, features an impressive view of the Pacific Ocean. Steinberg's design philosophy is deeply influenced by movement and music, which she attributes to her background in music, initially at the University of Southern California and later at UCLA where she shifted her focus to design. She emphasizes injecting a sense of 'kick' or 'surprise' into her furniture, exemplified by prototypes for a Manhattan apartment featuring arms reminiscent of a 1950s Ford Fairlane, complete with red lens reflectors. Her work often combines Art Deco and Japanese aesthetics with elements drawn from Los Angeles car culture, a nod to her childhood experiences riding in her father's 1938 Buick and exploring the city's evolving landscape. The double-height living room of her home, featuring floor-to-ceiling windows inspired by Pierre Chareau’s Maison de Verre, showcases a deliberate departure from strict orthogonality with an angled cross beam, reflecting her desire to introduce a 'new note' into architecture, much like a musical composition. Her career trajectory includes a partnership with Sarah Binder in the 1960s, forming Vivid, which produced mirrored furniture, and later Links Design, where they experimented with cork and multi-coloured plastic laminates. By 1997, Steinberg established her own practice, Lenny Steinberg Design, venturing into full architectural projects. Her home displays a broad range of her oeuvre, from a Vivid mirrored side table that merges Art Deco with the Light and Space movement, to her 'Push-me Pull-U' sofa, a study in material contrasts. The collection is unified by what Steinberg calls 'space, time and energy,' a consistent vision that is evident in pieces like her Pyramids & Parallels series. This series, characterized by jutting angles and sculptural forms, is present in her kitchen island and outdoor furniture on the roof deck, where pieces lean obliquely, evoking the dynamism of wind and movement. This interest in dynamism is also informed by her engagement with modern dance, a passion shared by two of her daughters. Architect Annie Chu highlights Steinberg's acute awareness of the body's relationship to space and objects, noting her strength in creating evocative vignettes. Steinberg's designs also incorporate a subtle sense of humor, as seen in her 'Pony' chair, which features legs that kink like the hind limbs of a horse, designed to accommodate the sitter comfortably despite its unconventional appearance. The article concludes by noting the natural weathering of her home and some of her earlier works, which she embraces as part of the design process, evident in the 'Six Degrees of Disintegration' exhibit of her 'Pony' chairs, showing signs of rust from the salty ocean air. #LennySteinberg #VeniceBeachHome #InteriorDesign #ArchitecturalDesign #FurnitureDesign #LosAngelesArchitecture #ModernDesign #CreativeProcess #ArtCollection

The field of interior design is currently witnessing a resurgence of old-world products, which are being reinterpreted with modern sensibilities. This trend is particularly evident in the growing popularity of flecked surfaces, which are gaining traction among designers and consumers alike. These surfaces, often characterized by their intricate patterns and varied textures, offer a unique blend of historical charm and contemporary aesthetic appeal. The 2023 Hospitality Giants report highlights this movement, indicating a strong interest in incorporating these materials into modern design schemes. One prominent example of this trend is Max Lamb’s Marmoreal, a collection of large-aggregate terrazzo slabs and tiles available in White from Dzek. Terrazzo, a composite material made of chips of marble, quartz, granite, or glass set in a binder, has a rich history dating back to ancient Egypt. Lamb's interpretation reintroduces this classic material with a bold, contemporary scale, making it suitable for a wide range of applications, from wall coverings to furniture. The use of large aggregates creates a distinctive visual texture, providing a modern twist on a traditional material. Another notable contribution comes from StudioCharlie with their Fossili terrazzo charger by MIPA. This piece showcases the versatility of terrazzo beyond architectural surfaces, demonstrating its potential for decorative and functional objects within a space. The charger's design emphasizes the material's aesthetic qualities, transforming a utilitarian item into a statement piece that blends old-world craftsmanship with modern design principles. For those seeking more refined options, Artistic Tile offers the Geotzzo Ribbon Black honed terrazzo tile. This tile features a sophisticated black base with subtle flecks, presenting a sleek and elegant option for contemporary interiors. The honing process provides a smooth, matte finish, enhancing the natural beauty of the terrazzo and making it an ideal choice for luxury residential and commercial projects. Its wavy pattern adds a dynamic visual element while maintaining a sense of classic sophistication. Ann Sacks contributes to this trend with their Terrazzo Form Waterfall tile in Vicenza. This tile features a blend of white and darker flecks, creating a natural and organic appearance. The 'Waterfall' designation likely refers to its ability to create a seamless flow when installed, making it suitable for large surface areas like floors and walls. The Vicenza variant brings a regional Italian influence, connecting the material back to its historical European roots while presenting it in a modern format. Beyond traditional stone-based materials, innovation in flecked surfaces also extends to sustainable options. SAS Minimum's Le Pavé surfacing, made of crushed plastic waste, exemplifies this eco-conscious approach. This material, shown in a custom colorway at Sonia Rykiel in Paris, offers a vibrant and environmentally friendly alternative to conventional surfaces. The process of repurposing plastic waste into a durable and aesthetically pleasing material not only addresses sustainability concerns but also introduces a unique, rainbow-speckled texture that is distinctively modern. This application demonstrates that flecked surfaces can be both beautiful and responsible, aligning with contemporary values of environmental stewardship in design. These diverse examples highlight how flecked surfaces, whether through traditional terrazzo or innovative recycled materials, are bridging the gap between historical design and modern aesthetics, offering designers a rich palette of textures and patterns. #FleckedSurfaces #Terrazzo #InteriorDesign #ModernDesign #OldWorldStyle #SustainableMaterials #TileDesign #HospitalityDesign #ArchitecturalSurfaces

The article details a collaborative design-build project undertaken by siblings Maria De Cotiis, an interior designer, and Marco De Cotiis, a homebuilder, in East Vancouver. The project involved transforming a duplex into a 1,850-square-foot, four-bedroom home that seamlessly blends Old World charm with modern design elements, creating a neoclassical aesthetic. This unique fusion was specifically tailored to Marco's desire for a home that deviated from his typical Craftsman-style builds, leaning instead towards a "modern blend, like Norwegian style, but adding a touch of the neoclassical." The design process, undertaken in the aftermath of Marco's divorce, aimed to create a fresh start for him and his three daughters. The collaboration capitalized on the siblings' long-standing professional relationship, allowing for a deep understanding of Marco's vision. Maria incorporated clever design solutions, such as integrating millwork into roof slopes to optimize storage, contributing to the home's perception as a "mini mansion" due to its practical layout and efficient use of space. The main floor features herringbone floors, decorative molding, and ceiling flourishes reminiscent of fin-de-siècle Parisian apartments, which are juxtaposed with contemporary elements like flat-profile cabinet doors. The kitchen, being the central focus of the main floor, was designed to be highly functional yet not visually overwhelming. Maria achieved this by extending millwork across the entire back wall, painting it to match the decorative molding, creating a soft, monochromatic feel. A reeded panel was used to discreetly conceal the hood fan, with a Calacatta marble enclave housing the range. Sculptural counter stools with spherical elements serve as a focal point while maintaining a neutral palette, emphasizing a calming ambiance. In the living room, a curved sofa and chair continue the neutral theme, accented by black elements that define the space. A Samsung Frame TV, disguised as a painting, is positioned above a custom black marble mantle. The primary bathroom was designed to reflect a deep, moody vision, incorporating layered black marble in various formats and textures, complemented by art deco-inspired mirrors and sconces, evoking a luxury hotel aesthetic with a traditionally masculine feel. Conversely, the secondary bathroom, shared by Marco's daughters, adopted a feminine yet enduring design, featuring dove grey and lavender tones with layered marble tiles in different shapes and sizes, and a mix of polished nickel and gold fixtures. A small powder room on the main floor, strategically located, was transformed into a dramatic focal point with deep-red paint, bold mosaic floor tile, a floating corner vanity, a whimsical bird-topped mirror, and a glass-rod chandelier. The overarching goal for the home's design was to create a timeless space that would endure by harmoniously blending modern and traditional elements. #InteriorDesign #DuplexDesign #NeoclassicalStyle #ModernTraditionalBlend #MariaDeCotiis #HomeRenovation #VancouverHomes #CustomMillwork #MarbleFinishes